Posted on 26 September 2006 with categories: Simoun

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And so, I’m afraid to say it, but Simoun has come to an end. And it certainly has been one of the most unique endings ever. It was nothing that could have blown me off my chair, but instead, this ending did leave me with a warm, fuzzy feeling. I can happily say that this ending succeeded. Still, the ending was puzzling, and there are a small number of questions left unanswered.

Anyway, the episode takes place a few years in the future, in order to show what happened to each of the members of the chor tempest. Extra focus is put on Limone and we also see a flashback of what happened with Aaeru and Neviriru before they got to perform their Emerald Ri Maajon.

What happened to Aaeru and Neviriru afterwards wasn’t really spectacular. They headed off, a spokesman of the Highlands sends some Simoun to retrieve them, though the priestesses have no intention of capturing them. They perform the Emerald Ri Maajon, and disappear. It’s not the huge spectacle with Limone and Dominüra. Still, the fact that the only scenes we see of them is at the end of the episode, in which they’re dancing in the debris of the Arcus Prima does make you wonder what happened with them afterwards. It’s one of the few unanswered questions. I’m suspecting that they travelled a lot of different worlds.

Surprisingly, we never get to see Amuria. We never know what happened to her. Same with Mamiina’s body. She’s been shot down. What happened to it? Those are the only bad points of this episode.

Limone was awesome in this episode. She looks beautiful when she’s grown up, and it seems that her arrival triggered other people of her age to try flying with the Simoun as well. We never find out whether she’s in the future, or in the past. If I had to guess, it’s the future. Don’t know why. Dominüra hasn’t been willing to fly the Simoun ever since she arrived in this timezone. Limone, however, wants to fly again, though not if it means forcing her will onto Dominüra. She’s been bothered by quite an amitious Sybilla, who aims to be paired with Limone, but Limone refuses to fly with anyone other than her beloved pair. How cute. The last scene we see of them is Dominüra, who finally agrees to fly again. She and Limone happily walk off, while Limone casted off the same strange stuff Onashia did. Does this mean what I think it means?

Next up, the characters who remained in the current world. First up: Morinasu. She now works as a female employee under Wauf. She’s been married with Waporifu, and she’s pregnant of her second child now.

Wauf also got a little daughter. The identity of mother is never mentioned. But it does seem clear that he has a very strong bond with both Morinasu and his daughter. He was very cute to see. I also loved him as a minor character in the series.

Remember Eri? Well, of course, he had to end up somewhere as well. He renamed himself to Erifu, and works at the same place as Morinasu and Wauf. It seems that he pilots Simire, in order to transport goods from one place to another. He’s been exceptionally busy, as it seems that the highlands and the archipelago are going into war.

Next up, Paraietta. Talk about character growth. I think that she, along with Dominüra and Mamiina changed the most, out of all of the characters in the series. She’s just so laid back now. She has really learned not to worry so much. She also put her time into a very noble job: providing a home for children who have lost their parents. Surprisingly enough, she ended up along with Rodoreamon.

Rodoreamon seems to have decided to take the management of Paraietta’s orphan home. It seems that they’ve got some problems with the upcoming war. She’s a bit worried, but determined as well. Also a HUGE difference with the way she was before.

Kaimu and Aruti decided to live together after all. After they grew up, they just returned to their original home, in order to spend their days quietly. Cute, very cute. ^_^

Yun still is at the spring, though she did decide to choose her gender. In the end, she became a female. Right now, she’s still standing at the spring, devoting her entire life to changing genders. In a way, that’s really sad. But she did choose for it. I remember noting that Jun was a tough nut to crack, back when she was just 100% objectivity. Well, in the end, she definitely had her moment of glory.

Furoe changed the most in terms of appearance. But that’s only logical, as she had the most feminine looks of the entire cast, and she suddenly switched to being a male. He named himself Furoefu. He’s been working as a farmer, right next to the debris that was once the mighty Arcus Prima. I can imagine that it works quite nostalgic. He even visits it some times, on a Helios Motores-powered boat.

Vyura (or Vyurafu) looks so cool as a man. He’s got a really laid-back attitude. And it seems that he’ll be fighting on the side of the enemy. I think that’s one of the messages of this final episode. “Ah well, that’s life.”

Anubitufu and Guraghief look so totally badass, in their new outfits. ^^;

And of course, I knew it was coming when around the final moments of the episode, the creators decided to show a few last shot of the ruins of the Arcus Prima. It really had it coming, and indeed. It’s a perfect way for a finale. We first see Aaeru and Neviriru dancing a bit, symbolizing the journeys they made. Then we switch to one of the hallways, in which Paraietta was doodling on the walls, two episodes ago.

Really, she was more enthusiastic than I thought she was. She made an incredibly cute chibi-drawing of every single Simoun Sybilla. That was so cute to see. A fitting ending for such an awesome series.

Posted on 25 September 2006 with categories: Higurashi no Naku Koro ni

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Only when this episode started, I finally realized what the meaning was of Rena, being put in Keiichi’s place in the first arc. In the first arc, Keiichi doubted his friends, and killed them. In the sixth arc, Rena doubted her friends, and she’ll probably start killing them if it weren’t for Keiichi and the rumoured “good ending” that this arc is supposed to have.

In any case, if you haven’t read the tips (like I almost did): what Rena told Keiichi last time doesn’t necessarily have to be true. She’s suffering from a disease in which she thinks that she’s being infected by parasites. Takano’s other scrapbooks, who get shown this episode, seem to symbolize this.

We start with Rena makes a phone call with Oishi, in which she tells him her suspicions. This makes Oishi suspect the Sonozaki-family. Oishi then tells Rena about the fact that Takano was supposed to be dead at the Watanagashi. She could have used a fake body, or she could have a twin sister. Either way, it remains strange. Rena hangs up, and a police officer tells Oishi that Kasai is supposed to be looking for Rena. You’d wonder why he was with Shion during the previous arc when it seems that he’s such an important person in the Sonozaki-family. The officer also tells that Rena has disappeared. Oishi is quite pissed because of this delay of information.

Back to Mion and Keiichi, Mion tells him that she moved the body parts from two episodes ago, as there seemed to be a big plan to deforest the mountain. The body parts quite probably ended up right at the bottom of the well. Then, we switch to Rena, and it indeed becomes clear that victims of the mysterious disease have hallucinations. Rena apparently has been scratching her neck too often, and parasites are coming out. Once again, this looks so incredibly fake that it almost becomes scary.

Rena spots a couple of officers, looking for her, so she decides to head to a place where nobody can find her. Even Keiichi, who just happens to run into her right when she plans to leave. Convenient timing. Anyway, the way Keiichi mistrusted Rena in the first arc, right now Rena mistrusts Keiichi. Rena has labelled Mion as the main suspect. She also reveals that she did some research on him, and then it turns out that even Keiichi has sinned in his past. There’s just more than being bullied, like the things shown in the third arc. The dialogue is a bit fuzzy, but if I understood it correctly, he hit little children with plastic guns. Then, when things turned out of hand, he alerted his parents, they cleared things for him and they moved to Hinamizawa. Strange, I never knew that Keiichi’s parents were that rich.

