Posted on 24 December 2006 with categories: Anime Reviews


A hikkikomori, for those of you who don’t know, is someone who never comes out of his room. He doesn’t have a job, he doesn’t study. All he does is lie around in his room, too lazy to change anything about his life. NHK ni Youkoso is an anime about one of these hikkikomori, Satou. It follows how Satou meets a select number of people, and how these people affect his hikkikomorihood.

If I have to say so myself, NHK ni Youkoso has been a really great anime. Unfortunately, it doesn’t start out this way. First, we have twelve episodes of pain before this series turns worthwhile. These episodes were incredibly tedious to get through. They focus on otaku and their habits, Satou discovers porn and gets obsessed over it, and a lot of time is spent on making a hentai-game. It’s basically a fest of dirty guys drooling over figurines, with only a few good moments. These good moments kept me watching this series.

Then, at the end of the twelfth episode, this series suddenly takes a huge shift of focus and it actually turns out incredibly good. The following arcs all started to focus on the future of the different characters, seeing as all of them have their own problems. These arcs really were thought-provoking in their conclusion. Then the anime closes with a nice, though predictable ending.

When it comes to graphics and music, this anime manages to give no problems. Gonzo may have a lot of flaws, they do know their animation and music. The animation looks very good, and some interesting musical pieces have been put together for this series. Overall, this is a typical series which starts out horribly, though if you manage to get through the initial horror, you’ll get rewarded with an excellent second half.

6 Responses

  1. syaiful says:

    Hai tadi saya erkunjung ke BLOG anda

  2. AlexS says:

    I was checking your ranked anime list when I stumbled on a curious anomaly: 84% for NHK ni youkoso? There must be a specific reason for you to give such a low score to this anime. And indeed, the reason is clear: you hated what for me is the best part of this anime, the precise thing that should have put it in the 90% decile: the first 10 episodes.

    I don’t mean to discuss tastes, but the dismissive way in which you shoot down those first episodes (“It’s basically a fest of dirty guys drooling over figurines”) motivates me to give you my reading of them, for what is worth it.

    I have two main praises for the first 10 episodes:
    1) the authors chose a very difficult topic to base an anime on, and actually manage to reach their goal in an honest fashion: focus on a guy who is a loser and remains locked in his room. It’s an incredible challenge, and they basically pull it out without too much cheating. The story remains firmly focused on Satou, and he indeed mostly stays in his room. His rare outings are always well motivated, and remain true to character.

    2) more importantly, they build a very deep character to which the audience (at least me, but obviously not you) feels a lot of empathy. This is the most incredible challenge that they manage to pull out, despite obvious and non-obvious obstacles:
    - Satou is deeply flawed: he is weak willed, a coward, lazy, apathic, you name it. Very hard to get an audience to connect to this kind of person (nevertheless Satou also has qualities that make him very human, but that’s besides the point here).
    - even more problematic: Satou is a blocked character. He is a hikkikomori precisely because he is blocked and can’t evolve. This means NO CHARACTER DEVELOPMENT is possible, which shuts down the best way for an audience to build a bond with a character. The solution the authors found to this problem: replace character development by character deepening. And it works brilliantly:

    For ten episodes we get to know the different ways in which Satou is flawed, and how he got to be that way. Every other character (parents, senpai, Yamazaki, Mizaki) does a great job of showing the manners in which Satou thinks, reacts and fails. The attention to detail is breathless, and the dialog is rich and subtle, so that by the end of those episodes Satou is one of the most realistic characters I ever saw in an anime*: you know how he will react to something, but best of all you precisely understand why he behaves the way he does. Even better, because of that understanding you can connect his flaws to your own weaknesses, developing a strong bond. I was strongly rooting for Satou because his success was also a chance of redemption for the failings he symbolized in me, even though I knew failure was the most probable outcome for him.

