Posted on 27 October 2006 with categories: Night Head Genesis

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Oh, my. That was an interestingly great episode. It’s another one of those in which nearly all things people do is talk, and episodes like these prove to be very enjoyable most of the time. This was no exception.

It seems that Sonezaki was behind the last episode after all. It seems that he’s acting on his own at the moment. For now, it seems that the reason for this is that he couldn’t bear to see Naoto and Naoya spending their efforts to the good, though I think there’s more behind this. I’m also wondering what Asano-kun’s role is in all this. Did he just come to observe things, or does his power work well with Sonezaki’s? In any case, he looked happy when Naoto unleashed his powers.

Also, the way Sonezaki’s background was shown really was creative. It really shows that Naoya’s power can become great at times. All the time, Sonezaki was manipulating Naoto and Naoya, he was entering their memories and confronting them with them. Because of this, he was the leader of the conversation. He strengthened this by bringing a number of random people along, who each proved the fact that being good has too many restrictions. For example, he manipulated a girl into hitting her boyfriend who’s been cheating on her for a long time. In any case, then when he really was in his element, Naoya read his mind as well, completely turning the table. A nice element of surprise. It seems that Sonezaki once was lockedin the research institute as well, before Naoto and Naoya arrived, it seems. That means that he’s quite old. You’d say he’s just in his thirties, but if this is true, he’s got to be at least forty. The question also remains how he managed to escape. Could it be that someone helped him escape, or he was let go?

Also, some more information is revealed on Naoto and Naoya’s power. They were the ones who made the woman from the previous episode commit suicide. Asano just made it look like the little boy was behind it. Naoto also unleashes a lot of his power at the end of the episode, this suggests that if this will get even bigger, things may get problematic. Also, you’d wonder whether the fire at the research institute, mentioned at the end of the episode also was Naoto and Naoya’s doing. After all, the circumstances were perfectly right: Naoto exploded and afterwards, Naoya got the vision of the burning research institute.

Then, at one point, the episode also takes a strange turn when Sonezaki actually starts singing a strange rap-song. I’m not sure what the exact meaning of this is, but it seems that it’s his style of acting that way. In any case, that song really reflected his ideals and ideas about this world. It was quite creepy, though a nice touch at the same time.

Posted on 26 October 2006 with categories: Tsubasa Chronicle

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I can’t believe how awesome Sakura was during this episode! Even though this was another filler, it does an amazingly well job of fleshing out Sakura’s character. Seriously, this was an excellent episode. ^_^

The case is like this: Syaoran and the others land in a large, gloomy city. The feather is being sold in a shop, for a rather high price. The only solution for our protagonists is to work to get enough money to buy the feather. The only problem: the city has a huge rate of jobless people, and there are almost no jobs to be found in the city. That’s what Syaoran, Fay and Kurogane find out when they try to find a job at the Employment Center. They spend more than half a day in a fruitless search for a job.

Sakura, meanwhile, was told to stay in the hotel room, as the city is rumoured to be rather dangerous. Still, she goes out on her own, and she actually manages to find a number of jobs. I loved the little dose of realism tossed into this episode, as a lot of things go wrong for Sakura. During her first job, she works at a mobile distro, though then vehicle breaks down, forcing the owners to close their shop for the day. The second job involves driving a few logistics equipment, though that doesn’t seem to be right job for Sakura. Still, I just loved how she went and tried anyway. ^_^

Then with the third job, Sakura found herself a nice little cafe, in which she has to act as waitress. The reason the job was vacant was probably because the customers looked rather scary (which they absolutely are not, by the way), and the fact that the owner is being bothered by a couple of familiar punk guys. Still, Syaoran, Fay and Kurogane haven’t been standing around either, and they found a job at the same cafe, hired to scare away these punk guys. I also loved how the chair Kurogane broke actually had after-effects, as in that Sakura had to work longer in order to pay the cafe owner back for that particular chair. You don’t see that many times, do you? Most of the times, whenever a random object is broken, it disappears from existence. In the really lazy stories, you can just blow up a building and notice nothing of it in the aftermaths.

Sakura also absorbs two feathers this episode, and they contribute greatly to Sakura’s struggles in order to get money. When she was young, her brother used to take her to the market one time. Even then it seemed that Sakura liked to do challenging things on her own, as it seems that she asked a local market saleswoman whether she could work for her for a while. The way this also was presented in the anime was done brilliantly.

And a rather nice detail, I loved Kurogane when he referred to the woman they sold their small items to as someone from the information bureau, which indeed refers back to the Outo-world, where she also appeared. A rather nice use of coincidence.

The first half of the episode also was one huge chunk of atmosphere. The piano-music and insert songs worked perfectly, combined with the overall mood of the country they had landed in, and the extra touch of realism. Really, this was such a great episode. ^_^

Posted on 24 October 2006 with categories: Ayatsuri Sakon

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Hmm, this appears to be a case with just one murder. A bloodbath as heavy as in the first arc has yet to appear. This episode as more like an intermezzo between the first and third episode of this arc. It didn’t provide any clues, just a lot of background info and a few theories. Furthermore, we see Isshiki Seiji along with Takahashi and Hamada. If I had to guess, one of these three was the murderer. I don’t think Isshiki did it, though he did play a huge role in the murder.

I liked the use of background music this episode. Isshiki seems to have some kind of love for classical music, especially one specific track. When he’s listening to that track, and the scene changes to another person, it has a nice effect. I also like the way that Kisaragi has a lot of different sides.

Posted on 23 October 2006 with categories: Some Quick First Impressions

A rather strange batch this time, with anime that many people probably don’t even know or remember.

Rakugou Tennyo Oyui
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Ugh… can’t believe I missed this one. It aired during the winter-season, and got its first episode subbed around May, I think. It’s a fairly standard mahou shoujo, with characters who actually attempt to differ a bit from the clichés. Okay, there is a samurai-girl and the main character is rather hyperactive, but the others all have some kind of element which makes them interesting. For example, we’ve got a class rep with an obsession over our main character and we finally have a young genius who actually behaves like a normal person. I also liked that our main character isn’t the first one to discover her powers. I also like the contrast between the normal world and the medieval world.

