Posted by SuperMario on 14 December 2017 with categories: Currently Watching:, Juuni Taisen

To the surprise of no one, Rat wins the race by breaking in the right place at the right time with the right weapon. This is by no mean a coincidence, because later on we learn about Rat’s real power: “Hundred Paths of Nezumi-chan”, in which he can see 100 various outcomes and thus picking out the route where he can survive (the only route out of 100 scenarios). To save a certain plot progress, he “locks in”, just like in a game. Admittedly, his ability does make a good twist, but I can’t help but feel it’s way too overpowering. Your chance isn’t 1% anymore when you know exactly the route to the top of the mountain, right? With his win, in retrospective, I certainly appreciate Juuni Taisen more on their decision to kill off Monkey earlier. It was the move that turns the table to the entire race and flips the route expected from this kind of battle story. In other routes, Monkey might be our true protagonist and she might survive till the end, but this story is all about the Rat, so Monkey unfortunately draws a short straw here. Even Bull in the first half admits the same thing, that the moment Monkey turns into Rabbit’s zombie henchwoman, Rabbit becomes the force to be reckoned with.

Juuni Taisen also delivers one of its most twisted and awesome moment – almost at the same time, which I can argue that this single moment sums up pretty well the brilliance of Juuni Taisen: Monkey jumps out from the inside Rabbit’s freaking body and successfully catches Bull off-guarded. What the fuck? But then again, why don’t they kill Bull immediately? Doesn’t the Zombie who kill off the opponents can still bring them back to life? That explains the zombie birds, right? That explains why Rabbit was so furious when he couldn’t turn Horse into his zombie friend, right? Then, supposed that only Rabbit can do the trick, why doesn’t he shoot his blade like what he did last week? Again, this story isn’t given much thought into it, which is extremely frustrating. Juuni Taisen might have some interesting ideas, but not enough love or skill to carry out such intriguing premise.

Even Rat’s ability doesn’t execute well enough. We have a first-handed experience on how his power works: a game-inspired loop of whenever Rat fails to achieve the mission, he starts back and tries again. Except in this case he loses all the time. Imagine if the winner is either Bull or Monkey they would have left the place unscratched. So what Rat does instead is to explain his ability in an over-explanatory fashion. I’m vaguely interested in the deleted routes, however; like how he and Tiger form a grudging alliance in one path, or he and Rabbit unexpectedly hit it off in another. In any cases, it STILL doesn’t explain the decision to kill warriors in a reverse Zodiac mode, which eventually made the race boring, predictable and pointless. Alas, there is one wish that will be granted, and I bet it will have to do with the peace treaty Monkey has been prepared all along. Rat is the most unexciting character in this Zodiac Wars, so it’s hard for me to even care what he will wish for. Let’s just give him a good night’s sleep, I say. He earns it at least.

Posted by Lenlo on 14 December 2017 with categories: Currently Watching:, Mahoutsukai no Yome

Welcome to week 10 of Mahoutsukai! Finally, oh so finally, we have are given some backstory on Elias! Our mysterious male(?) lead gets some explanation. We also get the start of a Chise only arc and finally some more information on Lindel. Lets jump in!

As the main focus of this weeks episode, naturally I have to talk about Elias first. Turns out, Elias has some form of amnesia, so we only get his story since coming to the human world. Told from Lindel’s perspective, is interesting to see how modern Elias differs from his old childlike version. He’s taller and acts more like a child, which both explains Lindel’s relationship with him more and has some genuine humor. Elias drinking the sea-water or shrinking to fit in the door were much better jokes than anything the Chibi are has given us. It also did a decent job of showing Elias a bit more animal than the man he is now. Like the zoom shot on Lindel’s neck as they eat their soup. All in all, not a jam packed backstory, but its more than we had before and I expect more to come soon.