    I think this anime has one of the most solid character buildup, and it’s nice to see that it totally dispenses with character development to achieve it. Nothing he lives, tries, gets addicted to, fails or flees ever manages to change him. What happens is that we get to know better his neurosis, paranoia, weaknesses, generosity, abuse, etc. I’m surprised that this totally flew by you, although usually you like a lot of character richness in anime. Maybe the fact that it was done without character development prevented you from appreciating it.

    Also, I think your charges that the show is “a fest of dirty guys drooling over figurines” completely misses the mark, the same way this anime is not a suicide/MMORPGs addiction/pyramidal schemes apology. To start with, Satou is not an otaku, Yamakazi is one, and this series is great at making this subtle distinction. Satou is an expert escapist (going so far as getting insane in the process), and buying figurines/playing erogames is just one of the many ways he tries to escape. In reality, Satou lacks drive to be passionate about anything, and even fails at being an Otaku! His otaku endeavors performed under Yamazaki patronage are just excuses to expose the cracks in his personality. I mean, it would have changed nothing if Satou’s neighbor was not an Otaku but a Shogi player, at least as far as Satou is concerned. Of course Otaku anime fetishism and porn were chosen as topics, simply because they symbolize mental decay in our society, a opposed to shogi. It would take a lot more obsession of shogi or chess to call someone a cripple than is necessary to be devalued in the case of anime obsessions.
    Second, I found that considering the subject matter, NHK is actually a very sober anime. You won’t find random panty shots or fan service in this anime. Sure, Satou collects porn, you see some shots of it, and he sometimes has erotic fantasies, but that’s part of his escapist activities and such instances are well supported by plot. You won’t find random fan service when Misaki or senpai are actually there.

    For me the series actually became much less interesting (but still good) when the focus went away from Satou and the following story arcs followed. Senpai’s story arc (episodes 11-14) is excellent, and like you say the questions broached are interesting and thought provoking, but we never again have such deep and intimate contact with a character like the one developed for Satou. In this sense, interest only piked up again for me during the final episodes which makes it almost the opposite of your appreciation.

    Finally, I think your appraisal of the music is a bit lazy. Honestly, I have rarely seen such an efficient use of music as in this anime. Not to say that the tunes are incredible on their own (I wouldn’t listen them by themselves), but their adequacy to the anime and use for dramatic effect is just great:
    - the opening music is an energetic J-pop piece which gives a good idea of the shining world of pop, manga and anime that Satou escapes into. An illusion that is disproved by the animation that accompanies the music, but it works so well precisely because the tune is an excellent example of what it evokes.
    - the final J-punk-rock is also energetic but so much more desperate, and perfectly illustrates the worms that are eating Satou’s brain into insanity.
    - the pururi song is one of the most efficient tunes I ever saw in an anime: its sugary coated addictiveness and repetition quickly get horridly annoying, so that you hate it with a passion, just as it was intended. I think it’s hard to remain indifferent to it.
    - the moody pieces that sometimes play during the anime are imo extremely effective and conveying the sadness and melancholy of Satou, an intelligent and sensitive guy, fully aware of his condition, ashamed of it, but still incapable of turning around the dead end he put himself in. I think they fully convey the bittersweet tragedy of his life, while never falling into cheese.

    To wrap up, although tastes are personal, I think that your review does not give an accurate description of the strengths of this anime. Of course for me it’s hard to be objective, since NHK is obviously in my top ten anime list. Actually, it would be easy to raise it to the top spot: just collapse the anime into the first ten episodes plus the ending: i.e. make a 12-13 episode anime just focused on Satou.

    * The other character I can think of that approaches this level of realism is Reki in Haibane Renmei. Still, we are very far from Satou depth.

  3. psgels says:

    Oh boy, this was long ago. It’s definitely not a review I’m proud of, and I’m certain that it would have looked very differently if I watched it today.

    Basically at the time I wrote it, I had this nasty habit of hating everything that even had to do with moe with passion. I didn’t care whether the porn and galge-plotlines made sense or not, they didn’t belong to this series in my opinion, and that’s pretty much why I wrote such negative comments about that first half… -_-

    I have to agree: your points are valid and make sense. I still think that the second half of the series was more enjoyable than the first one, but looking back it did exactly what it needed to do: building Satou into an excellent character.

