Posted on 30 November 2007 with categories: Monthly Summaries

+ November Rankings +
My general opinion of the current Autumn-Season is indeed that it isn’t as good as the previous Spring-season. There haven’t really come any epic series yet, like Bokura no, Towards the Terra or Kaze no Shoujo Emily, but instead of that, we’ve got quite a lot of well-executed, charming and intriguing series, so overall, I just can’t call it a failure. The Winter-season is also looking better than it’s ever had, with most of the shows of the current season who’ll be hitting their second halves and let’s not forget the amazing line-up of series that are going to start in January. So a slightly less exciting season isn’t really that bad.

Oh, and in case this is the first time you see this, the series are ranked from worst to best, the number between the ( and ) indicates the place where that series was on last month, the rating is out of 10, with average being a 6,0 (and yes, I’m using the decimal comma).

#30 (29) – Engage Planet Kiss Dum – (5,6/10) – Do note that most of the points this series is getting are because of the entertainment value. Only one episode was released, but it was so bad that it became hilarious. The animation was garbage, the plot couldn’t be more clichéd, and the only thing that was good was the scriptwriting, which made me laugh as well. Overall, this series is a failure, but it’s definitely a fun failure.
#29 (40) – Romeo x Juliet – (5,7/10) – So, yep. Like predicted, the two lovers must overcome one more angst-ridden obstacle before they can be together: the fact that both of them are whiny teenagers. It’s clear that Gonzo spent the best of its staff on Bokura no for the spring-season…
#28 (35) – Dragonaut The Resonance – (5,7/10) – Really, this is just getting silly. Someone over at the production-team has to realize that the melodrama only causes this series to become laughably bad. It’s a shame, the potential’s there, but right now Gonzo can be compared with a man, trying to walk out an overexcitable dog: the man wants to go to the park, while the dog wants to chase random cars, and in the end, they end up at the local garbage-dump.
#27 (new) – Yume da Maya Kidan – (7,2/10) – This doesn’t really warrant its own post, but I do want to say a few things about it. It’s a nice attempt and it’s got a great style, but it was a tad too short to make any real impact. Still, I like the idea of taking the ideas of amateurs, you’ll be surprised at some of the great ideas that some of them have.
#26 (38) – Kimikiss Pure Rouge – (7,5/10) – I originally dropped this, but I switched this with Night Wizard, which was getting really pointless with only 12 episodes to work with. Kimikiss surprised me, though, and offers quite a realistic view on high-school romances.
#25 (20) – Suteki Tantei Labyrinth – (7,6/10) – Really, what is up with this series? On one hand, it manages to deliver interesting adventures, and the screenplay is terrific, and yet the stories themselves have plotholes and quite often delve into silliness, with of course the epitome being the giant robot which appeared from out of nowhere.
#24 (17) – Shugo Chara – (7,6/10) – Fun, cute, cool and spicy, but not really the best this season has to offer.
#23 (28) – Kodomo no Jikan – (7,7/10) – Rin’s past may have been a bit too dramatic, but apart from that this series has been going into the right direction. The fanservice is still annoying, but I admit that the characters are quite cute and interesting to watch.
#22 (23) – Gundam 00 – (7,8/10) – Well, Gundam has been solid up till now. Nothing groundbreaking has happened yet, but it set a solid base for itself to work with. Apart from the idiotic actions of Setsuna, of course. Really, some one needs to kill this guy fast.
#21 (new) – Tsubasa Tokyo Revelations – (7,9/10) – The first episode was mainly an introduction, both to the new story and the new art by Production IG, but something tells me that the real fun is going to start with the next two episodes.
#20 (13) – Bamboo Blade – (7,9/10) – Okay, it’ll never be among the best comedies, but it’s quite entertaining to see where the characters go. One thing that holds this series down is the predictability, though.
#19 (29) – Clannad – (8/10) – I’m really surprised with this series: it’s basically Kanon, with all the things I hated about it removed. Yuuichi was a horrible lead for Kanon, all he did was chase after cute girls who happened to be special, the scenes felt forced, there was no link between any of the different stories apart from Yuuichi, and the annoyingness of Ayu and Makoto didn’t make things easier. Clannad, however, doesn’t have these problems. The main character suddenly isn’t the only one who can solve the problem of the girl in question, the future stories flow well with each other, and the female lead works excellent with this. While it isn’t the best series in the season, for me, this is by far Kyoani’s best series up till now.
#18 (7) – Sayonara Zetsubou-Sensei – (8,2/10) – It’s such a shame that I need fansubs for the complex comedies such as Sayonara Zetsubou-Sensei. It’s been almost a month since the last release. The episode was excellent as well, but I can hardly remember what it was about. Thankfully other subbing-groups have now started to pick up this series as well, to make sure that the first season ends before the start of the second season. I have yet to see episode 10, but I look forward to it. :)
#17 (15) – Blue Drop – (8,3/10) – The pacing has been slow, but because of this, Blue Drop has had the opportunity to flesh out the side-characters in this month, something which I really appreciate. The angst also doesn’t feel weird, and the characters are getting more touching with every episode. It’s going to be interesting to see where this series is going to go from now.
#16 (5) – Gambling Apocalypse Kaiji – (8,3/10) – This series has quite a few pacing-issues, but apart from that it remains a fascinating look on human nature. Not to mention the insanity of episode eight.
#15 (21) – Sky Girls – (8,4/10) – When Otoha’s childhood-friend that got sucked away by the worms appeared, I was convinced that this series would fall down the pit of predictability, but then it started to introduce quite an amount of new and interesting stuff that got me quite enthusiastic about this series, and it seems that the creators do know how to deliver a few surprises. Good job.
#14 (new) – Ahiru no Quack – (8,5/10) – Ah, this one brings back memories. It was probably the first anime I ever saw as a kid, though I never fully finished it because the clown in the OP scared me (no, seriously). This also is probably the only anime that gives an accurate portrayal of the Netherlands through the different ages. And really, for a kid’s show it’s got quite some heavy themes. I remember freaking out when I saw the ending of the second episode at the age of five or six. The soundtrack is also unique, and especially Herman van Veen has a unique voice, and uses it in an excellent way.
#13 (19) – Perrine Monogatari – (8,5/10) – This month featured a triple release, in which the first piece of serious drama appeared with the rivalling travelling photographers. I must say that I’ve gotten great respect for Perrine’s mother after this. While I feared that everything would end a bit preachy, the scenes were wonderfully written.
#12 (14) – Moyashimon – (8,5/10) – Really, the originality in this series continues to surprise me. Everything from the characters to the stories feels fresh and different, not to mention hilarious.
#11 (25) – ef – A Tale of Memories – (8,5/10) – One thing that surprised me for this season is how there are so many quality high-school romances out there, and this one probably is the best of the bunch. Both Clannad, Kimikiss and ef have gone way beyond the stereotypes that you usually see in romances, which inevitably become uninspired harems. Episode seven was really intense, and I really liked it, and the unique directing-style.

