Posted by psgels on 6 August 2007 with categories: Anime Reviews


I actually started watching anime quite late. At the moment, it’s a bit more than three years ago since I started with my first fansubbed series, .Hack//Sign, when compared to most people. That’s why I’ve got a huge list of anime that I still need to catch up to. Anyway, another series I tried around that time, perhaps a bit later, was Now and Then, Here and There. It looked all-right, and I saw some good reviews of it.

I didn’t even last half an episode.

The way this anime seemed to start was like a bad shounen-title. We’ve got a brat for a main character, who happens to practice Kendo. He’s got a rival who is always better than him, and of course a girl he has a crush on. All signs pointed to the fact that the guy would grow, beat his rival and get the girl, and that lady luck would smile at him all the way.

Boy, was I wrong.

If I had only watched till the second episode, I would have realized that this anime is something very special. For starters, we never see the rival and crush again after the first episode, and already with the second episode, things are done to that boy you just couldn’t imagine. A lot of taboos in anime are scarily brought to the surface, and the first half has to contain some of the saddest hours of anime.

I’m SO glad that I decided to give this anime a second chance, as it really is something unique. It’s one of these anime that isn’t afraid to pull its protagonists through hell, and it actually succeeds in making this avoid the pits of cheesiness by developing a cast of excellent characters. The graphics may not seem to suggest it, but this is one of the darkest shounen-titles I’ve seen. And especially one of the most realistic ones. The music also comes with a perfect score to accompany this.

Still, all good things must come to an end. The problem with this series is that the second half of the series just doesn’t live up to the first half. Oh, it’s by no means bad, it’s got about half a dozen of awesome moments, but the entire thing is nowhere near as intense and unique as the first half, and at a number of points, it gets a formulaic and a bit unrealistic.

Still, you just have to see this series for its first half. It’s been a long time since I last awarded a rating of 90/100 and above, and this series deserves it. Like Eureka7, it’s a great example of how wrong first impressions can be.

22 Responses

  1. roguewrath says:

    Its been a long time since I’ve watched this, I might have to watch this again. I almost did the same thing with Juuni Kokki, which almost seemed to formulaic in the beginning. The only reason I stuck with it was because the books it were based off were supposed to be really good.

  2. kauldron26 a.k.a tman says:

    i agree that this anime was amazing, however like saikano they were just sooo heartbreaking that i dont think i have the heart to watch them again. have u seen saikano?? it will break ur heart many times over. its pretty phenomenal tho. funny thing i also struggled to make it thru

  3. Wyrdwad says:

    This is a great anime indeed, and it’s really hard to believe that it was directed by Daichi Akitarou, of all people… the same guy who directed Kodocha, Fruits Basket, Elf Princess Rane, Jubei-chan, Grrl Power, Sexy Commando Gaiden, Animation Runner Kuromi, and a bunch of other fairly light-hearted shows. I guess he wanted to try his hand at directing something dark, and I’d say he succeeded with flying colors. Just goes to show you, when you’re a TRULY good director, you can handle almost anything the writers throw at you…

    -Tom

  4. orangee says:

    I remember watching this and thinking of how the themes that resonate in this anime were unlike any other. And how surprised I was that it brought those themes to the surface.
    As much as it is not my favorite series, it still stands out because of the storyline, and it really reminds you that storytelling through anime can encompass many aspects of life, even the harsh ones.

  5. Chris says:

    Oh wow, I saw this anime when I was still very young, it was a very different type of show and I guess it made me look for more mature shows. Now and Then has got to be one of the most depressing series out there, and it’s also based on events that are going on in Africa so it’s even worse when you think of it like that.

    This series also features a great soundtrack by Taku Iwasaki (Read or Die, Kenshin OVAs, Witch Hunter Robin) and his sad violin pieces are very effecting (like when Sara is cutting off her hair.)

    My favorite character was Sara, I really felt for her through all her abuse and I couldn’t help but think of how violated she must have felt and how helpless her situation must have been. The main lead is very likable and I was really touched by his emotional strength and determination to go on despite everything that happened to him and the girl he liked. The only thing I didn’t like was the ending, it was very depressing I was hoping for something a bit more happy after all the ordeals these kids when through.

  6. shuffee says:

    i just discovered this about a month ago, and i instatly deemed it my favourite anime of all time XD!! i like depressing stories.

  7. ap says:

    I watched this 4 years ago – the last two episodes were breathtakingly beautiful.

