Posted on 31 August 2006 with categories: The Animatrix



Very interesting, a documentary. It’s the first time the art style isn’t easy to define. It’s a mix of CGI frames with rather common character designs. Most of the time we see robots doing their thing, and we don’t really see that many humans.

In any case, this documentary explains how The Matrix originated, why the robots took over control and more background information behind The Matrix. It’s a rather gruesome tale, which makes clear that humanity indeed got what it deserved. This film has been split in two, so the last remaining one will end this story.

In the beginning, humans constructed robots, and the robots fully obeyed the humans. The robot design was rather unrealistic, but it does bring over the point. The robots possessed AI, and they were treated rather badly. Still, entire armies of robots kept working for the humans, doing all of the hard, harsh and dirty jobs.

Then, one robot stood up against its master, and killed him and his entire family. Because of this, humans got scared, and tried to dispose of the robots. What followed was a huge war in which the robots were shamelessly killed off in huge masses. People became to hate the machines. With passion. What follows is a couple of scenes showing the graveyards for these robots. It’s not funny when you realize how many of these were dumped. Entire ocean floors were filled with their corpses.

The surviving machines fled, in order to start a nation of their own, somewhere in Arabia. They called their nation “Zero-One”, or 01. They began to live a life of their own, improving their own AI and equipment. They then attempted to coexist with humans, and participate in the world economy. However.

The leaders of the humans, with their power degrading, didn’t feel anything for cooperation with the robots, who still had good intentions at that time. The robots, attempting to be recognized were killed off. What happens afterwards, we learn in the second part of The Second Renaissance.

Yet again, we’ve got lots of symbolism in this movie. The robots have been given a uniform and human-like design, like in most ancient robot movies. It’s not really realistic when you look at today’s huge diversity of machines. But by giving these robots human characteristics, this film does manage to give them a uniformity. Because of this, things don’t get unnecessarily complicated. And it also provokes some sympathy for these robots, like Matriculated tried to do. I’d say that The Second Renaissance managed to do this better than Matriculated.

Huge exterminations, like shown here, have occurred more often in the history of humanity, at times, even more extreme than this one. Most mass murderers never really got their equal payback (Incans vs. Spain, anyone?). This time, however, payback in the most extreme form arrives. Still, the fact does remain that people uninvolved got their payback as well. I guess that’s inevitable.

The question remains whether what the robots did was the right thing. After all, they were heavily abused, and revenge is sweet. Apparently, even for robots. Still, both the humans and the robots were wrong in this case. The humans for abusing the robots, and the robots for going through the extreme measures of locking the humans up. What happened to love and peace, everyone?

Posted on with categories: Anime Reviews



The Place Promised in our Early Days is a 90-minute long drama/romance. It features three middle-school kids (two boys and a girl). The boys are building their own airplane, in order to fly to a huge tower. This tower raises from the earth, into the sky with no apparent end. They’re planning to take the girl, who they just met and got interested, along with them. One day, she disappears. The two boys then quit building the plane, go to different high schools and split apart. Three years later, the story continues.

The story has been well written. The key parts always return, keeping this anime on track. It could basically have been done in 30 minutes as well, though this anime chooses for a slow pacing, giving enough space to show characters interacting, and doing the things they usually do. Because the show takes its time, no really rushed scenes appear, and strangely enough, no scenes really drag on, as plenty enough happens on the screen.

The characters also are likable. They receive a healthy dose of character development during the progress of the movie, and the 3-year time-leap shows quite some changes in both of the boys. The approach of and climax itself felt very sincere, ending in a rather predictable, yet somewhat touching ending.

Still, there are a couple of things wrong with this movie. In the end, this movie remains a damsel-in-distress, who has to be saved by the knight. While it has thrown in some creative events which give this concept a couple of twists, I couldn’t help but get annoyed at this fact. At some scenes, it features some annoying technobabble. We see a couple of screens and graphs, which don’t mean anything at all. Some events in the movie also don’t make any sense (why didn’t the tower explode when the girl was still awake?) and the movie leaves an awful lot of things behind unexplained.

The graphics are interesting. Despite being produced in 2005, the creators decided to keep the character art simple. If you combine this with fluid and natural animation, creative and stunning backgrounds and details, the result becomes quite interesting to watch. Overall, the graphics for this movie were very enjoyable to see. Except for one little detail. The creators liked to heavily abuse the lens flares. Every time when the sun goes down, one appears, asking way too much attention by being overly bright, big and centred. The musical score stays original, though consistent through the entire movie. You never really know it’s there, but it does give this movie something extra. When the music stops, it contributes surprisingly well to the scenes.

Overall, this was a good movie, with some flaws. Still, while it was a good watch, it’s nothing really special. Nothing really is outstanding in this movie. In the end, this movie kept me from getting bored, but it also kept me from getting excited.

Posted on with categories: Monthly Summaries

Even though setting up a post like this one takes a while, I love making these kinds of statistics. ^^;
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Posted on 30 August 2006 with categories: The Animatrix



The best art style so far: Studio 4C style! When you combine this with 3D and a big budget, it works out great. Beyond really is a feast for the eyes. Most companies need to understand that there’s more than flashy graphics, 3D, lots of realism and lots of CGI in order to make great graphics. You need to add something special for that. Good Witch of the West understood this, Noein understood this and now Beyond also understands this.

The story this time is about a glitch in the matrix. Somewhere, in an old abandoned house, the laws of physics have been rather messed up. A group of kids and one teenager have discovered this, and are having the most fun they’ve ever had in their lives, playing with these laws. Unfortunately, the men in suits have tracked down this error. They rush into the site with a huge truck, close off the area, take the kids away and repair the error. The children return afterwards, but they find that their playground has been destroyed.

