Posted by psgels on 8 September 2007 with categories: Seirei no Moribito


Finally, after twenty-two-and-a-half episodes, the climax of Seirei no Moribito has finally started! Finally, spring has come, and finally Rarunga shows itself. In the next episode, we’ll finally learn whether Seirei no Moribito’s unique style of storytelling can be considered a success or not.

Most of the episode was pretty easy to understand, but there was one twist involving Dakai that I had trouble with. It seems that Shuga’s discoveries of a number of episodes ago were wrong, but I couldn’t quite catch what was so wrong about it, and why it was so incredibly urgent.

Anyway, about the rest of the episode, it was definitely centred on Chaggumu. During the winter, he definitely grew up, his hair got a bit longer, and at the start of the spring, Torogai-shi returns and gives him a new outfit. This definitely symbolizes how he’s matured a little, and prepared himself mentally for the arrival of Rarunga. This is also the first time I’ve seen Torogai-shi talk so friendly to anyone, symbolizing that everyone is with him, and willing to protect him. In any case, the new Chaggumu looks awesome, and you just have to love it when he grabs both Barsa and Tanda’s hand. ^_^

Then the second half of the episode comes when the royal guard returns. It seems that they too decided to wait till spring, but they’re not inclined to do nothing about Rarunga’s arrival. They also come with a bunch of interesting plot-twists:
– Rarunga can’t stand fire, which is why all the guards are equipped with fire-weapons.
– (I hope I understood this one right)Rarunga is the father of the egg inside Chaggumu.

Chaggumu then walks on a lake, due to the eggs power. It’s at this point when Rarunga appears, he indeed is a water-seirei, and seems to attack with crab-like feet. It’s also here where the egg starts to get a mind of its own, and starts to take over Chagumu’s behaviour. First, we’re given the impression that it’s waiting quietly for Rarunga to come, but then it does start to defend itself by forming the barrier we saw in episode 1. It then runs away.

Yet again, I’ve got no idea how the creators are planning to end this. There are only three episodes left, among which the last one will probably be an aftermath. This means that this story will be resolved within two episodes, and I can hardly wait for it!

4 Responses

  1. Wallace says:

    I envy u T_T i still stuck in ep 20, because there are no subs for 21, 22 and 23(or maybe i just can’t find them) T_________T!

  2. Mythophile says:

    *fingers crossed* We need a season 2. Badly.

  3. Chacha-chan says:

    Just saw subbed episode 21….I cant wait for this one. I am more and more smitten by the boy, my heart goes out to him and Balsa. Their parent-child bonding would be at least a little bit sweeter, Balsa being a woman. I thought she was quiet but I guess Jiguro will win the battle of silence any day. This particular episode seems very promising…Thanks for keeping the heart of waiting viewers..God Bless

  4. David says:

    Just watches ep 23. About the twist that you didn’t catch: it’s about Shuga’s mistake on the Place of Celebration. But you probably already got it after watching ep 24 and 25^^

    It’s the little details that make Moribito so loveable. Not only the scene where he grabs Tanda’s and Balsa’s hand. Also the scene with the two bears was so good.

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  • Bam
    (Friday, May 22. 2015 04:42 AM)
    Even Anno admitted that Evangelion’s success was heavily reliant on Yoshiyuki Sadamoto’s unique and attractive character design. It was familiar but still original. Rei and Asuka’s designs as well as the plug suits and the look of ye Evas had a huge impact in the industry and inspired a whole slew of future animators. You could’ve done the same exact series with a cruder art style and it wouldn’t have been nearly as good.
  • Bam
    (Friday, May 22. 2015 04:19 AM)
    @Aidan: art-style is integral to the overall quality of a product, that’s why it irks me so much when Type-Moonies endlessly praise Nasu and underappreciate Takeuchi as if he didn’t contribute all that much to Fate’s success.
  • AidanAK47
    (Friday, May 22. 2015 02:38 AM)
    @Bam, it’s a rough style admittedly. But mate I played Umineko with the original artwork. It’s hard to find anything worse than that…expect Higurashi’s artwork…(shivers)
    Ryukishi, great writer but not an artist.
  • Bam
    (Friday, May 22. 2015 12:24 AM)
    You guys made me want to go see Fury Road in IMAX now.
  • Bam
    (Thursday, May 21. 2015 10:13 PM)
    @Aidan: you know I tried looking into Muv Luv since it’s supposedly a seminal LN, but that character design is horrendous. The story sounds interesting but there’s such a divide between that and the art style that there’s no way I can get into it.
  • AidanAK47
    (Thursday, May 21. 2015 02:04 PM)
    Another Muv luv spinoff gets an anime adaption. Sure, lets adapt everything except the work that made it famous in the first place.
  • Emma
    (Thursday, May 21. 2015 04:10 AM)
    Muthafuckas cancelled the Constantine tv adapatation…
  • Emma
    (Thursday, May 21. 2015 03:45 AM)
    Come to think of it, Tsugumi’s personality at odds with her monster design. I’m getting reminded of that mech from zone of the enders dolores that had the personality of a young girl .
  • Emma
    (Thursday, May 21. 2015 03:43 AM)
    @Aidan: The bear will be explained as it was done so recently enough in the manga, Ochiai remains however a very dull villain.
  • AidanAK47
    (Thursday, May 21. 2015 03:27 AM)
    You know when grabbing screenshots Sidonia really does look better when you look at it in still images. I really do think that if they just gave the models more natural movement then it would look metric tons better.

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