Posted by SuperMario on 22 September 2017 with categories: Anime Reviews, Sakura Quest

Conceived as a third installment in a loose P.A Works trilogy about young adult girls in working environment, Sakura Quest both knows its target audience well, and has some big shoes to fill. After all, many have considered Shirobako an install classic for good reasons. As it turns out, Sakura Quest is more on the level of Iroha than Shirobako, and it still has some of the same issues from its predecessors, namely it’s still too optimistic, hence comes off as sometimes unrealistic outlook to its subject matters; and it tends to rely on sitcom slice of life format (mainly in the first half) that feels unfocused and inconsistent at times. Despite these issues, the truth remains that Sakura Quest had never been bad. The show has some snappy, realistic dialogues, easy humors and it never treats their characters lightly. The show is at its best when it creates problems that force the main cast to reflect on their own issues, then learn and grow from their own issues.

Sakura Quest’s structure is split into two distinct halves. The first half focuses on several mini-arcs, where the Tourism Boards undergo many events that attract more tourists visiting Manoyama, at the same time give each of the main girl a character arc to flesh out who they are. Many events, from assisting filming production, matchmaking tours, to the TV programs about our girls and hosting a popular rock band to town, are exciting and at first glance, it gives an illusion that the Tourist Board has achieved its success. In part, yes, as the number of visitors consistently goes up, but when all is said and done, the town remains a ghost town with no lasting impact whatsoever (I love this image: the next morning, all the tourists are gone, only trash and coupons flying around). The decision to concentrate on main leads’ own problems and their dynamic together in the first cour, now in retrospect, actually serves its purpose since we come to care and root for them well before the second cour pushes forward its main storyline.

If you consider the first cour as “inward approach” (forgive me for the lack of more academic term), which is attracting tourists to visit Manoyama town, the latter half can be seen as “outward approach”, as the Tourism Board reaches to the local needs, goes to rural mountain where a small elderly community lives, reviving an abandoned school for public use, and strengthen Shopping District’s business. For me, it’s a much more realistic approach and the journeys along the way are all worth spending time for. You can compare two festivals – the Manoyama Founding festival and the revival Mizuchi festival for their differences in approach. The Mizuchi festival is made for the locals, by the local and achieving that level of enthusiasm from the villagers is something worth rewarding. While there are still some unnecessary plot points (here looking at you the merger of Manoyama town), Sakura Quest did indeed end on a satisfying note. This might be the end of the Queen’s run and all other girls, but it’s clear that it’s just a beginning for the Manoyama’s local to grow stronger.

Our five girls: Yoshino, Sanae, Maki, Ririko and Shiori play a big part of adding Sakura Quest’s identity. All these girls have their own charms, play off well with each other, and most of own develop greatly at the end of the show. Sakura Quest’s biggest strength lies in its ability to address the insecurity of young adults regarding their jobs, their place to belong, and their choices of life. Many issues it touches (most notably Maki’s unsuccessful acting job) feel achingly true and honest. The supporting cast, from Kadota, Chitose, to that kid Erika, add their own marks to the show’s big picture and it’s a joy to watch such a huge cast coming together for a big project. I bet Sandal-san will enjoy a great fan following as he steals the scene every time he appears onscreen. Thanks Alexandre Cena Davis Celibidache for compiling such a fantastic artbook about Sakura Quest.

P.A Works does a pretty decent job production-wise for Sakura Quest, although in some episodes (especially the final episode) the character models are a bit off. The soundtrack and the voice acting are all pretty spot on. Only a year has passed in this Manoyama town but it has been quite a journey. Every girl has their own dream to follow now, and life continues to go on and I know there will be a time that the five of them will meet again under that sakura tree they planted together. As a conclusion, allow me to quote the final preview speech from Sandal-san because it sums what I feel so well: “It was a long, long trip, and we’re coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO”

Posted by SuperMario on 21 September 2017 with categories: Classroom of the Elite, Currently Watching:

So suddenly, without mentioned at any point before, Horikita can suddenly kicks ass? Or that Horikita has been sick ALL THIS TIME? Or that Horikita still can kick some ass while being sick all this time? Since when the Class-D boys shrink into only Ayanokouji, Hirata and the 3 idiots? On that note, where is Sakura this week? It seems weird (and kind of sad) that she was dumped somewhere offscreen without anyone’s noticing when Class-D experiencing one crisis after another: panty thief, Horikita being sick (I don’t know how important of her being under the weather but the show sure is dead serious about that. Well, might as well include it here), Horikita lost her key card, and someone burned the manual to cause a ruckus among the class. Their objective? To stir Class-D up. Indeed, the girls have mistrusted the boys to the point they request the relocation of the boy’s tents, but isn’t it kind of defeat the purpose when the class, and eventually Horikita, find out that Ibuki was the one who stole the key card and RUN AWAY? Now that she has the key, it’s a matter of time before she hands it off to Nerriot Sparkling dude and class-C will definitely has an upper hand, right? Right?

Well, not really. Because after finishing this episode I don’t think Nerriot Sparkling is the one responsible for all this. In fact, there’s a good reason I believe Ayanokouji is the man behind all the incidents, and Youkoso has properly hinted many leads along the way. First, the most visible hint, is when Ibuki makes it clear that she didn’t have anything to do with the fire, and suspect Horikita for helping out the fire. That’s when it hits her that Ayanokouji was somehow involved in causing the arson. Second, he was the one who asked Horikita to show her key card, so that he’d know where she keeps her card. Third, he’s the one who talked/was seen with various “players” before they go off on their owns: he was patrolling with Tarzan before that guy went back to the ship (now I certain that he sent Tarzan to find out about other class’s leaders); he was talking to Ibuki before the whole key card incident happens; he might be the one who talked Yamauchi into putting the mud into Horikita.

If so, what is Ayanokouji’s objective. We know it pretty clear that his homeschool teacher “blackmailed” him to take some actions in order to move up the rank of class-D, so it’s safe to say that he’s doing it for Class-D sake, even if it means sacrifice some small fries and stir up the whole class a bit. Then, with all this scheming, what’s he about to do? Honestly I have no idea what good would bring if he steals his own class’s key card. Maybe it serves as a bait to for other classes? But HOW? Maybe it serves as a foil for other classes to think that Class-D is in trouble so they can have their guards down, but then, why deceiving Horikita as well? Also it is worth mentioning that Ayanokouji found out whatever Ibuki was trying to bury in a hole (maybe it has something to do with the lack of portable toilet???) and later we found out that the spot has been dug so whatever she was hiding is not there anymore. Youkoso once again brings more questions than answers, along with some ridiculous plot points (look, Horikita can do perfect breast-punching. Look, he was the last one who survived the experiment – the new Hitler!!) and some unbelievably character progressions. The only thing I expect from the coming finale is how badass Ayanokouji can be so Yokouso, make damn sure don’t disappoint me on that front.

