Posted on 27 October 2006 with categories: Night Head Genesis

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Oh, my. That was an interestingly great episode. It’s another one of those in which nearly all things people do is talk, and episodes like these prove to be very enjoyable most of the time. This was no exception.

It seems that Sonezaki was behind the last episode after all. It seems that he’s acting on his own at the moment. For now, it seems that the reason for this is that he couldn’t bear to see Naoto and Naoya spending their efforts to the good, though I think there’s more behind this. I’m also wondering what Asano-kun’s role is in all this. Did he just come to observe things, or does his power work well with Sonezaki’s? In any case, he looked happy when Naoto unleashed his powers.

Also, the way Sonezaki’s background was shown really was creative. It really shows that Naoya’s power can become great at times. All the time, Sonezaki was manipulating Naoto and Naoya, he was entering their memories and confronting them with them. Because of this, he was the leader of the conversation. He strengthened this by bringing a number of random people along, who each proved the fact that being good has too many restrictions. For example, he manipulated a girl into hitting her boyfriend who’s been cheating on her for a long time. In any case, then when he really was in his element, Naoya read his mind as well, completely turning the table. A nice element of surprise. It seems that Sonezaki once was lockedin the research institute as well, before Naoto and Naoya arrived, it seems. That means that he’s quite old. You’d say he’s just in his thirties, but if this is true, he’s got to be at least forty. The question also remains how he managed to escape. Could it be that someone helped him escape, or he was let go?

Also, some more information is revealed on Naoto and Naoya’s power. They were the ones who made the woman from the previous episode commit suicide. Asano just made it look like the little boy was behind it. Naoto also unleashes a lot of his power at the end of the episode, this suggests that if this will get even bigger, things may get problematic. Also, you’d wonder whether the fire at the research institute, mentioned at the end of the episode also was Naoto and Naoya’s doing. After all, the circumstances were perfectly right: Naoto exploded and afterwards, Naoya got the vision of the burning research institute.

Then, at one point, the episode also takes a strange turn when Sonezaki actually starts singing a strange rap-song. I’m not sure what the exact meaning of this is, but it seems that it’s his style of acting that way. In any case, that song really reflected his ideals and ideas about this world. It was quite creepy, though a nice touch at the same time.

Posted on 26 October 2006 with categories: Tsubasa Chronicle

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I can’t believe how awesome Sakura was during this episode! Even though this was another filler, it does an amazingly well job of fleshing out Sakura’s character. Seriously, this was an excellent episode. ^_^

The case is like this: Syaoran and the others land in a large, gloomy city. The feather is being sold in a shop, for a rather high price. The only solution for our protagonists is to work to get enough money to buy the feather. The only problem: the city has a huge rate of jobless people, and there are almost no jobs to be found in the city. That’s what Syaoran, Fay and Kurogane find out when they try to find a job at the Employment Center. They spend more than half a day in a fruitless search for a job.

Sakura, meanwhile, was told to stay in the hotel room, as the city is rumoured to be rather dangerous. Still, she goes out on her own, and she actually manages to find a number of jobs. I loved the little dose of realism tossed into this episode, as a lot of things go wrong for Sakura. During her first job, she works at a mobile distro, though then vehicle breaks down, forcing the owners to close their shop for the day. The second job involves driving a few logistics equipment, though that doesn’t seem to be right job for Sakura. Still, I just loved how she went and tried anyway. ^_^

Then with the third job, Sakura found herself a nice little cafe, in which she has to act as waitress. The reason the job was vacant was probably because the customers looked rather scary (which they absolutely are not, by the way), and the fact that the owner is being bothered by a couple of familiar punk guys. Still, Syaoran, Fay and Kurogane haven’t been standing around either, and they found a job at the same cafe, hired to scare away these punk guys. I also loved how the chair Kurogane broke actually had after-effects, as in that Sakura had to work longer in order to pay the cafe owner back for that particular chair. You don’t see that many times, do you? Most of the times, whenever a random object is broken, it disappears from existence. In the really lazy stories, you can just blow up a building and notice nothing of it in the aftermaths.

