Posted on 30 September 2007 with categories: Les Miserables - Shoujo Cosette


Haha! It has finally started! For episodes, I’ve felt that the bomb was about to burst and this is the episode where it happens: the revolution has finally started! That’s one of the beauties of this series: you know things are about to happen, you’ll just never know the exact time.

In this episode, it was the side-characters who really shined, as they made their first steps into the revolution by building barricades everywhere. Even the elders like Mabru(spelling!?) and the youngsters like Gavroche helped a hand, which was so sweet to see. There’s also a pretty sad story behind Mabru: his wife dies in this episode, and he finally lost all of his books. In response, he doesn’t decide to mourn silently, but join the revolution. Quite a unique behaviour, though I loved it. Gavroche meanwhile leaves his little “brothers” at some kind of mansion, at a safe place.

And Javert! He finally catches his first glimpse of Jean after all those years, and at the end of the episode, we also see him disguised as one of the commoners. I’m not sure whether that was in the hope of seeing Jean back again, or a tactical manoeuvre to collect information about the enemy. I’m surprised he didn’t use any of his subordinates for this.

Meanwhile, Cosette and Marius keep getting more distanced from each other by the revolution and Eponine’s meddling. I wonder whether the two will be able to meet again, actually. The only thing that’s possibly going to stop Jean from going to England is a lack of boats to take them out of the country. Still, this could be a possibility. with such an unstable Paris at the time, I can imagine that most nobles would try and flee the country to England as well.

I’d also love to see Thenardier in this situation. Obviously, he won’t really play a huge role, since there’s nothing in the revolution for him, but it’ll be interesting to see him, trying to save himself amidst the chaos. It would also be awesome if the prison was somehow broken into during the revolution, releasing Azelma and Thenardiére.

Seriously, something tells me that the final quarter of this series will be the best of the entire series. I’m so looking forward to it!

Posted on with categories: Monthly Summaries

+ September 2007 Rankings +
And finally the Spring- and Summer-seasons have ended. Last month, I received the comment that my ratings have been a tad too high, though I must say that they’ve possibly become even higher. But then again, September has been the best month in terms of anime for me for this year, and the ratings will probably plummet down for October, when the new season starts, since there are only very few anime which can be awesome right from the start (Night Head Genesis and Asatte no Houkou were probably some of the few who actually did it).

Anyway, in case this is the first time you see this, the series are ranked from worst to best, the number between the ( and ) indicates the place where that series was on last month, the rating is out of 10, with average being a 6,0 (and yes, I’m using the decimal comma).

#38(new): Saishu Shiken Kujira – (4,3/10) – Garbage also comes in episodes of five minutes.
#37(39): School Days – (4,8/10) – Finally Final Fantasy 7 has been beaten in terms of a character-death that’s hardest to avoid being spoiled about. The final episodes were quite possibly even worse than the rest of the series combined. The final episode itself was okay, but the ending was horrible. I mean, no police?
#36(new): Kodomo no Jikan – (6,2/10) – Better than I expected, but the useless fanservice has to stop. If this is an omen for the series…
#35(38): Romeo X Juliet – (6,4/10) – In addition to bowmen, it now also looks like there isn’t a good stone-thrower in the entire kingdom. Anyway, this story is now about to get closed off. I’m going to be disappointed if Romeo and Juliet don’t end up committing suicide!
#34(37): Lucky Star – (6,6/10) – Like I said before: episode 24 was one of the best episodes of this series yet, but that may also be because of the relief that the boredom was finally over. The episode with Konata’s mother was artificial at best, though.
#33(19): Reideen – (6,7/10) – The final episode was garbage. Seriously, it ruined a major part of the continuity the show had been building up.
#32(35): Sky Girls – (7/10) – Sky Girls seriously needs to develop its setting now. At the moment, I have no idea how many bases on earth remain. Why was Western Europe the only place where new sonic-divers were made? And if they’re so easy to maintain (after all, a team of four people is enough for three of them) then why aren’t they more available?
#31(14): Mahou Shoujo Lyrical Nanoha – (7/10) – Whoa, what happened here? Nanoha, with cookie-cutter villains? Oh my god, scriptwriters: what the heck are you doing?!
#30(13): Claymore – (7/10) – You’ll either hate the final episodes of this series, or you’ll love them. I’m close to the former, even though I haven’t read the manga. Diverting from the manga is okay, but please use a sensible storyline and not the… “thing” we saw here.
#29(???): Kishin Taisen Gigantic Formula – (7,1/10) – I finally realize what’s wrong with this show: the sheer predictability and the lack of cultural references. Seriously, why the heck did the creators have to make the United States of all possible countries special? Why the heck is Europe so unimportant that it’s already killed off entirely at this point? Why don’t we see any sort of accurate cultural references from the different countries?
#28(33): Nanatsuiro Drops – (7,2/10) – Any attempts at a deep story backfire horribly for this series, but the love-relationship between the two main characters is cute, I really have to admit that.
#27(31): Potemayo – (7,5/10) – The final episode did evoke some emotion, but it would have been so much better if Sunao’s background was moved to the beginning of the series.
#26(34): Kenko Zenrakei Sueibu Umisho – (7,7/10) – The added drama is surprisingly good for a comedy. This month hasn’t been better for Umisho, but it also didn’t turn worse, and there were some funny moments. But that still gives no excuse for the excessive fanservice!
#25(28): Murder Princess – (7,8/10) – Okay, the finale was cheesy, but at least it was entertaining enough.
#24(24): Tengen Toppa Gurren Lagann – (7,8/10) – I liked Kittan’s end, and Yoko turned much more enjoyable now that she’s a mere side-character, instead of a main one. I liked the spiral-guy as well. It’s just too bad that the predictability in this show is back again.
#23(18): Zombie Loan – (7,9/10) – Two words: Too Short!!!
#22(26): Saiunkoku Monogatari – (7,9/10) – Yes! After a nearly endless amount of recaps, Saiunkoku Monogatari finally returned. This month ha been mostly introductions, but things are looking promising.
#21(23): Tetsuko no Tabi – (8/10) – One thing I didn’t like about the past few episodes is that there haven’t been any guests on the trips. Still, you just have to love Kikuchi’s reaction to Yokomi’s wild fantasies, and it’s also nice to see that the final episode was one of the best of the entire series. Such a thing doesn’t happen often for comedy-anime.
#20(30): Mushiuta – (8/10) – Nice, but it’s got a bit too much angst for my liking. The creators seemed to have written themselves into a corner when they came up with the idea that only downhearted people can get possessed by Mushi. I mean, it’s an easy way to write a sad storyline, but not only does this limit the storyline a lot, seeing every single character in the show turn angsty can become annoying.
#19(9): Code-E – (8,2/10) – The finale wasn’t as fun as the rest of the series, though seeing Chinami’s power gone was quite interesting to watch. I’m looking forward to the next anime the staff is going to tackle.
#18(???): Perrine Monogatari – (8,4/10) – I’ve decided to include this series in the rankings as well from now on, even though it aired more than twenty years ago. Plus, this is probably the only anime that shows a realistic life in Eastern Europe of two centuries ago. I’m at episode six now, and so far, this series has earned its title of World Masterpiece Theatre
#17(27): Heroic Age – (8,4/10) – Surprise surprise, Heroic Age is getting good. Now that it actually started to progress its storyline, unlike what it did in the major part of the series, the series has been getting more enjoyable by the minute. Sure, the discovery of the Golden Tribe was cheesy, but at least it felt good.
#16(32): Shigurui – (8,4/10) – I’ve actually been watching Shigurui double: with and without subs, due to my impatience. The strange thing is that even with subs, episode four didn’t make any sense at all. How did Irako and the woman get together? What did he do with Mie? The latest episodes have been getting better by the way. The bizarre rituals are gone and now that the storyline is more focused, Shigurui’s turning tenser with every episode.
#15(29): Gintama – (8,5/10) – Christmas episodes have always been worthwhile, but Gintama brings this to a totally new level with episode 37. The episodes have been utterly brilliant, though it’s a shame this series falls into clichés with its endings. This was especially noticeable for the two stories of episode 37. They’re hilarious, but their endings lacked steam.
#14(17): Sayonara Zetsubou-Sensei – (8,6/10) – There are only very few comedies which can milk out a joke and turn better because of it, but Sayonara Zetsubou-Sensei is one of them. It starts out with a mundane joke and it keeps making it more and more ridiculous. That’s one of the reasons I like this series so much, though there is one major annoyance about this series: the useless and frequent eye-catches become annoying quite soon.
#13(20): Demashitaa!! Power Puff Girls Z – (8,7/10) – Episodes 42 and 43 were utterly brilliant. I keep getting surprised at the bizarre sense of humour of this series.
#12(22): Kekkaishi – (8,7/10) – Kekkaishi has been getting stronger than ever with Gen’s development, BUT (and there’s a huge but here) Yoshimori has hidden powers. If there’s anything that can ruin a series, it’s hidden powers that can be conveniently used to power up the main character due to laziness of the writers!
#11(16): Dennou Coil – (8,7/10) – This month has been a month of building up for Dennou Coil. While it has been better, I’m definitely curious as to where it’ll go from now. Especially episode 18 was really intriguing