Posted by SuperWooper on 21 September 2017 with categories: Ballroom e Youkoso, Currently Watching:

And so the Tenpei Cup comes to a close at last. It took five episodes to get from the first round to the awards ceremony, and not all parts of the competition were created equal, but I’m happy that my girl Mako managed to claim the Ballroom Queen award. After she received the trophy, there were several key players in the crowd who gave Tatara all the credit for leading so well, but I’m chalking that up to shounen hero bias. Mako is the more experienced dancer, with better form and greater stamina, and she’s one who managed to break up the Gaju/Shizuku pair and team with her brother once again. Despite everything that’s been said about their mismatched heights and skill levels, Gaju seemed relatively accepting of the situation (after pouting for a bit, that is), so we ought to see the Akagi siblings pairing together at future events.

Of course, Tatara played an important role in Mako’s victory, but his obvious fatigue and sloppy footwork helped to land them at the bottom of the finalist rankings, which translated to a 7th place finish out of 43 couples. That’s nothing to be ashamed of, considering it’s his first competition (if you don’t count his stint as Hyodo’s body double earlier in the series), but Tatara is ashamed, which is right in line with his character. Immediately after hearing that he hadn’t placed in the top two, he confessed to his coach that he’d been dwelling on his poor dancing abilities for the entire affair. There were tears in his eyes as he made that admission, which I felt were appropriate, but might have been more impactful if Ballroom hadn’t turned on the waterworks at least once a week for the entire Tenpei arc. All Sengoku could do was pat his head and tell him to take the floor with a smile, which he managed to accomplish. Given what we know about Tatara, though, this loss will weigh heavily on his mind for some time to come.

Tatara wasn’t the only character to be deeply upset by the final standings, however. Although Gaju and Shizuku placed first with ease, the loss to Mako in the Ballroom Queen category caused Shizuku no small amount of grief, as we learn from a brief post-competition scene where she cries quietly to herself in front of a restroom mirror. More interesting than her sadness, though, is her frustration, which shone through with the self-targeted accusation, “You’re terrible!” I’ve written a lot over the past few weeks about the similarities between Tatara and Mako, but this critical, unforgiving attitude is the first time I’ve picked up on a real link between Tatara and Shizuku. Their goals couldn’t be more different, but it’s possible that they share more narrative DNA than meets the eye. Both are newly partnerless, as well – could they possibly join forces for the upcoming DanceSport season?

If you watched past the ending credits this week, you were treated to a handful of scenes revolving around Tatara’s high school entrance exams. Near the end of the episode, as he and his dad celebrate his acceptance, a redheaded girl can be seen smiling and walking away from the jubilant pair, though the camera refuses to travel above her mouth. If you’re familiar with anime character introductions, you know that withholding part of someone’s face means they’re an important part of the story. Spoiler alert: this girl is Tatara’s new partner, not Shizuku. The redhead’s name is Chinatsu, and she’s my favorite character in the manga, which begins to focus on Tatara’s high school life after this point. I like Ballroom most when the characters are bouncing off one another outside the competitive setting, so hopefully the anime director has resisted the urge to truncate some of my favorite parts of the story. Fingers crossed!

Posted by AidanAK47 on 20 September 2017 with categories: Currently Watching:, Kakegurui

So…what am i supposed to say here? Yumeko wins, the treasurer loses and now the show looks to be teasing a matchup between the Student council President and Yumeko. I would say it’s a good thing this shows end looms near as my interest in it has just about petered out. I love seeing smug scumbags get just desserts as much as anybody but there is only so many times that the same story beats can be repeated. The games may change and the people playing them but the formula is the same. Yumeko challenges them, forces them to put their life on the line and wins. That’s essentially the admittedly bare bones rundown of this story from start to finish.

In this case the differentiating factor was the inclusion of Itsuki who backs up Yumeko with her cash. The series seems to treat this as some master plan by Yumeko to get the treasurer into putting more into his bet than he can pay off. Who goes as far as to bite off her fingernails because of…dramatic effect? Actually why did she do that? Wait, how did she do that, I mean if she bit down hard she would have just bitten through them and somehow managed to tear off all ten of her fingernails cleanly with her mouth. Honestly that’s very impressive for a ridiculously useless skill. So they managed to trick the Treasurer by doing…something. Honestly i have difficulty in following the logic as it seems to be along the lines of fooling the Treasurer into thinking Yumeko was going for a weak hand and distracting him with the theatrics of Itsuki so that he didn’t take the safer route. A ridiculously risky plan which has me wondering just how the two could be so ridiculously confident in it.

Enter the student council president who seems to display the same level of insanity of Yumeko that no one can quite understand. In fact I say I would be clueless without context as well seeing as the president starts off by talking about supernovas. Overall this talk seems to show that Yumeko and the president are on the same level of crazy and are both addicted to the risk of high stakes gambles. Evidenced by her cornering her own member of the council just to make a gamble more interesting. The way this interest in risky gambles always seems to be displayed is often though high sexual excitement. Which sort of trivialises it as not so much an intellectual thrill and more like a masochistic fetish. In fact, a lot of the interest in this show are visualised in a sexual manner, even the Secretary’s respect for the president is more along the lines of romantic attraction, if evidenced by the heavy blush she had just by the president revealing herself. I swear, what is with this show and yuri undertones? I am pretty certain no one in this show is distinctly homosexual so why? I mean I know the obvious reason why…but why?

Posted by AidanAK47 on 20 September 2017 with categories: Currently Watching:, Made in Abyss

It’s been an issue I have wanted to bring up before but the previous episode recaps of this series are rather long. Today’s was the biggest offender as the first three and a half minutes was just footage from the previous episode. While these kinds of recaps are handy for those watching weekly to catch up, they do pose a problem to those marathoning the series in the future as they will likely be moving from episode to episode which each starting with an unnecessary reminder. Of course I realise that these recaps are not so much for informing the viewer of previous events but rather making it that less needs to be animated for each new episode. I doubt Made in Abyss is a cheap series to produce and those backgrounds alone must take serious effort. Regardless being the greedy sod I am I cannot help at feel disappointed that less content is present in each episode. Whether you love it or hate it, Re:Zero did right by making it that the opening and ending were often cut from the episode in favor of animating more content. (Still waiting on a second season White Fox. New Ova is giving me hope, but there better be a second season announcement.)

As the episode title suggests, this episode was all about Nanachi. Nanachi being living proof of what happens when you try to ascend the abyss from the sixth layer. She got off lucky by keeping her sanity and personality despite be turned into a rabbit like creature but her friend wasn’t so lucky. Mitty is more like the real result that would happen should a human try to ascend the abyss, a gelatinous genetic mess with little cognitive function. It’s still uncertain as to what the curse of the Abyss is but this certainly qualifies as a fate worse than death. I really like that this show really doesn’t hold back on the glorious duties of hospital treatment. Suppositories, piss soaked rags and even attaching fungi in a similar manner to leech therapy. This stuff isn’t pretty but it gets the job done and when you’re a patient, dignity stays at the door. So far I like Nanachi’s dynamic to the group as she’s the more experienced but also playful and smarmy addition to the group. She already works well with Regu’s straight laced nature and with Riko’s earnest attitude I think she could add a lot to the series. Of course it’s still a question of whether she is actually going to join the two on their quest to the bottom of the abyss but the opening and ending of the series almost makes that a certainty.

