Posted on 28 September 2007 with categories: Higurashi no Naku Koro ni


And with this episode, a lot of the questions asked have been answered. The Hinamizawa-disease indeed produces hallucinations and makes the victim go paranoid, and every inhabitant of Hinamizawa suffers from it. The thing that keeps their disease quiet is surprisingly Rika herself. Once somebody distances him or herself from Rika, it starts to activate.

Satoko killed her parents that way, and Rena smashed the windows of her school that way (I nearly forgot about that one). Luckily, Irie was able to save both of them before the disease became fatal. The death of Irie was planned all along by Takano, and Shion and Rena both freaked out because they left the village. I’m not sure what happened to Keiichi in the first arc, though. I mean, he wasn’t a resident of the village to begin with, was he? He just moved. How did he get the disease?

The reason Oishi died in the third arc was probably how he ran into the Yamainu as they were trying to hack into the send-mast. As shown, they show no mercy to anyone. Probably because they know that an onslaught is about to happen anyway, so a few extra corpses never worry anyone. I’m suspecting that the ones who removed the corpse in that arc were also the Yamainu, to prevent Keiichi getting arrested and telling about Takano and how she gave him a ride. Satoshi probably went berserk himself, killing himself and his aunt in the process when he went away from the village at one time. (hence the money he saved, he was planning to leave the village all along and when he left, the disease took over).

There are still a few questions left, though:
– Why did Rika’s parents die? Did Rika become te queen carrier once her mother died?
– Why is the send-mast necessary for Takano? I mean, she could just kill Rika and the disease activates.
– What did Keiichi write on his note in the first arc and why was it so important that it had to be removed?
– How did Keiichi get the disease?

But the most important question left is: why did people survive? I originally thought that being isolated and unconscious was enough to be cured, but now that the existence of Rika is necessary to keep the disease at bay, then I do wonder how Keiichi, Rena and Satoko survived. The answer to this question will be crucial to escape the fate of dying over and over again.

It’s a shame that the mystery and chaos of the first season is gone now, though fortunately this series made up for it with some powerful characters. I’m excited for the Matsuribayashi. It’s supposed to be the longest arc yet, and I’m really interested in how the creators were planning to end this.

Posted on 27 September 2007 with categories: Anime Reviews, Ooedo Rocket


Ooedo Rocket (also known as Oh! Edo Rocket, it seems) is one of the more neglected series of the past spring-season. I have no idea why, as it’s been directed by the director of Full Metal Alchemist. You’d think the fans would want to see his next work. I’m glad I checked this series out though, as it’s without a doubt the best comedy-series of the season. And not only does it make you laugh for nearly every single episode, it also has something that/s very rare in other comedies: a compelling plot.

Ooedo’s power lies in its characters. Every single one of them is fun to watch and they literally come in all kinds of different sizes. Each one has his or her own quirk and they can actually be funny without making a joke at all. They’re all far from stereotypes, they feel like real characters, they develop a bit, and they’re a delight to watch when they start interacting with each other in just a daily manner.

This is enough to make a good comedy. What makes Ooedo a great comedy is how it adds so many details to strengthen the series. An example is its setting: the series explores fireworks in the Tenpou-era (between 1830 and 1844), and yet people have televisions, toasters and even internet and nobody seems to find it strange, even though these references only appear occasionally. And let me specifically mention the music. It’s not your standard soundtrack with all kinds of jazzy tunes, but it works perfectly. For me, each time it started playing I got pumped and exciting for the new scenes.

And then there’s the plot and the drama. The drama is for me the weakest point of the series, basically because the characters are so much fun to watch when they’re quirky that they become a bit disappointing when they’re serious. The plot, however, makes this series shine. The main character, Tamaya Seikichi (the son of THE legendary fireworks-maker) is basically asked by a cute girl to build a rocket to fly her to the moon. A large part of the series actually sees him, testing out different designs for a rocket to try and figure out how to do it, which is quite interesting. In addition to that, there are numerous side-plots that are explored, and the characters actually have the talent to be both funny and develop the plot at the same time. Most other anime only go to comedy when there’s some kind of aftermath or intermezzo where the plot doesn’t really matter that much.

Then there’s also the interesting point that the dramatic climax of this series is at episode 20, instead of twenty-six. At that point, I was beginning to fear that the final parts of the episode would focus way too much on the drama, but to my surprise, they didn’t. The final episodes are basically the characters having fun while the plot develops, combining both perfectly, with a sort-of satisfying ending.

I’ll admit, Ooedo Rocket isn’t consistently funny. Some episodes are utterly hilarious, while others are a bit less, and there have been comedies where I laughed harder. But because of all the extra things it added, it turned into one of the more successful comedies out there. A definite recommendation if you’re looking for a fun series.

Posted on with categories: Ooedo Rocket


I first wrote an entire entry about this episode and about how I loved it, but as I finished it, I decided that this episode doesn’t need an impression. This really is one of those episode you need to see for yourself and don’t want to get spoiled about.

TAMAYA!!!

