Posted on 31 December 2007 with categories: Anime Reviews


What an excellent way to close off the year! Like with Christmas, I wanted to try something special for a movie to watch at the end of 2007, so I went with one that I absolutely knew nothing about, except for an interesting-sounding premise. After having watched it, I must say that even though it’s old, it’s got one of the most memorable storylines in a movie that I’ve ever seen. This is basically Toward the Terra, minus the epic feeling.

While Toward the Terra featured characters of many different ages, They Were Eleven takes place on a much smaller scale: it’s just about the entrance-exam of one of the most prestigious schools of the universe. The universe sounds similar to Toward the Terra as well, with an elite group that stands miles above the ordinary people, but there are changes; different races from humans, for example.

An cast that consists entirely out of aspiring elites has been used more often in anime, but never has the storyline made use of this fact so much. Because every character is elite, they’re well-educated, and they all have their own reason to pass the exam. The writers use this and create a very engaging mystery-storyline that will keep you on your toes. And that’s the great part of this movie.

The characters are also not your average ones, and are easy to like. There are a few stereotypes here and there, but every single character has one trait that makes them different from the all the other ones of their kind. Regarding the flaws of this movie: it loses a bit of its spark around the end. I’m a big fan of mystery-anime, but they’re always tricky to end well without being predictable. Another point of criticism is that two or three side-characters needed more development than they received.

Still, this is an excellent example of a well-developed old-school movie. The other characters are well-enough developed for the short time that the story has, and they all turned into a memorable cast. The few moments of comedy were also quite welcome. If you’re a fan of shoujo and science-fiction series, then this is a recommended movie.

Well, that’s it for 2007. For those who are already in 2008: Happy New Year! For those like me who still have a few hours left in 2007: Happy New Year in advance!

Posted on with categories: Anime Reviews


After the Cockpit and 9 Love Stories, the obvious next step would be Robot Carnival: another collection of nine stories. Twenty years ago, some of the great names in anime came together, and were all assigned to create a short movie that has to do with robots. Basically, Robot Carnival is the Fantasia of anime, with only two movies that contain dialogue and a soundtrack that has been composed by Hisaishi Joe of Ghibli-fame. This movie shines in its diversity: every short is different from the other. Individually, the shorts may disappoint at times, but together they form quite an enjoyable ride.

Koji Morimoto (Magnetic Rose (Memories), Noiseman Sound Insect, Beyond (The Animatrix)) is up first, and he comes up with a strange, yet very entertaining short, though with the lack of any sort of plot with the short Franken’s Gears. Hidetoshi Omori (Dan Doh? O_o) is up next with Deprive, which is more like a standard action-movie, condensed into nine minutes. Yasuomi Umetsu (Kite, Mezzo Forte) then comes with one of the first highlights of the movie with his Prescence, a quiet thought-provoking romance.
Star Light Angel, well the title says it all. It’s a cheesy shoujo-love-story by Hiroyuki Kitazume (Moldiver), yet it somehow still works. Cloud, by Mao Lamdo will probably be the hardest short to like, as it’s basically nothing else than an animated piece of art, without any clear plot nor purpose. To make up for this, the next short, A Tale of Two Robots – Chapter 3: Foreign Invasion by Hiroyuki Kitakubo (Golden Boy, Roujin Z (note to self: check those out)) will have you rolling on the floor laughing with its parodies of ancient mecha- and samurai-shows. To close off, Takashi Naamura (Fantastic Children, A Tree of Palme) comes with a short that combines quirky characters with a lot of imagination. You wouldn’t suspect that Fantastic Children came from the same creator.

While most of the shorts fall short in the story-department, I like how a lot of them weren’t just created to tell a story, but also to pay homage to the different genres of anime at that time. Giant Robots, shoujo-dramas, action-flicks, thought-provoking dramas, samurais. All of them are either parodied or remembered. Hisaishi Joe manages to capture the feeling of every said show perfectly as well, making sure for a terrific, yet cheesy soundtrack. Overall, this is a very good way to watch at the end of the year, as the level of nostalgia is quite high.

Posted on with categories: Yearly Summaries

And so it’s finally time to say goodbye to 2007. It’s been another great year, and what way to close it off better than with the obligatory end-of-the-year-rankings and -awards. Like mentioned before, this post has turned out a lot bigger than last year now that I’ve had multiple days to work on it. Oh, and if this is the first time you’ve visited my blog: yes, I do have an unusual taste. There are no awards for Lucky Star nor Gurren Lagann. In fact, I’m actually surprised that Death Note also didn’t get any mention…

Best Anime of 2007: 20-11
This year, I decided to go for a top-20, instead of the usual top-10. Here are the first ten, you can find the rest down below, after the individual awards for this year. Overall, I must say that 2007 has been an excellent year for anime, and even though less series have come out in comparison to 2006, it somehow feels that the overall quality was higher instead.

#20: Master of Epic

I was probably one of the few people who actually stuck with this series, but still I consider Master of Epic to be the best parody-series of the entire year. No other series had so many parodies that hit the spot. It’s also one of the very few comedy-series that knows it’s a comedy-series: there’s no forced drama at the end, and instead the laughs just came rolling. Master of Epic gave me a lot of laughs in the early months of 2007, and for that I decided to include it at #20.

#19: Bakumatsu Kikansetsu Irohanihoheto

While the finale was a bit too straightforward and predictable, this remains a memorable series. The animation and character-designs were excellent, and the soundtrack was smashing. One thing I realize now that I’m writing up this list is that the winter-season of the past year had a lot of shows with excellent historical backgrounds: Bakumatsu Kikansetsu Irohanihoheto, Tenpou Ibun Ayakashi Ayashi, Chevalier and Les Miserables all provided great insights in the politics and culture of the Japan and France from a few ages ago.

#18: Sayonara Zetsubou-Sensei

Of course, Sayonara Zetsubou-Sensei can’t be omitted on this list. I’ve always liked Shinbo’s original style of direction, and this could quite possibly his best work up till now. But the real strength of this series is that it’s critical on just about anything. It makes a fool out of many taboos on modern-day society.

#17: Gintama

Gintama is still on-going, but that doesn’t stop me from adding this series to this list. It may have had a few episodes where it lost its spark a bit, but in the episodes in which it delivered it was absolutely hilarious. Gintama has a brilliant sense of humour that doesn’t seem to tire, even after forty episodes. Added to that comes the fact that it’s one of the few comedies that actually get improved when the occasional drama is added. This is one series that will have you cry manly tears, either because of laughter, or because of sadness.

#16: Otogi Juushi Akazukin

The finish was weak, but apart from that Otogi Juushi Akazukin has been an awesome fairy-tale experience with a lot of memorable characters. This series was incredibly cute, from start to finish, and the characters made sure to keep this one engaging.

