Posted on 31 August 2007 with categories: Ayatsuri Sakon


Yes! Yes! This arc is progressing perfectly! I couldn’t have expected it to get any better, by the standards that have been set with the rest of the series. There’s a strong and consistent emotional strength throughout the entire episode, the mystery progresses perfectly, and it’s great to see Sakon as the centre of attention, without any increase of cheesiness.

The interesting thing is that this is another one of those arcs where we know who did it, before the final episode: the Shinozakis. If the creators are confident enough that they give out these hints, they must have got something very interesting in store for the conclusion. With other words: Shinozaki’s reasons should be quite juicy.

Come on, Sakon! There’s only one episode left! You’ve only got one more chance to prove yourself and your unique character. Please, make your end a memorable one!

Posted on with categories: Ayatsuri Sakon


So, apparently there is no Baccano-release this week. To make up for it, we get treated to a double-release of Ayatsuri Sakon. We’re finally ready to start the final arc, and it’s exactly as I hoped: the final arc is going to be all about Sakon, as it centres on his succession of his the puppetry-school that has been lead by his father for ages. If I had to say so, this episode was the best opening to an arc since the first one, which benefited most from the fact that I had no idea what to expect from this series.

Lots of side-characters also return for this arc. Shiho from the fourth ac is back, Shinozaki from arc I returns, and our regular side-characters of Kaoru and Zenkichi are also present. Like I mentioned above: Sakon’s famous grandfather finally decides to hand over his title as the head of the house, after suffering from a heart-attack on stage. The successor will be Sakon. I nearly forgot that this grandfather is also Kaoru’s father, by the way. His other child, Sakon’s father, committed suicide when Sakon was only ten years old.

The fact is that people obviously disagree with Sakon being the next head. The most obvious suspect would be Sakon’s grandfather’s brother, but he also coughs up blood at the end of the episode. The big question is now: was Sakon’s grandfather’s heart-attack a real one, or was it created by a human? If it was, I’m putting my money on the guy who takes care of the clothing, due to a hint that was given around the middle of the episode. There are still lots of questions that remain, though. Why did the criminal set a garbage-can on fire? Is Sakon’s father’s suicide related to this?

I’ve got high hopes for this arc. This is probably going to have more emotional strength than most other arcs, due to the fact that it focuses on characters who are already fleshed out, and with a bit of luck, it’ll be able to finally top the seventh episode. Come on, Ayatsuri Sakon! You’ve only got one arc left, so make it an arc to remember!

Posted on with categories: Monthly Summaries

+ August 2007 Rankings +
Okay, last time the ratings were a bit confusing so let me explain them for a bit. They’re out of 10, just like the school-system. 6,0 is average, and you really shouldn’t look for likable series below it. Anything above 9,0 is awesome, hence definitely recommended. After the place-numbers, you’ll see another number between brackets. That’s the place that anime was on last month. If it says “???”, then that anime wasn’t in last month’s ranking, and if it says “new”, that show has started this month. I hope it’s a bit clear now.

(Oh, and before I start: this is still on for one more day. Exactly 24 hours from now, I’ll close the poll. If no more votes come in, then it looks like Gundam 00 will be blogged by me once it starts. If you want to change this, you’ve only got 24 hours left!)