Posted on with categories: Anime Reviews


When I first read the premise of this series, I expected nothing of this series. A swimming-club where the main female lead likes to swim around in the nude. Fanservice anyone? Imagine my surprise when Umisho actually turned out (*gasp*) enjoyable. That’s probably the first for any fanservice-anime out there.

So, yes, there’s fanservice, and a lot of it. But while most other harems and similar series have characters with what I’d like to call the “paper-bag-syndrome” (by not being able to think for themselves, having no personality and being as interesting to watch as a paper bag), the creators of Umisho have put a bit of extra work to them. Fair enough, they all start out as clichés, but right from the start it becomes clear that every single character has one or more elements that go way beyond clichés and make them really fun to watch. Think of a shy big-breasted girl who is actually secretly a pervert, or the childhood friend who used to horribly abuse the male lead in the past, and of course the male captain of the swimming-team, who for once isn’t a huge pervert but instead a giant creep without any sense of shame. You’ll understand when you see him.

There’s also been a nice amount of detail put in the setting, where the competition between different swimming-clubs gets a nice amount of development, and every member of the club has at least an identifiable character-design. The character-designs are rather “pleasing” to the eye and the soundtrack gives the series a light overall tone. Overall, it’s one of the best fanservice-anime I’ve seen this far.

But yeah, there are enough times when this series loses itself in its excessive fanservice. Some scenes were just too outrageous and blatantly obvious that it nearly became painful. This series would definitely have been even better without the useless fanservice. Then there’s also the matter of the obligatory drama and romance that show up once in a while. It works in about 40% of the cases. The others are a tad too forced and aimed at fanboys.

It’s really nice to be finally proven wrong in my bias against fanservice-anime. Umisho is energetic, has likable characters who can think for themselves (really, at times we hear huge inner monologues when certain characters are attempting something stupid), and I laughed quite a bit at times. It’s nowhere near the best series out there but it remains fun to watch.

Posted on with categories: Anime Reviews, Claymore


Shounen-fighting series have never been my favourite series. As far as I can recall, I’ve seen only one of them that really managed to deliver something truly original and creative that captivated me: The Law of Ueki. While Claymore doesn’t come close to that level, it does give a nice attempt, though.

While the start of the anime is just like any other serious shounen-series, as the episodes progress, it becomes clear that Claymore knows what it’s doing. Characters have sufficient backgrounds and they get fleshed out well enough outside and sometimes even during the fighting. The setting is solid and well-explored and overall, it knows how to build up very well.

Claymore basically consists out of arcs with the length of three or four episodes, with each of these arcs being different enough for everything to remain fresh. An interesting phenomenon also showed up as I kept watching: every successive arc increases the quality of the series significantly. This series starts out mediocre, but as the episodes go on, it just gets better and better and better. Even if some introductions may be dull, the conclusions for each successive arc were impressive.

This continues up to episode 20, and then something strange happens: the creators of the anime divert from the manga this series is based on, and things immediately fall apart. After that, there are still a few good moments, but it’s clear that the writers of the anime just aren’t as good as those of the manga and the result is a string of boring and overblown battles that fail to capture interest. It’s such a shame, as this anime was heading in such a good direction.

Still, don’t let that last bit ruin your enjoyment of this series. The majority of Claymore is well-written and a compelling story. The production-values are pretty good, and the soundtrack is enough to give the fights that little extra edge they need to become exciting. It may have its flaws, it may drag on a bit too much at times, but it’s definitely one of the better shounen-fighting series out there.

Posted on with categories: Claymore


And so it has finally ended. Spoilers will obviously follow, but with this series it’s not like you can’t guess what happened.

Personally, I’m not too happy with the ending. Not only did it leave even more threads open than I expected by not killing Priscilla, it also couldn’t have been more predictable. There’s an overblown fight, after which Priscilla is about to die but Raki stops Claire from killing the cute girl. Jeane then pulls back Claire from her awakened state while sacrificing herself and everyone lives happily ever after. The only one I liked here was Jeane.

By far Claymore’s biggest mistake was the behaviour of awakened beings. Not only is it never explained well (after all, we never know what’s the difference between Easley and a regular male Claymore. How does the personality of a Claymore exactly change after awakening? This anime never clearly gives an answer to that), and it mad Claire and Priscilla as personality-less as possible. Their fight could have just been replaced by a bunch of berserked monkeys.

The fact remains that I did enjoy the final fights of other anime, most importantly El Cazador, Bokura no and Seirei no Moribito. The thing that made their fights work was how the different parties all made rational decisions, and were thinking about their purposes in a clear and focused way. When the actors are mentally deluded like Claire and Priscilla, that really takes away all of the fun.

Posted on 26 September 2007 with categories: Anime Reviews, Bokura no


Bokura no, is the second series to finish of what I’d like to call the “big three” of the spring-season, along with Toward the Terra and Kaze no Shoujo Emily. For me, these three series stood out like no other for the past two seasons, and they just kept delivering quality over and over again. While Toward the Terra had its character-development, fast pacing and production-values, Bokura no shines not only through its well-written storyline, memorable characters and a rock-solid concept.

As soon as I read the concept, I knew we had something very special here. Revealing it entirely would be too much of a spoiler for the early episodes, but basically, this comes from the same mangaka as Narutaru. This time, however, a bunch of children are given the control not over monsters, but over a huge mecha. Bokura no shows what really happens when children get such a heavy burden placed upon themselves.