#15: Jigoku Shoujo Futakomori

I can’t deny that Jigoku Shoujo is repetitive. Still, it’s the same as with Revolutionary Girl Utena: the repeated scenes and themes give the series some kind of ritualistic feeling. It also helped a lot that the storytelling for some of the stories was incredibly strong, and especially the best stories were truly memorable. An in-depth look into revenge and what causes people to throw their souls away, just to get rid of one person.

#14: El Cazador de la Bruja

Those who’ve been visiting my blog regularly probably know by now that I’m a Bee-Train fan. Their slow style of storytelling is easy to hate, but I couldn’t help but love the character-development between Ellis and Nadie. The two of them, along with the amazing talents of Kajiura Yuki turned El Cazador into a huge success for me.

#13: Flag

It’s a real shame that the subs for the second season still haven’t come out. I watched the series raw, back in March, and it was even better than the first one. If you’re tired of all those idealistic and unrealistic war-stories, then this is the series you should check out. Never have I seen a war-anime that was as realistic as this one. The decision to make a bunch of photographers into the main characters was an excellent one. The only downfall you should be aware of is that it takes quite a long time to build up.

#12: Saiunkoku Monogatari

Saiunkoku Monogatari is definitely not a fast-paced series. Nearly seventy episodes have passed now, and the end of the series isn’t even in sight. But because of this, the characters have gotten a huge amount of attention, to the point where none of them feels two-dimensional. The writers spent a lot of time on them, to flesh out all of them. The result can be seen in the climaxes, which were absolutely amazing.

#11: Red Garden

This was basically one huge character-study of the four heroines, with all of them having their own problems. It was quite angsty, yes, but the second half really developed the characters into a memorable cast for me. For me, this was the first proof that Gonzo can be good if they want to. One thing I also found out after watching is that this series followed Mahou Shoujotai’s example of recording the voice-acting first, before producing the animation. This is the reason why the dialogue for this series felt so intense and genuine.

2007 Individual Awards:
Biggest Disappointment:

Code Geass: Lelouch of the Rebellion

At one point, this series had so much potential. But it ruined itself with its too many coincidences, and instead of political intrigue, it went towards a harem- and emo-fest. Things like these sell, yes. But they’re not my idea of good storytelling. The second place is the Hellsing OVA. The first and second episodes were nice, but with the third episode, I understood why Gonzo originally diverted from the manga at that point. Pure genocide isn’t exactly my definition of entertainment.

Worst Series:

Shining Tears X Wind

Of course, I can’t speak for the series I didn’t finish. Goshushou-sama Ninomiya-kun would have had a fair chance to win this title as well, but on the other hand, even that series has to try really hard to surpass the pain that was Shining Tears Episode 12. I still recall how I fell off my chair out of agony when I watched it.

Worst First Episode:

Buzzer Beater

While I of course didn’t have the chance to watch every series, I did get the chance to watch the first episode of the majority of series that aired this year. There was a lot of bad stuff among them, like Goshushou-Sama Ninomiya-kun or Koharu Biyori, which were just fanservice-fests. Still, the worst has to be that episode of the 2007-remake of Buzzer Beater. The main character was even more annoying than Makoto from School Days, for goodness’ sake!

The this-anime-seems-to-have-gone-up-in-smoke-award:

Dead Girls

Seriously… what happened? The OVA for Red Garden was supposed to come out in August, but no subs have come out at all. Did it really ruin the series so much?

Most Pleasant Surprise:

Le Chevalier d’Eon

Due to the slow subs, I was only leisurely watching the first half of this season. That’s probably why I never saw the huge increase in quality coming, once this series hit its second half, and after that, it remained one of my favourites of the time until the end.

Best Animation:

Seirei no Mobirito

2007 was a very good year in terms of animation. Dennou Coil featured simple, but consistently detailed animation. FLAG was shown for its entirety through the lens of various cameras and photos, and Baccano!’s art, while incredibly messy, never gave off the feeling that any still frames were used. Still, none of them can compare to the amazing details of Seirei no Moribito.

Funniest Series:

Gintama

2007 was also another excellent year in terms of comedies. From the more popular series as Sayonara Zetsubou-Sensei to the obscure ones of Power Puff Girls Z and Master of Epic, a lot of them were hilarious. Of course, there were disappointments. Potemayo and Lucky star just didn’t cut it and got stale fast, but thankfully Gintama more than made up for this. It has along with the Law of Ueki and Excel Saga the most awesome sense of humour I’ve ever seen in a comedy, and cracked me up many times after each other. It may take a few episodes to get into, but Gintama is a perfect recommendation if you’re looking for laughs.

Best OP:

Uninstall – Bokura no
(Why yes, I was a bit too lazy to take screenshots)
Most opening themes look like each other, with the cheesy J-pop and J-rock and all. But there were some great songs this year among them. Especially the OVAs came with a great selection (especially Tales of Symphonia and FREEDOM) and Wellber no Monogatari, with its textless song formed an excellent introduction to the series. But still, Chiaki Ishikawa, member of See-saw delivered an excellent song, which combined with the excellent visuals for Bokura no to my favourite OP of the year.

Best Thought-Provoking Anime:

Bokura no

Especially when thinking back, the two series that stand out for me as the most thought-provoking of 2007 are Kaiji and Bokura no; both ask deep questions about human nature. Kaiji delves into the darkest corners of the human-mind, while Bokura no shows us how the different characters all deal with the dark situations that they’re put into, and especially how every characters reacts differently.

Best Studio:

Production IG

For me, there were four big animation-studios in 2007: Gonzo, Studio Deen, Madhouse and Production IG. All four of them delivered multiple excellent anime. Gonzo and Studio Deen, however, also were behind some of the crappiest series of the year, and with Madhouse you’ll never know when their series turn out excellent or just mediocre. Still, Production IG only messed up with Reideen. All their other series this year were of a huge quality. Seirei no Moribito and Chevalier were brilliant, Wellber no Monogatari was very entertaining and Ghost Hound is also shaping up to be an excellent series. Here’s to hoping that they’ll be able to continue this trend for 2008!

Best Drama:

Kaze no Shoujo Emily

This was quite a hard award to give away, simply because most of the shows I watched could be considered drama in some sort of way. Still, in the end I decided to go for Kaze no Shoujo, as the interaction between Emily and the people around her is exactly what drama should be.

Best Movie 2006/2007:

Tekkon Kinkreet

This year premiered a lot of interesting movies, but for me the two best ones turned out to be Toki wo Kakeru Shoujo and Tekkon Kinkreet. Toki wo Kakeru Shoujo was exactly how a high-school drama should be and the lead character was really likable. Still, the clear winner for me was the sad tale of two orphans that grow up on the streets of Tekkon Kinkreet. Studio 4C has shown yet again that they know exactly what they’re doing.

Best Music:

El Cazador de la Bruja

This was an easy category for me. Yuki Kajiura shines with the work she’s done for El Cazador, and especially the main tune is among her best works yet. As for runner-ups: that honour belongs to Toward the Terra and Seirei no Moribito this year. Two soundtracks which fit the series they’re made for perfectly.