#10(11): Darker than Black – (8,8/10)

Okay, so the ending was rushed. In this case, a 26th episode would have been better for this series, but the pre-ending episodes were really good. I especially liked Mao and November 11.

#9(3): Les Miserables – Shoujo Cosette – (8,9/10)

While it wasn’t as good as at other points in the anime, the past month has been building up for the story and the upcoming revolution. Things are promising to become awesome.

#8(6): Higurashi no Naku Koro ni – (9/10)

Now that most of the mysteries are cleared up, Higurashi is no longer the chaotic paranoid mystery-series it used to be in its first season, but in return, the characters have stepped up to become this series’ highlight, and the bond that’s developing between them is fascinating to say the least.

#7(5): El Cazador de la Bruja – (9/10)

Ellis and Nadie showed that you can even become extremely cheesy if the character-development is excellent. This month, El Cazador has finally decided to focus on its storyline, and the result, when combined with the characters was nothing short of awesome.

#6(10): Baccano! – (9,2/10)

Now this is a well-written storyline! Every single character seems to have his or her own story, and the amount of development it achieves is something most other series can even dream of.

#5(8): Ooedo Rocket – (9,3/10)

The final episodes rocked! I was expecting that the drama would totally overshadow the comedy, and I’m so glad I was proven wrong.

#4(7): Toward the Terra – (9,3/10)

Episodes 21 and 22 were all kinds of epic and awesome, and while it wasn’t the best ending, it still was satisfying enough. It’s sad to see this series go, and we can only hope that it set the standard for other science-fiction series.

#3(3): Seirei no Moribito – (9,4/10)

And finally everything the series has build up for has come together perfectly! The fight against Rarunga was quite possibly the best multi-episoded fight I’ve seen this year.

#2(1): Kaze no Shoujo Emily – (9,5/10)

Seriously, making Emily grow up in the final part of the series was a masterful decision, as the final episodes have been nothing but tear-jerking awesomeness. The way Emily and her friends have developed throughout the years are magnificent.

#1(4): Bokura no – (9,6/10)

I seriously couldn’t have expected a better finale for this series. Everything worked out perfectly, there was no rush and the fights were awesome to watch.

+ Top 5 Episodes +
#5: Seirei no Moribito – 26
In these kinds of endings, everything comes together and works out perfectly, despite the predictability.

#4: Toward the Terra – 21
I really cried during the several plot twists of this episode. Toward the Terra may not have had the best ending, but it does have the best pre-ending episodes of the spring-season.

#3: Ooedo Rocket – 26
*grins* I’m nog going to tell you why~ Muahaha!
TAMAYA!!!!

#2: Bokura no – 24
A truly magnificent ending that closes off the series perfectly for me. While others will disagree, Bokura no has been one of the best series of the year for me.

#1: Toward the Terra – 22
It’s not often that a series takes up two spaces in this top-five, but Toward the Terra deserves it with two magnificently epic and tragedic ones.

Posted on with categories: Anime Reviews


Darker than Black is an arc-based series, much like Studio Bones’ previous production of Tenpou Ibun Ayakashi Ayashi. The setting is quite different, though. Instead of the Tenpou-era, this one plays in modern-day Tokyo in an alternate universe, where strange humans with supernatural powers, calling themselves contractors live amongst humans. For once, their purpose isn’t to destroy mankind, but to just carry out their job. And that’s the beauty of this series.

Darker than Black is about the relationship between your job and your own instincts. All the characters in this series are adults who are just trying to survive in a dark and gritty environment, with pressure coming from both enemies and superiors. The interesting thing about the contractors is how they’re able to make rational decisions, regardless of their emotions, making this quite an intelligent series. Organizations have many layers and characters have often subtle motives.