Lots of symbolism in this movie. Take for example, the kid’s playground which gets destroyed. That’s happening at more places in the world. At some places, children can have so much fun playing with each other, while adults can’t see this, and plan to use the playground to build, like, an office. But not only that, you can also link this to animals. At the end of the movie, you see rats, who’ve been living inside the haunted house, fleeing from the men in suits. At the moment, things like these still are a major news item with the rarer animals, like tigers and rhinos.

I also found it interesting that we’ve got a bunch of kids who know about the glitch, and they decide to tell our main character, a teenager, about this. In most stories like these, it’s something that the children only know about. It’s interesting to see someone have fun with children 8 years younger than her, like it’s nothing. Talk about symbolism.

Overall, along with World Record, this has been the best story so far. World record had its very intense plot and very interesting main character while Beyond has its incredibly imaginative visuals and deep symbolism. All that’s left now is The Second Renaissance, which is rumoured to be the best of the bunch (I’ve indeed been saving that one for last, in order to save the best for last. ^^)

Posted on with categories: Ayatsuri Sakon



This episode clearly shows how incredibly observing Sakon can be. To think that he’d be able to figure things out by right and left-handed. It was a small and simple arc this time, not unlike the previous one with its huge amount of characters and alibis. This time, we had just a small number of characters involved.

In the end, my first feeling was right. Aoki was the culprit. His reasons for acting the way he did, however, remained a pleasant and very entertaining surprise. Remember his band-aids? It seems that he’s been wearing these for ten years. He got these scars in the same fire he lost his daughter. He and his wife had a fight, because she cheated on him. In the end, a couple of candles were knocked over, setting the house aflame. The wife fled to man she cheated with while Aoki rushed to save his daughter. In the end, this fire burned his face and killed her. This wife was none other than Keiko. The other man was none other than Hayami.

Ever since, Aoki has been longing for revenge. He tracked Keiko down and started working at the same place she did. He waited a couple of years before taking his chance. He wanted to kill her loved ones, before he killed her. When he finally got the chance to do the latter, he couldn’t. Sakon then adviced him to turn himself in.

This arc was rather predictable, unfortunately. Last episode, we saw someone with brown trousers enter Hayami’s room. It was either Aoki or Kishikawa. But Kishikawa couldn’t have done it, because it was just too obvious. So it has to mean that Aoki was the culprit. He quickly changed into a suit afterwards. That’s why I like mysteries with lots of characters. It’s much harder to guess who did it.

Posted on with categories: Higurashi no Naku Koro ni



I’ve really got some issues with the way this arc ended. There are so many things that don’t make any sense at all. I kept hoping for this episode to include some unexpected twist. But no. Basically, all that happens is the things I predicted two episodes back.

We first start with the phone call, which is indeed one of Shion’s plans. We then switch to Rika’s and Satoko’s house and Shion freaks out again by the mention of Satoko. We then switch to the basement, and it seems that Shion tormented Mion by killing Satoko. Badly animated as usual. (Also notice that there’s no blood on the floor, even though it’s been gushing out of Satoko? Also notice that Satoko only seems to have one cut on each arm, even though Shion stabbed her multiple times?) Shion also tells Mion that she’ll let Satoko go if she says “I’m sorry” 1000 times. At one point, however, she stops. Why would she do that? In any case, Satoko dies and Shion realizes that she didn’t hold herself to Satoshi’s last wish: to take care of Satoko. Shion then becomes more paranoid by the minute.

We then switch to the next day, when Keiichi and Rena talk to Shion. For some reason, the fact that Rena mentions that Satoko wasn’t supposed to come is left out. It’s strange, as it’s a large plothole. Why did Mion freak out when she heard this? Because her name was mentioned?

In any case, Shion asks thirty minutes alone with Keiichi, and this is where the bad parts begin. First of all, she’s way too calm, if you compare this to her actions before. She actually holds his hand. Shion also tells herself that she couldn’t tell whether she was Mion or Shion anymore, though later in the episode she shows no signs of this statement anymore. Also, did Keiichi pat Shion on the head in the second arc?

Next up, Mion sees Keiichi, rejoices, sees Shion and screams. Shion then drops a rock on Keiichi. Shion’s next sentence: “I plan to kill her after she hears the screams of all the people that died because of her”. I’m sure that we didn’t get to hear this sentence during the second arc. During the entire talk between Keiichi and Shion, Shion’s behaviour just doesn’t sound right if you compare this with when she killed the others. And why did she tell Keiichi about the doll? Keiichi also starts crying. Did he do this in the second arc? In any case, Shion shocks Keiichi, and goes to Mion. It seems that I indeed was right: they’re going to switch places again. Shion will go back to Shion and get rescued, while Mion will return to Mion, get killed and fall in the well.

And now comes the part I really have issues with. Mion makes a confession. She also liked Satoshi, so she confronted Obaba. Obaba then said that the Sonozaki-Family did nothing at all regarding Satoshi. Obaba actually approved Shion’s love for Satoshi, ever since she ripped off her nail.

Why the heck did Mion wait so incredibly LONG to say this to Mion?! She had enough chances for this. Why does she reveal this only now? Couldn’t she just have told Shion the minute she found out, or the minute that Shion captured her? Talk about not making sense, sheesh.

In any case, it’s clear now that the major culprit of Higurashi no Naku Koro ni (at this point, probably Takano) also managed to kill Satoshi. What follows is Shion getting shocked and dumping Mion in the well. Shion and Keiichi then get rescued. That night, Shion is really getting paranoid by the curse, and decides to go and stab Keiichi. That means that Keiichi only imagined Shion’s last attack. In any case, Shion returns to the hospital she’s in, climbs over the balconies to reach her room, trips and falls to her death. She has a strange moment in which she apologizes to everyone, before the ground crushes her.