There is a small glimpse into Regu’s memories as he recalls being present at the grave marker for Riko’s mother and the words he recalls seem to suggest that Riko’s mother was the last to see Regu off when he journeyed to the surface. I sincerely doubt that RIko’s mother is alive at this point and even if she is alive i would say she’s likely no longer human. In fact I was willing to bet on Nanachi being the transformed form of her mother but considering her reactions to the whistle and her connection to the other white whistle that is looking to be unlikely. We are nearing the end of this series and while the last episode is an hour long feature I have to wonder on just what note Made in Abyss will end on.

Posted by AidanAK47 on 20 September 2017 with categories: Currently Watching:, Fate/Apocrypha

If Fate/Apocrypha can keep up this level of quality till the end, I may just change my overall opinion on it. I don’t think it would match the works of Fate/Zero or Unlimited Blade Works but it could beat out the 2006 Fate/Stay Night, Prisma Illya and Fate/Grand Order. It’s a decently respectable position in that regard. But of course this is mainly because the following series of episodes have been one extended action sequence and it will be a wonder as to how the show will move forward after this. So against the wishes of Vlad, Darnic forces him to use his Noble Phantasm, Legend of Dracula. Thereby turning Vlad into a bloodsucking vampire with all the benefits and negatives that come with the change. I can’t say I am fond of the forms design as I think the ears are too big and make him look silly. He gets a fairly massive power boost and has the ability to turn those whom he sucks blood from into his vampiric underlings. An ability quite dangerous for achilles in particular as his special in invulnerability would not stop him from being turned into a vampire.

Seeing the threat that Dracula poses to not only them but the entire world, everyone agrees to take him down together. Much like the bees in Fate/Zero, just having one vampire make it out of the garden could end up creating a apocalypse so it makes sense that heroes would put the protection of the world above the Holy Grail War. A part which always confused me a bit in the novel was Dranic somehow using a command seal to take over his servant. Command seals can indeed grant special boosts, hence why Ruler ordered everyone with a command seal despite everyone agreeing to fight Dracula. However I find the particulars of this command rather questionable in regards to the rules. Command spells can’t necessarily do the impossible and this command is similar enough to Rin’s command in the fifth holy grail war for Archer to have absolute obedience. When the command is rather vague it generally weakens its effects so I find this questionable. Though to preface it I believe Darnic has kept his young appearance by taking over other bodies so he may be using his own magecraft to take over Vlads.

I at least understand why Darnic did this despite it seeming a desperate and risky gamble for when you look at it, the Black faction where practically finished. Berserker and Saber are dead, Rider is injured, Assassin is rogue and the only servants left are a relatively weak caster, Archer and Lancer. Vlad was well on his way to being defeated after losing his territory bonus and there is no way the other two could beat the five servants on board the Gardens of Babylon along with the Saber on the ground. So this desperate move makes sense but it sadly it backfired on him. All the servants turned against him and he was killed by Shirou Kotomine, now officially revealed to be Amakusa Shirou Tokisada who was the Ruler servant from the third Holy Grail War. I swear, the more I hear about the third Holy Grail War, the more I want to see it. Sounds like one hell of a party. You likely don’t know who he is and the simple answer to that is that he is a Japanese Catholic claimed to have holy powers who lead a rebellion against the Shogunate in 1638.

Considering this Dracula was up against a catholic servant trained by an organisation packing black Keys made for the specific purpose of hunting down Dead Apostles.(Aka, Magically made Vampires) This is why in the Nasuverse matchups are decided not by those with the greatest stats but rather the one with the best compatibility. You can have the best servant in the world and still be outmatched by someone with the right abilities. Hence why you can argue till the end of the earth about who would win in a fight with Nasuverse characters. This fight went a bit differently in the novel as their Shirou smashed Dracula’s head into a wall while performing an exorcism but I think this restrained manner was more suitable. Next episode will be a recap episode so there will not be a post but with the Black Faction well on their way to defeat just how will the story go?

Posted by Lenlo on 19 September 2017 with categories: Currently Watching:, The Reflection

This week The Reflection continues on towards its finale. Finally all of our characters are in one place and raring for a fight.

Reflection starts off right back with the Idol group, being unable to decide between beef or fish. Apparently an episode named for the dilemma wasn’t enough. Reflection quickly cuts back to Elen and Steel Ruler though, in the street where we left them. A van pulls up and Elen quickly gets in, riding away with Steel Ruler and her group. Right behind them however is the Government woman and her squad, tracking them. I am curious if Elen knew about this and set it up, or if this is happening without her knowledge. I would also like to know what assurance’s Elen has that the hostages will be released, since she so meekly stepped into the van.

With Elen on her way, Reflection cuts back to X-On, Lisa and the Detective. Its very quiet as Lisa is “asleep”, X-On is brooding and the Detective is drunk. Its a pretty weird scene that hangs for awhile, panning from each character doing nothing. Suppose we deserve to know what everyone is doing right now. We cut back to Elen and see the Government Woman tailing her, very very closely. Its almost ridiculous, as no one could fail to notice them. Steel Ruler tells one of her lackeys, Conman we learn, to do something. We saw him in action briefly before, and it appears his ability is to cause illusions. He fills the Government truck with fake snakes and it almost causes them to drive off the road.  Unfortunately for them, the Government Woman holds out and takes control of the wheel, keeping them on the road.

With that plan foiled, Steel Ruler tries something else. Using the ability we have seen before, they begin to phase the car through buildings, driving as if they weren’t there. This allows them to completely ignore roads. However, somehow, the government managed to put a tracker on their car and through clever driving manages to keep up with them. Somehow in all this, the streets of LA are empty and not a single person sees any of this, but hey, budget concerns I suppose. Eventually Steel Ruler and the Government are driving along a large storm drain. With all of her previous plans foiled, Steel Ruler only has one thing left, raw power.

We see the Lightning man, from Vy and Michael’s first episode, leap out the back of the moving van. The Government smashes into him and goes flying, no doubt because of his electricity. As he approaches the wreck to finish the job, Vy arrives to hold him down. Its a quite fight, before the helicopters and such appear. He steps into the water and zips away, using his power intelligently. Before we continue however I have a quick question. If you had helicopters and that large a group, why not use them to track Steel Ruler? They clearly weren’t being stealthy about it already and a squad of helicopters is much more difficult to take down. If flown high enough they are also difficult to notice. It all seems rather poorly planned to me.

The helicopters arrive and take Vy and Michael away. We cut back to the motel and find it surrounded, with X-On and Lisa taken into custody. They are escorted to an underground base and briefed on the situation. The entire time X-On hasnt said a word, yet everyone here seems to know who he is, whispering his name as if hes Voldemort. We are given a quick repeat of a few scenes and some more explanation as to the Darkness and the “Brightstar”, but none of it is particularly interesting. During all this, we see Lisa and Vy wanting to leave, though for different reasons. Lisa just hates the whole situation while apparently Vy is being “drawn” to Steel Ruler/Wraith. Deciding that’s a good thing, X-On tells Lisa to let Vy go and she escapes through the ceiling. Apparently the military wasn’t prepared for giant robots and metal monsters.

Soaring through the air after Vy, they are seem by Ian who is driving along looking for more punks to smash. He diverts course to follow them, meaning he will definitely be at the upcoming final battle. While driving away, Ians fancy new car passes by the Idols school bus, marking them as finally being in LA. The episode ends with Elen arriving at a nice house and meeting evil Stan Lee. Apparently, Wraith is ready and waiting.