#40 (new): Bokusatsu Tenchi Dokuro-Chan – (4,2/10) – Ugh… when you thought the first season was bad, the second one comes along to smack you in the face. How long will they continue to milk this concept?
#39 (43): School Days – (5,3/10) – Things actually went well enough, until the third AND fourth girl confessed their love for Makoto… where the heck did that come from!? I doubt that the endings will save this series as well. The events feel so incredibly forced, not to mention that the three main characters are still idiots. I also don’t understand the people who claim that this is such a realistic series. Sure, I can see Makoto in real life, there are enough idiots like him around, but what part of the fact that every girl who sees him also falls in love with him is realistic? Is he the most attractive guy in school or something (poor school, by the way)? Is he a walking bag of pheromones?
#38 (38): Romeo x Juliet – (5,5/10) – You know…. we have yet to see any confirmations about Juliet’s mother, have we? At this point, it wouldn’t surprise me if she actually had a secret love-affair with Romeo’s father at one point, making the two of them half-siblings. Such a twist would feel perfectly at home in this series, and that’s not a good sign. It’s also ironic that the only enjoyable character is Willy himself, and don’t you also love how there isn’t a single good bowman in the Capulet’s army?
#37 (39): Lucky Star – (6/10) – Really, when I watch this show, it’s like I’ve already seen 75% of the scenes before. 15% is incredibly predictable (Kagami’s admirer, anyone?), leaving only 10% of actually enjoyable stuff, which in most cases are the cultural references, which have nothing to do with the characters. Oh, and the tantrum thrown by the Lucky Channel-guy (apparently, there are only two male characters in the entire series) was fun too.
#36 (???): Hellsing OVA – (6,2/10) – And with the third instalment, the Hellsing OVA has fallen apart. Finally, the story gets to be something entirely different from the anime, but if this is exactly according to the manga, then I can understand why Gonzo changed it. This isn’t entertainment; this is pure and senseless slaughter. If these extra months of delay were created, just to give each human soldier 10 extra galleons of blood in his body, something has to be drastically wrong. The only thing I liked was the humour, though. Seras was awesome in her non-serious state.
#35 (36): Sky Girls – (6,7/10) – Ugh… you know a series is going the wrong way when the characters start comparing breast sizes. I’m feeling it’s trying the same that Nanoha is currently doing: first half of the series building up, while the real meat of the series will arrive with the second half.
#34 (34): Kenkou Senrakei Sueibu Umisho – (7,1/10) – Please… cut down on the huge amounts of fanservice. The characters are enjoyable enough without it, and it only ruins this series! Episode nine showed that it’s perfectly capable of creating a funny episode without any useless fanservice
#33 (35): Nanatsuiro Drops – (7,2/10) – I’m still not sure how this series can manage to be both annoying and yet watchable. I think it’s because the male characters: they all somewhat refreshing, when compared to the usual series, and I like how they all end up supporting the main character.
#32 (16): Shigurui – (7,3/10) – I want to praise this series, I really do, but the past few episodes have been delving more and more in the absurd. I know there’s lots of detail, and the gore is a good way to create a mood, but these utterly bizarre rituals like cutting off a woman’s nipple and raping her are going way too far.
#31 (29): Potemayo – (7,4/10) – I’m still not sure what to think of this series. The initial shock wears off with the first two episodes, and now the jokes still feel refreshing, but not as hilarious as I hoped. There are a few good moments though, like Potemayo chasing the bread-truck.
#30 (23): Mushiuta – (7,4/10) – This series could have gone in so many directions, and yet it headed into the wrong way by making each major female fall in love with the male lead. Ladybird really ruins this series.
#29 (17): Gintama – (7,4/10) – Gintama is the only show where an episode can be extended into the next one. It was a rather strange episode as well.
#28 (30): Murder Princess – (7,5/10) – Actually, episode five was quite good. It explained quite a few interesting things about the setting, and was a pretty nice calm-before-the-storm episode. The question now remains: will this finish well?
#27 (37): Heroic Age – (7,6/10) – Interesting enough, this series is starting to get better when themes as genocide suddenly appear, and the two idiots are mercilessly killed off. This series would have been perfectly fine if it just showed the war between the Iron and the Silver Tribe, but Age and Dianeira ruined the entire show. I still can’t understand why Dianeira is considered such a good leader anyway.
#26 (8): Saiunkoku Monogatari – (7,6/10) – Well, nothing much can be said. Only one episode aired this month, and that was an aftermath. It was a great aftermath, but the fact remains that I’m not happy with the sudden delays.
#25 (25): Shoujo Jang Geum no Yume – (7,8/10) – Okay, it may not be the most realistic series, but it’s fun to watch! I like Jang Geum’s cheery character, and how she’s getting the support she needs from others.
#24 (21): Tengen Toppa Gurren Lagann – (7,8/10) – This series went so well… and then Yoko returned. -_- She really is the worst member of the cast in this anime, and it was refreshing when she didn’t have much to do. Not only is her return full of clichés, she also has the corniest sense of humour. I mean, does she really expect the school-references to work? O_o Episode 22 wasn’t much better either; sure, it had nice action, but the entire thing felt like one big anti-climax when the moon suddenly turned out to be one giant Ganmen. Gainax, at least do something special for the ending!!!
#23 (28): Tetsuko no Tabi – (7,9/10) – I’m actually interested in what the mangaka thinks of this adaptation. She’s probably one of the very few people to be featured in an actual anime. I still like her character, by the way. She’s witty, and I love her sarcastic remarks throughout the series, even though it’s much of the same. I originally thought that Shigurui had the best OP for the season, but I was wrong; the best OP for the summer-season belongs to Tetsuko no Tabi.
#22 (19): Kekkaishi – (8/10) – And finally the antagonists get serious. It’s now time for Kekkaishi that it’s more than just an ordinary shounen-series, because it can still go down at this point.
#21 (???): ICE – (8/10) – I like the storytelling in this OVA. It may be strange, but it works quite well. It’s obviously not for everyone, though.
#20 (???): Power Puff Z – (8/10) – It’s interesting how Himeko’s sister took over Princess’s role in the original series. While the past few episodes haven’t been as brilliant as some of the episodes in the 30-40 range, they were definitely fun to watch.
#19 (20): Reideen – (8/10) – Finally Roxell is back again. I’m wondering what the creators have in store for the final two episodes. Things are looking pretty straightforward, but I wonder whether the creators can manage to throw in a twist.
#18 (18): Zombie Loan – (8,2/10) – I like how the episodes seem to focus more at the shoujo-roots of the story than the shounen-ones. The banter between the characters is great to watch, and at the same time it’s still able to provide powerful character-studies.
#17 (12): Sayonara Zetsubou-Sensei – (8,3/10) – Episode five may have had a tad too much fanservice, but episode four was utterly brilliant. It seems like about 50% of the episodes are okay, while the other 50% are absolutely hilarious. I can live with that. ^_^
#16 (4): Dennou Coil – (8,3/10) – Nothing much can be said. Only one episode got released, and while it was an incredibly cute one, the plot hasn’t really been moving forward. Let’s hope that the next episode will fix this.
#15 (7): Mononoke – (8,3/10) – While it’s still awesome, this month I failed to understand Mononoke’s dialogues. The stories are surprisingly deep, and my level of Japanese just couldn’t handle it.
#14 (22): Mahou Shoujo Lyrical Nanoha – (8,3/10) – Finally this series is getting really fired off. Episode 17 was excellent, and I hope that this pace will continue!!
#13 (14): Claymore – (8,3/10) – I never could have imagined the current arc to turn out the way it did. So many Claymores together equals awesomeness. It’s just too bad that Raki took a turn for the worse. I just hope my worries about the ending of this series aren’t necessary.
#12 (???): Deltora Quest – (8,4/10) – It’s such a shame that some of the good series suffer from chronic lack of subs. Deltora Quest really is unique amongst the fantasy-adventures, and I want to see how it continues. :(
#11 (9): Darker than Black – (8,6/10) – I’ve seen this get mentioned by at least three people already, but it’s the truth: while they were good, episodes 17-20 weren’t as awesome as episodes 13-16. I liked how they all seemed to focus on running away, though. I’ve got hopes for the finale, as this is one series that completely understands its setting.

#10 (26): Baccano! – (8,8/10)

Don’t ask me how they did it, but all the characters are actually coming together, in a pretty excellent storyline. I’ve got high hopes for this.

#9 (10): Code-E – (8,8/10)

While the past few episodes had me worried a bit with the love-triangle, episode 9 showed that this series knows what it’s doing when everything comes together. The thing I love about this series is how, at the climaxes, the overall quality seems to increase tenfold.

#8 (11): Ooedo Rocket – (8,8/10)

Ooedo’s biggest problem: the characters are so fun to watch, it’s a pity to see them getting serious for the climaxes. It’s perfect at building up, but the climaxes themselves seem to lack something. Still, do NOT miss episode 21 and 22. ^_^

#7 (1): Toward the Terra – (9/10)

This month, this series spent its time in a “calm-before-the-storm”, to set all the chess-pieces right for the big finale. While the series has been better, it still was awesome.

#6 (27): Higurashi no Naku Koro ni – (9,1/10)

This is the Higurashi I fell in love with. The Minagoroshi-hen has finally started, and it’s already an awesome ride. I can’t believe the huge focus that is placed on trusting each other.

#5 (15): El Cazador de la Bruja – (9,2/10)

Ellis + Nadie + LA = awesomeness. I don’t care about the flaws anymore, as long as I can see the three of them together, I’m happy. Bee-Train really knows how to flesh out its characters. :)

#4 (2): Bokura no – (9,2/10)

You know, many people complain that Gonzo always screws up adaptations by adding their own storylines, but they’re currently doing a mighty fine job for Bokura no. The twists that came with it were awesome!

#3 (6): Les Miserables – (9,3/10)

This month was all about developing the different romances, and I’m developing a sortof obsession for Eponine myself. God, her character is awesome.

#2 (5): Seirei no Moribito – (9,4/10)

It’s very hard to judge the past few episodes of Seirei no Moribito, since it’s so delightfully different from most other anime. There really is no other anime that feels more like a novel than this one, and it’s awesome to see that the story is nearing its conclusion.