Best Action:

Bakumatsu Kikansetsu Irohanihoheto

I won’t deny that Tengen Toppa Gurren Lagann had good action; for me it takes up the third place in this department for 2007. On the second place comes Seirei no Moribito. It may not have had many action series, but the choreography of the ones that were there was amazing. Still, the swordfights from Bakumatsu Kikansetsu Irohanihoheto did remain to be the best action-sequences. It had the combination of the quality of Seirei no Moribito with the quantity of Gurren Lagann, with very exciting results.

Best ED:

FREEDOM
No question possible here. Ike Yoshihiro smashes all competition with the incredible song he composed here. The only others who can come close to the ending for this series are both the endings of Bokura no, yet again two excellent songs to close off the series.

Best Romance:

Saiunkoku Monogatari

Okay, romance indeed isn’t my preferred genre, but that doesn’t mean that I don’t like it when it’s done well. The best of this year in terms of romance definitely comes from Saiunkoku Monogatari. Every single couple of the series is awesome and well-developed, so it’s an award well-earned. As runner-ups, there is the later half of El Cazador (which was yuri, though) and the final episodes of Kaze no Shoujo Emily.

Best-Looking Graphics:

Bokura no

Unlike with the Best Animation-award, I’m not looking for detail here. Things just have to look good. For me, Red Garden, Sayonara Zetsubou-Sensei, Toward the Terra and Wellber no Monogatari all looked gorgeous. Still, I decided to go with Bokura no. I really like Mohiro Kitoh’s character-designs. They’re simple, yet effective and they work perfectly when combined with Gonzo’s graphics.

Best Non-2006/2007 Movie:

Tokyo Godfathers

Those who’ve been reading my blog for the past year know that I’ve been checking out all kinds of older movies for the past months. While I saw a lot of good stuff from Studio Ghibli, the best were two movies called Metropolis and Tokyo Godfathers, two productions which shined in nearly every department. Because Metropolis had a few predictability-issues, I decided to give the award to Tokyo Godfathers. The perfect Christmas-movie.

Best Mystery:

Dennou Coil

2007 has been a disappointing year for mystery when compared to 2006, something which I, as a mystery-fan, didn’t really like. Series like Darker than Black and Baccano may have been good in their own ways, but the mystery just wasn’t as good as some of the mystery-series that 2006 brought us. Higurashi no Naku Koro ni also stopped being a mystery-series with its second season, and that only leaves Dennou Coil to stand on the top, with definitely the best mystery of the entire year.

Best Old Series I happened to See This Year:

Haibane Renmei

While the second half of 2007 kept me busy checking out different movies, in the first half I was watching various thirteen-episode series. The best of the bunch definitely were Figure 17 and Haibane Renmei; two fantastic character-studies. Haibane Renmei ended up winning because of the brilliant scriptwriting that was showcased in the final episodes.

Best Script:

Baccano!

It hardly comes as a surprise that Baccano! walks away with this award. Three timelines happen all at once, the cast of characters is enormous for a thirteen-episode series, and still everything comes together like a charm in the end, leaving every character with a well-defined role, fleshed out and at least with a tiny bit of development.

Best Story:

Les Miserables – Shoujo Cosette

The two big series for this category are Toward the Terra and Les Miserables. Les Miserables managed to win because of the immense attention it put into both building-up and wrapping up its storyline. Here’s one series that makes perfect use of its 52 episodes.

Most Promising Studio:

Ufo-Table

There’s one reason why I give this award to Ufo-Table. Before 2007, they were just a measly studio with only the bad titles of Ninnin ga Shinobuden and Coyote Ragtime Show behind their name. Then they started the year with Manabi Straight, and continued on with Tales of Symphonia. While both may not be the best titles, they’re a huge improvement of what the studio showcased before, and they’re now also promising to do a great job for Kara no Kyoukai, which airs in 2008. These guys are really working to improve themselves, and it would be lovely if this could continue.

Best Character-Development:

Les Miserables – Shoujo Cosette

There are a lot of strong contenders for this year, which is why I decided to include this award. We have Chevalier with Durrant, Toward the Terra with Jomie and Keith and Red Garden with its four main characters. Still, the champion in the character-development for this year is Les Miserables, where the entire cast underwent some kind of memorable development, with the highlight being Eponine, who underwent so many changes from her initial spoiled brattiness.

Best Anime of 2007: 10-1
#10: Ooedo Rocket

A series that went mostly under the radar during the spring-season, which rather surprised me as it was being directed by the same guy who directed Full Metal Alchemist. Still, it featured a memorable cast of hilarious characters. It was so much fun to just see them interact with each other. I also admire the guts this series had for its final episodes, but I’d rather not spoil this.

#9: Higurashi no Naku Koro ni

It took me a while to get used to the completely new pacing of the second season, when compared to the chaos of the first one. But still, the second season made Higurashi feel a lot more complete due to the huge amounts of attention it paid to the storyline and setting.

#8: Le Chevalier d’Eon

This was a real surprise for me. I was just casually watching this series, until it suddenly turned to much better than I could have imagined. I keep a list of rankings on this blog at the end of each month, and Chevalier was one of the only two series to be my favourite series for two consecutive months. The incredibly deep characters and the well-developed setting in France during the reign of Louis XV are the ones to thank for that.

#7: Seirei no Moribito

And with that, we come to another Production IG-series: Seirei no Moribito. No single series can even dream to come close to the amazing production-values of this series. Everything, absolutely everything has been incredibly detailed to perfection. This made for a few awkward and boring moments, but boy, did it deliver in the end!

#6: Dennou Coil

The spring-season had an incredibly strong line-up, and yet, Dennou Coil was my most anticipated series, and with a good reason. The setting has been incredibly imaginative. Mitsuo Iso went much further than just “creating a cyberspace that can be viewed with special glasses”. Dennou Coil has been an excellent example of science-fiction that’s different from all the space- and mecha-battles, and it was blessed with an incredibly strong cast.

#5: Baccano!

I don’t think I can add anything to what has already been said about this series. Baccano came and delivered in 13 episodes something that takes ordinary series twice as much time. No single frame or scene was wasted. And even though there were a huge amount of stories going on at the same time, everything came together like a charm, resulting in one of the most well-written series of the year.

#4: Les Miserables – Shoujo Cosette

To be honest, the Top-4 of this year is incredibly close. Last year, I had no difficulties selecting the order for my top-series of the year. Mahou Shoujotai, Noein, The Third, Simoun and Mushishi all made some special impact on me, they clearly stood above the rest of the series for 2006, and ranking them was quite easy. Though with 2007, choosing my favourite series was incredibly difficult. I know that the series I ranked in my top-4 are the highlight of the year for me, but there’s hardly a difference in quality between them. They all were awesome in their own way. Les Miserables is the only series this year that can boast to have a better-developed storyline than Seirei no Moribito. On top of that, the characters have been amazing, and the entire series has been wrapped up very carefully. This is one series that deserves to get subbed.

