Posted on 31 December 2007 with categories: Anime Reviews


What an excellent way to close off the year! Like with Christmas, I wanted to try something special for a movie to watch at the end of 2007, so I went with one that I absolutely knew nothing about, except for an interesting-sounding premise. After having watched it, I must say that even though it’s old, it’s got one of the most memorable storylines in a movie that I’ve ever seen. This is basically Toward the Terra, minus the epic feeling.

While Toward the Terra featured characters of many different ages, They Were Eleven takes place on a much smaller scale: it’s just about the entrance-exam of one of the most prestigious schools of the universe. The universe sounds similar to Toward the Terra as well, with an elite group that stands miles above the ordinary people, but there are changes; different races from humans, for example.

An cast that consists entirely out of aspiring elites has been used more often in anime, but never has the storyline made use of this fact so much. Because every character is elite, they’re well-educated, and they all have their own reason to pass the exam. The writers use this and create a very engaging mystery-storyline that will keep you on your toes. And that’s the great part of this movie.

The characters are also not your average ones, and are easy to like. There are a few stereotypes here and there, but every single character has one trait that makes them different from the all the other ones of their kind. Regarding the flaws of this movie: it loses a bit of its spark around the end. I’m a big fan of mystery-anime, but they’re always tricky to end well without being predictable. Another point of criticism is that two or three side-characters needed more development than they received.

Still, this is an excellent example of a well-developed old-school movie. The other characters are well-enough developed for the short time that the story has, and they all turned into a memorable cast. The few moments of comedy were also quite welcome. If you’re a fan of shoujo and science-fiction series, then this is a recommended movie.

Well, that’s it for 2007. For those who are already in 2008: Happy New Year! For those like me who still have a few hours left in 2007: Happy New Year in advance!

Posted on with categories: Anime Reviews


After the Cockpit and 9 Love Stories, the obvious next step would be Robot Carnival: another collection of nine stories. Twenty years ago, some of the great names in anime came together, and were all assigned to create a short movie that has to do with robots. Basically, Robot Carnival is the Fantasia of anime, with only two movies that contain dialogue and a soundtrack that has been composed by Hisaishi Joe of Ghibli-fame. This movie shines in its diversity: every short is different from the other. Individually, the shorts may disappoint at times, but together they form quite an enjoyable ride.

Koji Morimoto (Magnetic Rose (Memories), Noiseman Sound Insect, Beyond (The Animatrix)) is up first, and he comes up with a strange, yet very entertaining short, though with the lack of any sort of plot with the short Franken’s Gears. Hidetoshi Omori (Dan Doh? O_o) is up next with Deprive, which is more like a standard action-movie, condensed into nine minutes. Yasuomi Umetsu (Kite, Mezzo Forte) then comes with one of the first highlights of the movie with his Prescence, a quiet thought-provoking romance.
Star Light Angel, well the title says it all. It’s a cheesy shoujo-love-story by Hiroyuki Kitazume (Moldiver), yet it somehow still works. Cloud, by Mao Lamdo will probably be the hardest short to like, as it’s basically nothing else than an animated piece of art, without any clear plot nor purpose. To make up for this, the next short, A Tale of Two Robots – Chapter 3: Foreign Invasion by Hiroyuki Kitakubo (Golden Boy, Roujin Z (note to self: check those out)) will have you rolling on the floor laughing with its parodies of ancient mecha- and samurai-shows. To close off, Takashi Naamura (Fantastic Children, A Tree of Palme) comes with a short that combines quirky characters with a lot of imagination. You wouldn’t suspect that Fantastic Children came from the same creator.

While most of the shorts fall short in the story-department, I like how a lot of them weren’t just created to tell a story, but also to pay homage to the different genres of anime at that time. Giant Robots, shoujo-dramas, action-flicks, thought-provoking dramas, samurais. All of them are either parodied or remembered. Hisaishi Joe manages to capture the feeling of every said show perfectly as well, making sure for a terrific, yet cheesy soundtrack. Overall, this is a very good way to watch at the end of the year, as the level of nostalgia is quite high.

Posted on with categories: Yearly Summaries

And so it’s finally time to say goodbye to 2007. It’s been another great year, and what way to close it off better than with the obligatory end-of-the-year-rankings and -awards. Like mentioned before, this post has turned out a lot bigger than last year now that I’ve had multiple days to work on it. Oh, and if this is the first time you’ve visited my blog: yes, I do have an unusual taste. There are no awards for Lucky Star nor Gurren Lagann. In fact, I’m actually surprised that Death Note also didn’t get any mention…

Best Anime of 2007: 20-11
This year, I decided to go for a top-20, instead of the usual top-10. Here are the first ten, you can find the rest down below, after the individual awards for this year. Overall, I must say that 2007 has been an excellent year for anime, and even though less series have come out in comparison to 2006, it somehow feels that the overall quality was higher instead.

#20: Master of Epic

I was probably one of the few people who actually stuck with this series, but still I consider Master of Epic to be the best parody-series of the entire year. No other series had so many parodies that hit the spot. It’s also one of the very few comedy-series that knows it’s a comedy-series: there’s no forced drama at the end, and instead the laughs just came rolling. Master of Epic gave me a lot of laughs in the early months of 2007, and for that I decided to include it at #20.

#19: Bakumatsu Kikansetsu Irohanihoheto

While the finale was a bit too straightforward and predictable, this remains a memorable series. The animation and character-designs were excellent, and the soundtrack was smashing. One thing I realize now that I’m writing up this list is that the winter-season of the past year had a lot of shows with excellent historical backgrounds: Bakumatsu Kikansetsu Irohanihoheto, Tenpou Ibun Ayakashi Ayashi, Chevalier and Les Miserables all provided great insights in the politics and culture of the Japan and France from a few ages ago.

#18: Sayonara Zetsubou-Sensei

Of course, Sayonara Zetsubou-Sensei can’t be omitted on this list. I’ve always liked Shinbo’s original style of direction, and this could quite possibly his best work up till now. But the real strength of this series is that it’s critical on just about anything. It makes a fool out of many taboos on modern-day society.

#17: Gintama

Gintama is still on-going, but that doesn’t stop me from adding this series to this list. It may have had a few episodes where it lost its spark a bit, but in the episodes in which it delivered it was absolutely hilarious. Gintama has a brilliant sense of humour that doesn’t seem to tire, even after forty episodes. Added to that comes the fact that it’s one of the few comedies that actually get improved when the occasional drama is added. This is one series that will have you cry manly tears, either because of laughter, or because of sadness.

#16: Otogi Juushi Akazukin

The finish was weak, but apart from that Otogi Juushi Akazukin has been an awesome fairy-tale experience with a lot of memorable characters. This series was incredibly cute, from start to finish, and the characters made sure to keep this one engaging.

#15: Jigoku Shoujo Futakomori

I can’t deny that Jigoku Shoujo is repetitive. Still, it’s the same as with Revolutionary Girl Utena: the repeated scenes and themes give the series some kind of ritualistic feeling. It also helped a lot that the storytelling for some of the stories was incredibly strong, and especially the best stories were truly memorable. An in-depth look into revenge and what causes people to throw their souls away, just to get rid of one person.

#14: El Cazador de la Bruja

Those who’ve been visiting my blog regularly probably know by now that I’m a Bee-Train fan. Their slow style of storytelling is easy to hate, but I couldn’t help but love the character-development between Ellis and Nadie. The two of them, along with the amazing talents of Kajiura Yuki turned El Cazador into a huge success for me.