#1 (3): Kaze no Shoujo Emily – (9,4/10)

I’m probably the only one who still watches this series, but I don’t care! Emily is awesome, and as a bonus the past month has increased the focus about the characters, living towards their own dreams. The result is magnificent. :)

+ Top 5 Episodes +
#5: Ooedo Rocket – 22
One of the highlights of the series in terms of comedic value, and it still finds enough time for some great character-development. A cast as crazy as Ooedo Rocket’s really was given the time to shine.

#4: Higurashi no Naku Koro ni – 34
It’s episodes like these where the characters shine. Especially Rika was awesome to watch.

#3: Claymore – 20
The top-3 of this month is all about characters, learning lessons. This episode of Claymore truly shined as an aftermath and introduction with its deep character-developments. I couldn’t help but love Deneve, Undine and Helen and the unnamed Claymore.

#2: Kaze no Shoujo Emily – 19
What would you do if you were asked to do something for a dead person, where the only thing you know about him is that he lived an incredibly boring life? This question worked so incredibly well with Emily, and it was a definite highlight in the series.

#1: Seirei no Moribito – 19
If anyone still doesn’t believe that Barsa can’t be a good parent, this episode should change this thought.

Posted on 30 August 2007 with categories: Anime Reviews


Makoto Shinkai is a very strange director. With this, I’ve seen all of his major works now, She and her Cat included, but only The Place Promised in our Early Days gave me enough inspiration to write a review about it. It doesn’t happen often, but some movies just aren’t fit for my review-system, and She and Her Cat, Byousoku 5cm/second and Voices of a Distant Star are examples of this. I could be nitpicky, and pick out lots of flaws, like where did these aliens come from, or the lack of a proper aftermath, but that’s not what this movie’s about. All Makoto Shinkai is interested in is pretty graphics and romance, and he definitely delivers on these points.

While this isn’t going to be a fully fledged review, I do want to grab this chance to say a few things about it. Makoto Shinkai is a master in creating subtle feelings, mostly about loneliness, and being away from your loved one. All his works share this similarity. The setting he places it in often doesn’t really matter, and often only is used as a means of creating this feeling.

The Place Promised in our Early Days is, in my opinion, his weakest production. I think that this is because 1) it was too long, 2) it tried too much to be a standard movie and 3) the ending was his only happy end, in which everything was unrealistically resolved in the end (this is because of 2) as well).

My main gripe with Makoto is the following. It’s not really a problem, it’s not really a flaw, but it seems that he’s only good at one specific style. Am I the only one who noticed that his male leads are practically the same everywhere? Okay, the cat may be different, but the male leads in Voices, Place and Byousoku could very well have been the exact same person. Nevertheless, his particular style can be watched over and over, and I’m looking forward to his next movie. He’s also going to be involved in ef in the next Season, isn’t he? Is this as the writer, or is he just going to do the backgrounds?

Posted on with categories: Ooedo Rocket


Now THAT was an awesome episode! I thought that the previous episode could very hardly be toped, but I think the creators actually did it! It’s almost like everything about this episode is perfect: both Genzo and Tetsuju get a minute to be as hilarious as usual, Sora and Seikichi weren’t the focus of the episode, but they were incredibly fun to watch, the windows and Youtube-parodies were utterly brilliant, the love potion was hilarious and most of all: Shunpei and Onui were so awesome together!

Basically, the main plot is about Shunpei, accidentally using another one of Hiraga’s inventions: a love potion. Any woman who sees him, falls in love with him. This leads to hilarious results, as O-Ise calling him “Onii-chan”, Tenten trying to dress him up into various outfits, and Kagiya, trying to woo him with a pair of trousers. ^^;

This, however, was just a way to develop his relation with Onui, since she’s the only one who isn’t affected by the potion, being a dog and all. Even Sora falls for it in the end. I like how this anime already assumes that the viewer has understood that Onui is a dog. Anyway, we also finally get to see the reason why she turned into a human: she used to often play with Shunpei, hence her crush on him. To make things even better, it seemed that Shunpei had already figured out that that dog and Onui were the same person.

I just wonder… why the heck did Tetsuju recognize Onui when she was in her dog-form, trying to save Shumpei from his fate?

And regarding the main plot, Genzo discovers that the building-time of the rocket might take a bit longer than expected, and that at this rate, it’ll only get finished when Seikichi and Sora have become way too old. For that, Hiraga assembles an army of cats to help them. In the meantime, there is still no sign of Akai anywhere, so I’m really wondering what that guy has been up to.

I wish that episodes like these could continue forever, but I’m afraid that the plot is about to kick in again. I really wonder what the creators have in mind for the climax, as they must want to try and surpass the climax in episode 20. The best thing would be to not lse the humour in the process. There haven’t been many comedies with a good ending, and even though Ooedo Rocket spent more time than average on its plot-development, the fact still remains that it’s much more fun to see the characters just interacting.

Oh, and about the download link for this episode: it’ll come up soon, but Megaupload is currently being a bitch and refuses to upload it.

Posted on with categories: Claymore


I’ve got mixed feelings about this episode. It’s all about one plot-twist that is loved by all kinds of shounen-series as an easy plot device. A character is about to be killed, everything sounds hopeless, but then, at the last possible moment, a character (usually the main one) unlocks some hidden powers to kick the bad guy’s ass. Especially Dragonball Z loved using them.

But on the other hand, at least Claire made sense when she awakened. The sudden power didn’t come from nowhere, and the fight that lead to it was a gripping one. But then again, this fight could have easily been moved into half an episode and it did drag on at times.

In the same way, Raki was a lot less annoying in this episode, and he was actually nice to watch. But then again, I just can’t help but think that the next episode will be incredibly predictable. Claire has finished off Rigardo with her new powers, and Raki arrives just at the right moment to pull her back from being completely awakened.

To be honest, I’m not sure what to think of Claymore at the moment. Sure, the fight was great, but I keep fearing that there won’t be a second season, and that a huge amount of questions and plot-holes will be left unanswered. I mean, there is no way for the creators to stuff enough development about Alicia, Beth, and the three dwellers of the deep in the final four episodes.

There’s one thing about this episode that I’ve been wondering about, though: what the heck happened to everyone? All Rigardo did was kill the four weakest captains. There should be enough other Claymore left without them, besides, Claire, Deneve, Helen and Miria. Why didn’t we even see one single flash of them? Have they fled the battlefield? And if they did, where did they flee to? It’s a bit disappointing, as i actually hoped to see some of the unknown Claymores to stand up and help as well, but it seems that the creators had the intention to let the final end up between the major characters. I admit that I expected something better, with the huge hype that surrounded this arc.

The best part about this episode was Deneve, though. I love her internal struggles, and the fact that she wasn’t able to do anything about Undine’s death, after speaking so confident towards her that they’ll protect each other. Now she also has been badly injured, which will probably take a while to regenerate. I’d actually love it if she ends up saving Claire in the next episode.