The powers of these contractors are just like the setting: full of creativity. In this series, the people with the strongest powers are actually the weakest, because these don’t leave any room for strategies. The story also knows how to use its characters, where every major character gets at an arc dedicated to him or her for development and background information. There is just one issue with the ending: the creators got too ambitions and tried to stuff too much in the final episode, making it end up rushed.

There’s one more problem, one that many other arc-based series suffer from as well (for example Ghost Hunt, Ayatsuri Sakon): the quality of the different arcs fluctuates heavily, and you’ll never know when an arc will turn out great or just good. The best episodes of the series are because of this not among the final ones, but episodes 13 and 14. These were simply perfect, with some of the best minor villains I’ve seen in a long while. The successive arcs were good as well, but none of them really lived up to the same quality, unfortunately.

Still, despite this, Darker than Black is a definite recommendation for anyone, looking for a story aimed at adults. There’s enough action, and yet the action is not of the brainless kind you see in Tengen Toppa Gurren Lagann. It knows how to build up the individual stories for each arc very well with nearly all of them having satisfying climaxes, and this is definitely one of the more intelligent series that came out in the past spring-season. And let’s not forget Yoko Kanno, who composed the soundtrack for this series. Her style may be a bit more subtle than say, Yuki Kajiura, but it fits the series perfectly.

Posted on 29 September 2007 with categories: Dennou Coil


Okay, I know I had my doubts about the past few episodes. I know that they somehow didn’t feel right, and I know that I felt a bit disappointed by them.

With this episode, I take all of that back. Seriously, it was an amazing one, and the exact reason why I’m such a fan of mystery-series. It’s not the revelations that make them great, it’s how the storyline uses the questions as effectively as possible.

This episode basically has three major storylines. The first one is Haraken’s. In exchange for the access-code for the Sacchis, Isako has to show him how to get to the cyber-world, though Haraken gets carried away, and when he sees a giant keyhole like in the pictures, he just enters it without thinking. A girl looking like Kanna is in there, though Yasako manages to get him back before it’s too late. His cyber-body and real body may have separated a bit, he manages to fix it. Later, Tamako punishes him for giving the Sacchi-access-code, and takes away his glasses.

The second storyline that gets developed is Isako’s. The person she was in contact with turns out to be Nekome, of all people. It seems that he joined Tamako in order to provide coverage for her, and make Isako be able to do what she wants. I wonder what’s in it for him, though. Why is he so interested in getting 4423 back? Or is he just using Isako to get valuable information? We also see him confirm that it’s going to take a while longer to get the guy back, and I’d almost think that he’s manipulating her.

But the thing I really loved was the third storyline: Kyoko gets taken to “the other side”! I have no idea why, but right after Isako tried to open a gate to the cyber-world, whit fog started appearing, and now that same illegal that we saw gobbling up 4423 took Kyoko’s cyber-body away. It’s not sure whether she’ll be away for good (we’ll see that in the next episode), but this has so much potential.

I also wonder… why Kyoko of all people? Why now, of all times? (perhaps Isako’s opening of the gate made the Illegals from there able to enter the human world?) I remember that Wao once said that there was a possibility that the humanoid illegal was Yasako’s grandfather, and it’s starting to look more likely. After all, I can imagine the guy to be longing to see his granddaughter. I can imagine that both Kanna and 4423 were taken away because they got too close to this illegal for their own good.

The question also remains: if Kanna’s and 4423’s spirit really are with the humanoid illegal, how come they haven’t attempted to escape? Do they still have the same personalities? And if they were somehow able to return, would they be completely all-right?

Posted on with categories: Anime Reviews, Kaze no Shoujo Emily


Kaze no Shoujo Emily, or Emily of the New Moon as its English title, is the third of what I’d like to call the “big three” of the spring-season 2007, along with Toward the Terra and Bokura no. These three form the cream of the crop of the series that have been released for the past half year, perhaps even for the past year.

The problem is, though that there’s a good chance that many people haven’t even heard of this series. It’s a sad thing, but in addition to being one of the best series of the season, it’s also one of the most neglected ones. Seriously, only the kiddie-shows like Bakugan Battle Brawlers have gotten less coverage than this one. I’ve often said that popularity is no way to determine the quality of an anime, and Kaze no Shoujo Emily is the perfect example of this.

The biggest problem with this is probably the fact that this is a Shoujo-series. I have no idea why, but the fansubbers have always tended to neglect the Shoujo-series. Only half of them ever gets subbed, while there are some true gems among the genre, beyond this series as well.

Okay, enough blabber, what about the content of this series? Well, it consists out of standalone episodes that tell the story of Emily Byrd Starr, a eleven-year-old girl who lives in Canada, about a century ago, and her three friends Perry Miller, Teddy Kent and Ilse Barnley. It’s loosely based on the life of Lucy Maud Montgomery, who wrote it and who some might recognize as the author of Anne of Green Gables.

The series is basically a slice-of-life series with lots and lots of drama, and this formula turns out to work so well. Emily is a wonderful character; she differs from the usual Shoujo-lead by acting rude and energetic. She longs to be a writer someday, and she often fantasizes in her own world in an extremely poetic mood, and this personality of her often clashes with those of others, resulting in some amazing dramatic climaxes.

The side-characters of Perry, Teddy and Ilse provide wonderful support for it. They’ve all got their own story as well, and throughout the series, we can see the four of them clash, grow and interact. A major theme of the series is living towards your dreams, and some of the episodes are just incredibly inspirational.

One of the things I loved about this series is how it’s so delightfully consistent. There are maybe four or five lesser episodes, but apart from that, you just know that nearly every episode you’ll watch will leave you with a heart-warming feeling, unlike many other anime, which often need episodes for introductions and aftermaths.

When this already is quite amazing, this series turns even better once the characters actually start growing up. The majority of the series shows Emily as an eleven-year-old girl, but starting with episode 20, we actually see her time in high-school, and the final episodes show the major events of the last years of her youth, ending with Emily being around twenty. During this, this series becomes a real tear-jerker, delivering one awesome episode after the other.

The character-designs will take a bit to get used to, though. Emily is drawn in a really shoujo way, and it’s hard to not label this series as some kiddie-series (trust me, it’s not). The colours used in both the backgrounds and the character-designs are bright and colourful, though the production-values are quite high, and this series ends up looking beautiful, as soon as you get used to it. The soundtrack also consists out of a collection of beautiful classical tunes, which strengthen the series even more.

