Posted by psgels on 31 August 2006 with categories: The Animatrix



Very interesting, a documentary. It’s the first time the art style isn’t easy to define. It’s a mix of CGI frames with rather common character designs. Most of the time we see robots doing their thing, and we don’t really see that many humans.

In any case, this documentary explains how The Matrix originated, why the robots took over control and more background information behind The Matrix. It’s a rather gruesome tale, which makes clear that humanity indeed got what it deserved. This film has been split in two, so the last remaining one will end this story.

In the beginning, humans constructed robots, and the robots fully obeyed the humans. The robot design was rather unrealistic, but it does bring over the point. The robots possessed AI, and they were treated rather badly. Still, entire armies of robots kept working for the humans, doing all of the hard, harsh and dirty jobs.

Then, one robot stood up against its master, and killed him and his entire family. Because of this, humans got scared, and tried to dispose of the robots. What followed was a huge war in which the robots were shamelessly killed off in huge masses. People became to hate the machines. With passion. What follows is a couple of scenes showing the graveyards for these robots. It’s not funny when you realize how many of these were dumped. Entire ocean floors were filled with their corpses.

The surviving machines fled, in order to start a nation of their own, somewhere in Arabia. They called their nation “Zero-One”, or 01. They began to live a life of their own, improving their own AI and equipment. They then attempted to coexist with humans, and participate in the world economy. However.

The leaders of the humans, with their power degrading, didn’t feel anything for cooperation with the robots, who still had good intentions at that time. The robots, attempting to be recognized were killed off. What happens afterwards, we learn in the second part of The Second Renaissance.

Yet again, we’ve got lots of symbolism in this movie. The robots have been given a uniform and human-like design, like in most ancient robot movies. It’s not really realistic when you look at today’s huge diversity of machines. But by giving these robots human characteristics, this film does manage to give them a uniformity. Because of this, things don’t get unnecessarily complicated. And it also provokes some sympathy for these robots, like Matriculated tried to do. I’d say that The Second Renaissance managed to do this better than Matriculated.

Huge exterminations, like shown here, have occurred more often in the history of humanity, at times, even more extreme than this one. Most mass murderers never really got their equal payback (Incans vs. Spain, anyone?). This time, however, payback in the most extreme form arrives. Still, the fact does remain that people uninvolved got their payback as well. I guess that’s inevitable.

The question remains whether what the robots did was the right thing. After all, they were heavily abused, and revenge is sweet. Apparently, even for robots. Still, both the humans and the robots were wrong in this case. The humans for abusing the robots, and the robots for going through the extreme measures of locking the humans up. What happened to love and peace, everyone?

3 Responses

  1. Anga says:

    I liked the fact that unlike the most matrix stories this one wasn’t on humans side at all, just showed what happened as another third party would see it. While it wasn’t really realistic nevertheless brutal visuals, commentary and music was effective way to tell the story. And that’s what counts. Quite awesome short clip, I have watched it like four or five times already.

  2. psgels psgels says:

    True, the story told was very impressive. I’m currently wondering how the second part will be closing this.

  3. PSI BETA says:

    Can you talk to me who or what that hell is this woman that acess Zion’s files? Another program from Machine City?

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  • Bam
    (Thursday, Jan 29. 2015 06:49 AM)
    Yeah the ear-monster from Garden of Eartly Delights is in the eclipse.
  • Bam
    (Thursday, Jan 29. 2015 06:48 AM)
    @Emma: lol no not you, that Anime Campus ad and the way every word is capitalized.
  • Emma
    (Thursday, Jan 29. 2015 06:47 AM)
    @Bam: I bring him up because apparently somewhere in the berserk manga Miura took inspiration for one of the panels and it was to do with one of the godhand characters.
  • Emma
    (Thursday, Jan 29. 2015 06:45 AM)
    @Bam: O- shi- =P I rushed that comment cause I had to rush out to do something which is why it sounds so phoned in lol
  • Bam
    (Thursday, Jan 29. 2015 06:45 AM)
    If you’re talking about Hieronymus Bosch then yes. I have seen two or three triptychs from him which are vividly detailed and thematic. I enjoy this medieval type of art.
  • Bam
    (Thursday, Jan 29. 2015 06:42 AM)
    That’s a weird way to type.
  • Emma
    (Thursday, Jan 29. 2015 06:38 AM)
    @Bam: Currently looking a the awesome art of Bosch at the moment you a fan?
  • Anime Campus
    (Thursday, Jan 29. 2015 06:28 AM)
    Watch Anime Online for Free in English Subbed. Daily Anime Episode Updates.No Lags No Ads, We Have Updated Animes Sources For Online Streaming, Fastest Streaming Anime Sources, Enjoy Watching Anime.
    http://animecampus.com/
  • Bam
    (Thursday, Jan 29. 2015 06:19 AM)
    The German/Russian cartoons had no dialogue or description, but they were instead symbolic philosophical musings; like a painting of a man sitting on a tree and sawing off the very branch he is siting on.
  • Bam
    (Thursday, Jan 29. 2015 06:17 AM)
    Yeah my friend has The Art Of Last Exile which is pretty cool, but I prefer the artist’s collections over those centered around a certain series.

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