Posted on 30 November 2007 with categories: Monthly Summaries

+ November Rankings +
My general opinion of the current Autumn-Season is indeed that it isn’t as good as the previous Spring-season. There haven’t really come any epic series yet, like Bokura no, Towards the Terra or Kaze no Shoujo Emily, but instead of that, we’ve got quite a lot of well-executed, charming and intriguing series, so overall, I just can’t call it a failure. The Winter-season is also looking better than it’s ever had, with most of the shows of the current season who’ll be hitting their second halves and let’s not forget the amazing line-up of series that are going to start in January. So a slightly less exciting season isn’t really that bad.

Oh, and in case this is the first time you see this, the series are ranked from worst to best, the number between the ( and ) indicates the place where that series was on last month, the rating is out of 10, with average being a 6,0 (and yes, I’m using the decimal comma).

#30 (29) – Engage Planet Kiss Dum – (5,6/10) – Do note that most of the points this series is getting are because of the entertainment value. Only one episode was released, but it was so bad that it became hilarious. The animation was garbage, the plot couldn’t be more clichéd, and the only thing that was good was the scriptwriting, which made me laugh as well. Overall, this series is a failure, but it’s definitely a fun failure.
#29 (40) – Romeo x Juliet – (5,7/10) – So, yep. Like predicted, the two lovers must overcome one more angst-ridden obstacle before they can be together: the fact that both of them are whiny teenagers. It’s clear that Gonzo spent the best of its staff on Bokura no for the spring-season…
#28 (35) – Dragonaut The Resonance – (5,7/10) – Really, this is just getting silly. Someone over at the production-team has to realize that the melodrama only causes this series to become laughably bad. It’s a shame, the potential’s there, but right now Gonzo can be compared with a man, trying to walk out an overexcitable dog: the man wants to go to the park, while the dog wants to chase random cars, and in the end, they end up at the local garbage-dump.
#27 (new) – Yume da Maya Kidan – (7,2/10) – This doesn’t really warrant its own post, but I do want to say a few things about it. It’s a nice attempt and it’s got a great style, but it was a tad too short to make any real impact. Still, I like the idea of taking the ideas of amateurs, you’ll be surprised at some of the great ideas that some of them have.
#26 (38) – Kimikiss Pure Rouge – (7,5/10) – I originally dropped this, but I switched this with Night Wizard, which was getting really pointless with only 12 episodes to work with. Kimikiss surprised me, though, and offers quite a realistic view on high-school romances.
#25 (20) – Suteki Tantei Labyrinth – (7,6/10) – Really, what is up with this series? On one hand, it manages to deliver interesting adventures, and the screenplay is terrific, and yet the stories themselves have plotholes and quite often delve into silliness, with of course the epitome being the giant robot which appeared from out of nowhere.
#24 (17) – Shugo Chara – (7,6/10) – Fun, cute, cool and spicy, but not really the best this season has to offer.
#23 (28) – Kodomo no Jikan – (7,7/10) – Rin’s past may have been a bit too dramatic, but apart from that this series has been going into the right direction. The fanservice is still annoying, but I admit that the characters are quite cute and interesting to watch.
#22 (23) – Gundam 00 – (7,8/10) – Well, Gundam has been solid up till now. Nothing groundbreaking has happened yet, but it set a solid base for itself to work with. Apart from the idiotic actions of Setsuna, of course. Really, some one needs to kill this guy fast.
#21 (new) – Tsubasa Tokyo Revelations – (7,9/10) – The first episode was mainly an introduction, both to the new story and the new art by Production IG, but something tells me that the real fun is going to start with the next two episodes.
#20 (13) – Bamboo Blade – (7,9/10) – Okay, it’ll never be among the best comedies, but it’s quite entertaining to see where the characters go. One thing that holds this series down is the predictability, though.
#19 (29) – Clannad – (8/10) – I’m really surprised with this series: it’s basically Kanon, with all the things I hated about it removed. Yuuichi was a horrible lead for Kanon, all he did was chase after cute girls who happened to be special, the scenes felt forced, there was no link between any of the different stories apart from Yuuichi, and the annoyingness of Ayu and Makoto didn’t make things easier. Clannad, however, doesn’t have these problems. The main character suddenly isn’t the only one who can solve the problem of the girl in question, the future stories flow well with each other, and the female lead works excellent with this. While it isn’t the best series in the season, for me, this is by far Kyoani’s best series up till now.
#18 (7) – Sayonara Zetsubou-Sensei – (8,2/10) – It’s such a shame that I need fansubs for the complex comedies such as Sayonara Zetsubou-Sensei. It’s been almost a month since the last release. The episode was excellent as well, but I can hardly remember what it was about. Thankfully other subbing-groups have now started to pick up this series as well, to make sure that the first season ends before the start of the second season. I have yet to see episode 10, but I look forward to it. :)
#17 (15) – Blue Drop – (8,3/10) – The pacing has been slow, but because of this, Blue Drop has had the opportunity to flesh out the side-characters in this month, something which I really appreciate. The angst also doesn’t feel weird, and the characters are getting more touching with every episode. It’s going to be interesting to see where this series is going to go from now.
#16 (5) – Gambling Apocalypse Kaiji – (8,3/10) – This series has quite a few pacing-issues, but apart from that it remains a fascinating look on human nature. Not to mention the insanity of episode eight.
#15 (21) – Sky Girls – (8,4/10) – When Otoha’s childhood-friend that got sucked away by the worms appeared, I was convinced that this series would fall down the pit of predictability, but then it started to introduce quite an amount of new and interesting stuff that got me quite enthusiastic about this series, and it seems that the creators do know how to deliver a few surprises. Good job.
#14 (new) – Ahiru no Quack – (8,5/10) – Ah, this one brings back memories. It was probably the first anime I ever saw as a kid, though I never fully finished it because the clown in the OP scared me (no, seriously). This also is probably the only anime that gives an accurate portrayal of the Netherlands through the different ages. And really, for a kid’s show it’s got quite some heavy themes. I remember freaking out when I saw the ending of the second episode at the age of five or six. The soundtrack is also unique, and especially Herman van Veen has a unique voice, and uses it in an excellent way.
#13 (19) – Perrine Monogatari – (8,5/10) – This month featured a triple release, in which the first piece of serious drama appeared with the rivalling travelling photographers. I must say that I’ve gotten great respect for Perrine’s mother after this. While I feared that everything would end a bit preachy, the scenes were wonderfully written.
#12 (14) – Moyashimon – (8,5/10) – Really, the originality in this series continues to surprise me. Everything from the characters to the stories feels fresh and different, not to mention hilarious.
#11 (25) – ef – A Tale of Memories – (8,5/10) – One thing that surprised me for this season is how there are so many quality high-school romances out there, and this one probably is the best of the bunch. Both Clannad, Kimikiss and ef have gone way beyond the stereotypes that you usually see in romances, which inevitably become uninspired harems. Episode seven was really intense, and I really liked it, and the unique directing-style.

