Posted on 30 April 2007 with categories: Monthly Summaries

And April is nearly over already. The spring-season proved to already be quite good in its first month, with some series that you don’t want to miss. For this entry, I tried to experiment a bit more. The previous format may have been a bit too static, and it began to bore me.

+ Quick ranking of the Spring-season so far +
Okay, so one month after the spring-season started, how are the different shows doing so far? Well, fairly well if I say so myself. There are some really great series in the bunch, and there’s a lot of potential. But will it be able to turn out better than last year’s spring-season? Anyway, here’s a list with a small blurb of my opinion about them. Some of them were dropped after episode 1, while I managed to see more episodes from others.

#38: Overdrive – Deserves to get the title of “worst show of the season” because it was the only anime to have aired and nearly put me to sleep out of boredom.
#37: Saint Beast – Also came close to achieving this.
#36: Hayate the Combat Butler – Just isn’t funny, not to mention that it has too many non-sensical events and annoying characters.
#35: Keitai Shoujo – Two words: just pointless.
#34: Kaze no Stigma – Seriously needs some better scriptwriters.
#33: Kaibutsu Ojou – Boy gets to live in house full of bishoujo, where did I hear this before?
#32: Sola – Is just boring.
#31: Kono Aozora ni Yakusoku wo – On second thought, this series is bad. Period.
#30: Shinkyoku Soukai Polyphonica – Mediocrity, anyone?
#29: Nagasarete Airantou – Okay, it does have humour, but also one of the most annoying main characters ever.
#28: Idol Master Xenoglossia – I seriously forgot what this anime was about.
#27: Koutetsushin Jeeg – Someone, please tone down the testosterone-level of the scriptwriters.
#26: Blue Dragon – Could become good later on, but I don’t feel like finding out.
#25: Seto no Hanayome – Has its funny moments here and there, but there are definitely better comedies out there.
#24: Koutetsu Sangokushi – I know that I praised this one, but the second and third episode showed some horrible animation and scriptwriting.
#23: Gegege no Kitarou – On second thought, the cases just aren’t interesting enough.
#22: Kamichama Karin – Definitely not the best mahou shoujo out there. Filled with Deus ex Machina.
#21: Lovely Complex – I’ll perhaps watch this at a later time, when my Japanese level is high enough to pick up the hilarity of Kansai-ben.
#20: Ookiku Furikabutte – Perhaps I’ll watch this later when I have more time.
#19: Touka Gettan – Very confusing, will finish once summer holidays start due to busy schedule.
#18: Hitohira – I’ll also finish this one later, when the subs have picked up a bit.
#17: Tengen Toppa Gurren Lagann – The third and fourth episodes weren’t as good as the first two. It also needs a bit of realism, don’t you just love how in this world, bullets never seem to run out?
#16: Darker than Black – I honestly can’t see why this series is praised so much. Sure, it has potential, but the first three episodes only featured lots of blood and gore and a guy who keeps hitting on girls in order to protect them.
#15: Heroic Age – The premise is good, but that’s the problem. The premise is the only thing worthwhile about this series so far.
#14: Mahou Shoujo Lyrical Nanoha Strikers – The first few episode were predictably not that good. I want to see that antagonist arrive!
#13: Lucky Star – Finally an actually watchable show from KyoAni, nice one.
#12: Murder Princess – A nice little show.
#11: Romeo x Juliet – Someone tell me how people can survive a jump in the water from a huge tower without any scratch, and how three specially trained palace guards can’t even defeat a sixteen-year old girl? The romance-elements are good, though.
#10: Kishin Taisen Gigantic Formula – Okay, so the girl is the only one who can translate for the Gigantic, and she picked the boy. That’s good enough for now. What’s not good enough is how a little girl can be the head of the technical department.
#9: Wellber no Monogatari – Sure, it has a lot of bad points, but it’s fun, and the serious scenes definitely have potential.
#8: Engage Planet Kiss Dum – Quite good, I never expected this series to turn out the way it did.
#7: Claymore – So far, a solid start, but I want to see Terese
#6: El Cazador – The individual cases are pretty interesting, there’s lots of symbolism, lots of mystery, the plot doesn’t move awfully slow and Ellis is just too cute at times. What more could you want?
#5: Seirei no Moribito – Incredibly solid and detailed, episode 3 was a treat. Now let’s hope that the awesomeness won’t just limit itself to the climaxes.
#4: Ooedo Rocket – Hilarious and a good story? Definitely the biggest surprise for this season.
#3: Kaze no Shoujo Emily – A heart-warming story about so many conflicting interests. But yeah, it’ll never become popular.
#2: Bokura no – The huge cast of unique and different characters makes this anime so worthwhile.
#1: Towards the Terra – When talking about the overall best up till now, then for me it has to be Toward the Terra. With probably the best soundtrack of the season, great-looking character-designs and animation, a great setting and concept and very interesting characters, I really enjoyed this one.