#13: Flag

It’s a real shame that the subs for the second season still haven’t come out. I watched the series raw, back in March, and it was even better than the first one. If you’re tired of all those idealistic and unrealistic war-stories, then this is the series you should check out. Never have I seen a war-anime that was as realistic as this one. The decision to make a bunch of photographers into the main characters was an excellent one. The only downfall you should be aware of is that it takes quite a long time to build up.

#12: Saiunkoku Monogatari

Saiunkoku Monogatari is definitely not a fast-paced series. Nearly seventy episodes have passed now, and the end of the series isn’t even in sight. But because of this, the characters have gotten a huge amount of attention, to the point where none of them feels two-dimensional. The writers spent a lot of time on them, to flesh out all of them. The result can be seen in the climaxes, which were absolutely amazing.

#11: Red Garden

This was basically one huge character-study of the four heroines, with all of them having their own problems. It was quite angsty, yes, but the second half really developed the characters into a memorable cast for me. For me, this was the first proof that Gonzo can be good if they want to. One thing I also found out after watching is that this series followed Mahou Shoujotai’s example of recording the voice-acting first, before producing the animation. This is the reason why the dialogue for this series felt so intense and genuine.

2007 Individual Awards:
Biggest Disappointment:

Code Geass: Lelouch of the Rebellion

At one point, this series had so much potential. But it ruined itself with its too many coincidences, and instead of political intrigue, it went towards a harem- and emo-fest. Things like these sell, yes. But they’re not my idea of good storytelling. The second place is the Hellsing OVA. The first and second episodes were nice, but with the third episode, I understood why Gonzo originally diverted from the manga at that point. Pure genocide isn’t exactly my definition of entertainment.

Worst Series:

Shining Tears X Wind

Of course, I can’t speak for the series I didn’t finish. Goshushou-sama Ninomiya-kun would have had a fair chance to win this title as well, but on the other hand, even that series has to try really hard to surpass the pain that was Shining Tears Episode 12. I still recall how I fell off my chair out of agony when I watched it.

Worst First Episode:

Buzzer Beater

While I of course didn’t have the chance to watch every series, I did get the chance to watch the first episode of the majority of series that aired this year. There was a lot of bad stuff among them, like Goshushou-Sama Ninomiya-kun or Koharu Biyori, which were just fanservice-fests. Still, the worst has to be that episode of the 2007-remake of Buzzer Beater. The main character was even more annoying than Makoto from School Days, for goodness’ sake!

The this-anime-seems-to-have-gone-up-in-smoke-award:

Dead Girls

Seriously… what happened? The OVA for Red Garden was supposed to come out in August, but no subs have come out at all. Did it really ruin the series so much?

Most Pleasant Surprise:

Le Chevalier d’Eon

Due to the slow subs, I was only leisurely watching the first half of this season. That’s probably why I never saw the huge increase in quality coming, once this series hit its second half, and after that, it remained one of my favourites of the time until the end.

Best Animation:

Seirei no Mobirito

2007 was a very good year in terms of animation. Dennou Coil featured simple, but consistently detailed animation. FLAG was shown for its entirety through the lens of various cameras and photos, and Baccano!’s art, while incredibly messy, never gave off the feeling that any still frames were used. Still, none of them can compare to the amazing details of Seirei no Moribito.

Funniest Series:

Gintama

2007 was also another excellent year in terms of comedies. From the more popular series as Sayonara Zetsubou-Sensei to the obscure ones of Power Puff Girls Z and Master of Epic, a lot of them were hilarious. Of course, there were disappointments. Potemayo and Lucky star just didn’t cut it and got stale fast, but thankfully Gintama more than made up for this. It has along with the Law of Ueki and Excel Saga the most awesome sense of humour I’ve ever seen in a comedy, and cracked me up many times after each other. It may take a few episodes to get into, but Gintama is a perfect recommendation if you’re looking for laughs.

Best OP:

Uninstall – Bokura no
(Why yes, I was a bit too lazy to take screenshots)
Most opening themes look like each other, with the cheesy J-pop and J-rock and all. But there were some great songs this year among them. Especially the OVAs came with a great selection (especially Tales of Symphonia and FREEDOM) and Wellber no Monogatari, with its textless song formed an excellent introduction to the series. But still, Chiaki Ishikawa, member of See-saw delivered an excellent song, which combined with the excellent visuals for Bokura no to my favourite OP of the year.

Best Thought-Provoking Anime:

Bokura no

Especially when thinking back, the two series that stand out for me as the most thought-provoking of 2007 are Kaiji and Bokura no; both ask deep questions about human nature. Kaiji delves into the darkest corners of the human-mind, while Bokura no shows us how the different characters all deal with the dark situations that they’re put into, and especially how every characters reacts differently.

Best Studio:

Production IG

For me, there were four big animation-studios in 2007: Gonzo, Studio Deen, Madhouse and Production IG. All four of them delivered multiple excellent anime. Gonzo and Studio Deen, however, also were behind some of the crappiest series of the year, and with Madhouse you’ll never know when their series turn out excellent or just mediocre. Still, Production IG only messed up with Reideen. All their other series this year were of a huge quality. Seirei no Moribito and Chevalier were brilliant, Wellber no Monogatari was very entertaining and Ghost Hound is also shaping up to be an excellent series. Here’s to hoping that they’ll be able to continue this trend for 2008!

Best Drama:

Kaze no Shoujo Emily

This was quite a hard award to give away, simply because most of the shows I watched could be considered drama in some sort of way. Still, in the end I decided to go for Kaze no Shoujo, as the interaction between Emily and the people around her is exactly what drama should be.

Best Movie 2006/2007:

Tekkon Kinkreet

This year premiered a lot of interesting movies, but for me the two best ones turned out to be Toki wo Kakeru Shoujo and Tekkon Kinkreet. Toki wo Kakeru Shoujo was exactly how a high-school drama should be and the lead character was really likable. Still, the clear winner for me was the sad tale of two orphans that grow up on the streets of Tekkon Kinkreet. Studio 4C has shown yet again that they know exactly what they’re doing.

Best Music:

El Cazador de la Bruja

This was an easy category for me. Yuki Kajiura shines with the work she’s done for El Cazador, and especially the main tune is among her best works yet. As for runner-ups: that honour belongs to Toward the Terra and Seirei no Moribito this year. Two soundtracks which fit the series they’re made for perfectly.

Best Action:

Bakumatsu Kikansetsu Irohanihoheto

I won’t deny that Tengen Toppa Gurren Lagann had good action; for me it takes up the third place in this department for 2007. On the second place comes Seirei no Moribito. It may not have had many action series, but the choreography of the ones that were there was amazing. Still, the swordfights from Bakumatsu Kikansetsu Irohanihoheto did remain to be the best action-sequences. It had the combination of the quality of Seirei no Moribito with the quantity of Gurren Lagann, with very exciting results.

Best ED:

FREEDOM
No question possible here. Ike Yoshihiro smashes all competition with the incredible song he composed here. The only others who can come close to the ending for this series are both the endings of Bokura no, yet again two excellent songs to close off the series.

Best Romance:

Saiunkoku Monogatari

Okay, romance indeed isn’t my preferred genre, but that doesn’t mean that I don’t like it when it’s done well. The best of this year in terms of romance definitely comes from Saiunkoku Monogatari. Every single couple of the series is awesome and well-developed, so it’s an award well-earned. As runner-ups, there is the later half of El Cazador (which was yuri, though) and the final episodes of Kaze no Shoujo Emily.

