Last episode featured a character related to Kuukai, this week it’s Yaya’s turn. This time, however, the character in question is much more talented to Yaya. The episode was enjoyable, and her case was built up well. But seriously, someone do something about the extreme predictability of this series. The script itself is nicely written, but whenever time gets spent on the storyline, this series provides nothing original. Random kid gets down-hearted, meets the teacher, hatches a batsu-chara, with Amu conveniently being in the neighbourhood, the character in question then utters how everything is impossible, only for Amu to shout “NO, you’re wrong!” and beam the batsu-chara back into its egg and the character has magically learned from his or her mistakes and has stopped being evil and down-hearted.
I have no idea how this could have happened. The director did some episodes of Noein and Boogiepop Phantom for god’s sake, two series which didn’t suffer from this problem at all. If I had to guess, then he’s being held back by the original premise of the manga and the guy behind the series composition. Even though the latter may have been behind the fantastic Kaze no Shoujo Emily, the other series he’s worked on are rather mediocre and often even notorious (Koi Suru Tenchi Angelique, Nanatsuiro Drops (which also sucked at its storyline attempts) and Ie Naki Ko Remi (the final old World Masterpiece Theatre Series after which this went down for ten years)). It’s a shame, the story has so much potential, but I feel like there’s too much holding this potential back.
Thankfully, the script was fun to watch. The story about ballet was nicely done, even though the animators couldn’t take it at times. ^^; I liked the focus on Yaya, and how she turned into more than a cheerful crybaby. I’m just a bit annoyed at how her chara-change turned her into a crybaby who can’t do anything. The “weapon” she threw had no affect on the Batsu-chara, so that Amu would be the only one to take her out.