Not much happened this week, and little of what did was interesting. Lots of bad shots and weird directing, but the car chase at-least was nice to watch. A good amount of action and some nice animation. The Lightning Man in particular, with the flat blue shades, looked great. Most important of all this week though, the Idol group is final in place to actually do something. Will we learn their names? Maybe their powers? Will we get to see them do anything near what they have been hyped/built up for? Find out next week, on The Reflection.

Later.

Posted by Lenlo on 18 September 2017 with categories: Currently Watching:, Katsugeki Touken Ranbu

Welcome to the penultimate episode of Ranbu! Unable to end with a small, personal story, Ranbu prepares for the largest battle yet! Lets jump in.

Ranbu opens up right were last week left off. Kane’s sword falling, to strike Horikawa. Instead, it cuts into the dirt at his feet, moved aside at the final moments. I mentioned last week that I would be disappointed if this ended with Horikawa surviving. If some magical power of friendship caused him to return to the Citadel. However, I failed to consider another option, where it was Kane who faltered. Unable to kill his partner, he fails his duty and lets Horikawa walk away, and I can accept that. For Horikawa to survive, one of the two had to fail/betray their beliefs. Horikawa would have had to leave Hijikata to his fate and Kane had to let a clear threat to history leave unchallenged. All in all, a good way to open the episode.

With the arrival of their Master Saniwa however, everything starts to go down hill. Saniwa teleports in right next to them and starts one of the dullest scenes in the series. In this scene, Kane and Mutsunokami explain what has happened and Saniwa simply… accepts it. He says, why not do both? Why not protect the innocents and history, as if it was that simple. Does this mean he just didn’t care before? The only thing I gathered from this conversation is what I suspected weeks ago. That Saniwa has no personality and is purely a springboard for plot/explanation.

As it is, that is exactly what Saniwa does. After their chat he teleports them to the battle of Hakodate, 3 years in the future-past. This isn’t made clear however, as they simply teleport and the battle is suddenly underway, without any indication that time had passed. What this means however is that Horikawa has been here, waiting for time to pass normally, for 3 years. Whether or not this has had an effect on him, I cant wait to see. This also means though that Tonbokiri, Tsurumaru and Yagen were left to watch-over Ryoma, so our 2nd Unit must fight without them.

After a quick explanation of what is going at the Battle of Hakodate, Saniwa deduces that the Retrograde will no doubt be here. As he finishes, supposedly 50 Retrograde solders are teleporting in, causing Mutsunokami to question if they are trying to change the course of the whole battle. I doubt 50 soldiers could accomplish that in a battle of thousands, but we will leave that alone for now. Kane and Mutsunokami quickly cut down some stragglers before meeting the full force. Knowing they cant do it alone however, Saniwa summons in some reinforcements. In a pretty, sakura flower effect, the 1st Unit arrive and they make short work of the group of 50.

During this whole segment, the character moments aren’t worth mentioning, but the combat itself is quite good. We get a number of quick blade exchanges with actual choreography. Clearly they were saving it all for this grand finale, as we soon learn that the Retrograde are sending in a staggering 1000 soldiers. What confuses me about this, is that the Retrograde has never done this before. Do they have limitless soldiers? If so, why not over run any other time period instead of sending groups of 10-20? This inconsistency in tactics and numbers makes this whole event feel like the typical Shounen bump in the stakes of the fight. Like most, Ranbu fails to realize that the best Shounen arcs tend to be those with the more personal stakes. The ones that don’t require ridiculously strong or large number of enemies. But I am getting sidetracked here.

After leaving the First Unit, Kane splits up with Mutsunokami so that he can track down Horikawa. He runs through the fields towards the Shinsengumi encampment and manages to sneak inside. Curious what their guard situation is like for him to do this, but once again we will ignore it. Kane arrives at Hijikata’s personal room, the room we saw in the flashback. He examines the map with the armies laid out, the sword that both sits on the desk and at his waist. While doing so, Kane hears a voice and footsteps approaching. He quickly hides out of sight, seeing Hijikata enter the room. No doubt this is the scene we saw before, where Hijikata gives the sword to the young man, to return to his family.

However, instead of the young entering the room, its Horikawa! During his 3 years stuck in this time, it would appear that Horikawa has taken the young soldiers place. Its  clever reveal, as I had not considered Horikawa taking his place, yet when the flashback was first showed I thought they looked similar. Now the only question is, what is Horikawa’s endgame? Does he plan to return to the battlefield, giving Hijikata the sword, so that Kane can participate in the battle? Will he try to kidnap Hijikata and remove him from the field? Perhaps he spent the last 3 years attempting to talk to him, get him to change his mind. What about the ridiculous, 1000 Retrograde soldiers?

Regardless, it all comes to a head in next weeks final episode of Katsugeki/Touken Ranbu. Talk to you then folks!

Posted by SuperMario on 18 September 2017 with categories: Currently Watching:, Princess Principal

Hmmm, something doesn’t ring true here. As this episode ends, we can assume that the Princess and Ange have a big break-up, Princess plays the role of Ange under the Princess’s disguise, and Ange has gone to Casablanca to live in a casa blanca for good. To be frank, I never really buy all that. I have no doubt that Ange can escape the airship with ease (she has the map that clearly shows the emergency exits), or better yet, I’m thinking that it was Ange who appear in front of the enemy. So, the real-Princess playing the real-Ange playing the Princess playing the fake Ange playing the fake Princess now. Seriously Princess Principal, how much more layers can you get? Thus, the next logical step would be Ange intends to be discovered as the Princess pretending to be Ange. This development would fit what Ange vowed to the Princess when they met again (to deceive everyone, even herself and the Princess to reach the goal), but if that’s the case then the rift between those two at the end of this episode will feel incredibly cheap.

Back to where it starts, this episode is obviously the lowest point for our team, with the Princess is isolated for the rest of the team, and slowly one by one is dropped out of the mission. Dorothy is discharged, Chise is transferred and Ange is tailed by the guards and spies from her own team. The Principal adds up to 8 members, with the exclusion of our core members. It comes as a surprise for me that the Princess takes no caution regarding this change. Usually as soon as someone like Zelda (or Z. as opposite to A – Ange) shows up and declares to be her personal guard, she would fell strange that Ange didn’t contact her as well, so I really think that the Princess knows all about it beforehand and either she plays the role to not let others think she knows, or Ange and Princess have swapped roles since then.

But I might just give Ange and the Princess too much credits.

At the same time, the coup has raised against the Royal, mostly from colonial soldiers who are unhappy with the Kingdom. Well, this new development appears way too abruptly and quickly, as we never even heard of it prior to this episode. But for its credits, abruptly and quickly are the very quality of a coup, and it connects to the main plot line as the coup determines to kill the Queen and replace her with the fake Princess. Sound very reckless and bold but if they play the right cards, with the support from the Control and the Commonwealth’s military, they could really take over the Queen. Wonder who’s the mastermind behind the coup? Certain Duke? But based on what he discussed with his favorite spy, he seems to have no idea who is behind it either. Or maybe it’s Ange’s idea all along.

Of course, I have given Ange far too much credits.