(more…)

Posted by AidanAK47 on 14 December 2017 with categories: Currently Watching:, Dies Irae

DIes Irae isn’t making this easy for the anime only watcher, as we get confused montages of Lisa’s backstory and oddly of a character whose relevance doesn’t come till a much later date. I would say it’s rather spoiler-ish if the info wasn’t presented in such a haphazard way that no one could really decode its contents. I will leave Rens dream for another time and instead let me lay out Lisa’s backstory so that the events of this episode start making some kind of sense. Put simply, Lisa isn’t like the other members of the Obsidian round table who primarily specialize in offense. Instead Lisa’s role in the group was running a special kind of orphanage, one dedicated towards human experimentation. The goal was the creation of a Ubermensch, otherwise known as a superhuman being, so the children in this orphanage were genetically altered to gain psychic powers and trained in them. Thing is that such genetic alteration didn’t come at a cost as the children all died at young ages which Lisa deeply regrets. However she continued her horrific experimentation because at the end goal she could wish all the dead children back to life.

All these experiments where to ensure that when it came time for Lisa to give birth that all the factors would be optimal and she would birth the child that would power Reinhard’s giant gold death castle. She succeeded in birthing that child but managed to have twins, one the genetic abomination that grew fast into adulthood and one completely normal child unaffected by the experimentation. Lisa ultimately decided to hide the existence of the normal child and sent them away while sacrificing the altered child to Reinhard. The normal child grew up in Japan, got married and had Kasumi while Lisa took care of her other granddaughter Rea. Thus due to circumstances both Kasumi and Rea are suitable to be sacrificed to bring Reinhard down to the world. Lisa wants to sacrifice Rea and get her wish so she can bring back all the children she has killed to get to this point while Kristof wants to sacrifice Kasumi in order to save Rea’s life. There is also a number of underlying motivations here like Lisa being terrified of Reinhard which causes her to shun both Johan and Rea due to them reminding her of the man she slept with. Likewise Kristof currently inhabits the body of Reinhard and he in turn wants to prove whether his love for Rea is genuine or some paternal instinct of the body he inhabits.

We also have Kei admitting that she’s doing all this to bring back her loved ones while Rin points out the simple truth that if bringing back someone was that easy then they wouldn’t be truly precious in the first place. Kei is also Shana now can goes all flaming hair red eyes and i must admit that my attention span is slowly drifting away. Kei can basically be considered a protagonist due to her different roles in the Visual Novel and as I mentioned before, the protagonists of this story are not very interesting. Even looking at the above paragraph I wrote goes to show just how complex and nuanced the villain’s motivation is when compared to Kei’s shortsighted and childish desire. Even Marie here just goes and points out the obvious detail that ever since Reinhard stab his big spear into her, shes started feeling feelings she never felt before. Is it bad that she got something good from an evil persons actions?

Afraid I don’t really care all that much because I don’t really understand how getting stabbed gave her emotions in the first place. I admit that this post has more or less been an explanation of the episode itself rather than a review of it but truth be told I don’t particularly have any real thoughts on the episode. Partly out of apathy and partly cause the Dies Irae kickstarter has once again screwed up and left me feeling rather irritated with the company that made it. I can’t say my impression with Light as a company is a positive one considering how rather slapdash this adaptation is and the handling of the Visual novel kickstarter. Well I suppose I got to read this story, even if getting it was harder than it needed to be and this anime did at least get some people to check out the source so it at least accomplished something. Well next episode we get get to see the first of the big three enter the scene with Balalaika impersonator Elenore.

Posted by SuperMario on 13 December 2017 with categories: Currently Watching:, Girls' Last Tour

Girls’ Last Tour examines the concept of time and space this week, as the girls riding on a lonely moving train. The train design fits right in with this world: a long metal box that functions all by itself and contains many now-dysfunctional robots – corpses of the machines. Since last week we learnt that they are capable of thinking on their owns and sharing the empathy with human, it’s a sad sight to witness that they are now basically a worthless junk. What even sadder is those that still remain: the train’s still functioning despite no one else need a ride, the clock’s still running despite it loses all its meaning. It’s a neat trick from Girls’ Last Tour to insert the robots’ perspective imaginary to remind us about its past lives, just like the graves the girls saw the other day. Yuu wonders if they actually go faster now that they’re on the moving train, in which Chi-chan snaps back that theoretically they don’t, since they are always on the moving Earth. Time goes pretty much the same way. Technically, they don’t go any faster, but since the concept of hours is long forgotten it doesn’t matter either way.