#10 (24) – Little Princess Sara – (8,6/10)

Despite only being two episodes in, I already like this series a lot. It may be more than twenty years old, but the storytelling so far has been excellent.

#9 (14) – Kekkaishi – (8,6/10)

Finally Kekkaishi is back, and Yoroshiku released a double-release that concluded the current arc. While it suffered from the “I have yet to reveal my true powers!”-syndrome, it did break several shounen-clichés as well, so I’m happy, not to mention that the conclusion was amazing. Naruto should have taken an example of this series.

#8 (22) – Mokke – (8,8/10)

I finally realize what’s wrong with this series! A lot of people (including myself) have been hoping for this to become the next Mushishi, right from the start. But instead, this turned into a really charming tale between two sisters, and the people they grow up with. It really needs to grow on you for a few episodes, and in the past month, the episodes have been getting better and better and better.

#7 (16) – Higurashi no Naku Koro ni – (8,8/10)

Higurashi has been really solid for the past episodes. Something you wouldn’t expect after the first season. While part of me is still getting used to the extreme change of pace of the second season, the past few episodes have been flawless in terms of storytelling.

#6 (12) – Ghost Hound – (8,8/10)

Like Lain, Ghost Hound doesn’t feel episodic at all, and instead it continues to deliver one full story that’s carefully being built up. I like the amount of research the creators put into this to make the traumas that the different characters suffer from look as real and believable as possible.

#5 (8) – Shion no Ou – (8,8/10)

One thing that does irk me a small bit is how most series this season are quite slow-paced, and take their time in telling the story. But not Shion no Ou! Episode after episode, it keeps pushing the plot forward, and the unique and interesting cast of characters make this an excellent series.

#4 (6) – Saiunkoku Monogatari – (8,8/10)

Saiunkoku continues to carefully build up its many storylines, with a few excellent climaxes here and there. The new characters are coming together more and more, and if the previous arcs are any indicators, then this series is only going to end up better and better.

#3 (4) – Gintama – (8,9/10)

In this month, the comedy took a step back to allow for Kagura’s backstory. Had I already mentioned that this is one of the few comedy-series that can turn dramatic and still be awesome?

#2 (1) – Les Miserables – Shoujo Cosette – (9,2/10)

Javert really has been one of the best villains of the year. It’s a shame that the creators changed certain parts of the book, but that didn’t ruin my enjoyment of this series. It’s really a shame that people are chosing series as Ninomiya-kun above this gem.

#1 (3) – Dennou Coil – (9,3/10)

It’s all about Isako this month, and boy, it surprises me how a series can keep up such a consistent high quality episode after episode. It’s a shame that this series is nearly over.

Posted on 29 November 2007 with categories: Anime Reviews


In contradiction to most other anime-fans (at least, that’s what I suspect), I’m not necessarily a Japanophile, and I don’t really regard the Japanese culture as the “best culture ever”; it’s just that these guys are so damn good at storytelling. That’s why I love it when an anime takes place in a country other than Japan. Because of this, I love the fact that for this movie, Hayao took up his roots of when he was still working for Nippon Animation, and combined this with his love for airplanes and his huge imagination.

The result is a beautiful depiction of southern Italy around the ages of World War One, and possibly the most unique out of all Ghibli-movies and it’s got a combination of drama and comedy that puts My Neighbour the Yamadas and Pom Poko to shame. While the amount of details that went into this movie isn’t as impressive as, say, My Neibour Totoro or Kiki’s Delivery-service, it makes up for this with some addictive storytelling and some awesome side-characters. You just can’t help but love the pirates and their antics.

Also, for once I’m glad that the main character doesn’t ruin the movie. Porco himself may not be the best character of the bunch, but yet he’s fresh and original, and a major leap away from the usual protagonists you see in anime, being a war veteran that turned into a pig and all. The real problem with Porco Rosso is that it’s got a few clichés here and there, though, that serve to keep the movie on track. A notable exception, however, is the ending.

With my reviews of the Ghibli-movies, I’ve often paid little to no attention to the production-values. Heck they’re awesome, what else did you expect? Still, I do want to mention that Porco Rosso has probably the best soundtrack of all Ghibli-movies. Like no other in Hisaishi Joe’s repertoire, it sets the mood for the Italian setting perfectly.

As I’ve now seen all of the major Ghibli-movies, I just don’t think I can really label one as the best of the bunch. My Neighbour Totoro was really nostalgic, Kiki’s Delivery-Service and Spirited Away were wonderful tales of growing up, and The Cat Returns and Porco Rosso combined great, intriguing and very different stories with a quirky nature and excellent characterizations. All I can say is that these five stood out for me as the most memorable, and they should be a definite recommendation to any anime-fan.

Posted on 28 November 2007 with categories: Anime Reviews


Most of Ghibli’s works are for all ages, but there’s always one demographic that stands out for each movie, often related to the ages of the protagonists: Kiki’s Delivery-Service, for example, is for middle-schoolers, Princess Mononoke and Ocean Waves are for high-schoolers, while Only Yesterday is for the adults. My Neighbour Totoro completes this picture by being aimed at little children, and really, it’s one of Ghibli’s finest productions.

Even if you’re not a chid of ten years old, you’ll love the nostalgic feeling that this movie creates. A lot of screen-time is spent on the two main characters (two sisters of about four and ten years old), just playing with each other and having fun, just like all children are supposed to. A major theme also is children’s fantasies, and I’m sure that everyone would have loved to meet the strange creatures portrayed in this movie when they were young.

The reason why I like My Neighbour Totoro so much is that out of all the Ghibli-movies I’ve seen, this one’s the most perfectly paced so far. Princess Mononoke, Kiki’s delivery-service and Nausicaa, for example, were great in their own ways, but their climaxes were rushed; Takahata’s movies went on for too long and Spirited Away’s second half didn’t live up to the first one, but not with My Neighbour Totoro! The first half of the movie builds the characters and setting up perfectly, and once we got to know them, the second half kicks in and the fun begins as Totoro himself comes in action. The climax itself doesn’t feel forced at all, and yet I couldn’t help but shed a tear at what happened, and the movie ends at just the right time.