Sakura also absorbs two feathers this episode, and they contribute greatly to Sakura’s struggles in order to get money. When she was young, her brother used to take her to the market one time. Even then it seemed that Sakura liked to do challenging things on her own, as it seems that she asked a local market saleswoman whether she could work for her for a while. The way this also was presented in the anime was done brilliantly.

And a rather nice detail, I loved Kurogane when he referred to the woman they sold their small items to as someone from the information bureau, which indeed refers back to the Outo-world, where she also appeared. A rather nice use of coincidence.

The first half of the episode also was one huge chunk of atmosphere. The piano-music and insert songs worked perfectly, combined with the overall mood of the country they had landed in, and the extra touch of realism. Really, this was such a great episode. ^_^

Posted on 24 October 2006 with categories: Ayatsuri Sakon

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Hmm, this appears to be a case with just one murder. A bloodbath as heavy as in the first arc has yet to appear. This episode as more like an intermezzo between the first and third episode of this arc. It didn’t provide any clues, just a lot of background info and a few theories. Furthermore, we see Isshiki Seiji along with Takahashi and Hamada. If I had to guess, one of these three was the murderer. I don’t think Isshiki did it, though he did play a huge role in the murder.

I liked the use of background music this episode. Isshiki seems to have some kind of love for classical music, especially one specific track. When he’s listening to that track, and the scene changes to another person, it has a nice effect. I also like the way that Kisaragi has a lot of different sides.

Posted on 23 October 2006 with categories: Some Quick First Impressions

A rather strange batch this time, with anime that many people probably don’t even know or remember.

Rakugou Tennyo Oyui
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Ugh… can’t believe I missed this one. It aired during the winter-season, and got its first episode subbed around May, I think. It’s a fairly standard mahou shoujo, with characters who actually attempt to differ a bit from the clichés. Okay, there is a samurai-girl and the main character is rather hyperactive, but the others all have some kind of element which makes them interesting. For example, we’ve got a class rep with an obsession over our main character and we finally have a young genius who actually behaves like a normal person. I also liked that our main character isn’t the first one to discover her powers. I also like the contrast between the normal world and the medieval world.

Oban Star Racers

Can anyone imagine my surprise when I saw this one float by on DUTCH television? Dutch television, of all things. (For the ones who don’t know, Holland has an absolutely crappy anime industry. The TV-stations used to air some good series (Flint The Time Detective, Medabots and Digimon, both first series) but right now there’s barely any anime on, and the ones that do get featured contain the biggest garbage ever) This anime seems to be an international project, and I can imagine that it’s also being featured on German, French, English and American television. Well then, I’m not going to even bother to try and follow this series on the Dutch television, as the network it’s being aired on is notorious for its eccentric broadcasting policy (as of right now, every day features two episodes, and most of the time I’m at the university when these episodes air), and like every other show, it has been dubbed in Dutch, and it sounds horrible as usual. Still, the show itself actually showed promise. If there really went six years into developing this anime, it can become really interesting. Basically, it features races between aliens on strange terrains, and there don’t seem to be any rules present, so contenders can just try to blast each other out of the competition. I’m hoping that a Japanese version will pop up somewhere once, though there’s one major problem with this anime. During the races, it sometimes has the nasty tendency to use deus ex machina at the climaxes.

Koi Suru Suru Tenchi Angelique
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Yeah, I got a bit impatient and decided to check out the raws. Well, I can understand why it hasn’t been subbed yet. It’s cheesy as hell. A goddess of some sort needs to have one chosen girl, so from all over the country, all beautiful girls are invited into a castle, in order to determine who the chosen one is. Well, she appears to be different from the other girls who were invited, as she somehow likes to hide her beauty behind a cap of some sort and some geek glasses. In the end, she gets discovered and she now gets surrounded by no less than nine pretty bishounen. Still, why did I like this? This show has some kind of atmosphere which has been really appealing. It may be my love for fairy-tale-like shows, but I found myself enjoying the first episode. And the character design was surprisingly good, although a bit creepy at times.