Posted on 29 August 2007 with categories: Anime Reviews


This movie was recommended to me by Cos, also more than a year ago. Finally we see another anime that shows that mecha have more uses than warfare. Engineers and construction-workers also love to use them in the setting for this movie, as it follows local policemen on mechas. The key part of the story is the operating system they run on. Their creator left a nice-farewell-present with it, before killing himself.

There are three major plusses in this movie. First of all: the mystery. It’s fun to gradually learn what the creator of these operating systems was up to, and some of the revelations make quite a nice impact. Even though the guy is dead, he turned into one of the most interesting characters of the movie because of this.

The second good point: it’s refreshing. While the movie has the basic ingredients of a regular thriller, it manages to add enough extra to improve the realism of it all. Especially the female lead profits from this, as she manages to avoid the pitfall that strikes almost all other similar characters. While she starts out as an ordinary support character, just there as a plot-device to develop the main lead, she changes drastically as the climax approaches, and in the end, she really has her time to shine. It’s also not like our main characters are the only ones in the world who realize the complot. Other parties also take actions to solve it once in a while. This realism sets Patlabor apart from all those other mecha and police-shows out there.

The third good point is the interaction between the characters. They’re not 100% serious all the time, and need a break once in a while, their conversations are quite realistic, they know exactly when to use comedy and some of their banter is quite fun to watch. Especially the chief of the police-unit was interesting, with his stoic yet involved attitude.

So, the bad points? Some side-characters aren’t fleshed out well enough, and only a few of the characters are lucky enough to have a bit of background. It’s a pity, because the characters could have worked out even better if we knew something about them, but this movie doesn’t even attempt to bother with it. One of the reasons why the creator of the operating system turned into one of the best characters was because he is the only one with a well-fleshed out background.

The climax also raises one plot-hole that it never answers. I won’t mention it, for the sake of spoilers (I already feel I used a bit too many of them for this review), but you should be able to recognize it for yourself. The ending also is good, due to an added twist, but the aftermath is a bit lazy and too short. Still, if you’re looking for a more realistic and down-to-earth movie that’s more than just flashy-action scenes and still involves mechas and conflict, this is a pretty good choice.

Posted on with categories: Bokura no


Whoa, plot twists! Before I start with them, I must say that I finally realized how incredibly versatile the second half of this anime had been. It started out as a case-based series, then, with Kirie and Maki it turned into science-fiction, then with Takami and Aiko, the political undertones of this series suddenly got lots of attention, and the past two episodes have yet again changed the main focus, as they start to explain all of the mysteries in the series. It’s hard to name a series where the difference is so noticeable.

Anyway, this episode: Yoko’s background. It seems that her original world has been visited by a Koemushi-like creature as well. Yoko wasn’t part of the pilots, but her brother was. He already was a huge brat at that time, but it seems that the group of children had also decided to battle until their deaths. Then, if I understood things correctly, the gray Koemushi came with a revelation when Yoko’s brother was the final pilot left: if he were to travel to different worlds, enlisting people for the very same game, he’d be allowed to live. With this news, he became overjoyed, and gladly accepted this for the chance to keep living. Yoko, while she didn’t like this, still decided to accompany her brother.

They then travelled through countless other worlds, where their robot always ended up defeated at one point. Then they reached Kokopelli’s world, where they met him. Things were a bit different in that world, as Yoko entered a class as a transfer-student in order to get them to sign up, and she became friends with them. Kokopelli’s daughter was among that class, and Kokopelli was their teacher. He was the one who nudged his daughter to enlist.

Kokopelli became like Tanaka when he found out the true nature. I guess he felt responsible for it, and offered his life, in exchange for others (aka, his daughter). Obviously, with Koemushi, this didn’t turn out as planned. In the end, only he and his daughter remained alive. I think that it’s then when they knew about the final pilot being the one to remain alive. Kokopelli offered himself, to keep his daughter alive, though Koemushi had different plans, and chose the daughter instead. When Kokopelli’s wife tried to commit suicide along with him afterwards, he suddenly was begging for his life. After that, he went on to help Koemushi and Yoko.

At least, that explanation makes the most sense. There are quite a few details in this episode I didn’t get, like why didn’t Kokopelli turn into a Koemushi as well? And why did he so easily throw his life away in the first episode? Why didn’t we see the last fight of Kokopelli?

And holy god, I suddenly realize how similar Yoko and Koemushi are to Jun and Kana! With Kanji being the next pilot, And after that only Seki and Jun are left, and it really seems like Koemushi is trying to make Jun into the next Koemushi, due to Kana being there. There’s also a thing I’ve been wondering for the past few episodes: the final pilot. Now that Kirie killed two, and Tanaka died, there should be no need for it. But according to THAT Anime Blog‘s entry of episode 17, the line-up that Koemushi mentioned consisted out of all the pilots (Komoda – Jun – Seki – Tanaka – Kanji). This has confused me for quite a few episodes already.

Anyway, next episode should be awesome: Kanji is going to pilot! (at least, I hope ^^;)

Posted on 28 August 2007 with categories: Anime Reviews


Oh my god… this one’s a real tear-jerker. Anga was the one, who recommended this movie to me, more than a year ago, and I finally had the chance to watch it, and I’m SO glad that I gave this one a chance. This movie is THE proof that the Koreans can do more than just produce pretty graphics á la Wonderful Days.

Basically, any slice-of-life fan will enjoy this. It tells the story of two orphans: a blind girl and her younger brother. There are other characters as well, like a couple of monks, who end up taking care of the pair of them, but they’re nowhere as interesting as the two main characters. The boy was only one year old when their mother died in a fire, and they’ve been taking care of each other ever since.

And boy, does it end up awesome. The creators were really successful in creating a sad story which left me crying for many times in a row. The two main characters are fleshed out into really likable characters, and you’ll really end up feeling sorry for the things both of them had to endure, and the beauty of all is that it manages to stay realistic while doing so.

I’ve got only two complaints for this movie. The two children may be fleshed out, and they’ve got background, but I would have liked to see a bit more of it, like how the girl was able to take care of her brother after becoming blind, and how the two of them managed to survive until they reached the Buddhist Monastery. The second point of critique is the ending: it’s an anticlimax. The mood is built up perfectly, and the boy reaches a really pitiful state, and then the suddenly introduces supernatural elements from out of nowhere. It’s here where the religious undertones of the movie went completely out of control.

Still, don’t let that flaw ruin this excellent production. It’s obviously not for those who need action, but this is a great example of a successful slice-of-life movie. Be warned, though: the boy might be a bit annoying with his antics in the beginning, but he quickly becomes too adorable for this to really matter. If you’re looking for something to make you cry, this is a pretty good suggestion.

P.S. For those who are interested: Guriguri has translated an interview with the movie’s director into English. Quite insightful.

Posted on with categories: El Cazador de la Bruja


And the finale has started!