But yeah, My Neighbour Totoro shares the same flaw as Kiki’s Delivery-service: the pacing may feel perfect, but I feel that there’s so much more potential left in the concept. It’s a shame that only a movie of an hour and a half could be made out of it, and this movie could have easily been extended to a 13-episode television-series, there are so many characters that could have been fleshed out and delved into. But then again, one of the charms of this movie is how it’s so simple, yet effective.

Obviously, if you expected an action-movie like Mononoke or Laputa then you should stay away from this movie. My Neighbour Totoro feels much more like the non-Miyazaki-movies of Studio Ghibli, but with a perfect integration between the realistic and the fantasy-elements. As usual, the graphics and music are excellent, but you wouldn’t expect any different from a Hayao Miyazaki-movie. Anyway, with this, I’ve seen nearly all of the major Ghibli’s movies. There’s only one of them left, and I’ve got some high expectations of it.

Posted on with categories: Suteki Tantei Labyrinth


This series continues to baffle me like no other. There were some really good parts in this episode, and it’s basically one huge dialogue, portraying the bond between Mayuki and his music-teacher in an excellent way. You can see that the creators spent a lot of time to this dialogue, and it really works.

But seriously… WHY the tea?! Why does tea form the solution to every single mystery that Mayuki runs across?! Also, where did the virtual reality come from? More importantly, these glasses look quite heavy. Don’t people realize that they’re wearing the glasses in the first place? This series really has the potential, but these utterly ridiculous plot-twists really hold it down so much.

For the past few episodes, I’ve also been screaming for some development from Mayuki, and this episode finally listened to these requests, but not really in the way I expected. Mayuki was either incredibly serious or incredibly silly. While it felt a bit out of place, I do have to say that this was the first episode where he didn’t get on my nerves, so the guy is getting better.

And then we have the ending of the episode… where I really have no idea what to say. Mayuki’s teacher has had enough development, and while I couldn’t understand most of the dialogue, I could see why she killed the teacher, and it was interesting to see how her friendship with Mayuki was actually genuine, instead of an act. When her plan is revealed by Mayuki, she clearly is in despair and reflects upon her actions…

… only for Byakko, who suddenly appeared from out of nowhere to brainwash the woman with a violin and her red-glowing eyes so she goes berserk. Seiran then comes and his two assistants kill the teacher. Yes, kill her. This begs the question as to what exactly happened to her and why Seiran doesn’t get arrested… a murder is a murder, right? And really, where is this series trying to go? Right now, we’ve got some psychic kid and a homicidal bodyguard who have to stay out of the clutches of those who want to either abuse or eliminate the powers of said kid. While it is among the more original premises of the season, it still remains hard to swallow…

Ah well, this series does win the award of “most eccentric series of the season” easily.

Posted on 27 November 2007 with categories: Mobile Suit Gundam 00


I admit: the political roots of this series have been quite interesting, and they’re a good reason to watch this series, but the creators do need to put more effort into the characters. As usual, my main problem is with Setsuna again: he yet again surpassed his stupidity with this episode, when he runs into the queen of Azadistan and basically tells her that he’s the Meister of the Gundam Exia and working for the Celestial Beings, and only to confirm it, we see him hold a small demonstration of his piloting-skills right above the plane that said princess is boarding.

Why…. for god’s sake, why?!

One thing that would also make this series a bit better is if we were actually showed the intention behind the terrorists, like Bokura no and Simoun did. Right now, I’m not feeling any sympathy for the random victims that get killed by the Celestial beings. They just don’t feel like humans. One thing I’m glad for is that the terrorists actually tried out some tactics that show signs of complexity. If the creators can keep increasing this complexity, things can get quite interesting in the future.

One thing I did appreciate was the bit of development for Lockon. Apparently, his family was killed in terrorist attacks, leaving him as the sole survivor among tens of dead bodies. He was really meaner than usual this time. One thing I like about this series is how everyone reacts differently to the actions of the celestial beings. Some countries decide to use them, others hate them, and others have to deal with the victim of this hate.

Posted on 25 November 2007 with categories: Les Miserables - Shoujo Cosette


Well, ignoring the fact that the animation basically went south (such a shame that the animation-budget ran out, right before the ending of this series), this was a really solid aftermath, that basically did everything it needed to do to provide enough closure to the youngsters of this series. Jean and Shushu reunite Gavroche with his two younger brothers, and the three of them come to live along with Jean and Cosette. Later in the episode, they’re also admitted to a school, so that they can study properly.

Marius meanwhile wakes up, and has to face the hard truth: out of all of Les Amis, he’s the only one left. I loved how mature Cosette was in this episode, taking care of both the injured Gavroche and providing the right support to Marius. The two of them really are a couple, and I love the realistic way in which they’re portrayed.

The thing is, though: there are five episodes left with this, and this episode alone would already have been enough to provide closure for this series. There’s still something that’s about to happen, but what? I can imagine how Thenardier is going to return for a final time, and it would be awesome if Javert, Thenardiére and Azelma got some more screen-time as well. I seriously have no idea what the creators have left in store for the final part of this series, but let’s hope that the animators will get themselves back together and finish this series off with a bang.

Posted on with categories: Dennou Coil


Haha! That was some major plot-twist at the end of the episode! I’m not going to say what it is, though. I’ll leave that up to the next and final episode of this series. There’s just so much potential for it!

In any case, Mayumi turned out to be a small character in the end, whose purpose was to show Yasako where she had to go to find the other side. Mayumi just still hates Yasako, because Yasako basically did nothing to stop rumours about her and Michiko-san from spreading, while she had enough chances to do so. It’s like Mayumi said, Yasako tries to be nice to everyone, but when it really matters, she won’t do anything. That’s why Mayumi felt betrayed, and their fight began.

The reason Haraken was on the move in the previous episode was not because he still longed for Kanna. Instead, he somehow found out that Yasako was trying to get to the other side, and wanted to stop her. Tamako catches him easily enough, though they both end up collaborating in trying to get Yasako back. They’re too late, though, and end up sending a Sacchi to the other side. This Sacchi has a few modifications, though: it can fly!

(Thank god for wao’s summaries) And we finally know why Nekome does what he does: his case is quite similar to that of Takano’s in Higurashi: his father was a researcher as well, and when he finally discovered something major (I think he was the one who originally developed the Imago-function), this was taken away from him by Megamas. So he teamed up with Michiko-san to cause some kind of major scandal for Megamass, by making Michiko cause every kid with Imago to faint… so I guess that that means that the real reason why he allowed Isako to try and get her body back was for Michiko to take over Isako’s body. But still, did he have to go for such a complex way? Couldn’t he just have lured people inside the keyholes and make the v2.0s destroy them? That would have caused a scandal for Megamass as well, wouldn’t it?