And then Girls’ Last Tour address something that transcend both time and space: the wavelengths, in the form of radio waves and in the form of light. Yuu picks up a noise in the radio that she took from the filing cabinets. That noise becomes clearer the more they get closer to the surface; and it turns out to be a melancholic tune. It feels like the memory of the old people still linger in there. Moreover, there is a reason why cinematography and photography regard sunset as the golden hour, as it produces a magical and dreamlike effect. Light is technically a wavelength, and for this particular moment, both the music from the radio and the red sunlight create something sad, something that still relevant and can’t be lost through thousands of years. That beautiful, quiet moment is also an acknowledgement to the transience of life – that the moment only last for a short period of time – it’s a true sense of Mono no Aware if I’ve ever seen one.

The last segment, however, ends this episode in a much lighter and opening note, as the girls encounter a strange creature, whose they thought was a cat. This mascot animal looks very similar to the stone statue. Long, thin, white and somehow can repeat the girls’ words through the radio. It’s nice to see the girls take something in for a change, instead of many one-offs they have encountered so far. Girls’ Last Tour still produces a pretty solid, albeit a bit lacking in weight this time. Now, the journey of two and a half girls, continues on.

Posted by AidanAK47 on 12 December 2017 with categories: Currently Watching:, Kino’s Journey -The Beautiful World-

Another remake of a story from the old series and while this one is adapted quite well, maybe even arguably better than the old version, it unfortunately lacks the same impact. The main problem comes back to the thing which ultimately holds back this season as a whole, story choice. For you see in the old series the stories were much darker and there were few stories which had countries that welcomed Kino warmly. Most were cold and formal with how they treated Kino and the general tone was more grim. The old series also established the importance of Kino’s three day rule and showed her past. So after going through a season of that and ending with this story about a kind country truly made for a great finale due to the nature of the episodes before it. The new series doesn’t have that same weight to it. it’s already shown Kino violating her three day rule and also failed to show its importance. Kinos past has instead been reserved for next episode and the stories of this season have been much more light hearted than the previous season. What made this episode great before was that it came after a season cour of Kino traveling to flawed country after flawed country. Thus the one time when she finds a truly wholesome and welcoming country it is tragically destroyed before her very eyes. A small piece of beauty in a otherwise cruel world and something that gives meaning to the subtitle of this series.

I don’t really understand the logic of having this story here in the middle of the series and not to mention animating the country of adults right after it. Overall the structure of this seasons stories has not really been very thought out and seems to be just following the notion of animating popular stories without considering their context. Not to mention adapting stories which don’t really require a new adaption. Still regardless this is a good story and the final twist still hit hard. The basic story being Kino traveling to a country widely rumored to be horrible to travelers only to find they welcoming and kind. The whole way through the episode you are waiting for a dark twist, just waiting for the gut punch that turns all their kindness insincere but that doesn’t come. Instead we get the reveal that the country was doomed to be destroyed in a volcanic eruption and the people of the land made there peace with it. The children remained oblivious to their impending death as the tour guide girl lead Kino around happily unknowingly of what awaited in a few days. As Kino was the last visitor to their country they wanted her to leave with good memories of the place. Just when you think that’s the only hard hitting moment there is the second revelation that the tour guide girl knew full well that everyone was going to die and yet despite given the opportunity to leave still chose to stay and die with her family. I didn’t feel much at the first reveal but the second managed to make me feel something.