Best-Looking Graphics:

Bokura no

Unlike with the Best Animation-award, I’m not looking for detail here. Things just have to look good. For me, Red Garden, Sayonara Zetsubou-Sensei, Toward the Terra and Wellber no Monogatari all looked gorgeous. Still, I decided to go with Bokura no. I really like Mohiro Kitoh’s character-designs. They’re simple, yet effective and they work perfectly when combined with Gonzo’s graphics.

Best Non-2006/2007 Movie:

Tokyo Godfathers

Those who’ve been reading my blog for the past year know that I’ve been checking out all kinds of older movies for the past months. While I saw a lot of good stuff from Studio Ghibli, the best were two movies called Metropolis and Tokyo Godfathers, two productions which shined in nearly every department. Because Metropolis had a few predictability-issues, I decided to give the award to Tokyo Godfathers. The perfect Christmas-movie.

Best Mystery:

Dennou Coil

2007 has been a disappointing year for mystery when compared to 2006, something which I, as a mystery-fan, didn’t really like. Series like Darker than Black and Baccano may have been good in their own ways, but the mystery just wasn’t as good as some of the mystery-series that 2006 brought us. Higurashi no Naku Koro ni also stopped being a mystery-series with its second season, and that only leaves Dennou Coil to stand on the top, with definitely the best mystery of the entire year.

Best Old Series I happened to See This Year:

Haibane Renmei

While the second half of 2007 kept me busy checking out different movies, in the first half I was watching various thirteen-episode series. The best of the bunch definitely were Figure 17 and Haibane Renmei; two fantastic character-studies. Haibane Renmei ended up winning because of the brilliant scriptwriting that was showcased in the final episodes.

Best Script:

Baccano!

It hardly comes as a surprise that Baccano! walks away with this award. Three timelines happen all at once, the cast of characters is enormous for a thirteen-episode series, and still everything comes together like a charm in the end, leaving every character with a well-defined role, fleshed out and at least with a tiny bit of development.

Best Story:

Les Miserables – Shoujo Cosette

The two big series for this category are Toward the Terra and Les Miserables. Les Miserables managed to win because of the immense attention it put into both building-up and wrapping up its storyline. Here’s one series that makes perfect use of its 52 episodes.

Most Promising Studio:

Ufo-Table

There’s one reason why I give this award to Ufo-Table. Before 2007, they were just a measly studio with only the bad titles of Ninnin ga Shinobuden and Coyote Ragtime Show behind their name. Then they started the year with Manabi Straight, and continued on with Tales of Symphonia. While both may not be the best titles, they’re a huge improvement of what the studio showcased before, and they’re now also promising to do a great job for Kara no Kyoukai, which airs in 2008. These guys are really working to improve themselves, and it would be lovely if this could continue.

Best Character-Development:

Les Miserables – Shoujo Cosette

There are a lot of strong contenders for this year, which is why I decided to include this award. We have Chevalier with Durrant, Toward the Terra with Jomie and Keith and Red Garden with its four main characters. Still, the champion in the character-development for this year is Les Miserables, where the entire cast underwent some kind of memorable development, with the highlight being Eponine, who underwent so many changes from her initial spoiled brattiness.

Best Anime of 2007: 10-1
#10: Ooedo Rocket

A series that went mostly under the radar during the spring-season, which rather surprised me as it was being directed by the same guy who directed Full Metal Alchemist. Still, it featured a memorable cast of hilarious characters. It was so much fun to just see them interact with each other. I also admire the guts this series had for its final episodes, but I’d rather not spoil this.

#9: Higurashi no Naku Koro ni

It took me a while to get used to the completely new pacing of the second season, when compared to the chaos of the first one. But still, the second season made Higurashi feel a lot more complete due to the huge amounts of attention it paid to the storyline and setting.

#8: Le Chevalier d’Eon

This was a real surprise for me. I was just casually watching this series, until it suddenly turned to much better than I could have imagined. I keep a list of rankings on this blog at the end of each month, and Chevalier was one of the only two series to be my favourite series for two consecutive months. The incredibly deep characters and the well-developed setting in France during the reign of Louis XV are the ones to thank for that.

#7: Seirei no Moribito

And with that, we come to another Production IG-series: Seirei no Moribito. No single series can even dream to come close to the amazing production-values of this series. Everything, absolutely everything has been incredibly detailed to perfection. This made for a few awkward and boring moments, but boy, did it deliver in the end!

#6: Dennou Coil

The spring-season had an incredibly strong line-up, and yet, Dennou Coil was my most anticipated series, and with a good reason. The setting has been incredibly imaginative. Mitsuo Iso went much further than just “creating a cyberspace that can be viewed with special glasses”. Dennou Coil has been an excellent example of science-fiction that’s different from all the space- and mecha-battles, and it was blessed with an incredibly strong cast.

#5: Baccano!

I don’t think I can add anything to what has already been said about this series. Baccano came and delivered in 13 episodes something that takes ordinary series twice as much time. No single frame or scene was wasted. And even though there were a huge amount of stories going on at the same time, everything came together like a charm, resulting in one of the most well-written series of the year.

#4: Les Miserables – Shoujo Cosette

To be honest, the Top-4 of this year is incredibly close. Last year, I had no difficulties selecting the order for my top-series of the year. Mahou Shoujotai, Noein, The Third, Simoun and Mushishi all made some special impact on me, they clearly stood above the rest of the series for 2006, and ranking them was quite easy. Though with 2007, choosing my favourite series was incredibly difficult. I know that the series I ranked in my top-4 are the highlight of the year for me, but there’s hardly a difference in quality between them. They all were awesome in their own way. Les Miserables is the only series this year that can boast to have a better-developed storyline than Seirei no Moribito. On top of that, the characters have been amazing, and the entire series has been wrapped up very carefully. This is one series that deserves to get subbed.

#3: Toward the Terra

Space-operas at its best. You won’t find any cheesy giant robot-battles here. Toward the Terra is the story about the Myu, who are searching for just a place to live. The multiple time-skips made sure that this series featured some of the best character-development of the entire year. Outstanding in every way, Toward the Terra is my biggest recommendation for the series that aired in 2007.

#2: Kaze no Shoujo Emily

Without a doubt the most underrated series of the year, even when compared to Les Miserables. Kaze no Shoujo Emily had an amazing combination between slice-of-life and gut-wrenching drama, and seeing Emily and her friends grow up was a true delight. For me, this has been one of the most consistently good series of the year, hence the high placement. The feeling of working towards your dreams proved to be excellent material for this series to work with.

#1: Bokura no

The perfect example of why changing from the original manga can be a good thing at times. The concept for Bokura no already was amazing, and the director used this concept perfectly to provide an amazing storyline for the characters to work with. Bokura no wasn’t about the characters freaking out, but about how they all individually chose to deal with the situation that was forced upon them, despite a few coincidences in the storyline, but I couldn’t care less about those.

Posted on with categories: Anime Reviews


Kawaguchi Kaiji’s 9 Love Stories, well, I think you hardly need to know anything more to guess what this one will be about. Kawaguchi Kaiji is the same guy who wrote the original story for a Spirit of the Sun, and his nine love stories are basically what you get after you cross Human Crossing with Sentimental Journey and put the result in a 90-minute movie. If you liked any of the two, or even Seraphim Call or Rumic Theatre for that matter, then you’ll like this one.

This movie basically features nine ten-minute stories about nine different, unrelated adults and the person they love. Five or six of them work: they’re touching tales about their characters, with some nice twists at the end. Three or four of the stories feel predictable, though. They just don’t have the spark that the others have.