+ Top 10 Anime +
One thing I do have to say is that April was a tad disappointing. Sure, there were good series, but when compared to other months, there were less awesome and memorable series. I don’t blame the newly arrived series, as it’s only natural for them not to live up to their full potential after only one month, but it’s more the older series. The fall-season just was worse than usual, and while Bakumatsu, Ayakashi and Red Garden were very interesting to see, they just didn’t live up to material like Simoun or Noein of previous seasons. Now that it’s ended, this really becomes clear. My favourite month so far in my time of blogging remains July 2006, with so many awesome series hitting their peaks. I’m hoping that the current summer will be able to trump this month.

#10: Seirei no Moribito

Like mentioned above, this definitely is the most solid and detailed anime to air in the spring-season. The fight-scene in episode 3 also was a real treat.

#9: Ooedo Rocket

Definitely the funniest anime to air in the spring-season. I love the mystery, different characters and the style of it all.

#8: Kaze no Shoujo Emily

Characters that complement each other perfectly. The introduction is finished, now I’m hoping for the anime to get really started.

#7: Jigoku Shoujo

Jigoku Shoujo currently holds the record of most posts dedicated to one series, the series to be blogged by me for the longest time (ignoring the sporadic ones like Ayatsuri Sakon and Popolocrois) and one of the first series I started blogging in the first place. Heck, after Mahou Shoujotai, it was one of the more important reasons for me to start blogging. That said, I’m sad to see this one finally go.

#6: Death Note

Death Note has been a strange little fellow over the past month. While it definitely had its annoying moments, other moments were just awesome, in a strange sort of way.

#5: Bokura no

Definitely the best promise of the shows in the spring-season. The characters have already shown to be really interesting. And that with so many of them.

#4: Towards the Terra

Like I mentioned above, when looking at the total package, Toward the Terra is my favourite series of the spring-season.

#3: Tenpou Ibun Ayakashi Ayashi

You know, in the final arc, Atl sortof sucked and was sortof unnatural, but everything else rocked! We can only wonder what this series would have done with its final 26 episodes.

#2: Les Miserables – Shoujo Cosette

Especially episode 13 and 14 were really heart-warming. It’s interesting to see that the Thenardiers are gone now, though.

#1: Chevalier

Chevalier has become even better in this month. The past number of episodes has been a real treat, and I just love the final antagonist. I’m so glad that this anime turned out amazingly well.

+ Random Notes +
– Power Puff Girls Z 36 probably was the best episode of the series yet when it comes with its own interpretation of the octi-episode. I also loved the art-style.
– Gintama had probably one of the best recaps ever at episode 25.
– I wonder if The Amazing Lives of the Fast Food Grifters will ever be noticed enough to get subbed, and I’m also eagerly awaiting Toki wa Kakeru Shoujo’s subtitled version. I don’t know what it is, but I have more trouble than usual when following raw movies, so I decided to wait for the subbers to do their magic.
– Less than two weeks left for Dennou Coil, and less than two months left for Tales of Symphonia and Tetsuko no Tabi. Yay!
– Share seems to have problems downloading Futago Hime. I don’t know why, but with every single file, it just stops downloading when about half of the episode has been downloaded. I’m not liking this, rawr!
– I think someone needs to tell the raw-providers that Kekkaishi started again. There hasn’t been any new release on Tokyo Toshokan, even though it’s been two weeks since episode 19 aired.