Still, one interesting fact was revealed. Mion told Shion that Obaba looked into things, and it seems that nobody within the village has killed Satoshi. If she spoke the truth in this, didn’t lie and was indeed right about this fact, then Tomitake has suddenly been placed on the list of major suspects.

In any case, I’m SO glad that this arc is finally over. I’m really looking forward to the Rena-arc now. This arc may have been horrible. Shion may have been horrible. But I’ve been dying for a bit more Rena vs. Keiichi. Another good point is that arc six won’t be exactly the same as arc 1 (as with arc 2 and arc 5), as it’ll feature Rena, being placed in Keiichi’s place.

Posted on 29 August 2006 with categories: Simoun



Interesting. An Anubitifu/Guraghief episode. Didn’t see that one coming. It’s an interestingly paced episode, one you wouldn’t expect at this point of the anime.

The thing starts when Anubitufu makes some decisions Guraghief doesn’t agree with. Remember when Mamiina was shot out of the air? Anubitufu also realized something was wrong when the Sybilla transporting her coffin never returned. Anubitufu sees this as a sign that they don’t have control anymore over their own airspace. He also orders Guraghief not to tell the members of the Chor Tempest about this. That’s where Guraghief doesn’t agree. And he gets angry.

Later, we see them in the church, and Guraghief surprises himself over the fact that Anubitufu would hide things from him, and he no longer understands what he desires. Was this only over the fact that Anubitifu told Guraghief not to tell the Sybilla about Mamiina, or did something happen which we don’t get do see. After all, it’s unlikely to make such a fight because of this. In any case, we later see Anubitifu make a little talk with Wauf. Wauf seems to know that the two of them are hostile to each other. Anubitufu reckons that Guraghief’s too earnest. Wauf makes a comment about how it’s such a pity that he’s a man and he advices Anubitufu to make up with him as soon as possible. After all, you never know, don’t you?

Anubitufu tries to make up in a very original way: by piloting a Simire and commanding the Simoun from the battlefield itself. It works in the end, and it seems that Guraghief has also forgot his grudges with this.

Other interesting characters were Aaeru, the Official, especially Paraietta and a bit of Rödoreamon, Morinasu, Kaimu and Waporifu.

Morinasu gets a small injure after a rather reckless attempt to stop an enemy flyer from being able to hit the capital. It’s not often that you think of such a radical method to stop them. Rodoreamon, meanwhile, shows that she’s not good at all with first aid, and she offers Yun Mamiina’s braid. She seems to have put her trust in Yun to take care of her. Waporifu, meanwhile shows that she’s very good with first aid.

The official’s temper keeps going worse and worse, as the Sybilla keep annoying him more and more when they go against his orders. I think that he isn’t used to people disobeying his orders. He’s probably had a lot of experience in wars, in which everything was strictly regulated. The member of the Chor Tempest must be really new for him, making him unable to deal with them.

Aaeru and Neviriru, meanwhile, spend a part of the episode giving their blessings to the common people who seem to have lost their homes. For Aaeru, this is totally new. We know that she doesn’t believe in Tempus Patiem, but still she’s giving out her prayers. It must’ve felt really weird for her to do. But Neviriru tells her that she remains a Simoun Sybilla, a priest of Tempus Patiem. It’s an interesting view on religion. Teh fact remains that Aaeru’s giving a lot of people the placebo-effect. That’s why religions arrived in the real world in the first place. To give people hope and reassurance. Only later, people began to misuse this, resulting in some bloody events.

Paraietta was awesome. Suddenly, she seems to have realized her importance, and she has made a huge change to herself. She’s decisive, serious. Everything a good leader should be. Kaimu’s reaction to this also was too cute, as she actually started fangirling over her. ^_^;;

Speaking of cute, on a side-note, the eye-catch for this week actually showed Guraghief and Anubitufu in their younger years.

Anyway, about the story, an unexpected twist happens. Both the highlands as the archipelago are actually proposing a peace treaty. That, while they can annihilate Simulacrum any minute now if they want to. For some reason, they also attack after they proposed peace. It seems that this was some kind of warning from them, to put more pressure on Simulacrum and make sure it accepts peace.

I’m wondering what the last four episodes will be about. As of right now, it seems that there won’t be much material left. After all, nobody in the Chor Tempest seems to have any problems, peace has been made, that takes away some big plot holes. But still, there are so many details which still haven’t been solved yet. Why was peace proposed? What happened to Amuria? Will Dominüra and Limone come back? What about the sparkly stuff from Onashia?

Still, I have to admit that Simoun’s reached its height at episodes 14, 15 and 16, in which almost each of the characters was feeling unstable. Right now, it hasn’t been able to reach the awesomeness of these scenes. Mamiina’s death was a very good attempt. It worked perfectly. But there are just too many moments outside of this which, while they are very good, are in no way awesome. I’m hoping for the final four episodes to deliver a bang.

Posted on with categories: The Third



Aah, I’ve been longing to see more of The Third, and it certainly doesn’t disappoint. The episode mainly focused at showing yet another side of Paife, though many more things happened at the same time.

First Honoka. She’s getting really unstable now. I really noticed that she’s trying to keep cheerful, in order to hide all her worries. Still, once she’s with her PSP, she really is cheerful. ^^ It also seems that there’s something more to the last episode, in which Honoka cut down the man-turned-monster. She was extremely shocked afterwards. The reason seems to be that she never cut any human before. For some reason, cutting a human feels different from cutting a Desert Ant, Sand Worm, or Blue Breaker. Honoka found out at that moment, and it keeps haunting her, even in her dreams. Still, this gives evidence for two very interesting things. 1. Honoka did kill before, but not with her katana. What happened at that time? Who did she kill? 2. Honoka has been having nightmares like these every night. There must be more things occupying her mind than just Ikus being gone and having killed a human.