Oban Star Racers

Can anyone imagine my surprise when I saw this one float by on DUTCH television? Dutch television, of all things. (For the ones who don’t know, Holland has an absolutely crappy anime industry. The TV-stations used to air some good series (Flint The Time Detective, Medabots and Digimon, both first series) but right now there’s barely any anime on, and the ones that do get featured contain the biggest garbage ever) This anime seems to be an international project, and I can imagine that it’s also being featured on German, French, English and American television. Well then, I’m not going to even bother to try and follow this series on the Dutch television, as the network it’s being aired on is notorious for its eccentric broadcasting policy (as of right now, every day features two episodes, and most of the time I’m at the university when these episodes air), and like every other show, it has been dubbed in Dutch, and it sounds horrible as usual. Still, the show itself actually showed promise. If there really went six years into developing this anime, it can become really interesting. Basically, it features races between aliens on strange terrains, and there don’t seem to be any rules present, so contenders can just try to blast each other out of the competition. I’m hoping that a Japanese version will pop up somewhere once, though there’s one major problem with this anime. During the races, it sometimes has the nasty tendency to use deus ex machina at the climaxes.

Koi Suru Suru Tenchi Angelique
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Yeah, I got a bit impatient and decided to check out the raws. Well, I can understand why it hasn’t been subbed yet. It’s cheesy as hell. A goddess of some sort needs to have one chosen girl, so from all over the country, all beautiful girls are invited into a castle, in order to determine who the chosen one is. Well, she appears to be different from the other girls who were invited, as she somehow likes to hide her beauty behind a cap of some sort and some geek glasses. In the end, she gets discovered and she now gets surrounded by no less than nine pretty bishounen. Still, why did I like this? This show has some kind of atmosphere which has been really appealing. It may be my love for fairy-tale-like shows, but I found myself enjoying the first episode. And the character design was surprisingly good, although a bit creepy at times.

Posted on 22 October 2006 with categories: Jigoku Shoujo

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Finally, I’ve been waiting for the second season of Jigoku Shoujo. And I’m glad to say that the first episode didn’t disappoint at all. The show immediately starts with an incredibly touching, though shocking first episode. If this series keeps up with the same quality, we’ll be in for something amazing. ^_^

The case: a girl is getting bullied, but she doesn’t know by who. The bully goes pretty far, caterpillars are put inside her pencil box, knits have been put through one of the sleeves of her jacket, her books are trashed and hateful things have been scribbled on her shoes. One of the teachers tries to help her, though in the end, the teacher appears to be the actual culprit.

The things I liked about this episode were the dramatic moment. Jigoku Shoujo features beautiful and very detailed character art, and knows how to use it. Especially during the climax, when the teacher grabbed the girl’s hair and tried to restrain her looked gorgeous. Also at the beginning of the episode when the case is introduced, we see the girl come in with ruined shoes and books, and in the background, there’s laughing. The property destruction and abuse is just one part of this girl’s sadness. I think the way her classmates reacted also is a huge factor in this story.

This also was the first time Hone Onna turned into the doll. Up till now, Wanyuudo played that role. I also noticed that Ai was more impatient than usual. It probably has to do with the fact that she changed a bit after she met up with Hajime and his daughter. The dolls realize this, and investigate for themselves. I like the fact that they actually discovered what really went on, though we don’t get to see the moment they realize this. I also liked the doll’s sarcasm when they were punishing the teacher. I think they somehow enjoy extracting revenge at times. ^^

As the fact remains that this episode actually had an open ending. There’s one girl who attempts to help the girl who’s being bullied, by giving her a hint that her teacher was the one behind the bullying. But at the end of the episode, we see the two of them together, and then the latter girl appears to use the same kind of knits as the ones who were used to edit the girl’s sweater. It may just have been that the teacher stole the knitting machine from the classmate, but why would she bother? I actually think that the classmate also did some of the bullying, but at one point, she got scared and backed off. Probably because she found the teacher was going way too far.

Also, this episode introduced another important character. She looks a bit like the younger version of Ai, but all we got was a small shot of her, smiling. I’m also glad to hear that the musical score for the second season has become even better since the first season.

Well then, there were a few flaws in this episode, though. The reason for the teacher is never really stated, but that’s normal in Jigoku Shoujo. It clearly chose to focus on the victims and not on the bad guy. And I also like this degree of mystery to the ones sent to hell. Also, things may have been a bit too dramatic to be normal. I mean, there is no way a person would go so far in real life. But that doesn’t matter. I love this show. ^^

Posted on with categories: The Third

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Whoa… this seems to be the final arc after all. O_o

When this arc started, I definitely didn’t see that one coming. I think it’s even better for the final arc to be so lengthy, as this way, it has more time to build up, and so far, things have been as amazing as usual. This definitely was the best episode of the arc so far, and if the creators still have enough material to last three episodes, things are promising to become awesome (remember that Ikus hasn’t played his trumps yet).

It’s a nice trick by the creators. At the end of each episode, the feeling is given that there’s only one more episode left, but every time, new problems are introduced and new events force the arc to become one episode longer. That’s been very cleverly written. Rona Fauna attacking Honoka, at the end of the episode also was really well built up. I really didn’t see that one coming. And is Joganki really dead? O_o Or was it just a false threat by Rona Fauna? But why did Paife cry?

I also love how Ikus has been a complete mystery up till now. We really don’t know anything about him, except for the fact that he’s an alien. Only during the previous episode, we learned that he can’t be shot, and I’ve got a feeling that that’s only a small part of his mysteries. Honoka’s fight also was as awesome as usual. The narrator really helped in this, when he told about Honoka’s doubts. I’m really liking Honoka’s ideals. ^_^

There also was a nice contrast between Honoka, Blue Breaker, Rona Fauna and Joganki and Paife and Bogie. While tensions are high inside of Rona Fauna’s hideout, Paife heads back to Bogie, and the two just wait for things to happen. Because they’re both realist, the mood between the two of them is really different when you compare it to the other actors.

One final nice touch is that the creators showed one shot of Rona Fauna, when she was alone in her room. It’s totally different than what you see in most shows. Most bad guys smile in an evil way, but because Rona doesn’t have to live anyway, that short moments showed how she prepared for her final trick before she would die. But at the same time, it made me suspect that she gave up on her ways.

I love this show. ^_^

Posted on 21 October 2006 with categories: Otogi Juushi Akazukin

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Okay, that was an excellent episode. It’s not centred around a character this time, but it’s meant to explain a few things about the overall story, namely the mirrors we’ve been seeing. I always took them for granted, but now it seems that they’ve got a huge back-story behind them, and are actually vital for Cendrion to carry out her plan.

The setting for this episode is a rather gloomy town. At first, I thought that it was a snow town, but it seems that the village lies next to a volcano, which is constantly dropping its ash on top of the village. That’s why the entire city has a grey colour.