Our other girls don’t have much screen time this week, Dorothy squeezes the best out of little time she got however, as she clearly states that she won’t kill the Princess because she has grown attachment to her. Chise doesn’t leave much emotional attachment to the farewell scene, so it’s a bit disappointing. While the animation and the visual are still on par with the course of Princess Principal, this might be the first time that I find the presentation uninspiring (well, except maybe for the grand clockwork Christmas tree). I can’t really say whether this episode serves its purpose or not until I see how it all plays out, so I’ll reserve my comment until then. This is the time where our girls are the farthest to reach their goals, but I have no doubt that they will raise again, strike back with a big bang.

Posted by SuperMario on 17 September 2017 with categories: 18if, Currently Watching:

Hum, never know that Eve is a ginger and has wings like an angel and wears that cool dress. I’ve always thought she’s always naked. hmmm

Finally, 18if provides an overarching double length plot to wrap everything up. We have an episode that splits half of the time as a recap of what previously happened in their first ten episodes (which run a bit too long for my taste) and another half serves as the Matrix-inspired progression where they attempt to twist everything by saying that the dream world is real and the real world is all Eve’s dream (I hear someone whispers “a lie about a lie. It turns inside-out on itself” *snap*) and we do learn a bit more about Haruto’s role in all this. As a whole, I’m in favor with this new direction for a conclusive ending since the previous Witch of the Week format had been too inconsistent for its own good and only occasionally added up to the big picture. However, I am somewhat mixed at the actual presentation. I can get behind the admittedly pretentious theory from the cult leader. It’s silly but it doesn’t feel out of place with what 18if established so far. Introducing new characters this late of a game, in contrast, doesn’t sit right with me; especially the guy who is voiced by my favorite voice actor Hiroshi Kamiya where I don’t see any real role for him.

Basically, what the cult leader and Lily explain is the same story told by two contrasted perspectives. What they have the same in their story is the awaken of Eve (yes, our Adam and Eve). She is the Mother Goodness of Sleeping Beauty, fall hopelessly into sleep after eating the Fruit of Knowledge. She dreams of this world, the world we live in now, as a place where human receive punishment for their sins, blah blah all the things that basically written in the Bible. Those 10 Witches served as maidens/linchpins (again, depend on whose perspective) to guard the Sleeping Eve and now all of them have awaken by a certain someone. On one hand, the Thorn Cross Association believes that the Sleeping Beauties are the ones who “waking up” from this dream world, so it’s extremely worrisome for them now that all the Witches have been returned to this cursed world. They found Haruto guilty and thus, try to kill him and wake up Eve. Lily, on the other hand, reveals to Haruto that she’s the one responsible for not waking him up, so that now he would go on to kill Eve to save the world from destruction. (Of course, all roads lead to Rome. Every plot points in Anime has to lead to the “saving the world from destruction” scenario so we know they’re SERIOUS.)

We have a first glimpse at Yurina’s appearance (The Professor’s sister) and at this point I can assume she’s either Haruto or Eve. It makes more sense if she’s Haruto since I discussed in detail last week (and she has the same hair color as Haruto). It’s nice to see all the former Witches again, even only with the slideshow (although I swear I can’t take those flashbacks seriously with Haruto having a boner) and in the end they appear to form group in order to save Haruto. It’s a shame only 9 of them are able to make it back to the real world (the Witch of First Love in episode 3 passed away) but I am very excited to see all the girls in real life interacting with each other and I do wonder how 18if manages to put all of those different character designs altogether in one setting. I have to note that towards the end, 18if uses new scores – the first one is very impressive with its moody classical tone, the second one though… sounds exactly like Hand Shakers score for some reasons which leave a sour taste to the mouth. With only one episode left, and with the Final Boss finally in sight, I wholly expect a massive fight between Eve and all the former Witches + our team (the title is named “The Witch Wars” after all). Let’s hope 18if can pull off a satisfying ending.

CHANGE USERNAME
SuperMario
@Travlos: I don't mind if you do a guess review on Virgin Soul, but let's me check with other admins first.

On Virgin Soul, I'm not sure if I like the bew development. It suddenly does a 180 degree turn on King Charriot, which I don't feel rewarding.
KTravlos
Kakegurui will have an anime original ending. It might be better than the ongoing manga. We shall see. An enjoyable foray.

Virgin Soul is going for a nice explosive ending. If no one writes a review, I would be willing to write one.
Kaiser-Eoghan
*kind of
Kaiser-Eoghan
While its very much in the shadow of the first and the protaganist started out kind annoying, I kind of got caught up in the spectacle and sentimentality of gunbuster 2.
KTravlos
Urasawa is preparing a new manga
KTravlos
yes the episode where Julian watched the documentary was fun. The Caligula like character comes from one of the lesser episodes of the series, when Kircheis beats up some rebelling third rate noble in the Empire.
Kaiser-Eoghan
Goddammit, fail, it just changed the colour of the login name...
Kaiser-Eoghan
I declare in the red truth that the next anime I shall watch is Diebuster.
Kaiser-Eoghan
From what little I saw, I remember a Caligula like character in one episode.
Anonymous1409409
I remember there's an episode where Julian just goes on Space Netflix and just watches a documentary. I actually liked that lol
KTravlos
yup, a LOGH that run like the Altair anime would be bad. It needs to show the sweep of history
AidanAK47
@Anon, I actually liked that aspect. It made the history of the world feel real.
Anonymous1409027
It's compressible, as there are many episodes of buildup, but that's where so many of the interesting details and depth of planning become evident. Some of those episodes read like a history textbook though, so we'll see how the new adaptation handles them,
Anonymous1409027
*pleasantly
KTravlos
Tytania was ok.
Kaiser-Eoghan
On the Amakusa Shiro reference in the fate review, I've seen a film about him from the 50s , theres also an old josei manga where the protagonist ends up becoming essentially regarded as him.
KTravlos
Hi Kaiser. Supposedly this is a re-imagining of the original story. Thus independent of the OVAs (old serieis). What exactly re-imagining means is something I and you do not know. We shall see. But it does mean that you do not need to watch the old series to enjoy this one. The OVA was definetly more expansive than the novels. So my guess is they will stick to the novels.
Kaiser-Eoghan
There's another anime, called Tytania based on his novels but I haven't seen that series.
Kaiser-Eoghan
As in condensable in the way nothing much is lost? I assume there are fillers in the original?
Kaiser-Eoghan
I'm indifferent to the aesthetics of the new version. What I'm hoping for is that it will be accessible to newcomers and that I'll be able to jump on to the old series where the new one leaves off. I've seen very little of the original and it was a long time ago, is there any way the story is condensable?
KTravlos
The fact that they stayed away from the disgusting new manga is great. I am not too keen on the CGI ships, but they also did not rankle. It looks like it will honor the spirit of the old series, and I cannot ask for more. I am a massive LOGH fan. And the new video out gives me hope of revisiting one of the greatest sci-fi/historical settings out there. I am happy.
AidanAK47
I hope they are using the old anime as a base and not the new Manga adaption. As that Manga adaption is seriously lacking.
AidanAK47
@Anon, I like that they blinged up the space battles which is good because those things could get tiresome. But I really hate the design of Yang Wenli. They made him look so much younger and bishi. I don't think i could take this guy seriously if he started one of Wenli's signature hypothesis.
Anonymous1408919
Thoughts on that new LOGH PV? My expectations were low, so I'm presently surprised. Obviously they made everybody pretty boys, and Mamoro Miyano is voicing Reinhard I believe. But art and animation actually looks pretty decent overall. It's a PV, and LOGH's best quality is it's story and characters, so we'll have to see if they remain faithful or not. But it's nice to see it get a visual overhaul.
AidanAK47
By the way this site has the first chapters but check the other versions to find them.
http://mangapark.me/manga/tsurezure-children-wakabayashi-toshiya
AidanAK47
@Mario, Indeed. It's also a pity that over half the couples in the manga were not featured. We only got a small taste of Patricia.
SuperMario
Or maybe I'll try to read the manga. The last time I checked it online, the site doesn't have its first few chapters
SuperMario
@Aidan: man, Tsurezure Children sure is sweet. Really sad to see it ends
AidanAK47
So that's the end of Tsurezure Children.
....I'm gonna need a second season. Now.
....NOW GODDAMNIT! NOW!
KTravlos
As I said I understand the criticisms to RE:Creator, but ultimately I enjoyed most of the show. It could had been better, and it is a missed chance. But I have seen worse.
Kaiser-Eoghan
I gave up halfway through, there weren't even enough action scenes and those that were didn't justify waiting around for.
AidanAK47
Could have at least delivered on the action but that was rendered pointless due to the majority of the cast turning good and Altair being a complete cheat character.
AidanAK47
It would have been really fun to see characters discuss their stories with their creators or indulge in what our world has to offer but they really glossed over that part.
AidanAK47
It really should have gone deeper into the whole meta aspect introducing anime characters to the real world. Like they did with Mamika's powers being ridiculously destructive when outside a kid friendly setting.
AidanAK47
@Puran, I at least like the message of the final episode. But as for the show itself it was just missed potential on a lot of levels. I wanted Anime Genre battle royale and instead got a secondhand Shirobako with a crap shounen anime attached.
Kaiser-Eoghan
I have been forgiving of Anno as I've gotten older.
Kaiser-Eoghan
I also just re-watched gunbuster, I'd previously dismissed the ova after a few episodes when I was a teenager, I'd found it too slow, didn't have that issue with the 90 minute version I just finished. I've never see the sequels.
Lenlo
Ill have to finish Creators... at some point
Kaiser-Eoghan
I've been dipping back into the Lupin franchise, Gold of babylon was particularly screwball, kind of ridiculous comedy caper/adventure thing you just have to run with....turns out it was directed by a live action filmaker I especially like who made bizzare noir films in the 60s.
Puran
So that explains why Meteora had so much air time in Re:Creators. It's her story....

