Posted on 31 March 2006 with categories: Monthly Summaries

I keep telling myself to write some kind of end-of-the-month-summary, though I keep forgetting. But not this time! Haha! Ha..ha..

Anyway, I was planning to give a short summary of my opinions on each of the shows that I’m following, including some that I’m not blogging, and do some kind of top-5 episodes, or something in that direction. Oh, and if you were, by the very unlikely chance, wondering why I didn’t post for so long: I had my exams this week again, so I was too busy to post. Now that they’re over, I’m back again.
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Posted on 25 March 2006 with categories: Anime Reviews


Let’s see, what have we here… Girl with superpowers runs into boy who holds the key to the bad guys for their ultimate plan in order to gain an infinite amount of power. Boy and girl fall in love. The end. Let’s see, where have I seen this before?

The anime starts out pretty nicely. Yuji (the boy) discovers that he died a long time ago and that he had been temporarily replaced by a blue flame which keeps getting weaker and weaker. All this is told by a very nonchalant girl who couldn’t care less about him. Yuji just doesn’t accept this and keeps bothering this girl. After he sacrifices himself in order to save others, Shana (the girl) finally realizes that not all humans are selfish and care only about themselves. Then, at the point of a dramatic ending, Yuji convieniently appears to have a unique power to restore all his lost energy by midnight. Even though that minor detail ruined a couple of scenes, I found myself enjoying these parts. The only problem: these were only the first four episodes.

The episodes that followed featured some kind of bad guy who had to be defeated. Some of them were kindof interesting to see (for example, the doll fetishist), some were just plain boring (for example, the flashback arc). But the biggest problem I had was our main character: Shana. She managed to change from a nonchalant red-haired warrior to a whiny little girl. Not particularly the best development ever and as the episode progressed I began to hate her more and more. In an attempt to counter this, the creators made her obsessive about melon-pan, which she then tried to eat in a very cute-like way. When they first introduced this, Shana was still in nonchalant-mode, so it didn’t really fit that character at all. As the series progressed, that behaviour fitted her character more and more, but I really couldn’t care less about this, and it wasn’t really the cutest thing I ever saw. If you want cute, you should see Becky in a cat-suit, bottle-fairies playing pirate or Mori doing a cossack dance.

The characters I did like were the side-characters, especially Yuji’s classmates. If you ignore the fact that each flame haze that visited the town convieniently chose one of them to be their side-kick, then they have some very interesting personalities. I especially liked Yoshida. I kept hoping for her to beat Shana and just make Yuji fall for her, although I knew that this was false hope, as Yuji and Shana were meant to be together for the sake of being the main characters. Anyway, I had a very enjoyable time whenever one of Yuji’s classmates came in the spotlight. I especially loved the confession between two of them. It was the last thing I expected from a show like this.

Then the ultimate bad guys. These guys really are 1-dimensional characters, being bad for the sake of being bad. We never get to hear their intentions, or why they’re doing what they’re doing. For example, I’d have loved to see a bit of background from Hecate, but no. Apparently, Shana’s more important, so she’s the only one who we get so see some background of (which by the way, was really disappointing. It didn’t feel special to me at all, except maybe Shana’s outfit. There’s also the question remaining as to why Shana turned so cold, as she was pretty energetic when she was young).

The ending of the series was horrible. Giving me fake hope like that! And yes, all of the side-characters are conviently put out of the picture as our hero sets off to the ultimate showdown. Anyway, blah blah, fight fight, drama, blah blah, drama. *yawn* The aftermath shows us an open ending, which shows some hints for a second season (>.<) Shakugan no Shana does excel in the music department, however. The tunes are nice and catchy, especially at the beginning of the series. They turn a bit repetitive at the end of the series, though, but that's a minor issue. I just don't like the tune the creators used for the commercial-introduction-sequence. It doesn't really work along with a very dramatical scene right before it. The art itself is also pretty decent. The eyes of the characters might be a bit too much, but apart from that, it didn't bother me much. The CG also looks very interesting, except for the fact that there seemed to be a thick imaginary line between the usual art and the CG. I could exactly distinguish both of them, and they really were not blended in too well. That was a bit of a pity to see. Overall, this is a pretty popular series, but I just don't like it. Period. Overall Rating: 51/100