In here, Akazukin and the others meet up with a talking parrot, who takes them to some kind of mansion. There’s a fairytale about this mansion, and Souta is more than eager to hear it. Once upon a time, when the volcano was still inactive, there was a girl, who was in love with a certain boy. Then, the volcano started to erupt, and the boy told the girl that god is angry, and that he’s punishing them. Because of that, he went inside a mirror, telling the girl that he needed to go to the other world. The mansion seemed to be the place where the girl lived.

Ringo, while cleaning up the mansion a bit, suddenly receives tons of phone-messages from her friends. She finds a broken mirror, and realizes that the shards of the mirror are actually able to send the telephone signals through from the human world. When the mirror is reassembled, Souta actually disappears into the mirror. In there, he sees the same girl from the fairytale, speaking to a mirror which displays a bit of the human world.

So the mirrors are actually links between worlds. There also seems to be some kind of dimension between Erde and Fandavale, and that’s where Cendrion has her main base. In there, there’s probably a special mirror, linked to a sealed dimension, and that’s where Cendrion is located. The reason Gretel and Randagio were able to transport so easily from Erde to Fandavale also was because of this dimension. I think this also means that if Souta would have touched the mirror, being held by the girl, he’d be able to travel back to Erde.

Another thing to note is that whenever a Nightmarian gets beaten, a mirror gets destroyed. Could it be that Nightmarians and mirrors are of the same essence? After all, the first episodes seemed to suggest that the mirrors in Cendrion’s base were able to see through the Nightmarian’s eyes.

The question also remains: who was this boy from the fairy-tale? Right now, the only one who fits the criteria is Souta’s father. It’s quite possible that he travelled to the human world, got stuck there or refused to come back, met Souta’s mother and that’s how Souta was born. It does explain why Souta is so special: he’s the only child between a person from Erde and Fandavale. Still, if this were true, Souta’s Father’s hair colour must’ve changed somehow from blond to brown.

These really are some very interesting theories. Thanks to this episode, I’m loving this series more and more. ^_^

Next episode, the City Musicians of Bremen will return. Yay!

Posted on with categories: Bakumatsu Kikansetsu Irohanihoheto

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Ooh, that was another great episode. But first: a few names, taken from the official website. I knew that learning Hiragana would come in handy some day.

Akizuki Youjirou: he’s the main character of this story. Has a strong sense of justice, and seems to have some kind of mission to stop some kind of mission, planned by the bad guys which involves supernatural beings.

Yuyama Kakunojou: she’s the main female character. She’s a member of the theatre group. When she was young, the guy from the previous episode killed her father, a wealthy merchant and her mother. She then fled along with either her brother or best friend and the old guy. She appears in this anime in two forms: a normal form, and a performing form, in which she wears a wig. I can imagine that more people would have trouble recognizing her.

Ibaragi Soutetsu, otherwise known as “Sensei”. He’s probably the one who founded the theatre group, and he handles the management, writes the scripts, and seems to be a very talented swordsman as well.

Shiranui Kozou (I could have sworn I heard this name before… must be my imagination): he’s probably one of the main actors in the theatre group. It seems that he takes the lead in their missions as well, due to his large amount of charisma.

Ebisu no Zukin: He either was Yuyama’s brother or best friend when they were young. He used to be very protective of her, what ended in him getting buried under a pile of burning woodblocks. His face was ruined, that’s why he always conceals his face. Because of that, his personality turned from protective to rather scary and to-the-point. His parts mainly are the one of the side-characters or villains.

Kakashi no Keishin: he forms the muscles behind the theatre group. He moves the heavy pieces of theatre equipment across and under the stage, and we saw him even work as a temporary personal elevator for Akazuki in the first episode.

Zagashira: he’s the old man who used to be very close to both Emusu and Yuyama. He took care of them when Yuyama’s parents died, and finally he came in contact with Ibaraza, and the three joined his theatre group, looking for revenge.

Benimaru: he’s the young boy who’s with the theatre group. He, along with who is most probably his sister, takes care of the small jobs who have to be done, as getting visitors into the theatre, handing out pamphlets, playing as extras and handling the small pieces of decor.

Kobako: most probably Benimara’s older sister. Quite cheerful, as well as her younger brother.

Nakaiya Juubei: probably the main bad guy for now. He has some kind of affinity with spirits, and some kind of history with Akizuki.

Hario Genba: he’s the guy with the scarred face who was killed in the previous episode. At one time, he lead some kind of army and killed Yuyama’s parents. When Emusu tried to struggle against him, he made a careless mistake and his face ended up being halfly burned. It seems that he either worked for Nakaiya, who became sick of him and sought a way to kill him, or he was working for someone who got in the way of Nakaiya, thus forcing the latter to kill him.

Kawai Tsuginosuke: I had to think for a while before I found out who this guy is. He was the samurai who was sitting right next to Nakaiya Juubei, wasn’t he?

Kotoha: a newly introduced character this episode. Her role will probably come later in the anime, and she seems to be connected to the person below. Looking at her clothing and way of talking would suggest that she works at some kind of brothel, though I could be wrong in this. The end of the episode also shows that she knows the theatre group.

Katsu Awa-no-kami Kaishuu (Katsu Kaishuu): another newly introduced character, he’s got his own troubles, as he needs a bodyguard around him. Because of this, he’ll probably get involved with Akizuki and the others.

Saigou Kichinosuke Takamori (Saigo Takamori): the sniper who was partially responsible for killing off Hariwa Genba. He’s hired by Nakaiya, and during this episode, we see him attempting to kill Yuyama. This means that Nakaiya has some kind of grudge against the theatre group, which hints at some kind of history between the two parties as well.

Sadly, even more characters were introduced this episode, but the creators didn’t find them important enough to give them a place on the website. Thankfully, their names did appear on the screen as they were introduced. At least. For some of them. -_-

Koma no Shouten-sama: a very old person, probably a master in martial arts. That, or he is very knowledgeable. The fact that Akizuki refers to him with “sama” and not “sensei” makes me suspect the latter. I suspect that Akizuki served under him at some point.

The name of Shouten-sama’s assistant/bodyguard shall forever remain a mystery, though. If I had to guess, it’d be Shinza, though that was just a random word Shouten-sama used when he looked at him. Anyway, Shinza seems to be looking over Shouten-sama. It’s clear that he’s an old man, and quite respected as well. This indeed suggests that he hired some kind of help or bodyguard.