#10 (24) – Little Princess Sara – (8,6/10)

Despite only being two episodes in, I already like this series a lot. It may be more than twenty years old, but the storytelling so far has been excellent.

#9 (14) – Kekkaishi – (8,6/10)

Finally Kekkaishi is back, and Yoroshiku released a double-release that concluded the current arc. While it suffered from the “I have yet to reveal my true powers!”-syndrome, it did break several shounen-clichés as well, so I’m happy, not to mention that the conclusion was amazing. Naruto should have taken an example of this series.

#8 (22) – Mokke – (8,8/10)

I finally realize what’s wrong with this series! A lot of people (including myself) have been hoping for this to become the next Mushishi, right from the start. But instead, this turned into a really charming tale between two sisters, and the people they grow up with. It really needs to grow on you for a few episodes, and in the past month, the episodes have been getting better and better and better.

#7 (16) – Higurashi no Naku Koro ni – (8,8/10)

Higurashi has been really solid for the past episodes. Something you wouldn’t expect after the first season. While part of me is still getting used to the extreme change of pace of the second season, the past few episodes have been flawless in terms of storytelling.

#6 (12) – Ghost Hound – (8,8/10)

Like Lain, Ghost Hound doesn’t feel episodic at all, and instead it continues to deliver one full story that’s carefully being built up. I like the amount of research the creators put into this to make the traumas that the different characters suffer from look as real and believable as possible.

#5 (8) – Shion no Ou – (8,8/10)

One thing that does irk me a small bit is how most series this season are quite slow-paced, and take their time in telling the story. But not Shion no Ou! Episode after episode, it keeps pushing the plot forward, and the unique and interesting cast of characters make this an excellent series.

#4 (6) – Saiunkoku Monogatari – (8,8/10)

Saiunkoku continues to carefully build up its many storylines, with a few excellent climaxes here and there. The new characters are coming together more and more, and if the previous arcs are any indicators, then this series is only going to end up better and better.

#3 (4) – Gintama – (8,9/10)

In this month, the comedy took a step back to allow for Kagura’s backstory. Had I already mentioned that this is one of the few comedy-series that can turn dramatic and still be awesome?

#2 (1) – Les Miserables – Shoujo Cosette – (9,2/10)

Javert really has been one of the best villains of the year. It’s a shame that the creators changed certain parts of the book, but that didn’t ruin my enjoyment of this series. It’s really a shame that people are chosing series as Ninomiya-kun above this gem.

#1 (3) – Dennou Coil – (9,3/10)

It’s all about Isako this month, and boy, it surprises me how a series can keep up such a consistent high quality episode after episode. It’s a shame that this series is nearly over.

Posted on 29 November 2007 with categories: Anime Reviews


In contradiction to most other anime-fans (at least, that’s what I suspect), I’m not necessarily a Japanophile, and I don’t really regard the Japanese culture as the “best culture ever”; it’s just that these guys are so damn good at storytelling. That’s why I love it when an anime takes place in a country other than Japan. Because of this, I love the fact that for this movie, Hayao took up his roots of when he was still working for Nippon Animation, and combined this with his love for airplanes and his huge imagination.

The result is a beautiful depiction of southern Italy around the ages of World War One, and possibly the most unique out of all Ghibli-movies and it’s got a combination of drama and comedy that puts My Neighbour the Yamadas and Pom Poko to shame. While the amount of details that went into this movie isn’t as impressive as, say, My Neibour Totoro or Kiki’s Delivery-service, it makes up for this with some addictive storytelling and some awesome side-characters. You just can’t help but love the pirates and their antics.

Also, for once I’m glad that the main character doesn’t ruin the movie. Porco himself may not be the best character of the bunch, but yet he’s fresh and original, and a major leap away from the usual protagonists you see in anime, being a war veteran that turned into a pig and all. The real problem with Porco Rosso is that it’s got a few clichés here and there, though, that serve to keep the movie on track. A notable exception, however, is the ending.

With my reviews of the Ghibli-movies, I’ve often paid little to no attention to the production-values. Heck they’re awesome, what else did you expect? Still, I do want to mention that Porco Rosso has probably the best soundtrack of all Ghibli-movies. Like no other in Hisaishi Joe’s repertoire, it sets the mood for the Italian setting perfectly.

As I’ve now seen all of the major Ghibli-movies, I just don’t think I can really label one as the best of the bunch. My Neighbour Totoro was really nostalgic, Kiki’s Delivery-Service and Spirited Away were wonderful tales of growing up, and The Cat Returns and Porco Rosso combined great, intriguing and very different stories with a quirky nature and excellent characterizations. All I can say is that these five stood out for me as the most memorable, and they should be a definite recommendation to any anime-fan.

Posted on 28 November 2007 with categories: Anime Reviews


Most of Ghibli’s works are for all ages, but there’s always one demographic that stands out for each movie, often related to the ages of the protagonists: Kiki’s Delivery-Service, for example, is for middle-schoolers, Princess Mononoke and Ocean Waves are for high-schoolers, while Only Yesterday is for the adults. My Neighbour Totoro completes this picture by being aimed at little children, and really, it’s one of Ghibli’s finest productions.