Overall, if there ever was a series that deserves to get subbed, it’d be this one. Not only does it deliver memorable characters, it’s also a valuable chance to see anime tackle the Canadian culture of a century ago, and I must say that it does a pretty good job. The differences between the Japanese culture are definitely there, probably influenced by the books of Lucy Maud Montgomery. If you ever have the chance to watch this series, I recommend you to take it, unless you really need action.

Posted on with categories: Kaze no Shoujo Emily


Yup, the dramatic climax of the series was with the previous episode. This episode closes off her story, with the final important events of her childhood: a small accident of Elizabeth, her first book and of course her marriage with Teddy, which formed the highlight of this episode. While it wasn’t as downright awesome as the previous episode, and while other series have had endings that felt better than this one, it still was satisfying enough as an end.

And Lorna (or however you spell her name) also deserves credit in this episode. I remember noting how she should get some more development, right before Emily went to Ruth to study, and that’s exactly what she got. It seems that the two of them haven’t been interacting too much ever since Emily came back, but with Emly’s new book, the rivalry between the two of them finally disappeared. They looked so awesome during Emily’s wedding. Even though things looked pretty hopeless only a few episodes ago, I must say that this episode shows yet another side of this: if people say goodbye to each other, it doesn’t mean goodbye forever.

Ah well, it’s finally time to say goodbye to this wonderful series. Let’s just hope that a generous person with enough Japanese skills will come one day and sub this series, beyond the first two episodes. I know it’s false hope (Sasami Mahou shoujo Club still didn’t get any subs at all, despite its gripping middle part), but seriously, this Kaze no Shoujo Emily is too awesome to be neglected.

Posted on with categories: Saiunkoku Monogatari


The introductions for the upcoming arc are progressing quite nicely, if I have to say so myself. I’m not going to even bother writing a summary, due do my limited Japanese, and the fact remains that Impz is so much better at it.

It looks like the main antagonists of the coming arc are counterfeiters, both with paintings and money. If I had to guess, then Riou isn’t behind it (after all, what would he gain from counterfeiting? It’s not like Shuurei is directly involved in it, so it’s not a good way to get her to where he wants), but I think that it’ll serve a nice purpose of setting the chess-pieces ready for his story.

It’s also a bit awkward to see the comedy back again. The first season of this series was masterful in combining comedy with the main storyline, and it’s getting back again, especially with that new character (I’ll call him Tantan-kun for now, until I can confirm the guy’s name). Though I’m afraid to say it, but Ryuuki’s and Kouyuu’s quirks are starting to get old, especially since they’re mostly used for comic relief. I was hoping that these episodes would focus more on the relationship of Ryuuki and Shuurei, but it really looks like Ryuuki tries to avoid Shuurei at all costs.

Posted on with categories: Anime Reviews, Seirei no Moribito


Spring 2007 came with many excellent and unique series, and Seirei no Moribito is one of them. Produced by Production IG with extremely solid production-values, this series is a true gem for those, looking for substance.

Let me first start with the following statement: Seirei no Moribito does not have an overall genre. While the first three episodes might suggest that we’re dealing with an action or martial-arts anime, you’ll be proven wrong by the middle part of the series, which takes a more slice-of-life approach. A drama also doesn’t quite cut it because it’s got quite a few light-hearted moments, and while some episodes fall in the adventure-category, other episodes just show characters standing and talking. To be honest, apart from any World Masterpiece Production, I haven’t seen any anime that feels more like a novel than Seirei no Moribito.

The big key behind the success of this anime is the immense amount of detail that went in nearly every department of this series. The animation is truly gorgeous and detailed. Characters move more than necessary, they leave footprints on rough, terrain, random bypassers move realistic. It’s almost as if you were in a Ghibli-movie without all the over-the-top fantasy-elements. And to top things: the fight-coordination is among the best I’ve seen, even though there are only four or five of them in the entire series.

And then the characters. Don’t expect any flat characters here, nearly all of them have complex motives that can’t be described in one or two lines, they can think like normal human beings and some of them are quite smart, development is realistic and yet, as the series nears its conclusion you really begin to feel sympathy for them.

The storyline also finally doesn’t want to create the worst-case scenario in the end. All the plot-twists in the series favour realism over sensation. This series knows how to build up a good base for it, and it doesn’t want to ruin this by excessive amounts of forced drama and plot twists like we saw taken to the extreme in Code Geass. The storyline becomes so incredibly solid because of this, and because it moves relatively slow, it makes sure to put enough time to flesh out both the plotline and the characters to an excellent degree, so that it’s able to finish with an excellent finale that doesn’t feel rushed in any way.

There’s one major problem with this series, though. It may have been a tad too long, and many of the middle episodes, while they serve as a way to flesh out the characters, they also border on filler, and the story doesn’t get anywhere for about seven or eight episodes. It’s series like this one that make you pity that series can’t pick the option to take on the length of 1,5 seasons, as this would have been perfect for this series.

The first half may feel a bit tedious because of this, but everything comes together in the end like a charm. The music also fits this series perfectly and easily deserves a place in my top-3 of best soundtracks of the season. If you like series with lots and LOTS of detail, you should definitely check out this series, though you need patience to be able to enjoy it.

Posted on with categories: Seirei no Moribito


In the middle of this season, I didn’t think that the current Spring Season of 2007 could live up to the awesomeness of the previous Spring Season of 2006, but now that nearly all of the major series have finished apart from Kaze no Shoujo Emily and Dennou Coil, my mind has changed. The major difference in both seasons is that while most series of spring 2006 had their highlight in the middle of their run, the shows of the current season all have their final episodes as their highlights.

It’s awesome to see a season with so many quality endings. Usually, I’m extremely picky about them, but in one week, El Cazador, Bokura no, Ooedo Rocket and Seirei no Moribito all managed to provide a satisfying closure that left absolutely no bad taste in my mouth. While in terms of individual episodes, none of them really became as good as one of my favourite episodes of all time (Simoun 16), the better series of this season were much more consistent and thought-out when compared to Spring last year (Tsubasa Chronicle, the first season of Higurashi, xxxHolic and The Third all were awesome in their own way, but they did have pacing issues). Overall, Spring 2007 will go down for me as one of the top-tier seasons I’ve seen, ever since I started actively following the latest anime (which is since Summer 2005).

The current episode provides an excellent closure for Seirei no Moribito, where Chaggumu and Barsa say goodbye. There’s nothing much to say, apart from that the sentimental and nostalgic values were immense. At this point, enough room has been left for a second season, and yet it’s perfectly fine to end the series at that point as well. I guess it’s only a matter of waiting before we find out.

Posted on 28 September 2007 with categories: Baccano!