Paife seems to be very annoyed when men are around. That becomes clear when Ikus rejoins Honoka. Her personality is totally different from what she was before. She’s more blunt, and not afraid to hide her annoyance of Ikus. In the end, this annoyance leads to a fight between her and Honoka. She’s noticed that Honoka’s feeling uneasy. This also becomes evident when she practices her swordfighting in the evening. That’s why she steps up to her, to try and talk her out of this depression. She thinks that Honoka should know what reality is. She also lets Honoka know that she’s done some horrible things in the past and that Honoka wouldn’t want to be with her if she knew the things she did.

I’m not sure what she tried to accomplishing by fighting Honoka. I think that she wanted to beat some sense into her. In the end, Honoka beat her in both fighting with and without weapons. Ikus, meanwhile, displayed interesting behaviour when he found out about Honoka’s first kill. This does suggest that he was somehow involved with these punks, and apparently, he felt bad about letting Honoka kill a person.

Over in space, preparations are meanwhile taken to activate the Wormhole Drive, or a huge cannon, used in the great war. Just what went on during the great war anyway? It must’ve been pretty bad. In any case, Joganki has found out that Ikus was located near the site of the warped space. It seems that The Third are indeed tracking him. In any case, he then realizes that Honoka has to be with him. Long story short, Honoka will be blasted if she doesn’t move away from the warped space. Ikus knew this, and tried to stop her from going, though he didn’t really try this with enthusiasm.

There are two main reasons why I’m so in love with The Third. The first one is that it doesn’t seem to have any obvious weaknesses. That almost never happens in anime. Even the best ones have one or two small parts that annoy me. The Third has absolutely no flaws at all. It’s building up perfectly. The second one is the characters. Never have I seen characters who are so fleshed out as in The Third. Especially Honoka shines like no other in this department.

Also, someone from within the warped space was calling Honoka. Who could that be? Who wants to contact Honoka from such a place?

Posted on 28 August 2006 with categories: The Animatrix



Program was very interesting. The art style this time resembles that of old japanese samurai-anime. If you combine this with the extremely fluent animation and choreography, the result turns out interesting.

We’ve got a woman, inside a mini-matrix. Another guy comes up, and challenges her for a spar. He then makes a confession to her, while he has blocked the signal so nobody can hear him. He plans to go back to the matrix. The woman doesn’t agree. She can’t turn back from the truth. The two make a small chase, after which the woman kills the guy. In the end, it appeared to be a test for her, to see whether she’d react in the right way. The woman isn’t really happy with it.

The interesting point of this film is the emotional effect the matrix can have on a person. The guy appeared to be a simulation, but when you’re in the matrix, or mini-matrix in this case, you won’t notice. A program was created so, that it would look like the guy she knew in every single way. If that’s the case, how ever can you recognize whether that guy is a fake? In normal anime, people often recognize this because they feel something different, or that their heart knows that they’re being deceived. But the fact remains that the matrix can create these feelings.

Program also had a few claustrophobic moments. The program tells the woman that he’s blocked the signal. When she starts screaming for help, nobody reacts because of this. It must be quite a scary feeling, when you always know that you can escape a “dream”-world because of your comrades. I think that that’s a reason for people to be calm in situations like these. It must be a huge shock to find out that you don’t have a means of returning to the real world. Especially if someone’s about to kill you.

Overall, it isn’t the best. It has yet to reach the brilliance of World Record. Still, it was an interesting watch. The fights also were well-coordinated and full of details, though I admit that they lacked a bit in creativity.

Posted on with categories: The Animatrix

Ah, CGI. Yet another style of animation, totally different from the others. This, however, doesn’t really mean that Final Flight of the Osiris is good. It’s actually the worst film so far.

See, the problem with Final Flight of the Osiris is that it has awesome graphics, but zero substance. Basically, what happens is a man and a woman are inside a mini-matrix, sparring with swords in sexy outfits when their ship suddenly gets attacked by robots. The rest of the film basically features lots of guns fired at these robots and the robots getting inside the ship and destroying it, causing as much explosions as possible in the process.

The action scenes it features also aren’t very exciting. The fight in the mini-matrix is basically two people stipping each other’s clothes off. The sound effects also made no sense at all. Swords cut way too easily through air. And even though the choreography looks interesting, it remains uninspired. The robots attacking the ship also aren’t very worthwile. Basically, we see lots of guns shooting and robots crawling, but nothing that looks impressive.

Also, sorry for the lack of screenshots. I played this one in a weird format which doesn’t support screenshots, and I only managed to take one of them before my computer started acting weird. And I’m not exactly motivated to spend time to this one.