Because of this, Keiichi starts thinking. He’s really doesn’t want to lose his friends in this arc. Even more than in the third one. The day afterwards, he thinks it’s best for him to tell about his past to Rika, Satoko and Mion. Strangely enough, he keeps quiet about Rena. In any case, quite an emotional scene follows. It would have been extremely good, weren’t for the fact that Keiichi’s voice-acting was incredibly garbage. Because of that, the scene was very good, though it could have been so much better.

Rika, Mion and Satoko manage to convince Keiichi that there’s nothing wrong with keeping secrets you don’t want to speak about. Then a very interesting event happens. Keiichi seems to remember his life from the first arc! And what’s more, Rika seems to know about it too! With this, most of the first arc also is revealed, although it’s something that has been clear for a long while. At that time, Rena had the same feeling towards Keiichi as Keiichi has towards his friends right now. The syringe was just an ordinary pen, which seemed to have been the cure for the strange disease. (On a side-note: was Rika carrying a pen as well in the fifth arc? If she was, this mystery would be getting a whole new dimension).

Rika decides to forgive Keiichi for this. But it does raise a strange question. How is she able to remember this, if the cause is not supernatural? In any case, Rika decides to help Keiichi save Rena. Quite an embarrassing scene occurs when Keiichi starts hugging Mion out of the blue. His voice acting turns down, which makes that scene quite touching indeed.

Next up, quite a humorous scene in which Oishi and three other policemen are questioning Mion, her mother and Kasai. What happened to Obaba? Anyway, it really seems now that Oishi and the Sonozaki-family are not on good terms, confirming the fight that Mion and Oishi once had. It seems that the Sonozaki-family never had their eyes on Rena in the first place. Also, none of the murders where the victims were found were committed by them. After all, if they were, the bodies were hidden in the well. It’s also one of the first time to see Mion’s mother actually talk. On a side-note: what happened to her in the fifth arc? Shouldn’t she have noticed Shion?

We close the episode with Rena, leaving town.

Next up, the TIPS for this episode:

Them:
It’s a pretty straightforward one, explaining a bit about Rena’s Alien-theory. She thinks she’s being watched by strange beings, aliens. She runs away, and she starts to scratch. Seriously, the anime shouldn’t attempt to visualize this gore. For some reason, the creators seem to think that showing everything in full detail has the most impact, though there are way better techniques for doing this.

Rena’s Hideout:
Still being translated

Keiichi’s past:
Ah, of course. It was a bit strange that Keiichi’s past wasn’t told in full detail, but apparently, the creators had to cut this part in order to compensate from the horribly long fifth arc. It’s quite a sad and shocking story. You’d wonder why the anime cut that part out. After all, especially the part where the girl was shot in the eye could have been great bait for them to turn into another horribly animated scene. Still, it entirely explains his reaction. It’s probably one of the reasons that he’s so mature for his age. He’s already had the time in which he goofed off like a monkey, and he was so shocked by this that he suddenly started looking differently at life. I wonder what happened to the little girl.

The Reason to Move to Hinamizawa:
This explains Keiichi’s father’s reason to come to Hinamizawa. Wait a minute. Two little girls with long, straight hair? I think we’re missing something here. Just who the heck was playing along with Rika!? And what does this “Arg ouch gaf” mean? Rika!!!!

Last Night:
Wait… what the heck is Rika hiding!? Right here, she’s seen with someone who’ll die along with her. I think that she and her mysterious friend are actually part of the bottom of this mystery. It’s great to hear, as she’s my favourite character. For some reason, this TIP also really begins to make me question whether there aren’t any bits of supernatural events present in Higurashi. It’s also a sneaky anime. It focuses on Keiichi, Rena and Mion, while Rika’s meanwhile doing her own things, waiting to be killed.

It seems that the two of them are actually re-experiencing every single one of the arcs. And every arc, different events happen. Because of this, they hope to run into one arc, which will solve everything. I’m suspecting this to be arc 7. What’s even more surprising is that Keiichi’s performance of today actually inspired Rika, in order to believe that there actually can be an arc, in which things will be solved. Oh god, I am SO hoping for the final arcs to be animated. It won’t seem that the sixth arc will be long enough to solve this problem. I think it’ll only solve the things on the surface, not below. Ah well, this show may have done a lot of things wrong, it did make me want Rika to be saved. Rika!!!!!

In any case, back to the anime. Let’s take a look at the good parts of the individual arcs. The first arc was amazing when Keiichi told a lie, and Rena doubted him. Or at least, Keiichi thought that Rena doubted him. When you’re anxious, and you tell a lie, it’s easy to believe you’re not being trusted. The second arc didn’t really have a great part. It rather had some amusing moments, but nothing amazing came. The good part of the third arc was Keiichi again, who first tried to assassinate Satoko’s uncle in a very amateurish way, making you hope for him not to be discovered and afterwards, he found out nothing really happened. The huge strength of the fourth arc was probably because it delved so incredibly deep in the mystery of Higurashi. Deeper than any of the arcs so far. And I have to admit, so far, the story behind Higurashi seems awesome. The fifth arc had no good points. The strength of the sixth arc was quite possibly the level of maturity, coming from all of the characters.

The moment I started writing the above paragraph, I tried to make some kind of point. Unfortunately, I forgot. And with that, I’m off, hoping for the OVA to be announced soon.

Posted on with categories: xxxHolic

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I think we may have caught our first real Tsubasa Chronicle-reference. At least, if you ignore Fye’s staff who keeps showing up at random places. Remember last episode, in which Yuuko was away for a long trip? This episode shows a small shot of her, while on a boat, heading for a strange, rocky island, wearing her Tsubasa Chronicle-dress. This probably means that somewhere in the future of Tsubasa Chronicle, Yuuko and black Mokona will be coming in action, to help Syaoran and Sakura. I can’t wait for it. ^^

Anyway, about the real meat of the episode. I’m very delighted to say that this was the best xxxHolic episode yet! The previous episode has been building up for this perfectly. It’s just so sad. I think the creators saved so much time for this on purpose, and it works out awesomely. I really thought that Watanuki would listen to Yuuko, and stop seeing the woman. Instead, it gets even better. Watanuki feels so much for the woman that he actually goes to meet her, even when he knows that he’s going to die if he keeps seeing her! Talk about awesomeness!

Maru and Moro also were exceptionally cute when it seemed that even though they were soulless bodies, they id feel sympathy for Watanuki. They actually tried to take care of him, and at the end of the episode, when Watanuki was resting, they actually tried to be very quiet, in order to not wake him up. This episode also was meant in order to bring Watanuki and Doumeki closer together. After all, when Domeki shot the woman, he did it on his own. Yuuko didn’t tell him anything that time.

This also was one of the few times in which Yuuko decided not to explain certain events to Watanuki. It also happened with the snowball fight, though that was because of different reasons than during this episode. I’ve actually got a small, totally speculated theory about the identity of the woman. What if she was Watanuki’s mother, who took on a different form in order to meet him, and somehow swore not to give away her identity? Still, I’ll say it again: this is just something that came up in my head for some strange reason.

