Posted on 30 November 2007 with categories: Monthly Summaries

+ November Rankings +
My general opinion of the current Autumn-Season is indeed that it isn’t as good as the previous Spring-season. There haven’t really come any epic series yet, like Bokura no, Towards the Terra or Kaze no Shoujo Emily, but instead of that, we’ve got quite a lot of well-executed, charming and intriguing series, so overall, I just can’t call it a failure. The Winter-season is also looking better than it’s ever had, with most of the shows of the current season who’ll be hitting their second halves and let’s not forget the amazing line-up of series that are going to start in January. So a slightly less exciting season isn’t really that bad.

Oh, and in case this is the first time you see this, the series are ranked from worst to best, the number between the ( and ) indicates the place where that series was on last month, the rating is out of 10, with average being a 6,0 (and yes, I’m using the decimal comma).

#30 (29) – Engage Planet Kiss Dum – (5,6/10) – Do note that most of the points this series is getting are because of the entertainment value. Only one episode was released, but it was so bad that it became hilarious. The animation was garbage, the plot couldn’t be more clichéd, and the only thing that was good was the scriptwriting, which made me laugh as well. Overall, this series is a failure, but it’s definitely a fun failure.
#29 (40) – Romeo x Juliet – (5,7/10) – So, yep. Like predicted, the two lovers must overcome one more angst-ridden obstacle before they can be together: the fact that both of them are whiny teenagers. It’s clear that Gonzo spent the best of its staff on Bokura no for the spring-season…
#28 (35) – Dragonaut The Resonance – (5,7/10) – Really, this is just getting silly. Someone over at the production-team has to realize that the melodrama only causes this series to become laughably bad. It’s a shame, the potential’s there, but right now Gonzo can be compared with a man, trying to walk out an overexcitable dog: the man wants to go to the park, while the dog wants to chase random cars, and in the end, they end up at the local garbage-dump.
#27 (new) – Yume da Maya Kidan – (7,2/10) – This doesn’t really warrant its own post, but I do want to say a few things about it. It’s a nice attempt and it’s got a great style, but it was a tad too short to make any real impact. Still, I like the idea of taking the ideas of amateurs, you’ll be surprised at some of the great ideas that some of them have.
#26 (38) – Kimikiss Pure Rouge – (7,5/10) – I originally dropped this, but I switched this with Night Wizard, which was getting really pointless with only 12 episodes to work with. Kimikiss surprised me, though, and offers quite a realistic view on high-school romances.
#25 (20) – Suteki Tantei Labyrinth – (7,6/10) – Really, what is up with this series? On one hand, it manages to deliver interesting adventures, and the screenplay is terrific, and yet the stories themselves have plotholes and quite often delve into silliness, with of course the epitome being the giant robot which appeared from out of nowhere.
#24 (17) – Shugo Chara – (7,6/10) – Fun, cute, cool and spicy, but not really the best this season has to offer.
#23 (28) – Kodomo no Jikan – (7,7/10) – Rin’s past may have been a bit too dramatic, but apart from that this series has been going into the right direction. The fanservice is still annoying, but I admit that the characters are quite cute and interesting to watch.
#22 (23) – Gundam 00 – (7,8/10) – Well, Gundam has been solid up till now. Nothing groundbreaking has happened yet, but it set a solid base for itself to work with. Apart from the idiotic actions of Setsuna, of course. Really, some one needs to kill this guy fast.
#21 (new) – Tsubasa Tokyo Revelations – (7,9/10) – The first episode was mainly an introduction, both to the new story and the new art by Production IG, but something tells me that the real fun is going to start with the next two episodes.
#20 (13) – Bamboo Blade – (7,9/10) – Okay, it’ll never be among the best comedies, but it’s quite entertaining to see where the characters go. One thing that holds this series down is the predictability, though.
#19 (29) – Clannad – (8/10) – I’m really surprised with this series: it’s basically Kanon, with all the things I hated about it removed. Yuuichi was a horrible lead for Kanon, all he did was chase after cute girls who happened to be special, the scenes felt forced, there was no link between any of the different stories apart from Yuuichi, and the annoyingness of Ayu and Makoto didn’t make things easier. Clannad, however, doesn’t have these problems. The main character suddenly isn’t the only one who can solve the problem of the girl in question, the future stories flow well with each other, and the female lead works excellent with this. While it isn’t the best series in the season, for me, this is by far Kyoani’s best series up till now.
#18 (7) – Sayonara Zetsubou-Sensei – (8,2/10) – It’s such a shame that I need fansubs for the complex comedies such as Sayonara Zetsubou-Sensei. It’s been almost a month since the last release. The episode was excellent as well, but I can hardly remember what it was about. Thankfully other subbing-groups have now started to pick up this series as well, to make sure that the first season ends before the start of the second season. I have yet to see episode 10, but I look forward to it. :)
#17 (15) – Blue Drop – (8,3/10) – The pacing has been slow, but because of this, Blue Drop has had the opportunity to flesh out the side-characters in this month, something which I really appreciate. The angst also doesn’t feel weird, and the characters are getting more touching with every episode. It’s going to be interesting to see where this series is going to go from now.
#16 (5) – Gambling Apocalypse Kaiji – (8,3/10) – This series has quite a few pacing-issues, but apart from that it remains a fascinating look on human nature. Not to mention the insanity of episode eight.
#15 (21) – Sky Girls – (8,4/10) – When Otoha’s childhood-friend that got sucked away by the worms appeared, I was convinced that this series would fall down the pit of predictability, but then it started to introduce quite an amount of new and interesting stuff that got me quite enthusiastic about this series, and it seems that the creators do know how to deliver a few surprises. Good job.
#14 (new) – Ahiru no Quack – (8,5/10) – Ah, this one brings back memories. It was probably the first anime I ever saw as a kid, though I never fully finished it because the clown in the OP scared me (no, seriously). This also is probably the only anime that gives an accurate portrayal of the Netherlands through the different ages. And really, for a kid’s show it’s got quite some heavy themes. I remember freaking out when I saw the ending of the second episode at the age of five or six. The soundtrack is also unique, and especially Herman van Veen has a unique voice, and uses it in an excellent way.
#13 (19) – Perrine Monogatari – (8,5/10) – This month featured a triple release, in which the first piece of serious drama appeared with the rivalling travelling photographers. I must say that I’ve gotten great respect for Perrine’s mother after this. While I feared that everything would end a bit preachy, the scenes were wonderfully written.
#12 (14) – Moyashimon – (8,5/10) – Really, the originality in this series continues to surprise me. Everything from the characters to the stories feels fresh and different, not to mention hilarious.
#11 (25) – ef – A Tale of Memories – (8,5/10) – One thing that surprised me for this season is how there are so many quality high-school romances out there, and this one probably is the best of the bunch. Both Clannad, Kimikiss and ef have gone way beyond the stereotypes that you usually see in romances, which inevitably become uninspired harems. Episode seven was really intense, and I really liked it, and the unique directing-style.