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SuperMario
yeah, usually 1 small arc = 2 to 3 episodes. We have 3 mini arc left so I would say about 6 episodes
AidanAK47
Actually from what I hear, there isn't enough material left in Owarimonogatari to make a full course. Seems like it's one volume with would equal 6 episodes at best.
AidanAK47
Like hell. There's about five more Monogataris to adapt. Anyway it's not that you are not getting it but rather instead of one cour it's going to be all aired within two days as specials. The runtime of the specials is up for debate but you are still getting it.
SuperMario
the loss of the FINAL one, you mean.
AidanAK47
@Mario, I wouldn't grin evilly about it but there's like over ten Monogatari animes. Kinda hard to be sad over the loss of one.
SuperMario
According to ANN, this new Owarimonogatari will be a special 2-day events, which honestly I don't know what that even means. Most of you might grin your evil grin right now but I'm crying inside with that news.
SuperMario
The LWA finale didn't do much for me sadly. Croi's roles as a main antagonist is just not good. And I feel like in the end I don't know much about Suzy or Lotte. I think the worse episode for me was the one right after the twist about why Akko can't perform magic, because it's as Aidan said
KT
Thus Little Witch Academia comes to an end. I will miss it. Despite the mistake IMHO of the Croix Arc, this was a good series, and the last episode went back to the very elements that made me love it at the start. It was a happy series, and gave me a warm fuzzy feeling in some hard times. I thank it for it. It could had been exceptional, but I guess they wanted to try something more.Ah well.
AidanAK47
Really glad they used that Scarborough fair song one last time before the finale. I really love that song.
Anonymous1215349
SukaSuka's finale was beautiful, a great way to end a great anime.
Kaiser-Eoghan
@Aidan: I guess the big question I have is, do the character interactions coupled with what assume will be some kind of tragedy element work together well enough to make the viewer care and invest in the characters?
AidanAK47
So that's the end of SukaSuka. Better than I thought it would be. Honestly didn't give it enough of a chance in my preview. As far as light novel adaptions go it's above average. Though it does still suffer from it's cliches. Nothing outstanding but a worthwhile watch nontheless.
Anonymous1214845
Have you seen Shonen Jump is making an international manga contest? https://medibang.com/jumpplus/entry/
SuperMario
@Lenlo: you know it when you see it. At first I didn't believe they jumped the shark, but based on the events after that twist, yep it has settled for something much cheaper imo.
Lenlo
For Bahamut, im still enjoying it and we have another cour to go. I think it, and the first Bahamut, are good shows. For Kado, im only on ep 4 so im very curious what shark gets jumped
Kaiser-Eoghan
I think given the pace I'll watch 1-2 or 2-3 episodes of re creators instead of once a week.
Kaiser-Eoghan
In the end Bahamut suffered the same fate as the first one, I could never call it a bad show, I just never ended up feeling it.
Kaiser-Eoghan
I've given my thoughts on tsuki ga kirei before on here but I'll add by saying that I never expected it and uchouten 2 (despite the weak wrap up I liked the lead up) to be my favourite of the season.
Kaiser-Eoghan
About five years ago or so could have seen myself really having been in the mood for LWA.
Kaiser-Eoghan
I wasn't as impressed with Uchoutens finale as Mario was,I found myself more annoyed by how clumsily done it all was.
Kaiser-Eoghan
For me kado jumped the shark with its latest direction and Aidans review along with flicking through this weeks episode kind of confirms I'm done with the show. A show I was initially unsure of but thought might become something.
AidanAK47
@Anon, Yeah....at least LWA's finale was pretty good and I think there's a possibility of a second season. With the Criox/Chariot plot line out of the way I say they could really bank on it's potential. Even if they don't, this series was still quite enjoyable.
Anonymous1211365
Man I couldn't agree more with Aidan about LWA and Kado. I still like and enjoy Kado but damn it could have been so much more.
Kaiser-Eoghan
Ntr trap appears to be a non-seinen/shounen yuri manga given its publication magazine.
Vonter
Not all people work as fast, but that's what companies expect nowadays. Which is why CGI is preferred over practical effects. Or even why anime has used more 3D that painted backgrounds, cars or other props that take time and work to be drawn.
Vonter
No. I get deadlines are tough. Companies and customers want everything made as fast as humanly possible, yet reality is that making things good takes time and money. I wouldn't be surprised that's why Berserk comes out every 6 months, the art is too detailed and the story is slow paced. Yet the anime was planned to be made in a year or two so it's evident either way, crunch is expected.
Lenlo
I think you misunderstood what he meant when he said the industry was a mess. Mangaka routinely work themselves into a hospital because of the demanding schedule
Vonter
Then there's the franchise appeal. Which inherently gains something because of persistence, awareness and name. It is hard when great visual effort is mainly put in things that are guaranteed to be a hit, because original stuff tend to make mistakes to find their own identity. Which in itself makes them very risky affairs.
Vonter
It's also a heavy flaw of the internet, having mainly binary opinions of good or bad. Which makes it hard to tell if you'll like something in the 7s like Nier or Alien 3 (might not be a 7 but opinions make it sound like it is). Divisive products that may or not may suit one's tastes.
Vonter
Personally I think the issue has become what suits your tastes, what are you willing to give a chance and what hits beyond the medium it is presented.
Vonter
@AidanAK47 "Manga in general is great but Jesus Christ the industry is a mess". - I mean, movies, games, and other entertainment have the same issue, since everyone has a big slice of the pie, yet there are like a million things competing for one's attention.
SuperMario
On that note, apart from the 3 shows I'n currently covering (Eccentric Family, Tsuki ga Kirei and ID-0), I will give a full review on Grimoire of Zero, a show that I feel rather difficult to pinpoint exactly on its quality.
SuperMario
Can't believe we approaching the final week of this current season. Gonna be a busy week of blogging with the usual weekly posts plus the final impressions.
SuperMario
@Anon1206174: I agree with you on both counts. And Sakura Quest has never been bad, but it could have been deeper and less messy. If you plan to watch ID-0 (I suggest you do), don't get your expectation too high because it works much better when you expect nothing of it. Like each episode I was genuinely surprised how good ID-0 actually is.
Kaiser-Eoghan
I remember one of Aidan's visual novel posts where he said theres potentially hundreds of VNs un-translated and LNs too, makes me wonder just how much un-translated manga we are missing out on.
Anonymous1206174
The ID-o posts sound pretty interesting, I am really thinking of dropping Sakura and watching this instead. Really loved the beginnign of Sakura and that abandoned town atmosphere it had, but I am not feeling it anymore. The recent episode about Shiori was great again though..
Kaiser-Eoghan
*looking
Then again he's an extremely forgetable person.
Kaiser-Eoghan
Oh Godammit, looing back over my comments I meant to say Souta not Setsuna, I suck at remembering non-English names.
Anonymous1205999
Meh - I really like this season but I already have my first cases of 'good-show-disappointing-ending/second half'
Anonymous1206022
KT Here:RE:Creators , we need to know more about the rules for Altair to see if that works. It might, and it might not. With what they know they have a good plan. But I was thinking why not just do a Super Smash Bros type game with the characters? I am sure that would generate enough stuff in order to lock her.
SuperMario
On Re:Creators, I find a better solution instead of going all cross-media like the show suggests. Someone could just make some fan-fiction on Altair that purposely show her weakness (like get busted when expose to the sun, or the magic word that render her skills useless). Less efforts, more effective
SuperMario
Man, I agree wholeheartedly with what KT said here: mass media actually sells, so it keeps the industry to a more stable position; then the art-house/more adult oriented anime can have some freedom to do what they like.
Kaiser-Eoghan
I think its more that I have to read it all at the same time as expecting action to come , it might change my mind if I watched it in English.
Anonymous1205580
KT here: I accept the mass media because it raises the funds for the less mainstream stuff I like. That is how I make my peace.