Posted on 22 October 2006 with categories: Jigoku Shoujo

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Finally, I’ve been waiting for the second season of Jigoku Shoujo. And I’m glad to say that the first episode didn’t disappoint at all. The show immediately starts with an incredibly touching, though shocking first episode. If this series keeps up with the same quality, we’ll be in for something amazing. ^_^

The case: a girl is getting bullied, but she doesn’t know by who. The bully goes pretty far, caterpillars are put inside her pencil box, knits have been put through one of the sleeves of her jacket, her books are trashed and hateful things have been scribbled on her shoes. One of the teachers tries to help her, though in the end, the teacher appears to be the actual culprit.

The things I liked about this episode were the dramatic moment. Jigoku Shoujo features beautiful and very detailed character art, and knows how to use it. Especially during the climax, when the teacher grabbed the girl’s hair and tried to restrain her looked gorgeous. Also at the beginning of the episode when the case is introduced, we see the girl come in with ruined shoes and books, and in the background, there’s laughing. The property destruction and abuse is just one part of this girl’s sadness. I think the way her classmates reacted also is a huge factor in this story.

This also was the first time Hone Onna turned into the doll. Up till now, Wanyuudo played that role. I also noticed that Ai was more impatient than usual. It probably has to do with the fact that she changed a bit after she met up with Hajime and his daughter. The dolls realize this, and investigate for themselves. I like the fact that they actually discovered what really went on, though we don’t get to see the moment they realize this. I also liked the doll’s sarcasm when they were punishing the teacher. I think they somehow enjoy extracting revenge at times. ^^

As the fact remains that this episode actually had an open ending. There’s one girl who attempts to help the girl who’s being bullied, by giving her a hint that her teacher was the one behind the bullying. But at the end of the episode, we see the two of them together, and then the latter girl appears to use the same kind of knits as the ones who were used to edit the girl’s sweater. It may just have been that the teacher stole the knitting machine from the classmate, but why would she bother? I actually think that the classmate also did some of the bullying, but at one point, she got scared and backed off. Probably because she found the teacher was going way too far.

Also, this episode introduced another important character. She looks a bit like the younger version of Ai, but all we got was a small shot of her, smiling. I’m also glad to hear that the musical score for the second season has become even better since the first season.

Well then, there were a few flaws in this episode, though. The reason for the teacher is never really stated, but that’s normal in Jigoku Shoujo. It clearly chose to focus on the victims and not on the bad guy. And I also like this degree of mystery to the ones sent to hell. Also, things may have been a bit too dramatic to be normal. I mean, there is no way a person would go so far in real life. But that doesn’t matter. I love this show. ^^

Posted on with categories: The Third

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Whoa… this seems to be the final arc after all. O_o

When this arc started, I definitely didn’t see that one coming. I think it’s even better for the final arc to be so lengthy, as this way, it has more time to build up, and so far, things have been as amazing as usual. This definitely was the best episode of the arc so far, and if the creators still have enough material to last three episodes, things are promising to become awesome (remember that Ikus hasn’t played his trumps yet).

It’s a nice trick by the creators. At the end of each episode, the feeling is given that there’s only one more episode left, but every time, new problems are introduced and new events force the arc to become one episode longer. That’s been very cleverly written. Rona Fauna attacking Honoka, at the end of the episode also was really well built up. I really didn’t see that one coming. And is Joganki really dead? O_o Or was it just a false threat by Rona Fauna? But why did Paife cry?