Still, this movie is quite a nice recommendation if you like romance, and especially if you’re sick of all the standard high-school romances like me. Even though this movie dates back from 1993, the best stories still feel fresh. The graphics will take a bit of time to get used to, though. There are a lot of broad chins and the girls aren’t busty moe-stereotypes like you usually see. Instead of coming up with an original soundtrack, the creators went with a few classic songs from artists like the Beatles. It’s a bit cheap, but it fits, and it works.

Posted on with categories: Shugo Chara

I think that the end of 2007 will be the best time for this, so yeah, I’m going to drop Shugo Chara so that I won’t take it along into 2008. I’ll still continue watching it, but I don’t feel like blogging it anymore, for a variety of reasons:

– First and foremost: the 51 episodes. I don’t mind covering long series, (heck I did blog Jigoku Shoujo and Les Miserables with no problems whatsoever), but this length is just way too long for a series like this.
– I also have to admit that Shugo Chara didn’t turn out as interesting as I hoped it would be. I expected deep characters, what I got was random shoujo-fluff.
– While it was nice enough to cover it during the not-so-spectacular Autumn-season, there are enough excellent series that will be starting with the winter-season, and you can expect a lot of series that I’m going to end up blogging, and I feel that blogging Shugo Chara will feel more and more like a chore, so I’m going to drop it while it still feels enjoyable.

Unfortunately, 2007 has been a horrible year for Mahou Shoujo. I hoped that Shugo Chara would change this, but unfortunately it didn’t. Nothing about the series has stood out so far, and I don’t feel like blogging about 30 more episodes of fluff to get to the good parts.

Posted on with categories: Anime Reviews


I must applaud The Cockpit for actually taking place during World War II. It’s the same here in The Netherlands: there are lots of novels and stories about our Golden Age in the seventeenth century, there are lots of stories about World War II, where we were basically the victims of the Third Reich, but you’ll never hear anything about what we did in Indonesia, where we were the bastards. The same goes for anime: there are quite a lot of series about the Japanese ages of glory, the time of the samurais. And there are very few anime about the Second World War, where the Japanese were the bastards. If only for that, this series deserves credit.

Apart from this, The Cockpit is a collection of stories about three people, fighting for Japan in the war. Slipstream is a beautiful tale about a war-veteran and a certain mission he accepts. It may not be historically accurate at times, but its message is wonderful and makes a lot of impact. It’s also got a subtle feeling of loneliness that doesn’t feel out of place in a Makoto Shinkai-movie, and it’s the definite highlight of The Cockpit for me.

Sonic Boom Squadron then comes and tackles a taboo in anime: suicide bombers. We get to look into the mind of one of them, and the ones who will accompany him in his final moments, and it works. While I would have liked to see a bit more about his background, the guy shows us something different from the stereotype that surrounded the suicide-bombers. The ending is also a great one, held back from being underdeveloped and coming from rather nowhere.

Knight of the Iron Dragon is a disappointing finale, though. It doesn’t take itself serious enough, and the themes have been overplayed a bit too much, with a low-ranked war-veteran taking care of a rookie. It has the potential, but the execution just fails.

I must admit that I didn’t think much of the Matsumoto Leiji-universe up till now, but that’s probably because the only thing I had seen from the guy was Gun Frontier, which was just bad. With The Cockpit, though I begin to see the guy’s talent: realistic war-settings about thought-provoking heroes. If his other works are more similar to The Cockpit than to Gun Frontier, then I’m willing to check out more of it somewhere in the future.

Posted on 30 December 2007 with categories: Anime Reviews


Oh my, this is a rare occurrence: quite a lot of series suffer from an underdeveloped villain, out there to destroy the world for a weak or shallow reason. This isn’t the case for Please Save my Earth, though. Heck, the major villain is actually the best-developed character of the entire series!

Please Save my Earth is one of those rare six-episode OVAs that prefers to focus on the story and the major villain, instead of the usual characters. The setting is also a memorable one, with a few similarities to Fantastic Children, and it makes sure that the villain has a good reason for his grudges.

Unfortunately, the good guys do have their problems. Don’t get me wrong, they’re deep, they’re developed, but unfortunately they haven’t been fleshed out well enough. Please Save my Earth seems to be another manga-adaptation, and in the end six episodes turned to be too small for this story. At times, the characters also keep angsting while it would have been better to see more of their sides. Especially the background story: it has so much potential, but we hardly see anything of it.

Still, for an OVA, this is definitely an above-average one. It starts out really annoying, but soon a twist will make you see that this is more than just an ordinary high-school drama. The animation may be a bit dated (this is fifteen years old), the music has been composed by Yoko Kanno in her early days, and it shines. Combine this with deep characters and you have quite a good way to spend three hours.

Posted on with categories: Anime Reviews, Les Miserables - Shoujo Cosette


And finally, the behemoth of the series that is known as Les Miserables -Shoujo Cosette has ended. For the revival of the World Masterpiece Theatre, the classic novel by Victor Hugo was chosen to get an adaptation, and the result has become terrific; a masterpiece in terms of story and characters. Sure, the series is aimed at children, but don’t think that children will be the only ones to enjoy this, because Les Miserables is an epic for every age.

The series consists out of five arcs, where every arc is different from the other. Indeed, the first arc focuses on how a small girl called Cosette has to live under the evil Thenardiers. The fourth arc, however, deals with a bunch of men that fight for their beliefs in a revolution, and Cosette herself actually plays a very small role in this. There is indeed a lot of building-up, but because of this, every character can be fleshed out and developed. Every bit of storyline can be explained and carried further, and every single climax works, and takes the best out of the characters and the story, with the definite highlight being the fourth arc.

Les Miserables definitely isn’t your standard anime. There are no cheesy villains that are out there to destroy the world. No teenagers that can pilot giant robots. What we have here is a story that manages to remain realistic and yet exciting. Every character fits his or her role exactly and there is hardly any character that doesn’t develop somehow. There’s just one downside, though. The book was quite dark, and most of the dark elements did remain in the series. Unfortunately, the heaviest themes as prostitution and suicide had to be scrapped though. The ending also ends up being much lighter than that of the book, but that doesn’t mean that it’s less developed. Les Miserables remains an excellently written series, from beginning to end.

Overall, if you liked Studio Ghibli’s non-action movies then you’ll definitely like this one. It’s such a shame that the subs have only reached up till episode 6. If there ever was a series that deserves to be subbed, it’d be this one, because for me it had the best story and character-development of the entire year of 2007. Let’s hope that Porfy’s Long Journey doesn’t get the same negligence.

Posted on with categories: Les Miserables - Shoujo Cosette


What an awesome way to end such an awesome series! Even though there was nothing of Thenardiére and Azelma, we get something that’s even better: the death of Jean Valjean. I didn’t believe that this series would be able to make me cry after the revolution ended, and thankfully I was so wrong about this. Jean’s end was incredibly well-done, and is it me or did the graphics look better than ever in this episode?

This episode starts with a time-skip of what I’d guess are a few months. Gavroche and his two brothers are settled into their school, and especially Gavroche is making a lot of progression. Cosette and Marius have just moved out, into Courfeyrac’s old apartment. It’s at that point where they get a letter from Jean, and with that they finally manage to find him back.

The guy has indeed wilted away, and has become sick in the months that he was away from Cosette. It also seems that he stopped using fake names, and he’s known to the people as just “Jean Valjean”. He also stopped hiding the chandeliers from everyone, and he actually grew a small beard. When Cosette and Marius meet him, he finally has the courage to tell Cosette about his own life, and of the times he served in jail (it was awesome to see Jean in his twenties, by the way). After he finishes telling, it seems that he’s finally content enough to stop caring about his own life, and dies.