But don’t expect this to be a continuous angst-fest like Narutaru. The beauty of Bokura no is that the children involved aren’t special in any way. They’re just random and could in fact be your neighbour if you live in Japan. Each of these children is so incredibly different, and one of the many delightful elements of this series: every two or three episodes, the entire mood of the series changes for something completely different, while remaining logical and realistic. Sure, some children freak out, but that’s only one or two of them. Each of the children has his or her own problems and wishes, and that’s what makes this anime so brilliant. I could go more into detail, but I refuse for the sake of spoilers.

Then there’s the plot. Manga-readers should be aware that halfway through the anime, the director decided to go into a totally different direction when compared to the manga. Whether it improved or not, I can’t say, since I haven’t read it. But I can say that it has some definite competition with the storyline the director came up with. The pacing is very fast yet nothing feels rushed, and yet there’s a different and shocking plot twist nearly every episode.

Perhaps one of the few lesser points is that some episodes decide to focus on politics, instead of what this anime is really about: the children. But even this contributes to an overall mood of believability of the series. A giant robot has just appeared. Of course the military is going to react, and yet I see so many anime where mechas can just walk over the street without anyone noticing it. Also, when buildings get destroyed, they really get destroyed, and don’t magically disappear from the screen without any traces left. This really shows the impact that those giant robots can have on the societies.

If I had to mention a bad point… well, some plot-twists are a bit too coincidental, but that describes nearly 90% of all other anime as well. According to the manga-readers, the first half of the series also left out a few parts of developments for the different characters, but that’s probably in order to make it to air on tv, since the manga has a reputation to be rather gruesome at times. Still, I prefer this down-to-earth style of storytelling.

The character-designs are also perfect. Well, that’s what I think at least. The beauty of them is their simplicity: this really shows that the characters are just normal people, dragged into the story, instead of busty schoolgirls with hair in every colour of the rainbow and overly large pupils. Gonzo has been animating them, and it shows: when the animation is at its best, the characters look beautiful, despite their simplistic designs. One of the few elements of this series that isn’t outstanding is the music. It’s just good, but there are enough series with a better soundtrack.

Overall, while it isn’t the most popular anime out there, I absolutely loved this series. It’s delightfully different and unique, and quite possibly one of the most thought-provoking series of the year. While a few of the characters could have used a bit more development here and there, the rest of the series totally made up for it.

Posted on with categories: Bokura no


What a magnificent and absolutely incredible ending!! Okay, others may disagree, but there’s a very good chance that Bokura no has the best ending of the year for me. Obviously spoilers are going to follow this post, so this bit of text is there to fill up space for the blog-aggregators, in particular Animeblogger Antenna. So, this should be enough.

Let me start with saying one thing: NONE OF THE CHILDREN WAS REVIVED!!!! THE DEAD REALLY REMAINED DEAD HERE!!! The thing the director said in his blog, about reviving the children was all just one huge bluff!!!!

Sure, there were a few things that lacked, but in turn, they all have their own charms. In the end, we never get to know who’s behind everything, but I actually think that was a good thing to do. It’s like the previous episode said: Bokura no is about the children. Not some interdimensional space-complot. I also absolutely loved how the grown-up Kana ran into Daiichi’s siblings, the ones that he left behind. It may have been too much of a coincidence, but it was such a beautiful choice for an ending, to give the three of them a last bit of development.

And the battle! Seriously, it was one of the best fights of the series. Not because it’s the longest, but because it was so delightfully different. Usually, when the final episode of the anime ends, it’s standard fare where two titans duke it out, though Bokura no adds so many fine details that make it awesome to watch. First of all, the development that Jun has gotten turned him into an amazing and sympathic character. And most importantly: I loved how he actually fought alone. I loved how he talked to himself while fighting, despite nobody being in the cockpit. You don’t often see shy persons relax while they’re alone, do you?

Seriously, Bokura no couldn’t have ended better. If there was anything that was needed to make this show even more amazing it was this episode! It’s so sad to see one of the best shows of the year gone, but it’s definitely been an awesome ride.

Posted on 25 September 2007 with categories: Anime Reviews, El Cazador de la Bruja


This may be one of my more biased reviews, simply because I’m such a large Bee-Train fan. Their particular style of storytelling may aggravate some, but I personally love it. Still, there’s one thing about this series that nearly nobody can deny: the soundtrack is awesome. Yuki Kajiura is behind it, and some of the tracks are among the best of her works. But what about the rest?

Well, El Cazador is the final instalment of the girls-with-guns trilogy of Bee-Train, with Noir and Madlax as its predecessors. One thing that you should know before watching is that while Noir featured some excellent gunfight, El Cazador… err… doesn’t. Believe me, you do NOT want to watch this series for the action, because quite frankly: it sucks.

Luckily, the director realized this quite early on, which leads to a change-of-focus in the middle of the series. The first half is basically a case-based series. Ellis and Nadie basically travel, and as they travel they meet people and explore their cases. These cases are definitely interesting to watch and thought-provoking, and in the meantime the story slowly develops, with nearly every episode brining a small bit of new information to keep the viewers on their toes.