  8. Solaris says:

    This serie is a masterpice and a perfect example of how much anime can be well done with adult themes. Dedicated to all those who think anime are child stuff

  9. nathan porrata says:

    i bought this anime after seeing it on amazon, and right away said “this is teh best anime ever!” i’ve seen all the greats and “greats” like EVA, Miyazaki’s films, Akira, Bebop, Graves of the Fireflies, but none of those animes, nay, almost NO movie i’ve EVER seen depresed me the way this one did. i literaly walked aroudn slumped over in a depressed stump for weeks after seeing this show. the best character by far is Sara, who goes through so much during this show and comes out in the end a COMPLETLY different person than she was at the beggining. her ordeal depressed me most of all.

  10. Pegah says:

    best anime experience i ever had. recommended for everyone.

  11. Oya says:

    This is an excellent one.

  12. Youwish says:

    The protagonist has his good parts, with his emotional strength (unrealistic if you ask me though) and optimistic outlook. I can understand his continuous outlook on things as strange, but his stupidity and the associated stubbornness really frustrate me. Albeit I haven’t finished watching the series, he drives me nuts sometimes…

  13. Gottis says:

    This is a really good anime, but I still liked Fantastic Children a lot more. In fact I did a small comparison post about the two anime in my livejournal, if someone’s interested to check it out. It’s here. ^^

  14. Firechick says:

    I just got into this series and I’m already on episode 6! Episode 6 frightened me because of Sara nearly getting raped and Nabuca (who is possibly becoming my favorite character) hesitating to kill that little boy in the end, when everyone else (except Boo and Shu) are. I can really see some heart in Nabuca, and FINALLY LALA-RU TALKED!! But she didn’t sound like Nazuka Kaori to me, but hearing her talk was fine for me of all things! I’ll finish this series soon because I’m already addicted to it even though I have a tight list of anime I need to finish up!

  15. Firechick says:

    I finally got to finish this, and I think I’m officially going to put this anime in my top 20 (or at least my top 30)! Everything about it was just incredible (though three of my most favorite characters died in the most horrifying ways and I DIDN’T EVEN CRY!!! Why don’t I cry at most anime!?) and heartbreaking! And normally if a character I like kills another, I’d hate them, but in this case I STILL liked Nabuca even after what he did! Sara and Nabuca are my all-time favorite characters in this show (along with the cute little girl named Soon)! I think this anime is gonna stick with me for a loooong time! I better find a DVD boxset for it and watch the dub! But before that, I recently started watching Haibane Renmei because of the overwhelming positive reviews. All in all, this anime was overwhelmingly great and cruel (though nothing can ever beat my #1: Shounen Onmyouji!) but awesome!

  16. cheesesticks says:

    aaaah this anime disturbed me, watched it as a child a couple of years ago. O.O brutal.

  17. israel84911 says:

    I just finished watching this anime because you gave it such a good review. Wow. This was truly brilliant.
    It reminded me a lot of Miyazaki’s Castle in the Sky. There’s a boy and a mysterious girl and the boy spends quite a bit of time yelling her name and trying to find her. There’s a magical pendant/crystal. The evil dude is nuts.
    Except, you know, this is 6 bajillion times darker. Seriously. This is the darkest thing I have ever seen/read.
    Still, totally brilliant. I’m just amazed this ever got shown on television.

  18. Badesh says:

    Am i the only one who thinks this show is overrated? I was… not overly satisfied with the first half. The reason i kept watching was that it at least didn’t confuse me or demanded much of attention. The harsh fate of sara was the only thing that attached me but besides it was pretty underwhelming. I found the second halft way more satisfying – after the escape.

    But nevertheless i’d give it a 80 because it was allaround a decent show. I just don’t get how it can score higher than any ghibli movie you reviewed. (ah, i know its pointless to compare scores and nitpick – afterall its estimated score and personal opinion)

    great blog. you do alone what i can’t find on whole communities :)

  19. oto says:

    The true genius of this anime cannot be understood without fully immersing oneself into the world being shown to them. Shu’s experiences in Hellywood simultaneously represent a boy’s journey into adulthood, and a descent into the often contradictory chasms of the human condition. Specifically, after the situation with Nabuca, Soon, and Boo reaches a close, we see Shu learn what it means to truly and justifiably feel hate for another being. Although this feeling was not the only realization Shu would be forced to reach, it is the one that was most in conflict with his naive values universally full and pure peace, and is insightful on a philosophical level because it illustrates how hate often stems from love and the loss of something loved, not merely from conceptions of “good” and “evil”. However, what allowed to this anime to transcend into the level of art was the director’s use of the ending credits. While each episode would depict Shu experiencing almost unimaginable horrors, it would also end would also end with a collage of images of his hometown. These images represented Shu’s consciousness, and how he was always dreaming returning to a place untouched by the madness of Hellywood, providing the viewer with a dim but constant glimmer of hope. It is because Now and Then, Here and There is so effectively able to guide its viewer through the winding path of the human definition that it should be regarded as one of the greatest anime of all time. (While I would have liked to have gone into greater detail, I will not sacrifice spoiling the unforgettable plot of this story for those who have not yet experienced it).