And boy, it’s promising to be awesome. I wouldn’t have guessed this during the majority of the series, but El Cazador is really becoming one of my favourite series at the time, and this episode proves it. It may have had its lesser points, but the past couple of episodes have been amazing due to Ellis and Nadie’s great characters. Seriously, only Les Miserables and Kaze no Shoujo Emily have at the moment an even more likable character than Ellis and Nadie: Eponine and Emily, respectively.

And OMG: Plot twist! Rozenberg has been the one who controlled LA all along! It makes so much sense, he had him captured for a while, and didn’t worry about the guy escaping. Of course he wouldn’t mind; he messed with is bracelet to control the guy!! That’s why he went to his laptop in the past few episodes: to remotely activate the bracelet. That’s why Ricardo and Lilio were fired: because he now has a more useful servant than the two of them.

But the most exciting event of the episode was obviously Ellis, reaching her place of destination. We now see why Rozenberg had no intention to stop her from reaching her goal, since he intended this to happen from the start. In the next episode, we should see the guy, getting back into action, and we see him fly from the United States, back to Mexico at the end of the episode.

There are now four episodes left, and I’m really curious about how the finale will take place. Rozenberg is now really going to have to prove himself, since he had little to do for most of the series. But then again, the final bad-guy from Noir had even less of a role, and when compared to her, he’s actually quite active, with his little trip to the desert to control LA. At the moment, I actually consider El Cazador a bigger success than Noir, though Noir had the strength that it nearly had no flaws, apart from being slightly annoying when the True Noir showed up again. El Cazador is quite different in that, with some of its rather questionable plot events of Ricardo and Lilio suddenly following the same path that Ellis and Nadie go, and the fact that the blue guys have stopped going after our twosome, even during the night.

Oh, and to close off this post: it’s quite surprising that Nadie actually got hurt quite badly. I wonder how this is going to affect the climax. The next episode is promising to be awesome in any case.

CHANGE USERNAME
Kaiser-Eoghan
On this I as a bicurious man agree, when I read a romance story, I just want ad like a romance ore relationship story, its not special to me what the race or orientation of characters are.
Kaiser-Eoghan
My brother also felt that romance stories involving homosexual characters often falter in a space where the same sex pairing becomes more about pure novelty than just being a love story.
Kaiser-Eoghan
Imredjimmy, who posted on here as a user before, he himself homosexual had issues with yaoi manga, feeling that it didn't address issues properly.
Kaiser-Eoghan
He feels "All romance stories belong in the romance section and shouldn't be too categorized and that most yaoi/yuri isn't really for the homosexual audience"
Kaiser-Eoghan
Is it really fanservice for a homosexual audience though? I do find both male and female characters attractive as a bicurious man but it has to be admitted, shounen-ai and yaoi is really a thing for girls and bi men, I can admit that. My brother, a gay man is very critical of yaoi/shounen-ai as well as yuri/shoujo-ai.
Anonymous1831032
You are overly critical
Anonymous1831032
why can't gay people have 'fanservice' without being compared to fish blindly poking for worms and being caught by some manipulative fisherman? It's 'normal' for weebs to watch 'cutesy' or 'moe' shows.
Anonymous1831032
Who cares dude. I liked the show. The term 'queer baiting' is fucking insulting.
Vonter
@Kaiser-Eoghan - I agree with that, there is a lot of meandering in Hourou Musuko manga, it makes it feel more realistic and grounded. But there's a reason many storytellers don't tell the most boring aspects of real life, like constantly pondering about what the future may bring.
Vonter
Pokemon and Zelda let the community make the conjectures and the creators mostly shy away from explaining them, because they fear they'll write themselves into a corner.
Vonter
I mean, not all things should make statements. Ranma 1/2 is recognizable, despite being a comedy. Conan is iconic and its just contained mystery stories, despite the themes of Evangelion the creators have admitted the use of christian elements was because of aesthetics, moreso than delivering a statement.
Kaiser-Eoghan
@Mario: Some felt that the manga for hourou musuko felt more low key in tone than the anime.
Kaiser-Eoghan
Travlos, I've noticed the site seems to be giving you trouble setting a username sometimes, best to just create an account instead.
AidanAK47
@Anon, that respect seems on different levels for people though. I mean I seen people championed Yuri on Ice as a major win for LGBT representation in anime while I myself just saw it as queer baiting seeing as the series itself couldn't admit it's characters were gay.
Anonymous1829806
Travlos here: I know many of the AoTitan fans hate the new direction of the manga, but I love it. Gimme more war!