In the aftermath, we see Javert again as well, when he comes to give a quick visit to Jean’s grave. The anime ends with a few flashbacks and shots of the different characters passing out food and clothes to the poor, and the final scene goes three or four years into the future, where Marius and Cosette along with their daughter, a very reminiscent scene for the first episode when Cosette had her final moments with her mother.

To close off, I would like to thank Irene, angedemystere, Tania, Dookers and R for keeping the comments coming. Out of all the shows I’ve been blogging, Les Miserables has had the most discussion going on in the comments, and it was a lot of fun to read them for every week. I’m not sure if you’re going to watch Porfy’s Long Journey as well, but I’m definitely going to follow it. :)

Posted on with categories: Gambling Apocalypse Kaiji


Okay, so the current is going to be predictable. Kaiji just has to survive; otherwise the show would just run out of main character. Still, that didn’t prevent this episode from being among the best that this series has had to offer. At the moment, I only see one annoyance in this series: this is one of the worst series to take screenshots for: all the best shots have subtitles in them.

In the Espoir-arc, death was more symbolic, but for the Starside-arc, it’s gotten much, much closer. I loved how, now that there is no more competition, the ten remaining contestants feel much closer together, now that they won’t have to betray to stay alive. Very refreshing for this series. Instead of that, a new threat has appeared: plain old fear and I loved how this episode showed how easily this can go out of control if your life is at stake. Take that, action-movies!

Tonegawa is also shaping up to be one of my favourite characters of this series. Unlike all the contestants, he’s not limited by predictability and after the previous episode I wouldn’t have thought that he’d actually enjoy events like this, seeing the scum of society suffer so much.

One thing that would make Kaii’s survival more credible is that he by far the most emotionally involved with the others. In this episode, you can see that he’s too busy with worrying about the others’ survival to realize that he too is on the verge of death. I also predict that Ishida will play a big role in the next episode, because he keeps relying on Kaiji so much. The two of them will probably use this to get to the other side, while Sahara will use his competitive spirit against Kaiji. It’s a shame that the other characters didn’t receive enough development like this, and they’ll probably all end up dying as well. Perhaps with the exception of the guy in the red shirt.

CHANGE USERNAME
Kaiser-Eoghan
I remember the idea of dlc was something that annoyed me.
Kaiser-Eoghan
I do remember getting a kick out of playing old N64 multiplayers, lol bunch of then 13 year olds not knowing how to play goldeneye multiplayer properly or stealthily , so it basically turns into a Hong kong style shootout.
Kaiser-Eoghan
"We're in the middle of a battle! You have to stay logged in"
"GODDAMMIT I need to eat I can't stay!, Godammit nature calls"
Kaiser-Eoghan
When my friends got into MMOs and online shooters, I simply didn't have the time commitment or patience for the prior in particular.
Amagi
A person will only play one or two of such endless games, people won't start new ones just because they pop up everywhere, but nobody seems to get this.
Amagi
The problem is that everyone is only looking at how much money the few big ones make and think they can imitate it when the whole thing is actually just a bubble, just as with gacha games.
Amagi
@Kaiser: I actually enjoyed classical coops but yeah, MMO not really. Especially not when it feels like a game was created for single player and they shoved the MMO stuff in or when a game gets less story heavy and less content to make room for the lootershooter/pvp/whatever MMO stuff.
Amagi
I am doing this too right now. Will probably marathon a few shows I skipped so far in case that they're good till the end. More into playing right now
Kaiser-Eoghan
You might say I was keen on the idea of being in the same room as someone after I defeated them in a fighting game =P
Kaiser-Eoghan
*going on
Kaiser-Eoghan
Its far more easy to remember whats going in that way.
Kaiser-Eoghan
*the habit
Kaiser-Eoghan
@Amagi: I've gotten into he habit of only watching a few shows each season, then later on catching up with others.
Kaiser-Eoghan
@Amagi: Back in my gaming days my idea of a multiplayer was with a group of friends in a room, but it all shifted into massive online multiplayer mmos and fps games.
Amagi
Sadly, the OPM PV looks weak, I will miss the great animations of MP100.
Amagi
@Kaiser: Have to admit that I like Mob more than I feared, it's the show I enjoy the most right now. Otherwise I'd go with your ranking, maybe with an added Neverland.
Amagi
Man I hate how every game has to become more and more multiplayer'ish just let me play games as loner again.
Amagi
I already dropped it during episode 1. Considering that the manga has ~120+ chapters I guess it's another eternal status quo thing too.
Kaiser-Eoghan
@Wooper: I read a couple of volumes of the manga, its hit or miss and eventually gets repetitive, it could be often funny in certain parts but I'm bored of it now. I saw some bits of the anime and didn't laugh.
SuperWooper
>not watching Kaguya-sama
I seriously hope you guys don't do this.
Kaiser-Eoghan
I suppose now that its near the end of this season I should rank what I've been watching: 1. Run with the wind 2. Boogiepop 3. dororo 4. go-toubon.
Kaiser-Eoghan
@Vonter: And there thats the other thing, out of it so long there's a massive buildup of games , increasingly difficult to catch up and get back into.
Vonter
At the moment I'm playing Guacamelee 2. Which I had my doubts since the first game got a bit frustrating do to the backtracking. This one gives me a Super Paper Mario vibe in the villains departament.
Vonter
@AidanAK47 I'm not even mad anymore, but still disappointed Western Games can't give closure to their over 10 million dollar games. I think you can have a self contained story and maybe tease the story is open to more adventures or something.
Vonter
I suppose if I'm curious for the story I'll watch an edited Let's Play.
Vonter
Yeah, I agree, it does feel like indie developers and Nintendo make the games I like. I don't know maybe I'm just getting old to catch up with the recent trends most ambitious projects tend to follow. Also how most of these games take a lot of time to get going and I don't have that much free time to spare waiting for the game to let me play it.
Kaiser-Eoghan
@Vonter: I got into watching letsplays for a while some years back, it was a decent way to re-live an old game without playing it.
Kaiser-Eoghan
Whoring out sequels is pretty much the bane of most things, just continually dilutes the original and in some cases can even ruin the original for you.
Kaiser-Eoghan
But I can still remember that very moment when I first played a 3D game and how unreal that felt .
Kaiser-Eoghan
And there isn't time to give to absolutely every medium.
Kaiser-Eoghan
Unfortunately I think I've been so long out of the habit of gaming that I've gotten used to and familiar with not being part of that scene , to where I kind of simply just don't pick up a controller anymore.
AidanAK47
Not to mention that they are gonna milk it to death. They already got about 5 sequels planned and put in a thing showing how they could milk it. To me GOW 2018 is an incomplete game, a part 1 of a needlessly long franchise. Whereas the old games had stories which felt complete.
AidanAK47
@Vonter, I would say it's more that despite the fantastical settings both Hoizon and GOW 2018 make use of tired sandbox game mechanics. GOW especially annoyed me as I feel they stripped out everything that made those games there own things and replaced them with game mechanics stolen from other games. GOW lost it's very essence.
Kaiser-Eoghan
*Futaro
Kaiser-Eoghan
Fuataro is best girl.
Kaiser-Eoghan
@Vonter: I just read that the new Orphan anime is a prequel.
Kaiser-Eoghan
@Vonter: Back when I played/watched people play videogames, it was moreso Jrpgs and old Nintendo and sega genesis games.
Vonter
IMO making something more complicated than it should ends making something less enjoyable to play.
Vonter
Why not just watch a Let's Play. I suppose is an overreaction, but I felt very mixed how God of War 2018 was a good Father and Son story, but really annoying to play. Constant walking and climbing sequences, combat that I think it's less involved than the ones from the other games, and constant looting that lost it's charm by the 30th chest.
Vonter
I don't know why but I've been feeling that I'm enjoying more playing on the Switch than the PS4. While I enjoyed RE2 and will likely replay it, other high tech games like God of War, Horizon and the like don't do much for me. Most of this realistic games have very slow starts, make the playstation fans sound like it's struggling, and if the best part of these games is the dialogue and cinematics.
Kaiser-Eoghan
Genuinely a very good sign when a 20 minute episode feels much shorter than it is and its rewarding to see an anime series possess such a degree of confidence in its direction.
Lenlo
Just finished it. Seriously, Kaze Fui has nailed this segment of episodes. Just homerun after homerun. Its ridiculous. I love it. Kurahara tapping into the freakin speed force
Animosh
Now only Haiji is left. When there were five episodes remaining I was wondering whether there'd be enough content to fill them all, now I'm wondering how the show is going resolve everything in one episode. But the show has barely made any missteps so far, so I'm sure it'll nail the ending too.
Animosh
Kurahara's segment was also good. He's fallen in love with running, and now that he's pursuing running for its own sake he runs faster than ever. It also helps that he's crazy talented, of course.
Lenlo
I want to be excited for OPM 2... but JC Staff