I hated the ending and I disliked the anime overall.
Kaiser-Eoghan
@Mario: It was a genuine surprise to see that Assayas decided to make a film framed around hentai =P
Kaiser-Eoghan
@Mario: I loved how incoherent demonlover was.
Kaiser-Eoghan
@Mario: The criticisms I'll give wind river, is a slight inconsistent performance from Renner and that very awkwardly inserted flashback scene.
SuperMario
@Kaiser: on Wind River, I agree it's a well-executed case of the week drama, although there are some plot pregressions that I don't get (how did they find out about the man's corspe again?). About Demonlover, man, the film gives me a chill down my spine. Heartless. And a bit misogynist.
SuperMario
@Kaiser: as much as I loved Wong (yeah I too prefer him over Malick), sometimes I do think Western cinema give him too much praise that sadly overshadow other Asian directors.
Kaiser-Eoghan
@Mario: Wong is important to me as a hong-kong filmaker, he offers something entirely different from the whole Woo/Lam Hong komg movies.
Kaiser-Eoghan
@Mario: On a more positive note Maggie Cheung did mention that she felt her early work with Wong was when she first truly became a proper actress.
Kaiser-Eoghan
@Mario: ....I had no idea he had such a sad background.
Kaiser-Eoghan
*investigation drama
SuperMario
@Kaiser: that film also marked/ signified a rather sad period of Hongkong showbiz. Leslie Cheung badically lived the live of the protagonist and commited suicide in 1997. His girlfriend on screen, during the filming, was kidnaped, raped and taken topless picture. The damnest thing is that everyone knowed the culprit but did nothing, and in the press it was just deemed as "kipnapped and assaulted"
Kaiser-Eoghan
@Mario: Wind river was a big surprise for me, just goes to show that with the right execution an ordinary police drama movie can be elevated higher.
Kaiser-Eoghan
@Mario: Thats the interesting thing, tracking a directors career.
Kaiser-Eoghan
Just binge watched the new dominion tank police ovas , admittedly these are kind of reptitive and extremely silly but its hard to hate on something so shamelessly fun that made me feel like a child again.
SuperMario
@Kaiser: you said it there. DoBW is rather raw and unpolished but that's one of the reason why I am drawn to it more compare to his other works.
AidanAK47
In all honesty, it would be nice to finally see a continuation after fusion as all games after that have just been adding chapters in-between.
Vonter
Finally I wonder, if Metroid Prime 4 will definitely branch out of the main Metroid's continuity. It's curious how an interquel subseries is still going to add things in between the first and the second entries in the main franchise.
Vonter
AidanAK47 - I think is nice we can see both takes. Especially since neither one despite a few qualms are still very solid entries for this franchise. I just hope Metroid moves forward, as IMO this is the only game that really needed a facelift do to the heavy limitations of the gameboy. And I hope the secret gallery at the end is teasing how the producer plans to move the plot forward.
AidanAK47
I thought it might be like that but it's good to know they are at least on a close level. I didn't really want Samus Returns to replace AM2R as the "Definitive" version of Metroid 2. Mostly because a lot of love was put into AM2R andit came at a point when it felt Nintendo didn't give a crap about Metroid.
Vonter
Like Zero Mission there's something added to Samus Returns but I'll just leave it at that.
Vonter
I think both have strong points. Samus Returns have better boss battles, gameplay mechanics and more intense action pieces. AM2R IMO has more atmosphere, takes advantage of elements Nintendo don't even try like the Federation subplot, and the ending portion narratively has more heart in AM2R, while in Samus Returns it feels mostly like "the final level".
Vonter
I also did got lost a couple of times in Samus Returns and aside from the big water section in AM2R, the latter is more linear game.
Vonter
I think the controls in Samus Returns bring more to the table though. The 360 aiming makes for better ways to shoot enemies and some of the bosses take advantage of that. If it weren't for the 3DS giving hand cramps because you're holding L and R at several points it'll be completely the most ideal way to play.
Vonter
AidanAK47 - AM2R is very good, I think it has the advantage that because it uses sprites IMO backgrounds and enemies are more vibrant and easier to appreciate. The Federation soldiers are better executed in AM2R and that secret section with the ship is very eery.
AidanAK47
@Vonter, How does it stack up to AM2R? I bought it and am still waiting on it to be delivered but I have the feeling that AM2R would be the better game when comparing.
Vonter
I took me 12 hours to 100% and I've heard the best ending is beating it in less than 4 hours. I think unlike Zero Mission item percentage don't matter, it's mainly to unlock an art gallery.
Vonter
My main criticism is this being a 3DS game. Small enemies can be hard to see or appreciate. And I think the 3DS wasn't made for heavy action packed games like this or Smash Bros. I got the rubber from the circle pad come off in two occasions. Also unless there was something big in the background, several areas felt lacking in detail. Still Samus and the bosses look good.
Vonter
In terms of difficulty, the game has the enemies packing more damage than in other 2D Metroids. Is difficult in the sense than you can't tank damage as in other iterations, you have to be aware of enemy behavior and bosses mainly get easier do to familiarizing with their patterns, since I did die a lot each time I faced a new boss. And got used to kill them faster as I went along.
Vonter
Ok, so I beat Samus Returns. It's quite good. Unlike Fusion that had dialogue at midst the gameplay. Samus Returns only has a prologue of exposition and any cutscenes mainly accentuate the reactions of Samus confronting a new enemy. The level design is dense, despite having isolated areas like in Fusion and the original Samus Returns, each area is very mazelike.
Kaiser-Eoghan
@Mario: =< Awww I kind of like demonlover actually despite all its flaws, it had great sound design and had this cold, clinical, un-nerving mood to it.
Kaiser-Eoghan
@Mario: Days of being wild does feel a bit un-realized/un-polished/rough compared to his other work definitely but its probably the rawest I've seen from him and that has its appeal.
Kaiser-Eoghan
@Mario: Haven't seen farewell my concubine come to think of it. Regarding the scifi element I felt I embraced it more further into the film when it started to intermingle more.
While I am more forgiving toward Malick's recent films than most, that decline in quality means I have to pick Wong.
KTravlos
by the way in RE:Creators we probably will be getting a future series focusing on the hunt for Magane :p Meteora probably playing the role of detective. I also bet her novel will be wordy and heavy in exposition :p
KTravlos
i.e his end game might had been a cross-species revolution against him anyway. We will see
KTravlos