While I love the ideas in Birdy the Mighty, the pace of the mangaka is maddening.
Anonymous1829447
Well, one last thing. I understand that anime like games or movies are a refuge for people who want to escape from politics for a second. But when mangakas bring those topics up themselves with stupid yaoi, gender bender, or yuri fan service, they're the ones politicizing anime and manga, not people like me. If they'd treat it with respect, then there would be no need for outcry.
Kaiser-Eoghan
@Lenlo: Eh sorry about that, I almost launched into a rant about tumblr.
Lenlo
Yeah, id prefer not to get to political in this chat, but I agree with Aidan. Theres a limit, and I strike that limit at the + of LGBTQ+. There comes a point where your just making things up to be special
Kaiser-Eoghan
Looking back I probably read hourou musuko initially to get a better understanding of the topic it covered.
Kaiser-Eoghan
Not looking for cares/attention/fellating/self promoting, just felt a moment to pseudo-intellectualize because it was related to the identity topic.
Kaiser-Eoghan
From a psychological standpoint, apparently this is linked in with autism to some level.
Kaiser-Eoghan
The idea of cosplay as a thing is fascinating honestly as an escapist thing.
Kaiser-Eoghan
And I imagine it would probably be easier to interact in a relationship as someone else, of course with them being aware of that.
Kaiser-Eoghan
More in a religious/spiritual sense however and having a greater sense of identity/feeling through temporarily taking on the role of someone else.
Kaiser-Eoghan
but the person themselves.
Kaiser-Eoghan
I did have ideas after hourou musuko and also finding out someone was trans that that might have applied to me and I still use female names in some sites but I really just came to realize it wasn't about trying the female clothes thing numerous times, wasn't trans(vestite or sexual), really pretty much found out I temporarily can take on roles of what/who I dress as, not due to gender
Kaiser-Eoghan
Oh, tumblr sjws are a parody of leftism /activism .
AidanAK47
People have the right to be whatever they want to be. That said there is a line when it comes to respecting peoples choices. For example, I don't think we need Tumblrs 40 different Genders.
Kaiser-Eoghan
@Anon: I haven't read the lesbian experience one.
Kaiser-Eoghan
Love my life was another good one, a serious shoujo-ai manga.
Anonymous1829213
That's unfortunate. TvT
Anonymous1829200
no thanks
Anonymous1829213
In the future though, I'd like to see something exploring sexuality as a whole even further. Even LGBT in and of itself implies a gender/sexuality binary. Let's get into the gender neutral/fluid, pansexuality, and so on as well. :.D
Anonymous1829200
and i like the
Anonymous1829200
i have one
Anonymous1829213
And I definitely agree - those manga exist and are excellent. ^_^
Anonymous1829213
*Shimanami
Anonymous1829213
And in regards to the celebrities themselves acting flamboyant or playing into stereotypes, why do you think those are the ones who are famous? They are allowed to be, because they paint a comical picture that is more easily accepted by the public. This is why Hourou Musuko and manga like Shiranami Tasogare/My Lesbian Experience with Loneliness are so amazing by painting people as actual humans
Kaiser-Eoghan
There ARE good shoujo-ai manga of course, girlfriends, aoi hana and yaoi like haru wo deiteita.
Kaiser-Eoghan
@CoolerAnon: I notice that bisexuality isn't much addressed in these things , the coming out thing doesn't often come into it.
Anonymous1829213
@Other Anon: You might add that a lot of those shows also perpetuate some pretty extreme stereotypes and male light of other of serious issues (i.e. the perception others have of LGBT people and that LGBT people have towards themselves, the experience of coming out, etc. etc.)
Kaiser-Eoghan
By lol coincidence he seems to have also voiced a pokemon character too.
Kaiser-Eoghan
*re-incarnation of, not evolved
Kaiser-Eoghan
Totally based, hilarious guy to, once claimed jokingly in an interview he was the evolved form of pikachu.
Kaiser-Eoghan
@Anon: There is a view of the transvestite as a "silly joke character" even in live action media there thats connected to homosexuallity but I'd say in most cases the person themselves is into it, Akihiro Miwa, famous Japanese gay actor played up that flamboyant drag act since the 60s.
Kaiser-Eoghan
@Anon: That is well known to me. Also its seen as anti-conform and I heard that the teachers don't know what to do when people are bullied over it, some of them think its down to mental illness.
Anonymous1829154
How japanese media portray lgbtq issues is a problem to this day. Sure shoujo, gender bender, and yaoi genres are mainstream, but at the end of the day people are expected to eventually "grow out of it" and find heterosexual partners in the end. Pretty patronizing
SuperMario
Oh shit, I didn't realize I put Wandering Children instead of Wandering Son in the title. Thanks for pointing that out Kaiser
Kaiser-Eoghan
@Mario: Shuu, mai precious lil' Babbu *hugs*
Kaiser-Eoghan
lol Okadas best anime work cause she didn't really write it lol
SuperMario
I will read on the manga to see how these kids growing up. Boy do i love this cast
Kaiser-Eoghan
@Mario: I suppose thats fair enough.
SuperMario
@Aidan: yeah, I know I stretched that image a bit but for some reasons I was goddamn hard to find an image for Wandering Son that I liked. Will make a slideshow later today to see if it looks better
SuperMario
@Kaiser: yeah I call them by their physical gender because at that stage, they haven't come out yet, right? If I remember correctly, Shuu still regards himself as "boku" rather than "watashi"
Kaiser-Eoghan
I guess this amuses me mostly because theres a jokey line later on in the manga where the girl with shu says "Ha, guess this makes me a lesbian"
Kaiser-Eoghan
There has been some theory/suggestion that Doi is attracted to shuu seeing shuu's femininty, seeing shuu as a woman .
Kaiser-Eoghan
Later in the manga Takatsuki stops having these feelings toward masculinity, which is addressing adolescent confusion.
Kaiser-Eoghan
Sorry about this really hope I don't come off as trying to start anything/an arguement/coming off as an asshole here.
Kaiser-Eoghan
Whats really interesting about hourou musuko is that in addition to Takako Shimura being a Lesbian , by choosing a mtf character as the protaganist and with shuu's relationship with a biological woman later in the manga, she is dealing with an even more interesting issue of whats called by Lesbians as Trans-lesbianism.
Kaiser-Eoghan
Transexual, mtf or ftm are probably the more accurate words to use as transgender also includes transvestite which is a different thing.
Kaiser-Eoghan
Its a very good review though, you don't have to change anything I'm probably being overly anal about it.
Kaiser-Eoghan
Was wandering Children chosen instead of wandering son to avoid suggesting pronouns in the title? But then the text of the review uses shuus physical rather than psychological gender. I'm not preaching or asking for changes or complaining, I just found this somewhat contradictory.
AidanAK47
Oh Tomogui Kyoushitsu? That is a weird death game manga.
Kaiser-Eoghan
*Checks manga cover* Goes in expecting bondage manga *its a cannibalism horror manga instead*
Kaiser-Eoghan
Probably just me, but I feel the top two pictures should have a gap between them.
AidanAK47
I would recommend replacing the top image of wandering son. Cause you killed the quality of it by stretching it. Never stretch an image.
Lenlo
Id recommend some kind of slideshow or something Mario. For me, its a big sudden blob of images. But thats just me.
Kaiser-Eoghan
I wouldn't deny a single criticism of the Junji Ito adaptation, and yet despite it all it works for me , I forgive it because the imagination goes such a long way with me, I don't even mind that some of them aren't fully developed either, don't need things to be too tidy or explain everything.
Kaiser-Eoghan
@Mario: Eh, Maverick was a fairly rubbish, thrown in villain but I liked Lunatics backstory how it linked in with the twist his father was that big hero guy mentioned at the start who ended up becoming a washed up mess.
SuperMario
And I won't take "No, you don't need these pics at all" for an answer
SuperMario
Guys, should I put the 2 arts back-to-back at the begin of the post like this, or should I use slideshow?
Anonymous1828545
Travlos here: 91 Days was not too bad.
Anonymous1828545
Travlos here: Thanks for those two historical manga's head-up.
Anonymous1828434
Akumestu soo satisfying to read
Anonymous1828321
Thank you
Lenlo
A shame. Kokkoku had the first truly dull episode this week. Suppose one had to come eventually, but this one was mostly an info dump.
AidanAK47
Like lightning, I strike. Junji Ito is basically interesting ideas with deeply flawed execution. It's not scary, doesn't really capture Ito's style and the animation is bare bones. While the stories themselves can have there interesting points, they are often not fleshed out enough. Honestly I am getting rather bored with it.
Lenlo
Holy bejesus Aidan. Nice triple post. :P