I also wonder… where did Michiko originally come from? Did she just appear out of nowhere, or is she like the humanoid illegals, who in the end turned out to be products of Yasako’s grandfather that went out of control? Was she originally created by Yasako’s grandfather, but did something entirely different from what he had in mind? In this episode, she looked awfully human-like, apart from her eyes, perhaps.

Posted on 24 November 2007 with categories: Shion no Ou


Alongside series such as Higurashi no Naku Koro ni, Saiunkoku Monogatari and Kaiji, which all have plenty of time to build up, Shion no Ou forms an excellent addition, simply because the time it has to work with is quite limited, so it has to keep up quite a fast pacing to finish in time. Unlike the series above, you just know that every episode will be interesting and push the storyline a considerable amount further. This effect becomes even more apparent when the characters are just so addictive as in this series. I could care less about the Shougi at this point, the characters themselves make this series worthwhile enough to keep watching.

This episode probably forms the end of the small intermezzo, where Satoru gets fleshed out even more, and where we see two matches: one between Saori and Shion, and one between Ayumi and Satoru. All of them were interesting, and quite important for the storyline. After the first one, Saori finally starts to consider Shion as a worthy opponent, instead of a cute girl who happens to be good at shougi, after Shion makes quite a few smart moves in a quick match. Satoru on the other hand, loses to Ayumi on purpose, in order to test the guy/girl out. His motivations are still quite fuzzy at the moment, but I think that we’ll find these out quite soon.

I’m also quite surprised at how often the reporter-guy passes by. The guy gets featured in the OP, but is he something more than just a bystander, or will he too play some kind of more important role in the future? In the later part of the episode, we also see Shion and Ayumi, going to a local fast-food-restaurant, and the two of them were SO cute at the time. I’m really surprised at how the usually stoic Ayumi talked in such a gentle way to Shion.

One thing that I’ve been wondering: how come the police couldn’t find anything through fingerprint analysis? The murderer basically placed the king of shougi on the board after he killed Shion’s parents. He wasn’t wearing gloves, as Shion recognized how the fingers of the guy were pretty… so why hasn’t fingerprint analysis pointed out the victim? Or could this be because the murderer has never been in contact with the police before?

Posted on with categories: Higurashi no Naku Koro ni


Aaaand the building-up continues yet again. My patience is getting tested quite a bit for this series, and it really looks like the final arc of this series will be around nine episodes of building up, with the climax taking up only two of them. I’m still not sure whether this was a right decision to make. I mean, the climax has to be really good in order to make up for the episodes that it kept us hungry for any actual development. Can the creators really pull it off, without going through the obvious routes in which Takano dies and the others live happily ever after?

In this episode, Rika teams up with both the major children and adult-characters, and they come up with the plan to fake Rika’s death to cause confusion to Takano. Tomitake goes into hiding, and meanwhile investigates on Takano, discovering what we knew already, Akasaka remains in Rika’s house to make people believe that the house is still being inhabited by people, while Rika, Satoko and Hanyuu hide, Irie continues to keep an eye out, and basically forms Akasaka’s link to the outside world, since his phone will probably be tapped and Oishi is going to be the one to spread Rika’s faked death.

Meanwhile, the woman we saw with Takano turns out to be someone who’d like to see Takano’s antagonists fall too, which explains the support she gives to her. The next episode will probably consist out of everyone getting ready for the major plan. Episode 48 will then probably deal with the start of the plan, while the real climax will take place in episodes 49 and 50. Let’s hope the creators know what they’re doing.

Posted on with categories: Gambling Apocalypse Kaiji


Holy flipping heck! I know I’ve been complaining about Kaiji for the past few episodes… but seriously… this episode was just plain crazy, and I mean that in a good way! If there was anything this series needed, it was betrayal, and this episode features lots of it. I love episodes like these, where everything comes together like that.

So in the end, there was no Mr. X. I should have guessed this: the guy who flushed his cards down the toilet threw away three scissors. He probably ended up with a wrong hand and fell in despair. The matter is, though, that these cards weren’t counted off the scoreboard. Because of assuming this, Funai ended up being the final person with a card, along with Kaiji and the others. Because of that, he just had to throw away five of his nine stars just to survive. The thing is that because he’s a repeater, he needed to have four stars to survive. Because of this, he still has a debt of 4 million yen after this, because he was stupid enough to borrow the maximum limit and he can’t sell any of his stars.

The second half of the episode is dedicated to another problem: because said three cards have been flushed, there is no way for Kaiji and the others to cancel out each other’s cards. Kaiji then sacrifices himself to the other room, where the final pieces of the puzzle come together. The old man indeed has been tricked by a repeater, and now he’s been abandoned while said repeater is celebrating happily in the winner’s room. Then there’s another character (Okabayashi) who gets introduced, and I really like this guy for his realistic view on life. Both the old man and Okabayashi have been working for their partners. Which makes me wonder, where did Okabayashi’s partner go? I recall that Furuhata and Andou were the only ones with more than two stars left.

Which brings me to the next point: Andou is about to betray Kaiji! It is logical if you look at it one way. There’s a huge trust between Kaiji and Furuhata: they knew each other before going on the ship, Furuhata feels extremely guilty for what he did to Kaiji and Kaiji has been way too moralistic to doubt him. Andou is a different case, however. He was basically saved by Kaiji because he happened to have two stars. Kaiji made a temporarily impression on him, though apart from that, he doesn’t know anything about the guy. There are people who trust easily and there are people who are always afraid to make friends and always keep an emotional distance from people. Apparently, Andou belongs to the later part.

