Posted by SuperMario on 25 May 2018 with categories: Currently Watching:, Golden Kamuy

This week ties up one plot thread that is Nihei and Tanigaki and their quest for hunting down the wise wolf and overall it does a decent job at that. Continuing from where the last episode left of, this final confrontation works for me because everyone has a moment to shine. Sugimoto proves that he does have some strategy beside his strong survival skills by using the Escape Artist to… escape. Tanigaki is wise and underhanded enough to use Asirpa as a hostage, and Asirpa also more than serves her role well when she saves Tanigaki’s live by cutting his poisoned flesh. But the main stars in this arc lie in the final showdown between Nihei and Retar – the man and the force of nature itself – with a welcome twist. Nihei has it under control until he realizes he lets his guard down, that Retar never intents to face the man down upfront, but he only serves as a distraction for his mate to attack him from behind. The wilderness again outwits the man, through the power of family bond, something that all the men in Golden Kamuy seemingly leave behind to pursuit their own goals.

What happen right aftermath this fight furthers highlights many of Golden Kamuy’s stronger moments. Tanigaki, barely walking, comes up to the death Nihei and says his chant. That’s the respect. Asirpa refuses to let anyone die in her ability by bringing Tanigaki and the Ainu dog back to her village. Golden Kamuy might not have the excellent production by their side: all the action scenes are only just functional, and their violence is somewhat extreme, but the violence never serves as glamorized action (unlike Tarantino’s films for example – except for certain skewer sequences), it’s gruesome, and it fits with the world these characters inhibit in: gruesome, bleak, macho. But the ones who survive so far, as we further see after this Retar’s arc, are the ones who have companions and it’s the desire to keep their companion safe that push them farer than those who simple have nothing to lose. Seeing it on that light, it’s a good sign for both Asirpa and Sugimoto.

This episode also gives us Lt. Tsurumi’s emotional motive for pursuing the gold and really, it’s not in the least surprises me. Feeling betrayed by the Government after literally putting their lives on the line, the 7th Hokkaido unit aims to stage a coup to basically regain “what was rightfully theirs”; and give more job opportunities for their family members by opening the weapon factory (!). What’s the catch, then? That the amount of gold is in really far bigger than the assumed amount (about 1,000 times bigger). That is to say those soldier bastards won’t leave the game anytime soon, and Sugimoto and the gang come upon another issue of whether or not to trust Tanigaki at all. With this kind of story, don’t expect anyone a friend even when they’re on your side, and the same could apply for our escape artist.

But if there’s another special skill that our escape artist inhabits, it’s his ability to run into trouble in every corner. He bumps into Ushiyama and they engage in the hilarious chase, in which Ushiyama jjust sweeps off all the barriers with inhuman skills (that involves taking a damn HORSE down Mongo-style takedown). Seems like it’s time for our group to finally meet the prisoners, although with only 1-cour confirmed I am not sure how Golden Kamuy can bring this story to a satisfy conclusion, given that all the events happened so far feel like they just finish its introduction phase and now moving on to the second arc.

Posted by SuperMario on 23 May 2018 with categories: Currently Watching:, Hisone to Masotan

At one point during this episode I almost felt that Hoshino was just too overboard. Being stubborn is one thing, but when you’re too stubborn you outright hurt others’ feeling without backing down, it’s irritating to watch. The issue with Hoshino, as we come to learn during the flashback, is that piloting an F2 has been her lifelong dream. And she tries, amongst the male-dominated world, to reach that dream. Then this dragon picks her and she determines to push forward to make her dragon a F2 plane. The dragon understands that so he tries to stay in Foxtrot form all the time. It’s a classic abusive relationship if I’ve ever seen one. The main thing is, for Yoshino it’s her desire to fly, not piloting a F2, that hooked her in the first place and their flight together in the end further reminds her of that.

Meanwhile, the other three manage to survive for few days and initially forgets all about their training objective. No big deal, when the dragons are happy they can just take wings and fly off (And eventually they did). These girls encounter the shrine inside the cave with Masotan and other dragons’ symbol in there, so I reckon that this island is a spiritual place where the dragon pilots – white lovers, shrine maidens, whatever exchange some form of mutual relationship with the dragons. They all have the same dream that night of a lady riding a dragon, which I guess for now is either the yogurt old lady or Nao’s mom. Well, we have all the elements in place now: the maidens, the shrine, the dragons, the last thing left is the ceremony itself so let’s see how HisoMaso eventually get into that part.

While I feel the drama and the overall serious tone are just passable, it’s the comedy that fares much better this time. In particular, the comedy duo Hisone and Nao’s puppet head provides some nice gags, including one of the most tragic faux “death” in recent history (Hisone’s face is priceless). The voice acting also work wonderfully well, especially the licking gags of Hisone – just to show you how weird our main protagonist is. Nao and Iboshi’s current crave for kiwi doesn’t really work for me, but it ties its thread well with the final revelation. As of now, I feel HisoMaso just doesn’t have enough of a central plot to make a proper impact, and it relies instead on the gorgeous visuals and quirky character expressions. It’s a nice show to watch and enjoy, but when it’s all done you realize the story doesn’t progress much, and sometimes it feels like the plot just stands still and doesn’t go anywhere at all.

Posted by Lenlo on 21 May 2018 with categories: Currently Watching:, Megalo Box

Hello everyone, and welcome to the most surprising episode of Megalo Box yet. This week we have family drama, Joe’s declining health and a shocker of an ending. Lets jump in!