I also love how Ikus has been a complete mystery up till now. We really don’t know anything about him, except for the fact that he’s an alien. Only during the previous episode, we learned that he can’t be shot, and I’ve got a feeling that that’s only a small part of his mysteries. Honoka’s fight also was as awesome as usual. The narrator really helped in this, when he told about Honoka’s doubts. I’m really liking Honoka’s ideals. ^_^

There also was a nice contrast between Honoka, Blue Breaker, Rona Fauna and Joganki and Paife and Bogie. While tensions are high inside of Rona Fauna’s hideout, Paife heads back to Bogie, and the two just wait for things to happen. Because they’re both realist, the mood between the two of them is really different when you compare it to the other actors.

One final nice touch is that the creators showed one shot of Rona Fauna, when she was alone in her room. It’s totally different than what you see in most shows. Most bad guys smile in an evil way, but because Rona doesn’t have to live anyway, that short moments showed how she prepared for her final trick before she would die. But at the same time, it made me suspect that she gave up on her ways.

I love this show. ^_^

Posted on 21 October 2006 with categories: Otogi Juushi Akazukin

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Okay, that was an excellent episode. It’s not centred around a character this time, but it’s meant to explain a few things about the overall story, namely the mirrors we’ve been seeing. I always took them for granted, but now it seems that they’ve got a huge back-story behind them, and are actually vital for Cendrion to carry out her plan.

The setting for this episode is a rather gloomy town. At first, I thought that it was a snow town, but it seems that the village lies next to a volcano, which is constantly dropping its ash on top of the village. That’s why the entire city has a grey colour.

In here, Akazukin and the others meet up with a talking parrot, who takes them to some kind of mansion. There’s a fairytale about this mansion, and Souta is more than eager to hear it. Once upon a time, when the volcano was still inactive, there was a girl, who was in love with a certain boy. Then, the volcano started to erupt, and the boy told the girl that god is angry, and that he’s punishing them. Because of that, he went inside a mirror, telling the girl that he needed to go to the other world. The mansion seemed to be the place where the girl lived.

Ringo, while cleaning up the mansion a bit, suddenly receives tons of phone-messages from her friends. She finds a broken mirror, and realizes that the shards of the mirror are actually able to send the telephone signals through from the human world. When the mirror is reassembled, Souta actually disappears into the mirror. In there, he sees the same girl from the fairytale, speaking to a mirror which displays a bit of the human world.

So the mirrors are actually links between worlds. There also seems to be some kind of dimension between Erde and Fandavale, and that’s where Cendrion has her main base. In there, there’s probably a special mirror, linked to a sealed dimension, and that’s where Cendrion is located. The reason Gretel and Randagio were able to transport so easily from Erde to Fandavale also was because of this dimension. I think this also means that if Souta would have touched the mirror, being held by the girl, he’d be able to travel back to Erde.

Another thing to note is that whenever a Nightmarian gets beaten, a mirror gets destroyed. Could it be that Nightmarians and mirrors are of the same essence? After all, the first episodes seemed to suggest that the mirrors in Cendrion’s base were able to see through the Nightmarian’s eyes.

The question also remains: who was this boy from the fairy-tale? Right now, the only one who fits the criteria is Souta’s father. It’s quite possible that he travelled to the human world, got stuck there or refused to come back, met Souta’s mother and that’s how Souta was born. It does explain why Souta is so special: he’s the only child between a person from Erde and Fandavale. Still, if this were true, Souta’s Father’s hair colour must’ve changed somehow from blond to brown.

These really are some very interesting theories. Thanks to this episode, I’m loving this series more and more. ^_^

Next episode, the City Musicians of Bremen will return. Yay!

Posted on with categories: Bakumatsu Kikansetsu Irohanihoheto

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Ooh, that was another great episode. But first: a few names, taken from the official website. I knew that learning Hiragana would come in handy some day.

Akizuki Youjirou: he’s the main character of this story. Has a strong sense of justice, and seems to have some kind of mission to stop some kind of mission, planned by the bad guys which involves supernatural beings.

