Posted by psgels on 30 June 2007 with categories: Saiunkoku Monogatari


You know, I’ve been wondering… This show airs at Saturday, 9:00am, right? I wonder if it’s really the appropriate time to show a series with such disturbing footage, especially in this episode, when human bodies get cut up right on screen. In any case, the major focus of this episode falls on the doctors: curing the patients. If you liked the different doctors, this is the episode you want to look out to, as it’s finally time for them to put the things they learned to practice.

And like expected, most of them are incredibly scared. But who wouldn’t? I mean, they know the techniques to properly cut in the body, but the fact remains that with one wrong move, they could kill somebody. This mentality doesn’t leave their minds soon, and it probably wasn’t the best idea to bring all of them to the first demonstration of a real operation. After all, every doctor is scared, and when you’re among others that are scared too, the fear just increases.

When some of the doctors, however, left the castle, in order catch a breath of fresh air, things went well. Only then they realized that they could be the ones to save lives when people began to beg them to save their loved ones. After that, all things went well. Shuurei, meanwhile, hasn’t been standing still either, and she spends the episode, making sure that there are enough supplies to take care of the patients. I’m surprised that the people at such a time-period knew how important disinfecting is. The early European doctors could really have learned a lot of things from them.

Near the end of the episode, the biggest threat of the disease is gone. The logical next step would be: find the mysterious Senya. It seems that Shuuran and Riou (the young one) want to come with them on this journey. Shuuran is quite the adventurous kid, and I also think that she’s seeing Shuurei as some sort of idol, and I can imagine that she wants to be like the person that saved her mother, and to be with her as much as possible. Her character is going to be really interesting in the future episode, and what the heck is up with Riou? What are his plans.

Well, at least we know that young Riou and old Riou aren’t the same person, as the guy shows himself again. That was quite an amazing scene, by the way, as for some reason he decided to visit Ryuuki, and Ryuuki knew that the guy was coming. Also, his sword emitted a red light when the two of them met. What was up with that?

Kourin remains gone from the episode, though we learn a bit more about the position Eigetsu is in. It seems that his kidnapper is after Yougetsu, and he’s basically waiting for Eigetsu’s time to run out. Meanwhile, he enjoyed himself torturing Eigetsu’s body. Probably because these wounds will remain on Yougetsu once Eigetsu dies. Also, surprisingly enough the guy is also after Shuurei. I can understand that someone would be after Yougetsu, but why Shuurei? This probably has something to do with the reason the cult blamed Shuurei for the disease.

You could say that this episode marked the end of another arc, since the major problem that has been the focus of the past few episodes is as good as resolved. The next arc should focus on the cult, and I am SO looking forward to it, as it’s promising to be more character-centric than the arcs up till now. Bring on the awesomeness!

One Response

  1. JC says:

    Hmmm, I think Ryuuki’s sword was glowing because he was close in contact with high-standing members of the Ryou clan, the same thing happened in the last season to Seiran instead while he was with Sa Shunki (also female from the Ryou clan considering her grandmother). The twin swords were made by the Ryou clan thus both possess mystical powers, and to my understanding a masculine and a feminine, and the female one that Ryuuki is carrying was given to him in his childhood by Seiran (out of love for his then frail younger brother, so that it would not repel from him), as the feminine was meant to be carried by a man, whilst the masculine by a woman, Personally i think this is why the swords were made in twins, not for brothers but for lovers. :-)

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  • k-off
    (Monday, Nov 24. 2014 04:18 AM)
    God damn Kokkuri-san is so fucking good. Wish I had time to write my damn reviews.
  • Rinegar
    (Sunday, Nov 23. 2014 04:43 PM)
    Hey, nice reviews, I began to make my own reviews as well, so check them out if you are interested! https://www.animetier.blogspot.com
  • Emma
    (Sunday, Nov 23. 2014 03:40 PM)
    Okay, Cossette no shouzou rewatched now too. This was on the high end of Shinbou’s cinematography and pretty much the best he’s outputted even if it has its choppiness/stiltedness in parts. It remains a creepy, surreal, trippy and grim, forboding, gruesome and immersive atmospheric ghost story that feels like it could have gone on a bit long and bar the three main focused characters could have had a little bit more depth.
  • Emma
    (Sunday, Nov 23. 2014 12:16 PM)
    It was only really entertaining for how nuts it got.
  • Emma
    (Sunday, Nov 23. 2014 12:15 PM)
    Aku no hana’s manga never really felt like much more than “crazy shit happening and femdom” = guilty pleasure to me.
  • Bam
    (Sunday, Nov 23. 2014 12:07 PM)
    @Emma: Gankutsou was fine in my opinion tho, as it was so out there that I never saw it as a real attempt at adaptation.
  • Emma
    (Sunday, Nov 23. 2014 12:06 PM)
    I don’t have much exposure to Cumberbatch beyond seeing him talk on film programs and also his role in that Star Trek movie, kind of want to see him in imitation game.
  • Bam
    (Sunday, Nov 23. 2014 12:06 PM)
    @K-off: Don’t give ‘em ideas m8, that actually sounds like a pitch that they would pick up.
  • Emma
    (Sunday, Nov 23. 2014 12:04 PM)
    There is a shoujo manga adaptation/rework of King Richard, there is also a romeo and juliet anime, it was one of the worst thing Gonzo produced, still didn’t dislike it as much a gankutsuou though.
  • k-off
    (Sunday, Nov 23. 2014 11:58 AM)
    @Bam He’d probably find some dumbass way to make it into shonen. Maybe Raskolnikov battles Alyona Ivanovna before he kills her.

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