Now that this, and most other series I’m watching are coming to an end, I can’t help but wonder how this series will end. I wonder whether xxxHolic’s ending will be able to stand out in some kind of way. I think that there are two possible options: Watanuki stays with Yuuko, or Watanuki gets cured and cuts ties with Yuuko. Regarding Himawari and Doumeki, I don’t think that their relationship towards Watanuki will change much. They likely continue to be friends. The Vestal Sprite could go all kinds of directions, though. That’s why I think that she’ll be a major actor in the actual ending.

Posted on 24 September 2006 with categories: Anime Reviews


Blood+ is a 50-episode action drama. It follows the battle between two vampire-like girls: Saya and Diva. It’s a rather epic tale, Diva is almost the equal of a killing machine, and Saya made it her life-goal to kill her once and for all. They both have their own allies, Saya has the friends she spent happy times with, while Diva turned a number of people in monsters, making them completely devoted to each her.

This anime definitely is worth watching. The episodes 26-36 are so incredibly good. They even had me crying at times, which does not happen often. The first half of the series, or episodes 1 to 25 are interesting to watch, though they might be a pain to get through due to their huge length. They do, however, build up perfectly for the sheer awesomeness that follows afterwards.

Though I’m afraid I have to say it, but after episode 36, the overall quality of the anime gradually drops. From that point, it’s like a straight line to the finish. There are some entertaining moments, but it’s clear that the creators already played all of their trump cards in episodes 26-36. Still, it does remain enjoyable. My complaint, however, is the last two episodes, in which the series ends. They really work anticlimactic, as they somehow manage to destroy everything the series has been building up for.

The characters are very enjoyable to watch. As this anime has 50 episodes, there are lots of opportunities to really flesh out each of the characters, and the creators gave a very good attempt in doing so. The character development in this anime really worked out. The characters are also very interesting to watch in all of their struggles. Whenever an important character dies, (that does happen at certain points in this anime) the effects this has are great to see. Except, perhaps, when the ending comes near. By that time, these deaths become rather predictable.

As this is an action-series, be sure to expect lots of battles. The creators also made sure that our heroine Saya stayed alive through all this by giving her the ability to regenerate her wounds, so that if she’s slashed once, she isn’t really killed. Even though I can see why the creators chose to do this, I find it also a bit weak. The battles themselves also don’t really try to be original, or something. While they are exciting, they’re nothing special. Still, the normal humans do not have the ability to regenerate. The battles in which humans play a role are mostly the most creative ones.

In terms of music, this anime also tries to be epic. At some times, it really works, but when you compare it to other anime, then the soundtrack of Blood+ isn’t really anything special. It doesn’t really try to stand out. Same with the graphics. They’re good, they really work, but they don’t try to stand out. Only Lewis and the Schiff ended up with memorable character designs.

Overall, Blood+ really is a series with its ups and downs. It’s got some totally amazing moments, but at the same time, some elements are doomed for mediocrity. Still, the awesome moments were definitely worth it.

Posted on 23 September 2006 with categories: Otogi Juushi Akazukin

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Finally we have the Akazukin-episode, though she didn’t get any character development like Shirayuki, Ibara and Ringo did when they got their own episode. This episode was rather meant to show what would happen to Ibara and Shirayuki if Akazukin was absent from the three musketeers. Well, they’d get their ass kicked. ^^;

Basically, what happens is Akazukin getting sick due to the poisonous spores of another Nightmarian. Then it seems that Souta and the others ended up in another village with its own legend: Salamandra-sama. There’s a huge statue of a dragon at one place in the village. The villagers believe that it’s actually a good spirit who protects the village from all sorts of harm. In order to show their appraisal to Salamandra-sama, the villagers have come up with a very strange ritual, they perform in front the statue. Even if there’s a bloodthirsty monster right next to it.

Gretel then gets to be the one to track the group down, with the same basketball Hansel used in episode 6. She comes in, breaks the statue and remodels the rubbish in order to turn it into a giant seahorse, who charges after Shirayuki, Ibara and Baru. The interesting part in this episode was the way the villagers reacted. Taking into account that the spirit they believed for so long suddenly turned into a giant seahorse, destroying everything on its path, it’s no wonder that they’d get angry.

In the end, the Souta and Akazukin (who managed to wake up in the end) are able to concince that Salamandra still is a good being. Gretel then gets defeated, with a little help from Salamandra-sama himself. It’s quite ironic. While it was clear that Akazukin beat the Nightmarian at the beginning of the episode, the glory gets put to Salamandra-sama, while when Salamandra-sama destroys the giant seahorse, Shirayuki and Ibara thought that Akazukin had become so good that she was able to shoot huge fireballs in the form of dragons. ^^

It’s also strange that Gretel was the only bad guy who appeared in this episode. The villains from the previous episode are nowhere to be found, even Randagio and Cendrion were absent. Ah well, it does add some versatility. It’s great to see a villain again who’s been absent for a couple of episodes.

Also, never let Akazukin, Ibara and Ringo sleep at one place. ^_^;;;

Posted on with categories: The Third

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It seems that we’re dealing with probably a three-episode arc. This one probably set up preparations, so that the next one can finish with a bang. It was pretty amusing, as some rather comical elements have been thrown in. These worked really well. ^_^

Anyway, a quick rundown on the important things that happened:
– Rona Fauna is a member of The Third.
– It’s better to charge in fast than try to take out every guard at Rona Fauna’s place.
– Ikus is back.
– Blue Breaker is back.
– Honoka will be coming in with an airplane. Both the airplane (Honoka named her Juliet) and Blue Breaker have been proven not to be taken over.
– It seems that Rona Fauna relied too much on the fact that The Third wouldn’t attack her base because Joganki was in it.
– Someone erased the data of Rona Fauna from The Third’s main database. Only a representative of “the House of Commons” could have done it. No idea what that might be.
– Rona Fauna has two helpers. One with purple hair, and one with very light, violet hair. They could be the same person, though.
– For some strange reason, Rona Fauna has the same face and hair as her helper (the one with light violet hair).

Posted on with categories: Night Head Genesis

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Hmm, the current arc isn’t really that good. Not enough pain and suffering. Except for the vision with the little girl. That one was great. It seems that the main plot is something else than the dangerous disease which spread, and if things all go well, the woman who attacked Naoya will be killing Kurahashi and end up in jail. With that, things are solved. I hope that the creators can bring some kind of twist to this, and I’m secretly hoping that the virus will be escaping in the end.

You could wonder whether the things Kamiya Tsukasa did are good or evil. From his point of view, he saw numerous of things, and I think that he couldn’t bear just telling nobody about them. But because of this, he does have influence on people. If he never spoke of anything he saw, then the woman who attacked Naoya would have never attacked him. I think he does realize this, but keeps telling himself that it doesn’t matter that much.