Yuyama Kakunojou: she’s the main female character. She’s a member of the theatre group. When she was young, the guy from the previous episode killed her father, a wealthy merchant and her mother. She then fled along with either her brother or best friend and the old guy. She appears in this anime in two forms: a normal form, and a performing form, in which she wears a wig. I can imagine that more people would have trouble recognizing her.

Ibaragi Soutetsu, otherwise known as “Sensei”. He’s probably the one who founded the theatre group, and he handles the management, writes the scripts, and seems to be a very talented swordsman as well.

Shiranui Kozou (I could have sworn I heard this name before… must be my imagination): he’s probably one of the main actors in the theatre group. It seems that he takes the lead in their missions as well, due to his large amount of charisma.

Ebisu no Zukin: He either was Yuyama’s brother or best friend when they were young. He used to be very protective of her, what ended in him getting buried under a pile of burning woodblocks. His face was ruined, that’s why he always conceals his face. Because of that, his personality turned from protective to rather scary and to-the-point. His parts mainly are the one of the side-characters or villains.

Kakashi no Keishin: he forms the muscles behind the theatre group. He moves the heavy pieces of theatre equipment across and under the stage, and we saw him even work as a temporary personal elevator for Akazuki in the first episode.

Zagashira: he’s the old man who used to be very close to both Emusu and Yuyama. He took care of them when Yuyama’s parents died, and finally he came in contact with Ibaraza, and the three joined his theatre group, looking for revenge.

Benimaru: he’s the young boy who’s with the theatre group. He, along with who is most probably his sister, takes care of the small jobs who have to be done, as getting visitors into the theatre, handing out pamphlets, playing as extras and handling the small pieces of decor.

Kobako: most probably Benimara’s older sister. Quite cheerful, as well as her younger brother.

Nakaiya Juubei: probably the main bad guy for now. He has some kind of affinity with spirits, and some kind of history with Akizuki.

Hario Genba: he’s the guy with the scarred face who was killed in the previous episode. At one time, he lead some kind of army and killed Yuyama’s parents. When Emusu tried to struggle against him, he made a careless mistake and his face ended up being halfly burned. It seems that he either worked for Nakaiya, who became sick of him and sought a way to kill him, or he was working for someone who got in the way of Nakaiya, thus forcing the latter to kill him.

Kawai Tsuginosuke: I had to think for a while before I found out who this guy is. He was the samurai who was sitting right next to Nakaiya Juubei, wasn’t he?

Kotoha: a newly introduced character this episode. Her role will probably come later in the anime, and she seems to be connected to the person below. Looking at her clothing and way of talking would suggest that she works at some kind of brothel, though I could be wrong in this. The end of the episode also shows that she knows the theatre group.

Katsu Awa-no-kami Kaishuu (Katsu Kaishuu): another newly introduced character, he’s got his own troubles, as he needs a bodyguard around him. Because of this, he’ll probably get involved with Akizuki and the others.

Saigou Kichinosuke Takamori (Saigo Takamori): the sniper who was partially responsible for killing off Hariwa Genba. He’s hired by Nakaiya, and during this episode, we see him attempting to kill Yuyama. This means that Nakaiya has some kind of grudge against the theatre group, which hints at some kind of history between the two parties as well.

Sadly, even more characters were introduced this episode, but the creators didn’t find them important enough to give them a place on the website. Thankfully, their names did appear on the screen as they were introduced. At least. For some of them. -_-

Koma no Shouten-sama: a very old person, probably a master in martial arts. That, or he is very knowledgeable. The fact that Akizuki refers to him with “sama” and not “sensei” makes me suspect the latter. I suspect that Akizuki served under him at some point.

The name of Shouten-sama’s assistant/bodyguard shall forever remain a mystery, though. If I had to guess, it’d be Shinza, though that was just a random word Shouten-sama used when he looked at him. Anyway, Shinza seems to be looking over Shouten-sama. It’s clear that he’s an old man, and quite respected as well. This indeed suggests that he hired some kind of help or bodyguard.

