Posted by psgels on 29 August 2007 with categories: Bokura no


Whoa, plot twists! Before I start with them, I must say that I finally realized how incredibly versatile the second half of this anime had been. It started out as a case-based series, then, with Kirie and Maki it turned into science-fiction, then with Takami and Aiko, the political undertones of this series suddenly got lots of attention, and the past two episodes have yet again changed the main focus, as they start to explain all of the mysteries in the series. It’s hard to name a series where the difference is so noticeable.

Anyway, this episode: Yoko’s background. It seems that her original world has been visited by a Koemushi-like creature as well. Yoko wasn’t part of the pilots, but her brother was. He already was a huge brat at that time, but it seems that the group of children had also decided to battle until their deaths. Then, if I understood things correctly, the gray Koemushi came with a revelation when Yoko’s brother was the final pilot left: if he were to travel to different worlds, enlisting people for the very same game, he’d be allowed to live. With this news, he became overjoyed, and gladly accepted this for the chance to keep living. Yoko, while she didn’t like this, still decided to accompany her brother.

They then travelled through countless other worlds, where their robot always ended up defeated at one point. Then they reached Kokopelli’s world, where they met him. Things were a bit different in that world, as Yoko entered a class as a transfer-student in order to get them to sign up, and she became friends with them. Kokopelli’s daughter was among that class, and Kokopelli was their teacher. He was the one who nudged his daughter to enlist.

Kokopelli became like Tanaka when he found out the true nature. I guess he felt responsible for it, and offered his life, in exchange for others (aka, his daughter). Obviously, with Koemushi, this didn’t turn out as planned. In the end, only he and his daughter remained alive. I think that it’s then when they knew about the final pilot being the one to remain alive. Kokopelli offered himself, to keep his daughter alive, though Koemushi had different plans, and chose the daughter instead. When Kokopelli’s wife tried to commit suicide along with him afterwards, he suddenly was begging for his life. After that, he went on to help Koemushi and Yoko.

At least, that explanation makes the most sense. There are quite a few details in this episode I didn’t get, like why didn’t Kokopelli turn into a Koemushi as well? And why did he so easily throw his life away in the first episode? Why didn’t we see the last fight of Kokopelli?

And holy god, I suddenly realize how similar Yoko and Koemushi are to Jun and Kana! With Kanji being the next pilot, And after that only Seki and Jun are left, and it really seems like Koemushi is trying to make Jun into the next Koemushi, due to Kana being there. There’s also a thing I’ve been wondering for the past few episodes: the final pilot. Now that Kirie killed two, and Tanaka died, there should be no need for it. But according to THAT Anime Blog‘s entry of episode 17, the line-up that Koemushi mentioned consisted out of all the pilots (Komoda – Jun – Seki – Tanaka – Kanji). This has confused me for quite a few episodes already.

Anyway, next episode should be awesome: Kanji is going to pilot! (at least, I hope ^^;)

2 Responses

  1. Ivy says:

    When Kokopelli realized that this thing was real and not an actual simulation, he asked koemushi if he could take the place of the children. Koemushi being the jack-ass that he is started to use reverse-psychology by saying that he actually wants to help his daughter only since the other children were strangers. In the end Kokopelli wasn’t able to chose to save his daughter only so the game went on. When they reached the last part of the game kokopelli begs koemushi to save his daughter since he and his daughter are the only ones left in the contract. Koemushi suggests that if he wants to save his daughter then he needs to get a whole new group of children to join in. He agreed and thats where the story began with kokopelli asking the children we came to love to participate in this “game” in order to (save himself?) save his daughter. When kokopelli came back to the ship with all contracts of the children in place. It seemed like there weren’t enough children so Koemushi had to use his daughter (who was piloting zearth) to balance out the numbers. I thought this was an important part in the episode and I thought it was wonderfully done. I hope they can keep the steam up till the end.

  2. psgels psgels says:

    Ah, thanks for explaining. This episode was quite complex, but as you mentioned it was wonderfully done. I’m also quite looking forward to the final part of this anime. There’s only four episodes left, Kanji still has to fight, we still need to get information about the people who started all this and it needs to get resolved somehow.

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  • Emma
    (Saturday, Feb 28. 2015 11:46 AM)
    Wait, wait scratch that, that was an old article/rumour…feck…
  • Emma
    (Saturday, Feb 28. 2015 11:39 AM)
    @Bam: I was quite fond of Gillian Andersons character.
    Apparently Laurence Fishburne wants to quit the show =<
  • Bam
    (Saturday, Feb 28. 2015 10:44 AM)
    I really enjoyed Alana Bloom’s shadow transformation during the season two hypnotherapy sessions. I thought was visually stunning and thematically relevant. Bryan Fuller has managed to gather quite a bit of talent around himself in the recent years, but Mads is undeniably both the egg that holds this cake together as well the cherry that’s sitting on the top.
  • Bam
    (Saturday, Feb 28. 2015 10:37 AM)
    Word of mouth and good reception managed to raise the viewership near the tail end of the 2nd season, that and the aforementioned cosponsorship managed to pull a hallelujah and bring the show back from the verge of death. And I’m glad tha happened.
  • Bam
    (Saturday, Feb 28. 2015 10:32 AM)
    I also always felt that their screen chemistry was mesmerizing and am very surprised that some critics found that it was lacking in that very same department, but to each his own I guess. The budget is not all that low actually, and the reason the 3rd season was greenlit was in part due to a dedicated fanbase, as well as the fact that this is a joint effort between NBC and a European studio who undertakes portions of the expenses.
  • Emma
    (Saturday, Feb 28. 2015 10:08 AM)
    There is this…certain chemistry between Dancy and Mikelson in that show too.
  • Emma
    (Saturday, Feb 28. 2015 10:01 AM)
    *their
    As much as I love the inventiveness and creativity of the death/crime scenes I can see how someone would find them silly.
  • Emma
    (Saturday, Feb 28. 2015 09:54 AM)
    @Bam: I had heard there were alot of cancellation risks but that there series was cheap to make, if its true the budget is low, then they’ve worked around it effectively.
  • Bam
    (Saturday, Feb 28. 2015 09:27 AM)
    But everyone knows that this is Mads Mikkelsen’s show, and it’s really his magnetic charm and the series’ strong cinematography that sells the experience. I also think that the special effects are very well handled, and the whole show has a seriously disturbing edge while still managing to stay classy. Quite sophisticated if nothing else.
  • Bam
    (Saturday, Feb 28. 2015 09:22 AM)
    @Emma: I’ve been steadily enjoying Hannibal and am thrilled for the third season. A lot of people had a problem with Hugh Dancy as Graham since they believe that he doesn’t fit the novels or the earlier adaptations, but I take this show as as a whole new reimagining of the story so I don’t particularly mind him, and I do think that he’s mania is quite palpable.

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