Admittedly there isn’t all that much to this story other than the emotional factor and the final twist. That kind of what made it a better finale due to its simplicity and sense of finality. The only other thing to be gleaned from it is that the man who gave Kino the woodsman and cleaned her gun also happen to be her Masters former assistant. Bit odd to see Kino only receive the woodsman here as in previous episodes she already had it but Kino doesn’t play out in chronological order. So other than finding out what happened to the masters assistant it’s just a tragic story of Kino finding a kind place. So it doesn’t have the same kind of thought provoking undercurrents as other Kino stories would. Truly this story was more about Kino and how she changed as a result of this place which again makes the placement of this story here weird. Still the next stories placement is even weirder and I don’t really understand why it’s being remade in the first place. With this, one fourth of this cour is remakes of episodes from the old series and sadly not even the best episodes. I am really hoping that another season of Kino is on the way as it would be a real shame to just leave it at this

Posted by SuperMario on 11 December 2017 with categories: Currently Watching:, Houseki no Kuni

This week proves to be the most action-packed episode Houseki has been offering so far and unconventionally, it’s Dia who takes the central stage at facing the most ridiculously overpowered Lunarian Titan to date. Well, I said “unconventionally”, but when the narration and the execution (the camera work, in particular) come together in such neat package I have no complain whatsoever. Viewers might point to the second half of this episode as Houseki’s most memorable moments, and they’re indeed correct, but for me the first half is just as equally impressive, despite… well, nothing really happens. Take the first segment for example, where Phos just sits in one place and other characters pop in and out of the picture, in sequence, it feels like we’re in a play. Indeed, that segment is constructed like a theatre play, with Phos sometimes sits in the middle of the “stage”, talks to one cast member at a time and then narrates themselves. Moreover, just by the way Phos interacts with different Gems we can learn immediately about Phos’ current role in this gems’ society: helping out Lexi about Lunarian’s types, taking a patrol job from Jade, still a topic of curiosity from Rutile, partnering up with Bort, and most importantly, we learn that Phos is still haunted by the loss of Antarc. All that and Houseki never betrays its quirky sense of humor. The moment those jellyfishes jump off their pots totally win me over. I didn’t even notice that the Gems use jellyfish as a light source before. That explains the light changes color depending on which Gems taking a spotlight was the jellyfishes deciding to change color, and obviously has nothing to do with Houseki’s artistic liberty.

Dia’s reaction towards receiving the news from Phos has to be Houseki’s most expressive reaction in the whole season, because it fits Dia’s character too well. Shock at first, but Dia quickly accepts that fact and even forces Phos to accept the personality of Bort. I know they’re Gems so they have different concept than us human when it comes to pairing/ partnering, but for me the Gems’ break up is just as hard as ending a relationship. Dia takes those sad feeling all to themselves – of course they’re never worthy enough to be paired with Bort. Of course now that Phos is stronger, it’s only natural for Bort to team up with Phos. The moment Dia just sits there picking flowers in complete loneliness, follow immediately by them looking at their old partner from afar is both sad and heartfelt. Houseki is really spot on at delivering those little character moments. Dia’s arc comes to a satisfying closure at the end of the episode, when Dia gets out of their own insecurity to face the beast head on, and later on when they see Bort again in their own shattered state, Dia fully lets all their burden go. “I’m glad we spilt up” and “From afar, I see just how much you mean to me”. Both are true, spoken from the bottom of their heart (if they ever have one).

Finally, holy cow! The animation, the choreography and the camera work really something else altogether. I would expect that level of excellence in theatrical movie or a top-notch 3D game, not in a “budget” anime show. To put it simply, Houseki is a prime example of an anime that uses the CG right. The two fights are stunning with some of the best cinematography that play almost entirely in one single cut. Just watch the fight sequence of Dia and Shiro in full movements and the long take makes us feel like we were participating in the fight along with Dia. Or the sequence before that when we follow Dia hiding behind the box, we get to see they leaning forward and back in real time, then the camera just zooms out while Dia hides so we can feel in sync with the situation Dia is in. Also I have to note that the way Dia uses their own leg and their own sharpness as a weapon is a smart move, since diamond is weak under impact but extremely lethal when it comes to cutting. At long last, Shiro is cut in half… and split into two smaller Shiros. With only Bort fighting them, how can they pull it off? We have one of the best action-sequence of this whole year and for my money one of the best episode of this season. Houseki goes completely insane this week and ends up outdone themselves. The only issue remains… All these cliffhangers are really bad for my blood-pressure.