#10 (24) – Little Princess Sara – (8,6/10)

Despite only being two episodes in, I already like this series a lot. It may be more than twenty years old, but the storytelling so far has been excellent.

#9 (14) – Kekkaishi – (8,6/10)

Finally Kekkaishi is back, and Yoroshiku released a double-release that concluded the current arc. While it suffered from the “I have yet to reveal my true powers!”-syndrome, it did break several shounen-clichés as well, so I’m happy, not to mention that the conclusion was amazing. Naruto should have taken an example of this series.

#8 (22) – Mokke – (8,8/10)

I finally realize what’s wrong with this series! A lot of people (including myself) have been hoping for this to become the next Mushishi, right from the start. But instead, this turned into a really charming tale between two sisters, and the people they grow up with. It really needs to grow on you for a few episodes, and in the past month, the episodes have been getting better and better and better.

#7 (16) – Higurashi no Naku Koro ni – (8,8/10)

Higurashi has been really solid for the past episodes. Something you wouldn’t expect after the first season. While part of me is still getting used to the extreme change of pace of the second season, the past few episodes have been flawless in terms of storytelling.

#6 (12) – Ghost Hound – (8,8/10)

Like Lain, Ghost Hound doesn’t feel episodic at all, and instead it continues to deliver one full story that’s carefully being built up. I like the amount of research the creators put into this to make the traumas that the different characters suffer from look as real and believable as possible.

#5 (8) – Shion no Ou – (8,8/10)

One thing that does irk me a small bit is how most series this season are quite slow-paced, and take their time in telling the story. But not Shion no Ou! Episode after episode, it keeps pushing the plot forward, and the unique and interesting cast of characters make this an excellent series.

#4 (6) – Saiunkoku Monogatari – (8,8/10)

Saiunkoku continues to carefully build up its many storylines, with a few excellent climaxes here and there. The new characters are coming together more and more, and if the previous arcs are any indicators, then this series is only going to end up better and better.

#3 (4) – Gintama – (8,9/10)

In this month, the comedy took a step back to allow for Kagura’s backstory. Had I already mentioned that this is one of the few comedy-series that can turn dramatic and still be awesome?

#2 (1) – Les Miserables – Shoujo Cosette – (9,2/10)

Javert really has been one of the best villains of the year. It’s a shame that the creators changed certain parts of the book, but that didn’t ruin my enjoyment of this series. It’s really a shame that people are chosing series as Ninomiya-kun above this gem.

#1 (3) – Dennou Coil – (9,3/10)

It’s all about Isako this month, and boy, it surprises me how a series can keep up such a consistent high quality episode after episode. It’s a shame that this series is nearly over.

Posted on 29 November 2007 with categories: Anime Reviews


In contradiction to most other anime-fans (at least, that’s what I suspect), I’m not necessarily a Japanophile, and I don’t really regard the Japanese culture as the “best culture ever”; it’s just that these guys are so damn good at storytelling. That’s why I love it when an anime takes place in a country other than Japan. Because of this, I love the fact that for this movie, Hayao took up his roots of when he was still working for Nippon Animation, and combined this with his love for airplanes and his huge imagination.

The result is a beautiful depiction of southern Italy around the ages of World War One, and possibly the most unique out of all Ghibli-movies and it’s got a combination of drama and comedy that puts My Neighbour the Yamadas and Pom Poko to shame. While the amount of details that went into this movie isn’t as impressive as, say, My Neibour Totoro or Kiki’s Delivery-service, it makes up for this with some addictive storytelling and some awesome side-characters. You just can’t help but love the pirates and their antics.

Also, for once I’m glad that the main character doesn’t ruin the movie. Porco himself may not be the best character of the bunch, but yet he’s fresh and original, and a major leap away from the usual protagonists you see in anime, being a war veteran that turned into a pig and all. The real problem with Porco Rosso is that it’s got a few clichés here and there, though, that serve to keep the movie on track. A notable exception, however, is the ending.

With my reviews of the Ghibli-movies, I’ve often paid little to no attention to the production-values. Heck they’re awesome, what else did you expect? Still, I do want to mention that Porco Rosso has probably the best soundtrack of all Ghibli-movies. Like no other in Hisaishi Joe’s repertoire, it sets the mood for the Italian setting perfectly.

As I’ve now seen all of the major Ghibli-movies, I just don’t think I can really label one as the best of the bunch. My Neighbour Totoro was really nostalgic, Kiki’s Delivery-Service and Spirited Away were wonderful tales of growing up, and The Cat Returns and Porco Rosso combined great, intriguing and very different stories with a quirky nature and excellent characterizations. All I can say is that these five stood out for me as the most memorable, and they should be a definite recommendation to any anime-fan.

Posted on 28 November 2007 with categories: Anime Reviews


Most of Ghibli’s works are for all ages, but there’s always one demographic that stands out for each movie, often related to the ages of the protagonists: Kiki’s Delivery-Service, for example, is for middle-schoolers, Princess Mononoke and Ocean Waves are for high-schoolers, while Only Yesterday is for the adults. My Neighbour Totoro completes this picture by being aimed at little children, and really, it’s one of Ghibli’s finest productions.

Even if you’re not a chid of ten years old, you’ll love the nostalgic feeling that this movie creates. A lot of screen-time is spent on the two main characters (two sisters of about four and ten years old), just playing with each other and having fun, just like all children are supposed to. A major theme also is children’s fantasies, and I’m sure that everyone would have loved to meet the strange creatures portrayed in this movie when they were young.