So overall how is Junji Ito? From what ive read so far, it seems pretty hit or miss on the horror/gore front. Failing to live up to the manga. I havnt read it though, so im curious what ya think
AidanAK47
Akumetsu?
Anonymous1828142
Wearing a mask
Anonymous1828142
What was the name of the manga where the main character is some superhuman high school student who goes around fighting Japanese politicians
Lenlo
On a side note, I should really start Violet Evergarden at some point...
Lenlo
"Anime is dying" is just a meme that gets thrown around because of Miyazaki.
Lenlo
Maybe. I dont think average score per year is a good metric though, as the cash ins are increasing, but I doubt the passion projects are decreasing. For instance we had /alot/ of duds this year, but people only really remember/care about the good ones of which there was a fair number. It wasnt a bad year for decent/good anime.
AidanAK47
Well yeah, but they didn't have as many Animation studios back then as we do right now. So it's not so much that we lost artistic merit but rather the number of studios cashing in on popular trends for a quick buck have increased. Even then, I am willing to put money on there being just as much harem anime in yesteryear as we have cute girls shows in present.
Lenlo
Perhaps, but I would argue those were on smaller scales, and even then, thats not so different from Western animation or movies. Just look at Warner Bros and their DC push after the success of Marvel. Every industry has those who chase successful trends, yet they arnt failing
AidanAK47
@lenlo, the thing is though that before Moe crap there was eva copy crap and before eva copy crap you had space opera crap and before space opera crap you had hyperviolet OVA crap. The industry has always tried to cash in on a popular trend.
Kaiser-Eoghan
I feel people went apeshit over, say highschool of the dead because they never saw a bunch of old B/exploitation films, thus that show was never special to me and even failed at an imitation of such.
Kaiser-Eoghan
I think people getting to excited for it being unique to a single medium or for, its setting themselve up for disappointment.
Kaiser-Eoghan
I just think its incredibly limited thinking to base it all on just ONE medium, you CAN hold up anime to film when anaylzing anime.
Kaiser-Eoghan
Why should 91 days get a free pass just because its an anime about gangsters? Go watch a film about it instead which theres probably many of, joker game fail you as the mature spy thriller it ended up not being, who cares, Tinker tailor soldier spy exists.
Kaiser-Eoghan
I dislike this "Its unique for an anime/manga to do this, so instantly lets latch on to it, despite fact that same something is already extremely prevalent in other mediums "
Kaiser-Eoghan
Case in point 91 days and Joker game "It has adults, lets pre-rejoice before the show even came out"
Kaiser-Eoghan
I feel though because of the level of dissatisfaction with said moe shows that people are going to leap far too quickly on anything just slightly different, getting their hopes up too high and end up feeling let down.
Lenlo
That, or it all comes crashing down around our ears. With stuff like Houseki no Kuni and Made in Abyss from last year however, I think its going to be ok. We are just getting inundated with crap right now.
Lenlo
I do think that some of the artistic part of it has been lost, its gotten diluted in the never ending river of Moe crap. But that doesnt mean its gone. Just harder to find. Eventually all the random moe shows no one cares about will fail and stop getting made. But the anime audience will still be around, to enjoy the better stuff thats left.
Lenlo
Same thing happened in the mid/late 90's and early 00's to American cartoons.
Lenlo
Eh, I dont think anime is dying. Changing no doubt. Its going through a rough growth stage right now. It has a bigger audience than ever and people are trying to cash in on that with lots of shows that are basically the same
Kaiser-Eoghan
@Mario: Tank you and damn you for posting screencap of loli-tachibana, I now have cuteness overload a diabeetus =<
Kaiser-Eoghan
I realize thats a very minor detail to focus on though.
Kaiser-Eoghan
Thats why I can really really get into a history manga if the art is top quality, the costume designs.
Kaiser-Eoghan
On the historical thing, I have a massive I repeat massive thing for full body medieval armoured characters hacking the shit into things or just the armour in general , especially templar armour designs. I also have an little obsession with male aristocratic army uniforms from the Prussian era and world war 2.
Kaiser-Eoghan
That recent Urasawa manga Travlos mentioned is ending also
@Mario: We might get a complete adaptation of after the rain, the manga is ending.
Kaiser-Eoghan
More historical manga I found, haven't read the second one however, I didn't hear those two mentioned on here either before.
Kaiser-Eoghan
[link src="http://kissmanga.com/Manga/Hawkwood
http://kissmanga.com/Manga/Ad-Astra-Scipio-to-Hannibal"]
AidanAK47
@Anon, yes clearly you know better than everyone else on the planet despite having no evidence whatsoever to back up you claims. Thank you nameless Stranger, we owe you a debt for telling us the same thing we hear every year. Let me congratulate you by kicking you out the door.
Kaiser-Eoghan
I can generally come up with an opinion for what I follow/watch/read , but I don't really have one on kokkuu.
KTravlos
Well we watched the first episode of Kokkuku. Interesting. The ED theme is quite the fanservice.
SuperMario
@Ktravlos: If your like to check out some other shows this season then I'd definitely recommend After the Rain.
SuperMario
@KTravlos: at least Kino is thought-provoking. I can't say the same for Violet Evergarden. In fact I remain skeptical with VE
KTravlos
I am quite enjoying both Violet Evergarden and Mahoutsukai. Violet gives me similar vibes to the first Kio series, though obviously Kino was a better series.
SuperWooper
EPIC post, anon!
Anonymous1825128
Of course, as ardent fans of anime, the writers of this site would not deign to agree or even entertain the idea that their passion is no longer the same artisanal endeavor it once was.
AidanAK47
@Anon, Oh. Actually surprised I forgot about that. Yeah, when it comes to something being described as edgy I think Goblin Slayer fits that definition perfectly.
AidanAK47
@Lenlo, You can still throw down your take if you want.
Anonymous1824209
AidanAK47 - Or the women shields.
Lenlo
You know, sometimes I dont regret forgetting about this chatbox. Missing the "anime is dying" conversation? One of those times
AidanAK47
Oh, Goblin Slayer is getting an anime adaption. I was rather lukewarm on it but I wonder how the anime is going to handle the rather unsavoury aspects. Like the rape. Lots and lots of rape.
AidanAK47
I remember the last guy said he would make a chart and I thought it was a brillent idea as at least something useful could come out of this old dead horse. Then his chart turned out to be a useless jpeg with series thrown to the left or right.
AidanAK47
It does stir up conversation but it's really just the same conversation repeated. I remember stating the exact same points Nayrael and Bokusen are saying around a year ago when this last came up.
AidanAK47
@Anon, Indeed Ratings are subjective but it would at least be a general mainstream consensus of the quality of anime over the years. Not final but at least it's better evidence than one persons general assumption. And other factors are impossible to quaitify.
Nayrael
A good parody of the "Anime back then and now - what happened? meme (if the links are not blocked here): https://i.imgur.com/JZqxz6f.jpg
Nayrael
Not to mention that back in the olden days you didn't see every Anime that aired. Official translators and fansubbers selected the best stuff, which resulted in you seeing the best shows and never even knowing about the shit-tier shows.
Bokusen
I think that people who say "anime is dying" are just getting too nostalgic. It's easy to remember the hit series from earlier seasons. It's less easy to remember all the forgettable generic series that you dropped after 1 episode, and so anime tends to "seem better" back then because of people's tendency towards selective memory.
Anonymous1820731
Why are there more bad anime? Because there are more anime being made. That means the good ones are buried under the lots of bad ones. But saying "anime is dying" from that is like saying "music is dead because I don't like Britney Spears." Why does this conversation always come up, its obvious conversation bait.
Anonymous1820589
@Aidan: You are the first to obsess over the fact that reviews are subjective. And since they're subjective, looking at anime 'ratings' over time does nothing to gauge the measure of effort and artistic talent that goes into making anime.
Kaiser-Eoghan
Which I got my answer by the way.
SuperWooper
>average review scores
What do those have to do with whether anime is "dying" or not? You'd need to look at the money.
Kaiser-Eoghan
Want to add that I agree with both you and Aidan, only brought up those two topics back there because I wanted to know what shows now will be popular in the future.
SuperMario
I'm on the side of Aidan regarding to this. For me it's not neccessary means the anime industry has become "better" or "worse", it's just that it takes new shape and trends and based on the number of anime produced, the industry isn't going down soon
AidanAK47
Am I really going to draft up a chart gathering average review scores of the past 25 years just t shut up this talk of anime dying?
But even if I did that won't toss aside this nonsense.
Kaiser-Eoghan
I know this is complete guesswork.
AidanAK47
Plus the industry is dying? Bloody hell, we got major companies FUNDING anime. Streaming services and more anime coming out that ever before. You can argue that this new anime is weaker but honestly it's just misguided. It takes time but great shows are still coming out. Just like back then.
Kaiser-Eoghan
Well thats kind of what I meant, what, when passage of time comes into it are going to end up being classic based on that, speculatively speaking.
Kaiser-Eoghan
Thats probably a much better way of phrasing it, inheriting mantles. I'm going to say that promised neverland is presently along with Titan a BIG modern shounen.
AidanAK47
Anyway my point is that the shows of the past, the so called classics, are just as flawed as the shows of today. It is only through the passage of time that they become classics. When Stein;Gate finished airing, I seen no one call it a classic. Same goes for Madoka and Fate/Zero. Now, you have people putting up the pedestals.
AidanAK47
Though if anything has inherited the Shounen mantle, it's likely Boku no hero.
AidanAK47
There is no big three Shounen and that's honestly for the best. Because in generally the declining aspect of Naruto and Bleach was mainly due to the pressure on the mangaka to put out chapters on a weekly basis. In fact it's pretty much the primary factor in Bleachs decline.
AidanAK47
Bebop is great but even it is hit and miss by nature. Doubt many remember much about the casino episode and the Alien spoof episode is likely not anyone's favorite. Eva is massively flawed but no one wants to admit it due to the massive amount of praise it receives and influence it has on the industry.
Kaiser-Eoghan
But what is the new big three shounen?
AidanAK47
If we go further back to DBZ, that has tons of issues with filler, dragging out episodes, animation shortcuts, and even complaints of it doing the same thing over and over again with it's story. No to mention the underutilised cast and the everlasting act up putting Goku on a greater pedestal.
AidanAK47
But let us dissect this viewpoint of yours. You claim the Shouen-jump canon as a great, guessing that refers to the shounen big three. But aside from One piece, the other two are emmensily flawed. Naruto is 50% filler and Bleach drops seriously in quality after soul society.
AidanAK47
Also Fate series is trash? That definitely seems aimed at me. What first series are you referring to? Fate/Zero, Fate/Stay Night 2006? Fate/UTW? The same thing over and over again? Sure each series has a holy grail war, but none of them every turned out the same. I am more than willing to admit that the spinoff series outside of the main canon are lesser. Calling them trash however is hyperbole.
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Today on Darling in the Franxx, Hiro gets a STD. This was a surprisingly good episode as I found myself pretty engaged with the goings on of the plot. Now previous episodes of Franxx haven’t been all that bad besides the excessive sex symbolism but up until this point I would have deemed this show […]