Even though this episode was rather bad, I do have hope for this show. Lots of times, we see a small reference to a future arc, which is afterwards never mentioned again. We already know that Night Head Genesis is great with toying with these things, so I’m looking forward to the episode in which the doll girl, the woman with the umbrella, Shouko and many others return. The next episode will also be a good chance to find out about the nature of the events foreseen. Shows tend to use them in two ways. The first way is show a vision of the future in which bad things happen. The one who saw the vision then rushes to prevent the bad thing and everyone’s happy again. The second one I like more. A vision is shown, and no matter what, it does happen. It’s like destined to happen.

Posted on with categories: Anime Reviews

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You don’t often her people talk about Ningyo no Mori, or Mermaid’s Forest. It’s a shame, as it’s pretty darn awesome. You could call it a mystery romance with lots of morals and ethics, though it’s way more than just that.

Ningyo no Mori has chosen an extremely strong theme to be centred around: immortality. You can do so many fun things with it. The case is like this: there’s a legend about mermaids. Whenever you eat their flesh, you have the chance of becoming an immortal being. Still, only once every century someone manages to actually become a true immortal. Most people become disfigured, berserked humans, destined to spend the rest of their lives in agony. The story focuses at two people, who did manage to become immortal (after all, you wouldn’t have much of a story if they didn’t, right? ;)). One has been roaming around for 500 years, until he met up with the other, who had just been fed some mermaid’s flesh, in order to become food for the mermaids themselves (watch the show in order to know the reason for this. ;)). Right now, they’re travelling the world, in order to find a cure for their immortality.

With this concept, the show is able to do some amazing things. It consists out of a number of arcs, each focusing at a human who had some kind of experience with either a mermaid, or mermaid’s flesh. Each and every one of those arcs manages to drive to the boundaries of right and wrong, with amazing results. The fact is that being immortal isn’t that fun, and certain people become obsessed over the mermaid’s flesh, without even knowing that most people just get turned into hideous monsters for the rest of their lives. This anime really is excellent in toying with morals, ethics and most importantly, human lives. Most often, we run into people who have been suffering from the direct or indirect effects from the mermaid’s flesh for over 40, 50 or 60 years. One extreme case even lived as long as 800 years!

I have to say that each and every one of the cases, introduced in the different arcs were just awesome to see. They really belonged in the category of incredibly unique stories. Each episode, plot twists happen which you SO wouldn’t expect, only making each of these stories better and better. My favourite arc remains the one with the face-changing woman. So many original concepts are used.

And I haven’t even started about the art yet. Even though the characters look rather blend at first sight, the creators do know how to make characters scary. Evil characters are portrayed in such an amazing way, and during the climaxes of the show, the art really contributes to the overall feeling. The creators also came up with an extremely fitting soundtrack. By itself, it isn’t really special, but somehow, it really fits with the overall themes of this show.

Still, there’s one bad thing about this anime. The ending is rather anticlimactic, and left me with a rather bad feeling. Nothing really is resolved in the end, it’s really like some kind of open ending.

Overall, I really recommend this anime. It’s only 13 episodes, so it’s perfect if you have a bit of spare time. Especially if you like shows that really toy with human lives, it’s worth to check this one out. I greatly enjoyed watching it. ^^

Posted on 22 September 2006 with categories: Popolocrois 2003

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Wait! Wait! Wait!

Since when did this series become so much better? It suddenly feels that the new arc has brought a sudden increase in awesomeness. It just suddenly feels like this series has technically become a lot better. The pacing was great in this episode. Lots of things happened, though things remained clear and understandable at the same time. Not to mention that Pinon’s and Marco’s reaction to their parents being petrified worked out great. This really showed their care towards their parents.

Sure, the first half of the series was entertaining and all, but it wasn’t really anything special. If we are to believe the translator’s notes, the current half will turn out to be awesome. I’d love to find out. A good start has already been made. Hilda’s back, and more awesome than ever (her singing is as good as usual ^^), and the newly introduced characters work out great. ^^

Posted on with categories: Ayatsuri Sakon


That was a great episode. It’s another arc split in three parts. The first episode served to introduce the problem, the second to solve the problem and the third to explain the problem. Sakon has solved the problem, all that’s left now is to explain it. A quick rundown:

– Someone used red paint to paint all sorts of scribbles on the walls of the study-room.
– Nobody walked up to the scene of the crime at the night of the murder, except for Sakon and the others and a certain policeman.
– Someone killed Akazuki, then brought him to the scene where he was found.
– Something which can influence pH was or is buried under the hydrangea, growing behind the Byakko Shrine.
– A statue was stolen, about as large as a child, but very heavy. It was returned to the police station, all muddy, though.
– Sakon reckons that the murderer used this in order to test out how the body would fall.

I loved the different characters in this arc. Especially the way that each of them has a unique role to play, and that some of them even assisted Sakon in his research. It’s great when you have more minds, seriously thinking on one case. One person may see something the other didn’t, and opposite. The sister’s worries about their father also worked out in a great way. They all react differently, but it all comes down to the fact that they’re sad that their father’s gone.

I have to admit. When the episode ended, I still had no idea what went on. I was still struggling between the police officer and Oki. During the previous episode, both he and the officer were acting suspicious. The fact that a certain police officer drove up to the road also confused me a bit. It could be any of these two, but I wasn’t really sure how the body ended up where it ended up in the first place.

But then, as I was typing this, it suddenly hit me, and I suddenly understood how the culprit did it. After looking at Yoshida’s bike, I suddenly realized that it would never be able to carry a body such as Akazuki’s. Oki is the murderer after all. He killed Akazuki, and stuffed him inside his van. He parked the two cars tightly next to each other, in order to make sure that nobody would be able to look at the back of the car, where the body was hidden. He then rushed inside the house, and played his little act, directing the people to the way he wanted to. Somehow, he set it up that the phone went off. He probably grabbed a second telephone in the house and called while everyone was looking the other way. He then rushed in, and pretended he had a conversation with Kyouichi and hang up. Although he was told that Akazuki was in his study room, he as so focused at the plan he made, that he forgot about it, and that´s where he made the mistake. Anyway, the three sisters went in their car and headed off, while Oki, Sakon an Fujita left afterwards. Oki made sure that both of them didn´t get a chance to look at the back of the car. He then kept a reasonable distance from the sister’s car, and then he crashed, right above the scene of the crime. The back of the car wasn’t entirely shut, so it flipped open and dropped the body at its designated place while Oki blamed the fact that he didn’t know the road too well. A couple of days before, he also experimented a bit with dropping the statue, in order to know the right angle at which he should crash his car in order to make the body drop at the right place. I think he chose that location in order to try and fool everyone. I think he wanted to have a crime scene in which he wouldn’t be thought as suspect. He worked very fastly, and he actually rushed to come to Akazuki’s house as fast as possible, so that his alibi would get as little doubts as possible.

Nice one. Very nice one. Now the question remains, am I right? But more importantly, why did he do it? What’s Yoshida’s role in this? Why were the previous murders nessecary? And what happened to Kyouichi?