This episode was definitely the funniest episode yet, with even more screen-time for Isaac and Miria than in the second episode. Apart from that, we’re back in the regular timeline, and this episode’s sole purpose was to develop the different couples in this show: Isaac and Miria, Dallas and Eve and Jacuzzi and Nice.

Yes, you read that last part right, because surprise surprise: this happens. Jacuzzi, you’re a true man after all. ;)

Anyway, this episode was also surprisingly focused and surprisingly few characters appear. No Ladd, no guys in black suits, no Gandor, no Quates, no Chezlaw, no Firo and no Maiza. Basically only the storylines involving Isaac and Miria were shown. Seriously, the two of them have been everywhere.

It seems that they’ve even robbed the Genoard-household at one time, tough with this episode, I kindof lost my sense of time with her story. I originally thought that she was kidnapped in 1931, and that the Runoratas were looking for her at the same time that they assaulted the Gandors, but now it seems that this all took place in 1932. The only assumption I can make is that Dallas only later decided to go and cause trouble for the Runoratas. I also now know why Dallas was so pissed when he ran into Isaac and Miria. This may be just a guess, but I think that he ran into Barnes, right after Isaac and Miria robbed his home. This is also why Eve feels so bad. Perhaps that the angry face of her brother when he found out about the robbery was the last thing she saw of him?

I’m having a theory here, by the way: what if Dallas is Rail Tracer? What if the liquid Quates injected went horribly wrong and turned the guy into that horrible form? Anyway, the end of the episode also shows something interesting: the Runorata-family member who keeps eating chocolates lets Eve just escape. Why?

Then there’s Ennis’s storyline, as Isaac and Miria help her move Dallas’s body into her car, which looks suspiciously much like the one that hit them. ^^; It’s really clear now how the three of them became friends.

Jacuzzi and Donnie also meet up with Isaac and Miria on the Flying Pussyfoot, and make sure that the others are safe. He tells them a few things about his background, but I didn’t quite catch those. I think he’s supposed to be extremely dangerous when brandishing a gun, but I’m going to wait for the subs to arrive before confirming this.

So, there are five episodes left now, and they’ve got their work cut out for them. Chane and Chezlaw still need to receive their backgrounds and development, Firo, Luck and Maiza still have to do something to get involved with the story, the story between Szilard and Dallas still needs development, and let’s not forget that Ladd and the mysterious Vino also have their roles to play. And will Huey come into action again, or is he just reason for the guys in black suits to be involved? I’m looking forward to it. :)

CHANGE USERNAME
Anonymous2148050
Tomorrow’s jow
Niello
@KTravlos My experience with Terror too.
KTravlos
The Terror ended weak for me. A great show up to episode 7 and parts of 8, 9 and 10 just went down the path of gore fest. It will work for many, but it soured for me the excellent first 8 ones.
Niello
And that's it for Franxx, an entire episode dedicated to lame world building. Expecting it to be mediocre was correct.
Lenlo
Well, Mikio's gear was upgrading to V5 we saw, so it may not be as easy as we think. That said, I just want Gear to be relevant. It really feels like just a gimmick to me so far and Mikio could maybe change that, since his is so important
AidanAK47
Oh and I got two card drops, both of which were Shanas.
AidanAK47
@Amagi, I still need to grind up the damage points. I am close and planning to get it before Rider day ends. But Banana Oni is the hardest challege this game has ever given. And fighting her is always a gamble.
Amagi
Yeah it was a good move. Really want to see how Mikio will fight without the advantage he had till now.
Kaiser-Eoghan
This weeks episode of megalobox gave an added importance to him being gearless .
Amagi
Now that I got the 300mio damage in FGO I finally get card drops that I don't need anymore
AidanAK47
@Masky, I believe I told you to watch Fate/Zero and apologize.
Masky
@AidanAK47 three days ago: Harsh words :D
Kaiser-Eoghan
I do echo the frustration though with shows you like not getting enough episodes. And then there are of course shows where I wonder, did they really need so many episodes/seasons.
Anonymous2142344
You an always watch the old 160 episode ova of Legend of Galactic Heroes. Differences to date are minor
Kaiser-Eoghan
@Anon: Follow up films coming though.
Anonymous2142275
Galactic Heroes, is starting to grow on me, is a shame, that's only 12 episodes so much potential being wasted. What happened to those times when long animes, could have at least 50 episodes ( Gundam Seed, Code Geass) and still be viable. feeling hopeless
Kaiser-Eoghan
@Mario: A female director you could also look into is Moufida Tlatli , especially silences of the palace.
Kaiser-Eoghan
@Mario: On golden kamuy, from reading on in the manga, there will be a big reveal regarding Asirpa soon. Also I feel the prisoner guys are becoming monster of the week.
Kaiser-Eoghan
@Mario: I'm glad to be reviewing stuff again on letterboxd.
Kaiser-Eoghan
@Mario: ....I...actually momentarily forgot about the PM system.
Kaiser-Eoghan
@Mario: Watch Bombshell, secrets of a hollywood star or calling hedy lamarr, Bombshell is a recent documentary about Lamarr.
Kaiser-Eoghan
@Mario: Von Triers new film looks darkly funny though to a degree and I love the self-indulgent first per3son narration.
Kaiser-Eoghan
@Mario: I have no idea how Stellan Skarsgard (who works alot with Von trier) produced Alexander Skarsgard, the latter is far too attractive to come from that. I feel the same about Asia Argento, I refuse to believe Dario could have produced such a fine creature.
Kaiser-Eoghan
@Mario: I'm rarely about morals or understanding as an importance when it comes to film, I care most about how it hits me on a visceral/emotional level, how daring it is in its imagination, visuals, madness , creativity.
SuperMario
@Kaiser: thanks, received it. God, Von Triers new film is entirely something else. Full-on provocation. And I already think his Nymphomaniac was too much
Kaiser-Eoghan
@Mario: Also I'm dying to see Von Trier and Chang-dongs new films, especially the priors.
Kaiser-Eoghan
@Mario: I sent you a private message.
Lenlo
That said, the key drama scenes were still great. Okabe's VA continues to make me happy. Im just not sure how much of this is nostalgia.
Lenlo
Steins;Gate is at its best in moments of character drama and character interaction. All of its value lies in its characters. Any action, with this muted style, is going to come off stiff and dull. A con of the art-style decision.
Kaiser-Eoghan
@Lenlo: I'm glad you said that, because I felt visually it looked stiff this week and that brief scene in the beginning wasn't much to look at. But Okabes meeting with Baldyguy-san and the cliffhanger and after credits bit were good scenes.
Lenlo
So yeah, this was probably the weakest week of Steins;Gate so far. Its pretty clear its not an action series and that its style doesnt suit itself well to combat scenes
SuperMario
... watching and reading many shounen titles (Dragon Ball, Dragon Quest, Bleach and the likes), shounen isn't my cup of tea at all
SuperMario
While I grow up
Lenlo
@Anon, I love Shounen. BnHA is one of my favorites every season its on. Doesnt mean I like Black Clover though
Kaiser-Eoghan
Thank you for that anon, when I watched the episode earlier I wasn't aware there was a post credits scene.
Anonymous2141254
oh well, we still are early on in S;G 0 too. Plus, there seems to be a huge development at the end of the episode
Anonymous2141254
idk, i can't help but feel that besides the amadeus plotline, everything else feels "fillery"
Anonymous2141254
I must say though that I'm still waiting for it to get good, idk maybe my expectations are too high because the original was great after the first few episodes
Anonymous2141254
Don't forget to watch end credits fo Steins Gate 0
KTravlos
I like some shonen. I just think that they are popular enough as not to be worth reviewing ihmo.
Vonter
@Anon2140150 - I do. Though Shounen do have the issue of being derivative in certain aspects like power scales and several doing the FMA Brotherhood climax (of what I've watched). Also they're made to be endless. It can be intimidating jumping to one that has several seasons.
Anonymous2140150
Does everyone here don't like shonen anime?
Amagi
Really, if there is one piece of information (aside from otome maybe) that makes me ignore a series forever it's a LN about a LN author or illustrator. The selfinert wish fulfillment couldn't be more obvious.
Amagi
Another LN greenlit for an anime production and the synopsis starts with "* is a light novel illustrator and..".
Amagi
@KTravlos: I don't know why modern anime hate curly- and/or wild hair so much. The old hair style gave Reinhard a more royal look, whereas he looks like a normal highschool boy now. Not that I am complaining about the anime as a whole. Also, I like some of the new designs.
KTravlos
and a part of me things it is indeed the hair. It comes to low, giving Reinhard a slovenly, lazy feel. When Yang feels more energetic you know there was a mistake.
KTravlos
and yes, this Reinhard fares poorly in comparison to the OVA one. He is dull. I need more Yang :p
KTravlos
ai vay vay. The Castrop Rebellion remains waste of time. And this time it was worse. The older depiction was tacky but at least it showed Kircheis ability in a logical manner. This time I had no idea what the hell happened. It felt cheap.