Katsu gets a visitor during this episode. His name also is displayed, but in kanji and katakana combined. He seems to be a foreigner, named H. S. Parkes. He comes to deliver Katsu a bodyguard, as apparently, he’s in danger. Whether this is because of Nakaiya or another person, I don’t really know.

The name of this bodyguard is never known, even though his role in this anime will probably be rather large, as he’s quite skilled. His character also seems interesting, with the one eye missing at all.

Then, during one explanation, another person gets shown: Saigoukichi no Suketakamori. He either sent the bodyguard to Katsu, or he forms some kind of threat. (Yes, I’m watching this anime without understanding any word of the dialogue. Nice, isn’t it? ^^;)

A thing I liked in this episode was the way the bodyguard was introduced. Firstly, H. S. Packs appeared on the screen, and only when the bodyguard appeared, the background music took a turn towards a very serious, suspenseful tune. It’s also a nice touch to see the enemy sniper actually practicing his aim at the sea. This would suggest that one of his future missions involves sniping people from a boat. At least, if he somehow manages to escape from the cliff-hanger. Things looked pretty hopeless when he was surrounded by both Akizuki and the theatre group.

Anyhow, it’s great to see that finally people other than myself are starting to blog about this series. I really began to find things strange when I appeared to be the only one to talk about such a high-quality series for more than a week. Ah well, once the first subs start appearing, I’ll believe that this series will be gaining popularity fast. But still, this series doesn’t deserve to be carried in such low-quality raws. It’s very ironic: the show with the best production values of the season gets to be packaged in the lowest quality video files. (^^;)

Posted on 20 October 2006 with categories: Ayatsuri Sakon

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Seriously, I’ve seen a lot of dead bodies on Ayatsuri Sakon already, but the director in this one must have been the bloodiest so far. Okay, perhaps along with the beheading of the first episode. But that’s what you get when you stab a person with an Egyptian sword and hang her upside down.

Anyway, the actors:

Yuuki Mari. She’s the director of a museum with lots of Egyptian artefacts. She got killed at the beginning of the episode. It seems that she made a lot of enemies when she was still alive, which could give anyone a motive. An exciting murder. The current arc promises to be great. :)

Isshiki Seiji. He’s the assistant director. At one time, he was Yuuki Mari’s boss, but that changed when she became director of the museum. He likes to annoy and scare others, though despite his confidence, he makes a lot of errors. Sakon, of course, discovers these errors (for example, him confusing the Egyptian Sphinx with the Greek one, the Egyptian is just a huge stone statue, the Greek was the one who had a nice dinner whenever his victims couldn’t solve his riddles). The murder was committed at 8:00. At 8:45, he got phoned because Yuuki didn’t show up. To get from his house to the museum, you need one hour and 30 minutes, but he was the only one, except for Yuuki herself, who holds the key to the room in which she was killed. That means that either he did it, went somewhere apart from his house, received the call on his cell phone and planned to arrive 90 minutes after he was phoned, or someone found a creative way to lock the door.

Takahashi Yoshie was Yuuki’s former secretary, and she now still works in that same spot. Rumours are floating around that Yuuki took away her boyfriend, though they’re just rumours made up by people, scared to become the major suspect.

Kisaragi is the manager of the museum. He had a lot of arguments with Yuuki, as she had a nasty tendency to remove all valuable objects which didn’t get any attention from the display. Kisaragi also used to be a teacher of Sakon. When Sakon was young, he used to get bullied often. In a way, that’s logical as he’s a boy who’s carrying around puppets. You’d wonder why he changed from being a teacher to being the manager of a museum.

Hamada is one of the few staff members who managed to escape Yuuki’s enthusiastic firing policy. He may have lost a few good friends because of this.

Tadokoro is the security Chief. He got injured when Yuuki tried to move a heavy artefact in a rather aggressive way. Still, he says that he’s still loyal to her, as she agreed to cover all expenses of the accident.

One thing I dislike about Ayatsuri Sakon is the silhouette of the murderer which is shown before the arcs start. If I recall correctly, the first three arcs didn’t have this, but both arc four and arc five had this. It’s too bad, as they sortof ruin the fun a bit. I’ll try to ignore them for now. So far, I’m loving this arc. I’m really interested in how it’ll continue.

Posted on with categories: Asatte no Houkou

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The episode starts out surprisingly light, when compared with the previous one. It features Karada and Shoko shopping for the things they need. Shoko needs a new pair of glasses, and both of them need new clothes, as their sizes aren’t the same to wear each other’s clothes without any problems. Especially Shoko was so CUTE in this. ^_^

Karada may have wished to become an adult, at heart, she’s still a child. She does have to cope with responsibility, and she must learn to do things on her own. It proves to be harder than she thought, and so, Shoko has to help her in this. Both of them have huge difficulties in playing their parts. Still, Karada isn’t as hopeless as in the previous episode. It seems that she managed to stuff her feelings inside of her, and she actually makes food for Shoko.

While the previous episode was focused on Karada, this episode focuses on Shoko. The result is a totally different episode than the previous one. It’s still full of emotions, but totally different ones. Shoko may have been an adult, she still is bothered by the fact that she changed. Especially when she runs into Hiro, and he doesn’t recognize her. In the end, she lies that she’s Shoko’s little sister.

Because of this, the climax of the show was exceptionally good. Shoko gets a bit sick of Hiro who doesn’t recognize her, so she runs away. In the end, she confesses to him, and brings him back to her apartment, in which she reveals that Karada has grown up. How Karada will react to this, we’ll see in the next episode.

We also get a bit of background information, regarding what happened to Shoko, Hiro and Karada before this anime started. Karada actually isn’t Hiro’s real sister. That, or they didn’t live together at a certain time. When their parents died, Hiro was asked to come over to America, where Karada was living, in order to take care of her. Because of this, Hiro spent all his free time with Karada, and ignored Shoko. She, eventually left the town, only to come back a number of years later. It’s interesting, as it shows why Hiro was so devoted to his sister. He never knew her, and he probably didn’t want her to have any more lonely memories. If the two were siblings who already lived together during the death of their parents, I can imagine that things would have gotten resolved in a totally different way, seeing as how the two already knew each other, so that they knew what would be best for the other.