Posted by AidanAK47 on 10 December 2017 with categories: Currently Watching:, Fate/Apocrypha

Breaking my usual routine today just to give an opinion on this episode but this episode made me feel compelled to get out my opinion. We have another action packed episode with three contestants out of the war and boy did they go out with a bang. Many will notice that the animation for this episode was very different from what we are accustomed to and from my information we have Hakuyu Go(A talented taiwanese webgen animator) with friends to thank for the amount of work that went into this one episode. Indeed out of the episodes of Apocrypha so far this may be the best animated one to date but alas this comes with a bit of a cost. The animation in this episode will certainly be a divisive topic and sadly I find myself on the side that dislikes it. Mainly that this emphasizes movement over art and as a result we have a episode with a large amount of movement but character go off model and look rough far too often. I have never been too fond of this animation style as I find the off model characters to be a major immersion breaker but in this case there is a second much more problematic aspect.

Let me put it this way, today I watched a epic fight between Siegfried and Karna. What happened in that fight? Well…um…Karna unleashed his noble phantasm…something happened…then rider came and unleashed a noble phantasm…explosions…um…huh? Dear reader, what do you remember of this fight? Cause I fully admit that upon watching this that I had to truly struggle just to comprehend just what was even happening. The soundtrack and passion of the scene certainly got through but eventually what happened on screen just became a big ball of chaos and explosions. The Atlanta fights fared better as the fight was on a lower scale than Siegfried vs Karna but I do wonder just where these giant voids of space appeared from in the hanging Gardens of Babylon. Sources claim that Semiramis can change the space instead the gardens which could have resulted in these large rooms but the anime really hasn’t gone into detail on all the capability the gardens give her.

But regardless the fights in this episode remind of something and I think this could be considered the anime version of shaky cam sequences. Indeed the fast cuts and general chaos is very much like a shaky cam fight sequence and I have never truly liked those. I am more a person who enjoys good fight choreography over flashy explosion fests so it is my opinion that I actually enjoyed the Achilles vs Chiron fight in the previous episode much more than the chaotic lightshow that was Siegfried vs Karna. I do admire the effort put into this episode but I fear it will have a hit or miss quality with people. I just hope that those that don’t like it don’t do that idiotic thing of screenshoting inbetween frames and using it as evidence for bad animation. Cause hey morons, that’s not how you critique animation.

A small correction to something I previously stated in my last posts about Achilles and Atalanta. I previously said that Achilles teacher told him stories about Atalanta but it was in fact his father, whom had taken part in Calydonian Boar Hunt and The Argonaut Expedition, both of which Atalanta participated. Thus he heard stories about her and had a childhood crush on her, it’s this piece of information that makes his efforts to stop Atalanta from destroying herself and the final farewell hit so much harder. I really do adore that final scene between the two of them and I also really like how much of Karna’s character came through in his final moments. Loyal to a fault that one and honorable to the end. They say Karna can match Gilgamesh in a fight and yet he is a polar opposite to him in regards to how he treats his masters. We near the finale of the series and it looks like Rulers greatest foe is…Shakespeare? Well I did say I wanted more Shakespeare.

Posted by Lenlo on 10 December 2017 with categories: Currently Watching:, Inuyashiki

Welcome to another week of Inuyashiki! This week we have incredible sequences of terror, fearless Directors and death flags! Lets jump in.

Obviously, the first thing we need to talk about this week is Hiro. A lot has happened in the few hours since Hiro attacked the Station. Interestingly, yet weirdly, Hiro has garnered a fan club. I don’t understand this. Do mass-murderers in real life gain admirers? Regardless, whatever fans he had at the start Hiro has since lost them. The first half of his murder spree is basically a public shooting. An opening salvo, of 100 people, to declare his war. Had they done it any other way I would have no problems with it. As it is, I can’t stand Hiro’s TV gun. Air or Light bullets I can accept, but what is the explanation of shooting through screens? The fantastical nature of it is too much for me. Everything else at least was explainable as Alien technology, but this is modified Earth technology. It makes no sense.