Even if you’re not a chid of ten years old, you’ll love the nostalgic feeling that this movie creates. A lot of screen-time is spent on the two main characters (two sisters of about four and ten years old), just playing with each other and having fun, just like all children are supposed to. A major theme also is children’s fantasies, and I’m sure that everyone would have loved to meet the strange creatures portrayed in this movie when they were young.

The reason why I like My Neighbour Totoro so much is that out of all the Ghibli-movies I’ve seen, this one’s the most perfectly paced so far. Princess Mononoke, Kiki’s delivery-service and Nausicaa, for example, were great in their own ways, but their climaxes were rushed; Takahata’s movies went on for too long and Spirited Away’s second half didn’t live up to the first one, but not with My Neighbour Totoro! The first half of the movie builds the characters and setting up perfectly, and once we got to know them, the second half kicks in and the fun begins as Totoro himself comes in action. The climax itself doesn’t feel forced at all, and yet I couldn’t help but shed a tear at what happened, and the movie ends at just the right time.

But yeah, My Neighbour Totoro shares the same flaw as Kiki’s Delivery-service: the pacing may feel perfect, but I feel that there’s so much more potential left in the concept. It’s a shame that only a movie of an hour and a half could be made out of it, and this movie could have easily been extended to a 13-episode television-series, there are so many characters that could have been fleshed out and delved into. But then again, one of the charms of this movie is how it’s so simple, yet effective.

Obviously, if you expected an action-movie like Mononoke or Laputa then you should stay away from this movie. My Neighbour Totoro feels much more like the non-Miyazaki-movies of Studio Ghibli, but with a perfect integration between the realistic and the fantasy-elements. As usual, the graphics and music are excellent, but you wouldn’t expect any different from a Hayao Miyazaki-movie. Anyway, with this, I’ve seen nearly all of the major Ghibli’s movies. There’s only one of them left, and I’ve got some high expectations of it.

Posted on with categories: Suteki Tantei Labyrinth


This series continues to baffle me like no other. There were some really good parts in this episode, and it’s basically one huge dialogue, portraying the bond between Mayuki and his music-teacher in an excellent way. You can see that the creators spent a lot of time to this dialogue, and it really works.

But seriously… WHY the tea?! Why does tea form the solution to every single mystery that Mayuki runs across?! Also, where did the virtual reality come from? More importantly, these glasses look quite heavy. Don’t people realize that they’re wearing the glasses in the first place? This series really has the potential, but these utterly ridiculous plot-twists really hold it down so much.

For the past few episodes, I’ve also been screaming for some development from Mayuki, and this episode finally listened to these requests, but not really in the way I expected. Mayuki was either incredibly serious or incredibly silly. While it felt a bit out of place, I do have to say that this was the first episode where he didn’t get on my nerves, so the guy is getting better.

And then we have the ending of the episode… where I really have no idea what to say. Mayuki’s teacher has had enough development, and while I couldn’t understand most of the dialogue, I could see why she killed the teacher, and it was interesting to see how her friendship with Mayuki was actually genuine, instead of an act. When her plan is revealed by Mayuki, she clearly is in despair and reflects upon her actions…

… only for Byakko, who suddenly appeared from out of nowhere to brainwash the woman with a violin and her red-glowing eyes so she goes berserk. Seiran then comes and his two assistants kill the teacher. Yes, kill her. This begs the question as to what exactly happened to her and why Seiran doesn’t get arrested… a murder is a murder, right? And really, where is this series trying to go? Right now, we’ve got some psychic kid and a homicidal bodyguard who have to stay out of the clutches of those who want to either abuse or eliminate the powers of said kid. While it is among the more original premises of the season, it still remains hard to swallow…

Ah well, this series does win the award of “most eccentric series of the season” easily.

Posted on 27 November 2007 with categories: Mobile Suit Gundam 00


I admit: the political roots of this series have been quite interesting, and they’re a good reason to watch this series, but the creators do need to put more effort into the characters. As usual, my main problem is with Setsuna again: he yet again surpassed his stupidity with this episode, when he runs into the queen of Azadistan and basically tells her that he’s the Meister of the Gundam Exia and working for the Celestial Beings, and only to confirm it, we see him hold a small demonstration of his piloting-skills right above the plane that said princess is boarding.

Why…. for god’s sake, why?!

One thing that would also make this series a bit better is if we were actually showed the intention behind the terrorists, like Bokura no and Simoun did. Right now, I’m not feeling any sympathy for the random victims that get killed by the Celestial beings. They just don’t feel like humans. One thing I’m glad for is that the terrorists actually tried out some tactics that show signs of complexity. If the creators can keep increasing this complexity, things can get quite interesting in the future.

One thing I did appreciate was the bit of development for Lockon. Apparently, his family was killed in terrorist attacks, leaving him as the sole survivor among tens of dead bodies. He was really meaner than usual this time. One thing I like about this series is how everyone reacts differently to the actions of the celestial beings. Some countries decide to use them, others hate them, and others have to deal with the victim of this hate.

Posted on 25 November 2007 with categories: Les Miserables - Shoujo Cosette


Well, ignoring the fact that the animation basically went south (such a shame that the animation-budget ran out, right before the ending of this series), this was a really solid aftermath, that basically did everything it needed to do to provide enough closure to the youngsters of this series. Jean and Shushu reunite Gavroche with his two younger brothers, and the three of them come to live along with Jean and Cosette. Later in the episode, they’re also admitted to a school, so that they can study properly.

Marius meanwhile wakes up, and has to face the hard truth: out of all of Les Amis, he’s the only one left. I loved how mature Cosette was in this episode, taking care of both the injured Gavroche and providing the right support to Marius. The two of them really are a couple, and I love the realistic way in which they’re portrayed.

The thing is, though: there are five episodes left with this, and this episode alone would already have been enough to provide closure for this series. There’s still something that’s about to happen, but what? I can imagine how Thenardier is going to return for a final time, and it would be awesome if Javert, Thenardiére and Azelma got some more screen-time as well. I seriously have no idea what the creators have left in store for the final part of this series, but let’s hope that the animators will get themselves back together and finish this series off with a bang.

