Posted by psgels on 28 May 2007 with categories: El Cazador de la Bruja


I think that this can be classified as the first real filler of the series. Nothing is done to change the situations of any of the characters in any way, unless Ricardo really did lose track of Nadie and Ellis. I think we can expect episodes like these for the next month as well, until episode twelve or thirteen comes with the first major climax.

But, in order to make up for this, the creators did present us with a funny episode, and probably the coolest hunter yet. Seriously, though, it’s a shame that he died this episode, as he was hilarious and cool at the same time, I especially loved how he took his own horrible sense of fashion seriously. ^^;

As for the case of the episode, this time the anime starts playing around with raison d’êtres. We’ve got ourselves a girl who lives in an abandoned town, and works at an abandoned mine. How she gets her food is beyond me, but the reason she’s stayed as the only one was because of her father. He was looking for a strange silver relic when he still lived, but he never managed to find it. The girl then saw it as her task to continue this, even though everybody else gave up hope. In true anime-fashion, this relic is found and buried again, under the rubble. She then discards her father’s wishes, and chooses to live her own life: continue working on the mine.

It’s unfortunate, while I watched the episode, I never noticed anything, but as I’ve been writing this entry, I began to notice some considerable flaws in this episode. The scene with Blue-eyes illustrates this best, I think. While it was funny, it also shows how the plot is going nowhere. At least Wellber no Monogatari keeps track of where the main party is, but with El Cazador, the creators just can keep extending this journey as much as they like without it feeling strange.

The hunter, in fact, was the only really good point in this episode, now that I look back. The case itself was mundane, when compared to the others. Nadie was okay, I guess, not good, not bad. My main problem is Ellis, though. Her antics can only remain cute for a limited period of time, unless she changes somehow, which has yet to happen. This episode again, just showed her usual antics and nothing more, and for the first time, these antics began to drag.

The thing is that I’ve got nothing wrong with episodic series. Heck, I love them, but they’ve got one disadvantage: the episodes can either be incredibly good, or incredibly bad, depending on the case they choose. This clearly was a bad one, boring is the better word. Normally, I wouldn’t mind this so much, but the beginning episodes of this series have spoiled me so much when they had so many revelations in each episode, that it’s becoming disappointing to see a filler.

Let’s hope the case for the next episode is going to be a bit better.

2 Responses

  1. kaei says:

    For me, the main purpose of the show is to show Ellis’ character development and slowly-growing humanity, so I like to watch each episode with a “What did Ellis learn this time?” mindset. She learnt something, so I’m satisfied :P

  2. Ashura says:

    Didn’t you find it weird that the hunter who obviously has a really sensible hearing used one of the loudest weapons so far?

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  • Bam
    (Sunday, Jun 26. 2016 10:32 AM)
    If a series wants to be sophisticated about complex concepts like war and conflict, then it has to presuppose the fact that it is part of human nature. Resources are limited, and even aside from that, greed exists. There is no way to take out a few head figures to stop a war- there will be a vacuum that will almost immediately be filled by a similar, if not worse, individual. A world “where no one cries” or suffers, or dies, etc, cannot exist as long as we have free will.
  • Bam
    (Sunday, Jun 26. 2016 10:26 AM)
    F/SN delved into this deeply with the Shirou/Archer dichotomy, but then it pussied out at the decisive moment. Archer was right, his arguments made perfect sense, yet the arrogant naive Shirou had to pull thru by sheer will alone, and a vague hope and promise that he’ll find a way somehow. I swear, I’m not sure if Nasu gave in to pressure to make a so-called “good prevails” ending, or that he honestly believes in it. Looking at his material, I’ll bet on the former.
  • Bam
    (Sunday, Jun 26. 2016 10:22 AM)
    hehe … that’s why you don’t get me started on Eva or Berserk.
  • Bam
    (Sunday, Jun 26. 2016 10:20 AM)
    It also delved into the depth of what a desperate goodie-two-shoes people-pleaser protagonist would actually be like, and the reception he would get from his peers, specially the women. That alone right there was a deconstruction of the majority of shonen main characters.
  • Bam
    (Sunday, Jun 26. 2016 10:00 AM)
    There was no hype machine back then. The internet was still in its infancy. So when a show became this popular there was certainly some merit to it. The organic/machine hybrid mecha was relatively new, and the scene construction and cinematography was for the most part immaculate. There’s a reason why the mecha genre is divided to “pre-Eva” and “post-Eva”.
  • Bam
    (Sunday, Jun 26. 2016 09:53 AM)
    It also didn’t hurt that the character, costume and mecha designs were slick and attractive, done by the under-appreciated Yoshiyuki Sadamoto.
  • Bam
    (Sunday, Jun 26. 2016 09:31 AM)
    It came up with clever scenarios to common mecha tropes, and answered the questions that would arise from them:
    -Why do we use mechas with melee weapons against alien invaders instead of conventional weapons? AT fields on Angels.
    -Why use kids to pilot them? The Gehrin Project.
    -What happens when you put kids in sever combat situations? Extreme PTSD.
  • Bam
    (Sunday, Jun 26. 2016 09:27 AM)
    These types of deconstruction shows that are run-of-the-mill now didn’t really exist back then. Eva did afterall became the tropemaker for Gainax endings. To see the creator’s psyche twist in front of our eyes was incredible. The show went from a regular monster of the week mecha series to a deranged psycho-thriller by the end of it.
  • Bam
    (Sunday, Jun 26. 2016 09:23 AM)
    Eva was fresh and quite unique for its time. Not that everything they did was original, but they certainly put their own twist on it. I also enjoyed the “fuck-you” ending of the tv series. Anno always defended it as intentional, but we all know it was really a budgetary constrain. well, at least we got the amazing End of Evangelion movie to supplement it.
  • Bam
    (Sunday, Jun 26. 2016 09:21 AM)
    @K-of: yup Eva geek here, guilty as charged. In my defense, I watched it week-to-week when it aired back in 96, and the landscape of anime was a lot different back then.

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