The rest of the episode was ok. Not completely sold on all the renditions of imp. admirals though I still love the uniforms.
Kaiser-Eoghan
*those
Kaiser-Eoghan
Hearing these , I find myself much more tolerant of anime voice acting even if the dub might only be okay.
Kaiser-Eoghan
Its actually less of a sync issue, as I'm talking about 60s dubs , alot of people think the voices in old anime English dubs from the 90s are dated, but the old sixties kungfu and western dubs are shocking, far worse.
Kaiser-Eoghan
I don't mind sometimes satirical dubbing like on tiger lily , dialectics break bricks and kung pow however.
Kaiser-Eoghan
And those can be difficult to acquire sometimes in Italian or Chinese.
Kaiser-Eoghan
@Anon: Live action films, this is especially annoying sometimes because I love Spaghetti westerns and Chinese martial arts films and old Italian cop thrillers.
Anonymous2137430
@Kaiser-Eoghan Are you referring to foreign animated films of foreign live action films because dubbing live action is a different beast as I'm sure you're aware. The idiosyncratic nature of watching moves and facial expressions not properly match voices really pulls the viewer out of the experience
SuperWooper
LoGH is airing a special next week because of scheduling delays, so that's one less thing to do.
AidanAK47
Well to those whom it might concern, expect my posts to be later than usual this week. Work is hell at the moment.
Kaiser-Eoghan
I have to say, this is probably a bit hypocritical, but while I enjoy dubs of anime I really really can't stand dubs of foreign films.
Lenlo
Simo Hayha would make a pretty crazy Archer.
Kaiser-Eoghan
I imagine a fate strange fake adaptation will materialize eventually.
Kaiser-Eoghan
But everyone seems to want that Finnish sniper as a Fate servant .
Kaiser-Eoghan
Still no Mao, still mad.
Kaiser-Eoghan
....I have lost track of the historical characters in the fate lineup.
AidanAK47
@Lenlo, to expand on that point the following historical figures are now female: Nero Claudius, Leonardo da Vinci, Frankenstein's Monster, Xuanzang, Jing Ke, Quetzalcoatl, Minamoto no Yoshitsune, Miyamoto Musashi, Okita Souji and many more to come.
AidanAK47
@Anon, I find it's an enjoyable watch though flawed. If you can get past some odd fanservice around the first ten episodes then I say it's worth watching.
Anonymous2133468
So i was thinking if i start watching, darling in the franxx, is worth it? or is just another 6/10 anime?
Lenlo
God damnit. Why Nasu. Just why.
AidanAK47
@Kaiser, that ain't even Lewd.
Kaiser-Eoghan
In all seriousness its ridiculous, the Japanese will make a cute/moe girl out of anything.
AidanAK47
....Should I also mention that Francis Drake is a big boobed pirate queen?
Kaiser-Eoghan
@Aidan: Posting lewd images on a respectable chatbox.
AidanAK47
@Lenlo, But none of these characters are in the anime adaptions. Well besides Jack and Saber.
Lenlo
Aidan, all this conversation did was prove that my decision to only ever watch the Ufotable adaptions was the correct decision.
AidanAK47
@Lenlo, you can blame Extella for the Attlia the Hun thing. I wasn't too fond of it myself. Also should mention Attila is female as well.
https://pm1.narvii.com/6414/528599445b739909c02993cfdbfc9f277d088cf2_hq.jpg
AidanAK47
Also Masky I will be the first to admit to the ridiculous aspects of the Fate Franchise but do take note that you are commenting on something you know literally nothing about. Which is the very definition of ignorance and is quite annoying. Fate/Zero nails the themes it's going for. So go watch Fate/Zero, come back and apologize.
AidanAK47
@Masky, Give it time. Genghis is getting in there eventually with Grand Order. We just had Anastasia and Salieri introduced after all. And it's not as if this story introduces Servants willy nilly, they need actual story purpose. Genghis Khan wouldn't have fit the Narrative that Fate/Zero was going for.
Lenlo
Wait Attila is an Alien and Edison is a Lion? God damnit Fate. Why are you doing this to me. I was already annoyed at your treatment of Musashi
Masky
(aliens existing in the show is good example of that missing on themes part xP)
Masky
*most successful conqueror
Masky
Honestly was just amused most conqueror of all time not being featured in the show :D But wait, whats this about aliens?
AidanAK47
Anyway the important thing to take into account is that in the Fate universe, King Arthur is a woman, Attila the Hun is an Alien, Thomas Edison is a lion and Jack the Ripper is a little girl in a dominatrix outfit. Any questions?
AidanAK47
And while you don't need to watch something to be given divine right to comment on ideas or themes, it does leave you ignorant of how that show handles those ideas and themes.
AidanAK47
As for the Historical Alexander, he wasn't given the title of King of Couquerors. Fate/Zeros interpretation of him was. As generally accurate Fates interpretation of Servents history can be, they can make changes to suit the narrative.
AidanAK47
In that Regard Alexander was doing the conquest thing before Ghengus did. Ghengus likely has some other title. Hell he may only have the title because public consciousness was is more familiar with Alexander than Ghengus.
AidanAK47
Yeah, looking it up seems the King Title lost quite a lot of meaning in the Nasuverse. Though the King Title is rather flimsy. I mean Arthur is the King of Knights cause of the Knights of the round table. Gil is king of heroes because his tale was the first Heroic myth.
Lenlo
I think Alexander was just the first one they thought of, and they couldnt retroactively give it to someone else.

