Posted by psgels on 22 May 2007 with categories: Deltora Quest

Ah, I’ve been dying for the next instalment of Deltora Quest, and once again I must say: whoa!

The Yurunai have really gotten more depth than you’d expect at first sight. At first, I believed that they were just the citizens of a city who were a bit too enthusiastic about their hygiene, but once again this anime surprises me to actually give them a reason to. I mean, when you live right next to a cave, covered with highly poisonous mushrooms that can kill you just by touching, it’d be perfectly plausible for these people to live cleaner than usual, to protect their people. There was just a huge need for this. I can imagine this fear for contamination lapsing into obsession over time. The origins of this obsession has never had anything to do with the shadow lord at all, though I do suspect that he did help a bit in making it worse.

That’s the thing I love about Deltora Quest, unlike other brainless shounen series like Gurren Lagann, this one actually makes you and it characters think about the situations and settings. Not even one event doesn’t get backed up or explained by others. Heck, even the Deus ex Machina make sense! You just know that Tira would come back after leaving Lief, Barda and Jasmine, simply because she forgot their swords. For once you can see a deus ex machina come because it makes sense, instead because of blatantly obvious storytelling. The same with Fillie, the Yurunai said that they sent Fillie into the tunnel, though the creature would be smart enough to actually hide and wait for Jasmine to come and pick him up. When he saw her in danger, he obviously wanted to defend her. And regarding the Dai-Master sneaking up in the tunnel, obviously a smack by Tira hurts, but she remains a little girl, and when she smacks you on the head with a frying pan, I can see that you’d only lose consciousness for a short while, when compared to a punch from Barda, for example.

There’s also one thing that makes Deltora Quest really unique among the shounen genre: the fact that killing off the big boss doesn’t mean the end of his subordinates as well. We already saw this when Thaegan was temporarily dead, but now we see this for real, as the Dai-Master won’t be getting up soon in the state he’s in. And still, the Yurunai are perfectly fine.

And also the food! I never expected to be such a deep meaning to it, when it gets sold back to Tom’s shop like that. And the strange thing is, I don’t recall Tom actually selling food at all. Also, how did the Yurunai get so much food to begin with? These questions will probably get answered in the next episode. It’s a shame you almost hear nobody about this series, but I’m glad that it’s actually being subbed.

10 Responses

  1. chaosakita says:

    Hmm… In the book version, the equivalent of the Yurunai are overly-hygienic because rats infested their city due to the Shadow Lord, but in the Anime, it’s different. Can’t say if I like it or not.

  2. psgels psgels says:

    Hm, well, we still have an episode to go. Perhaps this’ll be revealed in episode 11. After all, there had to be a reason why they feared Fillie so much. Being obsessed with hygiene is one thing, but now that you’ve mentioned it, the Yurunai did act a bit too scared when they saw him. What if the city was infested with rats at one certain point, but these rats left?

  3. relle says:

    in the book, the city of the rats was once a city called hira, and when it got overrun, the people fled and they are the people who are ‘obsessed with hygeine’- thats why they are scared of filli- they think hes a rat

  4. psgels psgels says:

    Hmm, you mean that they left their original city? Okay, so that means that the poisonous tunnel was meant to keep the rats out, doesn’t it? Quite interesting indeed, something tells me we’ll hear more of this in the next episode.

  5. i love new york! says:

    there are other names for the citires in other langauges? weird. the name in the 3rd book (the city of the rats) was noradz (no-rats)and the prayer thingy was noradzeer (no-rats here)

  6. i love new york says:

    and anyways the leader people were called ra-kachaz something like that (rat-catchers)

  7. egan says:

    Yeah, but the English names only work for us because they’re play on words. It makes sense that the Japanese would change

  8. Elanna says:

    Ok… in the book the city (with the overly hyginic people)was called Noradz… and the guys in red the Ra-Kacharz.
    Now if you read it properly you can see the hidden clues in the names…
    Ra-Kacharz = Rat-Catchers
    Noradz = No Rats

  9. Cubia says:

    Is this series on hiatus? x_o

  10. psgels psgels says:

    I guess it is, yeah. Until someone comes and starts subbing it again. -_-

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  • Kaiser Eoghan
    (Wednesday, Oct 7. 2015 02:43 PM)
    ….Dear God…I have no words in which to describe hidan no aria AA, no words. The original I could take the piss out of. But this is a new low standard set for the light novel medium.
  • Bam
    (Tuesday, Oct 6. 2015 09:02 PM)
    One-Punch Man’s pilot was almost adapted flawlessly. It straight up uses the manga panels as it’s main storyboard, but added just enough new touches to improve the action instead of ruining it. Now let’s see how they animate the mosquitos and all the lasers for the next episode.
  • Bam
    (Tuesday, Oct 6. 2015 08:57 PM)
    And that’s why Madhouse is one of the few respectable studios left. I thought that they will be seriously diminished after Masao Maruyama took some of its key members and funded MAPPA, but One-Punch Man showed that they are still one of the best in the business.
  • k-off
    (Tuesday, Oct 6. 2015 08:51 PM)
    @Kaiser The anime industry isn’t advanced enough in CG to make it look good, is all it is.
  • Kaiser Eoghan
    (Tuesday, Oct 6. 2015 05:51 PM)
    @K-off: Your not wrong, it certainly looks poor but some of the old gonzo animated stuff was far more woeful looking. Stellvia, which was done by xebec was another example of old anime cgi which was quite ugly to look at. Just as I prefer traditional effects in film I also prefer traditional animation techniques to cg.
  • k-off
    (Tuesday, Oct 6. 2015 05:42 PM)
    Lately, the use of badly integrated cgi have been making my eyes sore,from the obviously cgi background characters in Asterisk to the overly fluid mech movements in Aldnoah. I still remember the shitty cgi piano hands in Kimi no Uso.
  • Bam
    (Tuesday, Oct 6. 2015 12:04 AM)
    On the note of good balance between humor and drama- I think BoJack Horseman is an example of a show that executed that almost perfectly in both seasons. You are laughing one minute and amused by the hijinks and silliness and the next minute you are actually moved and shocked by the honest introspection. Too be honest BoJack is more a tragic character then a goofy one, and his struggles are deeper and more existential than they have any business being in a show with anthropomorphic animals.
  • Bam
    (Monday, Oct 5. 2015 11:56 PM)
    The changes in the setting actually made me more excited for season 3 then what I felt the past few weeks, since now the plot needs to move forward from the cliffhanger and hopefully this translates to more cohesion and refocusing on what mad the show great in the first place. I’m pretty sure S3 will also be a blend of episodic and arch story elements tho. Overall a few ups and downs but still a great show.
  • Bam
    (Monday, Oct 5. 2015 11:52 PM)
    The finale also had some of the most overall arch story elements featured in the season. Earth joining the Galactic Federation is a big deal story-wise from now on. Also the use of a cover of Johnny Cash’s “Hurt” (not the Nine Inch Nails one clearly) was a nice fitting yet surprising touch. The throwback to Mr. PB after the credits was a good idea, but felt flat in it’s actual execution.
  • Bam
    (Monday, Oct 5. 2015 11:49 PM)
    I thought R&M had a pretty good finale. The episode achieved what was missing from most of season 2, and that was a balance of randomness and meaningful bits. What made Rick Potion #9 and the previous season’s finale and general tone great was a sense of humor that was combined with more sincere drama and character developments; a sort of sweet melancholy.

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