Posted on with categories: Dennou Coil


Haha! That was some major plot-twist at the end of the episode! I’m not going to say what it is, though. I’ll leave that up to the next and final episode of this series. There’s just so much potential for it!

In any case, Mayumi turned out to be a small character in the end, whose purpose was to show Yasako where she had to go to find the other side. Mayumi just still hates Yasako, because Yasako basically did nothing to stop rumours about her and Michiko-san from spreading, while she had enough chances to do so. It’s like Mayumi said, Yasako tries to be nice to everyone, but when it really matters, she won’t do anything. That’s why Mayumi felt betrayed, and their fight began.

The reason Haraken was on the move in the previous episode was not because he still longed for Kanna. Instead, he somehow found out that Yasako was trying to get to the other side, and wanted to stop her. Tamako catches him easily enough, though they both end up collaborating in trying to get Yasako back. They’re too late, though, and end up sending a Sacchi to the other side. This Sacchi has a few modifications, though: it can fly!

(Thank god for wao’s summaries) And we finally know why Nekome does what he does: his case is quite similar to that of Takano’s in Higurashi: his father was a researcher as well, and when he finally discovered something major (I think he was the one who originally developed the Imago-function), this was taken away from him by Megamas. So he teamed up with Michiko-san to cause some kind of major scandal for Megamass, by making Michiko cause every kid with Imago to faint… so I guess that that means that the real reason why he allowed Isako to try and get her body back was for Michiko to take over Isako’s body. But still, did he have to go for such a complex way? Couldn’t he just have lured people inside the keyholes and make the v2.0s destroy them? That would have caused a scandal for Megamass as well, wouldn’t it?

I also wonder… where did Michiko originally come from? Did she just appear out of nowhere, or is she like the humanoid illegals, who in the end turned out to be products of Yasako’s grandfather that went out of control? Was she originally created by Yasako’s grandfather, but did something entirely different from what he had in mind? In this episode, she looked awfully human-like, apart from her eyes, perhaps.

Posted on 24 November 2007 with categories: Shion no Ou


Alongside series such as Higurashi no Naku Koro ni, Saiunkoku Monogatari and Kaiji, which all have plenty of time to build up, Shion no Ou forms an excellent addition, simply because the time it has to work with is quite limited, so it has to keep up quite a fast pacing to finish in time. Unlike the series above, you just know that every episode will be interesting and push the storyline a considerable amount further. This effect becomes even more apparent when the characters are just so addictive as in this series. I could care less about the Shougi at this point, the characters themselves make this series worthwhile enough to keep watching.

This episode probably forms the end of the small intermezzo, where Satoru gets fleshed out even more, and where we see two matches: one between Saori and Shion, and one between Ayumi and Satoru. All of them were interesting, and quite important for the storyline. After the first one, Saori finally starts to consider Shion as a worthy opponent, instead of a cute girl who happens to be good at shougi, after Shion makes quite a few smart moves in a quick match. Satoru on the other hand, loses to Ayumi on purpose, in order to test the guy/girl out. His motivations are still quite fuzzy at the moment, but I think that we’ll find these out quite soon.

I’m also quite surprised at how often the reporter-guy passes by. The guy gets featured in the OP, but is he something more than just a bystander, or will he too play some kind of more important role in the future? In the later part of the episode, we also see Shion and Ayumi, going to a local fast-food-restaurant, and the two of them were SO cute at the time. I’m really surprised at how the usually stoic Ayumi talked in such a gentle way to Shion.

One thing that I’ve been wondering: how come the police couldn’t find anything through fingerprint analysis? The murderer basically placed the king of shougi on the board after he killed Shion’s parents. He wasn’t wearing gloves, as Shion recognized how the fingers of the guy were pretty… so why hasn’t fingerprint analysis pointed out the victim? Or could this be because the murderer has never been in contact with the police before?

Posted on with categories: Higurashi no Naku Koro ni


Aaaand the building-up continues yet again. My patience is getting tested quite a bit for this series, and it really looks like the final arc of this series will be around nine episodes of building up, with the climax taking up only two of them. I’m still not sure whether this was a right decision to make. I mean, the climax has to be really good in order to make up for the episodes that it kept us hungry for any actual development. Can the creators really pull it off, without going through the obvious routes in which Takano dies and the others live happily ever after?

In this episode, Rika teams up with both the major children and adult-characters, and they come up with the plan to fake Rika’s death to cause confusion to Takano. Tomitake goes into hiding, and meanwhile investigates on Takano, discovering what we knew already, Akasaka remains in Rika’s house to make people believe that the house is still being inhabited by people, while Rika, Satoko and Hanyuu hide, Irie continues to keep an eye out, and basically forms Akasaka’s link to the outside world, since his phone will probably be tapped and Oishi is going to be the one to spread Rika’s faked death.

Meanwhile, the woman we saw with Takano turns out to be someone who’d like to see Takano’s antagonists fall too, which explains the support she gives to her. The next episode will probably consist out of everyone getting ready for the major plan. Episode 48 will then probably deal with the start of the plan, while the real climax will take place in episodes 49 and 50. Let’s hope the creators know what they’re doing.

Posted on with categories: Gambling Apocalypse Kaiji


Holy flipping heck! I know I’ve been complaining about Kaiji for the past few episodes… but seriously… this episode was just plain crazy, and I mean that in a good way! If there was anything this series needed, it was betrayal, and this episode features lots of it. I love episodes like these, where everything comes together like that.

So in the end, there was no Mr. X. I should have guessed this: the guy who flushed his cards down the toilet threw away three scissors. He probably ended up with a wrong hand and fell in despair. The matter is, though, that these cards weren’t counted off the scoreboard. Because of assuming this, Funai ended up being the final person with a card, along with Kaiji and the others. Because of that, he just had to throw away five of his nine stars just to survive. The thing is that because he’s a repeater, he needed to have four stars to survive. Because of this, he still has a debt of 4 million yen after this, because he was stupid enough to borrow the maximum limit and he can’t sell any of his stars.