The second half, however, is where El Cazador really starts to shine. The change of focus I mentioned above basically means that the different cases for each episode get abandoned, and instead the characters start developing. Because they already had been fleshed out by the first half, the results turn out absolutely amazing, with an excellent Shoujo-ai relationship if I say so myself. This continues up to the point where Ellis and Nadie become amazing characters, no matter what they do. When the final quarter began, I found myself not caring about the plot anymore, as long as the characters were on the screen. Now that’s a sign of good development.

But yeah, the plot does move awfully slow. The creators chose a very original setting of rural Mexico for this anime to take place in, and it manages to really show this throughout its storytelling, though the plot remains very simple, and just a tool for the characters. I liked how it was so incredibly down-to-earth, though, and how we finally don’t have such a huge plot deciding the fate of the world and stuff. This series is just about Ellis and her strange powers, and the few people that get caught up in her story, nothing more, and nothing less.

The simple storyline does have another advantage: the ending, while cheesy, is finally another one of those endings that isn’t rushed at all. There’s probably only one character (Lilio) that needed more development and background, but apart from that the final episode closes off the series perfectly, without any bad feelings.

Regarding the graphics, well it’s Bee-Train, so the character-designs look great, and the background-art doesn’t look as impressive as with other shows, but it really gives off the feeling of Mexico, when compared to nearly 90% of all other anime, which are set in Japan. About whether you’d like this or not depends on your patience, whether you find the different guests of the first half interesting and don’t mind that at a few times, the show delves into cheesiness. If that’s the case, then you’ll get rewarded with some amazing characters in the second half.

(On a side-note: with Shoujo-ai, I really DO mean Shoujo-ai. There is no yuri in this series.)

Posted on with categories: El Cazador de la Bruja


Now this is what I call a terrific ending! It manages to flawlessly combine both the feeling of the first and the feeling of the second part of the series, and it still gives enough closure for each character in the series. One of my main gripes with Noir was how the final episode was so incredibly rushed, and it seems that the director realized this as well and learned from it, because there are no signs of rushes AT ALL in this series. This episode was everything a final aftermath-episode should be!

Okay, there were a few questions left unanswered. Most importantly, we never know what’s up with Lilio, and the cat and the guy in the mask we see in the ED actually don’t appear anywhere. Something tells me that somewhere in the beginning, the director changed one of his plans for the outcome of this show and decided to focus more on the characters than action and a huge plot. This could explain the huge change-of-focus of the middle of the series. Ah well, I’m not complaining, because I absolutely loved the second half of El Cazador.

In any case, Ellis and Nadie indeed settle down in a small town and start to work at a local inn, complete with different outfits and hairstyles. Of course, they end up travelling at the end of the episode, but what makes this episode stand out is when Nadie starts talking about staying at the inn forever, it just feels weird somehow. I could somehow tell that both of them secretly longed to go back to their days of travelling, even though they never really said anything about it.

Blue-eyes’s visit also was a nice touch to give the closure to the story of Ricardo and Lilio: they’re still travelling with each other, and while it’s still a bit disappointing that we never really got to know about Lilio’s mother, seeing her practice the Boomerang and trying to sing the taco-song was awesome. Blue-eyes also returned to being a business-lady, and got engaged with a guy who looks suspiciously much like Rozenberg. Seriously, that has to say something about the impression he made on her. ^^;

And the two bounty-hunters! I know their huge amount of weight gained is a tad improbable, but it’s awesome to see them back again. They really were some of the minor returning villains and they were really fun to watch while they lasted, and it’s great to see that they finally get a bit of development as well.

CHANGE USERNAME
SuperMario
@Kaiser: right. The sole reason I described it as "cinematic" was just to lure you into watching it, so mission accomplished! Mind you, Girls' Last Tour is still a moe show at heart (look at their round faces and those big eyes. They're killing me)
Kaiser-Eoghan
But in all seriousness, I had had it initially written off as a crap moe show.
Kaiser-Eoghan
@Mario: You're ministry of anime propaganda tactics mentioning how cinematic it is got me to pick it up =P And you know how much of an aesthetics guy I am =P
SuperMario
I'm glad that many of you enjoying Girls' Last Tour. It's a nice little gem that I think works best when you going to it without any expectation
SuperMario
I swear this season has a lot of good anime to offer. I'm jaded
Amagi
I always considered backgrounds as pretty important. Most anime only use them as backdrops because they have to be there somehow and it's really a different thing than Girls' Last Journey for example. Also I will like everything that has exploration and world building.
Kaiser-Eoghan
And achieves taking the viewer into its world, thankfully without relying on tons of expositional dialogue.
Kaiser-Eoghan
Girls last tour, somewhat succeeds in pulling me in by using its landscape that dwarfs the characters, to create its atmosphere, I wouldn't call it all that unfunny either. Though premise could risk going stale.
AidanAK47
@Amagi, HA! Yeah I would like to believe but I am thinking that's not the case. Besides next season is looking pretty barren so far.
Amagi
Eden would be great. But speaking of it, a lot of good manga get adapted recently. Maybe they finally understood that generic isekai, harem and school stuff isn't as popular as they thought it would be.
Kaiser-Eoghan
Maybe one day I can hope for a Freesia or Eden Endless world adaptation.
Kaiser-Eoghan
Jesus christ....I never thought it would happen, Banana fish is being adapted, I didn't think they could adapt a shoujo like that in todays market.
KTravlos
I also watched Inuyashiki and Girl's Last Tour. Inuyashiki looks great. Man do I hate that young guy. Reading what he did and seeing it was a totally different experience. Cannot wait for the next episode.