On RE:Creators. I get what you guys say. But for some reason I do not find the exposition heavy in this series. Every person has his own limit I guess
Alonaria
@Kaiser: Yep, that sounds about right, lol. I take my Sheldon in concentrated doses. I might give the Young Sheldon spin off an episode or two because it's highly exaggerated but still somewhat relatable to me.
Kaiser-Eoghan
I feel big bang theory is a show for people who know nothing about nerds/nerd culture to find funny.
Kaiser-Eoghan
And then theres this thing about Sheldon being some kind of autism spectrum thing , which is kind of annoying to hear when I am on the spectrum myself and never really found the character all that amusing.
Kaiser-Eoghan
Probably not the strongest reason to go off a show but, it was people around me going on and on about big bang theory that eventually put me off it.
Kaiser-Eoghan
lol is it any surprise Miura and the hunter x hunter guy take so many breaks =P
Alonaria
*Sheldon
Alonaria
I pick and choose Big Bang episodes that I enjoy. Shelden in the ball pit never ceases to amuse me. Still, it's definitely overrated haha.
Lenlo
IT Crowd > Modern Big Bang. Early Big Bang was good.

And yes, the work conditions in the Manga Industry are terrible. Oda, One Piece Mangaka, works stupid hours. He requests his assistances be "Willing to die for One Piece" because of the amount of work.
Kaiser-Eoghan
And hell yeah"! someone else thats hates on big bang theory.
IT crowd > big bang.
Kaiser-Eoghan
*more safer
Kaiser-Eoghan
And yet now here I am at same time, I think it might be kind of a shame that I can't see the value and fun anymore in some less safer offerings.
Kaiser-Eoghan
I thinking I might go insane if I looked up comments defending the visuals in occultic; nine.
Kaiser-Eoghan
Hate to say it but sometimes opinions, mainstream ones are actually wrong. Its a fact that superhero films have bad action scenes and cinematography and Hardboiled, a chinese action film is better filmed in terms of choreography.
Kaiser-Eoghan
As dickish as this is to say, I really do recoil when ssomeone says something like the Notebook or fifty shades is the best film of all time/their favourite.
Kaiser-Eoghan
See theres also factoring in the people whos favourite film or anime of all is the most recent they finished.
Kaiser-Eoghan
I remember mentioning recently that I was re-watching the twilight zone, the response I got was "I thought that you were talking about twilight"
Kaiser-Eoghan
See thats whats so great about being able to talk about more niche stuff online, theres an easier to find common ground.
AidanAK47
In general when it comes to mass popular opinion it's the tried and true safe stuff that ends up selling. The highest selling Mario games are the New Super Mario ones. The same generic Light novel and harems keep selling. There are plenty of examples but majority opinion tends to gravitate to the safe and familiar.
Kaiser-Eoghan
See, most (offline) people (and or teenagers)who aren't really all that interested in film or don't look into it that much will turn out for things like fifty shades, transformers or twilight, thats why those are popular. Most people aren't going to watch something made more than a few years ago or subtitled.
Kaiser-Eoghan
Oh...lol fuck thats a blunder...yes I meant Re:creators.
Kaiser-Eoghan
But by all means, people are fully entitled to like what they like. But there is a reason why so much rubbish gets popular.
AidanAK47
@Kaiser, Re:Creators.
Kaiser-Eoghan
As someone who would actually consider themselves creative and interested in things being imaginative I really do hate the whole anti-creativity /anti-art, anti-intelligence movement and way of thinking that allows un-deservedly popular things like what Aidan mentioned to fester.
Kaiser-Eoghan
Yes Re:zero's poor pacing and leaden dialogue is becoming too dominant and there should be more action, its good Setsuna opened up, but I still don't particularly like him.
Kaiser-Eoghan
I imagine the magazines/editors probably consider themselves the writers sometimes.
Kaiser-Eoghan
Pretty sure I only read nisekoi because I was keeping up with conversations about it, then dropped it before the Chitoge doublie showed up, just stopped reading.
AidanAK47
On the matter of Re:Creators, I feel the same as the Anon said. I find the exposition to just drone on far too much.
AidanAK47
On the matter of the manga industry being shit...it is. Manga in general is great but Jesus Christ the industry is a mess. Work conditions are utterly abhorrent and it's even worse that most series live or die based on a magazine popularity poll.
Because just because something is popular, does not mean it is quality. Example: Transformers, Twilight, Fifty shades, Sword Art Online, Big Bang theory
AidanAK47
@Anon, Still not getting your logic here. I mean if I have a problem with it after trying it then why am I not allowed to complain about it? Anyway it is only popular for the pandering. Even those who like Nisekoi admit that it's a mediocre harem and they mainly enjoy the waifu wars on the internet.
SuperMario
and now we will resort to illegal streaming sites for this one. "Piracy is almost always a service problem and not a pricing problem", this f*cking true
SuperMario
Huh? Welcome to the Ballroom Anime Gets Amazon Prime-Only Streaming Inside and Outside Japan. Now that just unbearable
SuperMario
Don't know about this new Re:Creators episode since I haven't watched it, but I don't really mind Meteora. Her dialogues scream "exposition" but she still fits well to the story. The fights are good, I agree, but why didn't they go all the way with the world's collapse last episode?