Katsu gets a visitor during this episode. His name also is displayed, but in kanji and katakana combined. He seems to be a foreigner, named H. S. Parkes. He comes to deliver Katsu a bodyguard, as apparently, he’s in danger. Whether this is because of Nakaiya or another person, I don’t really know.

The name of this bodyguard is never known, even though his role in this anime will probably be rather large, as he’s quite skilled. His character also seems interesting, with the one eye missing at all.

Then, during one explanation, another person gets shown: Saigoukichi no Suketakamori. He either sent the bodyguard to Katsu, or he forms some kind of threat. (Yes, I’m watching this anime without understanding any word of the dialogue. Nice, isn’t it? ^^;)

A thing I liked in this episode was the way the bodyguard was introduced. Firstly, H. S. Packs appeared on the screen, and only when the bodyguard appeared, the background music took a turn towards a very serious, suspenseful tune. It’s also a nice touch to see the enemy sniper actually practicing his aim at the sea. This would suggest that one of his future missions involves sniping people from a boat. At least, if he somehow manages to escape from the cliff-hanger. Things looked pretty hopeless when he was surrounded by both Akizuki and the theatre group.

Anyhow, it’s great to see that finally people other than myself are starting to blog about this series. I really began to find things strange when I appeared to be the only one to talk about such a high-quality series for more than a week. Ah well, once the first subs start appearing, I’ll believe that this series will be gaining popularity fast. But still, this series doesn’t deserve to be carried in such low-quality raws. It’s very ironic: the show with the best production values of the season gets to be packaged in the lowest quality video files. (^^;)

Posted on 20 October 2006 with categories: Ayatsuri Sakon

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Seriously, I’ve seen a lot of dead bodies on Ayatsuri Sakon already, but the director in this one must have been the bloodiest so far. Okay, perhaps along with the beheading of the first episode. But that’s what you get when you stab a person with an Egyptian sword and hang her upside down.

Anyway, the actors:

Yuuki Mari. She’s the director of a museum with lots of Egyptian artefacts. She got killed at the beginning of the episode. It seems that she made a lot of enemies when she was still alive, which could give anyone a motive. An exciting murder. The current arc promises to be great. :)

Isshiki Seiji. He’s the assistant director. At one time, he was Yuuki Mari’s boss, but that changed when she became director of the museum. He likes to annoy and scare others, though despite his confidence, he makes a lot of errors. Sakon, of course, discovers these errors (for example, him confusing the Egyptian Sphinx with the Greek one, the Egyptian is just a huge stone statue, the Greek was the one who had a nice dinner whenever his victims couldn’t solve his riddles). The murder was committed at 8:00. At 8:45, he got phoned because Yuuki didn’t show up. To get from his house to the museum, you need one hour and 30 minutes, but he was the only one, except for Yuuki herself, who holds the key to the room in which she was killed. That means that either he did it, went somewhere apart from his house, received the call on his cell phone and planned to arrive 90 minutes after he was phoned, or someone found a creative way to lock the door.

Takahashi Yoshie was Yuuki’s former secretary, and she now still works in that same spot. Rumours are floating around that Yuuki took away her boyfriend, though they’re just rumours made up by people, scared to become the major suspect.

Kisaragi is the manager of the museum. He had a lot of arguments with Yuuki, as she had a nasty tendency to remove all valuable objects which didn’t get any attention from the display. Kisaragi also used to be a teacher of Sakon. When Sakon was young, he used to get bullied often. In a way, that’s logical as he’s a boy who’s carrying around puppets. You’d wonder why he changed from being a teacher to being the manager of a museum.

Hamada is one of the few staff members who managed to escape Yuuki’s enthusiastic firing policy. He may have lost a few good friends because of this.

Tadokoro is the security Chief. He got injured when Yuuki tried to move a heavy artefact in a rather aggressive way. Still, he says that he’s still loyal to her, as she agreed to cover all expenses of the accident.