That said, Broskander deserves it <3
Masky
(And no, you don't need to watch something to be given divine right to comment on ideas or themes of it.)
Masky
(just to note in case I need to note, I do tend to do at least cursory research when I make comments on stuff I don't watch)
Masky
That first part is semantics as Fate gives title "King" to historical figures who weren't kings already :D Also, you can make that argument about historical Alexander the Great? Since that seriously sounds like kind of weak reason.
AidanAK47
Also sees Rider as deserving of title of "King of Conquerors" because that which he strives to conquer most is not lands or material wealth, but the hearts of people, the toughest conquest that can be undertaken by anyone.
AidanAK47
@Masky, Ghengis Khan wasn't a king. He was a Khan.
Lenlo
Ghengis is always a Rider in my mind.
Kaiser-Eoghan
But in all seriousness, Ghengis would be an appropriate beserker servant.
Kaiser-Eoghan
@Masky: I know, it feels so wrong I'm still mad I can't summon Karl Marx or Stalin.
Masky
So wait, Fate series is about historical figures with super powers, but "King of Conquerors" title isn't given to Ghengis Khan? :D Seriously? Thats just so wrong
Kaiser-Eoghan
I don't feel any point in finishing it, it feels like something that I'd just randomly drop , not because its a bad show, but because I got my fill of it.
AidanAK47
I am actually going to drop blogging it.
AidanAK47
@Sash, indeed. I have been watching it but not blogging it for the last few episodes because it just hasn't givne me anything to say. I don't think it's a bad show but I have pointed out the flaws and strengths of it already so there is truly nothing more to say on it.
Sash
I think wotakoi is starting to feel repetitive..
Kaiser-Eoghan
You are now aware Shana and Batman Ninja Harelequinn are both voiced by Rie kugimiya.
Lenlo
I did. It was... It was a thing.
Kaiser-Eoghan
@Lenlo: Did you end up watching Batman ninja by the way?
Lenlo
Music is great, yeah. When the music is on point, everything goes up. Everytime the sync the fight/punches to the music I just get hyped. Like the rotating shot with Aragaki or the first fight in episode 1.
Lenlo
Ill do my best to be clearer in the future on that front. Yeah, I dont mind twists like this. Makes the inevitable Mikio fight, narratively, even better.
Kaiser-Eoghan
I feel the music does alot of the lifting.
Kaiser-Eoghan
Oh, so that was it.
Lenlo
Sorry if I never made that clear.
Lenlo
I would rather have fewer, amazing, fights than a lot of low-quality fights. This is a one cour show, the more meaning/impact they can give each fight the better.