The reason why I like My Neighbour Totoro so much is that out of all the Ghibli-movies I’ve seen, this one’s the most perfectly paced so far. Princess Mononoke, Kiki’s delivery-service and Nausicaa, for example, were great in their own ways, but their climaxes were rushed; Takahata’s movies went on for too long and Spirited Away’s second half didn’t live up to the first one, but not with My Neighbour Totoro! The first half of the movie builds the characters and setting up perfectly, and once we got to know them, the second half kicks in and the fun begins as Totoro himself comes in action. The climax itself doesn’t feel forced at all, and yet I couldn’t help but shed a tear at what happened, and the movie ends at just the right time.

But yeah, My Neighbour Totoro shares the same flaw as Kiki’s Delivery-service: the pacing may feel perfect, but I feel that there’s so much more potential left in the concept. It’s a shame that only a movie of an hour and a half could be made out of it, and this movie could have easily been extended to a 13-episode television-series, there are so many characters that could have been fleshed out and delved into. But then again, one of the charms of this movie is how it’s so simple, yet effective.

Obviously, if you expected an action-movie like Mononoke or Laputa then you should stay away from this movie. My Neighbour Totoro feels much more like the non-Miyazaki-movies of Studio Ghibli, but with a perfect integration between the realistic and the fantasy-elements. As usual, the graphics and music are excellent, but you wouldn’t expect any different from a Hayao Miyazaki-movie. Anyway, with this, I’ve seen nearly all of the major Ghibli’s movies. There’s only one of them left, and I’ve got some high expectations of it.

Posted on with categories: Suteki Tantei Labyrinth


This series continues to baffle me like no other. There were some really good parts in this episode, and it’s basically one huge dialogue, portraying the bond between Mayuki and his music-teacher in an excellent way. You can see that the creators spent a lot of time to this dialogue, and it really works.

But seriously… WHY the tea?! Why does tea form the solution to every single mystery that Mayuki runs across?! Also, where did the virtual reality come from? More importantly, these glasses look quite heavy. Don’t people realize that they’re wearing the glasses in the first place? This series really has the potential, but these utterly ridiculous plot-twists really hold it down so much.

For the past few episodes, I’ve also been screaming for some development from Mayuki, and this episode finally listened to these requests, but not really in the way I expected. Mayuki was either incredibly serious or incredibly silly. While it felt a bit out of place, I do have to say that this was the first episode where he didn’t get on my nerves, so the guy is getting better.

And then we have the ending of the episode… where I really have no idea what to say. Mayuki’s teacher has had enough development, and while I couldn’t understand most of the dialogue, I could see why she killed the teacher, and it was interesting to see how her friendship with Mayuki was actually genuine, instead of an act. When her plan is revealed by Mayuki, she clearly is in despair and reflects upon her actions…

… only for Byakko, who suddenly appeared from out of nowhere to brainwash the woman with a violin and her red-glowing eyes so she goes berserk. Seiran then comes and his two assistants kill the teacher. Yes, kill her. This begs the question as to what exactly happened to her and why Seiran doesn’t get arrested… a murder is a murder, right? And really, where is this series trying to go? Right now, we’ve got some psychic kid and a homicidal bodyguard who have to stay out of the clutches of those who want to either abuse or eliminate the powers of said kid. While it is among the more original premises of the season, it still remains hard to swallow…

Ah well, this series does win the award of “most eccentric series of the season” easily.

Posted on 27 November 2007 with categories: Mobile Suit Gundam 00


I admit: the political roots of this series have been quite interesting, and they’re a good reason to watch this series, but the creators do need to put more effort into the characters. As usual, my main problem is with Setsuna again: he yet again surpassed his stupidity with this episode, when he runs into the queen of Azadistan and basically tells her that he’s the Meister of the Gundam Exia and working for the Celestial Beings, and only to confirm it, we see him hold a small demonstration of his piloting-skills right above the plane that said princess is boarding.

Why…. for god’s sake, why?!

One thing that would also make this series a bit better is if we were actually showed the intention behind the terrorists, like Bokura no and Simoun did. Right now, I’m not feeling any sympathy for the random victims that get killed by the Celestial beings. They just don’t feel like humans. One thing I’m glad for is that the terrorists actually tried out some tactics that show signs of complexity. If the creators can keep increasing this complexity, things can get quite interesting in the future.

One thing I did appreciate was the bit of development for Lockon. Apparently, his family was killed in terrorist attacks, leaving him as the sole survivor among tens of dead bodies. He was really meaner than usual this time. One thing I like about this series is how everyone reacts differently to the actions of the celestial beings. Some countries decide to use them, others hate them, and others have to deal with the victim of this hate.

Posted on 25 November 2007 with categories: Les Miserables - Shoujo Cosette


Well, ignoring the fact that the animation basically went south (such a shame that the animation-budget ran out, right before the ending of this series), this was a really solid aftermath, that basically did everything it needed to do to provide enough closure to the youngsters of this series. Jean and Shushu reunite Gavroche with his two younger brothers, and the three of them come to live along with Jean and Cosette. Later in the episode, they’re also admitted to a school, so that they can study properly.

Marius meanwhile wakes up, and has to face the hard truth: out of all of Les Amis, he’s the only one left. I loved how mature Cosette was in this episode, taking care of both the injured Gavroche and providing the right support to Marius. The two of them really are a couple, and I love the realistic way in which they’re portrayed.

The thing is, though: there are five episodes left with this, and this episode alone would already have been enough to provide closure for this series. There’s still something that’s about to happen, but what? I can imagine how Thenardier is going to return for a final time, and it would be awesome if Javert, Thenardiére and Azelma got some more screen-time as well. I seriously have no idea what the creators have left in store for the final part of this series, but let’s hope that the animators will get themselves back together and finish this series off with a bang.

Posted on with categories: Dennou Coil


Haha! That was some major plot-twist at the end of the episode! I’m not going to say what it is, though. I’ll leave that up to the next and final episode of this series. There’s just so much potential for it!

In any case, Mayumi turned out to be a small character in the end, whose purpose was to show Yasako where she had to go to find the other side. Mayumi just still hates Yasako, because Yasako basically did nothing to stop rumours about her and Michiko-san from spreading, while she had enough chances to do so. It’s like Mayumi said, Yasako tries to be nice to everyone, but when it really matters, she won’t do anything. That’s why Mayumi felt betrayed, and their fight began.

The reason Haraken was on the move in the previous episode was not because he still longed for Kanna. Instead, he somehow found out that Yasako was trying to get to the other side, and wanted to stop her. Tamako catches him easily enough, though they both end up collaborating in trying to get Yasako back. They’re too late, though, and end up sending a Sacchi to the other side. This Sacchi has a few modifications, though: it can fly!