Posted on 24 March 2006 with categories: Ergo Proxy



The first two episodes had most screentime featured by Ril, and a bit of Vincent. In the second episode, they both got about the same amount of it. This episode, featured mostly Vincent, with a bit of Ril. It appears that he’s been in coma for ten days since, and he finds himself together with Pino outside of the big city, which apparently is called Romdeau. For Vincent, this was mostly an intermezzo, as he recovers from his fall and meets up with the local residents while Pino is being her usual awesomely cheery self. He still hasn’t lost te worries he had before his jump, so he’s gloomy as ever. Even though nothing much happened with him, I still have to say that I enjoyed watching him. For a male main character, he really appears to me as unique.

Then Ril. Even though she didn’t get a lot of screentime, there were a lot of different things happening around her. First of all, Iggy got taken away. This is no surprise after what happened in the last episode, but I’m sad to see him gone. I hope he comes back soon. The part that kinda shocked me is the fact that the series suddenly lost one of its most important bad guys. Only after episode four, the one that started all the drama suddenly ends up dead. This could really turn to be interesting. When I started this series, I was expecting some quest in order to kill the allmighty proxy, but thank goodness this series focuses more on the topic of human freedom and what to do with it.

Overall, I enjoyed this episode, although I can imagine that the more impatient people would be a bit turned off by this. The episode starts off a bit strange, as we get to see what’s inside Vincent’s dream, but that didn’t really mind me.

Posted on with categories: Ayatsuri Sakon



The first arc ended in mass-murder. This one only has three deaths. The ones in the two previous episodes, and the one that happens in this episode. That doesn’t mean that this arc is less awesome. Even at the moment right before the criminal gets revealed, I really had no idea who it was. Everyone could have done it.

That’s the thing I like about Ayatsuri Sakon: they develop each character so, that he or she could possibly be the murderer. Everyone hides something, or acts suspicious. They’re either too calm, or they just freak out. The creators then manage to blend the murderer in with the other characters, and somehow manage to make that one character stand out the least, making him or her the least suspicious of the bunch.

The techniques used by the murderer are quite clever. Especially with the second murder, it had me startled for a while. This is proof that we’re dealing with a very cleverly-written anime here. Sakon also made good use of this when he solved the case.

The climax of this episode was the best yet. You’d think of a dramatic ending, with lots of time spent on it. The bad guy learns his lesson, or at least sees the futility of his actions. Well… eh… no. I just loved the abrupt ending of this episode. The creators managed to eecute that one very nicely. The next episode will probably feature the aftermath of this tragedy, as there are a lot of unknown questions left behind by this one.

Posted on 20 March 2006 with categories: Mushishi



After the disappointment of episode 19, episode 20 totally makes up for it. The theme is kindof heavy this time. Normally, mushi aren’t really evil. This episode deals with a mushi who is. Ages ago, it had been sealed, after attempting to kill all humans and animals. However, the sealing just set the mushi to sleep, it didn’t kill it. There’s also the fact that the mushi was sealed in a human body. When that body dies, the descendants of that body will carry this seal over. In contrast with Naruto, the bearer of the seal doesn’t gain any superpowers, but a part of their body turns pure black and unmovable, making them unable to use it. In this case, the black part was just the right leg. But the first bearer had it all over her body.