CHANGE USERNAME
SuperMario
Hand Shakers, how I love to watch it jumping off the cliff. This show contains lines like "I don't understand... even if I did understand... but I don't understand." It isn't a dialogue that we encounter too often I'm sure.
AidanAK47
@Mario, Sounds good to me. With me covering Little Witch Academia, Saga of Tanya the evil and Rakugo this season is well covered.
SuperMario
so I've decided to blog 3-gatsu, Scum's Wish and ACCA this season. A bit worry about the latter as I still don't have much to talk about that. Let's try it and see what happens; I say
SuperMario
Okay, I'm not hot on Onihei this week, as if the main theme about these two episodes were "people can be corrupted" then I'm not buying it. ACCA, on the other hand, was still very solid of building up the world and its big events to come.
AidanAK47
I have played all the big roguelikes and found they have the same problem. I argee on procedural generation. Even if the map is different every time you are essentailly going through the same rooms and doing the same things.
Masky
Though to be honest, I don't like procedural(or designed room and then game connects them randomly) games much. I much enjoy hand designed dungeons since I rarely play games through more than once anyway so roguelike's appeal of "Every time you play it through its different!" doesn't appeal to me much and hand designed dungeons are much more memorable
Masky
Can't really comment further on that since I don't know which roguelikes you have played, and neither I have played gungeon so I don't know if its badly designed to the point you can't do anything if rng says so. Though I guess there is nothing wrong about liking luck based games, if roguelike in question is truly unbeatable if rng says so, well, its really badly designed one if you ask me.
AidanAK47
Take my last run. Made it up to the fourth floor. Got plenty of guns but none were really useful. Even then ran out of ammo for all of them and the game was cheap about giving out ammo. Plenty of money but shops with nothing worth buying. Over 5 heart containers but no goddamn health. Died on the boss because I rolled out of a bullet into another bullet. Pretty much unavoidable.
AidanAK47
@Masky, that's the theory but in pretty much every roguelike I played its not the case. If the RNG decides you are going to have a bad time then you are going to have a bad time. Skill can only bring you so far. I have played this game for 7 hours and I know I could have finished it in 2. Only thing stopping me is a dice roll.
Masky
Like, the thing with roguelikes is that they can get easier/harder depending on luck, but well done one should be completable even without any upgrades at all if you are skilled enough.
Masky
Thats not the really case with roguelikes though, unless game design is bad and includes insta kill traps and such that are unavoidable if you are unlucky
AidanAK47
I hate roguelikes. Been playing enter the Gungeon and I just lost all patience with it. Getting real tired of my victory being decided by a RNG. It never feels satisfying to finish a roguelike because I know my victory was determined by pure luck.
AidanAK47
So we got to rely on fansubs for it when it's airing.
AidanAK47
@Mario, Nope. I think because netflix only puts up full seasons they are only planning to put it up when it's finished airing. Or when it's dubbed.
SuperMario
But how does the Netflix thing work? So of I have a Netflix account I can watch the show weekly?
SuperMario
@Aidan: that's a dumb way to do things really because unless you watch the show weekly, everyone gonna forget that it even exist. Just look at Re-Life last year
Lenlo
thought*. Words are hard.