So starting from the top, lets talk about this ending. I never thought Megalo Box would pull something like this, with its limited number of episodes. I assumed there would be a basic, linear progression of fights. With this however we now have 2 strong antagonists, or perhaps 2 protagonists. Its difficult to decide where Yuri fits into this, though Mikio’s place is clear. Regardless I am very impressed through brought Joe’s legal citizenship back into question. Mikio was already an interesting opponent, the rich boy with something to prove, but this blackmail really sells his “Anything to win” attitude. I am slightly disappointed that we didn’t get a fight, and might not get one next week, but based on the quality of previous fights, its not that big a loss. Fewer, higher quality fights with intense narrative weight like the inevitable Mikio fight will beat out Samejima any day.

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Posted by SuperMario on 21 May 2018 with categories: Currently Watching:, Hinamatsuri

At this halfway mark, I want point out that the comedy of Hinamatsuri isn’t as sharp as the first few episodes (except for the segment including Hitomi’s classmates). There’s still absurdist sense of humor, sure, but it doesn’t make me laugh out lout or even make me chuckle. That is to say I come to enjoy the show’s drama much greater. This first short segment about Anzu, for example, hits all the right notes that you just can’t help but want to hug her. Anzu’s first day of work is… full of hearts and wonders, for the lack of better world. Here’s a girl who started from the very bottom of the society, now that her living condition is better (her own room, her own bed), she still appreciates what she had learnt from Yassan and the homeless people. The way she’s still used to her old habits (stunned over the cash till, taking a cold shower, cleaning up the used chopsticks) play mostly for gag, but it hides a sense of sadness under it. One thing for sure is that her first day in the restaurant is a whole lotta fun, and her life is going up from now on.

At least I’m glad that Hina becomes much more active this week. In the second segment, triggered by Nitta’s remark “find a way to make it fun”, she nominates herself to run for student council president, which only two things in mind: improve the lunch meal and more time to nap. Then somehow the lawyer of the big yakuza organization involved and what I find the most “genius” is the way he connects Hina’s two dot-points draft into a sensible and logical argument. Of course after a good meal, everyone would want to sleep, right? Hitomi’s reactions speak volume here, so does Hina’s clueless speech that include stage directions to her speech like they’re the most natural things in the world. This segment is where the static Hina works best for me, her stoned face and mono-tone need to contrast with something as bombastic and out of left field as this. Otherwise, our poster girl can only be suited for mascot.

The dynamic between Nitta and Hina come back in full force in the last section, and I actually quite like the way the direction it went this time. Nitta, for the first time, shares something personal to Hina. Hina and Hitomi take that hint and want to talk Utako into having a date with Nitta. Of course, Hina will have to screw it up in front of Utako since she has absolutely no sense to “taking the hint”, but somehow the date still happens with some unexpected twists. First, Hina breaks her ankle because Nitta’s swinging (Hinamatsuri comes close to screwball comedy here), and second, Utako rejects Nitta out right. It should be a punchline here, but for me this one the punch doesn’t land well, because it drags so much with all the montages of their date with an obvious result. It could work much better if the show includes their conversations instead of this. At least now that Nitta truly regards Hina as his family, so Mother or not, hand puppet or otherwise, it’s all good for now.

Posted by AidanAK47 on 20 May 2018 with categories: Currently Watching:, Legend of the Galactic Heroes Die Neue These

The majority of this episode was detailing the plan and execution of Yangs takeover of Iserlohn which does seem rather simplistic when you think about it. This is a point where LOGH shows its age a bit and while they tried to bump it up by throwing in a body scanner, there is still the rather grievous oversight of the control room not being monitored at all from the outside. For such a key part of the fortress it sure is light of security but you can forgive this a bit and they still managed to make it somewhat feasible. One thing I miss from the OVA was Yang moving his ships around to put pressure on the captain to let the Rozenlitter through security checks. Mainly because it shows that Yang at least had some part in the plan where as here it seems to all come down to the Rozenlitter getting through security and holding the commander hostage. Sure Yang had some part in leading the other commander away but the plan sure seems simple when you have an overview of it.

The aftermath of Yangs victory was certainly somber though as the other commander returns to launch a suicidal assault against the captured Iserlohn. In another show his warriors pride would be considered admirable but here it really shows the utter arrogance of it. This man was dooming millions to die over his pride and even as Yang fired shots to convince him to flee, he still kept pressing onward. I am reminded of the Kiritsugu way of thought where he talking of dressing up killing and war with glory and chilivery. Indeed Yang took Iserlohn without losing any of his own men. But there were men of those ships Yag shot down with Thor’s hammer. And that was no small number of men. So it’s to see that Yang doesn’t take pride in his victory and to him he did his job and nothing more than that. Walking away regretting he was force to kill in order to do it.

We also see the introduction of a third natural party to the conflict, the planet Fezzan who are definatly going to play a role in future events. So now can Yang retire to a peaceful life of drinking bourbon in a teacup….oh Yang. It is always rather amusing that Yang seems to underestimate his own worth and that is likely the factor that causes him to overlook his inherent value to the FPA. Sorry Yang, you ain’t retiring early anytime soon. So bloody hell Julian let him have his alcohol, he’s earned it.

