Posted on 26 June 2007 with categories: El Cazador de la Bruja


Yay for plot advancement! I knew that the creators were going to devote episode 13 entirely to the plot, and it doesn’t disappoint. This episode features tons of revelations, and finally we get some character-development of Ellis. After this episode, we should probably get a few more normal episodes, but if Noir taught us anything, it’s that the second half is probably going to be much more plot-centric than the first one. :)

Basically, Ellis and Nadie arrive at the place where Ellis was created. It’s all abandoned now, but it’s of course the perfect place to find out a few things. Ellis gets separated from Nadie, and then she runs into our good friend LA, who finally makes contact with her again. He then explains a few things about Ellis and the witches.

It seems that there once was a family of witches that could manipulate flames and wind (I was surprised about the wind, but it does make sense, as Ellis used wind in order to put out the fire in episode 11). They were, however, destroyed. Probably due to the witch hunts that episode eleven talked about. Because of that, artificial witches were made, and Ellis is one of them. To make things even better, LA is also one of them, explaining his obsession over her. LA doesn’t have any magical power, though his physical abilities exceed that of a human. There were originally five witches created, though Ellis and LA are the only ones left at this point. It’ll be interesting to see what happened to the others. The professor was assigned to take care of Ellis, while people were probably doing experiments on her. When LA tries to take Ellis along with him, she refuses, though and goes back to Nadie. It’s definitely clear that Ellis has grown after this, and this episode definitely brought her closer to Nadie.

Regarding the side-characters, things get even more complicated as another party appears: hunters with gas-masks. The woman we saw in the previous episode seems to work for Blue-Eyes, and has been ordered to trail Nadie and Ellis. Ricardo and Lilio keep protecting the two of them as well on orders of Rozenberg, who in this episode meets a new character with whom he makes a mysterious deal and Blue-Eyes is meanwhile in some sort of helicopter. The question, though, is where did the green-masked guys come from? Blue-Eyes seems to think they come from Rozenberg, but that doesn’t make any sense, since he hired Ricardo. They can’t be allies with the Blue guys, since they can only have total freedom at night, and this episode took place during the day.

Ah well, looking forward to the second half. The 26-episoded series of Bee-Train have had the tendency to be slow for their first half and then explode during their second half.

4 Responses

  1. kaei says:

    I finally got around to watching the ep… I’m guessing the green guys came from that sleazy politician-type dude that Rosenberg toasted at the end of the episode? I’m all confused by the loyalties and factions right now.

  2. totoum says:

    what went on between ellis and LA when she was hiding is just……wrong……on so many levels lol.

  3. Nick says:

    Did any one else notice how Nadie’s aim seems to depend on context? She took down the two soldiers accosting Ellis near the end with shocking efficacy compared to the rather prolonged gun battle near the beginning, when Ellis and Nadie jumped through the window.

    But it’s a great series so far anyway, inconsistencies and all. I think the music really sells it.

  4. psgels says:

    Nick: I indeed think that the gunfights take a step back in this series, expecially when compared to Noir. This series just has a story to tell, and that’s what it focuses at. The mystery and the music indeed were the selling point for me.

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  • Deadlight
    (Monday, Apr 21. 2014 06:20 AM)
    Night y’all
  • Deadlight
    (Monday, Apr 21. 2014 06:20 AM)
    @Emma: Thanks for sharing, haha. Yeah, best if you see the Fargo series first. Who knows, you might find some of the liberties they took to be engaging. Anyway, I’m really dozing off here. Worked too hard all day and barely got any sleep XD
  • Emma
    (Monday, Apr 21. 2014 06:10 AM)
    From dusk till dawn I noticed also got a tv show as a remake.
  • Emma
    (Monday, Apr 21. 2014 06:07 AM)
    I agree with you deadlight on Fincher’s use of athmosphere and lighting in general.
  • Emma
    (Monday, Apr 21. 2014 06:07 AM)
    Good to hear though the remakers of Fargo are taking their own initiative though, that its darker intrigues me also.
  • Emma
    (Monday, Apr 21. 2014 06:05 AM)
    After seeing fight club, I wasn’t exactly feeling the twist in the game, I kind of drifted in and out of the athmosphere in that film too.
  • Emma
    (Monday, Apr 21. 2014 06:04 AM)
    I actually can’t remember much about panic room as I watched it back in 2002 but I do remember liking it, at least thinking it was a tense film.
  • Emma
    (Monday, Apr 21. 2014 06:03 AM)
    Zodiac had the benifit of been based on a very interesting true crime mystery and that made it an engaging film.
  • Friend
    (Monday, Apr 21. 2014 06:02 AM)
    Oh lordy, Alien 3 was one messy jargon of a movie. I heard that the studio even skipped scenes around without the director’s consent.
  • Emma
    (Monday, Apr 21. 2014 06:01 AM)
    @Deadlight: shit, old review of girl with dragon tatoo : http://emma-hime.deviantart.com/art/Review-Girl-with-the-dragon-tatoo-276161664

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