Like Aragaki, narratively, was great. Loved it. Its just in animation/choreography that it falls flat.
Lenlo
Im disappointed with the animation of the fights. Narratively, I think they are quite good.
Kaiser-Eoghan
*disappointed with the fights in past episodes
Kaiser-Eoghan
@Lenlo: Pretty much what I said I thought of the episode. Although I was surprised how took the episodes ending, I expected you to see it as a slap in the face after being disappointed with the fights.
Lenlo
Also, @Kaiser, I thought Megalo Box did something unique this episode. I wasn't expecting Joe to *not* fight. And the Mikio/Yukiko proxy war is an interesting character motivation. Im betting Yukiko will get Joe a full citizenship, effectively getting her on his side.
Lenlo
I wish I was physically capable of watching Megalo Box without thinking of Hajime no Ippo. I really do. But everytime I watch it, it makes me want to watch Ippo again to.
Anonymous2120908
I watched some more of the Chimera family chinese anime. (Wasn't aware it was monthly released). And geez, I like the concept, the background art is very pretty and contrasts with settings that have become tired in other anime. Yet sadly the animation and script are WEAK. I haven't grasped the quality of what's expected of these types of production but I want to believe, they're trying.
Kaiser-Eoghan
Not much in the way of action in megalobox this week, but I did like the focus on Yukkiko getting a small character moment and then the big moment at episodes end .
AidanAK47
@Anon, That's some lazy ass trolling buddy. Should have stopped before the hashtags.
Kaiser-Eoghan
I'm even sort of looking forward to supposedly less respectable stuff like Goblin slayer and happy sugar life.
Vonter
Also E3 is almost here. And I can't wait. I think Nintendo will have a good show considering they're revealing the new Smash with a tournament. There's rumors of the new game by Retro Studios (Metroid Prime and Donkey Kong) and maybe they'll reveal something about how Pokemon will be on the Switch.
Vonter
Also there's always the chance of something new being discovered. Not everything needs expectations behind. Sometimes great things come out of nowhere.
Kaiser-Eoghan
So yes, there are some at least decent shows coming out.
Kaiser-Eoghan
@Anon: Muh Baki, Muh Bananna fish, muh made in abyss season 2, muh Vinland.
Anonymous2119906
The rest of this year looks like shit for anime and 2019 doesn't look great either #fuckmoe #makeanimegreatagain
Anonymous2119214
@Kaiser yeah it happened in half the amount of eps this time around for steins gate 0; which i expected considering there's a lot of ground to cover
Anonymous2119106
@Supermario Something like Fate or the LOTR films are a different case. I get where you're coming from about your preference, but I'm arguing that if a large story is going to be split into 3 films, it helps that the 3 films feel cleanly cut. Infinity war, even though we know there's a second part to the story, feels like it has that cohesive narrative structure with a beginning, middle, and end
Anonymous2119106
@Super Mario yea but the marvel movies are a different situation so i don't think the comparison is as appropriate. Marvel movies are "episodic" in nature rather than a continuous narrative. The films are largely isolated stories that are happening in a similar universe that only happen to "congeal" narratively because of a few overarching details shared between films.
Kaiser-Eoghan
@Lenlo: I remember when the original series suddenly shifted and got going and it was a really depressing episode.
Lenlo
Oh baby. The storm has finally come in Steins;Gate. Let the true suffering commence
SuperMario
@anon2118276: that's why I don't like LoTR trilogy. It's still a whole body chopped up in 3 parts, despite how clean the cut is. Whereas for me it works better if it was like a branch in a tree. The Marvel movies (despite my disinterest on those) are a good example of this.
Kaiser-Eoghan
While I did feel some of this weeks steins gate felt fillery, I do like see these characters interact and given the episodes conclusion, this episode acted as a calm before the storm.
Lenlo
Ill agree with you on King Kong. As for the Ralph Bakshi LotR, I have. I am still to this day impressed by the overlay of 2D art onto real/overexposed footage. It makes for shockingly fluid animation in places and has its own distinct style
Anonymous2118208
@Lenlo - Have you watched the old Ralph Bakshi adaptation of the first two books? It's uneven, but it's interesting comparing and contrasting certain decisions. As good as Peter Jackson is, I feel he makes very longwinded films, I like his version of King Kong a lot, but it is too long.
Anonymous2118276
@supermario i disagree; the point is that even though the LOTH films have cliffhanger endings, they still feel like fils. they have a defined first second and third act with well paced tension and release throughout them. They follow a storytelling macrostructure necessary for films to feel like cohesive narratives even if they are to end on a cliffhanger
Lenlo
I quite liked the individual LOTR movie just fyi
Vonter
Marvel surprisingly has kept their movies simple enough, that while you might miss details nowadays, you can tell what's happening.
Vonter
Another bad case is like with Assassin's Creed, which like Lost, just tried to tease a lot of things, then it grew tired of trying to piece them together and let the last games work more standalone, with little hints of a larger lore.
Vonter
Metroid does both, it has a standalone story and a hint to what a sequel might bring. Though that hint rarely matters by the time the new game is released.
Vonter
@SuperMario - Some videogames trilogies also do that. Gears of War and God of War had good standalone beginnings but by the second game they put cliffhanging endings. Kingdom Hearts does that and I expect 3 to also do it. Megaman Legends and Half Life had incomplete stories, which might be the worse case in regards to trying to make a continuous story.
SuperMario
It ruins the appetite
SuperMario
I actually think Lord of the Rings' trilogy is a bad example to follow. These films are meant to be viewed as a whole, so each film doesn't hold much as an individual story. I just can't digest films that have "to be continued" sign at the end. Imagine having a first course meal and then have to wait for few days for second course
Kaiser-Eoghan
On the current topic, I would be well for the production of a long running, ambitious ova series.
Anonymous2116425
then again, i don't take too much issue with these films feeling like movie-sized eps...the wait just sucks is all
Anonymous2116425
clearly the films need each other to tell the whole story, yet they can be taken for what they are in isolation as well
Anonymous2116425
I don't mind the trilogy trend at all; like Aidan said, when everything is said and done, all the films will be available to watch. I just think a stronger attempt should be made to make them feel like complete films. Something like the lord of the rings trilogy is a great example of how to do this
Kaiser-Eoghan
I am in full confidence that neither I nor Miura will survive to the end of berserk.
Kaiser-Eoghan
Of course maybe they won't have a future , think about it that way, then they'd never see it, life has that weird way of being unpredictable like that =P
Kaiser-Eoghan
You can always rewatch them just before watching the one after.
AidanAK47
Of course not. But that's the thing. The wait is only a temporary problem. Anyone in the future will have all movies ready to view.
SuperMario
So it's best to wait for another 2 years to watch Heaven's Feel? Hell NOT
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Steins;Gate 0 – 7 [Eclipse of Vibronic Transition -Vibronic Transition-]

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Golden Kamuy – 07 [Complication]

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Hisone to Masotan – 06 [I’ll Shout Your Name]

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Megalo Box – 7 [The Road to Death]

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Hinamatsuri – 07 [Anzu Is a Greeter Now]

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Steins;Gate 0 – 6 [Eclipse of Orbital Ordering -The Orbital Eclipse-]

Ladies and Gentleman, Boys and Girls, Steins;Gate 0 has stomped the throttle and cut the breaks. Lets skip the intro and just get right to it. Early on I thought this episode was going to be slow, we were going to focus on our characters and relax a bit. I thought it would be drama […]

Golden Kamuy – 06 [Hunter’s Soul]

Well, (animal) shit. Golden Kamuy starts slow this week and ends with a bang. This episode presents many of Golden Kamuy’s ups and downs so it’s best to dissect them one by one. For the negative part, the pacing is still off. This episode spends too much time on Sugimoto and Asirpa hunting that poor […]

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In the realm of manga there is a man whose name is inescapable when the genre of horror is brought up. That man is Junji Ito and his work is considered legendary for its artistic detail, mastery of manga paneling and it’s outlandish imaginative concepts. Up till now his work has yet to have an […]

Yuru Camp (Winter 2018) Review – 74/100

I admit that I underestimated Yuru Camp back in its first few episodes. I took it as a standard, run-on-the-mill slice of life show and I fully expected to give it 3 episodes at max before throwing it into the deep sea of forgotten anime. But as time pass, I can certainly see many good […]

Neo Yokio – 96/100

This may be half a year overdue but I simply can’t accept that none of the writing staff of Star Crossed Anime have cover the the biggest development in anime where Netflix took a hand in producing anime in the form of Neo Yokio. Taking place in the metropolis of Neo Yokio, a mashup between […]

Devilman Crybaby – 83/100

It’s an exciting time to be an anime fan where new business models and players are making big waves within the animation industry. After debuting with the original and excellently-produced Neo Yokio, the juggernaut streaming service of Netflix has decided to revive the classic series of Devilman and gives it the full adaption treatment. By […]