Posted by Lenlo on 19 May 2018 with categories: Currently Watching:, Steins;Gate 0

Ladies and Gentleman, Boys and Girls, Steins;Gate 0 has stomped the throttle and cut the breaks. Lets skip the intro and just get right to it. Early on I thought this episode was going to be slow, we were going to focus on our characters and relax a bit. I thought it would be drama free. Apparently however this was just the calm before the storm. Far earlier than I predicted, I was assuming ~episode 12, the shoe drops and our plot begins in earnest. I am so happy. This means, hopefully, that there are no more additional characters and that no more additional world building is necessary. For this shoe to drop, it means all of our relevant actors are in play. Now onto drama and theorizing!

First off, triggers. In the original Steins;Gate, as seen by the flashback, Mayurii’s watch stopping was the signal that she was about to die. However we know in this timeline that Mayurii lives. So the question becomes, who dies next episode? My money is on Maho. Shes gotten a lot of screen time, everyone loves her, and she clearly likes Okabe. Add to that the fact that Amadeus’ server gets shut off, and I think we have a new death-flag/dead friend combo. Maho also already had the foreshadowed stalkers/Dr.Reyes “mugging” incident, so the signs are already there. The only real hole to this I see is there is no D-Mail, so no easy time travel, at the moment. Killing off anyone here is a big commitment, taking them out of the series for awhile most likely. I legitimately cannot wait to see how this shakes out.

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Posted by SuperMario on 16 May 2018 with categories: Currently Watching:, Golden Kamuy

Well, (animal) shit. Golden Kamuy starts slow this week and ends with a bang. This episode presents many of Golden Kamuy’s ups and downs so it’s best to dissect them one by one. For the negative part, the pacing is still off. This episode spends too much time on Sugimoto and Asirpa hunting that poor deer that there’s no sense of urgency, then it follows up with another food-fest that is out of place and rush up to the white wolf hunting. On the cuisine-of-the-wilderness matter, the manga actually does a better job of infusing the light touch to this heavy thriller, but that’s more because of the chapter format works better that way. Here in an episode it feels like a bumpy ride. In addition, this small-arc revolving Nihei Tetsuzou and Tanigaki feels aimless at first. I feel the same directionlessness when our Asirpa and Sugimoto hunt the deer down. Isn’t this a story about them chasing gold? I asked myself. The Golden Kamuy starts to connect all the dots and I actually find myself engaged and all the themes start to make sense. Well, the development still has some lucky coincidences (like Nihei Tetsuzou “happens” to be an ex-prisoner, Shiraishi just “conveniently” gives the duo the news or where are the 7th Unit Army and these tattooed prisoners this week?), but otherwise it’s a decent showdown we’re getting here.

It’s the episode’s narrative thread that starts to emerge with the gold chase premise. On Sugimoto and Asirpa’s side, the early part of them pursuing the injured deer speaks more about Sugimoto and his own reflection. Here’s the man who never bat an eye when killing enemies, yet he’s hesitant and somewhat shaken to kill this poor deer. The deer’s survival instinct reminds him of himself, when facing death in the eyes he becomes fearless – in one of the episode’s stunning visual metaphor: the deer becomes a vision of him. The notion of death, or rather, the cycle of life, is further elevated by the point of view of Nihei Tetsuzou, who regards to die in the forest, get eaten by the animals and become animal shit as a perfect cycle of life (that view is shared by Asirpa too). Killing and hunting are one main identity of Golden Kamuy, and it makes a fair distinction between those. In Golden Kamuy, human hunt animals, but they pay proper respect and believe the prey’s presence go back to the nature of life. Killing, on the other hand, is merciless and receive no such respect.

In a completely different sense, we can view this episode as the games of several hunters. On one side we have our duo hunting the deer (I swear I stop bringing up that poor deer now), on the other side we have superhunter and deserted soldier hunt for legendary white wolf. Then we have Asirpa and Sugimoto hunt these villains instead and now it’s a matter of which team can outlast the other. And this wonderful standoff in the end furthers bring the main premise back up front, now that the bear-hunter himself carry that skinned map in his body. It’s a single stone that kill two birds huh? Save Rectar and have the map for themselves. One last thing I’ve noticed though is the way Golden Kamuy increasingly hints us at the possible death of Sugimoto (this week it plays out as a joke and the way he sees himself in that poor de– Damn, again), and it’s that the case I think it makes sense as Sugimoto is pretty much the tragic hero suited only for battle, so he’d have no place when the war and this gold chase are over.

Posted by SuperMario on 16 May 2018 with categories: Currently Watching:, Hisone to Masotan

There’s one thing you can count on original shows, you can never know for sure what the plot is going next. Sometimes, it surprises you with its sheer originality and sometimes, it could go to weird places. HisoMaso falls into the latter this week, literally where it’s taking us to an uninhabited island for the survival test. It’s this week that the show goes for more serious tone, and I’m not quite sure if this seriousness works for the show’s benefit. First, I don’t buy any talk from Administrative Vice-Minister Iiboshi at all. He seems to be the one who knows the most about the connection between OTFs and their pilots, but all his “white maiden” metaphors scream all pretentious with no real substance for me. I mean, the show’s pretty obvious with their visual motifs in support for this white-maiden tale: the traditional festive in the beginning, the torii gate and the rice cakes but now all seem vague and contrived to me.

Second, the way Iiboshi (and the show) frames that the main reason the dragons choose the pilots is because of the girls’ self-loathed. Now THAT I have issues with. Hisone puts it better than anyone: Without Masotan, she’ll be just a social awkward girl who talks to herself too much and is unfit for society. The girls themselves admit later on that they regard their dragons as a way to close themselves off to the people around them. Now thinking back, this has always been Hisone’s perspective towards Masotan since they first met. She said to her dragon the same thing before that she was flattered by the dragon’s choice because she feels special; and her speech to Masotan to “take his responsibility” for choosing her. It’s a flawed way of regarding your partner (and definitely not better than Eri who regards the dragon as the tool) but things might change for the better once the girls have more confident in themselves.