Anyway, in order to kill the mushi, the bearer has to write down stories of mushi dying. That’s the weak point of this mushi. It just takes one heck of an amount of stories in order to do this. Even three generations haven’t been able to. The girl in this case will most likely also have a nice way to spend her time for the rest of her life. The introduction of this episode was just so sad. After all, living up, firstly not being able to play with other children because of a certain black leg, and secondly having to hear all kinds of stories about death. I’m not sure, but that doesn’t seem the best way to grow up. But then again, if she doesn’t do it, the mushi will consume her. In other words, she’ll die herself.

We also get to know that there are also Mushishi who don’t value the life of the mushi. Ginko’s stories about mushi not dying during his adventures were a first case for this girl. I didn’t expect a thing like this. From all the Mushishi I’ve seen in this series, they all seem like a bunch of pacifists, who value the life of every creature.

It was also very nice that we got to see an image of Ginko that we’ve never seen before. After seeing the two of them talking at the end of the episode, they seemed like a nice couple. Speaking of that, we had a rather unique ending this time. While it was just as great as the other Mushishi-endings, it lacked a climax. The fact that the girl has been doing this for probably more than thirteen years shows how she came to accept her tasks, and how she learend to live with it. Because of this, and ending like that is possible.

Posted on with categories: Mushishi



A guy from an relatively rich family falls in love with the nanny of his little brother (at least, I assume it’s his little brother. It’s at least a baby-member of the rich family). This nanny gets to play the victim this time. She’s a person who can see certain types of mushi, she sees a mushi in the form of a thread hanging from the sky, grabs it and flies off into the air. Then she falls down to earth again, trees break her fall, but she becomes a pseudo-mushi. Eventually, she’s partially saved by Ginko who runs into her. In order to totally save her, the guy needs to make her give the will to remain human. Well, let’s just say he fails. After a little rant from Ginko’s side, we get to see a very enjoyable ending.

Even though this was an enjoyable Mushishi episode, it just remained enjoyable. Nothing more nothing less. It wasn’t anything special like the previous episodes. I did like the ending, however. It seems like Mushishi has the handicap of always delivering a great (or even better) ending for each episode.

Posted on with categories: Law of Ueki



Aah, I knew it. Ballow had to have some kind of background. When he was a child, he accidentally shot his mother with Kurogane, mistaking her for a burglar. Ever since, she lost her awareness of this world, and only is able to lay awake in bed, without any motion (there has to be some kind of term for this, but it can’t come to my mind). His mother was a good painter, so Ballow thought that he could reach his mother’s heart by making very good pictures. Well, he tried that for about eight years, with still no success. After he chases away a couple of burglars with Kurogane, his mother suddenly reacts again by seeing this oversized pea shooter, she apparently remembers the past incident, and she becomes extremely scared. Well, after all this, it was a piece of cake for Margaret to convert him. Overall, I like this story. It’s so much better than the last episode, and it does give a bit of extra dimension to the fight.

Ballow’s background may have been very pleasantly to see, but what really made my day was what happens afterwards: we finally get to see Kami-sama’s background. We finally get to see a serious side of his, explaining why he organized this tournament in the first place. It seems that the position of Kami-sama changes very rapidly (at least, in terms of heavenly-beings), as it has only been 25 years ago that Kami-sama was appointed to his task. Apparently he had some good connections, as he was just ‘chosen’ by the previous Kami-sama. Anyway, he didn’t really like the huge amount of paperwork, so he takes off. I loved the way his assistant misunderstood Kami-sama’s comments on the Hellions.

Kami-sama apparenly was a human before he got promoted, as he goes back to the human world. There he meets up with a very weird girl. I really like her. I couldn’t believe that the creators would’ve been able to put another unique character in, but apparently, they can. This girl tries to get out of a couple of guys harrassing her, all in Ueki-style of course, fails, and then relies on Kami-sama to protect her, resulting in some very hilarious scenes. Then the girl introduces her and we get another horrible cliffhanger.