One thing I dislike about Ayatsuri Sakon is the silhouette of the murderer which is shown before the arcs start. If I recall correctly, the first three arcs didn’t have this, but both arc four and arc five had this. It’s too bad, as they sortof ruin the fun a bit. I’ll try to ignore them for now. So far, I’m loving this arc. I’m really interested in how it’ll continue.

Posted on with categories: Asatte no Houkou

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The episode starts out surprisingly light, when compared with the previous one. It features Karada and Shoko shopping for the things they need. Shoko needs a new pair of glasses, and both of them need new clothes, as their sizes aren’t the same to wear each other’s clothes without any problems. Especially Shoko was so CUTE in this. ^_^

Karada may have wished to become an adult, at heart, she’s still a child. She does have to cope with responsibility, and she must learn to do things on her own. It proves to be harder than she thought, and so, Shoko has to help her in this. Both of them have huge difficulties in playing their parts. Still, Karada isn’t as hopeless as in the previous episode. It seems that she managed to stuff her feelings inside of her, and she actually makes food for Shoko.

While the previous episode was focused on Karada, this episode focuses on Shoko. The result is a totally different episode than the previous one. It’s still full of emotions, but totally different ones. Shoko may have been an adult, she still is bothered by the fact that she changed. Especially when she runs into Hiro, and he doesn’t recognize her. In the end, she lies that she’s Shoko’s little sister.

Because of this, the climax of the show was exceptionally good. Shoko gets a bit sick of Hiro who doesn’t recognize her, so she runs away. In the end, she confesses to him, and brings him back to her apartment, in which she reveals that Karada has grown up. How Karada will react to this, we’ll see in the next episode.

We also get a bit of background information, regarding what happened to Shoko, Hiro and Karada before this anime started. Karada actually isn’t Hiro’s real sister. That, or they didn’t live together at a certain time. When their parents died, Hiro was asked to come over to America, where Karada was living, in order to take care of her. Because of this, Hiro spent all his free time with Karada, and ignored Shoko. She, eventually left the town, only to come back a number of years later. It’s interesting, as it shows why Hiro was so devoted to his sister. He never knew her, and he probably didn’t want her to have any more lonely memories. If the two were siblings who already lived together during the death of their parents, I can imagine that things would have gotten resolved in a totally different way, seeing as how the two already knew each other, so that they knew what would be best for the other.

Even though during the episodes, not a lot of things happen, I’m loving this series. I like the way that this series really takes its time in telling its story. Not to mention the cuteness of Shoko. (^_^)

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  • AidanAK47
    (Friday, Jul 25. 2014 03:46 AM)
    Christ…you would have to be one sick f*ck to get off on Saya no uta’s H-scenes.
  • Emma
    (Friday, Jul 25. 2014 02:55 AM)
    I’m just going to watch the grisaia adaptation in autumn, along with Chaika and log horizon 2.
  • Emma
    (Friday, Jul 25. 2014 02:53 AM)
    Well I’ll be looking at Mikey’s comments then on this new visual novel then to see if its worthwhile…
  • Emma
    (Friday, Jul 25. 2014 02:51 AM)
    And no, no I’m not saying sayas H-scenes were “get offs” to me moreso “eh”
    The atmosphere though in it was really effecting though.
  • Emma
    (Friday, Jul 25. 2014 02:49 AM)
    However I could see how such scenes would feel awkward though if someone walked in. That was my only discomfort with saya no utas H-scenes.
  • Emma
    (Friday, Jul 25. 2014 02:48 AM)
    I’m not easily shocked/offended so on that end the H-scenes wouldn’t bother me, if they had plot/character information going on or were relevant fair enough then.
  • AidanAK47
    (Friday, Jul 25. 2014 02:42 AM)
    Got to say that I don’t like playing VN’s with H-scenes disabled. Not saying that do anything for me but sometimes that can show interesting sides to a character.
  • Mikey
    (Friday, Jul 25. 2014 02:35 AM)
    Comes with a H-Scene disabler for those who like to know.
  • Mikey
    (Friday, Jul 25. 2014 02:32 AM)
    On the subject of VNs, Amaterasu Translation latest VN was released. Going to start playing it.
  • Emma
    (Friday, Jul 25. 2014 02:17 AM)
    I could see the novelty of the racoon wearing off potentially.