The gist of this episode is, however, to show us how dysfunctional those girls are. It feels to me that these girls are the protagonists of their own story, and then awkwardly assemble them altogether. As such they belong to their own story and have absolutely no chemistry put together. It’s a compliment actually since this episode works its way up to improve the girls’ dynamic together (and also, their relationship with the dragons). In terms of set-up, this is as classy as possible: throw the girls into a deserted island with their (somehow useless) dragons, and force them to interact for the same goals. Matters got worse when Hitomi’s dragon eats all the food supply. Everyone has their own way to deal with it, mostly sleeping and wander aimlessly, and working together remains their last option. Disappointed Hisone soon finds out that despite their team work is close to non-existent, each of the girl can still offers something useful, and together they can manage to survive… for few more days.

Their objective for now is to let the dragons have fun until they get hungry, they’ll fly again. But isn’t it better to figure out why the dragons can’t fly there? That brings us to Eri. While the point of this mission might be improving the team work, it also works as a way to improve yourself and understand your dragons better and Eri needs that now. She’s determined to abandon the dragon to accomplish the mission, but as HisoMaso hints us she opened her heart to the dragon once, so now is the good time to revisit the very moment her dragon picks her in the first place. HisoMaso so far gets away with a lot of its stupid ideas because of its incredible ability to not take itself seriously, so I hope when they finally get serious they have to find a way to hold everything up together, because eye-candy visual alone can only go so far.

Side note: I’m not a fan at all of this overlong, LN-inspired title. Remind me in a bad way of the episode titles in Kiznaiv… wait, that anime was written by Mari Okada too? Never mind then.

Posted by AidanAK47 on 16 May 2018 with categories: Currently Watching:, Darling in the Franxx

Indeed Franxx appears to be doubling down on a darker more serious tone though I still am wondering if it will truly follow through on this or dismiss it fast and go full on happy ending. Personally I always feel cheated when a series foreshadows dark things to come only to turn tail when it’s time to pay the piper. But Franxx at least looks to be delivering so far and if they do negate all dark tidings and go for a full happy ending that would be quite the betrayal. Anyway in todays episode we get a number of revelations, one of which is that the childcare book that Kokoro has been fascinated with since the beach episode has come back full force. Though I misunderstood Kokoro’s interest in this regard as before I thought her interest was in sex but it appears that her actual interest is in having a child. The logic being that they have a means of leaving something behind for future generations besides fighting and which everyone knowing that there lives have a short expectancy she wishes to leave her mark somehow. I was a bit worried about Mitsuri shunned her after her advances and revealing her intentions but hot damn they actually took a route I thought they wouldn’t. Kokoro and Mitsuri had sex, there is no ambiguity in that for it was shown quite clearly. In fact I would be quite annoyed if they backpedaled this in any way as I am curious to where it leads.

I just hope that book went into good detail over just what Kokoro is in for as if she is oblivious then she has a nasty surprise waiting for her. Childbirth will be pretty brutal if she has no doctors on standby to help her out. Will Franxx intervene or would he see this as interesting experimental material? Speaking of which some recent light has been shed on the nature of “Papa” and the others. I may be misinterpreted this but from the looks of things the leaders of APE are not actually human and are possible alien invaders. They seem to be hinting that Klax are in fact true humanity and APE are alien invaders who have been cloning humans to fight humans. This is quite interesting as it suggests that Humanity has taken on some form of biological evolution in order to fight against the invaders, meanwhile the invaders are seemingly aspiring towards human forms. Either that or these are two branches of humanity, one whom took the path of beastal biological evolution that put them closer to beasts while the other took a path of evolution through technology which pushed them closer to a machine like existence. Both of whom seem to consider themselves “True humans” while the closest thing to actual humans are test tube grown cannon fodder for Franxx. In this case with Dr Franxx I always considered him a human who modified himself into a cyborg but what if it was the other way around and he was a machine that modified himself into a human? For the first time this series has got me interested in the actual world of Franxx which I dismissed as a bit too basic. But now there is quite interesting theming going on.

Not liking the Nines much here though. Of course they are not supposed to be liked but they just seem far too stereotypical cocky and antagonistic. I find it somewhat amusing that despite there egotistical posturing their Franxx piloting style is actually reverse so its funny to see someone so excessively prideful over bending over to pilot a Franxx. But thank god for Ikuno jumping in to slap him once he brought up a touchy subject for her. Indeed they seem to be going hard for a lesbian route for Ikuno which could bring interesting tidings provided it’s handled with care. Care which based on Franxx’s previous record, I don’t think it could provide. As a final note it appears that Hiro is growing blue horns hereby putting the blue Oni theory to near confirmed status and it appears adults go through some emotion damping process which can reverse back into a “puberty” state.

Posted by Lenlo on 14 May 2018 with categories: Currently Watching:, Megalo Box

Alright, Megalo Box was a series of highs and lows this week and I don’t want to waste time with a preamble. So this week, lets speed things up and just jump in!