Girls Last Tour is really something special. In a good way.
KTravlos
Altair's episode showed all the issues and all the good things of the show. The pace is too quick, and yet they managed to build Urado and its denizens up quick fast in it. But again, this is a show that needs the LGOH treatment.
Amagi
The manga also always uses "he/him" but I am not sure if the original had this too (like "kare" or similar words) since you can talk for a long time in Japanese without ever using pronouns.
Kaiser-Eoghan
Ah, yes I noticed Phos uses Boku in this episode which is the male way of saying I.
Kaiser-Eoghan
@Mario: Man, Zvyagintsev really, really knows how to deliver truly emotional gut punching moments and endings that are like cutting at open wounds.
Kaiser-Eoghan
@Mario: Houseki has fallen into place for me with those scenes with Dia and the snail thing and I've fully embraced the show, happy to see it just continue to do its thing.
Kaiser-Eoghan
@Mario: While Marios are girls best friend DIAmonds ahhhhre for evvvvvvahhh *Shirley Basey voice*
Masky
*bride
Masky
I can say though that if people fear the "Bastard Boyfiend" angle, its not that really. Its more of really weird apprenticeship relationship. Ainsworth is inhuman character in many ways
Masky
Oh hey, Mahoutsukai no Yome is on covered list. Nice, it is weird manga to read through since I'm kind of creeped out by the bribe thing, but its barely mentioned at all.
Anonymous1497942
After finishing Made in Abyss it stuck out, some animation shortcuts in this week's Mahoutsukai. Holding on frames a bit too long, mainly having the music giving the emotion. To be fair, it was also a slow part in the manga.
Kaiser-Eoghan
If I recall correctly, the words "wandering Jew" were used at one point in the manga in relation to the villain.
Lenlo
Mahoutsukai was very pretty this week, but there were some troubling things popping up in there.
SuperMario
@Aidan: They are trying to bring Phos back from a snail. Man, Houseki sure is... quirky
AidanAK47
@Mario, I would take a guess and say they are fighting evil by moonlight.
SuperMario
Okay, heading to Houseki now... let's see our gems doing this week
SuperMario
@Bokusen: (not because I'm blogging it but) watch it. it's a polarized one but it at least offers something original. I still haven't watched the third one though.
Anonymous1497873
The new Mahoutsukai no Yome episode was so beautiful. TwT
Bokusen
BTW, is Houseki no Kuni worth watching? I was turned off by the animation, but I've read some good reviews on it.
Bokusen
Darn, last message didn't show up for me but now it does. Sorry about that.
Bokusen
Tanya the Evil and Uchouten Kazoku 2 were the gems this year for me so far, but Abyss was definitely the best thing I watched last season.
Bokusen
Tanya the Evil & Uchouten Kazoku 2 were the gems this year for me so far, though Abyss was definitely the best thing I watched last season.
Amagi
Doesn't mean that there weren't other good series but I distinguish between good and somethin special I will instantly remember even months or years later.
Amagi
How can you not like at least one of the current series, this season is pretty good. MiA was probably my only real great thing in the last season though.
AidanAK47
@Anon, Aren't you forgetting Acca, Rakugo, Little Witch Academia and Tanya the Evil?
Anonymous1497006
Made in Abyss seems like it's the only gem this year for me tbh
AidanAK47
Whoa, I never even knew we had a PM feature.
SuperMario
@Kaiser: I've received it. Thanks Kaiser. I've never noticed the PM feature either
Kaiser-Eoghan
@Mario: I sent you a private message.
SuperMario
oh boy. Just received Mind Game Bluray Region free today. I ordered/funded it through Kickstarter a year ago and eventually forgot about it. Was a nice surprise to see it in the mail today
silver
I enjoyed this week's Kino. Leave only footprints indeed.
Kaiser-Eoghan
On the other hand I noticed some slight censoring in juuni taisen episode 3 I think.
Kaiser-Eoghan
I was also surprised with the lack of censorship during Inuyashiki's second episode.
Kaiser-Eoghan
First episode of inuyashiki covered the whole of volume 1.
Kaiser-Eoghan
*but almost never
Kaiser-Eoghan
@Mario: In general, Death of Stalin is an amusing film throughout, but never laugh out loud hilarious, Simon Beale is hilarious in it as Beria.
Kaiser-Eoghan
@Amagi: Gonzo did that mecha 7 samurai thing we must never speak of. However schmaltzly/sentimental Ikiru is, however it slumps slightly in the middle and final arc , it was still a genuinely moving film.
Kaiser-Eoghan
*than it is
Kaiser-Eoghan
To elaborate, I expected to dislike inuyashiki based on not enjoying Gantz, my reaction to the second episode was the same as Amagi's . The first episode was heavy handed a bit as Aidan mentioned, but its harder to watch that scene with the older guy get bullied/tormented that it is to watch highschool kids getting picked on by cliche anime thugs.
AidanAK47
Also why Hillary Clinton? I mean i know Trump is supposed to have a cameo in the manga but why her?
AidanAK47
@Vyse, Lets not jinx it. Plenty of series have shown great potential in their second episodes only to flop later. We can sing praises if it keeps this quality to the conclusion.
VyseLegendaire
Inuyashiki main villain should be Hillary Clinton
