Posted by psgels on 28 October 2006 with categories: Bakumatsu Kikansetsu Irohanihoheto

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Seriously, that was such an awesome episode. Bakumatsu Kikansetsu Irohanihoheto makes a good chance of becoming this season’s best anime if this quality remains at the same level. This episode focused on Akizuki’s past a bit, but mostly on Saigo Magozou’s (not Takamori, apparently, the two of them have the same last name. Does that mean that they’re related?) attempts to assassinate Yuyama. I’m not sure why, tough. Apparently, Yuyama stands in Nakaiya Juubei’s way in some kind of manner.

But first, another name. Ever since the previous episode, the official site has been updated to include Katsu’s bodyguard. His name is Kanna Sakyou no Suke.

We start the episode where we left off the previous time. Magozou has been surrounded by both Akizuki and the troupe. Now, he uses some kind of explosive to create a smokescreen and escape. Benimaru and Kobako then arrive, and thank Akizuki for what he did in the previous episode. The latter, however, just walks away.

We then switch to the next day, in which the troupe is performing a play in front of an audience. And seriously… they’re good. Akizuki and Soutetsu have a little talk, which forces Akizuki to remember his old master, Sakamoto Ryouma again. At least, I think that’s him. Ryouma also mentions Katsu for a bit.

We then switch to Nakaiya Juubei and Magozou. It seems that the former has acquired the building plans for the theatre, which will prove to be a great advantage for Magozou. Back to Akizuki, he’s training for a bit until Kobako arrives with an invitation of some sort. I think that Katsu asked him to deliver this, which would suggest some connection between the two. It seems that Katsu also is getting worried about the fact that Akizuki’s still living on his memories of Ryouma. We see the flashback of his assassination again as well.

We then switch to the troupe again, performing a play about Hario Genba. It’s very interesting to see that Soutetsu actually wrote a play about the history of the members of the troupe. Ah well, it’s a good source of inspiration (^_^). Magozou, meanwhile, is wrapping some cloth around his gun, while eating a bit. I’m not sure for what purpose that is. To conceal his weapon? To add extra firepower? In any case, it seems that he’s already sneaked into the theatre, waiting for the right opportunity.

A conversation between Nakaiya Juubei and TB Glover later, we switch to the next day, where it seems that the troupe will be performing for a huge play. It is here where Magozou will be attempting to try his luck, as everyone will probably be too busy with making the show run in order to pay any attention to other things. Akizuki, however, also seems to be present. An interesting note: either the troupe has hired extra actors, or it consists out of more than just the characters, important to the story. I’m guessing the former, as at one point, the stage is filled with lots of people at the same time.

Both Akizuki and Soutetsu are keeping an eye out, while Magozou waits for the right moment, at a spot right above the stage. Unfortunately, he waits too long, so Akizuki finds him first. And this is where things really turn awesome. Especially because the play below is just continuing like nothing happened. Magozou attempts to escape, but then runs into Soutetsu and shoots Kakashi no Keishin’s shoulder in the process. He eventually ends up right next to the stage with no sign of his pursuers and a clear shot of Kakunojou, when suddenly the stage gets filled with numerous extras, playing for government officials and other people, who all obstruct his view of Kakunojou.

He then turns desperate, and he runs on the stage himself, putting on an act of his own. Akizuki then rushes in and kills the guy, and the audience loves this, thinking it’s all part of the act. Magozou, however, has one trick left up his sleeve: a number of bombs, hanging from the ceiling. He attempts to shoot them, though Kanna no Sakyou Suke prevents this.

Kkunojou attempts to thank Akizuki, though he walks away again. Once more, he wasn’t able to protect the ones who hired him. I think his problem is that he doesn’t know the meaning of teamwork. For as far as I know, he’s been doing everything on his own, and he never considered the help of others. The fact that they actually did try to help him didn’t appear in his mind.

Another thing: the supernatural elements. For the past two episodes, there has been absolutely nothing supernatural appearing, even though this forms a large part of the story (the red star, the unsealed demon). I’m suspecting that this will turn into an important focus later in the story. I actually like how the creators did this.

One Response

  1. w says:

    It’s Saiga Magozou. Nakaiya mentioned that he is the last or one of the last descendents of the Saiga clan which served Oda Nobunaga in the Sengoku era, they were top-class with firearms. This clan really existed, it was lead, I think, by this guy callled Saiga Magoichi.

    He carefully wrapped his gun so that it acts as a rudimentary silencer, but he had to waste it on Akizuki.

    Also, Soutetsu always has an underlying reason for writing his plays. It’s always carefully targeted at someone or something in order to get some message across. This time he is provoking Nakaiya by showing that he is behind the tragedy that befell the Yuyamas 10 years ago, and the revenge that they seek now. He intended this since episode 2 when he passed Kakunojou a new script, and then in ep 3 when she asked him why they had to act out their own life in the play when the revenge was assumedly over.

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  • Raggers
    (Wednesday, Jul 1. 2015 11:52 AM)
    @ratsgnoF: just look at Yukinon. She has major problems to get over before she can consider a relationship with anyone. In the end Haruno was right: she relies on Hachiman too heavily and it isn’t good. If anything they need space to let her disentangle her emotions and find solid ground to her life.
  • Bam
    (Wednesday, Jul 1. 2015 10:42 AM)
    Now time to watch Fate/Zero and see what the fuss was all about.
  • Bam
    (Wednesday, Jul 1. 2015 10:41 AM)
    I think that’s a great and fair review of UBW. I would’ve gave it 8/10, but hey, close nuff’.
  • ratsgnoF
    (Wednesday, Jul 1. 2015 03:48 AM)
    How would that be toxic?
  • Raggers
    (Wednesday, Jul 1. 2015 02:31 AM)
    From a critical perspective it was rock solid. Directing, writing, soundtrack – all were excellent. A great cliffhanger for this arc of the teenage condition.
  • Raggers
    (Wednesday, Jul 1. 2015 02:27 AM)
    ratsgnoF: thanks, may skim through those later.
    Personal reaction to the finale: welp. Things are a complete mess, Yukino x 8man would be a toxic relationship and Yui x 8man would be far healthier, potentially even good.
  • ratsgnoF
    (Wednesday, Jul 1. 2015 01:43 AM)
  • ratsgnoF
    (Wednesday, Jul 1. 2015 01:41 AM)
  • ratsgnoF
    (Wednesday, Jul 1. 2015 01:40 AM)
    Here are some of the monologues that weren’t really shown in the anime. They’re very well written. https://kyakka.wordpress.com/yahari-light-novel/volume-10/first-memorandum/ https://kyakka.wordpress.com/yahari-light-novel/volume-10/second-memorandum/
  • Raggers
    (Wednesday, Jul 1. 2015 01:11 AM)
    Ah, then yes, almost certainly. I’d go as far as to expect the author also spends significant time with teenagers to capture their mentality so well.
    I imagine it’d be easier for teens to get emotionally invested, but I’d also say there’s a deeper level they wouldn’t really ‘get’ until older. We can evaluate what we see with a hindsight teens cannot have, so we aren’t worse off for being older.

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