Eventually found the actual first ep though and enjoyed it.
Lenlo
Was funny. I tried to find the first Ep for Little Witch, found original short made afew years ago, watched it and though "This is very similar to the original... Whats new".
AidanAK47
Little witch is one of the best shows this season and yet I can't get subtitles because Netflix doesn't release shows weekly. Motherf*cker.
Lenlo
Ore Monogatari I enjoyed. It was a nice romance that actually explored what happens after the confession. Also the 2 leads are just precious.
Lenlo
Alright but unmemorable seems like a good summation.
SuperMario
@Lenlo: one good thing about Seiren is if you don't like this romance, the whole thing gonna reset after episode 4 so there's a chance that you might end up like it. Agreed that the comedy wasn't very good. Alright but unmemorable
SuperMario
@Topgavin: I watched like first 3 episodes and stopped because I didn't have much time there, but I enjoyed what I saw. A well-written and endearing show in my book
Topgavin
Has anyone here watched Ore Monogatari before? Because in the 4 years I've watched anime, I've never heard of it (I guess it did come out 2 years ago) and yet it's turning out to be one of my favorite shows. Always great going into a show expecting nothing and getting pleasantly surprised.
AidanAK47
Only one more impression to go. Should have it up tomorrow.
Lenlo
Im really not feeling Seiren. Its "comedy" isnt for me and I just dont find it very enjoyable to watch so far. Im curious if it gets any better but 2 episodes in it just isnt that good.
HelghastKillzone
That ending scene is an entire side-story compressed into that. Don't expect anymore of it from here on out as the it sticks to ruthless military/fantasy pretty well.
LookingForKeys
@Topgavin I think it was good, making it the second episode. That way the first set up the world the story will be in, and showed how much of a monster the "little girl" really is right at the end, and then made ep.2 the explanation. Nothing against Tanya trying to rip "God" a new one.
That after-credits scene, though...
SuperMario
Hmm, as much as I like Seiren's omnibus format, it doesn't turn out really hot this second episode. Demi-chan, on the other hand, still maintains its endearing tone. Might blogging Demi-chan instead
Topgavin
Yeah, that second episode was much better than the first. Dunno why they didn't start with that to be honest, waste of an opportunity for a good hook episode. The voice for the main girl still sounds weird to me though; I get it's supposed to sound weird because it symbolizes 'her' being out of place and her personality and body being a mismatch, but it'll certainly take some getting used to.
AidanAK47
Youjo Senki, now we are talking. Like Helghast said, Did the god scene way better than the LN and manga. Made it less comedic and more intimidating.
Lenlo
Oh man that Rakugo intro. Not sure what to think, but first time seeing it I liked it
Kaiser Eoghan
I sort of like good will hunting because I kind of saw a bit of myself in Damon's character when I watched it ages ago.
Kaiser Eoghan
@Mario: Remaking psycho and ruining the shower scene, for shame van sant, for shame.
Kaiser Eoghan
Its easy to ripoff some obscure thing though and get away with it. The dogtooth director essentially stole an old Mexican film to make that.
SuperMario
@Kaiser: yeah, that following some guys from behind like they were on a RPG games, which I think actually fit with the tones of Elephant. I have such mixed feeling with Gus van Sant too. Don't really think he's a great director.
Kaiser Eoghan
@Mario: Although Istvan Szabo is probably a little more well known for that Mephisto film that updates the Faust story. Zoltan Fabri's the fifth seal is a very thought provoking war movie.
Kaiser Eoghan
@Mario: I remember seeing a film documentary that featured Gus van sant in one section, they showed clips of tarrs films, Sant ripped of the cinematography and stole the style from some British short film to make Elephant.
SuperMario
@Kaiser: agree on the other Hungarian filmmakers, I don't know much about them either.
Kaiser Eoghan
@Mario: Scorsese's Silence was a big comeback. I really really emotionally connect with spiritual crisis stories.
SuperMario
@kaiser: yep, definitely check wreckmeister down. Althought I admit that watching his 2-hour plus films will feel like 5-hour anyways
Kaiser Eoghan
@Mario: I'm more tolerant of darker teenage/coming of age films/stories. Les Demons was a big surprise.
Kaiser Eoghan
@Mario: Though its kind of frustrating, I do think Tarr probably takes attention away from other hungarian filmakers because no-body knows who the hell the others are.
Kaiser Eoghan
@Mario: Man, wreckmeister was so visually arresting I started getting dreams from it.
Kaiser Eoghan
@Mario: I would consider Tarr to be kind of a poor mans Janco, Angelopolus and Tarkvosky rolled into one. I don't entirely "get" wreckmeister and man from London but they are great atmospheric mood piece experiences.
SuperMario
@Kaiser: I had been wanting to watch Belar Tarr's Turin Horse and Werckmeister Harmonies for so long now. Well, Fat Girl is shocking haha, but I'm normally drawn into those kind of films anyway.
SuperMario
@Kaiser: Margaret took like 5,6 years to release because he couldn't cut it down in the way he wanted. The final cut if I remembered correctly was edited by Martin Scorsese
Kaiser Eoghan
@Mario: Only a HDcam for moonlight now.
Kaiser Eoghan
I looks like my lineup is witch academia, rakugo and youjo senki, well the most latter one until I get bored.
Kaiser Eoghan
@Mario: I sense a directors cut for manchester, it feels like it need another 30 minutes.
SuperMario
@Kaiser: right up my valley. Watch Kenneth Lonergan's previous works Magaret and You Can Count on Me. Magaret is very messy but have a raw dialogue and interactions as well
SuperMario
Now the first episodes are over, I will keep on covering 3-gatsu, as for the other twos atm I have 3 options: 1) full romance/anti-romance high school Seiren/Scum's Wish. 2) slice-of-life moe monster girls Demi-chan/Maid Dragon and 3) Mature,dark Onihen/Acca (which although I like them I don't have much to talk about).If you guys have any preference on which shows you like covered then let me know
Kaiser Eoghan
@Helghast: At this point I'm watching youjo senki as an entertaining guilty pleasure.
Kaiser Eoghan
@Mario: Too many reboots upcoming, will wait for the dvds instead. I want to explore more of manchester by the sea's director's work. I also want to finally get more into Bela Tarr's stuff.
Kaiser Eoghan
@Mario: I was rather shocked by A Ma souer/fat girls final act. Scenes with the Italian in the bedroom were initially creepy.
SuperMario
@Kaiser: it's a nice review Kaiser, a bit jealous with you that you've seen those 3 films which are touted as the best films of 2016. Also Fat Girl, haha, I love that movie.
Kaiser Eoghan
Poor yotaro =< you have so much stuff going down on you =<
HelghastKillzone
Youjo Senki episode was so good today. That revamped scene with God just fitted so right.
AidanAK47
A official release of that game in the west is apparently coming but it's been a few years and not much news about it.
Kaiser Eoghan
@Aidan: Ah yes that was the one.
AidanAK47
@Kaiser, Had to think for a moment on that one but I think I was talking about this. https://vndb.org/v3144
Kaiser Eoghan
Now I'd hardly consider myself a studio trigger fan, but I watched the first witch academia episode there, it was actually kind of fun, got the same reaction from me as flipflappers did, that magical, special feeling.
Kaiser Eoghan
@Mario: I also, of interest reviewed Kenneth Lonegrans new film: http://letterboxd.com/shao_liu_ringon/film/manchester-by-the-sea/
Kaiser Eoghan
@Mario: Moonlight got some feels out of me though it could of been more, it ends abruptly and with 20 extra minutes they could have spent a bit more time on each section of his life.
Kaiser Eoghan
@Mario: I checked out lala land, ending was very well executed, one of three scenes in the film that were impressive visually. The whole thing looked pretty and Gosling and Stone had some decent chemistry. Although it didn't resonate emotionally as strongly as the musicals of Jacques Demi did.
Kaiser Eoghan
MOM I want aiyoku no eustia and I want it now.
Kaiser Eoghan
I've never heard of himawari or tokyo babel. The hellsing comparison at least interests me in dies irae. What was the name of that visual novel again that was coming out soon, Aidan you described it as "And Kaiser would love it because its supposed to be really fucked up".
Kaiser Eoghan
I vaguely remember the anime for 11 eyes, it was very forgettable, even the voice acting was poor, hated the childhood friends and the pacing was poor, those black knight things were kind of interesting though.
Kaiser Eoghan
@Aidan: You'll have to add me onto the list of those unsatisfied with the ever 17 writer, I read one of those games and felt it was a bunch of interesting bait that never paid off.
AidanAK47
Anyway I plan on doing a review of 11eyes here when I finish it.
AidanAK47
Can't say I was a fan of Ever17. That was a really good twist but when it came to explaining it their was a lot of contrived development. Generally not a fan of the writer. Looseboy, Ryukishi, Gen and Nasu are more my kinda thing
AidanAK47
@Anon, it is nice that so many VNs are on steam but I wish they wouldn't be stupid with the whole no adult content thing. Not so much for myself but to prevent idiots from writing negitives reviews because the game doesn't have sex. VNs can grip you in a way anime simply can't and while they require pathence and time those can be some pretty powerful stories.
Anonymous678956
@Aidan, I am so happy steam's so VN-friendly now. I think it's a very good type of media. Like anime, it has nice visuals, music and some movement but also the inner monologue and text amount of books. It's the perfect combination. Plus, the routes, which are often puzzle pieces and PoVs you have to go through to understand the whole story. True routes like the one of Ever17 blew my mind.
AidanAK47
Hopefully the two VNs I bought of steam turn out better. Tokyo Babel is supposed to be alright and I heard really good things about Himawari.
AidanAK47
I am about a third of the way through the game and really not much of worth has happened. The concept is interesting but the execution is sorely lacking.
AidanAK47
I went in expecting it to be a mixed bag and it's pretty below my expectations. It's just not really well written and the protagonist is a moron. THere isn't really routes and instead you are pretty much stuck with his childhood friend as the main love interest. Problem with that is her character begins and ends with loving the main.
Anonymous675376
@Aidan, damn. 11Eyes is on my reading list as well. Although I almost expected it to not be as good as I thought it'd be (back then). Guess I would have enjoyed it if I was able to read it while the (shitty) adaption aired, maybe I have seen/read too many series by now. Guess I'll still give it a try some day though.
AidanAK47
@Anon, I haven't heard the OST or watched the intro video. I only know it be reputation and have decided to walk into it as blind as I can. Still slightly worried as I was somewhat looking forward to reading 11Eyes for a couple of years and now that I am reading it it's well...not good.
Anonymous675376
@Aidan, same here. I was waiting years for this, since I saw the intro video for the first time. Also, that OST!
HelghastKillzone
Youjo Senki is already leagues better than Izetta. It's going to be top anime of forever and ever. (maybe not)
AidanAK47
And finally Dies Irae is funded. May actually be able to play and finish the game before the anime airs. If the hype is real behind this baby it could be a new personal favorite Visual Novel of mine. Already looking promising with it being like a cross between Hellsing and Fate/Stay Night. Two things I most certainly like.
Lenlo
@Masky, in regards to style over substance thats where im at with Gurrne Lagann.
Topgavin
Yeah, I'll probably watch the next episode to see whether it can redeem itself. Hopefully it can but considering 1st episodes usually get a lot of budget, there's some severe doubt in there.
AidanAK47
I actually argee with character designs and voices are bad in regards to female characters. Still the next episode might change your mind if we get more into the main characters head.
Anonymous671470
It's boring
Topgavin