VyseLegendaire
Inuyashiki is suddenly like the best thing of the decade.
Amagi
I wish there were more old MC series out there. Liked that about Real Drive too. Maybe someone will have mercy and adapt Kurosawa one day. Not exactly old but at least a series about a guy with midlife crisis.
Amagi
I thought the happenings of the second Inuyashiki episode would have been too egdy but they actually gave the last few scenes a very good impact and the episode showed pretty well how sociopathes think (that whole gap between emotions for real people VS manga/fiction characters and events)
KTravlos
yup, I have no problem with Lenlo's review. Execution is what matters with me.
Kaiser-Eoghan
@Lenlo: You managed to sell me on a show that I didn't think I'd have bothered with.
silver
You did fine. It's a risk associated with reading post-viewing episodic discussions. Pretty much everyone knows that if you don't want to be spoiled don't even get online.
Lenlo
I tried to leave explicit spoilers about what happened outside the (more...) tag, but its a risk of readin a review I suppose.
silver
Hah, sorry about spoiling it. That's the problem with major shocks like that; they're most effective if you're not expecting them. Still, the show has deft execution of its executions, and that makes the experience worse than I could imagine.
Lenlo
Well im glad it convinced you. Tried something different with writing this week
KTravlos
man I should not had read the review. Now I will go and watch Inuyashiki. I had missed it.
silver
@Lenlo: It caught me off guard, too. Definitely working to earn that 'psychological' genre tag.
Lenlo
Well... Inuyashiki surprised me today. It went far darker than I was expecting. Thanks Gants author
Kaiser-Eoghan
@Mario: Such an odd art style, have you ever seen these? These are the film covers the Polish get:
Kaiser-Eoghan
*that was the most interesting character
Kaiser-Eoghan
@Mario: Z's ending was very very well played and it was Jean Tringnents was interesting, largely for that he was a right winger working with the left wingers.
Kaiser-Eoghan
And of course the British version of house of cards.
Kaiser-Eoghan
I wonder if he's seen Yes Minister and The New Statesman, also political comedies and for those of us who lived in the 80s seeing Thatcherites getting slagged off was great.
Kaiser-Eoghan
@Mario: I do think thick of it works better though as the humour serves a thirty minute episode more comfortably. Stalin's fairly short though so I don't think the joke will run out.
SuperMario
@Kaiser: the Death of stalin is the title I'm looking for as well. Will screen here in few weeks. I almost reccomend In the Loop and the Thick of It (haven't watched the latter though) for Travlos since they're a political satire, which I think he'll enjoy
Kaiser-Eoghan
@Amagi: Hope you already booked that heavens feel screening, cause its sold out.
Kaiser-Eoghan
I've heard that the anime's character development in Juuni taisen expands on the books, which only give them short lines for their backgrounds.
Kaiser-Eoghan
Ah, so perhaps in Juuni taisen they'll spin that so the Rat guy uses the ox guy to his advantage in some different way.
Kaiser-Eoghan
@Mario: There is a special atmosphere watching anime on a big screen.
Kaiser-Eoghan
@Mario: I might be seeing death of Stalin tomorrow or Saturday. The thick of it was hilarious and this has the same director as that.
SuperMario
Both Z and All the President's Men are coassic movie. Hold my attention from start to finish. Z, in particular, wowed me that I literally had my mouth wide open
SuperMario
Off tangent, watching Fireworks in the cinema the other day made me realize how I miss watching movies on the big screen. I might try to go to the cinema once a week again. Been missed out all the good movies lately.
SuperMario
In the Great Race story, Rat used a very underhanded tactic to win the race (it jumps into the Ox to pass the great river and then jump off to the finish line. This Rat guy's speciality is Killing All so there is a high chance that he survives till the end
SuperMario
@Kaiser: I have no doubt that we will have more amazing character arcs for Juuni Taisen.
Kaiser-Eoghan
But that could prove to be too predictable.
Kaiser-Eoghan
I wonder if the Rat guy is going to be the wild card in all this, after all in the old story, wasn't it the Rat who won that zodiac race thing?
Kaiser-Eoghan
Juuni Taisen is killing off its most interesting characters.... =< I wanted the bird girl to stay around a bit longer.
Kaiser-Eoghan
I'd love to see more Lem or Stugastky style/brand of scifi, I need to rewatch stalker again.
Kaiser-Eoghan
@Amagi: Going back to the cyberpunk thing, I don't want just any ol' thing getting made, I want to see something scifi related thats ACTUALLY clever and has long and DIFFICULT dialogue .
Kaiser-Eoghan
@Travlos: While not a political series Chaos;head is a good example of being annoyed at the conspiracy thing, what drives me up the wall about that show and its sequel is how every every time I think about going back to it I realize that its only interesting on a surface level and is utter hokkum.
KTravlos
@Kaiser. Yup, perhaps because I work in political science, they tend to anger me. So I avoid them. Borgen is a good political series.