#3: Toward the Terra

Space-operas at its best. You won’t find any cheesy giant robot-battles here. Toward the Terra is the story about the Myu, who are searching for just a place to live. The multiple time-skips made sure that this series featured some of the best character-development of the entire year. Outstanding in every way, Toward the Terra is my biggest recommendation for the series that aired in 2007.

#2: Kaze no Shoujo Emily

Without a doubt the most underrated series of the year, even when compared to Les Miserables. Kaze no Shoujo Emily had an amazing combination between slice-of-life and gut-wrenching drama, and seeing Emily and her friends grow up was a true delight. For me, this has been one of the most consistently good series of the year, hence the high placement. The feeling of working towards your dreams proved to be excellent material for this series to work with.

#1: Bokura no

The perfect example of why changing from the original manga can be a good thing at times. The concept for Bokura no already was amazing, and the director used this concept perfectly to provide an amazing storyline for the characters to work with. Bokura no wasn’t about the characters freaking out, but about how they all individually chose to deal with the situation that was forced upon them, despite a few coincidences in the storyline, but I couldn’t care less about those.

Posted on with categories: Anime Reviews


Kawaguchi Kaiji’s 9 Love Stories, well, I think you hardly need to know anything more to guess what this one will be about. Kawaguchi Kaiji is the same guy who wrote the original story for a Spirit of the Sun, and his nine love stories are basically what you get after you cross Human Crossing with Sentimental Journey and put the result in a 90-minute movie. If you liked any of the two, or even Seraphim Call or Rumic Theatre for that matter, then you’ll like this one.

This movie basically features nine ten-minute stories about nine different, unrelated adults and the person they love. Five or six of them work: they’re touching tales about their characters, with some nice twists at the end. Three or four of the stories feel predictable, though. They just don’t have the spark that the others have.

Still, this movie is quite a nice recommendation if you like romance, and especially if you’re sick of all the standard high-school romances like me. Even though this movie dates back from 1993, the best stories still feel fresh. The graphics will take a bit of time to get used to, though. There are a lot of broad chins and the girls aren’t busty moe-stereotypes like you usually see. Instead of coming up with an original soundtrack, the creators went with a few classic songs from artists like the Beatles. It’s a bit cheap, but it fits, and it works.

Posted on with categories: Shugo Chara

I think that the end of 2007 will be the best time for this, so yeah, I’m going to drop Shugo Chara so that I won’t take it along into 2008. I’ll still continue watching it, but I don’t feel like blogging it anymore, for a variety of reasons:

– First and foremost: the 51 episodes. I don’t mind covering long series, (heck I did blog Jigoku Shoujo and Les Miserables with no problems whatsoever), but this length is just way too long for a series like this.
– I also have to admit that Shugo Chara didn’t turn out as interesting as I hoped it would be. I expected deep characters, what I got was random shoujo-fluff.
– While it was nice enough to cover it during the not-so-spectacular Autumn-season, there are enough excellent series that will be starting with the winter-season, and you can expect a lot of series that I’m going to end up blogging, and I feel that blogging Shugo Chara will feel more and more like a chore, so I’m going to drop it while it still feels enjoyable.

Unfortunately, 2007 has been a horrible year for Mahou Shoujo. I hoped that Shugo Chara would change this, but unfortunately it didn’t. Nothing about the series has stood out so far, and I don’t feel like blogging about 30 more episodes of fluff to get to the good parts.

Posted on with categories: Anime Reviews


I must applaud The Cockpit for actually taking place during World War II. It’s the same here in The Netherlands: there are lots of novels and stories about our Golden Age in the seventeenth century, there are lots of stories about World War II, where we were basically the victims of the Third Reich, but you’ll never hear anything about what we did in Indonesia, where we were the bastards. The same goes for anime: there are quite a lot of series about the Japanese ages of glory, the time of the samurais. And there are very few anime about the Second World War, where the Japanese were the bastards. If only for that, this series deserves credit.

Apart from this, The Cockpit is a collection of stories about three people, fighting for Japan in the war. Slipstream is a beautiful tale about a war-veteran and a certain mission he accepts. It may not be historically accurate at times, but its message is wonderful and makes a lot of impact. It’s also got a subtle feeling of loneliness that doesn’t feel out of place in a Makoto Shinkai-movie, and it’s the definite highlight of The Cockpit for me.

Sonic Boom Squadron then comes and tackles a taboo in anime: suicide bombers. We get to look into the mind of one of them, and the ones who will accompany him in his final moments, and it works. While I would have liked to see a bit more about his background, the guy shows us something different from the stereotype that surrounded the suicide-bombers. The ending is also a great one, held back from being underdeveloped and coming from rather nowhere.

Knight of the Iron Dragon is a disappointing finale, though. It doesn’t take itself serious enough, and the themes have been overplayed a bit too much, with a low-ranked war-veteran taking care of a rookie. It has the potential, but the execution just fails.

I must admit that I didn’t think much of the Matsumoto Leiji-universe up till now, but that’s probably because the only thing I had seen from the guy was Gun Frontier, which was just bad. With The Cockpit, though I begin to see the guy’s talent: realistic war-settings about thought-provoking heroes. If his other works are more similar to The Cockpit than to Gun Frontier, then I’m willing to check out more of it somewhere in the future.

Posted on 30 December 2007 with categories: Anime Reviews


Oh my, this is a rare occurrence: quite a lot of series suffer from an underdeveloped villain, out there to destroy the world for a weak or shallow reason. This isn’t the case for Please Save my Earth, though. Heck, the major villain is actually the best-developed character of the entire series!

Please Save my Earth is one of those rare six-episode OVAs that prefers to focus on the story and the major villain, instead of the usual characters. The setting is also a memorable one, with a few similarities to Fantastic Children, and it makes sure that the villain has a good reason for his grudges.

Unfortunately, the good guys do have their problems. Don’t get me wrong, they’re deep, they’re developed, but unfortunately they haven’t been fleshed out well enough. Please Save my Earth seems to be another manga-adaptation, and in the end six episodes turned to be too small for this story. At times, the characters also keep angsting while it would have been better to see more of their sides. Especially the background story: it has so much potential, but we hardly see anything of it.

Still, for an OVA, this is definitely an above-average one. It starts out really annoying, but soon a twist will make you see that this is more than just an ordinary high-school drama. The animation may be a bit dated (this is fifteen years old), the music has been composed by Yoko Kanno in her early days, and it shines. Combine this with deep characters and you have quite a good way to spend three hours.

Posted on with categories: Anime Reviews, Les Miserables - Shoujo Cosette


And finally, the behemoth of the series that is known as Les Miserables -Shoujo Cosette has ended. For the revival of the World Masterpiece Theatre, the classic novel by Victor Hugo was chosen to get an adaptation, and the result has become terrific; a masterpiece in terms of story and characters. Sure, the series is aimed at children, but don’t think that children will be the only ones to enjoy this, because Les Miserables is an epic for every age.

