Posted by psgels on 11 August 2007 with categories: Seirei no Moribito


This may very well be the best episode of Seirei no Moribito since episode 3. I nearly cried at one point. It’s just too bad that the issue between Barsa and Chaggumu is resolved now, but it will be interesting to see whether the final episodes pull a similar twist. Just like El Cazador de la Bruja, Seirei no Moribito is a series that spent most of its time building up. Right now, it’s time to see whether all the building-up can come together. Both series are showing some good signs. Ellis and Nadie are becoming so cute together, and the current episode showed that Barsa and Chaggumu have a great relationship together, but I have to see first before I’ll believe it.

Basically, the current episode centres on Chaggumu, running away. He’s been angry with Barsa, ever since she knocked down Shuga, and when now he finds out that he’s destined to die. When the girl comes, and offers to run away with him, he takes the chance. Barsa tracks them down easily, though Chaggumu refuses to go with her. He claims that Barsa isn’t his mother, and that she can’t know about his suffering.

In response, Barsa throws him her spear, and claims that if he wants to leave, he’d have to stab her. In his blind rage, he rushes towards her, though she stops him easily. She then smacks him down, claiming that he’s incredibly irresponsible. Everyone in the village is worrying about him, and he can’t just run away from them. What can he do when he’s alone like that?

That scene made a lot of impact, and I love how Barsa decided to solve it. It really shows the fruit of the constant building up of ths series. I’d love to see this continued, but I remain sceptical for now. There’s one thing I didn’t understand, though. At one point, Chaggumu fell down and felt dizzy, and thought that something was watching him. What was up wit that?

Oh, and the hunters make their move too. Luckily, Barsa and Chaggumu happen to be out of the village at that time, so they’re going to have to deal with Tanda and Torogai in the next episode. I’m interested to see how it’ll go, seeing the nature of this series. I can’t help but compare Seirei no Moribito to a Bakumatsu Kikansetsu Irohanihoheto with less fights, but where the latter turned straightforward in its second half, Seirei no Moribito continues to be unpredictable. Now let’s hope that this remains until the finale!

One Response

  1. Patrick says:

    I can say that i nearly cried too at that point. Great episode. And again great music.

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  • AidanAK47
    (Friday, Feb 27. 2015 11:24 PM)
    Holy crap I got a Majora’s mask in my hands and it looks just like it does in the game and hot damn it’s awesome!
    …I need to hang this up on my wall.
  • Emma
    (Friday, Feb 27. 2015 11:14 PM)
    @Swa: I felt for completions and being a huge fan of macross in general’s sake I should do so, but after the first episode , the most I can say is this hasn’t aged well and if I continue its going to be at best a guilty pleasure.
  • swa
    (Friday, Feb 27. 2015 08:19 PM)
    Macross 7… poor you, I suppose you already watched it by now. Not my favorite Macross for sure.
  • Emma
    (Tuesday, Feb 24. 2015 07:21 AM)
    All thats left now is macross 7.
  • Emma
    (Tuesday, Feb 24. 2015 07:20 AM)
    However this one begged to go on for more than just five episodes, come on now and it had the franchises penchant for weak villains. It doesn’t get me as emotional as do you remember love does, the characters of Macross plus were more likeable. Still its a step above Macross II and I at least had fun with it on an action level.
  • Emma
    (Tuesday, Feb 24. 2015 07:17 AM)
    Thats Macross zero completed then, it was great to see the background arc/plot for this franchise, the pace is tight and the action is arguably the most immersive, well done of the Macross universe along with Frontier.
  • Bam
    (Tuesday, Feb 24. 2015 04:33 AM)
    While Tatami Galaxy and Ping Pong were definitely sharp I felt that Kemonozume and Kaiba were more inventive.
  • Emma
    (Tuesday, Feb 24. 2015 04:30 AM)
    Aye,it was the visual style of the film being so different from the norm that drew me in. Still out of Yuaasa’s stuff I found myself more taken with tatami galaxy.
  • Bam
    (Tuesday, Feb 24. 2015 04:22 AM)
    I think creatively the anime industry has plateaued a bit by now, where we see more derivative stuff and there has a formed an almost universal “anime style” which hinders non-traditional voyeurism.
  • Bam
    (Tuesday, Feb 24. 2015 04:18 AM)
    I love the tonal whiplash that the story goes thru and the then-impressive-and-new visuals. Both 4°C and Hifana take queues from the Kansai art and the underground graffiti styles that prospered in Japan after the 70’s. Parallel to the postmodern movement in the Western world, the new wave was more expressive than fine and you see its heavy influence on the manga and anime industry.

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