Also I cant wait to watch Kaze Fui when I get off work. Sounds like it was good
Animosh
Yeah, King's segment was better than expected. Pretty relatable. His issues did come a bit out of nowhere though. His segment could have been even better if there had been some hints that he has been struggling with this earlier. It's also a bit strange that there wasn't any development with his job hunt, since that what basically his defining trait throughout the series.
Anonymous3563660
The developments from the first cour are absolutely paying off big time and it's amazing to see how far this cast has come since the first episode. And now it's time for Haiji's segment next episode. I can't take waiting another week for this!
Anonymous3563660
Well. Bravo Kaze ga. That was an amazing display that Kakeru showed. I loved his segment. King's backstory really hit me close to home as someone who recently graduated.
Kaiser-Eoghan
Now on Boogiepop phantom episode 16....a discount Godzilla!
Kaiser-Eoghan
@Anon: I liked Densetsu no yusha even though no one did and Record of Lodoss war, always wished there had been more of both.
Animosh
Yeah, that trailer ... does not look promising.
Anonymous3563292
Just as MP100 s2 takes its bow, there's going to be a lot of people expecting OPM to be as amazing as that or s1. Oh boy.
Anonymous3563292
A reminder to temper your expectations for OPM s2.
Anonymous3563001
After a messy start, that Prince of Smiles show has largely settled for okay. Not terrible, not amazing, but largely above-average and rather forgettable. I'd compare it to that Record of Grancrest War show from last year.
Anonymous3563001
This apparently isn't like that other Doga Kobo show where the pedo bait was persistent throughout.
Anonymous3563001
So uh, has anyone tried to go back to Wataten and see if the pedo bait has subsided since the first episode? Because it seems like it has for the time being.
Animosh
@Anon: no, I mean a continuation of the main story. I read about it on the anime subreddit: https://www.reddit.com/r/anime/comments/b26yj1/shaft_producer_mitsutoshi_kubota_confirming_that/
Lenlo
@Anon, I love Mob Psycho, but the series does have some iffy stills. Thats not an issue though, because this is an animated medium. Its meant to be viewed in motion and holy shit, does it look good in motion
AidanAK47
However my main issue at the moment is the feeling of them dragging things out for the sake of having that be the finale. Right now episodes just don't have much content and I feel it's too dragged out for it's own good.
AidanAK47
@Anon, Nervous isn't really the word I would use. As far as adaption is concerned I feel the series has done quite well for the most part with the only big misstep being the shows reluctance to have any inner monologue whatsoever which has lead to questionable choices to alternatively present information that was usually spoken in mind. I say the end of the arc will be done well.
Anonymous3560732
@Aidan As a manga reader, are you nervous about how they'll adapt the end of the arc in Neverland?
Anonymous3560839
mob psycho was amazeballs this week. It's the show that just keeps on giving. On a side note, I've seen some comments floating around about how the show has terrible still shots and I'm going to dispel that erroneous assessment in this week's discussion
SuperWooper
Search bar is in the upper right hand corner, in case you're still searching.
Anonymous3560732
@Animosh You referring to that Madoka mobile game tie-in?
Anonymous3560739
That’s not the search bar
Anonymous3560739
Mob psycho
Kaiser-Eoghan
They decided to adapt mushoku tensei apparently. I might aswell see what all the fuss about it is as being one of the "better" isekai.
Kaiser-Eoghan
I can't imagine how the polar bear isekai or vending machine one would handle the harem aspect.
Animosh
As for Slime getting another season, I personally don't mind. It's obviously not a masterpiece, but I don't watch isekai for enlightenment. If they can offer me some relaxation after a day's work, that's enough for me.
Animosh
Some nice announcements in the past few days: Oregairu is getting a third (and final) season, and Madoka is rumored to get a sequel too (maybe focusing on Sayaka?).
Anonymous3560293
Cross Ange is not trash tho, way better than those others
Kaiser-Eoghan
I'm wiser nowto certain types of story telling, making an overly long show that keeps throwing endless gotchas at you, eventually you get tired of the show trying to play with you instead of actually moving things forward.
Kaiser-Eoghan
@Anon: I've enjoyed many a trashy show/film in my time, but guilty crown, cross ange and Valvrave I couldn't finish, there are certain cases where the brain begins hurting/aching.
Anonymous3560221
While different in settings and genres, they obviously have Okouchi's writing full of shock value and swerves.
Anonymous3560221
Guilty Crown and Valvrave are like his most explicit attempts to recreate Geass, and look how those two fared. Kabaneri also falls into the same traps as those too.
Anonymous3560221
But even he ends up letting his worst tendencies slip in with examples like Princess Principal, particularly the last episode.
Anonymous3560221
Which ironic that the best shows that he's written are the ones that are not trying to recreate those Geass days like Lupin the 3rd Part V or that Devilman Netflix show.
Anonymous3560221
It's amusing to see that Okouchi's worst enemy is essentially himself. Trying to recreate that Code Geass magic with ass pulls, shocking swerves, and shock value without realizing that it's never as shocking the second time around. And that has basically ruined almost every work he's attached to.
Amagi
I always find it funny how almost everyone agrees that it was Biba who ruined Kabaneri. I liked that show so much before he appeared, damn. Will watch the movie but my hype is killed and I fear the movie will just be about another random human antagonist instead of the actual Kabaneri problem.
Anonymous3558784
mongatari
Kaiser-Eoghan
@Lenlo@Wooper: At least we have the Tanya movie to look forward to.
Kaiser-Eoghan
*Even though I know its going for something fun.
Kaiser-Eoghan
Oh COME on Japan, just give me by communist isekai mecha show so we can be lovers again.
Kaiser-Eoghan
@Anon: Biba fucker ruined the show and it stopped allowing me to enjoy Kabeneri as a shitty ova throwback.
Kaiser-Eoghan
@Aidan: Couldn't even make good on a stupid re-incarnation premise on the ones you mentioned.
Kaiser-Eoghan
Or better yet, find some old proto-isekai and adapt it.
Kaiser-Eoghan
"Could be worse" I suppose I win by default by bringing up Parallel paradise and ruining everyones fun by reminding them of its existence.
Kaiser-Eoghan
I think my brother in laws reason for liking trashy isekai is because he sees them as an anime equivalent to exploitation films, I should just tell him to watch old ovas.
Kaiser-Eoghan
If we're doing the re-incarnation thing, just give me a full please save my earth adaptation or bokura no kiseki or that other re-incarnation thing done by Spirals artist.
Kaiser-Eoghan
Not an isekai, but a LN adaptation, Index keeps popping up again every so often, I fell out of the series a long time ago and got exhausted with it.
Kaiser-Eoghan
I feel the same way about konosuba, I wish I found it funny but I don't because I know it is going for that "fun" thing.
Kaiser-Eoghan
I think, especially with a second season, I'd eventually get fed up with it aswell and that it would get repetitive.
Kaiser-Eoghan
My brother (and probably my brother in law too) seem to enjoy Reincarnated as a slime as a casuals show and find it funny. I saw clips of the dub, the voice actors sounded like they were having fun and I think some people found the slime/dragon interactions at the start amusing. I'm just left thinking that the show is something my younger self might have gone for but I'm indifferent to it now.
AidanAK47
Or the vending machine isekai
AidanAK47
Or the polar bear isekai
AidanAK47
It could be the hot spring isekai
AidanAK47
Well guys it could be worse.
Lenlo
I sense a disturbance in the medium. I fear for the future.
SuperWooper
That's fantastic news, as series set in the real world give me diarrhea. I assume that the majority of Japanese otaku suffer from the same issue, given the number of isekai manga and LNs that are slowly polluting my favorite art form. :^)
Anonymous3556601
As expected, that Slime isekai show has been renewed for a second season.
SuperWooper
@Anon3540676: Hey!
Anonymous3542644
And despite all of these recent announcements lately, IG still hasn't announced a release date and release model for DNT s2 yet beyond theatrical screenings. =(
Anonymous3542320
https://youtu.be/cxjXEIDbBxAInterestingly, seems like Banana Fish (technically not BL) did well enough for Noitamina to consider having an adaptation an actual BL manga on their block.
Anonymous3542320
I would really love to see that Kabaneri film get things back on track after the second half nearly derailed it (pun intended).
Anonymous3542320
Huh, well that didn't take too long for a release date regarding Psycho-Pass 3. It's slated for October.
Meanwhile, Beastars is going to be Netflix-exclusive, and interestingly, the Kabaneri film is going to air simultaneously on Netflix and Amazon alongside a limited theatrical release.
Kaiser-Eoghan
@Amagi: Did you ever read beast complex? I haven't done so yet, it seems like like the beastars authors prototype for it.
Kaiser-Eoghan
@Amagi: Hadn't known that, thanks. Also, I read the most recent 20 or so chapters Amatsuki, all has finally been revealed.
Amagi
Q's (Dorohedoro) new series started, Dai Dark. It's basically Dorohedoro in space (therefore, I am completely fine with it).
Lenlo
This adaptation of Dororo is adding a lot of new content to its story in its adaptation. It's taking what was a much more one-dimensional story in my opinion, and giving it layers.

