Posted by psgels on 26 April 2007 with categories: Anime Reviews

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Satoshi Kon comes with another movie, called Paprika. This is the same person who directed Paranoia Agent, so I undoubtedly looked forward to it a lot. So, after having seen it, how did it turn out? Well, disappointing. It’s not bad or anything, but I expected something more.

Paprika comes with another psychological theme: dreams. About 50% in this movie happens in dreams, and they show what happens when humans start messing with them. Overall, it was quite interesting, but I’m surprised to say that the pacing was rather slow, compared to Paranoia Agent, which continuously kept the flow of events high. Paprika definitely is different, as it seems to more focus on its characters than paranoia itself. When you look at it this way, it turned out pretty good, with interesting choreography at times, and all accompanied by very unusual characters that you probably won’t see in any other anime.

Still, there are two rather bad points about this movie. It’s repetitive, and it doesn’t use its amazing soundtrack enough. Seriously, if you loved Paranoia Agent’s soundtrack, you’ll love the theme song. It’s a great song, but the rest of the anime is filled with rather mediocre background sounds or just plain silence. I kept longing to hear the opening track again, which unfortunately only happened when the ending credits rolled. Regarding the first point, it’s quite a few times that we see scenes that we’ve already seen before. I guess these scenes were meant to illustrate the changes in the anime, but when a strange parade passes the screen for the fifth time, its novelty has worn out.

Overall, if you’ve got some time to burn, you can check this out, as it’s quite a good watch, but there definitely are better movies out there.

4 Responses

  1. Martin says:

    I really enjoyed Paprika but I don’t think it’s his best effort to date. Visually it’s spectacular and you’re right about the music – I’d recommend it on these two criteria alone. Compared with his other stuff it’s not quite so outstanding but it IS a Satoshi Kon movie, and they’re always worth watching! I’ve yet to see a film or series he’s directed that wasn’t original and enjoyable.

  2. Wyrdwad says:

    I think part of why Paprika didn’t live up to his other movies (and don’t forget about Millennium Actress here, which has the best Hirasawa Susumu soundtrack to date!) is because Satoshi Kon didn’t actually WRITE it. Not the original story, anyway. He wrote Paranoia Agent and Tokyo Godfathers, and he co-wrote Millennium Actress, but both Paprika and Perfect Blue are movies based on pre-existing novels. If Kon himself had written Paprika, I think it would’ve been MUCH more interesting!

    That having been said, though, I got to see the movie WITH SATOSHI KON HIMSELF INTRODUCING IT AND ANSWERING QUESTIONS AFTERWARD, so I can’t complain. (:

    -Tom

  3. kaei says:

    Kinda late to the party – just saw the movie. Gave up on the plot half way through and just decided to enjoy the eye candy, but somehow the ending was surprisingly poignant for me, and I can’t figure out why. Atsuko is definitely one of the awesomest female anime characters in recent anime history.

  4. TheouAegis says:

    I always show up when the party’s over and everyone’s gone home.

    The soundtrack is not one of Susumu Hirasawa’s best, but it does have more variety than his other albums. The track “Lounge” and “Welcome ot the Circus” are beyond Hirasawa’s realm of standard faire (he hates jazz, making “Lounge” that much more remarkable). Without argument, “Parade”, “Girl from Byakkoya” and “Meditational Field” are his most prominent and memorable works in Paprika. You cannot hear “Parade” without picturing the pandemonium parade in your mind or hear “Meditational Field” without picturing Paprika darting in and out of billboards and computer monitors. Hirasawa gained many new fans with the release of Paranoia Agent and understandably more with the release of Paprika.

    While Paprika will most likely be admired for its animation (some scenes took three months to complete!) and remarkable soundtrack, most people will continue to be turned off by the incomprehensible storyline and lackluster characters. It is true that there are no memorable characters except perhaps Paprika herself, but to say there is no character development is wrong. Nonetheless, it is by fault of having so many characters critical to the plot that the development seems to suffer.