Also, it seems I disagree with a lot of people in thinking Youjo Senki will be a massive trainwreck. The character designs are awful, the voice acting is mismatched but most of all the premise just seems so very dumb. If I wanted to watch a badass kill people I'd go watch Hellsing or Drifters, because at least those don't have some op, disproportionate loli as the mc.
AidanAK47
Gets even more complicated when you account for Satire and Parody. You could equally argue all examples listed as being as such.
AidanAK47
Little Witch Academia is a decontruction of Harry Potter....I don't believe that but honestly if I tried I could put some reasoning behind that statement.
Topgavin
In the end, it always comes down to opinion (as with every discussion about anime, for some reason). You could spin any and every series as a "deconstruction", which is why people shy away from using the word. You could argue NGE, Madoka and Re:Zero are all deconstructions yet also argue Gundam, Precure and SAO are depending on what points you weigh more importantly.
Masky
Like, if deconstruction is supposed to be just "break the elements and then play story how it would realistically go down" well I haven't watched NGE, but as far as I know it does have stuff that isn't typical to mecha genre besides the "It would fuck up kids" thing plus "realistically how it would play out" is pretty subjective thing. I mean, its mainly about how cynical bastard the writer is :P
Masky
Like I said, I don't fully agree with it because I find video's speaker's attitude annoying, but I found it semi convincing. Main thing I don't find convincing about it is that I don't think its hard to turn video's own arguments agaisnt it and say that by its own logic NGE isn't deconstruction either, like Aidan just said earlier
Masky
And I don't really have energy for checking out the "correct" one. If there even is one. Anyway, the hipster video I was talking about was titled "What Actually Is A Deconstruction?" if you want to check it out.
Masky
Hmm, well, it does depend on definition you use. Like if you use "realistic" thing, well, Magical Girl shows don't usually have "You turn into monsters" thing going on and reason why NGE's pilots go crazy is from dangerous situations rather than evas making them do so. But honestly, I don't really have strong opinion on matter since word seems to be one of those with several different meaning
SuperMario
for me Madoka IS a deconstruction of Magical girl, and yeah like what Aidan said
SuperMario
I think part of Utena is a deconstruction of "prince riding horse and save the girl" because that notion is just a foundation for Utena to become a prince herself and save other girl. That's breaking it apart and resemble it again in its own way. Don't have to be dark/ don't have to be real either
AidanAK47
@Masky, That's just debating semantics. Besides that difinition would pretty much mean that Neon Genesis Evangelion isn't a decontruction either. Madoka isn't a decontruction because it's dark. It's more in its aspects of criticising why a girl should throw her ordinary life away for something as dangerous as being a magical girl. It does take plenty of the typical tropes and turn them on its head
SuperMario
@Masky: Genre deconstruction is such a tricky word that I normally try to avoid using because there's really no set characteristic about the term and different people have different opinions about what constitute "deconstruction". For me, I disagree that deconstruction have to be dark and real, hmm can't say it well but I will give you an example:
Masky
But yeah, I guess I could try to find the video if you guys are interested, though like I said, I got hipsterish feel from the video and felt rather annoyed through it even though I did get what the point was and found it sort of convincing besides my annoyance
Masky
(not that liking NGE is hipsterish, its just that I find NGE to be more style than substance sort of series <_< Anyway, guy didn't dislike madoka or anything, he just seemed to dislike people using word deconstruction wrong in his opinion)
Masky
(especially with how much they seemed to praise Neon Genesis Evangelion)
Masky
I mean, I think the guy was being somewhat hipsterish, but its true the being darker take on genre isn't same as deconstructing the genre
Masky
@AidanAK47: Some other guy on youtube did video that had actually pretty good point about how Madoka isn't really deconstruction, if you go by definition of "Break it down to parts and then play them straight to show how horrifying it would be in real life"
Anonymous670441
Gente - Ristorante no Hitobito
Kaiser Eoghan
If anything its the hate I have for certain characters that makes it more effective.
Kaiser Eoghan
The obsessional level of attachment is just uncomfortable to me, I don't want to get THAT attached to a non-real character.
Kaiser Eoghan
Its literally just a case of "Okay lets look at this picture of this character, she looks interesting, no feelings or expression from me, apply this fetish, fap, get release, go home. "
Kaiser Eoghan
Or drooling/dribbling/heavy breathing/grinning over the characters. I abhor alot of the anime girls I find attractive or am indifferent, even when looking at ecchi/hentai drawings I'm straight and clinical with it.
Kaiser Eoghan
I mean to each their own. But I really hate the level of emotion/devotion to moe/finding the characters attractive. Such as celebrating their birthdays, going on about how cute/hot they are, how important it is that they're virgins. Or not being being self-aware of how irritating the characters are.
Lenlo
Anime hipster is pretty accurate. His general treatment of the current state of anime is annoying, as is his obsession with moe. Maybe its cause I cant stand moe most of the time, but it bugs me.
Kaiser Eoghan
@Lenlo: Essentially my brothers view on digibro.
Kaiser Eoghan
@Aidan: I don't usually feel the need to correct errors in your reviews as the errors are generally un-important, but I think you meant to say apprentices rather than appearences in the Rakugo review, just bringing that up as it felt like kind of a throw off.
AidanAK47
Which is kinda like saying Madoka wasn't a magical girl deconstruction because Sailor Moon and Nanoha had dark elements too.
AidanAK47
Went and read the reddit comments on it and seems I was right on the money.
AidanAK47
@Lenlo, He's basically a anime hipster. For example, I saw a thumbnail of his which had Saitama on it and below it "Is There Meaning In "Subverting" Shounen Tropes?" and I thought "Okay, he's going to go on about how OPM isn't subversive and then list a bunch of arbitrary examples in an attempt to redefine what is actually subversive"
Lenlo
I have lots of issues with Digibro. Dude has some good points, but other very horrible ones. Some issues he feels strongly about and gets kinda biased on imo.
Anonymous669202
acca looks visually interesting, and I personally really dig this kind of show, but it seems that it's definitely not for everyone
AidanAK47
Time to live up to my word. Four posts incoming.
AidanAK47
Man, Little witch Academia was so good. I disagree with the whole Digibro thing about being able to recognise a great show in it's first episode but watching this makes me think that this really is going to be something special.
AidanAK47
Alright, gonna put in effort today and have 3 or 4 first impressions posts done. That should knock out near half the season.
Kaiser Eoghan
Had a flip through handshakers. Garish is the word I'd use to describe it visually, it takes you out of the show.
Topgavin
ASuperMario From the first minute I can already tell it's by the same people that made K. Those colour filters and the extremely jarring/obvious city CGI is unmistakable.
SuperMario
Hand Shakers, literally makes my hands shaking. It's an abosolute mess. Highly recommended to check it out because it's so terrible it's great to watch
Vonter212
Yeah, and it's also a literal woman in refrigerator plot device, since that the thing that pushes the story forward.
Masky
I'd say that having to hide your sister's body in fridge would count as daaaaaaark and edgy, but when the body is wearing only underwear, and for some reason main character put metal things in fridge to keep body standing(I guess to not knock fridge open from inside?) I think it goes to "exploitation" you are talking about
Vonter212
@Masky - Did someone said doing dark things for drama? That's the bread and butter to get despair. Unless it's for the sake of perversion. Then it's just exploitation.
Kaiser Eoghan
@Masky: His other works dead tube and scumbag go further in the unhinged regard.
Masky
*relies on easy "let's do [x dark thing] for drama!" thing
Masky
Geez, Mayonaka no X Giten is fricking disturbing/disgusting ._. I'm pretty sure that writing relies on e, but I can't help but think mangaka is trying to make corpses sexy.
SuperMario
I found Onihei to be quite good, actually one of the most solid new episode I watched this new season. Guys, check them out
Vonter
I just hope it doesn't fall into the same misstep Kabaneri or Inuyasha or Bleach fall by making a villain so over the top that it crossed the line of not having a satisfying downfall.
Anonymous657941
@Vonter I think they just moved on. I lost interest rather quickly and I guess even the fans did that at some point, like with some other long-running series. There is much more new and more direct "fujo" stuff out there, many of them probably switched. Don't know what happens in the manga but maybe the story got worse or contained things some people didn't like.
Vonter
January will be loli dictator month (for me) :p. World Conquest Zvezda Plot, Youjo Senki: Saga of Tanya the Evil (new), Seraph of the End. For some reason I stumble into three curious series with little power hungry girls. If I can ask, why did Owari Seraph's hype died, I remember back it was mentioned more often. It still has the fujoshi fanart but still, I don't see people bringing it up.
SuperMario
@CATski: well, if you didn't like its first 3 episodes I dont think the rest gonna change your mind. Have you finished Erased then? How did you like it?
SuperMario
But I understand it's difficult to speak in front of camera, get some time to get used to it
SuperMario
@kaiser: I won't commend on poem as I'm terrible at it myself but younneed to work more on presentation Kaiser. Small little things like looking directly at the camera or say "thanks for listening" in the end can connect you to the audience better
Anonymous657071
Ok. I'll give the thing another chance. *clicks torrent* XD. CATski.
Kaiser Eoghan
@Topgavin: You might like centaur no nanami if you like demi-chan.
Kaiser Eoghan
Damn...repeated myself =<
Kaiser Eoghan
There are these things called slam sessions done in bars where people get up and read out stuff in front of a crowd and read stuff out. Actually watching rakugo made me think about practicing for that kind of thing.
Kaiser Eoghan
@Mario: the video I did was of me reading out a short piece of writing I did, a poem. lol I uploaded it to the wrong youtube account too I just realized =P
[link src="https://www.youtube.com/watch?v=ypBZ2hBDBYs&t=11s
I"] was recording this from my mothers laptops inbuilt cam while reading off my desktop.
SuperMario
@Kaiser: I think it's a good idea for you to try out reviewing movies/stuffs in youtube channel. I'll be very interesting to listen to them
SuperMario
@Topgavin: Agree. Demi-chan was so charming. Definately one of my favorite so far this new season
Topgavin
Demi-chan's first episode was good. Like, really really good. That blonde-haired girl was hilarious, the teacher-student relationship between the MC and the girls is really interesting and the social/practical problems the demi's face make it look like my favorite show so far.
CATski
Ah... ok. Is it really that good or it's just one of those "artsy" animes that tend to get overrated by their ardent fans? I didnt find the rakugo bit interesting.... probably the weakest aspect of the show for me.
Kaiser Eoghan
@Aidan: Why did I read that chapter. Why did I do that to myself.
Kaiser Eoghan
Admittedly yes the premise is not for everyone, but if you stick with it, the flashback arc had some good character work in there.
CATski
Rakugo has a season 2? I watched ep 1 - 3 of season 1 then promptly deleted it. The loud "yankee" dude was annoying. And the anime was boring.
Kaiser Eoghan
Oh man, I've been thinking lately of trying to start some kind of youtube channel. I did a few trial run videos. Its much much harder than it looks, didn't realize how nervy being in front of a video camera was.
Kaiser Eoghan
*a declining art and rakygo halls are closing down
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Featured Posts

