Posted by psgels on 3 March 2007 with categories: Bakumatsu Kikansetsu Irohanihoheto

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Short Synopsis: Most of the episode is centred around Akizuki getting to Ezo. Kakunojou meanwhile realizes that the Temari Uta actually has some strange lyrics for a children’s song.
Good: Excellent episode, period.
Bad: Nothing that hasn’t been said before.
Overall Enjoyment Value: 8/10

You know, I’ve become a bit tired about complaining about this series and about how hard it is to understand. Heck, it’s excellent, it’s got a deep plot, it’s got great production values, what more could you want? Despite my bickering over the past few episodes, this actually remains one of my favourite series at the moment. I’m looking forward to watching and blogging it every week. So, from now on, I’m going to drop my whining about the difficulty oft he language, and I’m just going to enjoy the final episodes of this excellent series. :)

The reason why the troupe didn’t appear during the previous episode was probably because their role has yet to come. Taiyou has left with Soutetsu, while Kakunojou still remains at the hospital. Benimari and Kobako spend their time at the beach, and they suddenly find a number of bullets. It’s interesting, as they behave like these bullets are the coolest things ever. That just shows how you must not let children play with dangerous items.

Lots of new characters were introduced in this episode. The most important one was Kuroda Ryousuke. In this episode, Shouten-sama comes to visit Katsu and Saigo, to request help from Ryousuke in order to escort Akizuki to Ezo as fast and safe as possible. The guy, however, seems to have a grudge against either Hijikata or Enomoto, so he prepares some plans of his own: an ambush.

Enomoto apparently isn’t interested in politics, as he seems to be absent at the meeting, discussing about what to do with Ryousuke and his ship. In the end, Hijikata volunteers to go to him, in order to check him out. He takes a few ships, and he is invited on board of Ryousuke’s ship. Ryousuke then releases some fireworks from his backs, revealing an entire fleet, out there to annihilate Hijikata.

I’m not sure why Kakunojou still remained at the hospital. It’s probably because she’s waiting for Akizuki to return, or she just doesn’t want to get involved with things anymore. In any case, we see her singing the Temari Uta again, when she suddenly realizes that the lyrics are actually quite morbid for a children’s song. For more information about the song: go here. This reminds her of Akizuki again.

Hijikata and Ryousuke meanwhile end up with a bloodbath on both parties. Ryousuke’s surprise attack caused quite a few fatalities for Hijikata’s men, but when he’s about to be shot himself, Akizuki comes in action, and actually saves the guy. Ryousuke can’t fire on Akizuki, because he had to promise Shouten to deliver him to Ezo at all costs. It’s interesting, I thought that when Hijikata joined Enomoto, he also made an enemy of Akizuki, but now it seems that the two are still on friendly terms. Anyway, because of this, Hijikata’s troops on their turn deliver quite some damage to Ryousuke’s.

3 Responses

  1. w says:

    Ryousuke (and Saigou) are actually against Hijikata and Enomoto because Ryousuke and Saigou are from the new government, while Hijikata and Enomoto are supporters of the old and now dead one.

    Ryousuke lied to the guy in the boat, Arai, by saying he’s interested in joining Hijikata and Enomoto with his spanking lovely ship.

    So Hijikata and Arai went to check him out and it turned out to be a trap as Soutetsu had guessed.

    I liked the short fight sequence between Hijikata and Ryousuke, surprisingly it might just be the best animated one of the show so far in terms of movements.

  2. psgels psgels says:

    Ah, yes. I suspected that he’d use a trick like that. The fight scene itself indeed was particularly well done.

  3. Illanoris says:

    Effff… Guys I just love this anime… But I cannot find episodes in internet… Where have U found it? Do you watch it in JP TV?

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  • AidanAK47
    (Tuesday, Apr 28. 2015 12:30 PM)
    @Bam, While there are people who claim that Ufotable screwed up Shirous characterisation(One fellow claims that in the visual novel Shirou was Sadistic, calculating and emotionless. Which I say “What the hell where you reading? Cause it wasn’t fate.”) and whine about not enough monologues I think this adaption is the best we could get from the source. Not sure if there’s much of a point in reading the source now. Though I am still going to after the run.
  • AidanAK47
    (Tuesday, Apr 28. 2015 12:26 PM)
    @Emma, Fate/stay nights Rider is handicapped by her current master who really can’t do jack besides hold the command spells. With a real master she could show more of her capabilties.
    Also I would have been completly surprised if you liked this show.
  • Emma
    (Tuesday, Apr 28. 2015 07:11 AM)
    @Bam: Aidan mentioned seven minutes were cut from an episode. Maybe that’ll be on the blurays.
  • Bam
    (Tuesday, Apr 28. 2015 06:48 AM)
    Is there anything extra on the BD releases? Also I don’t think there were any content censored for the tv broadcast, were there?
  • Emma
    (Tuesday, Apr 28. 2015 04:44 AM)
    I think less than I did before of fate stay nights rider now because she’s not as good as the one from fate/zero.
  • Emma
    (Tuesday, Apr 28. 2015 04:42 AM)
    *do like the
  • Emma
    (Tuesday, Apr 28. 2015 04:42 AM)
    I want to add to my little UBW review thing back there that I do the caster fights.
  • Raggers
    (Tuesday, Apr 28. 2015 04:34 AM)
    @Bam: UTW have season 1 BDs up for when you do. Glorious fight scenes, and you can skip the tsundere crap. Win-win.
  • Bam
    (Tuesday, Apr 28. 2015 04:10 AM)
    Now that things have slow down a bit and stil some time left till Witcher 3, I came up with the grand idea of getting around to finishing F/SN UBW route before the series ends so I can jump on the wagon as it rolls thru the last few episodes. I think that’d be kinda cool.
  • Bam
    (Tuesday, Apr 28. 2015 03:39 AM)
    Madhouse is still a very descent animation studio, and some of those older talents still remain with the company, but the market demands that they pander to the supposed “core” anime demographic. Although Masao Murayama did take a lot from Madhouse when he left to form studio MAPPA tho.

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