Posted by psgels on 31 August 2006 with categories: The Animatrix



Very interesting, a documentary. It’s the first time the art style isn’t easy to define. It’s a mix of CGI frames with rather common character designs. Most of the time we see robots doing their thing, and we don’t really see that many humans.

In any case, this documentary explains how The Matrix originated, why the robots took over control and more background information behind The Matrix. It’s a rather gruesome tale, which makes clear that humanity indeed got what it deserved. This film has been split in two, so the last remaining one will end this story.

In the beginning, humans constructed robots, and the robots fully obeyed the humans. The robot design was rather unrealistic, but it does bring over the point. The robots possessed AI, and they were treated rather badly. Still, entire armies of robots kept working for the humans, doing all of the hard, harsh and dirty jobs.

Then, one robot stood up against its master, and killed him and his entire family. Because of this, humans got scared, and tried to dispose of the robots. What followed was a huge war in which the robots were shamelessly killed off in huge masses. People became to hate the machines. With passion. What follows is a couple of scenes showing the graveyards for these robots. It’s not funny when you realize how many of these were dumped. Entire ocean floors were filled with their corpses.

The surviving machines fled, in order to start a nation of their own, somewhere in Arabia. They called their nation “Zero-One”, or 01. They began to live a life of their own, improving their own AI and equipment. They then attempted to coexist with humans, and participate in the world economy. However.

The leaders of the humans, with their power degrading, didn’t feel anything for cooperation with the robots, who still had good intentions at that time. The robots, attempting to be recognized were killed off. What happens afterwards, we learn in the second part of The Second Renaissance.

Yet again, we’ve got lots of symbolism in this movie. The robots have been given a uniform and human-like design, like in most ancient robot movies. It’s not really realistic when you look at today’s huge diversity of machines. But by giving these robots human characteristics, this film does manage to give them a uniformity. Because of this, things don’t get unnecessarily complicated. And it also provokes some sympathy for these robots, like Matriculated tried to do. I’d say that The Second Renaissance managed to do this better than Matriculated.

Huge exterminations, like shown here, have occurred more often in the history of humanity, at times, even more extreme than this one. Most mass murderers never really got their equal payback (Incans vs. Spain, anyone?). This time, however, payback in the most extreme form arrives. Still, the fact does remain that people uninvolved got their payback as well. I guess that’s inevitable.

The question remains whether what the robots did was the right thing. After all, they were heavily abused, and revenge is sweet. Apparently, even for robots. Still, both the humans and the robots were wrong in this case. The humans for abusing the robots, and the robots for going through the extreme measures of locking the humans up. What happened to love and peace, everyone?

3 Responses

  1. Anga says:

    I liked the fact that unlike the most matrix stories this one wasn’t on humans side at all, just showed what happened as another third party would see it. While it wasn’t really realistic nevertheless brutal visuals, commentary and music was effective way to tell the story. And that’s what counts. Quite awesome short clip, I have watched it like four or five times already.

  2. psgels psgels says:

    True, the story told was very impressive. I’m currently wondering how the second part will be closing this.

  3. PSI BETA says:

    Can you talk to me who or what that hell is this woman that acess Zion’s files? Another program from Machine City?

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  • AidanAK47
    (Wednesday, May 6. 2015 03:24 AM)
    @Bam, doesn’t help that Leto’s got the home alone pose to boot.
    I would like to say that we just don’t know enough yet but I highly doubt he would match the likes of the jokers before him.
  • Bam
    (Tuesday, May 5. 2015 10:42 PM)
    @Emma: That fan poster is much better than the real screenshot of Leto’s joker, which has too many tattoos that feel out-of-place for some reason, and that grill in his mouth which is just stupid.
  • Emma
    (Tuesday, May 5. 2015 01:14 PM)
    Additionally Hammill’s joker got both sides of the character down perfectly.
    My favourite depiction of the joker though is definately in Grant Morrison’s arkham asylum graphic novel.
  • AidanAK47
    (Tuesday, May 5. 2015 12:56 PM)
    @bam, Ledger was the best possible live action joker. But Hamell is the real joker to me. When you read jokers lines in the comics, you hear Hammill. Still that fellow in batman arkham origins didn’t do too bad a job.
  • Emma
    (Tuesday, May 5. 2015 12:19 PM)
    @Bam: I remember loving the hell out of that old animated Batman movie from the 90s, mask of Phantasm, that mystery of Batwoman one was worthwhile also.
    Here is the new Jared Leto joker: http://static1.squarespace.com/static/51b3dc8ee4b051b96ceb10de/t/54870f57e4b074be5ade38ad/1418137431644/jared-leto-as-the-joker-in-suicide-squad-fan-art
  • Bam
    (Tuesday, May 5. 2015 12:06 PM)
    Also it was neat for FF9 to include summons as a plot element. They always existed outside of the story, as most of that series’ battle mechanics seem to happen in a bubble separate from the actual stories.
  • Bam
    (Tuesday, May 5. 2015 12:03 PM)
    *@Emma lol
  • Bam
    (Tuesday, May 5. 2015 12:03 PM)
    @Joker: he definitely had the quintessential Joker laugh. Ledger was good, but also a lot grirrier due to the film’s tone. That whole animated series is one of main reasons why Batman is still so popular even with the 90s kids who cared very little about comics at that point.
  • Emma
    (Tuesday, May 5. 2015 11:02 AM)
    @Bam: I feel the same way about Mark Hammill voicing the joker.
    As for FF9, I really liked that games take on the Alexander summon.
  • Bam
    (Tuesday, May 5. 2015 09:45 AM)
    @K-off: That’s pretty cool. Conroy is easily the best portrayal of the Dark Knight- as somebody who got the Batman/Bruce Wayne dichotomy down like no other. The trick to get their attention is to be real with them, since they’ve heard every possibly fan praise a million times. I still remember how Maynard’s eyes lit up when my friend screamed “Hey Maynard! You’re a Tool!” at a Napa wine-tasting function he was hosting. You can always bank on weird.

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