(Thank god for wao’s summaries) And we finally know why Nekome does what he does: his case is quite similar to that of Takano’s in Higurashi: his father was a researcher as well, and when he finally discovered something major (I think he was the one who originally developed the Imago-function), this was taken away from him by Megamas. So he teamed up with Michiko-san to cause some kind of major scandal for Megamass, by making Michiko cause every kid with Imago to faint… so I guess that that means that the real reason why he allowed Isako to try and get her body back was for Michiko to take over Isako’s body. But still, did he have to go for such a complex way? Couldn’t he just have lured people inside the keyholes and make the v2.0s destroy them? That would have caused a scandal for Megamass as well, wouldn’t it?

I also wonder… where did Michiko originally come from? Did she just appear out of nowhere, or is she like the humanoid illegals, who in the end turned out to be products of Yasako’s grandfather that went out of control? Was she originally created by Yasako’s grandfather, but did something entirely different from what he had in mind? In this episode, she looked awfully human-like, apart from her eyes, perhaps.

Posted on 24 November 2007 with categories: Shion no Ou


Alongside series such as Higurashi no Naku Koro ni, Saiunkoku Monogatari and Kaiji, which all have plenty of time to build up, Shion no Ou forms an excellent addition, simply because the time it has to work with is quite limited, so it has to keep up quite a fast pacing to finish in time. Unlike the series above, you just know that every episode will be interesting and push the storyline a considerable amount further. This effect becomes even more apparent when the characters are just so addictive as in this series. I could care less about the Shougi at this point, the characters themselves make this series worthwhile enough to keep watching.

This episode probably forms the end of the small intermezzo, where Satoru gets fleshed out even more, and where we see two matches: one between Saori and Shion, and one between Ayumi and Satoru. All of them were interesting, and quite important for the storyline. After the first one, Saori finally starts to consider Shion as a worthy opponent, instead of a cute girl who happens to be good at shougi, after Shion makes quite a few smart moves in a quick match. Satoru on the other hand, loses to Ayumi on purpose, in order to test the guy/girl out. His motivations are still quite fuzzy at the moment, but I think that we’ll find these out quite soon.

I’m also quite surprised at how often the reporter-guy passes by. The guy gets featured in the OP, but is he something more than just a bystander, or will he too play some kind of more important role in the future? In the later part of the episode, we also see Shion and Ayumi, going to a local fast-food-restaurant, and the two of them were SO cute at the time. I’m really surprised at how the usually stoic Ayumi talked in such a gentle way to Shion.

One thing that I’ve been wondering: how come the police couldn’t find anything through fingerprint analysis? The murderer basically placed the king of shougi on the board after he killed Shion’s parents. He wasn’t wearing gloves, as Shion recognized how the fingers of the guy were pretty… so why hasn’t fingerprint analysis pointed out the victim? Or could this be because the murderer has never been in contact with the police before?

Posted on with categories: Higurashi no Naku Koro ni


Aaaand the building-up continues yet again. My patience is getting tested quite a bit for this series, and it really looks like the final arc of this series will be around nine episodes of building up, with the climax taking up only two of them. I’m still not sure whether this was a right decision to make. I mean, the climax has to be really good in order to make up for the episodes that it kept us hungry for any actual development. Can the creators really pull it off, without going through the obvious routes in which Takano dies and the others live happily ever after?

In this episode, Rika teams up with both the major children and adult-characters, and they come up with the plan to fake Rika’s death to cause confusion to Takano. Tomitake goes into hiding, and meanwhile investigates on Takano, discovering what we knew already, Akasaka remains in Rika’s house to make people believe that the house is still being inhabited by people, while Rika, Satoko and Hanyuu hide, Irie continues to keep an eye out, and basically forms Akasaka’s link to the outside world, since his phone will probably be tapped and Oishi is going to be the one to spread Rika’s faked death.

Meanwhile, the woman we saw with Takano turns out to be someone who’d like to see Takano’s antagonists fall too, which explains the support she gives to her. The next episode will probably consist out of everyone getting ready for the major plan. Episode 48 will then probably deal with the start of the plan, while the real climax will take place in episodes 49 and 50. Let’s hope the creators know what they’re doing.

Posted on with categories: Gambling Apocalypse Kaiji


Holy flipping heck! I know I’ve been complaining about Kaiji for the past few episodes… but seriously… this episode was just plain crazy, and I mean that in a good way! If there was anything this series needed, it was betrayal, and this episode features lots of it. I love episodes like these, where everything comes together like that.

So in the end, there was no Mr. X. I should have guessed this: the guy who flushed his cards down the toilet threw away three scissors. He probably ended up with a wrong hand and fell in despair. The matter is, though, that these cards weren’t counted off the scoreboard. Because of assuming this, Funai ended up being the final person with a card, along with Kaiji and the others. Because of that, he just had to throw away five of his nine stars just to survive. The thing is that because he’s a repeater, he needed to have four stars to survive. Because of this, he still has a debt of 4 million yen after this, because he was stupid enough to borrow the maximum limit and he can’t sell any of his stars.

The second half of the episode is dedicated to another problem: because said three cards have been flushed, there is no way for Kaiji and the others to cancel out each other’s cards. Kaiji then sacrifices himself to the other room, where the final pieces of the puzzle come together. The old man indeed has been tricked by a repeater, and now he’s been abandoned while said repeater is celebrating happily in the winner’s room. Then there’s another character (Okabayashi) who gets introduced, and I really like this guy for his realistic view on life. Both the old man and Okabayashi have been working for their partners. Which makes me wonder, where did Okabayashi’s partner go? I recall that Furuhata and Andou were the only ones with more than two stars left.

Which brings me to the next point: Andou is about to betray Kaiji! It is logical if you look at it one way. There’s a huge trust between Kaiji and Furuhata: they knew each other before going on the ship, Furuhata feels extremely guilty for what he did to Kaiji and Kaiji has been way too moralistic to doubt him. Andou is a different case, however. He was basically saved by Kaiji because he happened to have two stars. Kaiji made a temporarily impression on him, though apart from that, he doesn’t know anything about the guy. There are people who trust easily and there are people who are always afraid to make friends and always keep an emotional distance from people. Apparently, Andou belongs to the later part.