In general. It still startles how much of a better character anime Tsutomu was comapred to manga Tsutomu in Bridy the Mighty. But I forgive the manga as I get more Gomez!
AidanAK47
@Amagi/Kaiser, thought as much. Strike it off the list then. And God Tsubasa was a cluster fuck by the end.
Kaiser-Eoghan
Eh simul-dub of Juuni taisen is out, I might aswell keep up with that instead.
Kaiser-Eoghan
Y'know I had this weird relationship with dragonball in general. When I was younger I never actively seeked out the show, but on a rare occasion I would watch random episodes whenever I was channel hopping and nothing else was on.
Kaiser-Eoghan
@Amagi: Clamp shared universe was a mistake.
Kaiser-Eoghan
I really really wish that that tone breaking style of comedy stops being a thing.
Kaiser-Eoghan
It doesn't happen often, but there ARE shows we all have that snap trigger us when they get mentioned.
Kaiser-Eoghan
I feel my disdain of re:zero is because I hate Akame ga kill and Higurashi so much and it prevents me because of bias from enjoying it.
Kaiser-Eoghan
@Aidan: In addition to what i posted about Pandora, you will hate the comedy.
Kaiser-Eoghan
@Mario: I will rewatch it, the first one is one of those things that improved on repeat viewings.
@Travlos: Conspiracy theories are one of those things I find myself taking interest in, then almost immediately consider immensely stupid and a waste of time.
Amagi
Aidan: If you didn't like the first parts of Pandora you won't like the rest either. Most people that loved it did this because of the characters and setting, the story isn't really getting better and I kinda disliked what they did near the end. It was overcomplicated and everyone had like three different personalities, plot twists and so on. Not nearly as bad as Tsubasa Chronicle though
AidanAK47
@Bokusenou, believe me when I say you are not few. There are plenty who Dislike Re:Zero. I can understand it and I sort of get where your coming from regarding the characters. (Though Saber sucks) There is just something about the series that I just adore.
KTravlos
@Kaiser. I have not watched most of them. But I have watched Z and All the President's Men. Both are great films. The issue with me is that while I like political thrillers I despite conspiracy theories. Far too many pol. thrillers dive into con.theory stuff. So I must be discriminating.
SuperMario
Okay, I'm off to watch Blade Runner 2049 now. Hopefully it can be as good as the original
Vonter
In contrast World's End Harem, surprisingly looks to be trying. It has one story trying to play straight, the scenario of being the last man in a world mainly habited by woman. And has had this framing of self worth, temptation and doubt I like. No work of art, but surprising for this type of manga.
Vonter
In regards to manga, I'll need to look for something good, being losing time with ecchi stuff. Which I can tell Okamoto should just make hentai, seeing as his latest work, doesn't even try to be anymore than pandering trash (at least older work, had a notion of a story).
Kaiser-Eoghan
@Travlos: Did all the presidents men and Parallax view by Pakula appeal to you?
Kaiser-Eoghan
@Travlos: Actually as your are a Greek....have you watched Z, missing, State of siege or the confession? None of them are actually in Greek but they were political thrillers directed by Costa Gravas.
Anonymous1490677
KT here: Well I am a sucker for political thrillers and "grand" politics, so the direction it took is quite fun for me. Even if it does indicate a Tomino ending.
Kaiser-Eoghan
For me Titan peaked at volume 8 and I never bothered continuing on much further.
Kaiser-Eoghan
@Aidan: I remember a commenters on here a good while ago that mentioned the ending didn't satisfy or come together well and made the investment not worth it.
Kaiser-Eoghan
@Aidan: Honestly it was only near the halfway point I vested any interest in pandora hearts, the first 4 volumes left me wondering if I'd drop it, then near the last few volumes I simply fell out of reading it.
Bokusenou
I feel like I'm one of the few people who don't understand why Re: Zero is so popular...the only characters I half liked were Puck & Crusch (the latter because she reminded me of Saber from the Fate series, minus the unnecessary perma-blush marks) My anime club screened the series and I really should have skipped those meetings...
Lenlo
Mmm Inuyashiki episode 2 tomorrow. Time to see where it goes
AidanAK47
@Anon, That reminds me. Anime limited better announce the date of the Re:Zero Blu-ray release at that panel of theirs at MCM London Comic Con. They are the only ones known to have licensed it and they have a partnership with Funimation. Even if we don't get a second season I have to get the first on Blu-ray.
Anonymous1490189
Emilia re:zero
AidanAK47
Finally Got that review up. Been sitting in my to do list for a while.
SuperMario
I remeber in Dragon ball, they state that Son Goku takes 6 years of training to become a Super Saiyan. His oldest son takes 3 years and then the youngest one... only takes 3 months of training with his mother. So yeah...
AidanAK47
While we are talking about manga, I was looking into getting some manga boxsets and I saw one for pandora hearts. However I started reading it and 15 chapters in I just can't get into it. I hear a lot of praise for it but is it really worth continuing?
AidanAK47