To start off, the big showpiece of this week is the Aragaki vs Joe fight. We will get to its place in the story, its result and all that later. For now the elephant in the room is the quality of the fight and booooy, is that a mixed bag. To start off, the good. The music was, as always, good. It gave each round its own distinct feel. The final 30 seconds was also phenomenal. The rotating camera shot as Aragaki and Joe just hammer each other… Ive rewatched it more times than I can count. The weight, the rhythm, everything from the first two episodes is there in spades. This single shot managed to keep me excited for Megalo Box’s finale. Sadly, this shot was, animation wise, the only thing it had going for it.

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CHANGE USERNAME
AidanAK47
@Masky, I believe I told you to watch Fate/Zero and apologize.
Masky
@AidanAK47 three days ago: Harsh words :D
Kaiser-Eoghan
I do echo the frustration though with shows you like not getting enough episodes. And then there are of course shows where I wonder, did they really need so many episodes/seasons.
Anonymous2142344
You an always watch the old 160 episode ova of Legend of Galactic Heroes. Differences to date are minor
Kaiser-Eoghan
@Anon: Follow up films coming though.
Anonymous2142275
Galactic Heroes, is starting to grow on me, is a shame, that's only 12 episodes so much potential being wasted. What happened to those times when long animes, could have at least 50 episodes ( Gundam Seed, Code Geass) and still be viable. feeling hopeless
Kaiser-Eoghan
@Mario: A female director you could also look into is Moufida Tlatli , especially silences of the palace.
Kaiser-Eoghan
@Mario: On golden kamuy, from reading on in the manga, there will be a big reveal regarding Asirpa soon. Also I feel the prisoner guys are becoming monster of the week.
Kaiser-Eoghan
@Mario: I'm glad to be reviewing stuff again on letterboxd.
Kaiser-Eoghan
@Mario: ....I...actually momentarily forgot about the PM system.
Kaiser-Eoghan
@Mario: Watch Bombshell, secrets of a hollywood star or calling hedy lamarr, Bombshell is a recent documentary about Lamarr.
Kaiser-Eoghan
@Mario: Von Triers new film looks darkly funny though to a degree and I love the self-indulgent first per3son narration.
Kaiser-Eoghan
@Mario: I have no idea how Stellan Skarsgard (who works alot with Von trier) produced Alexander Skarsgard, the latter is far too attractive to come from that. I feel the same about Asia Argento, I refuse to believe Dario could have produced such a fine creature.
Kaiser-Eoghan
@Mario: I'm rarely about morals or understanding as an importance when it comes to film, I care most about how it hits me on a visceral/emotional level, how daring it is in its imagination, visuals, madness , creativity.
SuperMario
@Kaiser: thanks, received it. God, Von Triers new film is entirely something else. Full-on provocation. And I already think his Nymphomaniac was too much
Kaiser-Eoghan
@Mario: Also I'm dying to see Von Trier and Chang-dongs new films, especially the priors.
Kaiser-Eoghan
@Mario: I sent you a private message.
Lenlo
That said, the key drama scenes were still great. Okabe's VA continues to make me happy. Im just not sure how much of this is nostalgia.
Lenlo
Steins;Gate is at its best in moments of character drama and character interaction. All of its value lies in its characters. Any action, with this muted style, is going to come off stiff and dull. A con of the art-style decision.
Kaiser-Eoghan
@Lenlo: I'm glad you said that, because I felt visually it looked stiff this week and that brief scene in the beginning wasn't much to look at. But Okabes meeting with Baldyguy-san and the cliffhanger and after credits bit were good scenes.
Lenlo
So yeah, this was probably the weakest week of Steins;Gate so far. Its pretty clear its not an action series and that its style doesnt suit itself well to combat scenes
SuperMario
... watching and reading many shounen titles (Dragon Ball, Dragon Quest, Bleach and the likes), shounen isn't my cup of tea at all
SuperMario
While I grow up
Lenlo
@Anon, I love Shounen. BnHA is one of my favorites every season its on. Doesnt mean I like Black Clover though
Kaiser-Eoghan
Thank you for that anon, when I watched the episode earlier I wasn't aware there was a post credits scene.
Anonymous2141254
oh well, we still are early on in S;G 0 too. Plus, there seems to be a huge development at the end of the episode
Anonymous2141254
idk, i can't help but feel that besides the amadeus plotline, everything else feels "fillery"
Anonymous2141254
I must say though that I'm still waiting for it to get good, idk maybe my expectations are too high because the original was great after the first few episodes
Anonymous2141254
Don't forget to watch end credits fo Steins Gate 0
KTravlos
I like some shonen. I just think that they are popular enough as not to be worth reviewing ihmo.
Vonter
@Anon2140150 - I do. Though Shounen do have the issue of being derivative in certain aspects like power scales and several doing the FMA Brotherhood climax (of what I've watched). Also they're made to be endless. It can be intimidating jumping to one that has several seasons.
Anonymous2140150
Does everyone here don't like shonen anime?
Amagi
Really, if there is one piece of information (aside from otome maybe) that makes me ignore a series forever it's a LN about a LN author or illustrator. The selfinert wish fulfillment couldn't be more obvious.
Amagi
Another LN greenlit for an anime production and the synopsis starts with "* is a light novel illustrator and..".
Amagi
@KTravlos: I don't know why modern anime hate curly- and/or wild hair so much. The old hair style gave Reinhard a more royal look, whereas he looks like a normal highschool boy now. Not that I am complaining about the anime as a whole. Also, I like some of the new designs.
KTravlos
and a part of me things it is indeed the hair. It comes to low, giving Reinhard a slovenly, lazy feel. When Yang feels more energetic you know there was a mistake.
KTravlos
and yes, this Reinhard fares poorly in comparison to the OVA one. He is dull. I need more Yang :p
KTravlos
ai vay vay. The Castrop Rebellion remains waste of time. And this time it was worse. The older depiction was tacky but at least it showed Kircheis ability in a logical manner. This time I had no idea what the hell happened. It felt cheap.