+ Newly Announced Anime +
Goshusho-sama Ninomiya-kun
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Summary: “Next up is Goshuusho-sama Ninomiya-kun, which translates vaguely to “My Condolences, Ninomiya-kun.” Mamoru Ninomiya is the victim of his family, which includes two parents and four older sisters, all of whom are vagrants wandering around the globe – leaving poor Mamoru living all alone in a very large house. And what do you do with an empty house? Fill it – with a pair of sisters who find themselves in Mamoru’s debt. Wait a sec, why the condolences?” – (taken from animeonline)
Thoughts:Oh golly, what have we here? Talk about bad premises. It starts out great, though. Parents and their daughters who are wandering around the globe. Unfortunately, instead of focusing on these interesting characters, this anime decides to focus on the loser-son who stays home and gets to live with two beautiful girls. Seriously, when will these generic concepts stop?

Moetan
Summary: “Moetan is a series of English language study aid published by SansaiBooks in Japan. Targeted at otaku, it attempted to teach English words using examples drawn from computer games and anime.” – (taken from Wikipedia)
Thoughts:Just when I thought that an anime-title couldn’t get any more obvious, this one comes around. It’ll be just an excuse to show some cute girls without substance to the otaku.

Rental Magica
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Summary: “In the story, Isuki is a high school student who inherits a magicians’ employment agency from his missing father.” – (taken from Anime News Network)
Thoughts:I admit, it does have potential. If the cases that have to be solved with the rental service are serious and imaginative enough, this could turn out interesting. But why do I feel that this is going to turn into one of those usual moe-series?

Sketchbook ~full colors~
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Summary: “Based on a 4-panel manga. Like its 4-koma-into-anime predecessors Azumanga Daioh and Lucky Star, Sketchbook appears to follow a group of female high school students. However, this time the central character is the shy Sora Kajiwara, who is unsure of what club to join…until she gets dragged into the wacky art club, of course.”
Thoughts:If I had to guess, then this anime will combine Hidamari Sketch, Hitohira and Lucky Star. The shy girl could be interesting, but school-based anime have never really been my thing.

Druaga no Tou
Summary: “Players take control of Prince Gilgamesh on his quest to rescue his love, Ki, from the vicious Druaga.” – (taken from IGN)
Thoughts:Very interesting, Druaga no Tou, or the tower of Druaga is actually an old game-classic. Gonzo has decided to turn this into an anime, and I really wonder what they’re going to do with this concept, simply because of the lack of story in the original game. Really, how can you turn a game in which you have to travel through mazes in a strange tower to save your girlfriend into a fully fledged anime? Something tells me Gonzo’s going to pull another Romeo x Juliet on this one.

Ride Back

Summary: “After the United Nations dismantling and a large earthquake disaster happening in Tokyo, etc, the counter government motion by japanese students students again becomes active in 2020. One girl entered in the Musashino liberal arts university which is one of the bases base for the student movement. Her name is Ogata Rin. The “Rin” which has the talent of the dance which becomes type rare encounters with the human type bicycle robot ride back entrance first day. That, the opportunity which reforms the world is with, everyone’s one person there was no reason which is known….” – (taken from babelfish and edited a bit, though some sentences were impossible to transform to correct English)
Thoughts:Ride Back is another manga-adaptation from the Ikki-magazine. Quite frankly, I really enjoyed the various adaptations from that magazine, Narutaru was great, Bokura no is promising to become amazing and Tetsuko no Tabi, which is coming in June, is also looking to be quite interesting. Because of that, I’m quite looking forward to this one, though the concept seems a bit generic, featuring a girl piloting a small mecha in a dystopian Japan, 13 years into the future. Ah well, I’ve got hope for this one, we’ll see where this one goes.