And yeah, Run with the Wind was great. Sure Kurahara has been the most emotional, he is the lead, but I think everyone in the cast has done a decent job
Kaiser-Eoghan
Although while I did enjoy last week, I didn't think it captured the impact the manga had.
Kaiser-Eoghan
Dororo upped the ante this week to its benefit. This episode also showed how the series can succeed even with the protagonist having a minimized screentime. I don't remember Taromaro going up against a demon in the manga, this is an advantage of this adaptation adding stuff.
Kaiser-Eoghan
...because there will be that sense of saying goodbye.
Kaiser-Eoghan
@Lenlo: And thinking it over, I've been beginning to get the feeling that this will be one of those took me on a journey shows, one of those shows where I felt I really spent alot of time with everyone in it and after it ends/in the last episode, it'll get me feeling something...
Kaiser-Eoghan
@Lenlo: While so far in the series I thi7nk the stuff around Kakeru has been the most emotionally rewarding, the middle of this episode crept up on me , the tension of the race itself was never interrupted by the flashbacks and they were well stitched into the narrative.
Lenlo
Just watched it. I love this show so much. How is a show about running so damn good
Lenlo
I want to read your comments so much but I wont watch it until tonight ;_;
Anonymous3535670
You know,by the end of this month, it feels satisfying and surreal to have a show that's longer than 1 cour, not be a LN/manga adaptation, and have a (hopefully) satisfying conclusion that's also self-contained. And it's based on a novel about running.
Anonymous3535670
2 episodes left. Last episode is likely going to be Haiji's segment and probably the one with the most waterworks in both his running and his past.
Anonymous3535670
Nico's segment was also exceptional too, looking at his past. King's up next, and he's going up against that douche Sakaki. That guy still wants to prove that he's better than these "amateurs". Next episode is going to be King's segment and then Kurahana's as he goes up against Fujioka.
Anonymous3535670
Day 2 of the Ekiden begins and boy, it's just as emotional as the first day. Huge props to Yuki for being able to make it down the slope, but man his feet took a tremendous beating.
Kaiser-Eoghan
@Anon: I actually respect that, him doing it out of spite.
Kaiser-Eoghan
For example, cinema is infuriating politically correct these days, so I'll happily enjoy some old trashy thing that is guaranteed to piss off certain people.
Kaiser-Eoghan
If I really really don't like something, then end up enjoying something oldskool trashy/exploitative, its an even better show of contempt for the thing I disliked.
Kaiser-Eoghan
I've stopped watching trash ironically now though, to unironically enjoying it as trash and cynically as a reaction to modern hollywood and modern anime trends.
Kaiser-Eoghan
And i am largely against doing that.
Kaiser-Eoghan
I guess I enjoyed parts of both seed series but overall I consider them a low point for the franchise, I essentially fastforwarded through parts of both.
Anonymous3532051
The whole thing comes off as a vindictive screed from the show's producer towards Sunrise because they won't let him direct another show after the mess that was Gundam Seed Destiny.
Kaiser-Eoghan
My introduction to anime was in the late 90s through exploitative ovas, can't believe I still haven't seen angel cop or dumb shit like Kenya boy. In the latters case it has the misfortune of being incredibly dated.
Anonymous3532051
But most of the show isn't really like that afterwards apart from the continued bloodshed, and fan service. There's something up with that if they were going to make such drastic tonal shifts. That had to be intentional.
Anonymous3532051
So bam! First three episodes of Cross Ange contains blatant racism, wanton bloodshed and violence, people dying left and right, lesbian sex, and that really disturbing "cavity check" at the end of episode 1. This must've been done on purpose because Fukuda wanted it to prove some point I guess?
Anonymous3532051
I recall he said prior to that show's airing that he was frustrated that TV content regulations had grown even more strict compared to when Seed was on the air back in 2002, and that Seed wouldn't even be the same had he made it today.
Anonymous3532051
God, Cross Ange feels like a dare made by Gundam Seed's director to create a show with the intent of shocking its audience with edgy material since he produced it.
Anonymous3532051
So I guess at this point, Netflix has officially stopped trying to license anime (and delaying their Western premiers by months after the Japanese airing concludes) since they're announcing nothing but original productions lately. As long as they put out good content like they promised to the anime community.
Vonter
I'm a bit baffled by people arguing Cross Ange is good. Since it's hard to make a case of something being soo good at being baad.
Vonter
WatchMojo made a list of the top ten anime so bad they're good. https://www.youtube.com/watch?v=W1HCnZSriig
Kaiser-Eoghan
Also other than that I'm glad that Totsukuni no shoujo is getting an ova which could possibly lead to a bigger adaptation.
Kaiser-Eoghan
I hope bokura no kiseki ends soon too so I can just re-read marathon it aswell, just give both full anime adaptations.
Kaiser-Eoghan
I'm 22 chapters behind in Amatsuki, I didn't know it had ended, only a few volumes left to be scanned/translated, then I can re-read the whole thing. This thing had very slow updates, which made an already complex manga harder to follow.
Kaiser-Eoghan
Didn't think anyone would actually remember/care about spriggan, I remember parts of it when the ova aired in the late 90s/early 2000s. But i can't recall any opinion I had on it.
Anonymous3529312
I wonder how they'll deal with the anti-American themes though that the source material had (and I think the English adaptations needed to tone down)? Granted, it's a lot easier nowadays to paint America as the bad guy given who's running it lol.
Anonymous3529312
Spriggan adaptation coming to Netflix from David Production huh? Haven't heard of this property in a long time. There was a film iirc that came out 20 years ago.
KTravlos
I loved Paranoia agent. It really was a great show
Lenlo
Oh boy. Just watched Paranoia Agent 8. That got weird. This entire show is weird. I like it.
SuperWooper
Yeah, I'm bummed about the Chihayafuru delay. On the upside, I get to treasure my memories of the first two seasons for six more months before they're tainted by S3.
Kaiser-Eoghan
For others like myself who'd been waiting for them , Chihayafuru season 3 and 7 seeds got pushed back to another season instead.
Anonymous3515039
Even still, perhaps a clean slate is probably for the best. At least in my book.
Anonymous3513877
So, they're going ahead with Psycho-Pass 3 then huh? Again no Urobuchi, but IG will handle this one unlike season 2 (please no Ubukata) and it'll feature a new cast. I assume it'll be written by those who did the recent film trilogy. No Akane it seems, but one can hope for a supporting role or cameo.
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Kemurikusa – 11