Again on a side-note: if the screenshots don’t show up: let me know

CHANGE USERNAME
Lenlo
Best villain was clearly JJ. JJ is actually the best character for every category.
Lenlo
@SuperMario, I just felt there was some social context to the discussion with the boss that I missed.
Kaiser Eoghan
Bah, haven't you heard, the best villain category was for the dictionary in Lost passage, must have been bastard-hard effort getting that compiled =P
AidanAK47
To sum that up, don't bully my waifu or I will end you.
AidanAK47
@Mario, She only killed him once and tortured him for information once. Both times because he had something which showed he had a connection to the witch. Besides, the anime mainly showed off her good points but she still has a crushing inferiority complex and a rather delicate mindset.
SuperMario
Oh I have one. How about Lovepon? lol
SuperMario
@Topgavin: it was sarcasm actually, if we do it again next year we might cut down some categories. But I totally agree that we're lacking of good villains. Biba and that teacher are the worst as they actually dragged their shows down.
Topgavin
Honestly though there's been a real lacking of good villains last year. I hear some guy from Jojo was pretty good, but other than that they've either been okay or lackluster. Makes you wonder how FMA:B managed to get so many villians right in so many ways when shows usually fail to get even 1 half as good.
Topgavin
@Supermario Biba or Teacher-dude from Erased surely...
SuperMario
Maybe we should include the best villain next time, haha. I honestly don't know who to pick...
SuperMario
oh Rem, that demon girl who tried to kill Subaru many times over. Why is she the best girl again?
SuperMario
@Kaiser: I watched Moonlight last night in cinema and it was great. I had high expectation for that and it pretty much delivered. Also Janelle Monae was so freaking hot.
SuperMario
OMG, that 3rd episode of Rakugo was so greattttt. @Lenlo: don't need to understand the meaning of the rant thou, Yotaro doesn't understand either
Kaiser Eoghan
Think of the fine children/breeding stock Aidan and rem would offspring =P
Kaiser Eoghan
Dye their hair, make things confusing ;)
AidanAK47
@Anon, hahahaha, cool joke bro.....
...............................Don't make me destroy you.
Lenlo
The one with red hair of course
Anonymous765953
rem? who's that?
Lenlo
Having read the books, theres afew inconsistencies and I dont like some of the choices for actors.
Kaiser Eoghan
*couldn't
Kaiser Eoghan
Buh buh but Aiiiidan you still have the koe no katachi movie and thaaats kyoani =P But lol phantom world was so poor I couldn't get past the second episode. A shame that they could go with the darker spin the author ended up apparently going for in later volumes.
AidanAK47
@Lenlo, I am currently eh on it as well. Only at the second episode so far. I find it interesting but it has a lot of things that turn me off.
Lenlo
7 YEARS I SAT ON THAT BOAT!