  4. AlexS says:

    “at the time I wrote it, I had this nasty habit of hating everything that even had to do with moe with passion.”

    I understand that very well… Ironically I have a much lower tolerance for moe than you (I could never watch Clannad or Air because of that, and the first season of Rozen Maiden was the only anime I could finish with so much moe inside), but in this case the NHK characters are not moe themselves (most are not even teenagers, and their looks reflect that), but indeed Satou and Yamakazi have a moe fixation.

    I also have these kinds of mental blocks. I can’t stand mecha in anime, which is a problem considering I like SF. The only anime with mecha I could finish was Escaflowne, which I watched because you recommended it: it was great, but I needed a bottle of oxygen to survive the mecha parts ^^)

  5. ManuOtaku says:

    I know iam late to the party here, but yesterday i finish watching this series, and i agree with AlexS comment, they are very spot on, looking back if someone would told me that i will like a series about a guy who is shut down in his room i will say no way, because a like action animes (samurai,mecha,ninja, etc), but boy how i do like this anime, is in my top ten for sure considering that i have amase quite a large collection.

    Finally i will ask if you can review again the series with very different mindset so you can recommend this awasome series

  6. lHyDrAl says:

    Man, this was such a good anime, haven’t seen one this good in a long while. Was well worth my time, gave me a bunch of good laughs and was an enjoyable ride throughout most of the story. Anyone know which scene Norio Matsumoto did on the last episode?

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  • Emma
    (Thursday, Apr 17. 2014 09:04 AM)
    *typoed an M instead of a , =<
  • Emma
    (Thursday, Apr 17. 2014 09:03 AM)
    *isn’t felt as much.
    I actually that while he drew the monsters and robots pretty well and was as always dependable drawing the scenery his modern art actually loses alot of his older style actually benifitted from.
  • Emma
    (Thursday, Apr 17. 2014 09:01 AM)
    Sidonia no kishi volumes 1 through 8: All in all compotent, decent m average enough to stick with and even buy the rest of it. The setting, tech/science is fine, its not trapped by exposition and when the action shows up its enjoyable to look at/read, good designs on the monsters too. However the flow/pace of it is a bit off, it drags, meanders a bit, its too mainstream for that author and favours poorly in comparison to the rest of his work. The athmosphere, roughness, grit isn’t felt.
  • Roger
    (Thursday, Apr 17. 2014 08:48 AM)
    Seems my Mushi-shi post finally showed up, so I guess ill just abandon that Nickname to avoid the issue.
  • Roger
    (Thursday, Apr 17. 2014 08:46 AM)
    @psgels I posted as Spike coincidentally my shoutboxes also disappear when using that name
  • Emma
    (Thursday, Apr 17. 2014 08:41 AM)
    I guess a moderation system wouldn’t necessarily be of the cards, I too tend to find all the bots pretty annoying too.
  • Emma
    (Thursday, Apr 17. 2014 08:39 AM)
    I have noticed on occassion that the shoutbox window will sometimes “red out” when links are posted and then it won’t go through,this is for short messages mind, not long ones. For example it never lets me link animefans ftw.
  • psgels
    (Thursday, Apr 17. 2014 08:20 AM)
    The thing is, I do not try to moderate my comments unless things become really bad, but I’m very rigorous on deleting spambots. Seriously, you do not want to know how many spam comments I have to deal with. >.<
  • psgels
    (Thursday, Apr 17. 2014 08:19 AM)
    Roger: strange: I can’t find your comment anywhere. Did you post it as Roger? Did you post a lot of links?
  • yy
    (Thursday, Apr 17. 2014 05:25 AM)
    @Friend, Emma re:young adult movies- Personally, I’m looking forward to the movie adaptation of Patrick Ness’s The Knife of Never Letting Go. The synopsis makes it seem like yet another dystopian flick, but the writing and world-building are provocative and the story itself thrilling. No word on how great/terrible the Hollywood version will be though, lol

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