Miyori no Mori
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Summary: “The series follows Miyori, a girl who daydreams of escaping her tough everyday life. When Miyori enters the woods, she experiences many mysterious phenomena, including the discovery that the woods are also home to spirits and ghosts.” – (taken from Anime News Network
Thoughts:Yes! Yes! Another mystery-series got announced. With mystery being one of my favourite genres, I’ll definitely be anticipating this series.

+ Top 5 Episodes +
Deltora Quest – 07
Now that I think back on it, I keep getting more and more convinced how good that fight against Thaegan was. Short but sweet definitely is fitted for it. This episode definitely was one to remember if you combine it with the backgrounds of the different characters, abducted by the witch.

Seirei no Moribito – 03
Probably one of the most detailed fight-scenes ever. I’ve yet to see anyone to actually dislike this episode, and with good reason.

Jigoku Shoujo – 52
The end of the series I’ve been blogging for the longest period of time, and what an ending it is.

Saiunkoku Monogatari – 39
This has to be one of the most nostalgic episodes I’ve ever seen. This episode was basically enough to release the inner-fanboy within me.

Chevalier – 19
I won’t spoil what happened in here, but it was BEAUTIFUL.

Posted on with categories: Anime Reviews


Le Chevalier d’Eon tells the brilliant story of the years before the French Revolution, during the reign of Louis XV in a setting with fantasy-elements. It follows d’Eon de Beaumont, a chevalier in service of the king (hence the title), who suddenly discovers the death of his famous sister, whom he admired.

If you’re interested in politics, realism, cross-dressers, historical anime, battle tactics or compassionate characters, then look no further as Chevalier brings a compelling combination of these elements. The storyline is incredibly detailed. Characters act because of complex reasons, and in most of the cases these reasons are explained as well. Through the course of the anime, the countries of France, England and Russia show a bit of their political system they used during the timeline in which the series takes place. And some of the characters get fleshed out incredibly well.

The second half of this series is a pure delight because of this. Starting from episode 15, there isn’t even one bad episode, and each one delivers, with four or five absolutely amazing episodes. Unfortunately, though, the first half is just too slow at times, and it spends perhaps a bit too long on building up. There are a few climaxes, but they weren’t really that special when compared to the second half, and I can imagine that they cost this anime quite an amount of viewers because of it.

The music is good, but forgettable. The graphics however, shine. Not literally, but characters are drawn incredibly detailed, and they’re greatly animated. Battle-scenes also are greatly choreographed as well. But the thing that really made this anime was its cast of characters. I probably won’t be able to forget the charming Durand soon, or the naive Robin, or the knightly Teillagory. Each of them was so worth to watch. It’s a shame you don’t hear so much about this anime, as it’s really the highlight of last year’s summer-season.

Posted on with categories: Bokura no


Short Synopsis: It’s Masaru’s father, and only now the concept of Bokura no really becomes clear.
Good: Wow… just wow…
Bad: Certain characters didn’t get any lines at all.
Overall Enjoyment Value: 8.5/10

Oh boy… I may have misunderstood this part, so correct me if I’m wrong, but in this episode, it becomes clear that whoever pilots Zearth, will definitely die. Seriously, I knew that characters would die quite often, but I never expected it to be an actual RULE to this game. That’s why Kokopeli never appeared again, he wasn’t controlling everything from behind the scenes at all, he just died after he demonstrated how to pilot Zearth! The reason Takashi died also was because of this, and Jun had to take the blame.

This time, it’s Masaru’s turn. And really, his case was so good. His brother (whom I previously mistook for his father) hates his father, but Masaru loves him. It’s a typical case in which a parent favours one of his children above the others. Usually in anime, the focus is on the neglected one, but this time, it’s the total opposite. The reason Masaru has turned so cold was because of his father, who doesn’t seem to have any mercy as well. It seems that the only one he’s nice to is Masaru himself, who in turn loves him as well. Notice the chair he uses in Zearth isn’t his own chair, but his father’s.