Again on a side-note: if the screenshots don’t show up: let me know

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Amagi
@Aidan: Somehow. The problem is rather Haruki anyway and it's canonically part of her character. Kei becomes more likeable IMO and the events get much more complicated and/or serious plus there are a bunch of characters getting added to the protag team which makes the whole thing more dynamic. The best comes when some other character joins around the middle though.
Anonymous1416115
Personally, I can digest the emotionless dialogue in the first place since I watch the series with the mindset that the main characters are innately "broken" in some ways.
Anonymous1416115
@Aidan Hmm...one might consider the emotion level increases in main characters' dialogues for Sakurada Reset as baby steps depending on how dramatic one expects a character to act in other animes. (The emotions increase do exist though) There are certainly emotional scenes and characters do develop in ways where one can't just say they're 100% robots.
AidanAK47
@Travlos, If you so wish then you can write a review for Bahamut virgin soul. Just let me know if you are up for it. If so I recommend writing it up on google docs, then when you have it done I can give your account contributer status and you can paste it into a post for us to look over and publish on the site. For screenshots our standard size is H240 X W138.
AidanAK47
Did they ever fix that emotionless dialgoue issue they had going on?
Anonymous1415748
You are not alone. The second half of Sakurada Reset made me so glad that I stuck with the series.
Amagi
Oh and I totally forogt Reset ended now too. Not sure if I am the only fan of that but the whole second half was one of the better things I've seen this year.
Amagi
Okay now thinking three others came into my mind, but that's still not much. A lot of series started interesting and turned out mediocre or cheap after a while.
Amagi
Considering that I love Made in Abyss, PrinPrin, Fate/Apo (so far) and 18if too guess this season was better than I've expected. 2016 was kind of a let down imo, animewise. Off the top of my head I only remember Rakugo, Fune wo Amu and Bokudake I think.
Amagi
I didn't expect to like Virgin Soul as much as I do. Especially the last ~5 episodes got me. The weird thing is that I was disappointed by S1 actually.
SuperMario
@Travlos: I don't mind if you do a guess review on Virgin Soul, but let's me check with other admins first.

On Virgin Soul, I'm not sure if I like the bew development. It suddenly does a 180 degree turn on King Charriot, which I don't feel rewarding.
KTravlos
Kakegurui will have an anime original ending. It might be better than the ongoing manga. We shall see. An enjoyable foray.

Virgin Soul is going for a nice explosive ending. If no one writes a review, I would be willing to write one.
Kaiser-Eoghan
*kind of
Kaiser-Eoghan
While its very much in the shadow of the first and the protaganist started out kind annoying, I kind of got caught up in the spectacle and sentimentality of gunbuster 2.
KTravlos
Urasawa is preparing a new manga
KTravlos
yes the episode where Julian watched the documentary was fun. The Caligula like character comes from one of the lesser episodes of the series, when Kircheis beats up some rebelling third rate noble in the Empire.
Kaiser-Eoghan
Goddammit, fail, it just changed the colour of the login name...
Kaiser-Eoghan
I declare in the red truth that the next anime I shall watch is Diebuster.
Kaiser-Eoghan
From what little I saw, I remember a Caligula like character in one episode.
Anonymous1409409
I remember there's an episode where Julian just goes on Space Netflix and just watches a documentary. I actually liked that lol
KTravlos
yup, a LOGH that run like the Altair anime would be bad. It needs to show the sweep of history
AidanAK47
@Anon, I actually liked that aspect. It made the history of the world feel real.
Anonymous1409027
It's compressible, as there are many episodes of buildup, but that's where so many of the interesting details and depth of planning become evident. Some of those episodes read like a history textbook though, so we'll see how the new adaptation handles them,
Anonymous1409027
*pleasantly
KTravlos
Tytania was ok.
Kaiser-Eoghan
On the Amakusa Shiro reference in the fate review, I've seen a film about him from the 50s , theres also an old josei manga where the protagonist ends up becoming essentially regarded as him.
KTravlos
Hi Kaiser. Supposedly this is a re-imagining of the original story. Thus independent of the OVAs (old serieis). What exactly re-imagining means is something I and you do not know. We shall see. But it does mean that you do not need to watch the old series to enjoy this one. The OVA was definetly more expansive than the novels. So my guess is they will stick to the novels.
Kaiser-Eoghan
There's another anime, called Tytania based on his novels but I haven't seen that series.
Kaiser-Eoghan
As in condensable in the way nothing much is lost? I assume there are fillers in the original?
Kaiser-Eoghan
I'm indifferent to the aesthetics of the new version. What I'm hoping for is that it will be accessible to newcomers and that I'll be able to jump on to the old series where the new one leaves off. I've seen very little of the original and it was a long time ago, is there any way the story is condensable?
KTravlos
The fact that they stayed away from the disgusting new manga is great. I am not too keen on the CGI ships, but they also did not rankle. It looks like it will honor the spirit of the old series, and I cannot ask for more. I am a massive LOGH fan. And the new video out gives me hope of revisiting one of the greatest sci-fi/historical settings out there. I am happy.
AidanAK47
I hope they are using the old anime as a base and not the new Manga adaption. As that Manga adaption is seriously lacking.
AidanAK47
@Anon, I like that they blinged up the space battles which is good because those things could get tiresome. But I really hate the design of Yang Wenli. They made him look so much younger and bishi. I don't think i could take this guy seriously if he started one of Wenli's signature hypothesis.
Anonymous1408919
Thoughts on that new LOGH PV? My expectations were low, so I'm presently surprised. Obviously they made everybody pretty boys, and Mamoro Miyano is voicing Reinhard I believe. But art and animation actually looks pretty decent overall. It's a PV, and LOGH's best quality is it's story and characters, so we'll have to see if they remain faithful or not. But it's nice to see it get a visual overhaul.
AidanAK47
By the way this site has the first chapters but check the other versions to find them.
http://mangapark.me/manga/tsurezure-children-wakabayashi-toshiya
AidanAK47
@Mario, Indeed. It's also a pity that over half the couples in the manga were not featured. We only got a small taste of Patricia.
SuperMario
Or maybe I'll try to read the manga. The last time I checked it online, the site doesn't have its first few chapters
SuperMario
@Aidan: man, Tsurezure Children sure is sweet. Really sad to see it ends
AidanAK47
So that's the end of Tsurezure Children.
....I'm gonna need a second season. Now.
....NOW GODDAMNIT! NOW!
KTravlos
As I said I understand the criticisms to RE:Creator, but ultimately I enjoyed most of the show. It could had been better, and it is a missed chance. But I have seen worse.
Kaiser-Eoghan
I gave up halfway through, there weren't even enough action scenes and those that were didn't justify waiting around for.
AidanAK47
Could have at least delivered on the action but that was rendered pointless due to the majority of the cast turning good and Altair being a complete cheat character.
AidanAK47
It would have been really fun to see characters discuss their stories with their creators or indulge in what our world has to offer but they really glossed over that part.
AidanAK47
It really should have gone deeper into the whole meta aspect introducing anime characters to the real world. Like they did with Mamika's powers being ridiculously destructive when outside a kid friendly setting.
AidanAK47
@Puran, I at least like the message of the final episode. But as for the show itself it was just missed potential on a lot of levels. I wanted Anime Genre battle royale and instead got a secondhand Shirobako with a crap shounen anime attached.
Kaiser-Eoghan
I have been forgiving of Anno as I've gotten older.
Kaiser-Eoghan
I also just re-watched gunbuster, I'd previously dismissed the ova after a few episodes when I was a teenager, I'd found it too slow, didn't have that issue with the 90 minute version I just finished. I've never see the sequels.
Lenlo
Ill have to finish Creators... at some point
Kaiser-Eoghan
I've been dipping back into the Lupin franchise, Gold of babylon was particularly screwball, kind of ridiculous comedy caper/adventure thing you just have to run with....turns out it was directed by a live action filmaker I especially like who made bizzare noir films in the 60s.
Puran
So that explains why Meteora had so much air time in Re:Creators. It's her story....