Anonymous1202407
Whether Nisekoi is pandering or not, it is not enough proof for you to suggest that manga industry is shit. If u want good mainstream then its not that hard to find. Also for every success like Nisekoi which u claim to be pandering, there are dozen like it that failed to be popular. Why? Because it clearly is popular for a reason other than just simple pandering.
SuperMario
Ha, Ping Pong. I need that kind of show again in my life.
Lenlo
Also, Ping Pong is amazing.
Lenlo
Theres a difference between pandering to a large audience, and an anime/manga with a quality story that everyone ends up liking. Ive always found moe shows and things like Nisekoi to be the former.
Anonymous1202407
If you have a problem with it after trying it just dont read it. Its that simple. Also what a surprise that a show like nisekoi that appeals to a large demographic is popular. U want the mangaka to apologize it's not some art house story like Ping Pong?
Lenlo
Meteora is pretty hit or miss with her dialogue imo. Sometimes its great, othertimes its not. I can say though I enjoy most of the fights.
Anonymous1202113
I really want to like Re:Creators. To be honest though, I'm getting tired of the dialogue. It has its high points, but it sometimes just seems to drone on and on, especially with all of Meteora's "hypotheses."
KT
Both Bahamut and RE:Creators had great episodes. But I was indeed mentally screaming Super Smash Bros at RE:Creators. You will get the point when you watch the episode.
AidanAK47
Taken on it's own, Nisekoi is harmless. But it is undeniably proof that you need not be creative or innovative to succeed in the industry. In fact declaring creative bankruptcy could turn more fruitful than genuine effort.
AidanAK47
And I said how can you decide you don't like something if you haven't read it?
Of course you are likely mean that if you don't like something then give up on reading it further which of course does not mean that someone cannot complain about it regardless.
Anonymous1198985
No, Im said if you dont like nisekoi dont read it
AidanAK47
@Anon, How do you know you don't like it if you don't read it?
Anonymous1196967
Don't like it don't read it.
AidanAK47
I went and read Double Arts. This really was a great manga with tons of potentail and truly didn't deserve the axe. It's so depressing that this was cut off so soon and the author went on to make the most generic Harem ever Nisekoi, and that got over 200 chapters.
Lenlo
All of the important dance scenes for Yuri were fantastic, its just some minor one off characters and some reused ones that were an issue, so no they are better than the CGI
Anonymous1190387
Is it worse than those CGI dance scenes in some anime?
AidanAK47
@Puran, It is pretty surprising how well that story turns out. I say IG might do the job even if there animation isn't the most consistent. The one thing I am worried about is those necks though. In the PV those things were ridiculously long.
Puran
Fair enough, recycling the animation was bad, agreed. But the animation itself was really good.
Lenlo
See, I found the repeated dances in Yuri one of the worse parts. Alot of it was recycled animation and certain characters were obviously rushed/not done. Some were amazing, cause they took their time, but others looked terrible.
Puran
I kinda wish Mappa was doing the anime though. Yuri on Ice had really nicely animated dances (and was more or less the only actually good quality of that show :P )
Puran
Reading the Ballroom e Youkoso manga has made me really excited about the Anime.
Kaiser_Eoghan
@Aidan: I'm particularly turned off by bully/bullying cliches these days. I've only read the first two volumes to see how awful she was but I ended up simply losing track of the series and stopped reading.
Kaiser_Eoghan
@Mario: Actually that has changed, I had to pick a different day to see it given changes in schedule, I've booked it for NEXT Wednesday now. I've watched Akira about four times.
AidanAK47
Oh, Rising of the Shield Hero is getting an anime adaption. Hmmm...honestly after finishing the series and looking over it as a whole I am not sure I even want that. Plus seeing Bitch Animated...would fill me with rage.
SuperMario
I intend to re-watch Akira soon, probably this weekend. It has been almost 10 years since my first watch and now I don't remember much about that one. Thought it was intriguing and complex but not as acclaimed as people hyped it to be (I'll pick Ghost in the Shell anytime). Wonder how I'd feel now after re-watching it.
SuperMario
@Kaiser: I remember you mentioned that you were going to watch In this Corner of the World today right? How was the movie Kaiser?
Lenlo
Oh cool, food wars is getting a 3rd season
Kaiser-Eoghan
Ballroom youkoso appears to be leading the polls.
Kaiser-Eoghan
@Mario: Fumiko is a female mangaka yes. Also I found bokura no hentai worth reading.
SuperMario
yep, I finished that manga too and I have conflicted feeling about it. Yuri(!) part and fanservice are to blatant but they have a purpose. This mangaka (not sure but I think she's a girl) has some unique voice.
AidanAK47
....well I skimmed that manga. And it was weird
SuperMario
By all appearances,Sakura is normal,albeit sheltered junior high school girl who enjoy talking about love and walking home from school together.However,they also happen to inhabit a strange and supernatural world populated by mysterious,gigantic beings and unusual plant and animal life.Amid their peaceful lives,Sakura becomes very interested in something only alluded to exist in old books: dicks
SuperMario