Even though during the episodes, not a lot of things happen, I’m loving this series. I like the way that this series really takes its time in telling its story. Not to mention the cuteness of Shoko. (^_^)

CHANGE USERNAME
Vonter
I watched some episodes of KonoSuba yesterday, reminds me of Those Who Hunt Elves. And I suppose it might be an easy recommendation because it mainly comes down to; do you find it funny? or fun? If not, skip.
Kaiser-Eoghan
While yes its true of watching those slice of life shows week by week is better, I felt that when reading the manga for Aria it was easier to marathon by reading it rather than watching.
SuperMario
Flying witch have the same atmosphere, but it's a purely slice of life anime. I love Aria too and I agree that watching it 1 episode a time is the best way to enjoy it. Can't think of other serious anime that have those calming elements for now
Anonymous1042537
Yeah, I noticed they all have pretty different structures from one another (ACCA's political, Mushishi's naturalistic, Monster is a thriller, Rakugo's about a specific art form, 3-gatsu is ostensibly about Shogi, etc.) but I found that I found some similar calming elements in them (to different degrees of course).
Anonymous1042537
Thanks, I'll definitely check Aria out!
AidanAK47
One of the hardest shows to marathon besides Bakemonogatari. Though Bakomono gave me a headache after a few episodes whereas Aria just had me so mellow that I could drift into sleep at any second.
AidanAK47
Don't know if you could call it a sub genre as the examples you listed are all really different from each other.
Though in the vein of calming shows I think you can add the Aria series to the list. That show is so relaxing that you find yourself nodding off to it. Not out of boredom but it just has that effect on you.
Anonymous1042537
Do you guys know if there's a specific subgenre like this, or am I making it up? And are there other anime with that kind of feel. Not exactly slice of life, but in the general vicinity of it.
Anonymous1042537
The Great Passage was another great example. It delved into the seemingly boring subject matter of dictionary-making, but it was a surprisingly charming show. 3-Gatsu no Lion also looks promising, I enjoyed a lot of the first season (but wasn't a fan of the forced comedy sometimes).
Anonymous1042537
Like the episode where Tenma first meets Grimmer on the train to Prague and they have a picnic on the mountain was so dang good. I really need to rewatch that.
Anonymous1042537
There are some elements of that style in other shows too, but to a lesser extent. Like some parts of Rakguo (mainly season 1) was very soothing. Naoki Urasawa's Monster had some fantastic, almost melancholic episodes like this.
Anonymous1042537
It seems that most anime w/ that kind of style usually also have another genre mixed in. Mushishi was also very naturalistic, ACCA had a political underpinning.
Anonymous1042537
It's sort of in the vein of a "Mushishi" style show. I suspect it's an emerging subgenre of slice of life that's meant to be very calming, relaxing, atmospheric which I really am digging.
Anonymous1042537
I really hope there are more shows like it; not that it was perfect, but it was certainly unique and hit a lot more than it missed. I really like those cool, quiet shows you can enjoy with a nice cup of tea before you go to sleep.
Anonymous1042537
Ironically though, I would say that the first half of ACCA (up until the big flashback) is better enjoyed week by week, or at least that's what I found.
Kaiser-Eoghan
@Mario: It felt good marathoning a show again rather than waiting week by week and next weekend I'll probably marathon house of five leaves.
Kaiser-Eoghan
@Mario: Forgot to mention...there were certainly a share of moments in Acca that feel fanservish to the female audience =P
SuperMario
@Aidan: haven't noticed that. Will fix it soon.
AidanAK47
@Mario, Only problem I can see is that the posts have no spaces in between paragraphs.
SuperMario
... to be near my laptop for an entire week. First time that I had to blog entirely through my phone. Seemed to work out fine but I had to borrow screenshots from other source (I thank you that other source) ^^
SuperMario
*unless* rather than *as long as*. This has been a crazy week for me as I didn't have a chance
SuperMario
@anon1039488: I find the idea of limiting excess to exclusively stream an aime is a dumb idea; because as long as people have a chance to expose to the anime they won't really care to check it out. So I detest owning the legal streaming account, but I always pay back by buying DVDs/Blurays that I liked
SuperMario
I watched House of Five Leaves by the same mangaka and I really enjoyed it. Nataume Ono is a pretty excelent storyteller (a bit mixed on her art-style thou)
SuperMario
@Kaiser: I agree that the first dew episodes of ACCA were not that engaging but the endingg neatly tied up all loose ends. I still feel Grossular's act is kind of messy (why was he under such control from Lilium? He's not that kind to be in such passive role to be honest) but other than those I don't have any real complaints.
Anonymous1039488
Competition is good, but it makes it cost so much to legally watch everything. That's why a lot of people pirate I feel.
Anonymous1039488
You have Crunchryoll and Funi, fine. Then there's Daisuki which is kinda random. Then Amazon, Netflix, and Hulu all have some random anime, though it seems that mainly Amazon has current series
Anonymous1039488
I don't have Amazon Strike, which is like their new venture into anime I guess. There's too many streaming services to keep up with tbh
Kaiser-Eoghan
To be honest I'm pretty crap when it comes to supporting things, I don't pay for almost all the things I watch/read/play, I don't have a crunchy or amazon account, I still pirate legal streams.
Kaiser-Eoghan
@Anon: Is it a case that your country is blocked? Maybe go for a vpn? If you absolutely have to you could pirate the show...
Anonymous1039488
I wanna watch Re:Creators but don't have Amazon... :( alas
Kaiser-Eoghan
I feel like I need to wait and see approach with sekaisuru Kado...this prologue phase is...long...
Kaiser-Eoghan
I wish it had been 24 episodes long though to better organize itself.
Kaiser-Eoghan
Favourite characters were Jean, Groslur and Nino.
Can’t say I cared for the goofy interactions between Jean’s workfriends though.
Kaiser-Eoghan
Yet for whatever I could say about the pacing, when the twists happen they creep up on you and the show mostly lands every one of them, even if I’m not exactly pleased that sometimes the series does the “I pulled it out of the hat/ass” approach.
I’m relatively indifferent on the art/animation.
Kaiser-Eoghan
I did feel it picks up, improves by the mid-mark and to an extent the wait is worth it and things do come together even if I wasn’t always totally confidant with how it was getting there.
Kaiser-Eoghan
Having the protagonist go from district to district to flesh out the settings a decent enough idea and the main characters a fairly chill, cool guy.
Though the dialogue does create suspicion, intrigue, it does also plod/pad in equal measure at times.
Kaiser-Eoghan
Finally decided to sit down and watch Acca.
This show had its lovers/haters I’m sure, having watched it my feelings are mixed.
It is a slight breath of fresh air I’ll give it that and makes me want to maybe re-assess of adaptations of the author’s work.
Kaiser-Eoghan
@Mario: The only assayas film I've encountered so far that I disliked was Irma Vep, even though the lead actress was great, the surrounding performances, especially by Jean-Pierre-Lenaud were awful. Sils Maria I was initially evasive of because I'd heard that the relationship between Binoche and Stewarts characters was under-unexplored.
SuperMario
@Kaiser: Weersathakul's films are something else entirely...Otherworldly yet still cinematic. I feel a bit underwhelmed after watching the Unknown girl. The identity of the culprit, for example, feel forced for me that take me out our their naturalistic style. I'mmin between Clouds of sils maria too, know it's a good movie but it feels pretentous at times, like the movie Youth
Kaiser-Eoghan
@Mario: I also got round to watching Unknown girl by Dardenne, it carries enough moments of their brilliance but I felt they didn’t have as much mastery over their usual pacing style this time round, for the first time it felt like a thriller that played out like a drama, rather than a drama that has a pseudo thriller feel to it.
Going to watch Clouds of sils Maria next.
Kaiser-Eoghan
@Mario: The entire second half, which I’d have watched an entire film about is very atmospheric and dreamy/esoteric nearing just exactly the kind of thing I like.