During his turn in piloting, he indeed demonstrates that he’s rather merciless, when he doesn’t care what kinds of homes he’ll destroy or people he’ll kill. Because of this, he accidentally kills his own father when he falls down, due to carelessness. He goes berserk after that, which ends up killing the enemy mecha, and himself as well.

This definitely was a Masaru-episode. The others didn’t get much development, aside from knowing that they’re all going to die. Because of this, I’m looking forward to the next episode a LOT. Especially the one who’s going to pilot next time will be interesting, now that he or she knows that fighting means dying.

Posted on 29 April 2007 with categories: Les Miserables - Shoujo Cosette


Short Synopsis: Javell finally finds Jean’s location, resulting in Jean and Cosette, fleeing from Paris.
Good: Javell
Bad: Strange that Javell didn’t take the window at the side of the house into account.
Overall Enjoyment Value: 8/10

This episode is more among the exciting ones in this series, compared to the heart-warming ones of the previous episodes. It was only a matter of time for Jean’s location to be found, and that time was about half into the episode. I loved duo of Jean vs Javell, during this episode. Javell, instead of using his subordinates to spy on Jean, is so determined to catch the guy that he does this himself. I liked this. A lot.

The escape-scene also was a great one, since Jean doesn’t only have to think about himself, but he’s also carrying a little girl with him. His past turned out actually good for once, as because of the trials he had to endure, he’s able to easily outrun Javert and a couple of trained policemen. Even when he’s carrying Cosette, they still have trouble catching up to him.

Cosette was really more of a side-character this time. We see her having a bit of fun, and finally meeting other children, but this definitely was a Jean and Javert-episode. One thing I liked about the first season, by the way, was that the Thenardiers made sure of a constant source of conflict. This is quite a bit different from the current season, which really has more recognizable conflicts. Still, something tells me it’s building up, just like the first one did. It’ll be very interesting to see where this one goes.

Posted on 28 April 2007 with categories: Toward the Terra


Short Synopsis: In order to calm down the rampaging Jomie, Blue shows him memories of his own past.
Good: Omg @ those memories.
Bad: What was the meaning of that death-card, shown at the beginning of the episode?
Overall Enjoyment Value: 8,5/10

Holy god, that was good. This time it’s really Toward the Terra’s turn to shine, as this episode was amazing, with as height Blue’s history. I knew that the Myu had a sad past, but I never knew that their past was this extreme. It all started when Blue went rampant, just like Jomie. After that, he got locked up, alongside other Myu. At one point, he couldn’t take it anymore, and blew up the planet, trying to escape along with the other Myu. Physis also seems to be a childhood friend of his, as we see the two together in their younger years.

Jomie will no become quite interesting, now that he seems to understand why he’s needed to guide the other Myu to earth. I’m not yet sure whether he has fully accepted this, though I believe the next episode will solve this. I also do wonder, who was the one who couldn’t manage to hold on to that final person who fell off the ship, back in Blue’s memories? I don’t recall I’ve seen the guy, and he seems a bit too old to be the antagonist for this series.

The rest of the episode also was quite a treat to see, that battle between the human forces and the Myu ship was really intense, and add that to Blue, nearly collapsing to his death, and the ever-awesome music, and you’ve got yourself a great episode. If this can continue for the rest of the anime, we’re in for something really special. :)

Posted on with categories: Kaze no Shoujo Emily


Short Synopsis: Teddy’s mother is very protective of her child, while Emily and Ilse keep trying to get her to let him play outside. Perry meanwhile, has never really learned to write
Good: Teddy and Perry.
Bad: Emily’s voice actress sounded a bit different in the beginning of the episode.
Overall Enjoyment Value: 8/10

This episode marks the end of the introduction of this anime, and it ends quite fitting with the positive part of the premise for the future episodes: Emily dreams of writing for her profession, Teddy wants to be an artist, Perry aims to become a politician and Ilse fancies to become an elocutionist (or a public speaker), and all four of them are already quite good at their desired professions.