Still havnt finished Flip Flappers. I like it, its pretty, each episode is different, but I can barely tell what the over-arching narrative is and thats a big deal to me
Lenlo
ITS REAL
Lenlo
BOAT TIER
Lenlo
@Aidan, Series of Unfortunate Events was eh. I wasnt a big fan of the TV adaptation, though I did like Neil Patrick Harris
Kaiser Eoghan
@Lenlo: BOAT TIER lmao.
Kaiser Eoghan
Thats why I LOVED flippflappers so much, where else can I get THAT anywhere, totally its own thing/beast.
Lenlo
My big ones for the year were easily Rakugo and Re:Zero. Disappointments, biggest one is Berserk. Ive been following it for years, have the entire series on my shelf, and I watched it like a captain going down with his ship
Kaiser Eoghan
At the same time well, yes its still good to see a non-highschool story in ANYTHING.
Kaiser Eoghan
Ah, you see I don't really award points to an anime doing something unique to anime, I judge by all mediums as a group/whole. 91 days may be a mafia drama, kabaneri may be a zombie show but theres already plenty of those in the world elsewhere.
Kaiser Eoghan
I could see myself getting some oldskool charm out of alderman if I watched it. I was waiting for yuri on ice to be dubbed. Drifters for all its problems was some of the most fun I've had in ages.
Kaiser Eoghan
The only thing I saw that I truly abhorred though was the new shinkai film.
Kaiser Eoghan
Most of the other stuff I didn't really bother watching. Its pointless for me to shit on about 91 days and re:zero because I was guaranteed to dislike both before seeing either.
Kaiser Eoghan
Biggest disappointments for me were erased , berserk and joker game. Whereas my surprise was lost passage. My favourites of the year were flippflappers and Rakugo. I wanted Kabaneri and dimesion w to save anime and bring back some oldskool charm but that didn't happen.
AidanAK47
Alright I spent over an hour formatting this thing and now I am knackered. Readers, this summery is over 23 pages long so be prepared as this thing is pretty huge. Don't say you were not warned.
AidanAK47
@Kaiser, Watch it. I bet it will be up your alley.
Kaiser Eoghan
Thats a problem with adaptations, put a voice on certain characters and it can become irritating.
Kaiser Eoghan
And to be fair on scums wish, that it deals with the sex bit in a teen story, well that makes it more daring and thats points for it.
Kaiser Eoghan
@Aidan: Largely stayed away from that series as I assumed it was for young children.
Kaiser Eoghan
@Aidan: Additionally the relationships in that manga got too convoluted, the comedy stands out worse in the anime too. Still though I DO dig the idea behind the show of two kids who are in a fake relationship.
AidanAK47
@Kaiser, you think that's hard to watch try watching Netflix's A series of unfortunate events. Because boy do I want to brutally murder the banker and his family. That may sound severe to you but trust me, you will feel likewise.
Kaiser Eoghan
@Aidan: You were right about it being harder to watch scums wish than read it. I want to hit the twin tails girl with a hatchet.
Kaiser Eoghan
I'm laughing now remembering an old ANN review where they stated golgo 13 was a stress reliever for 30 something Japanese office workers, I get that so much more now lol
Kaiser Eoghan
But seriously violence in fiction, anime/manga included is so damn therapeutic.
Kaiser Eoghan
As such I genuinely was able to enjoy the new M night shaylman flick lol
Kaiser Eoghan
Venting here largely because I can, I now imagine the teenage/twenty something audience members at horror/thriller films as the victims in the films, makes it more tolerable to deal with their existence in the cinema.
Lenlo
I cant help but feel theres some cultural aspect I am missing to the Rakugo rant scene. Makes me sad.
Lenlo
Rakugo, continues to be great and gets another time skip. Im always surprised by how engrossing it is just listening to these people talk.
Lenlo
Makes me sad, just like Berserk. Got an entire shelf dedicated to it but its just so slow. stupid boat.
Lenlo
Vagabond was phenomenal, but its been on hiatus for years now hasnt it
Kaiser Eoghan
....well without spoiling towards the middle of that rakugo episode and all throughout during that middle part, my opinion on Yotaro's character went far up.
Kaiser Eoghan
Struggling to remember the name of that josei samurai manga from the 90s (or earlier 2000s), had a gender bending theme.
Kaiser Eoghan
I've already read kenshin and vagabond, I loved shigurui death frenzy and sword of the stranger but found samurai champloo uneven. Theres a kagemusha manga but I haven't read it and I've yet to see/read blade of the immortal.
Kaiser Eoghan
At a glance I'll go against the grain and say I think demi-chan is funnier than konosuba, going on one episode of each.
I've been watching a fare share of samurai films in the last two years and lately so I'm open to wathing more anime/reading manga dealing with samurai.
SuperMario
Hand Shakers, how I love to watch it jumping off the cliff. This show contains lines like "I don't understand... even if I did understand... but I don't understand." It isn't a dialogue that we encounter too often I'm sure.
AidanAK47
@Mario, Sounds good to me. With me covering Little Witch Academia, Saga of Tanya the evil and Rakugo this season is well covered.
SuperMario
so I've decided to blog 3-gatsu, Scum's Wish and ACCA this season. A bit worry about the latter as I still don't have much to talk about that. Let's try it and see what happens; I say
SuperMario
Okay, I'm not hot on Onihei this week, as if the main theme about these two episodes were "people can be corrupted" then I'm not buying it. ACCA, on the other hand, was still very solid of building up the world and its big events to come.
AidanAK47
I have played all the big roguelikes and found they have the same problem. I argee on procedural generation. Even if the map is different every time you are essentailly going through the same rooms and doing the same things.
Masky
Though to be honest, I don't like procedural(or designed room and then game connects them randomly) games much. I much enjoy hand designed dungeons since I rarely play games through more than once anyway so roguelike's appeal of "Every time you play it through its different!" doesn't appeal to me much and hand designed dungeons are much more memorable
Masky
Can't really comment further on that since I don't know which roguelikes you have played, and neither I have played gungeon so I don't know if its badly designed to the point you can't do anything if rng says so. Though I guess there is nothing wrong about liking luck based games, if roguelike in question is truly unbeatable if rng says so, well, its really badly designed one if you ask me.
AidanAK47
Take my last run. Made it up to the fourth floor. Got plenty of guns but none were really useful. Even then ran out of ammo for all of them and the game was cheap about giving out ammo. Plenty of money but shops with nothing worth buying. Over 5 heart containers but no goddamn health. Died on the boss because I rolled out of a bullet into another bullet. Pretty much unavoidable.
AidanAK47
@Masky, that's the theory but in pretty much every roguelike I played its not the case. If the RNG decides you are going to have a bad time then you are going to have a bad time. Skill can only bring you so far. I have played this game for 7 hours and I know I could have finished it in 2. Only thing stopping me is a dice roll.
Masky
Like, the thing with roguelikes is that they can get easier/harder depending on luck, but well done one should be completable even without any upgrades at all if you are skilled enough.
Masky
Thats not the really case with roguelikes though, unless game design is bad and includes insta kill traps and such that are unavoidable if you are unlucky
AidanAK47
I hate roguelikes. Been playing enter the Gungeon and I just lost all patience with it. Getting real tired of my victory being decided by a RNG. It never feels satisfying to finish a roguelike because I know my victory was determined by pure luck.
AidanAK47
So we got to rely on fansubs for it when it's airing.
AidanAK47
@Mario, Nope. I think because netflix only puts up full seasons they are only planning to put it up when it's finished airing. Or when it's dubbed.
SuperMario
But how does the Netflix thing work? So of I have a Netflix account I can watch the show weekly?
SuperMario
@Aidan: that's a dumb way to do things really because unless you watch the show weekly, everyone gonna forget that it even exist. Just look at Re-Life last year
Lenlo
thought*. Words are hard.