(more…)

Posted by AidanAK47 on 9 December 2017 with categories: Currently Watching:, Fate/Apocrypha

When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for once and I found myself invested in his struggle to disarm the Hanging Gardens beam cannons. Part of the reason is because Astolfo isn’t acting his usual aloof self due to a new moon being out. As the legend goes, Astoflo’s sanity was taken by the moon and when a new moon is out he temporarily regains his sanity along with his noble phantasm.

So instead of the fearless comic relief he has been throughout the series, he’s much more serious and even feels fear. This gives his fight to take out the gardens some rela weight and i was genuine tension in the scene. Well…it was also partly helped by Sieg running off to fight Karna. I don’t know what it is but that kid can suck the emotion and fun out of a scene in a instant. I was convinced that this was Astoflo’s last stand and that he was about to exit the war but he surprised me by surviving. It certainly was amusing to see Seramus also mistake him for a girl before getting dive bombed by Mordred.

They follow this is what is by far the best fight scene Apocrypha has had yet and likely the best fight in the series as Achilles uses his noble Phantasm to stop time around the plane, making it that the only way Chiron and him can fight is through hand to hand combat.(Mortal Kombat if you will) I must say that was one fantastic fight scene seeing Chiron and Achillies beat the hell out of each other in the stopped time. Sure the animation and art could have been better but it still managed to make this one hell of an anime fight. Special mention to Chiron stomping on Achilies scarf to make him into his personal punching bag.

Alas Achilies comes out on top and Chiron exits the war, although Chiron manages to use his noble phantasm to remove Achilies protection by striking his heel. Chiron even manages to get Achilies to promise to hand over one of his noble phantasms to the black team and oddly enough the end credits sequence shows that he’s keeping to it, likely giving his chariot to Astolfo. This series has it’s ups and downs as well as not living up to the potential it truly had, but it’s episodes like this that make me glad I stuck with it. There is a few great moments in this series for a Fate fan and though it likely won’t be as highly regarded as other works, it’s still a worthwhile watch.

Posted by AidanAK47 on 7 December 2017 with categories: Currently Watching:, Dies Irae

Netflix has funded thirty anime which will air in 2018 and this has brought concerns over whether Anime as a whole could be westernised in order to cater to an overseas demographic. I find the chances of this unlikely and the more likely result is a more diverse lineup of anime for both Japanese and overseas demographics. However if Anime was westernised then that could lead to the removal of excessive unnecessary fanservice in shows as they would not longer need to pander towards Otaku in an effort to gain more Blu-Ray sales. So why is it that I am starting off this post on the latest episode of Dies Irae with this information? Well one because this is another one of those nothing happened episodes(Which I need to think up a term for) wherein the plot barely moved forward and not a whole lot was present in this episode. The other reason however is because to fill up screen time during a long exposition scene, it was decided to show Marie stripling off and trying on different clothes. So I will state that if this mythical westernation of Anime were to happen, this is one aspect of anime I certainly wouldn’t miss. Of course my enemy isn’t so much the idea of fanservice but rather lazy fanservice. When fanservice is part of a series appeal then it is understandable why it’s present but what annoys me is when a series attempts to have its cake and eat it too and throws in fanservice without considering its effect on the story. It’s akin to having a benny hill sequence in Lord of the Rings, immersion breaking.