The second half of the episode is dedicated to another problem: because said three cards have been flushed, there is no way for Kaiji and the others to cancel out each other’s cards. Kaiji then sacrifices himself to the other room, where the final pieces of the puzzle come together. The old man indeed has been tricked by a repeater, and now he’s been abandoned while said repeater is celebrating happily in the winner’s room. Then there’s another character (Okabayashi) who gets introduced, and I really like this guy for his realistic view on life. Both the old man and Okabayashi have been working for their partners. Which makes me wonder, where did Okabayashi’s partner go? I recall that Furuhata and Andou were the only ones with more than two stars left.

Which brings me to the next point: Andou is about to betray Kaiji! It is logical if you look at it one way. There’s a huge trust between Kaiji and Furuhata: they knew each other before going on the ship, Furuhata feels extremely guilty for what he did to Kaiji and Kaiji has been way too moralistic to doubt him. Andou is a different case, however. He was basically saved by Kaiji because he happened to have two stars. Kaiji made a temporarily impression on him, though apart from that, he doesn’t know anything about the guy. There are people who trust easily and there are people who are always afraid to make friends and always keep an emotional distance from people. Apparently, Andou belongs to the later part.

Again on a side-note: if the screenshots don’t show up: let me know

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AidanAK47
Problem is that he's an edge lord cocky piece of shit that just doesn't have enough likeable traits for this to be compelling. What really pushed him over the edge was mocking Nightwing over his parents deaths. That shit is not on.
AidanAK47
@K-Off, I like the contrast that Batman refuses to cross the line and kill but Damian has crossed that line. As well as his potentail to become a villain. Tim and Dick didn't really have that though Jason sort of did. Damian's arc is more about teaching him the morality of a hero.
K-Off
@Aidan I'm not sure I like Damian's concept to begin with. The Bat-son dilemma's inherently addressed by the Robins for all intents and purposes. Damian just goes through the same motion, only difference being he's biologically related.
K-Off
Yup. Wonderwoman either doesn't need to have a love interest, or it needs to be with Steve Trevor, the two have a solid backstory that the movies unnecessarily removed.
AidanAK47
@Kaiser, I don't mind the Taila X batman pairing. Makes more sense than Batman and Batgirl. But if there's one pairing pushed in the new movies that I just find wrong is the Superman X wonder woman. I just don't get that one.
AidanAK47
@K-Off, I like the concept of Damian as a character. But it's executed so badly.
Anonymous1105941
Teen titans needs one more season to wrap up all the loose ends. Such as what happens to Slade, and Blackfires revenge. The creators clearly wanted to explore those plot lines but got cut short.
K-Off
Teen Titans hasn't aged very well, but one thing I still do like about it is how contained and local the setting and cast were for the first half of that show. When godly superpowers are involved, that appeals to me. Much of the same reason why I like Logan and Raimi's Spiderman so much.
Kaiser-Eoghan
Very rarely watched teen titans when I was younger, I was vaguely interested in slade, stopped watching around when Terra appeared. I actively avoided comics where Damien appeared, never liked that Talia x Batman pairing much, I can only imagine how much worse it is to listen to Damien than read him.
K-Off
@Aidan, I like some aspects of those movies, but I'm not a big fan of the new continuity and art style in general...and yeah it doesn't help that Damian is irredeemably unlikable.
AidanAK47
@K-Off, There is also the DC animated Teen Titans movies like Teen Titans vs Justice Leage and Teen titans the Judus contract. Though it's not the same as the the TV series and Damian is such a dick.
K-Off
@Anon I don't think Teen Titans needs another season. The last season wasn't that good, but the movie ended the series on a high note and Young Justice pretty much rebooted everything, at least in terms of replacing people's want for a more mature DC cartoon about the Titans.
K-Off
Yeah it's become more of a hassel (for myself and my friends) to set aside time to go to a theater.
SuperMario
I guess in the end it all comes down to how easily it reaches the viewers. Give us a hard time and we don't give a damn to check the new movie/show out
SuperMario
... otherwise have to wait for a year, even more before it reaches Australia. But many companies will raise in the wake of Netflix and that will be where problems arise
SuperMario
This trend isn't happening within the anime industry, but it's happening in the movie world as well. In the past 2 years, Netflix starts to exclusively distribute many films, meaning that they won't have theatrical release, but straight to Video on Demand which caused quite a stir in the industry. Personally, I actually don't have much problem with it as now I will get a chance to see a film that
SuperMario
Dive!! , a series that will air next season on noitaminA slot will stream exclusively on Amazon Prime Video. Not that I'm eagerly looking forward to Dive, but that news again makes me frustrated. No one will watch it and then all the hypes it might have will die down eventually.
Anonymous1105394
Considering I didn't even expect a season 5 it's more than I could've evr wanted. Now if only if only Teen Titans could get the same chance.
Lenlo
Oh yeah, it turned out well. Didnt mean to say it didnt.
AidanAK47
@Lenlo, Considering that the ratio of great to alright episodes is 8 to 2 I say that it turned out pretty well.
Lenlo
I have to say, the Samurai Jack season started stronger than it ended imo
AidanAK47
So this is how Samurai Jack ends. 16 years in the making. Honestly considering how much needed to get wrapped up I knew the ending would be a bit flawed. Really think Gen should have givin it one more episode to flesh out the ending and then it wouldn't feel so rushed. Overall despite it's flaws, it's a decent ending. Not prefect by any means but it will do the job.
Kaiser-Eoghan
Lol theres a surprise, seriously, Black Lagoons manga is updating again.
KTravlos
worst recap ever for me? Gangsta. That was a stupid recap episode. Really like a Public Announcement. Useless, stupid, and ruining atmosphere. Utter stupidity. There I got it our of me :p
Kaiser-Eoghan
@Masky: Unfortunately too far behind in the sequel manga to catch up, I did take a look at THAT in the latest chapter though.
Masky
Huh, for some reason thought Tokyo Ghoul was under shonen when its seinen. Welp now that makes more sense, I was thinking story about cannibalism would be kinda absurd for shonen.
Spike
They serve no purpose except to fill airtime when production gets fucked up. They have 2 bad choices - run a recap or run an unfinished episode. Recap is generally the less dogshit choice. I've seen a few anime that ran the episodes with unfinished animations and still frames.... the backlash was about 100x what a recap is.
SuperMario
I'm about to say that to you as well Kaiser, maybe watch the recap and then continue on. The only thing I kind of take from the recap episode is the editting: how they chop off the fat of 6 episodes to still give you important developments. But as a way to catch up/ to reintroduce the series, it's freaking useless
Anonymous1104087
I don't think anyone should start from the recap episode. Unless there was a long hiatus, a recap in between episodes is unnecessary for new viewers and old
Lenlo
I mean, aside from whatever happens with Mugaro.
Lenlo
Next episode seems early, out of 24 episodes, for Nina to learn the Prince is Chris, yet that seems to be what the confrontation is leading towards, and then she freaks out and he learns shes the dragon. Becomes the conflict for the rest of the season?
Lenlo
Seems I was right, Azazel didnt predict that Nina might not be so easily riled up as she once was. To bad so sad Azazel, she has someone she loves now.
Kaiser-Eoghan
How useful are these recap episodes anyway/actually? Hypothetically lets say I was feeling lazy and decided to watch tsuki ga kirei starting from the recap episode.
Kaiser-Eoghan
[link src="https://www.anirena.com/?s=blame

