Posted by psgels on 16 August 2007 with categories: Anime Reviews


Kai Doh Maru is making me rather angry while writing this review. Not because it’s incredibly bad, but because it could have been incredibly good. It’s Production IG’s attempt at making a movie, and they went with another setting of Japan’s history. The interesting thing is that while most anime pick a period around the year 1800, with the samurai and shinsengumi and all, Kai Doh Maru goes further back: to the ninth century.

Those who appreciated Sisters of Wellber know what to expect: really stylized art that fits perfectly, an excellent soundtrack (this one has been composed by Yoshihiro Ike, the same guy who did Ergo Proxy), and a nice amount of the screen-time is spent on fleshing out the characters, creating a great mood for this movie to work with. Only the humour is missing in this one. So why did it disappoint?

Simply enough: it’s too short. If only it had gotten twenty, maybe ten more minutes, it could have been so much better, and it could have made a chance to be memorable. Unfortunately, Kai Doh Maru only has a length of 40 minutes, which may be enough to flesh out its characters, but not to flesh out their backgrounds. Right now, the movie was just way too confusing and failed to answer too many questions. What happened in Kai Doh Maru’s past? Why was he or she hunted, and why does she or he keep changing genders? These questions could have been perfectly answered if more time was given.

Then there’s the issue of the ending: there is none. It just ends, and the bad guys still live. What happens next? We’ll never know. One thing I do know is that I really like Production IG’s style of storytelling; it’s just too bad that this movie screwed up. Nevertheless, despite my ranting, it’s quite an enjoyable movie though; you can give it a try if you’re a fan of their style like me. Just be sure for the rather large plotholes it leaves.

4 Responses

  1. Mali says:

    I agree with you. It could have been amazing but they really did an awful job. It had a really good plot and stuff but they made it just not make very much sense and I wasted a rental.

  2. G8crasha says:

    I’ve just finished watching it now and I really hate the ending – let me correct that, I hate that there is no ending. The OAV goes half-circle and then ends there!

  3. ashimbabbar says:

    I should think the ending is obvious – Onihime totally flipped out upon discovering intoki was actually a girl, there was a fight in which she was killed and Kitoki fatally wounded – so Kintoki stumbles to die besides Raiko’s corpse.

  4. cromagnon says:

    The strength of feeling on some of the reviews of this film is quite interesting. I have just seen it for the first time. I think it is a film that needs to be watched a few times to fully appreciate it. I did find it confusing, and the final scene seemed to violate my expectations of a satisfying ending. The ‘bad guys’ did not appear to get their comeuppance. This is a problem with my expectations though, not the film it’s self. I had a feeling it was going to end badly for the good guys when one of the heroes had his arm lopped off. Not since ‘man bites dog’ have I seen so many of the main characters in the story killed off. At least in MBD, all the characters were thoroughly unlikeable. In Kai Doh Maru, the characters are likeable, even if briefly sketched. Although very short there is a lot of subtleties that belie the film’s simplicity. The end sequence had me re-watching it a few times to try to see exactlywho stabbed who. This was diliberately obscured, but a slight buckling of the knees gives it away. The film begins and ends with events alluded to that are outside of the story. I thought perhaps it was an episode in a series. This, again, is my expectation, not a fault of the story. Once I accept it as a stand alone story, I like how it’s a fragment of a larger tapestry.

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  • k-off
    (Saturday, Oct 25. 2014 03:34 AM)
    @Vincent No shit.
  • Vincent
    (Saturday, Oct 25. 2014 03:14 AM)
    @Bam Slightly. Did americans use manifest destiny as an excuse to steal land from the natives?
  • Bam
    (Saturday, Oct 25. 2014 03:05 AM)
    @Vincent: I guess we were slightly more honest about it. It is funny how we use the fact after the matter as evidence of our divine providence. It’s like holding a gun to somebody and saying “fate wants you to die”, proceed to shoot them, and then say “see! I was right” lol
  • Vincent
    (Saturday, Oct 25. 2014 02:56 AM)
    @Bam But unlike the american concept of manifest destiny, the Japanese used it as an excuse to wage what they were really doing: a war to hoard resources.
  • Bam
    (Saturday, Oct 25. 2014 02:52 AM)
    @Vincent: I see. A similar doctrine to Manifest Destiny.
  • Vincent
    (Saturday, Oct 25. 2014 02:49 AM)
    @Bam Not to my knowledge. From the government, at least. It was always about expanding the glory of the homeland or something like that, which is why the Japanese took glee with the invasion of Manchuria and the Philippines, places they had no ethnic ties to.
  • Bam
    (Saturday, Oct 25. 2014 02:46 AM)
    *admitably
  • Bam
    (Saturday, Oct 25. 2014 02:46 AM)
    @Vincent: I am admirably not too knowledgeable when it comes to the history of that region, but I still know that atrocities were committed.
    The interesting thing is that Japnese believe that their ancestors actually came from Korea. I wonder if this fact was ever used as a propaganda for why they have the right to annex Korea.
  • Vincent
    (Saturday, Oct 25. 2014 02:40 AM)
    @Bam There also was the fractures within the Korean Peninsula itself. Quite astounding, really, that a nation as small as Korea is divided to this day. Not even counting the Japanese and Chinese aggression.
  • Bam
    (Saturday, Oct 25. 2014 02:39 AM)
    @Vincent: you probably know of it twinfold: both with the aborigines and then again with the Japanese invasion of Korea.

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