I hated the ending and I disliked the anime overall.
Kaiser-Eoghan
@Mario: It was a genuine surprise to see that Assayas decided to make a film framed around hentai =P
Kaiser-Eoghan
@Mario: I loved how incoherent demonlover was.
Kaiser-Eoghan
@Mario: The criticisms I'll give wind river, is a slight inconsistent performance from Renner and that very awkwardly inserted flashback scene.
SuperMario
@Kaiser: on Wind River, I agree it's a well-executed case of the week drama, although there are some plot pregressions that I don't get (how did they find out about the man's corspe again?). About Demonlover, man, the film gives me a chill down my spine. Heartless. And a bit misogynist.
SuperMario
@Kaiser: as much as I loved Wong (yeah I too prefer him over Malick), sometimes I do think Western cinema give him too much praise that sadly overshadow other Asian directors.
Kaiser-Eoghan
@Mario: Wong is important to me as a hong-kong filmaker, he offers something entirely different from the whole Woo/Lam Hong komg movies.
Kaiser-Eoghan
@Mario: On a more positive note Maggie Cheung did mention that she felt her early work with Wong was when she first truly became a proper actress.
Kaiser-Eoghan
@Mario: ....I had no idea he had such a sad background.
Kaiser-Eoghan
*investigation drama
SuperMario
@Kaiser: that film also marked/ signified a rather sad period of Hongkong showbiz. Leslie Cheung badically lived the live of the protagonist and commited suicide in 1997. His girlfriend on screen, during the filming, was kidnaped, raped and taken topless picture. The damnest thing is that everyone knowed the culprit but did nothing, and in the press it was just deemed as "kipnapped and assaulted"
Kaiser-Eoghan
@Mario: Wind river was a big surprise for me, just goes to show that with the right execution an ordinary police drama movie can be elevated higher.
Kaiser-Eoghan
@Mario: Thats the interesting thing, tracking a directors career.
Kaiser-Eoghan
Just binge watched the new dominion tank police ovas , admittedly these are kind of reptitive and extremely silly but its hard to hate on something so shamelessly fun that made me feel like a child again.
SuperMario
@Kaiser: you said it there. DoBW is rather raw and unpolished but that's one of the reason why I am drawn to it more compare to his other works.
AidanAK47
In all honesty, it would be nice to finally see a continuation after fusion as all games after that have just been adding chapters in-between.
Vonter
Finally I wonder, if Metroid Prime 4 will definitely branch out of the main Metroid's continuity. It's curious how an interquel subseries is still going to add things in between the first and the second entries in the main franchise.
Vonter
AidanAK47 - I think is nice we can see both takes. Especially since neither one despite a few qualms are still very solid entries for this franchise. I just hope Metroid moves forward, as IMO this is the only game that really needed a facelift do to the heavy limitations of the gameboy. And I hope the secret gallery at the end is teasing how the producer plans to move the plot forward.
AidanAK47
I thought it might be like that but it's good to know they are at least on a close level. I didn't really want Samus Returns to replace AM2R as the "Definitive" version of Metroid 2. Mostly because a lot of love was put into AM2R andit came at a point when it felt Nintendo didn't give a crap about Metroid.
Vonter
Like Zero Mission there's something added to Samus Returns but I'll just leave it at that.
Vonter
I think both have strong points. Samus Returns have better boss battles, gameplay mechanics and more intense action pieces. AM2R IMO has more atmosphere, takes advantage of elements Nintendo don't even try like the Federation subplot, and the ending portion narratively has more heart in AM2R, while in Samus Returns it feels mostly like "the final level".
Vonter
I also did got lost a couple of times in Samus Returns and aside from the big water section in AM2R, the latter is more linear game.
Vonter
I think the controls in Samus Returns bring more to the table though. The 360 aiming makes for better ways to shoot enemies and some of the bosses take advantage of that. If it weren't for the 3DS giving hand cramps because you're holding L and R at several points it'll be completely the most ideal way to play.
Vonter
AidanAK47 - AM2R is very good, I think it has the advantage that because it uses sprites IMO backgrounds and enemies are more vibrant and easier to appreciate. The Federation soldiers are better executed in AM2R and that secret section with the ship is very eery.
AidanAK47
@Vonter, How does it stack up to AM2R? I bought it and am still waiting on it to be delivered but I have the feeling that AM2R would be the better game when comparing.
Vonter
I took me 12 hours to 100% and I've heard the best ending is beating it in less than 4 hours. I think unlike Zero Mission item percentage don't matter, it's mainly to unlock an art gallery.
Vonter
My main criticism is this being a 3DS game. Small enemies can be hard to see or appreciate. And I think the 3DS wasn't made for heavy action packed games like this or Smash Bros. I got the rubber from the circle pad come off in two occasions. Also unless there was something big in the background, several areas felt lacking in detail. Still Samus and the bosses look good.
Vonter
In terms of difficulty, the game has the enemies packing more damage than in other 2D Metroids. Is difficult in the sense than you can't tank damage as in other iterations, you have to be aware of enemy behavior and bosses mainly get easier do to familiarizing with their patterns, since I did die a lot each time I faced a new boss. And got used to kill them faster as I went along.
Vonter
Ok, so I beat Samus Returns. It's quite good. Unlike Fusion that had dialogue at midst the gameplay. Samus Returns only has a prologue of exposition and any cutscenes mainly accentuate the reactions of Samus confronting a new enemy. The level design is dense, despite having isolated areas like in Fusion and the original Samus Returns, each area is very mazelike.
Kaiser-Eoghan
@Mario: =< Awww I kind of like demonlover actually despite all its flaws, it had great sound design and had this cold, clinical, un-nerving mood to it.
Kaiser-Eoghan
@Mario: Days of being wild does feel a bit un-realized/un-polished/rough compared to his other work definitely but its probably the rawest I've seen from him and that has its appeal.
Kaiser-Eoghan
@Mario: Haven't seen farewell my concubine come to think of it. Regarding the scifi element I felt I embraced it more further into the film when it started to intermingle more.
While I am more forgiving toward Malick's recent films than most, that decline in quality means I have to pick Wong.
KTravlos
by the way in RE:Creators we probably will be getting a future series focusing on the hunt for Magane :p Meteora probably playing the role of detective. I also bet her novel will be wordy and heavy in exposition :p
KTravlos
i.e his end game might had been a cross-species revolution against him anyway. We will see
KTravlos
In Bahamut Chris proves to not be totally evil, but he is totally crazy. That said I am seeing one of my hunches getting supported, the hunch was that his cruelty towards daemons was with the purpose of bringing them down enough that they would be willing to work with humans as euals (As they are in Jean's army) and thus via that create a more unified world. I
KTravlos
RE: Creators has come to its end. I know the problems everyone has with it, and while it failed to raise to the level of exceptional show, I loved it. As I said, it had been years since a show kept me so excited episode after episode. They blew it at some point, but ultimately for me this is an en-joyful show, and one I would happily binge watch in the future again.
SuperMario
@Kaiser: question for you though, between these two directors, which one do you prefer: Wong Kar-Wai or Terrance Malick?
SuperMario
@Kaiser: if you enjoyed both 2046 and In the Mood for Love, by all mean check out Days of Being Wild. The trio forms a loose trilogy and Days of Being Wild was the first film that Wong began his unique unconventional style. It's one of my personal favorite of Wong and it's a chance for you to watch the late Leslie Cheung acted (you might watch him already in Farewell My Concubine)
SuperMario
@Kaiser: 2046 is indeed a passionate film, and one of his best looking film. He tried something different in 2046 too, experimented with scifi (one of the best part in the film for me)
SuperMario
@Kaiser: it's stritcly Wong Kar Wai's romance we're talking about, since I don't find the rest of Chinese take on romance that interesting. Romance or melodrama is one of his main theme throughout his career
Kaiser-Eoghan
@Mario: It was slightly overly long however.
I've also seen chungking express, in the mood for love and fallen angels. I think this Chinese take on romance is really clicking with me.
Kaiser-Eoghan
@Mario: I also thought it was a very passionette film and I love how Kar-wong-wai uses the music in it. I also think its one of his best looking films.
Kaiser-Eoghan
@Mario: I had a look at that Chinese film 2046, very effectively melancholic take on fleeting relationships while also successfully being quite sensual while staying classy and without ever showing too much. Tony Leung and Maggie Cheung are two beautiful people =P
SuperMario
for those who still want to catch up with 18if, episode 11 has a huge recap, while wrapping up the show with a new overarching plot. Hopefully they don't pull another Matrix here
SuperWooper
It's shounen-y for sure. The competitions have been my least favorite parts of the show so far. If you're still watching, you might appreciate it more once the Tenpei Cup is over.