The rest of the episode was ok. Not completely sold on all the renditions of imp. admirals though I still love the uniforms.
Kaiser-Eoghan
*those
Kaiser-Eoghan
Hearing these , I find myself much more tolerant of anime voice acting even if the dub might only be okay.
Kaiser-Eoghan
Its actually less of a sync issue, as I'm talking about 60s dubs , alot of people think the voices in old anime English dubs from the 90s are dated, but the old sixties kungfu and western dubs are shocking, far worse.
Kaiser-Eoghan
I don't mind sometimes satirical dubbing like on tiger lily , dialectics break bricks and kung pow however.
Kaiser-Eoghan
And those can be difficult to acquire sometimes in Italian or Chinese.
Kaiser-Eoghan
@Anon: Live action films, this is especially annoying sometimes because I love Spaghetti westerns and Chinese martial arts films and old Italian cop thrillers.
Anonymous2137430
@Kaiser-Eoghan Are you referring to foreign animated films of foreign live action films because dubbing live action is a different beast as I'm sure you're aware. The idiosyncratic nature of watching moves and facial expressions not properly match voices really pulls the viewer out of the experience
SuperWooper
LoGH is airing a special next week because of scheduling delays, so that's one less thing to do.
AidanAK47
Well to those whom it might concern, expect my posts to be later than usual this week. Work is hell at the moment.
Kaiser-Eoghan
I have to say, this is probably a bit hypocritical, but while I enjoy dubs of anime I really really can't stand dubs of foreign films.
Lenlo
Simo Hayha would make a pretty crazy Archer.
Kaiser-Eoghan
I imagine a fate strange fake adaptation will materialize eventually.
Kaiser-Eoghan
But everyone seems to want that Finnish sniper as a Fate servant .
Kaiser-Eoghan
Still no Mao, still mad.
Kaiser-Eoghan
....I have lost track of the historical characters in the fate lineup.
AidanAK47
@Lenlo, to expand on that point the following historical figures are now female: Nero Claudius, Leonardo da Vinci, Frankenstein's Monster, Xuanzang, Jing Ke, Quetzalcoatl, Minamoto no Yoshitsune, Miyamoto Musashi, Okita Souji and many more to come.
AidanAK47
@Anon, I find it's an enjoyable watch though flawed. If you can get past some odd fanservice around the first ten episodes then I say it's worth watching.
Anonymous2133468
So i was thinking if i start watching, darling in the franxx, is worth it? or is just another 6/10 anime?
Lenlo
God damnit. Why Nasu. Just why.
AidanAK47
@Kaiser, that ain't even Lewd.
Kaiser-Eoghan
In all seriousness its ridiculous, the Japanese will make a cute/moe girl out of anything.
AidanAK47
....Should I also mention that Francis Drake is a big boobed pirate queen?
Kaiser-Eoghan
@Aidan: Posting lewd images on a respectable chatbox.
AidanAK47
@Lenlo, But none of these characters are in the anime adaptions. Well besides Jack and Saber.
Lenlo
Aidan, all this conversation did was prove that my decision to only ever watch the Ufotable adaptions was the correct decision.
AidanAK47
@Lenlo, you can blame Extella for the Attlia the Hun thing. I wasn't too fond of it myself. Also should mention Attila is female as well.
https://pm1.narvii.com/6414/528599445b739909c02993cfdbfc9f277d088cf2_hq.jpg
AidanAK47
Also Masky I will be the first to admit to the ridiculous aspects of the Fate Franchise but do take note that you are commenting on something you know literally nothing about. Which is the very definition of ignorance and is quite annoying. Fate/Zero nails the themes it's going for. So go watch Fate/Zero, come back and apologize.
AidanAK47
@Masky, Give it time. Genghis is getting in there eventually with Grand Order. We just had Anastasia and Salieri introduced after all. And it's not as if this story introduces Servants willy nilly, they need actual story purpose. Genghis Khan wouldn't have fit the Narrative that Fate/Zero was going for.
Lenlo
Wait Attila is an Alien and Edison is a Lion? God damnit Fate. Why are you doing this to me. I was already annoyed at your treatment of Musashi
Masky
(aliens existing in the show is good example of that missing on themes part xP)
Masky
*most successful conqueror
Masky
Honestly was just amused most conqueror of all time not being featured in the show :D But wait, whats this about aliens?
AidanAK47
Anyway the important thing to take into account is that in the Fate universe, King Arthur is a woman, Attila the Hun is an Alien, Thomas Edison is a lion and Jack the Ripper is a little girl in a dominatrix outfit. Any questions?
AidanAK47
And while you don't need to watch something to be given divine right to comment on ideas or themes, it does leave you ignorant of how that show handles those ideas and themes.
AidanAK47
As for the Historical Alexander, he wasn't given the title of King of Couquerors. Fate/Zeros interpretation of him was. As generally accurate Fates interpretation of Servents history can be, they can make changes to suit the narrative.
AidanAK47
In that Regard Alexander was doing the conquest thing before Ghengus did. Ghengus likely has some other title. Hell he may only have the title because public consciousness was is more familiar with Alexander than Ghengus.
AidanAK47
Yeah, looking it up seems the King Title lost quite a lot of meaning in the Nasuverse. Though the King Title is rather flimsy. I mean Arthur is the King of Knights cause of the Knights of the round table. Gil is king of heroes because his tale was the first Heroic myth.
Lenlo
I think Alexander was just the first one they thought of, and they couldnt retroactively give it to someone else.

