Posted by psgels on 31 July 2007 with categories: El Cazador de la Bruja


Thankfully, this episode restored my faith in El Cazador perfectly, when it not only spends time developing Ellis, but also finally introduces other magical elements, other than Ellis and LA. The fact remains that Ellis is now rapidly starting to become more critical of the things that happen around her. In this episode, she carries it a bit too far, and even starts to mistrust Nadie. Luckily, she didn’t go emo, and the situation was resolved at the end, and Ellis and Nadie have yet again gotten a bit closer together. While it wasn’t as cute as seeing the two of them in the hot springs together, the ending of the episode really was adorable. I was also pleasantly surprised by a couple of new quiet tunes that got introduced in this episode. Even though they’re not really up-beat, they were nice to listen to.

This episode also features the ghost of the writers of those love manga that we saw Ellis reading, a few episodes ago. He’s totally friendly, actually, and not angsty like most ghosts you see in other anime, which was quite refreshing. The interesting thing was that he used the same kind of fire magic that we saw Ellis use, and he actually teleported people to random locations (in this case, LA and Blue-Eyes). I liked the guy, and the air of mystery around him.

Blue-Eyes also decides to make her move and take Ellis away. She fails, due to mr Ghost(see above), but it’ll be interesting to see where she’ll go from now on. She also seems to know something about Ellis’s destination, and it doesn’t seem to be good. I’m also beginning to understand why Ricardo and Lilio keep running into Nadie and Ellis. Something tells me that they’ve got the same destination. While this by no means explains how they met in episode 17, seeing him say “We’ll be going ahead” seems to suggest that they need to be around the same place as where Ellis is going The question remains: why? Is this still for Rozenberg?

By the way, I’m actually glad that El Cazador didn’t end up focusing on action, because let’s face it, the action scenes we’ve seen up till now weren’t really that good. This show is more about its atmosphere and characters. And not only that, but the fact remains that Nadie isn’t the best gunman. She may be strong and accurate, but she does have a tendency to screw up once in a while. If this happens too much, and she kept getting saved, this show would lose its credibility quite fast (see episode 17 for the perfect example for this).The quiet and mysterious approach of this episode worked much, much better.

4 Responses

  1. ret says:

    Do we know what happened to Blue Eye’s two lackeys that were trying to stop the ghost from taking Ellis? 0.o

  2. psgels psgels says:

    Well, if I had to guess, when they looked surprised, that they realized that he was a ghost, after which they were teleported to the same place that Blue Eyes was sent to. Remember how the three of them were together at the end of the episode?

  3. Solaris says:

    I didn’t understand that much about this episode…
    It was a boring episode. I preferred the former one (17)
    but that’s IMHO ^.^”

  4. Fuyumi says:

    I admit to finding it very amusing that Nadie tried to play the flute better to get Kokopelli to come – many young women actually feared Kokopelli amongst the Native American tribes of the American Southwest and Mexico because he was said to bring pregnancy to women!

    Man, I think you’re the only person still blogging this. Too bad! It’s a good series.

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  • Bam
    (Friday, Sep 4. 2015 09:28 AM)
    if Eva is so predictable then speculate for me what’s gonna happen in the last rebuild film, and please don’t spare the details:
  • Bam
    (Friday, Sep 4. 2015 09:27 AM)
    And predictable? Who expected the show to end with a mindfuck stream of consciousness episode that only hints at the action off screen and ends with a standing ovation on a stage?
  • Bam
    (Friday, Sep 4. 2015 08:42 AM)
    Evangelion had a plethora of issues. The budget was slim, last minute plot revisions made development a hell. The director Anno became clinically depressed and disinfatuated with the entirety of the industry, and the result was a refreshing unpredictable and glorious mess that moved millions of people.
  • Bam
    (Friday, Sep 4. 2015 08:35 AM)
    @jerkocaust: Eva was mad significant when it aired and remain relevant to this day. You can dislike Eva as much as you want, that doesn’t reduce its place in history or the legacy it left behind. The style influenced the industry and that is a fact way above either of our opinion.
  • Kevin
    (Friday, Sep 4. 2015 08:11 AM)
    Why do you losers keep talking like your opinions matter. Like you all think you’re professional critics or something?
  • jerkocaust
    (Friday, Sep 4. 2015 06:21 AM)
    and its not sure if it wants to be a mecha shonen with the shouty action, tsubdere, kuudere, while it pulls stupid wannabe seinen shit. So you have a story that acts like a 12 year old trying to buy alcohol with an obviously fake ID
  • jerkocaust
    (Friday, Sep 4. 2015 06:13 AM)
    What, when was eva relevant again? Both versions had bad static characters and a story that sounded like a 7th grader wrote it. Predictable at every turn and it thinks its sophisticated enough to half ass some religious symbolisms like it’s some deep story lr something lol what a joke
  • Bam
    (Friday, Sep 4. 2015 05:32 AM)
    [WARNING] incoming Eva rant inbound.
  • Bam
    (Friday, Sep 4. 2015 05:31 AM)
    @Kaiser: welcome to the light.
  • Kaiser Eoghan
    (Friday, Sep 4. 2015 01:58 AM)
    Yes you heard it here, Kaiser admitted to this. Fully watching the films I thought they were alright. And I even liked the direction the third film went and consider it the best thing to happen to the franchise. The plot felt more accessible and easier to follow. It feels more tight and compressed and benefits from animation upgrade. I still think Mari is pretty worthless though and as much as I still hate Asuka and Shinji, their more tolerable here.

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