    • AidanAK47 says:

      I find it funny how some people get so caught up in a few concepts presented in an anime that they convince themselves that it is some giant planned out intellectual contruction. Often they get so caught up in finding cognative meaning in the plot to reniforce their interpetation that they become unreliable when it comes to gauging the story’s actual quailty.

      • oto says:

        Your comment is honestly completely valid. My described importance of the ending credits could be a complete misinterpretation, and I could be creating meaning where there is none. But is that really the case with with a story as emotionally and ideologically charged as Now and Then, Here and Now? It’s like saying the grammatical form of Hamlet’s soliloquies have no meaning, that the overall structure of Robert Frost’s poems are purely coincidental, that the Mona Lisa was painted just to look pretty. Sure, your comment can be applied to fluff anime like Dragonaut: The Resonance or Hamtaro, but Now and Then, Here and There is quite obviously not in the same class of story. The use of ending credits to express an idea is not a new concept. The credits of the movie “Seven” (released in 1995, 7 years before Now and Then, Here and There) with Brad Pitt and Morgan Freeman unfolded in reverse order, a technique obviously implemented to compliment the morally contradictory nature of the film’s ending. In relation to the presentation of Now and Then, Here and Now, anyone who took the time to fully watch the anime can support the claim that the animators favor the use of visual/audio stimuli and animated intention over written dialogue to express ideas, as can be seen in any of the sequences between Hamdo and Abelia, or even the numerous fights/interactions between Shu and Nabuca. This idea can be best visualized if one compares Now and Then, Here and Now to a dialogue heavy anime like Tatami Galaxy. Furthermore, why would the director choose such a “childish” looking art-style as the medium to tell a tale ripe with situations of extortion, rape, and systematic murder? Could he not find anyone who could draw well enough? Did he want to market the story grade-school children? The answer to these questions are, quite obviously, no. While this is once again a personal interpretation, I believe that the choice to present Now and Then, Here and Now in a “childish” art form was a deliberate decision on the part of the animators to constantly remind the viewer that the depicted violence of the series was most wholly felt by children. And even though the main characters, specifically Shu, still visually perceived events as children do, they were forced into situations that no person, let alone any child, should be exposed to. Taking such evidence into consideration, is it really that difficult understand how the ending credits themselves carry meaning? As I stated in my first comment, one cannot fully appreciate the genius of Now and Then, Here and Now without fully immersing themselves in the story presented to them. When it comes down to it, good stories and truly great stories are separated by subtleties. Failure, or rather, refusal to recognize and interpret these subtleties, is merely the sign of a lacking reviewer.

Leave a Reply

Shoutbox

Name:
Email:
For:  
Mail will not be published
  • Bam
    (Friday, Sep 4. 2015 09:28 AM)
    if Eva is so predictable then speculate for me what’s gonna happen in the last rebuild film, and please don’t spare the details:
  • Bam
    (Friday, Sep 4. 2015 09:27 AM)
    And predictable? Who expected the show to end with a mindfuck stream of consciousness episode that only hints at the action off screen and ends with a standing ovation on a stage?
  • Bam
    (Friday, Sep 4. 2015 08:42 AM)
    Evangelion had a plethora of issues. The budget was slim, last minute plot revisions made development a hell. The director Anno became clinically depressed and disinfatuated with the entirety of the industry, and the result was a refreshing unpredictable and glorious mess that moved millions of people.
  • Bam
    (Friday, Sep 4. 2015 08:35 AM)
    @jerkocaust: Eva was mad significant when it aired and remain relevant to this day. You can dislike Eva as much as you want, that doesn’t reduce its place in history or the legacy it left behind. The style influenced the industry and that is a fact way above either of our opinion.
  • Kevin
    (Friday, Sep 4. 2015 08:11 AM)
    Why do you losers keep talking like your opinions matter. Like you all think you’re professional critics or something?
  • jerkocaust
    (Friday, Sep 4. 2015 06:21 AM)
    and its not sure if it wants to be a mecha shonen with the shouty action, tsubdere, kuudere, while it pulls stupid wannabe seinen shit. So you have a story that acts like a 12 year old trying to buy alcohol with an obviously fake ID
  • jerkocaust
    (Friday, Sep 4. 2015 06:13 AM)
    What, when was eva relevant again? Both versions had bad static characters and a story that sounded like a 7th grader wrote it. Predictable at every turn and it thinks its sophisticated enough to half ass some religious symbolisms like it’s some deep story lr something lol what a joke
  • Bam
    (Friday, Sep 4. 2015 05:32 AM)
    [WARNING] incoming Eva rant inbound.
  • Bam
    (Friday, Sep 4. 2015 05:31 AM)
    @Kaiser: welcome to the light.
  • Kaiser Eoghan
    (Friday, Sep 4. 2015 01:58 AM)
    Yes you heard it here, Kaiser admitted to this. Fully watching the films I thought they were alright. And I even liked the direction the third film went and consider it the best thing to happen to the franchise. The plot felt more accessible and easier to follow. It feels more tight and compressed and benefits from animation upgrade. I still think Mari is pretty worthless though and as much as I still hate Asuka and Shinji, their more tolerable here.