Eventually found the actual first ep though and enjoyed it.
Lenlo
Was funny. I tried to find the first Ep for Little Witch, found original short made afew years ago, watched it and though "This is very similar to the original... Whats new".
AidanAK47
Little witch is one of the best shows this season and yet I can't get subtitles because Netflix doesn't release shows weekly. Motherf*cker.
Lenlo
Ore Monogatari I enjoyed. It was a nice romance that actually explored what happens after the confession. Also the 2 leads are just precious.
Lenlo
Alright but unmemorable seems like a good summation.
SuperMario
@Lenlo: one good thing about Seiren is if you don't like this romance, the whole thing gonna reset after episode 4 so there's a chance that you might end up like it. Agreed that the comedy wasn't very good. Alright but unmemorable
SuperMario
@Topgavin: I watched like first 3 episodes and stopped because I didn't have much time there, but I enjoyed what I saw. A well-written and endearing show in my book
Topgavin
Has anyone here watched Ore Monogatari before? Because in the 4 years I've watched anime, I've never heard of it (I guess it did come out 2 years ago) and yet it's turning out to be one of my favorite shows. Always great going into a show expecting nothing and getting pleasantly surprised.
AidanAK47
Only one more impression to go. Should have it up tomorrow.
Lenlo
Im really not feeling Seiren. Its "comedy" isnt for me and I just dont find it very enjoyable to watch so far. Im curious if it gets any better but 2 episodes in it just isnt that good.
HelghastKillzone
That ending scene is an entire side-story compressed into that. Don't expect anymore of it from here on out as the it sticks to ruthless military/fantasy pretty well.
LookingForKeys
@Topgavin I think it was good, making it the second episode. That way the first set up the world the story will be in, and showed how much of a monster the "little girl" really is right at the end, and then made ep.2 the explanation. Nothing against Tanya trying to rip "God" a new one.
That after-credits scene, though...
SuperMario
Hmm, as much as I like Seiren's omnibus format, it doesn't turn out really hot this second episode. Demi-chan, on the other hand, still maintains its endearing tone. Might blogging Demi-chan instead
Topgavin
Yeah, that second episode was much better than the first. Dunno why they didn't start with that to be honest, waste of an opportunity for a good hook episode. The voice for the main girl still sounds weird to me though; I get it's supposed to sound weird because it symbolizes 'her' being out of place and her personality and body being a mismatch, but it'll certainly take some getting used to.
AidanAK47
Youjo Senki, now we are talking. Like Helghast said, Did the god scene way better than the LN and manga. Made it less comedic and more intimidating.
Lenlo
Oh man that Rakugo intro. Not sure what to think, but first time seeing it I liked it
Kaiser Eoghan
I sort of like good will hunting because I kind of saw a bit of myself in Damon's character when I watched it ages ago.
Kaiser Eoghan
@Mario: Remaking psycho and ruining the shower scene, for shame van sant, for shame.
Kaiser Eoghan
Its easy to ripoff some obscure thing though and get away with it. The dogtooth director essentially stole an old Mexican film to make that.
SuperMario
@Kaiser: yeah, that following some guys from behind like they were on a RPG games, which I think actually fit with the tones of Elephant. I have such mixed feeling with Gus van Sant too. Don't really think he's a great director.
Kaiser Eoghan
@Mario: Although Istvan Szabo is probably a little more well known for that Mephisto film that updates the Faust story. Zoltan Fabri's the fifth seal is a very thought provoking war movie.
Kaiser Eoghan
@Mario: I remember seeing a film documentary that featured Gus van sant in one section, they showed clips of tarrs films, Sant ripped of the cinematography and stole the style from some British short film to make Elephant.
SuperMario
@Kaiser: agree on the other Hungarian filmmakers, I don't know much about them either.
Kaiser Eoghan
@Mario: Scorsese's Silence was a big comeback. I really really emotionally connect with spiritual crisis stories.
SuperMario
@kaiser: yep, definitely check wreckmeister down. Althought I admit that watching his 2-hour plus films will feel like 5-hour anyways
Kaiser Eoghan
@Mario: I'm more tolerant of darker teenage/coming of age films/stories. Les Demons was a big surprise.
Kaiser Eoghan
@Mario: Though its kind of frustrating, I do think Tarr probably takes attention away from other hungarian filmakers because no-body knows who the hell the others are.
Kaiser Eoghan
@Mario: Man, wreckmeister was so visually arresting I started getting dreams from it.
Kaiser Eoghan
@Mario: I would consider Tarr to be kind of a poor mans Janco, Angelopolus and Tarkvosky rolled into one. I don't entirely "get" wreckmeister and man from London but they are great atmospheric mood piece experiences.
SuperMario
@Kaiser: I had been wanting to watch Belar Tarr's Turin Horse and Werckmeister Harmonies for so long now. Well, Fat Girl is shocking haha, but I'm normally drawn into those kind of films anyway.
SuperMario
@Kaiser: Margaret took like 5,6 years to release because he couldn't cut it down in the way he wanted. The final cut if I remembered correctly was edited by Martin Scorsese
Kaiser Eoghan
@Mario: Only a HDcam for moonlight now.
Kaiser Eoghan
I looks like my lineup is witch academia, rakugo and youjo senki, well the most latter one until I get bored.
Kaiser Eoghan
@Mario: I sense a directors cut for manchester, it feels like it need another 30 minutes.
SuperMario
@Kaiser: right up my valley. Watch Kenneth Lonergan's previous works Magaret and You Can Count on Me. Magaret is very messy but have a raw dialogue and interactions as well
SuperMario
Now the first episodes are over, I will keep on covering 3-gatsu, as for the other twos atm I have 3 options: 1) full romance/anti-romance high school Seiren/Scum's Wish. 2) slice-of-life moe monster girls Demi-chan/Maid Dragon and 3) Mature,dark Onihen/Acca (which although I like them I don't have much to talk about).If you guys have any preference on which shows you like covered then let me know
Kaiser Eoghan
@Helghast: At this point I'm watching youjo senki as an entertaining guilty pleasure.
Kaiser Eoghan
@Mario: Too many reboots upcoming, will wait for the dvds instead. I want to explore more of manchester by the sea's director's work. I also want to finally get more into Bela Tarr's stuff.
Kaiser Eoghan
@Mario: I was rather shocked by A Ma souer/fat girls final act. Scenes with the Italian in the bedroom were initially creepy.
SuperMario
@Kaiser: it's a nice review Kaiser, a bit jealous with you that you've seen those 3 films which are touted as the best films of 2016. Also Fat Girl, haha, I love that movie.
Kaiser Eoghan
Poor yotaro =< you have so much stuff going down on you =<
HelghastKillzone
Youjo Senki episode was so good today. That revamped scene with God just fitted so right.
AidanAK47
A official release of that game in the west is apparently coming but it's been a few years and not much news about it.
Kaiser Eoghan
@Aidan: Ah yes that was the one.
AidanAK47
@Kaiser, Had to think for a moment on that one but I think I was talking about this. https://vndb.org/v3144
Kaiser Eoghan
Now I'd hardly consider myself a studio trigger fan, but I watched the first witch academia episode there, it was actually kind of fun, got the same reaction from me as flipflappers did, that magical, special feeling.
Kaiser Eoghan
@Mario: I also, of interest reviewed Kenneth Lonegrans new film: http://letterboxd.com/shao_liu_ringon/film/manchester-by-the-sea/
Kaiser Eoghan
@Mario: Moonlight got some feels out of me though it could of been more, it ends abruptly and with 20 extra minutes they could have spent a bit more time on each section of his life.
Kaiser Eoghan
@Mario: I checked out lala land, ending was very well executed, one of three scenes in the film that were impressive visually. The whole thing looked pretty and Gosling and Stone had some decent chemistry. Although it didn't resonate emotionally as strongly as the musicals of Jacques Demi did.