The way he uses/shoots Thailands geography along with his cinematography is impressive, particularly in that second half.
Kaiser-Eoghan
@Mario: He shoots something simple like a chopping scene in a strangely engaging way, the scene with the old woman going into the cave is also very impressively shot and that one driving scenes with that pop song in the background has an airy feel to it.
In some ways I agree that there’s a bit of sensuality to it.
Kaiser-Eoghan
@Mario: It’s the kind of film that feeling tired/relaxed when watching it isn’t a condemnation of it(although a share of moments in the first half could be patience testing), it’s the sort of film where you aren’t really aware of anything outside of watching the film when you watch it.
Kaiser-Eoghan
@Mario: I finally looked into a Weersathakul film, Tropical Malady. I don’t even know how to give a star rating for this film.
SuperMario
I'm still on the fence with Alice & Zouroku. Like the title suggests, the warm chemistry between those two are its strongest point, but those moments are far and few in between as the story progresses and I don't care one bit about the Red Queen storyline. I might drop this one if the story doesn't improve
SuperMario
@Lenlo: 3 episodes anf Berserk still hasn't grabbed me as much. Yep facial expressions are really off-putting
Lenlo
Man... the facial expression in Berserk for the 3D models are, ever so slowly, killing me.
AidanAK47
Alright. Tommarrow I will get out all those posts I am late on seeing as the impressions are all finished.
AidanAK47
SukaSuka still has me mixed. On one hand there really are some great ideas and some well executed moments. But some of the dialogue is a bit typical of a light novel and the fanservice is really shameless. The massage at the end of the episode was something the show could really do without.
Konstantinos Travlos
I am in love with RE:Creators. I have no idea if they will keep it as good, but these two first episodes did all the right things.
AidanAK47
Alright, Easter made me lazy so it's time to play catch up.
Kaiser-Eoghan
@Puran: Or even Georgiou Nikolaidis while I'm at it, morning patrol is a great mood piece. Not familiar with the other guy.
Puran
@Kaiser: No Grammatikos recommendation? :)
SuperMario
I still enjoy Zero pretty much. I like the contrast between the beastfallen and Zero. The hilarious lines sound more like accidental to me, not the best product but I enjoy the ride so far
SuperMario
@Kaiser: agree with everything you said. Apparently Haneke put Flashmob on hold because the main actress was conflicting in her schedule, so he decided to do Happy End instead
Kaiser-Eoghan
@Aidan: Does the old man represent gritty anime of old? I don't know honestly I'm just throwing it out there.
Kaiser-Eoghan
@Mario: In case you hadn't heard, Haneke dropped the Flashmob movie and is now doing one about the refugee crisis.
Kaiser-Eoghan
@Mario: To whoever will be playing Godard in that biopic, I'd wonder if they could capture how incredibly douchey he sounds irl lol
Kaiser-Eoghan
@Mario: There is such a big divide between 50s/60s Bresson and 70s/80s Bresson.
Kaiser-Eoghan
@Mario: Lathimos and Avaranas remind me in an odd way of Tarr in that they're the only Greek filmakers people seem to talk about , Check out Koundorous and Theodorous Angelopolous' works if you can.
Kaiser-Eoghan
@Mario: Meh, I don't like that sort of overly on the nose social commentary some American films and tv shows do in recent years.
Kaiser-Eoghan
@Mario: Godards extremely hit or miss with me. Hazanavicius did the artist I think, but I'd sooner recommend Biancnieves as a stronger example of a modern take on silent cinema or maybe a Guy Maddin film.
Kaiser-Eoghan
@Mario: Lotznitza directed a gentle creature not Zvyagintsev, though the latter is a fantastic director, Leviathan's ending hit me very very hard, its gut punching and I appreciated that the return never went into too much detail regarding the father.
SuperMario
@Kaiser: off topic, I didn't realize Get Out having such buzz reception. It's coming here next week so I will get to watch it
SuperMario
@Kaiser: Michel Hazanavicius makes a biopic about Jean-Luc Godard and Anne Wiazemsky (the actress in Au Hasard Balthazard), which I think will be interesting. I considered The Lobster one of the best film out of that year so I anticipate his next movie a hell lot. Yep, I watched few movies from Andrey Zvyagintsev and he certainly is in my radar. Bleak, social commentary, technical impressive
AidanAK47
Oh, it's confirmed that was what was actually said in Japanese. Well...that's rather cringe worthy.
AidanAK47
@Anon, Can't say I am too fond of it myself. Though that arrow to the knee reference definitely sounds like something the translator added in.
Anonymous1026829
Holy shit Zero is hilarious. "I used to be a mercenary like you once. But then I took an arrow to the knee." "My magic is super weak so I need a powerful offering. Can you loan me your head please?" The comedy is so pointed and understated.
Vonter
I do like how contrasting Zelda is to Nier in the sense that. Zelda cares more about how the game plays and making the player have fun constantly but doesn't care about telling something. Nier Automata doesn't care what it throws to the player but cares a lot about it tells the things that happen to player.
Vonter
I think this is a hard game to score. Mainly because IMO the combat has wear out a bit do to the repetition and the sidequests have been a mixed bag with some being relevant to the plot or themes and some being just fodder to level up. On the other hand the game has a lot of implications, subtext and symbolism that so far has been enriching to reflect upon.
AidanAK47
@Vonter, Actually wrote up 4/5s of a review on Nier Automata but with the new season I haven't had time to finish writing the review. Though my thoughts on it are similar to yours.
Vonter
Nier Automata has a 10+ hour prologue. So far the game feels like it's more interested in delivering strong emotions than a compelling narrative, not that script is poor but seems disjointed in a way, circling around the themes of existentialism, purpose and truth without overexpositing about these things. It also some moments remind me of Fragile Dreams. Like the despair.
AidanAK47
The old man is the one I can't pin down. Been thinking he might represent the kind of anime that's critically lauded but sadly unpopular. Makes sense as he's one of the few on the opening that doesn't stand near ads for his anime. Or else he's a live action drama representative.
AidanAK47
Been wondering about the Re:Creators characters. We got the obvious representatives from Magical girl, Mecha, Light novel and video game. The knight girl looks like clear homage to Saber from Fate so a Visual novel representive? The psycho girl looks to be a chunni anime representative. And the guy who appeared at the end of ep 2 is clearly Shounen.
Kaiser-Eoghan
@Mario: The Ramsay one sticks out as the most interesting to me as does the lathimos one. I'm curious about that Russian one about the woman looking for her imprisoned husband as I'd like to watch more contempory Russian films.
Kaiser-Eoghan
@Mario: If you can get passed the accents Ramsay did a strong piece of social realism in the 90s called Ratcatcher.
Kaiser-Eoghan
@Mario: I think the only Baumbach film I've seen is Frances Ha and I liked the new wavey feel it had. With The lobster and re-watching dogtooth I was able to get into Lathimos' pitch black humour alot more. I've never actually seen a hong-sang so film.
AidanAK47
@Amagi, I still really enjoy it but I do get what you mean. Looking at the series overall so far it does feel like there was lost potential.
Amagi
I honestly still don't know what to think of LWA. I wasn't a fan of the formularic first half but the second half doesn't really catch me either. I loved the first OVA though.
AidanAK47
Well I will be damned. That G Koh commenter managed to predict the inclusion of Yggdrasil in Little Witch Academia. Nicely done.
SuperMario
@Kaiser: sadly i won't make it this year. I wanna try the Toronto International Film Fest next time whenever I have a chance
SuperMario
@Kaiser:you heard about this year's Cannes selection?Overall it's solid, not many that scream "masterpiece" for me.Overall I'm exciting for Hong Sang Soo's new movies (he has 2 movies screening at Cannes and 1 already aired at Berlin.What the hell),and The Killing of the Scared Deer(Yorgos Lnthimos), You were never really here (Lynne Ramsay),Okja(Bong Joon Ho) and Meyerowitz Stories(Noah Baubach)
Kaiser-Eoghan
Hmmm...just found out That Blame! 2017 is being done by a the Ajin director, not sure how I felt about that.
AidanAK47