After this episode, there are just seven episodes left. I’m expecting the next episode will be reserved for preparations and the rest of Kami-sama’s background, so that means that the grande finale will consist of six episodes. In those six episodes, Rihou gets his lessons, the Ballow team still have some kind of role, Margaret will reveal his plans, Kami-sama fights Margaret, and Anon will be featured in his showdown. In other words: it will be one heck of a final. I am so hoping that the girl introduced in this episode will play a huge role, I’m already fan of her.

Posted on 19 March 2006 with categories: Law of Ueki



Ah, of course, Ueki was doing all this in order to reach level 2. I almost forgot, between the awesomeness of seeing Rinko, Sano and Mori fight. This episode wasn’t really anything special. Ueki fights, Ueki gets beaten, tension rises, last possible moment, Ueki finds his level 2. It’s a pity that the show must obey certain rules when an important plot-part arrives. The creators managed to solve this extremely good with Marilyn, though this time, they failed. I was hoping for Ueki to use his tree powers in a very creative way, but I was wrong. I guess he still relied too much on the power of his sacred treasures in order to fully utilize his tree-powers… but that sounds weird, as you need to fully control your powers in order to reach level… in any case, the creators had a bad day.

Posted on with categories: Ayakashi ~Japanese Classic Horror~



Aaaah, I’ve been waiting for this to come out. Yotsuya Kaidan is finished, and now we continue with the second story of Ayakashi: Ten Shu Mono Gatari, and it suddenly looks like I’m watching a total different anime. The art style got a total retyle. The faces of the characters suddenly became to look much more like normal anime-style, and the clothes have changed from simple one-colored kimono’s into bright-colored, multi-layered cloths. This changed the overall style to be mush lighter. Overall, I have to say that I like this new art more than the previous. Especially the Forgotten Gods look beautiful (if you exclude the old lady, that is). Yotsuya Kaidan’s art wasn’t bad, or anything, but it just bothered me a bit too many times.

The story’s also so much different from Yotsuya Kaidan, which revolved around nothing but arrogant characters, only doing as they please and killing each other. Ten Shu Mono Gatari, however, seems to be a love-story, between a Forgotten God and a human. Yotsuya Kaidan had just one supernatural being involved (namely Oiwa). Ten Shu Mono Gatari has many, including different species. I have no idea whether this will be as succesful as Yotsuya Kaidan. I guess the only way to find out it to watch the next couple of episodes.

Posted on with categories: Law of Ueki



What the friggin’ heck!?!

Okay, the cliffhanger in this episode is officially the most annoying one yet. I mean, what happened to him to make that happen…? Okay, this was certainly the last thing I would ever have expected from a show of this nature… But then again, he’ll probably find even more power than he had before, but still, I had a serious wtf-feeling after this episode ended.

Anyway, this episode instantly covered three fights, focusing on Mori’s one. What happens when you let an 178-IQ-person meet up with Mori’s power? Some incredibly hilarious scenes. The fight was pretty short for shounen-series-standards, which made it even more enjoyable to see. It was just horribly funny to see a serious person like that guy being turned into a glasses lover, and trying all kinds of ways to outsmarten her. I just loved the way Mori countered all of these plans.

The other fights both featured Sano. That one surprised me, as I would’ve thought that every team member would get a chance to fight, but it seems that Hideyoshi is left out of the action in this arc, just like Rinko in the previous one. I’m wondering what will become of him in the last couple of episodes. I just know that there’ll still be a moment for him to stand in the spotlights, as he’s the only weak person remaining in the team.

Anyway, Sano’s a huge victim in this episode. It doesn’t seem like he’s been killed, but I bet he’s going to wake up with a nice headache. The fact that Ueki’s been chosen for the last and decisive match, has of course been predictable, but the cliffhanger totally made up for that. It’s also nice that Ueki ‘s very silent in audience. This made this and the previous episode a rather main-character-less period, which is always good for a series, so it can focus on the side-characters a bit more.