Kaiser Eoghan
MOM I want aiyoku no eustia and I want it now.
Kaiser Eoghan
I've never heard of himawari or tokyo babel. The hellsing comparison at least interests me in dies irae. What was the name of that visual novel again that was coming out soon, Aidan you described it as "And Kaiser would love it because its supposed to be really fucked up".
Kaiser Eoghan
I vaguely remember the anime for 11 eyes, it was very forgettable, even the voice acting was poor, hated the childhood friends and the pacing was poor, those black knight things were kind of interesting though.
Kaiser Eoghan
@Aidan: You'll have to add me onto the list of those unsatisfied with the ever 17 writer, I read one of those games and felt it was a bunch of interesting bait that never paid off.
AidanAK47
Anyway I plan on doing a review of 11eyes here when I finish it.
AidanAK47
Can't say I was a fan of Ever17. That was a really good twist but when it came to explaining it their was a lot of contrived development. Generally not a fan of the writer. Looseboy, Ryukishi, Gen and Nasu are more my kinda thing
AidanAK47
@Anon, it is nice that so many VNs are on steam but I wish they wouldn't be stupid with the whole no adult content thing. Not so much for myself but to prevent idiots from writing negitives reviews because the game doesn't have sex. VNs can grip you in a way anime simply can't and while they require pathence and time those can be some pretty powerful stories.
Anonymous678956
@Aidan, I am so happy steam's so VN-friendly now. I think it's a very good type of media. Like anime, it has nice visuals, music and some movement but also the inner monologue and text amount of books. It's the perfect combination. Plus, the routes, which are often puzzle pieces and PoVs you have to go through to understand the whole story. True routes like the one of Ever17 blew my mind.
AidanAK47
Hopefully the two VNs I bought of steam turn out better. Tokyo Babel is supposed to be alright and I heard really good things about Himawari.
AidanAK47
I am about a third of the way through the game and really not much of worth has happened. The concept is interesting but the execution is sorely lacking.
AidanAK47
I went in expecting it to be a mixed bag and it's pretty below my expectations. It's just not really well written and the protagonist is a moron. THere isn't really routes and instead you are pretty much stuck with his childhood friend as the main love interest. Problem with that is her character begins and ends with loving the main.
Anonymous675376
@Aidan, damn. 11Eyes is on my reading list as well. Although I almost expected it to not be as good as I thought it'd be (back then). Guess I would have enjoyed it if I was able to read it while the (shitty) adaption aired, maybe I have seen/read too many series by now. Guess I'll still give it a try some day though.
AidanAK47
@Anon, I haven't heard the OST or watched the intro video. I only know it be reputation and have decided to walk into it as blind as I can. Still slightly worried as I was somewhat looking forward to reading 11Eyes for a couple of years and now that I am reading it it's well...not good.
Anonymous675376
@Aidan, same here. I was waiting years for this, since I saw the intro video for the first time. Also, that OST!
HelghastKillzone
Youjo Senki is already leagues better than Izetta. It's going to be top anime of forever and ever. (maybe not)
AidanAK47
And finally Dies Irae is funded. May actually be able to play and finish the game before the anime airs. If the hype is real behind this baby it could be a new personal favorite Visual Novel of mine. Already looking promising with it being like a cross between Hellsing and Fate/Stay Night. Two things I most certainly like.
Lenlo
@Masky, in regards to style over substance thats where im at with Gurrne Lagann.
Topgavin
Yeah, I'll probably watch the next episode to see whether it can redeem itself. Hopefully it can but considering 1st episodes usually get a lot of budget, there's some severe doubt in there.
AidanAK47
I actually argee with character designs and voices are bad in regards to female characters. Still the next episode might change your mind if we get more into the main characters head.
Anonymous671470
It's boring
Topgavin
Also, it seems I disagree with a lot of people in thinking Youjo Senki will be a massive trainwreck. The character designs are awful, the voice acting is mismatched but most of all the premise just seems so very dumb. If I wanted to watch a badass kill people I'd go watch Hellsing or Drifters, because at least those don't have some op, disproportionate loli as the mc.
AidanAK47
Gets even more complicated when you account for Satire and Parody. You could equally argue all examples listed as being as such.
AidanAK47
Little Witch Academia is a decontruction of Harry Potter....I don't believe that but honestly if I tried I could put some reasoning behind that statement.
Topgavin
In the end, it always comes down to opinion (as with every discussion about anime, for some reason). You could spin any and every series as a "deconstruction", which is why people shy away from using the word. You could argue NGE, Madoka and Re:Zero are all deconstructions yet also argue Gundam, Precure and SAO are depending on what points you weigh more importantly.
Masky
Like, if deconstruction is supposed to be just "break the elements and then play story how it would realistically go down" well I haven't watched NGE, but as far as I know it does have stuff that isn't typical to mecha genre besides the "It would fuck up kids" thing plus "realistically how it would play out" is pretty subjective thing. I mean, its mainly about how cynical bastard the writer is :P
Masky
Like I said, I don't fully agree with it because I find video's speaker's attitude annoying, but I found it semi convincing. Main thing I don't find convincing about it is that I don't think its hard to turn video's own arguments agaisnt it and say that by its own logic NGE isn't deconstruction either, like Aidan just said earlier
Masky
And I don't really have energy for checking out the "correct" one. If there even is one. Anyway, the hipster video I was talking about was titled "What Actually Is A Deconstruction?" if you want to check it out.
Masky
Hmm, well, it does depend on definition you use. Like if you use "realistic" thing, well, Magical Girl shows don't usually have "You turn into monsters" thing going on and reason why NGE's pilots go crazy is from dangerous situations rather than evas making them do so. But honestly, I don't really have strong opinion on matter since word seems to be one of those with several different meaning
SuperMario
for me Madoka IS a deconstruction of Magical girl, and yeah like what Aidan said
SuperMario
I think part of Utena is a deconstruction of "prince riding horse and save the girl" because that notion is just a foundation for Utena to become a prince herself and save other girl. That's breaking it apart and resemble it again in its own way. Don't have to be dark/ don't have to be real either
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“Can you hear my heartbeat? Tired of feeling never enough. I close my eyes and tell myself that my dreams will come true” That’s exactly what Yuri on Ice offers, a heart-pumping ride to the sport of figure skating. Yuri on Ice’s current success and mainstream breakout is something that no one could have guessed before it aired; but here […]

Strange Frame – Love & Sax (2012) Movie Review – 76/100

Hooray, I’m finally back to this section after a while. I originally plan to review a more in-focus groups of animated films, like Korean movies, anthology movies, female-directed films, etc but now I have a different plan. The days that I cover all these will come, I promise. Instead, this time I want to highlight […]

Thunderbolt Fantasy Review – 84/100

Sometimes you dread for the current state of anime: high school settings, cute girls, fan-service jokes, idol madness… that you wish for once to see something different, and out of nowhere an oddball like this just pop up: a wuxia puppetry show influenced by Taiwanese glove puppetry written by Gen Urobuchi. The sheer fact that […]