The series consists out of five arcs, where every arc is different from the other. Indeed, the first arc focuses on how a small girl called Cosette has to live under the evil Thenardiers. The fourth arc, however, deals with a bunch of men that fight for their beliefs in a revolution, and Cosette herself actually plays a very small role in this. There is indeed a lot of building-up, but because of this, every character can be fleshed out and developed. Every bit of storyline can be explained and carried further, and every single climax works, and takes the best out of the characters and the story, with the definite highlight being the fourth arc.

Les Miserables definitely isn’t your standard anime. There are no cheesy villains that are out there to destroy the world. No teenagers that can pilot giant robots. What we have here is a story that manages to remain realistic and yet exciting. Every character fits his or her role exactly and there is hardly any character that doesn’t develop somehow. There’s just one downside, though. The book was quite dark, and most of the dark elements did remain in the series. Unfortunately, the heaviest themes as prostitution and suicide had to be scrapped though. The ending also ends up being much lighter than that of the book, but that doesn’t mean that it’s less developed. Les Miserables remains an excellently written series, from beginning to end.

Overall, if you liked Studio Ghibli’s non-action movies then you’ll definitely like this one. It’s such a shame that the subs have only reached up till episode 6. If there ever was a series that deserves to be subbed, it’d be this one, because for me it had the best story and character-development of the entire year of 2007. Let’s hope that Porfy’s Long Journey doesn’t get the same negligence.

Posted on with categories: Les Miserables - Shoujo Cosette


What an awesome way to end such an awesome series! Even though there was nothing of Thenardiére and Azelma, we get something that’s even better: the death of Jean Valjean. I didn’t believe that this series would be able to make me cry after the revolution ended, and thankfully I was so wrong about this. Jean’s end was incredibly well-done, and is it me or did the graphics look better than ever in this episode?

This episode starts with a time-skip of what I’d guess are a few months. Gavroche and his two brothers are settled into their school, and especially Gavroche is making a lot of progression. Cosette and Marius have just moved out, into Courfeyrac’s old apartment. It’s at that point where they get a letter from Jean, and with that they finally manage to find him back.

The guy has indeed wilted away, and has become sick in the months that he was away from Cosette. It also seems that he stopped using fake names, and he’s known to the people as just “Jean Valjean”. He also stopped hiding the chandeliers from everyone, and he actually grew a small beard. When Cosette and Marius meet him, he finally has the courage to tell Cosette about his own life, and of the times he served in jail (it was awesome to see Jean in his twenties, by the way). After he finishes telling, it seems that he’s finally content enough to stop caring about his own life, and dies.

In the aftermath, we see Javert again as well, when he comes to give a quick visit to Jean’s grave. The anime ends with a few flashbacks and shots of the different characters passing out food and clothes to the poor, and the final scene goes three or four years into the future, where Marius and Cosette along with their daughter, a very reminiscent scene for the first episode when Cosette had her final moments with her mother.

To close off, I would like to thank Irene, angedemystere, Tania, Dookers and R for keeping the comments coming. Out of all the shows I’ve been blogging, Les Miserables has had the most discussion going on in the comments, and it was a lot of fun to read them for every week. I’m not sure if you’re going to watch Porfy’s Long Journey as well, but I’m definitely going to follow it. :)

Posted on with categories: Gambling Apocalypse Kaiji


Okay, so the current is going to be predictable. Kaiji just has to survive; otherwise the show would just run out of main character. Still, that didn’t prevent this episode from being among the best that this series has had to offer. At the moment, I only see one annoyance in this series: this is one of the worst series to take screenshots for: all the best shots have subtitles in them.

In the Espoir-arc, death was more symbolic, but for the Starside-arc, it’s gotten much, much closer. I loved how, now that there is no more competition, the ten remaining contestants feel much closer together, now that they won’t have to betray to stay alive. Very refreshing for this series. Instead of that, a new threat has appeared: plain old fear and I loved how this episode showed how easily this can go out of control if your life is at stake. Take that, action-movies!

Tonegawa is also shaping up to be one of my favourite characters of this series. Unlike all the contestants, he’s not limited by predictability and after the previous episode I wouldn’t have thought that he’d actually enjoy events like this, seeing the scum of society suffer so much.

One thing that would make Kaii’s survival more credible is that he by far the most emotionally involved with the others. In this episode, you can see that he’s too busy with worrying about the others’ survival to realize that he too is on the verge of death. I also predict that Ishida will play a big role in the next episode, because he keeps relying on Kaiji so much. The two of them will probably use this to get to the other side, while Sahara will use his competitive spirit against Kaiji. It’s a shame that the other characters didn’t receive enough development like this, and they’ll probably all end up dying as well. Perhaps with the exception of the guy in the red shirt.

