Posted by psgels on 11 June 2006 with categories: Noein



Okay, I could almost scream at the end of this episode. That was such an incredible cliffhanger. In fact, the entire episode was incredible. Noein finally shows his real body, and that was just absolutely freaky. It’s the same Karasu, but incredibly pale and skinny. His acting turned this into something totally magnificent.

He also reveals what turned him into Noein. Apparently, his old teacher, Haruka, Isami, Ai and himself got in a car crash, and he was the only one to survive, and see his friends dying in front of his eyes. They were seventeen at that point, which means that it was a very fragile age for Yuu. He couldn’t bear the fact that he’s lost his friends, so he started travelling through dimensions. The only things that he noticed just consisted of sorrow and pain. He was just oblivious for the peace and happiness that went on. That made him decide to turn all of the timespaces into one Shangri’La. He gathered some power, and started preparing his plans. (interesting note: Miho was not inside the car. Did she have any influence on what happened afterwards?)

I remember that a while ago, I stated that the creators probably wouldn’t focus around Atori’s past. Boy, was I wrong. At the beginning of the episode, the creators just found enough time to show a bit of it, and it’s incredible. In a certain way, Atori is just like Noein. He saw his sister dying, right in front of his eyes. The fact that he ends up with only one arm of her left only makes this better and better. A thing like that really breaks you, and that was indeed the thing that turned Atori in his evil self from the first couple of episodes. However, after he met up with Miho, he began to change again. He just needed somebody who cared for him, which is the same thing with Noein. I’m wondering how it’ll end up. Will Noein be destroyed in the end, or will he cease his attempts to create Shangri’La? Or both?

In any case, Atori is just an amazing character. Miho really made him to stop care about himself, but yet, he didn’t lose his entire personality. He’s still gloomy and cold, but when he sees Miho, he really wants to change himself. So awesome. In any case, he hasn’t shown up at the latter half of the episode, so he’ll probably come with a big finish in the end. Isami, Ai and Miho are meanwhile sent back to their own dimension. And I loved Haruka’s mother at that point. It’s, of course, incredibly hard to predict how someone will react when their entire house has disappeared, along with your daughter, though the creators managed to execute this perfectly.

Karasu had a bit of an expected part. Yuu gets to be the one who’ll save Haruka, of course, so they need something to distract him in order to give Yuu the opportunity to go to Haruka alone. So, the creators send a couple of monsters in order to kill them. Still, the fight that Karasu had afterwards was totally awesome. If not for the extremely messy animation.

Back in the normal world, meanwhile, the great big jerk carries out his plans, and we get to see the results in the next episode. What happened before was Haruka’s father opening up a few security holes for Kosagi, Uchida, Kooriyama and Tobi in order for them to be able to infiltrate the great big jerk’s ship. Kosagi and Tobi, meanwhile, begin to lose their existance, and so, they’re being left behind. When they arrive at the main control room, the great big jerk only gets worse, when he actually shoots Kooriyama, and threatens all of the other crew on board. Even Haruka’s father can’t do anything against it. Still, I absolutely love the fact that the children are fighting their fight, while the grown-ups are also fighting their on fight. You can notice so many subtle differences. (Interesting note: what happened to Tobi and Kosagi? You surely can not tell me that they’ve finished playing their parts in this anime).

Haruka and Yuu were totally adorable. They make such a good couple. Noein also gets scarier and scarier by the minute. Though what really got to me is the fact that Haruka actually showed sympathy for Noein. Not only in the awesome cliffhanger, but Noein also holds some kind of monologue about how he was abandoned. I could be wrong, but when he told about his history and his suffering, I think he was looking for attention. And indeed, Noein is a lonely being. An extremely lonely being. He really longs to be able to socialize a bit. Though this longing really did something with his mind, and instead, he’s not planning to create a humanless society, making himself only lonelier than he already is. If that was even possible.

Still, we’re at the last episode, and as far as I know, there are two questions remaining: who the heck is the old guy who seems to be in every single dimension that Haruka visits. And what was the meaning of the phone? La’Cryma seems to be destroyed now, as we see the council collapse during this episodes. This makes you wonder what happened to Amamuki and Kosagi’s daughter. Overall, this has been an amazing episode. It wasn’t as great as episode 22, but it sure does come close!