http://anilinkz.io/blame-movie"]
Lenlo
So long as there are consequences for how hes acting, then I am ok with it. I just dont want him to turn into some MC hero when hes acting like this.
AidanAK47
And in Re:Creators Sota is still being a goddamn pussy. Now that the exposition has gone down I am really starting to hate this kid.
SuperMario
It's the presentation that they differ. Ghost Hound focuses more on the atmosphere, so those details I mentioned before work for their benefits; whereas Sagrada Reset focus on plots (and confusing themes) so those stick out like sore thumb.
SuperMario
4 episodes into Ghost Hound so far. This show also reminds me a bit of Sagrada Reset this season- the way they both emotional distant, complex plots; keep viewers away at arm's length, and feature characters that have robotic facial expressions. Yet I enjoyed Ghost Hound so far and couldn't engage in Sagrada Reset at all.
SuperMario
@Spike: I was like... "tsuki ga kirei has a recap episode, so let's move on to Kado"... another recap. Tsuki ga kirei I'm not too worry as it confirmed that it'll have 12 episodes, but I'm not confident on Kado
SuperMario
@lenlo: in a sense you have to suffer it all alone. No worries thou as I intend to binge watch it when this season's over
Spike
Kado team crumbled under the pressure. Recap this week.
Lenlo
@SuperMario, im happy I dont have to compete with anyone to cover Berserk :P Got it all to myself to whine about, though its been ever so slowly improving.
Anonymous1100725
Ranka is ranka in any verse.
Anonymous1100725
Bahmut no spoilers. Ranka Lee. She just doesn't get it so everyone dies. As she stands around wondering.
SuperMario
In fact, Okja will play in the Sydney film festival next month, but seeing that it will stream in Netflix at the end of June I think it's best to wait until then
SuperMario
@Kaiser: great, I'm super hyped to watch Okja. Always enjoy Boon's movies. The critic's reviews from Cannes on Okja should come up soon I believe.
SuperMario
@Kaiser: I watched Lain many times over as well but I'm sure that I didn't pick up everything. That show required multiple-viewing anyways.
Kaiser-Eoghan
@Mario: Good news, netflix will stream Okja at the end of this June.
Kaiser-Eoghan
@Mario: Its not often that I rewatch things, but years ago I've seen Lain at least three times, its also one of those few anime series where I felt to look up deeper analysis into it. It had a tremendous atmosphere and was ahead of its time.
SuperMario
@Kaiser: watching Ghost Hound made me want to revisit Serial Experiment Lain and give my episodic thoughts on that. Not gonna happen soon as I have my hand full right now but I swear I'll get to that one day.
Kaiser-Eoghan
@Mario: I actually am planning to rewatch ghost hound soon, so I'll give you my new thoughts on it then.
Kaiser-Eoghan
I always avoided Altair mostly based on it being a shounen action series. Kakeguruis premise involves gambling games, which I don't find interesting.
KTravlos
Kakegurui is on my list. I thought it would be crap (terrible setting etc), but the manga won me over. Princess Principal will be given a chance, so will Shoukouko no Altair.and perhaps Reflection. We shall see. Also Twilight Axis Gundam, as I love the manga team.
AidanAK47
@Anon, Recap episodes exist because of production troubles. Sometimes shit happens when you make an anime.
You are being a bit overally argressive but I do agree with the statement that Ntr is pathetic power fantasy. It really is.
Anonymous1099236
Ntr is a pathetic power fantasy for pathetic people
Anonymous1099236
Why the hell do recap episodes exist. Do they think we're that autistic
SuperMario
I honestly don't even what NTR is so I had to look it up. Interesting
SuperMario
Just a quick remaider that Tsuki ga Kirei has a recap episode this week. And yep, after watching this week's Sakura Quest I think I'm gonna stick with it
SuperMario
Flipping through the list, I'm also pretty know what I'm interested in, most of them are original anime, which is a plus
SuperMario
@Aidan: I'm still amazed that us never have to fight over covering shows, except for that one time with Flip Flappers. Always thought that crappy tastes are the same
Kaiser-Eoghan
*Those two comments were refering to NTR trap
Kaiser-Eoghan
I would really genuinely like to see some of these smut manga actually functionally use fanservice and romantic sex scenes rather than just cheap titilattion
Kaiser-Eoghan
@Aidan: Poorly done ragey drama with bad comedy bits , I've reached a point with it where I no longer want my time wasted by it.
AidanAK47
@Mario, I admit to having passing interest in Princess Principal but not enough to fight you over it.
And Tsurezure Children is actually really really good. Really fluffy love stories with great comedy.
SuperMario
haha, even me who love slice-of-life won't fall for Tsurezure Children
SuperMario
@Aidan: Princess Principal
SuperMario
@Kaiser: The character designs on Centaur kind of weirds me out though
AidanAK47
@Kaiser, Ugh...that one. Imagine a discount scums wish and you get the general idea.
AidanAK47
Mate if you are talking about Fate then let me say there is no way in hell I am not covering that.
Kaiser-Eoghan
NTR as the title of an anime? How shameless.
AidanAK47
@Mario,....Tsurezure Children?
Kaiser-Eoghan
I was surprised by centaur no nanami's manga. Actually cares about its setting and genuinely charming characters.
SuperMario
@Aidan: and this time there is 1 show we might both want to cover ^^
AidanAK47
I will have to start writing up that preview for this. I think it's pretty obvious what I am looking forward the most to watching.
AidanAK47
Links generally work with text if you place them at the end of it. Like so:
http://anichart.net/Summer-2017
Kaiser-Eoghan
[link src="http://anichart.net/Summer-2017
I....I"] might at least try the Vatican kiseki one and centaur no nanami...
AidanAK47
@Anon, Don't believe Clickbait. This is all based on a quote from the author thanking the animation studio and hoping for an opportunity to work with them in the future. What this confirms is that there is no plans for a season 3...yet. Could very well happen in the future. What this confirms is that it ain't happening any time soon.
Puran
Natsume is killing it this season.
Anonymous1094513
RIP Konosuba. Season 3 confirmed to not happen https://www.youtube.com/watch?v=7PvOmsKjcJU.
Lenlo
Im not sure what they are even saying.
Anonymous1092432
lmao Anon 250 got rekt
AidanAK47
Normally I would delete openly offensive posts but seeing as these don't make enough sense to be offensive I will give them a free pass.
AidanAK47
No idea who this Adnan guy is but if he watches gay porn then so what?
Anonymous1092250
adnan watches gay porn
Anonymous1092250
people who watch one piece are just watching gay porn
Anonymous1092250
one piece of shit
SuperMario
Hey, do you guys know about wanna cry ransomware? how's the heck that I just aware of its existence today? Scary@@
Lenlo
Haha will do, but im not gonna compete outside a local, maybe regional level, not anymore. I mostly want to get back into my old shape after 2 years of letting it lapse.
SuperMario
Oh, congrats. Used to play sport in competitive level myself (tennis), but now I feel like an old big fat geezer now haha. Keep me updated on your Fencing as it might motivate me to join sooner ^^
Lenlo
Dont even have to work out to do Fencing, you can just go for fun once a week. Im just trying to get back into competitive shape now that I have my degree
SuperMario
I'm not really big on workin out though; my housemate just keeps asking to join gyming but I always back out, haha. Although I'm okay with running and I'm doing yoga like 4 times a week
Lenlo
Cool. And definitely, give Fencing a try, find your local gym.
SuperMario
When you feel sore it just means it's working, so all good haha. I'm still pretty much interested in try Fencing one day btw. About Uchouten, it's about a bunch of tanuki in human shape wander around and having fun (I'm not serious btw). I think the forst episode of the first season can tell you exactly the tone of the show, so you can watch that episode to see if it's your thing
Lenlo
I both love and hate the post-workout aches. Its what I get for trying to get back into Fencing shape.