CHANGE USERNAME
Kaiser-Eoghan
@Anon: It wasn't just it coming out of her mouth, but when they were stamping on them too.
Anonymous1743747
@Kaiser: Yah, I was horrified for like 5 seconds but the other characters made me crack up. :.D
Kaiser-Eoghan
Although it was mixed in with laughing my ass of eventually.
Kaiser-Eoghan
Of all the Itou stories to be un-nerved by, its the second half of this third episode oddly that does it for me and I never get uncomfortable during anything .
AidanAK47
@Anon, We are working on it.
Anonymous1742736
Are you planning on making a top anime of 2017 list?
Amagi
Yeah Mash is one of the few good ones it seems.
Amagi
Oh damn, good that you remind me, I didn't pick anything yet. But I guess I will go with Altera, considering that some of them don't look that good and I own her anyway. Would have wanted the Scat one but the drawing looks weird.
AidanAK47
Which Bond CE did you pick for the 2 mill? I went with the Mash one. Only only whose artwork I liked.
AidanAK47
Might settle for making Bryn my endgame lancer though.
AidanAK47
As I said in my Apocrypha post, I have no interest in any version of Jeanne. My top priorities for my endgame team is Isekander, Scathach and assassin Shiki. And Shiki is a welfare so only need to worry about the other two.
Amagi
Yeah, I was considering to keep rolling for the new 4* at first but I really want Jeanne Alter and she's coming soon.
AidanAK47
@Amagi, I tried rolling for Karna and got nothing. Though I think Bryn is better. I plan on rolling one more time with the saint quartz we are getting to try for NP2. Though we do have the valintines event coming.
Amagi
@Aidan: Same here, just got Brynhildr. Even though I already got Karna last month. But I wanted her, nice design, finally a single-targed 5* and she's even one of the few servants related to my country.
KTravlos
@SuperMario. The contemplation of the death of humanity, and the loneliness, both were very disturbing to me. Kinda like thinking of my grave.
AidanAK47
YANDERE GET. Bryn's mine baby.
AidanAK47
Gonna try rolling for Brynhildr tomorrow. Bit annoyed they chose to translate it as Brynhild. I mean it's not incorrect but her name is far more recognisable as Brynhildr
AidanAK47
@Amagi, The grind wasn't that bad for me. Mordred carried me for it. Though I managed to get Siegfried in the gacha despite not being on rate up. I admit that the event was rather lackluster. Story wasn't that fun and the whole saber restriction was a pain. Also gonna take me a while to readjust to regular damage.
Amagi
Man that FGO Saber Wars event was annoying. I am happy finally I have 2 mio. altrium now and am done with it.
Kaiser-Eoghan
Reminder that netflix Godzilla anime is later today.
Amagi
Damn I didn't noticed that ankle band of the little demon from the intro scene of FranXX 01, now I feel stupid.
Lenlo
Yuasa is great! Ping pong and Tatami Galaxy are still some of my favorites
SuperMario
Oh fuck, the lead singer of the Cranberries passed away. I literally just listened to their music yesterday. Damnn, sad news
SuperMario
@Kaiser; thanks for considering me but I believe Wooper is much more a Yuasa's fan than I am
SuperMario
Far out!!!
SuperWooper
Yuasa will be answering questions on Reddit's anime board on the 20th.
SuperMario
@Niello: what do you mean regarding Yuasa?
SuperMario
@Travlos: I agree that Girls Last Tour is a special little gem, but in what ways it's disturbing?
Niello
Holy cow, Masaaki Yuasa AMA!! What magic is this?
Niello
Meawhile, Japan took a different approach and we ends up with a bunch of .hack rehash and diving more and more into escapism. Until we eventually got isekai and then it just spiraled into a sea of mediocrity.
Niello
While that opened its own can of worms, at least it opens up element about making ends meet, managing irl relationships, earning extra income for a poor family, getting cheated etc.
Niello
in the characters real life just fine. Something more a long the line of Net-juu but more technologically advanced. And I would say that plenty of those have been superior to Japanese online game and isekai story shenanigans. That said, it doesn't mean that those don't have their own kind of traps they usually fall in. A bunch of those instead focus on the aspect of making money off of games.
Niello
...Getting stuck in a virtual reality game and being transport to another world that happens to be like a game are completely different though. I don't know what is it with Japan and getting stuck in game plots considering that there are loads of other game-base Asian novels that came before it that manage story lines where they manage to tell compelling stories in game while balancing what happen
KTravlos
I finally finished Girls Last Tour. What a profound, fluffy and disturbing masterpiece. Bravo.
Amagi
Yeah. I feel the world swap is pretty much pointless when real life isn't relevant anymore. It's just a stupid as hell excuse to combine fantasy wish fullfilment with self-inserts, which is why these main characters tend to be 29 by now, just like the big part of the otaku community.
Lenlo
Of those you listed, no, I dont think they get explained? I mean, SAO did, but I dont think that falls into your category.

Thats why I liked .hack//sign over alot of more modern game Isekai. Also .hack//sign did explain what happened to Tsukasa.
Amagi
Considering how bad most of these are I wouldn't wonder if they wouldn't even bother with an explanation and just end it with the characters being happy in that game world and that's it. Or magic and the whole harem gets transported into reality at the end because power of love and such.
Amagi
I have no problem with a sci-fi fantasy mix, I liked .hack//sign for example, but it annoys me that such an incredibly bizarre situation gets never explained. Or maybe it will but it never happened so far because none of these LNs was ever finished and concluded yet. I just wish to know how they explain that.
Amagi
I mean all those shows in which the character just finds himself stuck in a real world that's (coincidentally?) the same as the game he recently played. Be it Overlord, Death March, Log Horizon or the 300 other series with that premise.
Amagi
Some thing that always bothered me about game isekai for which I never got an answer so far: did any of those series ever end and/or explain how the warp has happened and why the MC is in the game? - Not talking about .hack, SAO and such where the action of getting trapped is part of the premise
Niel
@Eoghan - Btw, Kokkoku isn't a time travel. it's stasis, apparently. Looks very promising so far. Though if I am to trust the manga score, it's shit.
Niel
But is Toradora really slice of life? As far as I can see it's straight up romance.
Lenlo
And Mario, ill rag on SOL all I want! :P

Wooper, its true good shows transcend genre, as there are still some like Toradora I like, but those are exceptions that prove the rule so to speak.
Lenlo
@Niel, yeah I base my potential % on the odds something gets/stays good.
AidanAK47
I am of similar mindset about Franxx. I want it to get better but I don't really see it doing so. Unless the other characters get a majority personality boost or the MC stops being a plank.
Niel
XD
Kaiser-Eoghan
I confess....I only sat through just over half an episode of aldonoah.
Niel
Since it's Trigger, I will give the benefit of the doubt. I'm just very skeptical about this whole formula.
Niel
The way I can see this series improving is through world building. And if other aspects are going to improve too, it's going to revolve around that.
Niel
It leaves about as much impression on me as much as the first episode of Aldnoah did, and I dropped that one straight away. The character chemistry doesn't look like it will go places that's not cliche. The gimmick doesn't seem like it has much potential either.
Niel
So you're all betting it on "this is going to get better". I mean, I hope it gets better. Though right now this feels more Kiznaiver than Kill la Kill or LWA.
Kaiser-Eoghan
I'd nominate Mario to do the devilman review as he's the most immediate Yuasa fan to do it and Bam is too awol to write it.
Kaiser-Eoghan
The cute girl shows just bleed and blend in my mind now, same with the isekai shows.
Kaiser-Eoghan
Devilman, my show of the season, unless after the rain ends up having some emotional wallop.
Kaiser-Eoghan
So for me its looking like: Junji itou, Cardcaptor sakura, keeping up with sangatsu, wait and see on amegari . Not watching a time travel or trigger show and I remain unable to sit through Mahoutsukai .
Amagi
The story itself is generic so far but so are most Trigger series at the beginning so not sure. Maybe it will stay weak, but in general I prefer series that start with the weaker episodes and get better and better over time over the many series that use up all of their budget and trump cards in the first episode and drag on after that.
Amagi
I really love Trigger's esthetics and their characters. I am happy they're more often involved in non-trigger-only productions because I honestly think that most of the stuff I enjoyed about FranXX was heavily influenced by them.
SuperMario
@Nielo: Franxx's first ep was stellar for me. Storywise, it's lackluster (and I see the similar in tropes between this and Beatless) but production-wise it's excellent
SuperMario
I think I just keep watching it on a weekly basis. Still trippy as hell
SuperMario
Okay, I just watched second episode of Devilman Crybaby and it's still pretty good.
Nielo
By the way, what's up with Darling in the Franxx? I thought it's a very weak first episode.
Nielo
@Lenlo: Slice of life isn't my thing either, and I usually avoid series set in high school.
Nielo
@SuperMario: Takagi-san is cute, I'll admit that, but since I already read the manga it's not new to me. Sora Yori is good, but it's not particularly cute. I found Hakumei to Mikochi and Yuru Camp very boring. Haven't got the chance to watch Mitsuboshi Colors or Gakuen Babysisters but I don't think they could be more cute than Mii-kun.
SuperWooper
HOT TAKE: Genre is irrelevant. What matters is whether a show is good.
SuperMario
Don't knock off MY genre Lenlo. It's one of the reason I got into anime in the first place :)
Lenlo
Im not saying it doesn't do what it sets out to. I just don't think what it sets out to do is all that... great.
Lenlo
@Niello, Slice of Life was never my Genre in the first place :/ I typically avoid them. I have my own life to deal with and already graduated high school, why would I want to deal with a melodramatic anime highschool, is my line of thought.
SuperMario
@Niello: okay, let's see:Takagi-san (the titular character), Mitsuboshi Colors, Gakuen Babysisters (Toddlers!!), Hakumei to Milochi (tiny girls) and two more slightly more mature but equally cute: Sora Yori and Yuru Camp's casts
Nielllo
@SuperMario: I'm sure this is where our definition of "cute" parts way, but I'll ask anyway, what are those 5 shows?
SuperMario
@Niello: seems so because I can eaisily pick 5 more shows that are cuter, and better than Mummy this season ;)
Nielllo
...So I suppose I'm the only one who's kinda bored out by a lot of the slice of life shows that's trying to be cute this season and only perked up by the Mummy anime because it's actually do what it's meant to do and be legit cute.
Lenlo
I am interested in Koi, but still have concern about the relationship itself.