Anonymous1399692
Damn Ballroom looks so good. But I really can't enjoy it despite that I want to. It has too many of these typical shounen moments and plot points I can't stand.
Anonymous1399684
Omae wa mou shindeiru
Lenlo
Mononoke is actually what made me find Ayakashi. Also a good show.
SuperMario
Regarding Ayakashi, I only watched the Mononoke segment
SuperMario
"It was a long, long trip, and we're coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO" - Sandal-san.
Lenlo
Ayakashi was great for me Kaiser. I enjoyed my time with it
Vonter212
@AidanAK47 - The hard aspect has been commented in several reviews with bosses being able to easily kill you. (Although in my experience it might be just getting a pattern). In terms of length most 2D games can be beaten under 3 hours. This one seems to clock at at least 6 to 15 if you want to collect everything. Then again, we'll see in subsequent playthroughs.
AidanAK47
`@Vonter. It's out now but I don't remember seeing anyone claim it's the longest hardest entry 2D wise.
Kaiser-Eoghan
Going to watch new dominion tank police next and read violence action and Oddman 11.
Kaiser-Eoghan
It took me years to get round to it, but I finally watched Ayakashi and as expected like most anthologies, again its mixed, the first is a solid ghost story that improves after a weak start, but that third one with the cat spirit was great, really liked how experimental that looked.
Vonter
Soo a new Metroid comes out this week. It is said, it's the longest, hardest entry in regards to the 2D iterations. Still not as great as Super, and depending on your fanaticism it might or not be as good as Zero Mission.
SuperMario
But they didn't pull that scene off too well. It's just... unmemorable. In fact the whole show is very unremarkable. Now only 1 episode left I might as well finish it but I won't give it a full review
SuperMario
Koi to Uso has been disappointing so far. Episode 10 featured the sequence that i was looking forward the most in the manga: the former classmate tells the one sided crush of the main girl from her POV. For a romance that contrived and manipulated like this one, hearing this from the third person's perspective prove to be more powerful
Vonter
@HelghastKillzone - Good luck with that. I almost had my car's engine damaged since it has been raining heavily where I live. Had to ask for help the next day to pull it out of mud. Still not as bad as the other three cars that did get stuck in the water.
HelghastKillzone
Dealing with work and the total loss of my car really sucks at the moment so I'm quite tied up for this week.
KTravlos
I do agree to a point, but to be frank all the episodes of Princess Principal to date have been so solid I have a hard time deciding. Episode 5 though was still the best from a holistic point (action, direction, music etc) was the one introducing Chise
SuperMario
Agree. Dorothy has the biggest heart out of all the spy girls. Also "help" that her episodes are all melodramatic.
Amagi
This episode of PrinPrin showed again that Dorothy is the best character by far. Not just herself but her episodes as well are better written than the rest if you ask me.
KTravlos
It just hit me. The characters in Princess Principal may be very well working for IngSoc :p
AidanAK47
@Kaiser, in the seven chapters it's only really two of them that contain dark shocking content. Chapter three being the biggest one in that regard.
Kaiser-Eoghan
@Aidan: I read a comment where someone said subahibi shocked them more than saya no uta. While I haven't played it yet, I have seen some of a letsplay...it lleft me thinking....how many hours until this actually gets good/truly unhinged .
AidanAK47
After Reading SubaHibi, Made in Abyss's dark turn didn't shock me too much. Maybe I just got desensitised. I will have a review of SubaHibi hopefully up in a week though to clarify my feelings on it after just finishing it, It was interesting but disappointing.
KTravlos
well, well. Both Made in the Abyss and Virgin Soul do not hold back. Grim! RE:Creators is warping up. Comparing with these other shows I can fully appreciate the problems people have with it. But still I am glad I am sticking to the end. Altair's voice actor by the way did great.
AidanAK47
@Helghast, And Kings Field was the Demon Souls before Demon Souls came out.
KTravlos
having binge watched several of this season's shows I would say Princess Principal is the most rounded. Made in Abyss is good. Kakegurui and The Reflection as SuperMario said will depend on your tastes. There is also Shouko no Altair. You will like it if you liked Tanya Saga of Evil, or Legend of Galactic Heroes, or Arslan Senki or manga like Vinland Saga, Gunka no Baltzar, and especially Historie
Anonymous1385641
Jesus...me watching this weeks Made in Abyss https://www.youtube.com/watch?v=0ogzsWhZcmM
HelghastKillzone
So... Demon Souls was the Dark Souls before Dark Souls came out.
SuperMario
@anon1385426: the safest bets aside from Made in Abyss are Welcome to the Ballroom and Princess Principal. Kakegurui and the Refection are for more acqurired taste
Anonymous1385426
Aside from Made in Abyss, what's the best anime this season?
Lenlo
@KT, the pacing and the framerate early on are my two biggest issues. Later on the story starts to get abit more engaging, and they start doin things I didnt expect, but the pacing is still there. Some akward pauses.
Lenlo
Look, Berserk and Dark Souls are both amazing. But I only have 3 Dark Souls games, and 38 Berserk volumes. Im clearly biased
KTravlos
I sat down and watched the first 4 episodes of The Reflection. It is an interesting attempt, and I can see the people making it having fun doing so. But I did notice a pacing issue. For some reason the episodes felt like they dragged a bit too long.
AidanAK47
Dark Souls is the Berserk of Video Games.
Amagi
Dark Souls really went all Berserk if you ask me
AidanAK47
I am not one for putting down law but can we never ever compare anything to Dark Souls ever again? Cause it's actually become really tiresome how everything is the dark souls of something.
Lenlo
No other sentence has made me want to watch Made in Abyss more
HelghastKillzone
I guess we're finally at the point where Made in Abyss goes all Dark Souls/Bloodborne.
Amagi
Apo's Jack the Ripper had at least a nice idea behind it, it's just the clothes that are a bad choice. But there are just too many lolis for the sake of fanservice in that game. I accept it if there is at least a reason for this but it's usually just random.
Amagi
@Aidan: Same here. I was never a fan of genderbendings and turning historical people into lolis. The first one I can accept with people like Arthuria because it added a lot to her character, but most of them are just plain and generic. I just see no reason why pirates, grown up men or Blavatsky would ever appear as little girls. Especially since popular beliefs should influence their appearance.
SuperMario
On Altair, one commenter did an excellent job of poiting out the appeal of that show; and frankly the show is wearing on me now.
SuperMario
@Travlos: I'm glad you enjoy Princess Principal. I'm quite surprised myself that in the latter half the show slowed its pace down which mean the focus is switched from action to more characters interactions; which I greatly enjoy
KTravlos
Well I binge watched Princess Principal. That is a very good show. I was surprised. Good animation, good music, the art is good, hell I even did not mind the protagonist art. But what I really like is the stories. All the episode were pretty solid and interesting.
AidanAK47
Just won a fight by the skin of my teeth thanks to my Lancer, Cu Chulainn. You the man Cu!
AidanAK47
@Amagi, Been playing Grand Order myself. It's rather fun. There are some good original character in it but I notice with Quantity certain figures designs were pretty terrible. I thought Assassins of black was the worst but some Grand Order servents manage to top it in terrible. Why all the bikini's?
Amagi
Fate/GO has quite some interesting original characters there. Wish we'd see them in some actual manga or anime series with more backstory someday. - I also like that we finally have an overpowered, interesting and competent Hassan with King Hassan for once. His design is metal AF too.
KTravlos
Binge watched Altair. The pacing of the show is a problem, but in general the raw material is good. Altair is sympathetic, and the world is interesting. But I do feel this is the kind of show that would had gained by a Monster or LOGH type treatment. Also, man it is scary how accurate they got some of the traits of Greeks (Phoenicians in the show). I am a Greek, I should know! :p
KTravlos
forgot to mention. I saw the 91 Days special. Three side stories that give some depth to the events in the main anime, but nothing that goes beyond it's end. Still they were in general ok to good.
SuperWooper
It's got Jude Law playing "this kind of huge robot butler called Charles, who is also a rocket ship." What could possibly go wrong?
AidanAK47
Anime with Jaden Smith? Um..I don't know about this.
SuperMario
@Kaiser: one of the good thing about SoL shows like Centaur and even 18if is that their episodes are self-contained, so you can just jump right in to watch the good ones and ignore the rest
SuperMario
I just love Chise's presence so I might enjoy the last episode more than anyone else. But yeah I'm quite satisfied with Princess Principal right now
AidanAK47
Actually I am quite surprised Princess Principal hasn't gone off the rails yet. Might even turn out to be a fun show in the end. If the man can make it to the finish line without a misstep.
Total users: 21