CHANGE USERNAME
SuperWooper
I'm with you, Bokusen. I don't even think it was particularly good-looking.
Bokusen
Maybe it gets better though, or it just wasn't my thing...
Bokusen
Garo was way too campy/trashy for me and I dropped it like a rock after ep 1. The whimpy female character annoyed me too.
KTravlos
yeah that is m plan. Altair is about to finish. I think at this point that I ca say that on balance it is a better political-military epic than Arslan despite the issues. You will read more about it in my review.
Kaiser-Eoghan
@Travlos: I am waiting to marathon it, the first season worked better when marathoned.
Amagi
Maybe I will pick it up again now that I dropped something else.
Amagi
Damn I totally fogot about it. Watched the first two episodes and it was enjoyable + good animation. It was still missing an actual plot but I guess it starts later
KTravlos
also, it looks like Garo: The Vanishing line is a good show to watch. Is anybody following it?
KTravlos
That said the last two AMB episodes were quite fun.
Amagi
I would have prefered it if the magical beings were weird looking instead of all of them being beautiful sameface humans. Also the special role of Chise and how everyone gets alured by her give me strong otome vibes and I am really not a fan of this gerne
Amagi
@Lenlo/KT same here. It's just that AMB can't come even close to Inu, Shuumatsu or Houseki. I am no a fan of the pacing and the rest is basically just fantasy.
Kaiser-Eoghan
Was worried there for a moment thinking sangatsu no lion was ending next week, turns out season 2 is 22 episodes afterall.
Lenlo
Yeah KT, watching the two together has not come out favorably for AMB for me.
Kaiser-Eoghan
I believe it works better in hellsing and drifters moreso to both being goofball action shows.
KTravlos
A point on the chibi in AMB. I was thinking about shows were the chibi did not bother me, and Hellsing Ultimate and Drifters (newest episodes coming out), both had deformed/chibi segments. For some reason they did not bother me. I think ABM directors have bad timing with them.
KTravlos
I have to say Ichirou Inuyashiki is very cool. Like he is really a cool character. Also I am saddened to say it but watching AMB together with Inuyashuki does not work well for AMB
Kaiser-Eoghan
@Silver: There are sad moments certainly but plenty of humour.
Anonymous1639132
Man, I sure hope Ichirou Inuyashiki and Hiro Shishigami make out, everything is just building up to that
silver
I actually have only watched one or two episodes of this season of 3-gatsu, but its rising scores and rave reviews are making me really excited! I've only put it off because it's somewhat emotionally tiring for me
SuperMario
@Kaiser: Well, after the first season of 3-gatsu ended, I did skim ahead to this bullying arc so I already know this is going to be powerful, yet the anime still wow me over and over
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
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Featured Posts

Fate/Apocrypha – 23[Going Beyond]

Thus the best master and servant duo sign out of the war and I certainly will miss them. They truly deserved better than this and when tomorrow comes I am certainly going to try my hardest to roll for Mordred in Fate GO but nonetheless this isn’t a bad way for them to go out. […]

3-gatsu no Lion – 31/32 [Kingdom/Silver Wings/River Scenery]

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Inuyashiki – 10 [People of Tokyo]

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Dies Irae – 09[A Mother’s Sins]

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Girls’ Last Tour – 10 [Train – Wavelength – Capture]

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Kino’s Journey -The Beautiful World- – 10[Kind Country]

Another remake of a story from the old series and while this one is adapted quite well, maybe even arguably better than the old version, it unfortunately lacks the same impact. The main problem comes back to the thing which ultimately holds back this season as a whole, story choice. For you see in the […]

Houseki no Kuni – 10 [Shiro]

This week proves to be the most action-packed episode Houseki has been offering so far and unconventionally, it’s Dia who takes the central stage at facing the most ridiculously overpowered Lunarian Titan to date. Well, I said “unconventionally”, but when the narration and the execution (the camera work, in particular) come together in such neat […]

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Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

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