@Amagi, yep. Like Naruto with the nine tailed beasts and Sharingan. At first they were cool and then everyone and their mother had Sharingan or a tailed Beast.
Though If I had a problem with SNK its that I just find the thing to be poorly written overall. It has creative idea's, but the characters and dialogue is really weak in my eyes.
Amagi
You know that SuperSaiyan syndrome. At first it was special and mysterious, but once the second one gets to have the power they tend to pop up everywhere. Same with Claymore and basically almost every shounen ever.
Amagi
I overall like the SNK manga but I have to agree I really have a problem with this shounen trope of some speciality one character has that suddently turn out to be the speciality of many.
Lenlo
It turned from a horror/thriller to a sort of... shounen mystery thing for me. I wasnt a fan once EVERYONE became titans.
AidanAK47
@Lenlo, I dropped off at that point, picked it up again and read it up to date. Now I am falling out again. True be told I haven't really got into it since the beginning chapters and I am not a fan of the direction it took. If you don't like it now I say future chapters won't really change your mind.
Lenlo
Does Attack on Titan get better? I was reading it up until Season 2 came out and then just fell off the wagon.
KTravlos
oh what a cliffhanger in the Shingeki no Koyjin manga! I am happy where this is going!
Kaiser-Eoghan
I agree that the way the series addresses emotion has some interest to it.
Kaiser-Eoghan
The later chapters I read had some action in them.
Kaiser-Eoghan
Had a read of the children of the wales manga, I am glad to see a shoujo that isn't based on an otome or school life series , additionally I like it on an aesthetic level, I can see it going somewhere but the fast-forward pace makes it hakes it harder to connect with.
Kaiser-Eoghan
@Amagi: Blame! was recently adapted and thats cyberpunk, even if it didn't follow the manga.
Amagi
@Kaiser: Agree. Cyber- and steampunk are two of the few settings I really dig. Especially because I think that there are a lot of potential plots and twists for cyberpunk/VR settings anime haven't used yet. AR is great too, the only series about that is Dennou Coil and it was made ~10 years ago. Maybe the SAO movie but it was just a movie.
Amagi
@Aidan: Same here lol. I remember the toilet thingy but not the woman's backstory. That being said, I enjoyed the series as whole, though some parts were too K-ONish for my taste.
Kaiser-Eoghan
The idea of would agorophobia maintain itself and they'd stay inside or would the fear of being raped/tortured/killed and bypass the agorophobia ?
Kaiser-Eoghan
Random tangent, but I would find it fascinating to see a hikkikomori subject to a home invasion.
Kaiser-Eoghan
Although honestly, I would prefer a cyberpunk wave of anime series to get popular again.
silver
I too am starting to really enjoy the 'adventure anime' genre. The medium of animation is uniquely suited to fantastical worldbuilding.
AidanAK47
@Mario, Was that the one where the girl is desperately trying not to piss herself? Also why can I remember that and not this blonde woman's backstory?
SuperMario
@Kaiser: yep, agreed. It's at its best when it can use the settings to flesh out the characters. The episode after that one, one the other hand, was Sora no woto's dullest episode - where the main girl spends the whole episode waiting for a freaking phone call.
Kaiser-Eoghan
@Mario: The Blonde woman's backstory in the middle of sora no oto, that was the best episode of it.
SuperMario
@Amagi: for reccomendation, if you don't mind another cute girls in a post-apocalyptic world show, you can try Sora no Woto (Sound of the sky). I love that show to bits
SuperMario
But I'm not entirely sold on the show yet. I feel the relationships are a tad too heavy-handed. The light hearted tones don't work well for me but I really feel a From the New world's vibe from the show
SuperMario
@Amagi: I will talk about Children of the Whales here in the chatbox since we don't cover it. Damnit the cliffhanger. That series really focuses on the theme of repress their own feelings. From the children in the Mud Whales with their custom of not to cry in the funeral or their lacing their hands to express their gratitude. Episode 2 has that monster who basically eats others emotions
Kaiser-Eoghan
And by extension, I would hope that it would encourage adaptations of older fantasy manga aswell.
Amagi
I really hope this type of fantasy will become a new trend instead of the classical world of warcraft type of isekai
Amagi
There is just something really atmospherical about a few characters exploring an unknown world alone that is either almost or entirely devoid of humans or just weird like in Kino's Journey.
Amagi
Shuumatsu Shoujou, Houseki, Kino 2017 and Children of the Whales are shaping up to become my favorites this season. It's funny that they have so much in common, same with Made in Abyss, which also was my favorite of the last season.
AidanAK47
@Kaiser, well there were fellows down in cork that decided to go Kite Surfing. They had to send out a boat to rescue the dumb bastards.
Kaiser-Eoghan
@Aidan: I saw that there were some profoundly stupid people ignoring the warnings, some guy even decided to go out swimming despite it.
AidanAK47
I am in some ways both relieved and disappointed.
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