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Seikaisuru Kado was a title which caught my attention for a number of reasons. For one it’s visuals showed not a single teenager in sight and a cast mainly consisting of working adults. Another is that it deals with a premise not often tackled in anime, Philosophical Science Fiction. The story features an alien being […]

ID-0 (Spring 2017) Review – 81/100

Here comes one of the most under-appreciated anime of this Spring season. ID-0 has many hassles that keeps viewers away from watching it: Netflix exclusive, full CG animation and a plot that just plain weird and a bit incomprehensive at first view. I originally took it as nothing more than fun spooky little-seen show until […]

Grimoire of Zero (Spring 2017) Review – 77/100

I remember, back in our first impression of this series, Aidan remarked that Grimoire of Zero isn’t your typical LN-adaptations, but he didn’t know what to make of it. To be honest, after watching an entire cour, I’m still unsure what to make of it myself. This show has some serious flaws, yet despite all […]

Uchoten Kazoku Review – 94/100

(Note: Since psgels didn’t give his final review to the first season, this review is for the entirety of Eccentric Family. If I had to grade the second season alone, it’s 90/100). Doesn’t matter how you look at it, the Eccentric Family is a unique show, in a way it feels and tastes like no […]

Little Witch Academia TV Review – 80/100

The Little Witch Academia series has been something that’s a long time coming. Ever since Studio Trigger made the original Anime OVA back in 2013 I have been hotly anticipating the time when it would be fleshed out into it’s own anime series. I love both the original OVA and the enchanted Parade so this […]

Window Horses (2016) Movie Review – 87/100

In Window Horses, or its full name Window Horses – The Poetic Persian Epiphany of Rosie Ming, many characters keep asking the main protagonist, a Stick Girl in an otherwise fully formed character designs, why is she wearing a chador, in which she’s unable to reply. It’s her first trip to go overseas, so she […]