At long last, we have an entire episode in flashback and explains much of its Kemurikusa’s rich settings. Even at the risk of over-informed us with details, all the information we learn this week is both unexpected, and makes total sense. Before we get into the details, (AND WHAT A MAJOR REVEAL), I feel the […]

Winter 2019 Summary – Week 9-10

Another two weeks have passed, and Summer Season is coming in sight. It’s the time where most shows get busy as they reach their final arc. Mob Psycho 100 ventures into its shounen roots,  Run with the Wind does extremely well in its last leg, literally, and Kemurikusa girls part way emotionally. Let’s see how these 4 shows below perform in […]

Kouya no Kotobuki Hikoutai – 09/10 [The Vagabond Leader/ The Aggressive Bombers]

Welp, Kotobuki is getting really good. Normally this is the time where shows reach its final overarching arc, and sometimes it loses a bit of it magic because of that (like what I currently have with Gotobun), but with its tongue-in-cheek manner and its main storyline that is totally unexpected but weirdly fit to the […]

Boogiepop wa Warawanai (2019) – 15/16 [Overdrive: The King of Distortion 2/3]

The nightmare never seems to end. During episode 15, we have three separate segments of characters stuck in their own dreams: Makoto’s mother, Sakiko and Kentarou. Play into Boogiepop’s strength, these characters have their own drama and each of their story explores different aspect of this phenomenal, all related to the King of Distortion himself. […]

Kaze ga Tsuyoku Fuiteiru – 22 [Embrace Your Loneliness]

Hello all and welcome to the penultimate episode of Kaze Fui! This week we see King’s struggle, Kurahara takes off and Sakaki becomes a little less hate-able. Lets take off running, we have a lot to cover! In terms of animation and production, Kaze Fui surprised me this week. I didn’t think that, after Yuki […]

Kemurikusa – 08/09/10

Welp, I don’t think I have taken that long break before since I started blogging. My life has been busier than usual lately and I also feel a little bit burnt out from blogging lately. Writing can be a pain sometimes. Hopefully this is just a temporary slump because I’m not intending to stop blogging […]

Dororo – 11 [The Story of Banmon, Part 1]

Lets skip the preamble this week and just dive in to Dororo! On this episode our plucky pair explore Daigo’s city, fight some fox spirits and get in a bit of a pickle. Lets go! Startin off, Dororo had some interesting visuals and colors this week. With the Fox Spirits and the Crazy Woman sticking […]

Mob Psycho 100 S2 – 11 [Guidance ~Psychic Sensor~]

Hello and welcome once more to the Mob Psycho 100 blog, where I gush about Mob Psycho 100! This week see’s an old villains return, multiple defeats and more of Mob’s growth. Lets dive in! Now, at this point I feel like a broken record when talking about Mob Psycho’s animation. But the fact is, […]

Kaguya-sama wa Kokurasetai – 10

There are times when I judge anime series based on the number of screencaps I’m compelled to take per episode. This was one of those times. After closing the video and taking a look at my desktop, I was unsurprised to see it littered with mpv-shot files, all featuring distinct facial expressions, poses, and situations […]

Latest Reviews

A quick and dirty review of Garo: Vanishing Line

What it claims to be about: A secret order of knights and alchemists, the Makai Knights and Alchemists, fight horrifying creatures called Hollows who prey on human weakness .Part of the media franchise spanning anime and live action shows, this iteration is set in modern metropolis and concerns the attempts of Sword, the strongest Makai […]

Planetes Anime Review – 89/100

If there is one thing I have lost watching seasonal anime, it is patience. Every week I expect something to happen, some kind of payoff, to make watching that week worth it. Luckily, Planetes as brought that back to me. Its depth of writing, characters, and general structure belay an anime of a different age. […]

Goblin Slayer Anime Review – 60/100

The controversial nature of this shows opening episode may have many turning away from it due to believing it’s nothing but shock value but that truly isn’t what Goblin Slayer is. I will say that the manga may hold some truth to that statement but thanks to some tasteful censoring(Yes, sometimes censoring can be a […]

Zombieland Saga Anime Review – 60/100

Zombieland Saga was a show that came out of the gate guns blazing, no one expected it nor did anyone predict it but it left a strong impression when it first aired it’s starting episodes. Originally considered to be another zombie apocalypse anime, it overthrew expectations by turning out to be a zombie idol anime. […]

SSSS.GRIDMAN (Fall 2018) Anime Review – 87/100

Let it be known that I’ve never been a fan of Trigger. For me, they’re one of the most style-with-no-substance studio on Earth with a tendency for god-awful fanservice, and total nonsense in terms of story and characters. Yet GRIDMAN completely caught me off guard in the first two episodes, and from there, there was […]

Thunderbolt Fantasy 2 (Fall 2018) Anime Review – 86/100

If anyone has been familiar with the first season of Thunderbolt Fantasy, you’d find yourself a lot to enjoy in this second installment. Served as a sequel, but not a direct continuation to the first, viewers don’t need the knowledge of the original in order to enjoy this ride. Thunderbolt 2 carries many trademarks that […]

Irozuku Sekai no Ashita kara (2018 Fall) Anime Review – 73/100

In the last few years, it’s great to see P.A Works has slowly created their own studio identity, putting more original works with consistent production values. Just in 2018, they produced 4 shows (quite a good number if you ask me), 3 of them were original: Maquia, Sirius the Jaeger and Irozuku. As I said, […]

Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai Anime Review – 82/100

In the wake of many a school based light novel show this may be the small bits of fresh air was can savor out of this overdone setting. Rascal does not dream of Bunny Girl(Or by its japanese title above) is a series not about rascals or bunny girls but instead about contextualising common high […]

Banana Fish Anime Review – 72/100

Some days, I wonder what it is with America and anime about organized crime. Baccano!, 91 Days, Blood Blockade Battlefront, all set in America, all involving criminal underworlds. Today, I get to add another to that list in the form of Banana Fish. Much more grounded than the others, it’s story dates all the way […]