1 · 2 · 3 · 4 · 5 · »

Featured Posts

Gangsta. – 09

Action episodes really are the most troublesome to review. It’s hard to formulate an opinion on something which essentially speaks for itself. Basically this episode was one big brawl between a number of different twilights. Animation remains a hit and miss situation as they do make use of still frames and close ups to lessen […]

Gate: Thus the JSDF Fought There! – 09

So the reason Itami got married was because a girl pretty much said take care of me and I will marry you. And the reason why she divorced him was because Itami believed she saw him as a meal ticket when she had developed feelings for him. Those are oddest reasons for a marriage and […]

Gakkou Gurashi! – 08

Well this episode starts off with a dark revelation and we see that Megumi is not buried on the roof but instead is roaming the school as an undead corpse. Her location seems to be the door where Yuki talks to her. From the looks of things, after taking a picture with the group she […]

Gangsta. – 08

Some focus on Alex this time around as with the drug out of her system she remembered that she had a younger brother. A pretty startling revelation for her as forgot about him the whole time she was under Barry’s control. It was done well on just how much this shocked her but I must […]

Gate: Thus the JSDF Fought There! – 08

Itami continues to be a mystery as he is shown not only to be a ranger but also a member of special forces. Its not really confirmed whether he is a genius in hiding or a slacker who was tossed into high profile positions and got through it with minimum effort. The big part of […]

Gakkou Gurashi! – 07

This episode has been a weaker episode than those so far. The opening has gone through a number of changes now that we have reached over the halfway point. Megumi’s part of the opening has been replaced by a shot of her grave, the colourful transition after showing the title is now a series of […]

Gangsta. – 07

Now the past has been mostly revealed, Worick’s friendship with Nicholas has become a more complex thing. Worick seems to see him as a good friend yet resent him for going kill crazy and murdering his whole family. Though the murder of his father looked to be an order he himself made to Nicholas and […]

Gate: Thus the JSDF Fought There! – 07

I understand that for an anime adaption some character designs need to be simplified in order for an easier time to keep them in proportion in animation. But while the characters who suffer in this episode because of this are indeed minor characters, its really a shame to see them become something unrecognisable. The two […]

Gakkou Gurashi! – 06

Well the story continues on from the flashback, showing Miki first joining the club. Right off the bat the episode pushes to answer the question of Megumi’s existence. It’s a answer that was pretty obvious by this point as the foreshadowing was pretty heavy on this particular detail but this episode makes it crystal clear. […]

Latest Reviews

Little Witch Academia The Enchanted Parade – 81/100

I wonder when it was that a film being childish became a flaw. As a medium grows it takes steps to aim to mature itself and seek a more intellectual level of presenting entertainment. Animation did it as Anime aimed to explore terrontry that cartoons refuse to explore and video games only recently broke away […]

Fate/Stay Night Unlimited Bladeworks Review – 85/100

For a long time now this adaption has been the dreams of many a Fate fan with many believing it would never come to pass, but now that it is here is it everything that we dreamed? Short answer to this is no, long answer is nearly. I feel this show will have many divided […]

Shirobako Review – 80/100

When you see a harem anime and sigh as the breasts of the female lead jiggle with every step and wind that can flip a skirt it’s easy to forget that somewhere in Japan a group of people worked hard to get that jiggle right and draw each frame of animation. The hardships of the […]

Clipboard06

Nerawareta Gakuen Review – 84/100

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series […]

Clipboard03

Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

Clipboard01

Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

Clipboard04

Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

Clipboard01

Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

Clipboard08

Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]