Here's a synopsis of other manga from the same author, I think you'll have a better idea of his theme -
Sakura no Sono
AidanAK47
Pretty much what Masky said. I am not really praising it. Anyway I plan to read one or two more chapters to see where it's going. But if it's going in the direction I think it's going then I am dropping this one fast.
Kaiser_Eoghan
There is of course the underlying concern that it will go a very ugly route with that development or it could become edgy/horribly minipulative, but for now it is as mario said, a hook.
SuperMario
Well. overall I don't dislike what I read there. It has good hook and I'm intrigued to know more what the hell will happen. Good set-up for me. I'm in
SuperMario
@Masky: it's fine Masky, since I will chec itk out any way and see it for myself ^^
Masky
So since you guys started being interested, I checked it out and uh.. Yeah, not reading. I think ye guys misunderstood Aidans warnings since that was just fucked up and not in the interesting way.
Lenlo
@Aidan: Berserk will never again go more than 3-4 months without a hiatus.
SuperMario
Hmmm, that manga Cutie Mutie sounds good to me. I might check it out later today
Kaiser-Eoghan
@Aidan: But had you not alluded to that scene, I may have seen the cover of that manga and skipped over it.
Kaiser-Eoghan
@Aidan: I had a feeling, sort of, sad, I am intrigued to read more.
AidanAK47
Hyping and warning are not the same thing.
Kaiser-Eoghan
Well with Aidan hyping up the horrors of cutie mutie I may as well glance at it to see what he' on about.
Kaiser-Eoghan
There are three manga with the name rec.
Kaiser-Eoghan
I am familiar with the artist for cutie mutie, she did that manga about the three kids dealing with gender/orientation issues.
AidanAK47
Oh look Berserk is on Haitus again....
.....the sad thing is that it comes as expected now.
AidanAK47
For reference the two I read were Cutie Mutie and Rec. Be warned, the first one goes to a rather uncomfortable level.
AidanAK47
@Masky, Read two manga. One started lighthearted and then went to really dark territory. The other one looks like it's about a really dark subject but turned out to be something more lighthearted.
AidanAK47
@Mario, Alright. Tested it now so it such be fixed. Try again.
Masky
@Aidan: Huh? What you read that turned dark/didn't turn dark? .-.
SuperMario
"too many answers selected for question 1! only 3 answers allowed!"
SuperMario
@Aidan: I still have the same issues. Weird
AidanAK47
@Mario, Wasn't my intent. Try it now and you should be able to pick as many as you want.
SuperMario
@Aidan: I'm not allowed to vote more than 3 votes. Is it your intention Aidan?
AidanAK47
Well that was weird. I read something that looked innocent but turned out to be really dark. Then something that looked really dark only to become innocent.
Masky
Yeah, nothing that interests me I see :D Like my strongest reaction to season preview was "Someone made isekai with smartphone? Really? REALLY? Thats best idea you had"
Masky
Ah Knighs and Magic, found that manga. It was boring enough for me to forget its name. Also besides being boring, I kinda find MC unlikeable since their only personality is that they like mechas and were a programmer before renicarnating as short bishie kid
Masky
Woo, time to vote stuff
SuperMario
@Kaiser: that movie In this Corner just getting more and more acclaimed huh? Thou I think it'a a type of movie that if you have high expectation for it you will likely be disappointed. It works best as a sleeper hit
SuperMario
As for cute monster girls, most of the time I don't find them cute at all. I know I'm being racist, but...
SuperMario
@Lenlo: I'm guilty with that cute girls genre, as i enjoyed K-On tremedously for example. Or If I have more time I'd follow Hinako Note this season ^^
Kaiser-Eoghan
They don't always adapt all that well or work as well outside of manga format, especially 4-komas.
Kaiser-Eoghan
*three
Kaiser-Eoghan
The only two of any interest were hidamari sketch, azumanga daioh and yuru yuri and that was largely down to being in the mood for them a few years ago.
Lenlo
@Mario: Personally, I have 0 interest in this Monster girls doing cute things subgenre, just like I have very little interest in the cute girls doing cute things major genre.
Kaiser-Eoghan
@Mario: As it turns out I DID read in this corner of the world. I'll also be seeing it next thursday.
SuperMario
@Kaiser: at this moment I'm very skeptical with the whole Monster girls doing cute girl subgenre, so I'm approachig Centaur with a caution. Of course, it all depends on how I feel after the first episode
SuperMario
@Kaiser: Happy End isn't as bleak aa his other works. But it's certainly Hanake's films, as it explores many of his favorite themes: the voyeurist of camera in his Benny's video, the detachment to the world and the underlying violence. Not his best thou but it's still very good
Kaiser-Eoghan
I think I'd be up for watching jigoku shojo, its been a long time since I watched the original two seasons and this one won't be as long, so it won't get as repetitive.
Kaiser-Eoghan
I voted centaur no nanami on the poll, think Mario could cover it.
Kaiser-Eoghan
@Mario: How did did you get on with Happy end? I heard its like a mix of his best works. Is it as dark and depressing?
Kaiser-Eoghan
I have vague memories of in the corner of the worlds manga, unless I'm mixing it up with something else.
SuperMario
Some news, Lu Over the Wall won the best prize at this year's Annecy (the 1st anime won the award since 1995's Pom Poko), with In the Corner of the World took the Jury Prize. Quite a good showing for anime this year.
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