Shouwa Genroku Rakugo Shinjuu – 15

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Little Witch Academia – 02[Pappiliodya]

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3-gatsu no Lion – 13 [Black River (part 2) – Beyond the Door]

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Saga of Tanya the Evil – 02[Prologue]

As I initially thought, this series becomes a whole lot better when you can see the disparity between the main protagonists thoughts and how those around her view them. The first episode jumped ahead in the story to where Tanya had established herself somewhat and I believe the intent was to mislead the audience with […]

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Onihei Short Synopsis: A captured thief joins the police to hunt down his old leader. For a studio’s first work this is quite a solid offering. The beginning reminded me of samurai champloo though this seems more a traditional samurai story. Animation isn’t anything too impressive but it does the job and there is some […]

Some Quick First Impressions: Hand Shakers, Kemono Friends and Kobayashi-san Chi no Maid Dragon

Hand Shakers Short Synopsis: A boy holds the hand of a girl he finds in a hospital room and ends up in a supernatural battle to the death. GoHands, you know what would be great? If you know, instead of slapping on lens flares and colour filters all over the place, you just don’t do […]

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Some Quick First Impressions: Spiritpact, Demi-chan wa Kataritai and Chain Chronicle – Haecceitas no Hikari

Spiritpact Short Synopsis: A boy is killed by a truck and finds himself teamed up with an exorcist as a ghost. Sorry China, by all means keep trying but this isn’t going to top Japanese animation any time soon. So what’s wrong? Well the animation is fairly basic, the characters are annoying and the comedy […]

Latest Reviews

Flip Flappers (Fall 2016) Review – 93/100

What makes Flip Flappers stand out from the rest of the anime field? I found a lot of people asking that question along the way. Well, first off, Flip Flappers isn’t your ordinary anime offering, that’s for sure. Its visual styles are too much and too incoherent for one thing, the narrative never really reveal […]

Sound! Euphonium 2 (Fall 2016) Review – 86/100

I must admit that out of all the series I was blogging last year, Sound Eupho 2 was the one I’m saddest to see it ends; not because it was my absolute favorite anime last year, but because the sheer amount of their attention to details and their ridiculously quest for perfection are something that […]

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Your name. (2016) Movie Review – 82/100

As of this writing, Kimi no Na wa, or Your name. has enjoyed a phenomenal commercial and critical success. It becomes the highest grossing film of the year in Japan, and broke many records elsewhere in Thailand, China, America… you name it. Even in the local theatre where I went to, we got a full […]

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Magical Girl Raising Project Review – 65/100

In the success of Madoka there have been plenty who have tried to capitalize on turning the Magical girl genre dark. Few have actually succeeded and while Magical Girl Raising Project doesn’t quite succeed, it is still a much more competent attempt than many others. The story is about a phone app which promises to […]

Yuri!!! on Ice (Fall 2016) Review – 83/100

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