@Vonter, the mummy anime would be better as short vignettes together I feel.
Kaiser-Eoghan
Koi amegari is surprisingly tasteful, subdued and pretty.
Kaiser-Eoghan
*to where
Kaiser-Eoghan
Try as I might, my love of kyoani tv anime has largely evaporated did where I no longer want to bother at this stage, I'll just wait and see. I'll just stay quiet on the franxx anime, theres little value in me trying to get through a trigger work at this point.
SuperMario
I get the exact same feeling with Takagi-san. It's pretty good on what it does but 20 minutes of the same thing for a whole season doesn't sound that promising
Vonter
The chibi mummy anime
Vonter
It's a shame it isn't a shorter 10 or 5 minute series, I think that format would make it shine more, since it does what it's trying to do.
Amagi
Speaking of it, I liked the second episode of Kokkuko or whatever the name is even more than the first one.
Amagi
I really have a problem with all these shows that rely on one single thing, joke, shenanigan or whatever. Be it something cute, some certain kind of interactiong or whatever. It doesn't matter how good it is it will bore me with episode 2.
Lenlo
Like, yeah, the mummy was cute. But the cute became rote/bland really quick. There has to be more than "cute" to be worth watching for more than a single episode to me.
Lenlo
@Niello, I was harsh because its not aimed at me. I wanted to drop it 5 minutes in, kept up for the post, then was thankful it was over. There wasnt anything overtly bad about it. Its just there was nothing good either.
AidanAK47
To be fair it's not as if we are lacking cute in this season.
In fact it's in danger of inflation.
SuperMario
@Niello: yes, the mummy is cute, the show is cute but beside that it's pretty mediocre. That show in particular is the only show that I have the damnest time to give it a potential rating.
Niello
It's not even down because of legal reasons, since the site pull down contents that are lincensed. It's down cause it's too much for the site owner to manage. Much of it also have to do with too many bots, which comes back to how a lot of other sites are relying on batoto.
Niello
@Masky: Not enough manga titles are getting translated. Batoto is the site scanlation groups basically rely on, and where other aggregation sites pull their content from. No batoto no obscure titles, a big blow to small scantation groups and one big manga/scanlator community down.
Niello
Why are you guys so harsh on the mummy show? It's so darn cute. Give it some credit. If a comedy show can be good because it does comedy well I don't see why a show ike Mummy can't be good if it can make people go "aww".
Masky
I don't really know why that is the case, maybe marketing budget and UI friendliness when done right? :P
Masky
Eh, wouldn't say it will kill manga industry. I mean, more and more official methods of reading manga online is starting to pop up and legit channels to pay to get access to manga can surprisingly enough harm free channels to get manga.
Masky
Anyway, I do find it funny how how the isekai character dies can be so meaningless that is joke in most of them
Niello
Batoto is going down, how this affect the manga reading is going to be interesting. Hope it's not slowly dying.
Masky
(at least that one, besides forgetting to introduce what the heck is gimmick besides generickness, acknowledged how most of otaku mcs shouldn't erally want to get transferred to fantasy world since they never get to see how their favourite mangas end :P )
Masky
Anyhoo, it gets annoying since its not just isekai being cliche, sometimes is just them being kind of badly written(or at least adapted to manga). Like, I found one new isekai today, but I have no idea what its gimmick is(from what I understood, its that "cute companion" that character gets is hideously op because mc didn't spefy cute girl when he asked god manager dude for cute companion)
Masky
Slime one is one of better from the more generic ones weirdly enough :P I mean I still wouldn't call it good, but at least MC character isn't god tier, just top tier and it has sort of village building simulation feel to it. Plus at least naming things giving monsters more powers is something funny regarding jrpg mechanics
Kaiser-Eoghan
Or alternatively the car was on a boat with the character or parents in it and the boat and car were hit by a falling plane lol
Kaiser-Eoghan
Its always "car accident" that sends the characters to another world or in harem cases "Lost parents due to car crash", for christs sake doesn't anyone die in out of control plane or speedboat crashes anymore, at least make it a motorbike....
Nayrael
Ah sorry, should probably not have touched the colors...
Nayrael
Trust me, Isekai is better when it doesn't try to be imaginative. When it tries to be original then... Isekai with a Smartphone... Isekai where the MC turns into a Slime... and my favorite: Isekai where the MC became a Hot Spring popular with sexy girls.
Masky
Assuming "new" things can happen under the sun
Masky
Anyhoo, I do wonder what the heck will be next "popular genre trope that will become so overused cliche that everyone groans whenever show uses it even if its actually good show"
Masky
Like, seriously you could do really interesting story variant on isekai with that if done right. Suddenly becoming characters you have roleplayed would be trippy as hell espicially if one of characters went really into detail with backstory while one of them is just "Bob the fighter, he likes fighting" and has to deal with what happens when you assume life of such a person
Masky
But I wouldn't honestly be surprised because of my anger issues related to amount of unimaginative isekai :P Though I guess trpg based one would be more imaginative in comparison
Masky
I'd assume not since I assume tabletop rpgs are much more niche than jrpgs in japan
Masky
So has anyone yet done isekai where guys getting transferred were playing trpg? :P
KTravlos
quite happy with most recent Attack of Titan manga chapter.
SuperMario
Alright, one more impression post to go before we really get on to new season
SuperMario
@Kaiser: yep, I just fixed it. Thank you
Kaiser-Eoghan
*than just the reviewers names
Kaiser-Eoghan
A slight problem with the coding there in the newest impression, showing code gobbledeegook rather than the reviewers names above their impressions.
Kaiser-Eoghan
@Mario: I'm seeing it on 2nd of February.
Kaiser-Eoghan
@Mario: Late screeners generally leak shortly after the uk release, so maybe early Febbruary it'll be online?
SuperMario
@Kaiser: yep, Phantom Thread. Could be Daniel Day Lewis's final performance. Is it available online already?
Kaiser-Eoghan
@Mario: Did you know that Paul Thomas Anderso8n has a new film coming out? Also I found out there is a Polish semi-knockoff of purple rose of cairo.
Kaiser-Eoghan
Awesome, just got myself an invite to a secret private torrent site =)
K-Off
@Kaiser When I was in University, I was a waiter at a Korean-owned Japanese Sushi restaurant with a kitchen staff of entirely Mexicans with poor English. The owner, while he provided the rest of his staff with small meals during our lunch or dinner shifts, never game any to the kitchen staff. The guy even ranted to a customer about how "lazy" or "ignorant" they were.