In Bahamut Chris proves to not be totally evil, but he is totally crazy. That said I am seeing one of my hunches getting supported, the hunch was that his cruelty towards daemons was with the purpose of bringing them down enough that they would be willing to work with humans as euals (As they are in Jean's army) and thus via that create a more unified world. I
KTravlos
RE: Creators has come to its end. I know the problems everyone has with it, and while it failed to raise to the level of exceptional show, I loved it. As I said, it had been years since a show kept me so excited episode after episode. They blew it at some point, but ultimately for me this is an en-joyful show, and one I would happily binge watch in the future again.
SuperMario
@Kaiser: question for you though, between these two directors, which one do you prefer: Wong Kar-Wai or Terrance Malick?
SuperMario
@Kaiser: if you enjoyed both 2046 and In the Mood for Love, by all mean check out Days of Being Wild. The trio forms a loose trilogy and Days of Being Wild was the first film that Wong began his unique unconventional style. It's one of my personal favorite of Wong and it's a chance for you to watch the late Leslie Cheung acted (you might watch him already in Farewell My Concubine)
SuperMario
@Kaiser: 2046 is indeed a passionate film, and one of his best looking film. He tried something different in 2046 too, experimented with scifi (one of the best part in the film for me)
SuperMario
@Kaiser: it's stritcly Wong Kar Wai's romance we're talking about, since I don't find the rest of Chinese take on romance that interesting. Romance or melodrama is one of his main theme throughout his career
Kaiser-Eoghan
@Mario: It was slightly overly long however.
I've also seen chungking express, in the mood for love and fallen angels. I think this Chinese take on romance is really clicking with me.
Kaiser-Eoghan
@Mario: I also thought it was a very passionette film and I love how Kar-wong-wai uses the music in it. I also think its one of his best looking films.
Kaiser-Eoghan
@Mario: I had a look at that Chinese film 2046, very effectively melancholic take on fleeting relationships while also successfully being quite sensual while staying classy and without ever showing too much. Tony Leung and Maggie Cheung are two beautiful people =P
SuperMario
for those who still want to catch up with 18if, episode 11 has a huge recap, while wrapping up the show with a new overarching plot. Hopefully they don't pull another Matrix here
SuperWooper
It's shounen-y for sure. The competitions have been my least favorite parts of the show so far. If you're still watching, you might appreciate it more once the Tenpei Cup is over.
Anonymous1399692
Damn Ballroom looks so good. But I really can't enjoy it despite that I want to. It has too many of these typical shounen moments and plot points I can't stand.
Anonymous1399684
Omae wa mou shindeiru
Lenlo
Mononoke is actually what made me find Ayakashi. Also a good show.
SuperMario
Regarding Ayakashi, I only watched the Mononoke segment
SuperMario
"It was a long, long trip, and we're coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO" - Sandal-san.
Lenlo
Ayakashi was great for me Kaiser. I enjoyed my time with it
Vonter212
@AidanAK47 - The hard aspect has been commented in several reviews with bosses being able to easily kill you. (Although in my experience it might be just getting a pattern). In terms of length most 2D games can be beaten under 3 hours. This one seems to clock at at least 6 to 15 if you want to collect everything. Then again, we'll see in subsequent playthroughs.
AidanAK47
`@Vonter. It's out now but I don't remember seeing anyone claim it's the longest hardest entry 2D wise.
Kaiser-Eoghan
Going to watch new dominion tank police next and read violence action and Oddman 11.
Kaiser-Eoghan
It took me years to get round to it, but I finally watched Ayakashi and as expected like most anthologies, again its mixed, the first is a solid ghost story that improves after a weak start, but that third one with the cat spirit was great, really liked how experimental that looked.
Vonter
Soo a new Metroid comes out this week. It is said, it's the longest, hardest entry in regards to the 2D iterations. Still not as great as Super, and depending on your fanaticism it might or not be as good as Zero Mission.
SuperMario
But they didn't pull that scene off too well. It's just... unmemorable. In fact the whole show is very unremarkable. Now only 1 episode left I might as well finish it but I won't give it a full review
SuperMario
Koi to Uso has been disappointing so far. Episode 10 featured the sequence that i was looking forward the most in the manga: the former classmate tells the one sided crush of the main girl from her POV. For a romance that contrived and manipulated like this one, hearing this from the third person's perspective prove to be more powerful
Vonter
@HelghastKillzone - Good luck with that. I almost had my car's engine damaged since it has been raining heavily where I live. Had to ask for help the next day to pull it out of mud. Still not as bad as the other three cars that did get stuck in the water.
HelghastKillzone
Dealing with work and the total loss of my car really sucks at the moment so I'm quite tied up for this week.
KTravlos
I do agree to a point, but to be frank all the episodes of Princess Principal to date have been so solid I have a hard time deciding. Episode 5 though was still the best from a holistic point (action, direction, music etc) was the one introducing Chise
SuperMario
Agree. Dorothy has the biggest heart out of all the spy girls. Also "help" that her episodes are all melodramatic.
Amagi
This episode of PrinPrin showed again that Dorothy is the best character by far. Not just herself but her episodes as well are better written than the rest if you ask me.
KTravlos
It just hit me. The characters in Princess Principal may be very well working for IngSoc :p
AidanAK47
@Kaiser, in the seven chapters it's only really two of them that contain dark shocking content. Chapter three being the biggest one in that regard.
Kaiser-Eoghan
@Aidan: I read a comment where someone said subahibi shocked them more than saya no uta. While I haven't played it yet, I have seen some of a letsplay...it lleft me thinking....how many hours until this actually gets good/truly unhinged .
AidanAK47
After Reading SubaHibi, Made in Abyss's dark turn didn't shock me too much. Maybe I just got desensitised. I will have a review of SubaHibi hopefully up in a week though to clarify my feelings on it after just finishing it, It was interesting but disappointing.
KTravlos
well, well. Both Made in the Abyss and Virgin Soul do not hold back. Grim! RE:Creators is warping up. Comparing with these other shows I can fully appreciate the problems people have with it. But still I am glad I am sticking to the end. Altair's voice actor by the way did great.
AidanAK47
@Helghast, And Kings Field was the Demon Souls before Demon Souls came out.
KTravlos
having binge watched several of this season's shows I would say Princess Principal is the most rounded. Made in Abyss is good. Kakegurui and The Reflection as SuperMario said will depend on your tastes. There is also Shouko no Altair. You will like it if you liked Tanya Saga of Evil, or Legend of Galactic Heroes, or Arslan Senki or manga like Vinland Saga, Gunka no Baltzar, and especially Historie