That said, Broskander deserves it <3
Masky
(And no, you don't need to watch something to be given divine right to comment on ideas or themes of it.)
Masky
(just to note in case I need to note, I do tend to do at least cursory research when I make comments on stuff I don't watch)
Masky
That first part is semantics as Fate gives title "King" to historical figures who weren't kings already :D Also, you can make that argument about historical Alexander the Great? Since that seriously sounds like kind of weak reason.
AidanAK47
Also sees Rider as deserving of title of "King of Conquerors" because that which he strives to conquer most is not lands or material wealth, but the hearts of people, the toughest conquest that can be undertaken by anyone.
AidanAK47
@Masky, Ghengis Khan wasn't a king. He was a Khan.
Lenlo
Ghengis is always a Rider in my mind.
Kaiser-Eoghan
But in all seriousness, Ghengis would be an appropriate beserker servant.
Kaiser-Eoghan
@Masky: I know, it feels so wrong I'm still mad I can't summon Karl Marx or Stalin.
Masky
So wait, Fate series is about historical figures with super powers, but "King of Conquerors" title isn't given to Ghengis Khan? :D Seriously? Thats just so wrong
Kaiser-Eoghan
I don't feel any point in finishing it, it feels like something that I'd just randomly drop , not because its a bad show, but because I got my fill of it.
AidanAK47
I am actually going to drop blogging it.
AidanAK47
@Sash, indeed. I have been watching it but not blogging it for the last few episodes because it just hasn't givne me anything to say. I don't think it's a bad show but I have pointed out the flaws and strengths of it already so there is truly nothing more to say on it.
Sash
I think wotakoi is starting to feel repetitive..
Kaiser-Eoghan
You are now aware Shana and Batman Ninja Harelequinn are both voiced by Rie kugimiya.
Lenlo
I did. It was... It was a thing.
Kaiser-Eoghan
@Lenlo: Did you end up watching Batman ninja by the way?
Lenlo
Music is great, yeah. When the music is on point, everything goes up. Everytime the sync the fight/punches to the music I just get hyped. Like the rotating shot with Aragaki or the first fight in episode 1.
Lenlo
Ill do my best to be clearer in the future on that front. Yeah, I dont mind twists like this. Makes the inevitable Mikio fight, narratively, even better.
Kaiser-Eoghan
I feel the music does alot of the lifting.
Kaiser-Eoghan
Oh, so that was it.
Lenlo
Sorry if I never made that clear.
Lenlo
I would rather have fewer, amazing, fights than a lot of low-quality fights. This is a one cour show, the more meaning/impact they can give each fight the better.