So let’s round up what happened in this episode. Kasumi was taken by Shirou and Ellie for her own protection, Ren calls them up and gets information on the Swastika’s locations, Ren and Marie visit School to find all the students mind controlled and Shirou and Eilie face off against Rusalka only to get devoured anticlimactically. We had two rather intrusive fanservice scenes in this episode, the first with Marie trying on clothes while Ren was two feet away from her and Rusalka making out with some guys before she goes and murders everyone in the room. I admit the second scene isn’t exactly out of character for Rusalka as she does tend to get around. IN fact at this point she’s pretty much slept with half the guys at Ren’s school. Still I always felt that Rusalka generally didn’t do this while on the job so to speak and i also originally thought that she couldn’t transform between her younger and older self. After all I thought the whole point of her downgrading herself into a lolita was to make her live longer as she is nearing the end of her lifespan. The fight scene wasn’t much to speak off, just Shirou and Ellie firing bullets while Rusalka shrugs them all off. If this was the last we saw of them then this would certainly be a disappointing end to the interesting characters of the protagonist side.

Regarding Marie i find her new personality to be immensely annoying. I wasn’t quite fond of it in the visual novel but in animated form I am forced to see just how incredibly pandering her character really is. This is likely the kind of person that otaku believe to be the perfect girlfriend…in theory. After all, she’s caring, cute and love you? Surely you don’t need her to be anything else. But of course this is in theory as in reality girls like Marie would be very boring and in the worst case scenario, annoying. Sort of like a child who grew out of the phase where everyone found them cute but still tries to act cute for attention, only for it to be very aggravating. Maybe if I could get invested in her love with Ren I might find her more interesting but the fact of the matter is that their relationship is shallow as a puddle. I don’t even understand at what point Marie fell for Ren as she’s only known him for a few days and there wasn’t really any point I could see her growing remotely interesting in him. Does this girl know anything about him at all? Of course I may be jumping the gun here as they haven’t confirmed that she’s in love with him but frankly it’s inevitable. With Shirou and Ellie, i get why these two are together, as they just work on the same wavelength but an easy girlfriend character like Marie, no matter how pretty she may be, just seems so…dull.

CHANGE USERNAME
KTravlos
A point on the chibi in AMB. I was thinking about shows were the chibi did not bother me, and Hellsing Ultimate and Drifters (newest episodes coming out), both had deformed/chibi segments. For some reason they did not bother me. I think ABM directors have bad timing with them.
KTravlos
I have to say Ichirou Inuyashiki is very cool. Like he is really a cool character. Also I am saddened to say it but watching AMB together with Inuyashuki does not work well for AMB
Kaiser-Eoghan
@Silver: There are sad moments certainly but plenty of humour.
Anonymous1639132
Man, I sure hope Ichirou Inuyashiki and Hiro Shishigami make out, everything is just building up to that
silver
I actually have only watched one or two episodes of this season of 3-gatsu, but its rising scores and rave reviews are making me really excited! I've only put it off because it's somewhat emotionally tiring for me
SuperMario
@Kaiser: Well, after the first season of 3-gatsu ended, I did skim ahead to this bullying arc so I already know this is going to be powerful, yet the anime still wow me over and over
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Total users: 23

Star Crossed Anime Blog

4 User(s) Online Join Server

Featured Posts

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

To the surprise of no one, Rat wins the race by breaking in the right place at the right time with the right weapon. This is by no mean a coincidence, because later on we learn about Rat’s real power: “Hundred Paths of Nezumi-chan”, in which he can see 100 various outcomes and thus picking […]

Mahoutsukai no Yome – 10 [We Live and Learn]

Welcome to week 10 of Mahoutsukai! Finally, oh so finally, we have are given some backstory on Elias! Our mysterious male(?) lead gets some explanation. We also get the start of a Chise only arc and finally some more information on Lindel. Lets jump in! As the main focus of this weeks episode, naturally I […]

Dies Irae – 09[A Mother’s Sins]

DIes Irae isn’t making this easy for the anime only watcher, as we get confused montages of Lisa’s backstory and oddly of a character whose relevance doesn’t come till a much later date. I would say it’s rather spoiler-ish if the info wasn’t presented in such a haphazard way that no one could really decode […]

Girls’ Last Tour – 10 [Train – Wavelength – Capture]