Think this is the best time to end the series too as the difficultly was getting to be a bit too cheap.
AidanAK47
Lore wise it's pretty disappointing. Ending the game with an enemy that doesn't really have that much relevance. But Gameplay wise it was excellent. The final area was just beautiful.
Lenlo
Ringed City was a great piece of DLC and a good way to end the series imo.
AidanAK47
Dark souls sure can give you workout. Finally got around to finishing the ringed city DLC. Funny thing is that people were raving about how hard Midir was when I didn't have that much trouble with him. Gaol gave me some trouble but I managed it. Hardest was the demon prince and god I hate multi stage boss fights. Such a goddamn pain.
SuperMario
Atom still waiting for suitable subs. I swear to God, for a completist like myself the wait is unbearable, especially it should've been available already
HelghastKillzone
Yes it is.
Anonymous1020539
I mean...
Anonymous1020539
Re:producers is really great
Kaiser-Eoghan
@Aidan: I can see myself chancing more of it, I kind of caught into its rhythm a bit.
AidanAK47
Novels are actually really short. About 90 pages long per volume. They really could cover this in a single cour.
AidanAK47
@Kaiser, SukaSuka? From what I could tell it covered the first two chapters of the light novel. Each novel has 5 chapters. Though the first and last chapter are more of a prologue and epilogue respectively.
Kaiser-Eoghan
Actually if shuumatsu's first episode is going faster than the novel, roughly how much so? Its still obviously a slow burn in animated format but how much was covered in episode 1?
AidanAK47
Could have done without the huge infodump but otherwise still loving Re:Creators. Seeing a magical girl shocked over her own level of destructive power was great.
Kaiser-Eoghan
Eh, I liked the use of music early on in shuumatsu and theres a good mood set up early on along with a good opening scene but the later parts of the episode except maybe for the after credits bit get a shrug from me.
Kaiser-Eoghan
@Mario: Kado has made its hook, now it needs not to keep holding its cards and get going.
SuperMario
hmmm, don't know what to think about Kado ep2. Still good but I expected more
SuperMario
But really my mentality is that this site comes first. Getting more traffic and improve the site are my top priorities, then "what I wanna do for myself" comes later
SuperMario
@Travlos: guess you won't have to read me this season :). Haven't checked out the last episode of Kado yet but based from the first 2 episodes I think you'd enjoy that show.
Don’t worry. It’s something Aidan and me both agree on. We pretty much write for ourselves, otherwise we couldn’t have stayed this long. I get a chance to go off track once in a while to write something I wanna write.
Konstantinos Travlos
@SuperMario. I am definitely watching Shingeki no Koyjin 2, Shingeki no Bahamut 2, Re:Creators, Little Witch Academia, and probably Kado and Zero Kara. I may also do Zipang this season.
On the reaction reaction. What you say is ok. But remember, a hobby is something you do for yourself. There is a limit to how much you should care about the views of others. :)
Kaiser-Eoghan
@Lenlo: Or if I can use a quote from Chang from Black lagoon : "A fragranced shit will forever still retain the smell of shit"
Lenlo
As most likely the biggest Berserk fan in this chatbox, its better but that doesnt make it good. Spraying fabreeze on crap doesnt make it any more appealing. Yet I will watch it anyways.
Anonymous1018231
You don't even know
Anonymous1018231
Lies Aidan it is soooo much better
Anonymous1017807
Tbh I'm enjoying Alice to Zouroku so much simply because I identify with the old guy's no-nonsense attitude. It's fun to see the annoying loli get put in her place. X.D
AidanAK47
Anyway Bam is supposed to be covering it. Seeing as he covered the first season.
AidanAK47
@Anon, I watched the first episode of the second season. Better? Yes, but only slightly.. It has all the same problems as the first season.
Anonymous1017501
and nobody's covering it lol
Anonymous1017501
Like dramatically
Anonymous1017501
It really is much better
Anonymous1017501
You know guys its not too late to start watching Berserk Season 2...
AidanAK47
I just get annoyed when interaction is like "HUMAN, YOUR EMOTION RESPONSE IS DIFFERENT. I THEORIZE THIS IS THE REASON YOUR EMOTIONAL RESPONSE IS DIFFERENT."
Their is a definite layer of pretentiousness in how it's written, seeing how nobody gets annoyed when every character tries to psychological profile them.
AidanAK47
@Mario, I have heard word that these two episodes were a prologue story and the real story is going to kick into gear next episode. But if the characters keep talking like this then it's not going to matter what happens. It will just be terrible.
AidanAK47
@Anon, Jojo part 5 died for this. That makes it all the sadder. Plus it's two cour so this show is gonna be on for half a year.
SuperMario
Being said all that I will follow it for 1 more episode
SuperMario
And then that girl who passed away because of the reset. I feel my emotions drying up at that point. Tasteless. Heartless
SuperMario
Wanna say the same thing regarding Sagrada Reset as well. I have the feeling the show tries to sound smart that ultimately if I hear someone talks like this in real life, I would go punch his face. Manipulating the social worker by slitting your own wrist? WHAT? Asking a girl about her rules, then whenever she answers you give your own warped opinions on it to sound like you know it all? WHAT
Anonymous1016169
@Aidan: Lol, Sagrada reminds me of how I used to write. Pretentious, overly complex dialogue that nobody would use in real life unless they were trying too hard. It grits on my ears so much that I don't think I can keep watching it, especially because this is probably how it's going to be for the whole series.
Anonymous1016169
@Amagi: I feel your pain. I used to enjoy those types of shows, but I've found more and more since getting out of high school that they just make me want to take a nap. It doesn't help that they're everywhere. X.D
AidanAK47
God Sagrada Reset is frustrating. So many good ideas, all absolutely ruined by the dialogue and characters. If you just changed the dialogue a bit and made the characters emote more then this would be so very interesting. But they manage to drain the life out of the story.
AidanAK47
@Amagi, in most cases you can easily write off the ones not worth your time based on the summery. Occasional those kinds of show can turn out to be worth watching but it just doesn't happen often enough.
Amagi
Nothing against those types of anime in general, but it's just not aimed at me I guess. - I also should specify: school (semi)harem, not school alone. I enjoy Tsuki ga Kirei.
Amagi
I really love this season but I should stop testing the school- and shoujo stuff. It's almost never worth the time and it always bores me so much that I have to stop watching anime for a few hours.
Anonymous1016169
@Travlos: Why does a hobbyist artist care when someone critiques their art or a fanfic writer care about reader feedback? When you do something you enjoy, it's normal to want to improve and other people's opinions are important for that.
SuperMario
@Travlos: because 1) We still need to listen to what readers say to improve and 2) we're debating more about rating system, which I also feel the need of upgrading. btw, any shows that catch your interests so far this season?
Konstantinos Travlos
Why do you guys care about what someone thinks about your reviews? You are doing a good enough thing as is, and t is a hobby. Do your thing and do not lose time on this.
Anonymous1015915
I think I'm just gonna follow sukasuka and re:creators this season. Seem to of shown the most potential universally.
Anonymous1015442
Soy and almond milk are also available as alternatives for the lactose intolerant.
Anonymous1015442
From the manga it seems like it would translate well into an anime with the right production values so I think I'm going to try it. I was mostly concerned that they'd push the melodrama even more through the roof, haha. I did see some of the reviews on it here and they made me hopeful that it was fairly well-executed.And of course the milk can be chocolate. Just not vanilla, vanilla milk is yuck i
Lenlo
Its certainly making me happy I waited until the end of the season to binge it.
SuperMario
I'd have the milk as well... Need more milk to my life.
SuperMario
Hope Scum's Wish entertains you, Lenlo. ^^
Lenlo
I will say the sound design has been great for Scums Wish though I have not read the manga to see how it matches up
Lenlo
I dont think "enjoyed" is the right word for this kind of show, but I do know im going to finish it.