Whats Uchouten about?
SuperMario
My love is blind, Kaiser. When I love a show I tend to go overboard with it ^^
Kaiser-Eoghan
I’d forgotten how fun these characters are, although some of the novelty, charm, humour has worn off, it is still there and I’m beginning to re-remember while watching.
I do hope though that they’ll do more with Kaisei and Bonten however.
Kaiser-Eoghan
Annnnd thank you Mario again for your reviews tempting me to watch a show.
I was hesitant sitting down to watch season 2 of Uchouten Kazoku because it had been so long since I saw the original.
I caught up, Nidaime and Tenyama got my attention most, standout scenes were the shogi match and the second half of episode inside the painting, the bits between Yaichiro and that girl.
Kaiser-Eoghan
Honestly I could never do the sleeping on the back thing, thats largely because I heard that it increases the risk of sleep paralysis/apnea.
SuperMario
WHY PROTECTING THEM THEN?
SuperMario
You know that human is the only mammal/race that sleep on their back?
KTravlos
hahaha
Lenlo
Is his wall being built with Mexicans? Are they inside the wall, AoT style?
Kaiser-Eoghan
MAKE TITAN GREAT AGAIN =<
Yes that is true aim of Donald Trump's wall, he's actually in the know, trying to keep out Titans.
AidanAK47
WE SHALL KILL ALL OF THE ANONS.
....Wheres my 3D gear?
KTravlos
they all are anonymous and thus enemies of the human race :p
AidanAK47
@KTravlos, Just to clarify but the guy who wrote " idk wtf " and the guy writing the paragraphs are clearly two different people.
KTravlos
I also dislike anonimity on the net. If you are not in danger of being killed or purged because of your name, you should offer it. It is the right thing to do.
KTravlos
done by a lesser director. Simply put and to end it on my part: Exaggeration is the core of art. You can exaggerate the mundane , but exaggeration it still is.
KTravlos
They focus on it and make it the centerpiece. All motion picture does this, and anime does this very well in my humble opinion. There are things that are "easier" to do in live action. But make no mistake, it all comes down to the director and his team. Despite the fact that Monster is very grounded , some of its most evocative scenes would not work if done live action. Or would had not worked if
KTravlos
Look I was sharp because I do not like the whole idk etf culture thing. Should tell you my age.