Girls’ Last Tour examines the concept of time and space this week, as the girls riding on a lonely moving train. The train design fits right in with this world: a long metal box that functions all by itself and contains many now-dysfunctional robots – corpses of the machines. Since last week we learnt that […]

Kino’s Journey -The Beautiful World- – 10[Kind Country]

Another remake of a story from the old series and while this one is adapted quite well, maybe even arguably better than the old version, it unfortunately lacks the same impact. The main problem comes back to the thing which ultimately holds back this season as a whole, story choice. For you see in the […]

Houseki no Kuni – 10 [Shiro]

This week proves to be the most action-packed episode Houseki has been offering so far and unconventionally, it’s Dia who takes the central stage at facing the most ridiculously overpowered Lunarian Titan to date. Well, I said “unconventionally”, but when the narration and the execution (the camera work, in particular) come together in such neat […]

Fate/Apocrypha – 22[Reunion and Farewell]

Breaking my usual routine today just to give an opinion on this episode but this episode made me feel compelled to get out my opinion. We have another action packed episode with three contestants out of the war and boy did they go out with a bang. Many will notice that the animation for this […]

Inuyashiki – 9 [Shihjuku People]

Welcome to another week of Inuyashiki! This week we have incredible sequences of terror, fearless Directors and death flags! Lets jump in. Obviously, the first thing we need to talk about this week is Hiro. A lot has happened in the few hours since Hiro attacked the Station. Interestingly, yet weirdly, Hiro has garnered a […]

Fate/Apocrypha – 21[Antares Snipe]

When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for […]

Latest Reviews

The Reflection Review – 45/100

The superhero genre has been undergoing a surge in popularity in recent years. From the Marvel movies in the West to anime series like My Hero Academia in the East, super heroes are everywhere.  As such, for good or ill, it was inevitable that we would get a merging of the two. The Reflection is […]

Made in Abyss Review – 91/100

There are few series which can capture the mystery and wonder of a fantasy world as well as Made in Abyss. Their world is dangerous, brutal and unforgiving but beautiful, wondrous and exciting in it’s presentation. The story is of a ordinary girl called Riko and a mysterious cyborg boy called Regu traveling down the […]

Classroom of the Elite (Summer 2017) Review – 54/100

Here’s a perfect example of a Light Novel adaptation schlock that has some interesting concept but terrible presentation. Youkoso usually starts the episode with a thought-provoking philosophical quote, and then (in one episode in particular) they followed up with a boob shot. It sums up exactly how I feel about this show. In service for […]

18if (Summer 2017) Review – 68/100

Allow me to skip over the last episode coverage for this full review of 18if, since I was too underwhelmed by the finale to have anything concrete except pointing out how messy the ending was. The first thing you need to know about 18if is that it’s a multimedia project (along with a mobile game […]

Princess Principal (Summer 2017) Review – 82/100

Princess Principal has emerged as a true sleeper hit for this admittedly sloppy Summer Season. A joint project from indie studios that bring us my favorite anime of last year Flip Flappers (3Hz) and “better than it has any right to be” Girls und Panzer (Actas), Princess Principal records the missions of five cute spy […]

Shingeki no Bahamut: Virgin Soul Review 80/100

“Dance!” I have been a  reader of this blog for a long time. Indeed it would not be wrong to say that psgels and the current crop of writers have helped maintain my interest in anime for the last decade. So now here is my chance to give something back to this excellent blog. Shingeki […]

Katsugeki Touken Ranbu Review – 63/100

Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

Kakegurui Review – 61/100

This show is one that makes conventional reviewing difficult as your enjoyment of your series will likely determine on highly subjective factors. For if I was to put this under scrutiny on matters of f-plot, setting and characters then it will end up lacking in all categories. The plot is just watching Yumeko face members […]

Re:Creators – 22 [Re:CREATORS] – 75/100

There was never going to be a epic fight with every creation squaring off against the overpowered and invincible Altair. That possibility died when the creators threw the copycat of Blank at her only to have that plan backfire horribly. Besides, it wouldn’t have been a satisfying conclusion to Altair’s story to have her be […]