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Featured Posts

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Mushishi – 07

Now this was such a beautiful episode. We often see Mushi portrayed as parasites. In fact, they are pretty much based on the insects and viruses of their world. There probably are enough real viruses and insects living in the Mushishi world, but they just aren’t the focus of the series. Anyway, what they did […]

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Jojo’s Bizarre Adventure – Stardust Crusaders – 06 & 07

This is where this arc gets weird. We’re still in adventure modus, however in these two episodes Jotaro not only meets some of the most bizarre Stand users, it’s also done in the most camp way possible. You can see a clear difference with the first two seasons of Jojo: there it was all about […]

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Ping Pong – 05 & 06

Episodes 05 and 06 are dedicated to character-development. It’s here where Ping Pong shows that it also knows its stuff in terms of storytelling; the develoment doesn’t start too early or too late, and these two episodes really added depth to all of the different characters, despite that there were no big matches. I’m currently […]

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Mushishi – 03 – 06

I have not forgotten about this show. Not at all. I just finished marathoning these four episodes, and holy cheeseballs on a stick! this is the best anime in years! This was everything I could have hoped for and blows just about everything else out of the water. Talk about raw, powerful storytelling. I now […]

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Jojo’s Bizarre Adventure – 03 – 05

Jojo really is not kind to its females. Every time a hint is even dropped to a girl kicking ass here, it comes with this weird plot-twist that undermines any fighting potential of them. In this arc, it’s the rule that says that your stand will kill you if youaren’t strong enough. And so, Joseph’s […]

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Ping Pong – 03 & 04

The opening of Ping Pong wasn’t done in time, so the first two episodes showed a sortof montage as a placeholder. Now we know why, with episode 03 and 04. The creators actually got the single best animator currently in the business to oversee it: Shinya Ohira. This guy understands animation like no other. The […]

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Ping Pong – 02

Yes, I know that more people here were involved in making this series beyond Masaaki Yuasa. It’s written by the creator of Tekkon Kinkreet, Taiyo Mashimoto. That guy is awesome. And the combination between those two makes this series even better. Because here’s the thing: anime is significantly different from manga or light novels. Beyond […]

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Jojo’s Bizarre Adventure – Stardust Crusaders – 02

We can never quite get rid of magic fights at a school, now can we, Jojo. Ah well, I forgive it this time, just due to how hilarious it looks seeing these ridiculously bulky men walk around pretending to be high school students. It’s just so over the top, and yet Jojo sets itself apart […]

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Mushishi Season 2 – 02

Oh yes. This is it. This is what storytelling should be about: telling real stories about real people, all with their own problems that need to be overcome. And this show does that time and time again in just one episode. I still can’t believe how authentic this series is. The thing is, when I […]

Latest Reviews

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Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

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Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

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Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

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Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

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Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]

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Silver Spoon Review – 86/100

When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up […]

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Yondemasuyo, Azazel-San Z Review – 82,5/100

Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. […]

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Gargantia on the Verdurous Planet Review – 81/100

Gargantia on the Verdurous Planet tells the storyline of a planet that is completely submerged, with only giant ships residing on the surface, while one of those ships gets visited by this guy and his AI-mecha from this very technologically advanced civilization. Yes, this show is about world building. What this show managed to do […]

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Yahari Ore no Seishun no Love Come wa Machigatteiru Review – 82,5/100

I like surprises, like when a series comes that just turns out to be good against my expectations. Yahari Blahblah from the outside had all the signs to turn into yet another one of those high school comedies: snarky male lead, pointlessly long title that fails at being witty, various other cliched side-characters. And they […]