Latest Reviews

Mary and the Witch’s Flower – 73/100 (Joint Review)

Wooper: Mary and the Witch’s Flower is the first feature film from Studio Ponoc, which spun off from Studio Ghibli in early 2015. Given Ghibli’s towering reputation, the bar was high for this inaugural flick, which recently made its way to U.S. theaters, giving Lenlo and I a chance to see it on the big […]

In This Corner of the World (2016) Movie Review – 90/100

In this Corner of the World (for the purpose of this review, I’ll refer it as “Corner”), is the truest slice of life drama if you ever encounter one, in that it’s a slice into an ordinary life of an ordinary girl during the War period. That speaks into the very first strength of Corner, […]

Houseki no Kuni (Fall 2017) Review – 92/100

Make no mistake, Houseki no Kuni is the most ambitious anime project of the year. Not only because it’s an entirely CG project (and make a damn good use of it, mind you), or because of its narrative scope that at once strange, grand and beauty, but also in its very conception in their production […]

Fate/Apocrypha Anime Review – 64/100

I was quite excited for Apocrypha and in the so called year of Fate adaptations, it looked to be the crown jewel. Sadly, partly due to lacking adaption and the source lacking in areas, this anime turned out to be not quite the jewel I thought it would be. It’s hard to call this a […]

Kino’s Journey -The Beautiful World Anime Review – 73/100

One of the surprises of the year was to see the return of Kino’s Journey, a very well regarded and more unique anime among those deemed classic. Many, myself included, were very much looking forward to the return of Kino and her talking Motorrad. Though due to some factors this series doesn’t quite live up […]

Girls’ Last Tour (Fall 2017) Review – 86/100

Girls’ Last Tour falls within my favorite new trend that emerging the anime medium over the last decade: a dark moe anime. Set in a post-apocalyptic world where the human race has almost extinct, our two girls wandering around the world in their kettenkrad looking for food and shelter. If it sounds a bit bleak […]

Two tales of War: Reviewing The Heroic Legend of Arslan and Altair: A Record of Battles

It would not be an exaggeration to say that my favorite type of anime is the political-military epic. This comes partly out of my profession, I study war and politics, but also my hobby, as military and political history is something I enjoy. When it comes to anime there is a clear sub-category that can […]

The Night is Short, Walk On Girl (2017) Movie Review – 92.5/100

“How many decades have passed since our drinking contest?” “It hasn’t been that long. It was only a few hours ago, this very night!” That gap in time perceiving plays a significant role in Night is Short. For you see, it all depends on how our perception of the surroundings and time itself can affect […]

Ballroom e Youkoso Review – 65/100

In the weeks leading up to the summer 2017 season, Ballroom e Youkoso was one of the most buzzed-about new series. Produced by the Production I.G. team responsible for the smash hit Haikyuu!!, and set to air on Amazon’s brand new Anime Strike service, the series had no shortage of promotion or hype behind it. […]