Like Aragaki, narratively, was great. Loved it. Its just in animation/choreography that it falls flat.
Lenlo
Im disappointed with the animation of the fights. Narratively, I think they are quite good.
Kaiser-Eoghan
*disappointed with the fights in past episodes
Kaiser-Eoghan
@Lenlo: Pretty much what I said I thought of the episode. Although I was surprised how took the episodes ending, I expected you to see it as a slap in the face after being disappointed with the fights.
Lenlo
Also, @Kaiser, I thought Megalo Box did something unique this episode. I wasn't expecting Joe to *not* fight. And the Mikio/Yukiko proxy war is an interesting character motivation. Im betting Yukiko will get Joe a full citizenship, effectively getting her on his side.
Lenlo
I wish I was physically capable of watching Megalo Box without thinking of Hajime no Ippo. I really do. But everytime I watch it, it makes me want to watch Ippo again to.
Anonymous2120908
I watched some more of the Chimera family chinese anime. (Wasn't aware it was monthly released). And geez, I like the concept, the background art is very pretty and contrasts with settings that have become tired in other anime. Yet sadly the animation and script are WEAK. I haven't grasped the quality of what's expected of these types of production but I want to believe, they're trying.
Kaiser-Eoghan
Not much in the way of action in megalobox this week, but I did like the focus on Yukkiko getting a small character moment and then the big moment at episodes end .
AidanAK47
@Anon, That's some lazy ass trolling buddy. Should have stopped before the hashtags.
Kaiser-Eoghan
I'm even sort of looking forward to supposedly less respectable stuff like Goblin slayer and happy sugar life.
Vonter
Also E3 is almost here. And I can't wait. I think Nintendo will have a good show considering they're revealing the new Smash with a tournament. There's rumors of the new game by Retro Studios (Metroid Prime and Donkey Kong) and maybe they'll reveal something about how Pokemon will be on the Switch.
Vonter
Also there's always the chance of something new being discovered. Not everything needs expectations behind. Sometimes great things come out of nowhere.
Kaiser-Eoghan
So yes, there are some at least decent shows coming out.
Kaiser-Eoghan
@Anon: Muh Baki, Muh Bananna fish, muh made in abyss season 2, muh Vinland.
Anonymous2119906
The rest of this year looks like shit for anime and 2019 doesn't look great either #fuckmoe #makeanimegreatagain
Anonymous2119214
@Kaiser yeah it happened in half the amount of eps this time around for steins gate 0; which i expected considering there's a lot of ground to cover
Anonymous2119106
@Supermario Something like Fate or the LOTR films are a different case. I get where you're coming from about your preference, but I'm arguing that if a large story is going to be split into 3 films, it helps that the 3 films feel cleanly cut. Infinity war, even though we know there's a second part to the story, feels like it has that cohesive narrative structure with a beginning, middle, and end
Anonymous2119106
@Super Mario yea but the marvel movies are a different situation so i don't think the comparison is as appropriate. Marvel movies are "episodic" in nature rather than a continuous narrative. The films are largely isolated stories that are happening in a similar universe that only happen to "congeal" narratively because of a few overarching details shared between films.
Kaiser-Eoghan
@Lenlo: I remember when the original series suddenly shifted and got going and it was a really depressing episode.
Lenlo
Oh baby. The storm has finally come in Steins;Gate. Let the true suffering commence
SuperMario
@anon2118276: that's why I don't like LoTR trilogy. It's still a whole body chopped up in 3 parts, despite how clean the cut is. Whereas for me it works better if it was like a branch in a tree. The Marvel movies (despite my disinterest on those) are a good example of this.
Kaiser-Eoghan
While I did feel some of this weeks steins gate felt fillery, I do like see these characters interact and given the episodes conclusion, this episode acted as a calm before the storm.
Lenlo
Ill agree with you on King Kong. As for the Ralph Bakshi LotR, I have. I am still to this day impressed by the overlay of 2D art onto real/overexposed footage. It makes for shockingly fluid animation in places and has its own distinct style
Anonymous2118208
@Lenlo - Have you watched the old Ralph Bakshi adaptation of the first two books? It's uneven, but it's interesting comparing and contrasting certain decisions. As good as Peter Jackson is, I feel he makes very longwinded films, I like his version of King Kong a lot, but it is too long.
Anonymous2118276
@supermario i disagree; the point is that even though the LOTH films have cliffhanger endings, they still feel like fils. they have a defined first second and third act with well paced tension and release throughout them. They follow a storytelling macrostructure necessary for films to feel like cohesive narratives even if they are to end on a cliffhanger
Lenlo
I quite liked the individual LOTR movie just fyi
Vonter
Marvel surprisingly has kept their movies simple enough, that while you might miss details nowadays, you can tell what's happening.
Vonter
Another bad case is like with Assassin's Creed, which like Lost, just tried to tease a lot of things, then it grew tired of trying to piece them together and let the last games work more standalone, with little hints of a larger lore.
Vonter
Metroid does both, it has a standalone story and a hint to what a sequel might bring. Though that hint rarely matters by the time the new game is released.
Vonter
@SuperMario - Some videogames trilogies also do that. Gears of War and God of War had good standalone beginnings but by the second game they put cliffhanging endings. Kingdom Hearts does that and I expect 3 to also do it. Megaman Legends and Half Life had incomplete stories, which might be the worse case in regards to trying to make a continuous story.
SuperMario
It ruins the appetite
SuperMario
I actually think Lord of the Rings' trilogy is a bad example to follow. These films are meant to be viewed as a whole, so each film doesn't hold much as an individual story. I just can't digest films that have "to be continued" sign at the end. Imagine having a first course meal and then have to wait for few days for second course
Kaiser-Eoghan
On the current topic, I would be well for the production of a long running, ambitious ova series.
Anonymous2116425
then again, i don't take too much issue with these films feeling like movie-sized eps...the wait just sucks is all
Anonymous2116425
clearly the films need each other to tell the whole story, yet they can be taken for what they are in isolation as well
Anonymous2116425
I don't mind the trilogy trend at all; like Aidan said, when everything is said and done, all the films will be available to watch. I just think a stronger attempt should be made to make them feel like complete films. Something like the lord of the rings trilogy is a great example of how to do this
Kaiser-Eoghan
I am in full confidence that neither I nor Miura will survive to the end of berserk.
Kaiser-Eoghan
Of course maybe they won't have a future , think about it that way, then they'd never see it, life has that weird way of being unpredictable like that =P
Kaiser-Eoghan
You can always rewatch them just before watching the one after.
AidanAK47
Of course not. But that's the thing. The wait is only a temporary problem. Anyone in the future will have all movies ready to view.
SuperMario
So it's best to wait for another 2 years to watch Heaven's Feel? Hell NOT
AidanAK47
When all the movies come out though you can basically barrel through it like a TV series.
SuperMario
Dangit, it's me Mario
Anonymous2115918
I still don't know if I like this trilogy trend. We've had a fair bun h of those in recent years (Berserk Golden Age, Madoka, even Kizumonogatari). I guess doing it that way, they'd make much more profits, and we have higher production values, but the wait is way too long and I don't think it works as movie-format
Kaiser-Eoghan
One of the very rare times where self-awareness works.
Kaiser-Eoghan
I can be nice and say of course Ryan Reynolds+ violence, comic was funnier.
Kaiser-Eoghan
@Aidan: But I'm sure if you think it over, the first deadpool was trapped in origin story mode, as an advantage, the sequel, is probably free of that.
Kaiser-Eoghan
@Aidan: Deadpool 2 had John Wicks director, which at the least means something in terms of action direction.
Kaiser-Eoghan
@Aidan: There was a whole run of deadpool issues called Cable and deadpool, which I suppose that pairing together gets the best out of the character.
AidanAK47
Seen Deadpool 2 tonight and I have difficultly deciding if it's better or worse than Deadpool 1. Still it's quite fun and I enjoyed it.
AidanAK47
@Anon, I feel somewhat similar in regards to Franxx. When this series finishes I won't be singing high praises for it. Yet I do feel that it's worth watching.
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