I expected this episode to be about Teddy, but Perry gets fleshed out as well. During the first half of this episode, he gets his hands on one of Emily’s books, after making fun of her fantasizing. He came from a poor family, so his literate skills aren’t too good. He seems to be able to read, but he’s never learned to writ. That’s why he keeps practicing writing Emily’s name, which she wrote at the last page of the book. Because of this, he’s really getting respect for Emily, who already is able to write so well, and he apologizes to her, which already shows that the guy can take responsibility.

Still, the largest part of the episode was dedicated to Teddy, since it’s the first time we really see him. And I have to say that his case is another beauty. During the entire episode, we see no signs of his father, which suggests that he either disappeared, or died at a certain point of time. Because of that, Teddy is the only thing his mother has left, and she’s become overprotective of him over the years. She blatantly refuses to let him play along with Ilse and Emily, and Teddy catches her crying at night.

Obviously, Emily doesn’t just listen to her quietly, so she starts yelling at the woman for not letting Teddy do what he wants. I think it’s here where Ilse realizes that she wants to do the same thing. Unlike Perry, she decides that it’s better to just ignore Emily, and closes the door right in front of her face, running away from things. Luckily, Teddy isn’t stupid, and he manages to convince his mother to let him go (great scene, by the way).

Emily also got a small bit of airtime, when she attempts to read a book and Elizabeth takes it away from her. This’ll probably be quite a problem for the future, as Elisabeth can’t see why Emily would read for her own entertainment while she could study.

Overall, I love this anime so far. Each single character has his or her own problems, and so many people have different morals and views that they complement each other perfectly. It’s a shame that this series isn’t getting any attention (or heck, fansubs), as it’s definitely one of the best series to have aired this fall. :)

Posted on with categories: Seirei no Moribito

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Short Synopsis: Inside Tanda’s house, Barsa recovers, while the old woman we saw in the OP makes her appearance.
Good: As detailed as ever.
Bad: Just doesn’t live up to the previous episode, but what did you expect? ^^;
Overall Enjoyment Value: 7,5/10

After the huge events of the previous episode, this one takes a step back in the pacing, to make sure for Barsa to recover properly, while it also takes its time to introduce a couple of new characters. We finally see the king himself (at least, I think that’s him), and the first prince of the country as well. They weren’t what I expected them to be, and they didn’t really look that evil. If I had to guess, then the major antagonist will be the long-bearded priest.

Another new character is Torogaishi (at least, I think that’s her name. Please correct me if I’m wrong). She seems to be some kind of witch or magic user, who somehow ended up on the bad side of Seidoushi, as the warriors who come to kill her at the beginning of the episode demonstrate. She’s quite skilled; notice how she started collecting sand to make some kind of fake body once she noticed their presence. The dialogue was as difficult as usual, but I did pick up that she’s involved herself into finding the egg of the water spirit, and knows quite a lot about it.

Chaggumu, meanwhile, finally has the time to relax a bit, and just like Rita, he has to get accustomed to the habits of the common people. I do wonder what’ll be happening next to him. If I had to guess, then the following episodes will try to remove the egg from his body and turn him into a normal boy. Like Rita, he’ll also end up cutting his hair (see the OP and ED).

Posted on 26 April 2007 with categories: Anime Reviews


Tenpou Ibun Ayakashi Ayashi was supposed to take over from Blood+ on the Saturday 18:00 timeslot, the number-one prime-time spot for anime, which also housed series as Full Metal Alchemist and Gundam Seed Destiny. For this, it had to live up to some great expectations, and it came with a story about Youma-hunters, during the Tenpou era of Japan.

