Posted by psgels on 19 November 2006 with categories: Popolocrois 2003

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With this episode, the Croconesia-arc has ended, the finale is probably about to begin, and I’ve finally caught up with the subs. Here’s hoping that the final episodes get released quickly, as something tells me that I haven’t seen the best of this anime yet. The episode itself was very good again. Not as good as the previous three episodes, but I still made for a great watch. :)

While you would expect that the current episode would focus entirely on Momba, it actually tells two stories right through each other: Momba’s story, of course, and Punpun and Kogoto’s story. Unexpected, but surprisingly touching. I also loved how Pinon, Marco and Luna were just pushed into the background in order to feature the threesome to have their own airtime.

As expected, Momba fails the ordeal. The previous episode may have given him courage, it didn’t remove the chicken inside of him. Afterwards, Pinon attempts to give him a bit of courage through the placebo-effect, though Kogoto rather blows that point. Still, when Momba learns that Pinon and him actually have some similar points, he agrees to try again.

There’s just the problem that Punpun got a strange idea again, and dressed herself up as a female Croconesian (I loved how Luna tried to imagine what that would be like ^^). If I’m not mistaken, it’s actually the first time in the anime that she separates herself from Kogoto. The latter gets incredibly worried about her, and the fun starts.

Of course, Punpun’s plan never works, but she does have to battle a rather scary-looking dragon-zombie. Kogoto and Momba manage to find her in time, and another battle follows, in which Momba finds out that he can actually do something useful. That exactly was enough to give him a bit of courage. Kogoto, meanwhile, does the impossible of building a instant-catapult on the battlefield, in order to hit down the Dragon Zombike. Pinon, Luna and Marco arrive just in time to see him hit down that huge creature. ^^

Also… I’ve been wondering… what about Papu? Does he still have a role? He’s really starting to turn into the usual cute, useless pet. Still, the fact that the law which forbids forest sprites to enter the sea, and water sprites to enter the land is called “The Law of the Moon”, and he happens to be the Seirei of the Moon, there could be some point at which his presence can be useful.

2 Responses

  1. luna says:

    I love popolocrois ver much!

  2. psgels psgels says:

    Finally I run into someone who watched this show as well. It’s reall too bad that so little people know of this show. :)

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  • Bam
    (Saturday, Jan 31. 2015 11:14 PM)
    Synecdoche is incredibly rich in detail, and keen return viewers can find a lot of things they missed the first time thru. Kaufman didn’t have a single teacup in a shot that didn’t mean something. Pacing is a bit of an issue, but if you notice the passage of time you can see that was deliberate as well. The movie could’ve been livelier, but for a movie about death and decay that would’ve been a bit of a sell-out.
  • Bam
    (Saturday, Jan 31. 2015 11:01 PM)
    @Emma: Birdman and Synecdoche have a lot of thematic elements in common, and given that Synecdoche was released in 08 makes me realize that Alejandro González borrowed quite a bit from it; although in the end they are different enough to justify Birdman’s existence. Where Synecdiche was a better written movie, I feel that Birdman was the better directed one.
  • Emma
    (Saturday, Jan 31. 2015 04:15 PM)
    And I’d go as far to say this beats out birdman for me by miles.
  • Emma
    (Saturday, Jan 31. 2015 04:14 PM)
    The film is a solid mood piece thanks to the in tone cinematography, a great performance from Hoffman that along with his characters drama makes for an emotionally investing film. And before it gets TOO sad theres all those bits of dark humour fitted in there that work out pretty well. This is probably my favourite work by Kaufman currently.
  • Emma
    (Saturday, Jan 31. 2015 04:14 PM)
    Well Bam, I had a go of synecdoche there. A bit of a slow burner, near the end slightly drawn out, however that last stretch was forgiven by that bonkers ending.
  • Emma
    (Saturday, Jan 31. 2015 01:23 PM)
    The voice of the main character got kind of annoying though, the dub wasn’t all that good either.
  • Emma
    (Saturday, Jan 31. 2015 01:22 PM)
    This was based on/was a homage to a series by the Gigantor creator and having grown up with gigantors 90s reboot this felt like a nice throwback, plot is fairly simple but used effectively. It’s a shame that it feels like there was more to tell but at seven episodes I suppose it avoids outstaying its welcome.
  • Emma
    (Saturday, Jan 31. 2015 01:20 PM)
    Decided to marathon Giant Robo, I think this was mentioned by someone on here before. I guess it was fairly entertaining, great action direction, looked good for its time, you don’t notice the hour long episodes go by, adequate characters, nice retro artstyle also, not sure if I got excited over this as big O and Mazinger however but still fun enough nonetheless.
  • Emma
    (Saturday, Jan 31. 2015 07:10 AM)
    Seeing Hoffman in before the devil knows your dead and his character being dependent on drugs, that was another thing that hit me a bit knowing the circumstances of his death. Watching most wanted man I could also see that he was wearing out physically.
  • Bam
    (Saturday, Jan 31. 2015 07:00 AM)
    This is not Anno bitching about otakus jacking off to his characters and turning around and selling Rei panties, this isn’t the idiots at Shaft throwing around meaningless camera angles and the oh-so-symbolic teeth brushing scenes, this is a human being looking you in the eye with fear and telling you that he’s dying; morbid, honest, moving and remarkable.

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