Posted on 30 June 2007 with categories: Saiunkoku Monogatari


You know, I’ve been wondering… This show airs at Saturday, 9:00am, right? I wonder if it’s really the appropriate time to show a series with such disturbing footage, especially in this episode, when human bodies get cut up right on screen. In any case, the major focus of this episode falls on the doctors: curing the patients. If you liked the different doctors, this is the episode you want to look out to, as it’s finally time for them to put the things they learned to practice.

And like expected, most of them are incredibly scared. But who wouldn’t? I mean, they know the techniques to properly cut in the body, but the fact remains that with one wrong move, they could kill somebody. This mentality doesn’t leave their minds soon, and it probably wasn’t the best idea to bring all of them to the first demonstration of a real operation. After all, every doctor is scared, and when you’re among others that are scared too, the fear just increases.

When some of the doctors, however, left the castle, in order catch a breath of fresh air, things went well. Only then they realized that they could be the ones to save lives when people began to beg them to save their loved ones. After that, all things went well. Shuurei, meanwhile, hasn’t been standing still either, and she spends the episode, making sure that there are enough supplies to take care of the patients. I’m surprised that the people at such a time-period knew how important disinfecting is. The early European doctors could really have learned a lot of things from them.

Near the end of the episode, the biggest threat of the disease is gone. The logical next step would be: find the mysterious Senya. It seems that Shuuran and Riou (the young one) want to come with them on this journey. Shuuran is quite the adventurous kid, and I also think that she’s seeing Shuurei as some sort of idol, and I can imagine that she wants to be like the person that saved her mother, and to be with her as much as possible. Her character is going to be really interesting in the future episode, and what the heck is up with Riou? What are his plans.

Well, at least we know that young Riou and old Riou aren’t the same person, as the guy shows himself again. That was quite an amazing scene, by the way, as for some reason he decided to visit Ryuuki, and Ryuuki knew that the guy was coming. Also, his sword emitted a red light when the two of them met. What was up with that?

Kourin remains gone from the episode, though we learn a bit more about the position Eigetsu is in. It seems that his kidnapper is after Yougetsu, and he’s basically waiting for Eigetsu’s time to run out. Meanwhile, he enjoyed himself torturing Eigetsu’s body. Probably because these wounds will remain on Yougetsu once Eigetsu dies. Also, surprisingly enough the guy is also after Shuurei. I can understand that someone would be after Yougetsu, but why Shuurei? This probably has something to do with the reason the cult blamed Shuurei for the disease.

You could say that this episode marked the end of another arc, since the major problem that has been the focus of the past few episodes is as good as resolved. The next arc should focus on the cult, and I am SO looking forward to it, as it’s promising to be more character-centric than the arcs up till now. Bring on the awesomeness!

One Response

  1. JC says:

    Hmmm, I think Ryuuki’s sword was glowing because he was close in contact with high-standing members of the Ryou clan, the same thing happened in the last season to Seiran instead while he was with Sa Shunki (also female from the Ryou clan considering her grandmother). The twin swords were made by the Ryou clan thus both possess mystical powers, and to my understanding a masculine and a feminine, and the female one that Ryuuki is carrying was given to him in his childhood by Seiran (out of love for his then frail younger brother, so that it would not repel from him), as the feminine was meant to be carried by a man, whilst the masculine by a woman, Personally i think this is why the swords were made in twins, not for brothers but for lovers. :-)

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  • Emma
    (Tuesday, Sep 2. 2014 04:47 PM)
    Actually something like a lighthearted adventure show would probably do it.
    As for a comedy remind me did everyone condemn inferno cop on here or not again?
  • Emma
    (Tuesday, Sep 2. 2014 04:16 PM)
    I dunno I have this kind of desperate feeling and feel that maybe something generic or comedic is my way to get my groove back like a few years back…
  • Emma
    (Tuesday, Sep 2. 2014 04:14 PM)
    Back when I got back into anime/manga in 2006 after a break I watched comedies like steel angel kurumi, ouran, zero no tsukaima and it help me build back up into getting into it again, maybe I’ll read hi score girl or something. And dare I say watch blade dance where the manga left off.
  • Emma
    (Tuesday, Sep 2. 2014 04:11 PM)
    Y’know as much as I get out of tragic romcoms, psychological drama, horror, odd scifi, genderbender, seinen action, fantasy manga, yaoi, yuri I find myself in need of some kind of jolt through something a bit generic or maybe just a comedy thats little more than that right now.
  • ԅ(≖‿≖ԅ)
    (Tuesday, Sep 2. 2014 04:06 PM)
    Maybe Celty? But I’m not really into poorly portrayed mythological creatures.
  • ԅ(≖‿≖ԅ)
    (Tuesday, Sep 2. 2014 04:03 PM)
    That was one helluvan overhyped show. I really don’t see the charm in it
  • Emma
    (Tuesday, Sep 2. 2014 03:42 PM)
    @ԅ(≖‿≖ԅ): I won’t be watching it either, apart from a twist or so and Izaya I didn’t think much of durarara and never got round to completing it.
  • ԅ(≖‿≖ԅ)
    (Tuesday, Sep 2. 2014 03:31 PM)
  • Emma
    (Tuesday, Sep 2. 2014 11:11 AM)
    @Bam: I think thats the reason I’m always writing, don’t want to fall out of practice.
  • Bam
    (Tuesday, Sep 2. 2014 11:01 AM)
    A Change of pace is always good, and often necessary. Remember not to lose momentum though. Squandering one’s potential is all to easy.

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