Also, can the milk be chocolate?
Anonymous1015350
@Lenlo: That's true, but I also feel like everyone here needs some milk. And I've been reading the Scum's Wish manga and can't decide if it'll be worth it to watch the anime.
Lenlo
Scums Wish, 4 episodes in, has been the perfect little dose of depression I crave from each anime season.
Lenlo
I have to say, its a pretty fun break from super srs anime discussion sometimes
Anonymous1014938
There's so much sass in this chatbox sometimes I can't even. :.D
AidanAK47
Also please note that if data gathering results do not support your hypothesis that there will be no refunds
AidanAK47
I will have you know my data gathering services are quite expensive and I don't operate until paid.
Anonymous1014125
Aidan is providing the data for us.
Lenlo
You do know that for the scientific method, you make a hypothesis and then you run experiments to produce data to prove or disprove said hypothesis. It cant just sit in limbo and then you go "I was right". You have to provide data at some point. At this point, you have yet to provide any data to support what you say.
Sir Robin
You seem to have never heard of the scientific method then Aidan. You don't need proof before you formulate an hypothesis. Fortunately this most recent development of you being wrong supports it.
AidanAK47
I am sure Sir Robin would be delighted to hear this but I think I was wrong in my assessment of SukaSuka(Shūmatsu Nani Shitemasu ka? Isogashii Desu ka? Sukutte Moratte Ii Desu ka?) That insert song at the begining of the episode was masterful and a number of things have changed my mind about it. It may be more interesting than I first expected. First novel was still pretty boring though.
AidanAK47
Should have another impressions post up today. As for what I am covering that's Little Witch Academia, Attack on Titan and Sekaisuru Kado.
AidanAK47
At least we never have to fight tooth and nail to cover something as what we want to cover never clashes.
SuperMario
Which mean 2 PA Works, 2 original shows and 3 slice-of-life shows. Well done Mario for being predictable and consistently boring as ever
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The Eccentric Family becomes increasingly eccentric this week, with all the business about bear running wild and a strong reference to hell (who would’ve thought that?). But first, I’m delighted with two new returns this week. The first “return” is the OP that were sorely missing last week, in which we have the opening song […]

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I remember after watched a movie called “Requiem for a Dream” a few years back, I felt devastated for an entire week. The ending hit me so hard that after finished that movie I had to walk around my area for 2 hours in the middle of night to settle my feeling and I thought […]

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ACCA: 13-Territory Inspection Dept. (Winter 2017) Review – 83/100

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