If I had to say so myself, then Tenpou Ibun Ayakashi Ayashi definitely lived up to these expectations, but it’s so not suitable for the prime-time spot. Timeslots like these are meant for popular shows with lots of fanboy-pleasing action, not an intelligent show like this one. Because of this, the series’ original length of 52 episodes was cut in half, leaving only 26 episodes for this anime to work with. This, in fact, is the only really bad point of this series.

Like I suggested above, this series’ great strength is its storytelling. It consists out of small arcs, ranging from usually two or three episodes, which all centre on themes, deeply rooted in the history of Japan and its religions. I’ve almost never encountered an anime which did so much research for its stories. As a result, the individual tales just sparkle with creativity and originality, while they still hold a large amount of realism. To give a small indication, brothels have often appeared in historical anime (to name a few, Samurai Champloo, Peace Maker Kurogane, and quite some more), but never was this concept so fleshed out as in the three episodes Tenpou Ibun Ayakashi Ayashi dedicated to the subject.

Because these stories have such a good base, the characters also can be really fleshed out. Every important character has at least one arc in which he or she stands in the spotlight, and even though the character-development is incomplete, because of the reduced anime-length, the development that we do see is truly fascinating. To add that, nearly each arc has one major climax, and perhaps with exception of the first arc, each of these climaxes turns out to be really captivating, and full of tension.

Even in the graphical and musical department this series delivers. The background music makes sure that the climaxes work even better, while the character-designs are really lifelike. I remember commenting about how these characters looked so standard when I first saw them, but the fact remains that every single character looks unique in this anime, instead of being a clone of character A with different hair and eye-colour (something which seems to plague other anime). Add in a couple of great special effects, and you’ve got yourself a visual treat.

Because of the reduced length, I can’t rate this 90% or higher, because I feel that this anime would have been even better if the remaining 26 episodes were added (and not to mention the rushed ending), but I definitely recommend giving Tenpou Ibun Ayakashi Ayashi a try. It’s probably one of the few anime with a guy in his fourties as a main character, and this works perfectly. Just be aware that the dialogue can be quite intensive, so this isn’t an anime that you can just watch leisurely

Posted on with categories: Anime Reviews

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Satoshi Kon comes with another movie, called Paprika. This is the same person who directed Paranoia Agent, so I undoubtedly looked forward to it a lot. So, after having seen it, how did it turn out? Well, disappointing. It’s not bad or anything, but I expected something more.

Paprika comes with another psychological theme: dreams. About 50% in this movie happens in dreams, and they show what happens when humans start messing with them. Overall, it was quite interesting, but I’m surprised to say that the pacing was rather slow, compared to Paranoia Agent, which continuously kept the flow of events high. Paprika definitely is different, as it seems to more focus on its characters than paranoia itself. When you look at it this way, it turned out pretty good, with interesting choreography at times, and all accompanied by very unusual characters that you probably won’t see in any other anime.

Still, there are two rather bad points about this movie. It’s repetitive, and it doesn’t use its amazing soundtrack enough. Seriously, if you loved Paranoia Agent’s soundtrack, you’ll love the theme song. It’s a great song, but the rest of the anime is filled with rather mediocre background sounds or just plain silence. I kept longing to hear the opening track again, which unfortunately only happened when the ending credits rolled. Regarding the first point, it’s quite a few times that we see scenes that we’ve already seen before. I guess these scenes were meant to illustrate the changes in the anime, but when a strange parade passes the screen for the fifth time, its novelty has worn out.

Overall, if you’ve got some time to burn, you can check this out, as it’s quite a good watch, but there definitely are better movies out there.

Posted on with categories: Ooedo Rocket

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Short Synopsis: Sora’s naivety is proven when she nearly kills herself, Sekichi and Ginjiro in her enthusiasm to go to the moon.
Good: Sora, the ending, as hilarious as usual.
Bad: This show definitely needs more attention.
Overall Enjoyment Value: 8/10

I can’t believe what a great combination of comedy and drama Ooedo Rocket has. It’s definitely the funniest series to debut in the spring-season so far, and to top that, it’s got a captivating story. Especially the climax of this episode was great to see, when Sora gets a bit too enthusiastic and starts helping Sekichi a bit. It seems that her spaceship still has a bit of gunpowder left, so she mixes some of it with Sekichi’s usual mix of gunpowder.

