Posted by psgels on 30 March 2007 with categories: Bakumatsu Kikansetsu Irohanihoheto

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Short Synopsis: What I suspected to be a Kanna-episode turned into a plot-based episode in which the castle Enomoto has built takes off in the air.
Good: As solid as usual. I liked the direction a lot.
Bad: The deaths are getting a bit too frequent.
Overall Enjoyment Value: 8/10

One thing that irked me during this episode: an awful lot of people have died in the past few episodes. This time, two more characters suffer this fate: Kanna and Taiyou. The creators are really trying to eliminate everyone apart from the main characters. I’d rather see them bring something in at the climax, but I’m glad to see that my favourite ones (the troupe) still remain alive for the final episode. Especially Shiranui has to have some kind of role left, after seeing Taiyou die like that.

Anyway, one thing I liked about these final episodes is how solid they’ve been. Okay, some plot events were a bit too much (the flying castle), and I’ve yet to be blown away by the events, but there haven’t really been any weaknesses so far. Bakumatsu seems to have chosen to prioritize solid storytelling, and I can appreciate that. I also really liked how this episode didn’t have a common theme. It’s a bit of everything. Kanna’s death, Taiyou’s death, Akizuki’s background (which was really appreciated, by the way), Enomoto, the Lord’s Head’s plan, Kakunojou, Akizuki’s quest and Kuroda Ryousuke all played a small part in this one.

And then, with only one episode left, the usual question to ask is: will this end right? Will this series end too abrubt? Well, it would be a huge shame if it did, as this series has been building up and up, even in this episode. I’d love to see every side-character play a role in this. The fact remains that Akizuki is the only one who can seal the lord’s head, and he’ll definitely fight Kakunojou. I’m hoping for the others to take care of Soutetsu for some reason. (Still, there has to be a reason why Soutetsu took the trouble of inviting the troupe to Hakodate, hasn’t it?)

(On a side-note: did I misunderstand this, or did Kakunojou also spend a bit of time with Shouten-sama? See the scene about the child-version of Akizuki? All of his friends get picked up by their parents, while he is the only one to remain. One of these friends looks an awful lot like a young version of Kakunojou)

One Response

  1. Kira_leingod says:

    *spoiler*
    Kakunojou was in the same village as Akidzuki was as a child because she was also a supposed canidate for the Yin Moontear Sword.

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  • Bam
    (Sunday, Jun 26. 2016 10:26 AM)
    F/SN delved into this deeply with the Shirou/Archer dichotomy, but then it pussied out at the decisive moment. Archer was right, his arguments made perfect sense, yet the arrogant naive Shirou had to pull thru by sheer will alone, and a vague hope and promise that he’ll find a way somehow. I swear, I’m not sure if Nasu gave in to pressure to make a so-called “good prevails” ending, or that he honestly believes in it. Looking at his material, I’ll bet on the former.
  • Bam
    (Sunday, Jun 26. 2016 10:22 AM)
    hehe … that’s why you don’t get me started on Eva or Berserk.
  • Bam
    (Sunday, Jun 26. 2016 10:20 AM)
    It also delved into the depth of what a desperate goodie-two-shoes people-pleaser protagonist would actually be like, and the reception he would get from his peers, specially the women. That alone right there was a deconstruction of the majority of shonen main characters.
  • Bam
    (Sunday, Jun 26. 2016 10:00 AM)
    There was no hype machine back then. The internet was still in its infancy. So when a show became this popular there was certainly some merit to it. The organic/machine hybrid mecha was relatively new, and the scene construction and cinematography was for the most part immaculate. There’s a reason why the mecha genre is divided to “pre-Eva” and “post-Eva”.
  • Bam
    (Sunday, Jun 26. 2016 09:53 AM)
    It also didn’t hurt that the character, costume and mecha designs were slick and attractive, done by the under-appreciated Yoshiyuki Sadamoto.
  • Bam
    (Sunday, Jun 26. 2016 09:31 AM)
    It came up with clever scenarios to common mecha tropes, and answered the questions that would arise from them:
    -Why do we use mechas with melee weapons against alien invaders instead of conventional weapons? AT fields on Angels.
    -Why use kids to pilot them? The Gehrin Project.
    -What happens when you put kids in sever combat situations? Extreme PTSD.
  • Bam
    (Sunday, Jun 26. 2016 09:27 AM)
    These types of deconstruction shows that are run-of-the-mill now didn’t really exist back then. Eva did afterall became the tropemaker for Gainax endings. To see the creator’s psyche twist in front of our eyes was incredible. The show went from a regular monster of the week mecha series to a deranged psycho-thriller by the end of it.
  • Bam
    (Sunday, Jun 26. 2016 09:23 AM)
    Eva was fresh and quite unique for its time. Not that everything they did was original, but they certainly put their own twist on it. I also enjoyed the “fuck-you” ending of the tv series. Anno always defended it as intentional, but we all know it was really a budgetary constrain. well, at least we got the amazing End of Evangelion movie to supplement it.
  • Bam
    (Sunday, Jun 26. 2016 09:21 AM)
    @K-of: yup Eva geek here, guilty as charged. In my defense, I watched it week-to-week when it aired back in 96, and the landscape of anime was a lot different back then.
  • Bam
    (Sunday, Jun 26. 2016 09:19 AM)
    @Kaiser: sorry I was gone for a bit.
    I saw all the other shorts, and have saved the new ones and will get to them soon as well. Thx, I usually always enjoy your recommendations- we share a similar taste in a lot of stuff.

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