Posted by psgels on 26 November 2006 with categories: The Third

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Oh god… The Third has once again been kidnapped by the evil animation company of episode 13. Luckily, it’s not as bad as before, but still, it’d be better off if this episode was left in the hands of the usual animation companies.

Still, if you ignore that little detail, this episode was good stuff. Really good stuff. Due to the fact that this is the conclusive arc of the series, AND that it’ll only be two episodes long, the pacing has been increased with a considerable factor. This episode did the preparing, while the next episode will probably end with a huge bang.

Especially the second half of the episode was as awesome as usual, when Ikus threatens to leave Honoka for good, on a mission he doesn’t want to involve her in. He’s heading for a place called the Steel Valley, a place under the highest level of the technos taboo. Filla Marique has also surpassed herself when she tries to take measures against this, sending a huge army of autonomous soldiers in order to guard the place.

The best part of the episode really was when Honoka opens herself up to Ikus, in order to keep him from leaving her. The first half of the episode also seems to suggest that Joey will be playing a role in this arc, but it seems that Honoka left him behind when she found out about Ikus. Still, the guy’s got a good heart. He broke the technos taboo in order to install new parts on Bogie.

Endings have always been one thing that’s hard to do good. It’ll be interesting to see whether The Third can pull this one off. It’ll be an action-packed ending, in any case. Will it be able to deliver? I do hope so, as this magnificent anime deserves a great ending.

3 Responses

  1. Kaminari-kun says:

    you don’t want to know how hard it was to translate the last ep…

    old Japanese has to be translated into old english… and I’m not very good with either…

  2. psgels psgels says:

    Old english… ouch. That seems like a huge pain to do. Still, congrats on finishing the translation of this wonderful series. :)

  3. hashihime says:

    Kaminari-kun makes me feel better that I had so much trouble understanding the Japanese when I watched the raw of ep24. I thought the series ended well in these last two episodes. Not the greatest show ever, but Toyoguchi Megumi was fantastic as Honoka. She really created a character.

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  • Bam
    (Sunday, Jun 26. 2016 10:32 AM)
    If a series wants to be sophisticated about complex concepts like war and conflict, then it has to presuppose the fact that it is part of human nature. Resources are limited, and even aside from that, greed exists. There is no way to take out a few head figures to stop a war- there will be a vacuum that will almost immediately be filled by a similar, if not worse, individual. A world “where no one cries” or suffers, or dies, etc, cannot exist as long as we have free will.
  • Bam
    (Sunday, Jun 26. 2016 10:26 AM)
    F/SN delved into this deeply with the Shirou/Archer dichotomy, but then it pussied out at the decisive moment. Archer was right, his arguments made perfect sense, yet the arrogant naive Shirou had to pull thru by sheer will alone, and a vague hope and promise that he’ll find a way somehow. I swear, I’m not sure if Nasu gave in to pressure to make a so-called “good prevails” ending, or that he honestly believes in it. Looking at his material, I’ll bet on the former.
  • Bam
    (Sunday, Jun 26. 2016 10:22 AM)
    hehe … that’s why you don’t get me started on Eva or Berserk.
  • Bam
    (Sunday, Jun 26. 2016 10:20 AM)
    It also delved into the depth of what a desperate goodie-two-shoes people-pleaser protagonist would actually be like, and the reception he would get from his peers, specially the women. That alone right there was a deconstruction of the majority of shonen main characters.
  • Bam
    (Sunday, Jun 26. 2016 10:00 AM)
    There was no hype machine back then. The internet was still in its infancy. So when a show became this popular there was certainly some merit to it. The organic/machine hybrid mecha was relatively new, and the scene construction and cinematography was for the most part immaculate. There’s a reason why the mecha genre is divided to “pre-Eva” and “post-Eva”.
  • Bam
    (Sunday, Jun 26. 2016 09:53 AM)
    It also didn’t hurt that the character, costume and mecha designs were slick and attractive, done by the under-appreciated Yoshiyuki Sadamoto.
  • Bam
    (Sunday, Jun 26. 2016 09:31 AM)
    It came up with clever scenarios to common mecha tropes, and answered the questions that would arise from them:
    -Why do we use mechas with melee weapons against alien invaders instead of conventional weapons? AT fields on Angels.
    -Why use kids to pilot them? The Gehrin Project.
    -What happens when you put kids in sever combat situations? Extreme PTSD.
  • Bam
    (Sunday, Jun 26. 2016 09:27 AM)
    These types of deconstruction shows that are run-of-the-mill now didn’t really exist back then. Eva did afterall became the tropemaker for Gainax endings. To see the creator’s psyche twist in front of our eyes was incredible. The show went from a regular monster of the week mecha series to a deranged psycho-thriller by the end of it.
  • Bam
    (Sunday, Jun 26. 2016 09:23 AM)
    Eva was fresh and quite unique for its time. Not that everything they did was original, but they certainly put their own twist on it. I also enjoyed the “fuck-you” ending of the tv series. Anno always defended it as intentional, but we all know it was really a budgetary constrain. well, at least we got the amazing End of Evangelion movie to supplement it.
  • Bam
    (Sunday, Jun 26. 2016 09:21 AM)
    @K-of: yup Eva geek here, guilty as charged. In my defense, I watched it week-to-week when it aired back in 96, and the landscape of anime was a lot different back then.

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