I laughed when Sekichi tested this out, and sent a ceramic bowl high up in the sky. Later, he tries this on a larger scale, trying to send a local shrine into orbit. Sora, however, already believes that this will be enough to send her to space, so she hijacks the shrine. Luckily, Ginjiro and Sekichi can get her out just in time, as the thing flies about ten meters into the air, before exploding.

This does make me wonder… how is he going to do it when even Sora’s super-gunpowder isn’t enough? It’s also strange, this anime has a huge number of side-characters, but for some reason, they don’t feel out of place. The people from Sekichi’s neighbourhood definitely liven up things, and they make me believe that we’re really the city of Edo right now. I also wonder what the black alien is. He seems to have something against Sora, but for some reason he can’t take the form of a human, unlike Sora can.

I really hope, by the way, that Ooedo Rocket is going to take 26 episodes. I’d like to see how this would turn out if the plot really takes its time to develop, instead of trying to cram its story into thirteen episodes.

CHANGE USERNAME
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Kaiser-Eoghan
I enjoyed how outright surreal Arakawa was.
Kaiser-Eoghan
@Amagi: It bothers me that they're stuffing multiple tales into single episodes.
Kaiser-Eoghan
Ah, excel saga, I wonder what I would think of it now, its been years.
Kaiser-Eoghan
@Amagi: I actually respect Aidan's coverage of it.
Kaiser-Eoghan
@Niello: Yes that edgy villain kid in COTWs was annoying though.
Kaiser-Eoghan
@Amagi: I don't care much for the male character that leads some of the episodes in this new adaptation.
@Niello: Its a non-mainstream shoujo that isn't set in a school, moves at a quick enough pace and has some nice background art/chara design, I grew up on shoujo fantasy manga also so theres that.
Amagi
I mean there are parts I like. I enjoyed the first episode, and the part about the country of liars. But many other things annoy me and the last episode was the worst. I also feel like the edgy bomb loli and slapstick Kino don't fit to the rest of the show somehow. Maybe I forgot everything, but the "old" Kino felt like a better character to me somehow, this one is more faithful to the LNs though
Amagi
@Kaiser: I honestly gave up on Kino and I think it's only partly the fault of the new series. I am just so tired of how stupid most of the episodic-characters are unless their are friends of Kino, how everyone gets bent being irredeemable evil for plot's sake and how everything Kino and her friends do gets justified. Maybe I am just too old or boring for this fairy tail like moral bending.
SuperMario
Still have Night is Short review to write... i will get there. I will get there
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Princess Principal has emerged as a true sleeper hit for this admittedly sloppy Summer Season. A joint project from indie studios that bring us my favorite anime of last year Flip Flappers (3Hz) and “better than it has any right to be” Girls und Panzer (Actas), Princess Principal records the missions of five cute spy […]

Shingeki no Bahamut: Virgin Soul Review 80/100

“Dance!” I have been a  reader of this blog for a long time. Indeed it would not be wrong to say that psgels and the current crop of writers have helped maintain my interest in anime for the last decade. So now here is my chance to give something back to this excellent blog. Shingeki […]

Katsugeki Touken Ranbu Review – 63/100

Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

Kakegurui Review – 61/100

This show is one that makes conventional reviewing difficult as your enjoyment of your series will likely determine on highly subjective factors. For if I was to put this under scrutiny on matters of f-plot, setting and characters then it will end up lacking in all categories. The plot is just watching Yumeko face members […]

Re:Creators – 22 [Re:CREATORS] – 75/100

There was never going to be a epic fight with every creation squaring off against the overpowered and invincible Altair. That possibility died when the creators threw the copycat of Blank at her only to have that plan backfire horribly. Besides, it wouldn’t have been a satisfying conclusion to Altair’s story to have her be […]