Anonymous1385641
Jesus...me watching this weeks Made in Abyss https://www.youtube.com/watch?v=0ogzsWhZcmM
HelghastKillzone
So... Demon Souls was the Dark Souls before Dark Souls came out.
SuperMario
@anon1385426: the safest bets aside from Made in Abyss are Welcome to the Ballroom and Princess Principal. Kakegurui and the Refection are for more acqurired taste
Anonymous1385426
Aside from Made in Abyss, what's the best anime this season?
Lenlo
@KT, the pacing and the framerate early on are my two biggest issues. Later on the story starts to get abit more engaging, and they start doin things I didnt expect, but the pacing is still there. Some akward pauses.
Lenlo
Look, Berserk and Dark Souls are both amazing. But I only have 3 Dark Souls games, and 38 Berserk volumes. Im clearly biased
KTravlos
I sat down and watched the first 4 episodes of The Reflection. It is an interesting attempt, and I can see the people making it having fun doing so. But I did notice a pacing issue. For some reason the episodes felt like they dragged a bit too long.
AidanAK47
Dark Souls is the Berserk of Video Games.
Amagi
Dark Souls really went all Berserk if you ask me
AidanAK47
I am not one for putting down law but can we never ever compare anything to Dark Souls ever again? Cause it's actually become really tiresome how everything is the dark souls of something.
Lenlo
No other sentence has made me want to watch Made in Abyss more
HelghastKillzone
I guess we're finally at the point where Made in Abyss goes all Dark Souls/Bloodborne.
Amagi
Apo's Jack the Ripper had at least a nice idea behind it, it's just the clothes that are a bad choice. But there are just too many lolis for the sake of fanservice in that game. I accept it if there is at least a reason for this but it's usually just random.
Amagi
@Aidan: Same here. I was never a fan of genderbendings and turning historical people into lolis. The first one I can accept with people like Arthuria because it added a lot to her character, but most of them are just plain and generic. I just see no reason why pirates, grown up men or Blavatsky would ever appear as little girls. Especially since popular beliefs should influence their appearance.
SuperMario
On Altair, one commenter did an excellent job of poiting out the appeal of that show; and frankly the show is wearing on me now.
SuperMario
@Travlos: I'm glad you enjoy Princess Principal. I'm quite surprised myself that in the latter half the show slowed its pace down which mean the focus is switched from action to more characters interactions; which I greatly enjoy
KTravlos
Well I binge watched Princess Principal. That is a very good show. I was surprised. Good animation, good music, the art is good, hell I even did not mind the protagonist art. But what I really like is the stories. All the episode were pretty solid and interesting.
AidanAK47
Just won a fight by the skin of my teeth thanks to my Lancer, Cu Chulainn. You the man Cu!
AidanAK47
@Amagi, Been playing Grand Order myself. It's rather fun. There are some good original character in it but I notice with Quantity certain figures designs were pretty terrible. I thought Assassins of black was the worst but some Grand Order servents manage to top it in terrible. Why all the bikini's?
Amagi
Fate/GO has quite some interesting original characters there. Wish we'd see them in some actual manga or anime series with more backstory someday. - I also like that we finally have an overpowered, interesting and competent Hassan with King Hassan for once. His design is metal AF too.
KTravlos
Binge watched Altair. The pacing of the show is a problem, but in general the raw material is good. Altair is sympathetic, and the world is interesting. But I do feel this is the kind of show that would had gained by a Monster or LOGH type treatment. Also, man it is scary how accurate they got some of the traits of Greeks (Phoenicians in the show). I am a Greek, I should know! :p
KTravlos
forgot to mention. I saw the 91 Days special. Three side stories that give some depth to the events in the main anime, but nothing that goes beyond it's end. Still they were in general ok to good.
SuperWooper
It's got Jude Law playing "this kind of huge robot butler called Charles, who is also a rocket ship." What could possibly go wrong?
AidanAK47
Anime with Jaden Smith? Um..I don't know about this.
SuperMario
@Kaiser: one of the good thing about SoL shows like Centaur and even 18if is that their episodes are self-contained, so you can just jump right in to watch the good ones and ignore the rest
SuperMario
I just love Chise's presence so I might enjoy the last episode more than anyone else. But yeah I'm quite satisfied with Princess Principal right now
AidanAK47
Actually I am quite surprised Princess Principal hasn't gone off the rails yet. Might even turn out to be a fun show in the end. If the man can make it to the finish line without a misstep.
AidanAK47
Hey I am having fun with my Shows. Made in Abyss is still quite excellent and Fate/Apoc is picking up. Even started playing Fate/Grand Order.
Lenlo
Man, sounds like I was the only one to have a good week with their show. Reflection really stepped it up this week in pretty much every category. Not sure it will last, but hey. Ill take one
Kaiser-Eoghan
I'm so disappointed in 18...if. Perfect opportunity to capitalize on something with a dreamlike feel to it and be creative only it ends up getting held back.
Kaiser-Eoghan
And I see Vonter and Mario are seducing me into watching Centaur.
Kaiser-Eoghan
*can't
Kaiser-Eoghan
I can'y see myself giving re creators a second chance, and from skimming these conversations, why should the show only get going at the end? It just sounds like too little too late.
AidanAK47
Honestly that's what Re:Creators biggest issue is. It builds up these great interesting idea's and then refuses to capitalize on them.
AidanAK47
Then it would be a battle to win over the audience and he who entertains them the most would get the most power. Just think of how many interesting ways that would take the fight. Like Altair could lose power and have to win over the crowd with her backstory and theatrics. A hero could purposefully get beaten to hell just so they can get a powerup from saying a boastful speech about kicking ass.
AidanAK47
@Anon, Exactly. Now there is an interesting fighting element. Imagine if both Altair and the heroes had to fight with the limitation of keeping the audience entertained. Altair couldn't pull out overpowered nonsense because the audience wouldn't approve and her power would drop. Same goes for the heroes.
Anonymous1378112
On the other hand I am not a fan of this whole final arc. It's just not believable to me to gather such a big audience who will do nothing but watch and accept everything you show them. Not to mention that the show is technically live acting to them. Considering how much anime fanbases already hate the DN movie and stuff I doubt many would sit there and accept that
Total users: 20

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