2 Responses

  1. Light\'s Shadow says:

    Again, your summary is wonderful, but I would like to add something for you to think on. While I am sure that Atori saw his sister die, in the episode where you see the explosion and the… well… remains… it is my belief that that was not his sister, but rather his friend. After all, Atori said that Sarah stepped on a landmine, but he was dragging the person in the clip, that and it resembled a boy. I am sure he did see Sarah’s death, but it doesn’t show it or anything… All in all, he’s had a rough life and is dealing with it best he can. I think he’s a pretty cool character and hope that perhaps in a future, he and Miho will meet in Japan, since they would be about the same age…

  2. Bumblebee says:

    I love your description. ^__^
    Oh, but about Atori’s flashback, I had also guessed that had been his sister; Sarah, who died right before him, but then what he said to Miho of how Sarah died make me question what I had thought before. Also, in the Japaneses dub, the person he was trying to save sounded like a guy. So that’s why I now think that person was just a friend, who may have went by the name Gil. (= Thank you again for this.

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  • Bam
    (Saturday, Apr 30. 2016 10:44 AM)
    In a world where Urotsukidoji gets 3 series of OVAs there is nothing you want to make that is too risqué or edgy that nobody would want to pick up. I get a small startup trying to push their fist film out, but most big Kickstarters are ran by bigname talents that already have a string of hits on their resume. C’mon, just have some faith in your work, it’s just crazy to ask for money upfront.
  • Bam
    (Saturday, Apr 30. 2016 10:37 AM)
    SuperMario: I assume you mean Charlie Kaufman’s new film, in which case he already did pretty much whatever he wanted. Have you seen Synecdoche, New York and Adaptation? Now I’m a big ran of the man, but this creative control card gets a bit overplayed. The Under the Dog producers claim the same thing, but looking at their trailer it doesn’t look like anything that Japanese studios don’t already greenlight.
  • SuperMario
    (Saturday, Apr 30. 2016 09:01 AM)
    for me though, I only pay for projects that I’m certain to watch (and have to pay for it eventually), so I don’t see the point not to “helping” them out. It’s all the same for me.
  • SuperMario
    (Saturday, Apr 30. 2016 08:58 AM)
    @Bam I think the core concept is 1) with Kickstarter, many projects that otherwise never could have made is get supported here and 2) creators have more artistic control over their project. Take Amonalisa for example, big studios was very hesitate to fund the film, because of the commercial failure of his first film, but he insisted to get crowdfund and we have one of the more creative animation output last year.
  • Bam
    (Saturday, Apr 30. 2016 08:53 AM)
    A lot of the tech stuff is things you will never use twice; like a smartphone microscope attachment. they’re usually pretty shifty with it too. Yeah I’m sure it takes the price of a house to make a video series about sexism in videogames- right? And it takes almost a million dollars to make a 4 level indie game with three guys- seems legit. Must be pretty nice to basically do business with zero chance of failure.
  • Bam
    (Saturday, Apr 30. 2016 08:47 AM)
    I just don’t get the core concept of why I should pay for someone else’s business endeavors? They’re going to reap the benefits, they usually have money, let them pay for it. I get it if it’s research, or some strange art project for the sake of the art, but movies, games and anime that are going to get a commercial release? I swear people are so easily bamboozled.
  • SuperMario
    (Saturday, Apr 30. 2016 08:21 AM)
    @Kaiser:I have been supporting Kickstarter for a while, but not for games or movies, but for animation projects. I think it’s worth it. But like Bam, Aiden and K-Off said, sometimes it gets a bit muddy. For movies for example there are a lot of projects that was just ideas… and ideas alone are not enough.
  • Kaiser Eoghan
    (Saturday, Apr 30. 2016 08:08 AM)
    Ah but that would frustrate me in muv-luv, I’d be the one suffering as a result of having to wait for the characters suffering to start.
  • Kaiser Eoghan
    (Saturday, Apr 30. 2016 08:06 AM)
    I’ve heard kickstarter being used for crowdfunding indie films, honestly as a film buff I really should get on that and start supporting.
  • Kaiser Eoghan
    (Saturday, Apr 30. 2016 07:41 AM)
    I generally don’t pre-order unless its a gift for someone else, so I can guarantee for 100% sure I can get it for them and it won’t sell out.

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