    However, the fault lies with the viewer who puts too much emphasis on secondary characters. The main characters are, as Satoshi Kon points out in a commentary, those who are bathed in light instead of covered in shadow. People assume Atsuko Chiba is the main character and should have more development, but in actuality there are three main characters — Drs. Chiba and Tokita, as well as the detective Konakawa. Since Dr. Chiba is actually two characters — herself and her alter ego Paprika — there’s even less time to spend developing the characters. People tend to praise Perfect Blue because so much time was spent developing the main character that they could accept the lack of development of all the other characters in the movie. This time around Satoshi Kon spends more time defining and developing multiple characters using subtle references.

    If you feel a character in Paprika does not have adequate development, you probably aren’t paying enough attention to the dialogues and background scenes. The same is true of the plot. Satoshi Kon deviated from his norm when drawing up the storyboard. Each scene is connected by a shared background feature. He tells us to keep an eye out for this transitional effect in the opening credits when Paprika darts in and out of billboards across the city.

    The most glaring and perhaps hardest to follow transition is when Dr. Shima starts ranting in disjunctive thought then runs down a hallway, crashing through a window wihle laughing madly. That’s when reality and the dream world first mesh in Paprika. The effect on the brain at that point is jarring. People these days expect a narrative, but Kon denies us that privelege and instead uses dialogue to hint at the story. In the beginning of the film, Paprika explains the first half of REM sleep is like an artsy film, while it’s not until the later half that things become coherent. When the real world and dream world merge, the world enters conciously into the early stage of REM sleep, thus rendering reality into an artsy film. In this way, the plot remains coherent and developed, much unlike my review.

    Overall, Paprika is an intriguing spin off of a famous Japanese story with an exceptional soundtrack as one expects of Susumu Hirasawa, but with a predictability that Satoshi Kon fans would notice. Such predictability is not a bad thing, but rather makes the film that much more enjoyable to fans of his earlier works.

    Story: 4/5
    Soundtrack: 4/5
    Characters: 4/5
    Visuals: 5/5
    Overall: 4.5/5

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  • Bam
    (Sunday, May 3. 2015 05:25 AM)
    But the fact that initially nobody knew what they were getting into with DeS made it a special instance in time. A moment of camaraderie between confused, scared yet amazed players. That was our beach. An element that is diminished with it each subsequent release. Bloodborne brought some back with its originality, but it became too famous and got plastered on all the websites, which took away that cozy wonderment.
  • Bam
    (Sunday, May 3. 2015 05:18 AM)
    Also it’s always hard to replicate your first Soul experience, so for us that got DeS first it will always have a special place. Hell, I still throw it on sometimes and multiplayer some areas. DSI built upon the foundation and made it bloom, so in many ways it was superior to DeS.
  • Bam
    (Sunday, May 3. 2015 05:15 AM)
    @Aidan: the last boss of DeS is not really a final fight type of boss, but rather another obtuse element that made it a cult classic. There was a lot to do in the 5 zones based on World Tendencies, so I hope you got those done before you ran into NG+, cuz that’s gonna be a bitch now.
  • AidanAK47
    (Sunday, May 3. 2015 12:55 AM)
    Ah yes, that’s why swa was pissed. Hmmm..this is odd. As far as adaption goes I don’t see anything left out besides the monologues yet…it has so much less impact. Still this is gonna be a hard episode to blog.
  • AidanAK47
    (Saturday, May 2. 2015 10:55 PM)
    That last boss of demon souls was a major letdown. Still after marathon the game it’s nice to reach the finale. Thought it would take me longer than this. It was better than dark souls 2 namely because it was fairer. But Dark souls 1 was far better.
    And now to watching UBW and see what swa is pissd about. Though I can guess…it can’t be that…
  • swa
    (Saturday, May 2. 2015 09:31 PM)
    Watching UBW, things meant to happen happen, move on, yeah, ok… Finally! The meat of the episode is about to be served! Ending plays…. FU!
  • AidanAK47
    (Saturday, May 2. 2015 09:01 PM)
    @Ratsgnof, when the sun rises in the west and sets in the east.
    …in other words no clue.
  • ratsgnoF
    (Saturday, May 2. 2015 07:17 PM)
    So… when is psgels coming back?
  • Emma
    (Saturday, May 2. 2015 06:20 PM)
    Well, having achieved the true ending/route, in my personal opinion at least this was actually game redeeming.
  • Emma
    (Saturday, May 2. 2015 12:48 PM)
    Hachiman, you magnificent, magnificent creature you….

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