What I meant with my words can be made more accessible with this analogy. Do you find yourself moved by paintings? Photos? None of this give the immediacy of the whole picture a moving image gives. And yet we are moved by them. This is because they take a element of reality and exaggerate it....
Anonymous1091057
Anyways, I should stop lol. I just ranted like less than 24 hours ago. Gotta go to uni soon anyways
Anonymous1091057
Whoops, I meant to say, ... or even stuff like Baccano could work in western live action.
Anonymous1091057
Also, I feel like shows that have some western context already infused in them, like most sports shows (i.e. Kuroko no Basket for example), or even stuff like Baccano, but once again it'd be hard to pull of the craziness and coolness of the shows, because a lot of it comes from the shows animation and style.
Anonymous1091057
But also, those shows might just be too weird for western live action.
Anonymous1091057
I don't see shows like One Piece or JJBA for example working in western live action well, at least for a long time till the CGI becomes much, much better so to not to completely destroy our suspension of disbelief.
Anonymous1091057
Those sort of works have a cross-potential for working both in anime and western live action. Then I feel slowly you can start littering in some of the more sci-fi esque ones like Steins;gate, or supernatural horror ones like Death Note.
Anonymous1091057
That's why I feel like the best hope for adapting anime into live action movies and TV shows (TV probably would be better for adapting anime tho), is to start with the more grounded, like Monster or even something like LoGH which has a sci-fi element but still maintains a sort of realism.
Anonymous1091057
There are good western movies and TV shows that are strange, but not bizarre; weird, but not the same kind of say JJBA.
Anonymous1091057
I feel like this difference between the 2 mediums makes it hard to adapt anime into live action, particularly western movies. Most anime are closer to the extreme of creative and zany than the extreme of grounded which movies are better at pulling off.
Anonymous1091057
Or another example is Steins;gate. No other medium could have a plot about bananas, time machines, cell phones, world war 3, and make it work pretty well everything said and done.
Anonymous1091057
Or how in the world could JoJo's Bizarre Adventure ever work out, with its complete craziness, except in anime. I know they're making a movie from the first arc of DiU, but they inevitably have to strip away some of the weirdness that makes the series great.
Anonymous1091057
But then on the other hand, I'm not the biggest fan of modern western superhero shows, particularly because I feel like it's better suited to anime. I'll take One Piece, FMA, or Hunter x Hunter (just to name a few) over 90% of superhero movies today.
Anonymous1091057
*movies aren't a great example of this as a whole, there's a scene from the last Hobbit movie which kinda shows how live action captures the tiny tics and "boringness" https://www.youtube.com/watch?v=ZIaJb6RY0TQ
Anonymous1091057
Or like, just the way a character breathes; while the movies aren
Anonymous1091057
I feel live action is better able to capture the minute, "boring", or slow parts of life. For example you don't see too many slow shots in the animated medium (maybe movies being an exception), but they're common in live action (not as much in modern movies, but still).
Anonymous1091057
I agree its a matter of personal preference, and I didn't mean to imply that I thought anime was inferior to TV or vice-versa, but just that they offer different types of experiences. I feel anime excels at the imaginative, crazy, and bizarre, while live action succeeds at the grounded, mundane, and "boringness" of living.
KTravlos
I do not care if you do not know what I am talking about. There we are.
Anonymous1091060
@travlos idk wtf you're talking about
Kaiser-Eoghan
I'm open to realistic stories and sad ones also but above all I'm more interested in imagination.
Kaiser-Eoghan
@Aidan: Given that Bam isn't here, can I rely on you to review Blame! this weekend? Its out on netflix on Saturday.
KTravlos
Animation has the ability to distill emotions to there core. It is why some would say it exaggerates (And there are shows that do so), but what it really does is provide the "core" of emotions. Live action can do this, but requires great actors, or good buildup.
AidanAK47
Oh god the typos in that rant. For some reason my spellcheck has ceased to work on this thing.
AidanAK47
For a cliff notes, TV and Anime are not inferior to one another. Both have plus's and minus's to them and how invested one gets depends on personal preference
AidanAK47
@Anon2, Not even close to my point.
Anonymous1090816
Animation is more realistic 'cuz its fully imaginary. Ya dig?
AidanAK47
Honestly when it comes to me, the closer a show resembles reality, the less interest I have in it. Hence why I am not watching Tsuki ga Kirei this season.
AidanAK47
When you get down to it this is pretty much a matter of personal perference. There are those who cannot connect with animation as strongly because it's animated. Likewise there are those that connect stronger because it's animated. One cannot nessaily be deemed better than the other. both have their pros and cons.
AidanAK47
Animation I feel allows for more room to bend the rules. A story like dragonball is utterly ridiclous in live action but it works within art. There are emotional high points in anime which would just fall completly flat in a live action adaption. It's not really fair to deem those things as inferior because it's not realistic. It can hit those high notes because it isn't realistic.
AidanAK47
One thing you mention is the unnatural exgrattion of emotion or experences and I do argee with that. There is a layer of artificiality to anime interactions. However this exists in TV shows as well. One thing that always bugged me about TV shows that I have seen is the dialogue. i always felt that people don't talk natural in these shows, all there lines are focused on being snappy and memorable.
AidanAK47
There is also a level of ambigity within "Nauce" as it can be interpted as many thing by the watcher. For one it could be just people looking too much into what is essentailly "Stare blankly". It's funny you mention Naoki as he does this exact same thing. Character says something, other character stare intently. Actually the diagolue in his stories is similer to that of tv drama's as well.
AidanAK47
While animated emotion can be considered more simplistic than that of live action, i would consider this a strength rather than a weakness. Anime characters can express emotion more clearly than that of live action actors. The naunce of a anime character is easy to notice because they can get the exact reaction needed for a scene. Meanwhile to do the same in live action takes one hell of an actor
AidanAK47
@Anon, On this shoutbox you an rant away and let me start by saying that i disargee. I will admit that there are certain things that live action Tv shows can do that Anime simply cannot but I disargee with the notion that animation cannot connect to the human experence. If anything I would argue that anime can even exceed it.
Kaiser
I will say this though about live action films is that i find that its easier to create a more successful atmosphere through them, making you forget your watching fiction.
Kaiser
Urasawa can be uneven, his work can jump between maddeningly slow and nail biting suspense sometimes in the same series.
Kaiser
I stuck with breaking bad , The bborgias and eventually hannibal all the way through. Always sunny is still funny .
Kaiser
Walking dead is a good example of a western equivalent to anime padding, it was poorly adapted and he first season covered barely any issues.
Kaiser
I've seen my share of american tv drama/comedy, alot of it is fun for a while but some of them end up outstaying their welcome because they go on too long. Dexter, orange is the new black, vikings and especially supernatural have got too long.
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