K-Off
Buses are pretty common in America, even outside the major super-cities like LA, NYC, or Chicago. It's public rail you're thinking of that we don't have much of outside the cities.
Kaiser-Eoghan
I brought up the racisim/aunt story wondering if anyone had any horror stories about where they worked?
Kaiser-Eoghan
@Bokusen: Buses don't seem to be a thing in America, meanwhile over here, despite traffic, public transport is much more of a thing, couldn't imagine not getting a train or bus somewhere.
Kaiser-Eoghan
@Amagi. I must say you changed my positive view of the German education system.
Kaiser-Eoghan
@Amagi: And yet Austria gets the far right party in power and Israel also has a far right apartheid leader.
Kaiser-Eoghan
If any good came from it, her boss got banned from facebook .
Amagi
Two years ago the alt/new right hold a rally here since they're successful elsewhere with their anti-immigrant/PoC speeches. In the end it was 35 nazis vs 29.000 counter-demonstrators. The joke: when they had to leave with police protection they shouted "We are the people". Yes 35 hated bigots are surely the people, not the 29k. I laughed.
Amagi
@Kaiser-Eoghan: That aunt story is pretty shit. I am kinda happy about smartphones nowadays, you can often make photos or record speech if you are witnessing something. Also, thank God the racists in my city are very rare since antifa and leftwingers took hold of it decades ago - now 70% of people are immigrants so racists don't even tend to show up anymore.
Nielllo
Great. I don't think most of what I wrote actually appeared in the chat.
Niello
what I'm going to do in the long run.
Niello
While Liberal art colleges are really good for developing writing and reading skills, the truth is in science classes you still don't do much of that. it's also limited by general lack of equipments that you get at bigger Uni. My college don't even have engineering.
Bokusen
@Kaiser Darn it, I hate it when racists try to justify their beliefs. That guy sounds like a major jerk!
Bokusen
@Niello Ah, yeah I think I might have preferred the UK system too if they give a month to study for exams! Wow...That sounds much nicer. Oh, and yeah, I wish the US had better public transport too... After seeing Japan's public transport system, I wish the US's could be more like it.
Kaiser-Eoghan
The landlords love to kickout people through unfair prices a stick their friends in instead.
Kaiser-Eoghan
Since we're on careers, it reminds me, one of my aunts telling me what a bastard her boss was, guy was a racist, she complained about it then he got rid of all the evidence linking him to it and made it seem as if she was the rascist and humiliated her in front of her Arab friends.
Kaiser-Eoghan
I think we all end up getting this huge kick in the ass moment where we learn andget it together.
Kaiser-Eoghan
It gets better thankfully, grew up and am happy with this postal clerk job.
Kaiser-Eoghan
The landlord story is a common one, they still think themselves feudal lords.
Amagi
And yeah, all this neet time. Although not moving out isn't that uncommon here anymore, considering how the rent increases, especially in my region (European bank city). And if I look at my friends it seems like they've the same problems. Even those who have found their dream jobs are otherwise living a nerdy life, going to pubs at night and so on. I think a part of us will always stay twenty.
Amagi
@Kaiser-Eoghan: This "career" was exactly the same for me. I am pretty sure I wasn't even capable of thinking about my future up until, as you said, mid-twenties. There were just so many other things that interested/bothered me, school wasn't even among my top 30s or so.
Kaiser-Eoghan
@Amagi: Oh how I regret not getting into novels, noe my concentration is too shit to read them.
Kaiser-Eoghan
Actually I don't think teenagers even really know who they themselves actually are .
Kaiser-Eoghan
Youth is wasted on the young.
Kaiser-Eoghan
I remember wasting so many chances to properly appreciate and get into certain things when I was younger too, when I actually had the time. We have no idea how to use it at that age.
Kaiser-Eoghan
The answer is down to the kid themselves wising up early and adults needing to find a way to REALLY motivate kids.
Kaiser-Eoghan
I hated being in that position, leeching off my parents/the state.
Kaiser-Eoghan
I remember as a teenager thinking watching films/anime/playing videogames with my friends/brother would last forever, then getting a dose of reality that everyone just moved on .
Kaiser-Eoghan
and between short contracts you spend months as a neet.
Kaiser-Eoghan
You just end up bouncing between go nowhere evening/day courses that are more about putting asses on seats than actually getting anyone anywhere.
Kaiser-Eoghan
and then you find out you dossed off so much in school you can't get to grips with university.
Kaiser-Eoghan
I wouldn't recommend anyone doing what I did in my teens and early 20s, dossing off all the time, then finding out you have to wait five years to go to college as mature student, your school results are middling and not job/college useful, end up taking forever to get to the stage where you can start building up temporary job experience because no one will hire you.
Kaiser-Eoghan
Heck, as a teenager I remember pretty much living in the moment, never even thought seriously about what I wanted to do, I don't think I even thought about that my adolescence would end, pretty much rushed through my homework and never studied, stayed up all night watching anime/reading manga and playing videogames allday.
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Violet Evergarden – 02 [Never Coming Back]

I’m thankful that this second episode plays out much quieter and more subtle than the first, because I’m not a fan at all with the grandeur approach of the first episode. This makes the second week of Violet slightly better than last week, but I still find myself not totally satisfied with the whole experience. […]

Kokkoku – 2 [The Second Moment]

Hello and welcome to the 2018 Winter season! This time, we have an interesting little time-based drama called Kokkoku. It has mystery, it has cults, it has dead-beat parents and apparent god-like beings. Lets jump in! To start, a quick blurb about our characters. Personally, I like them so far. They are all flawed and imperfect […]

A Place Further than the Universe – 03 [The Follow Backs Don’t Stop]

“I could just die right now” That line, spoken by our new member, Yuzuki, bookends this week’s Universe. It marks the shift in the new girl’s character growth. Last week, the Expedition girls mentioned they have a plan to raise fund, right? Turns out it’s not the mother, but the young girl herself, is used […]

Junji Ito Collection – 02[Fashion Model, Long Dreams]

After the first episode started off as a black comedy, I was worried that this series may suffer the same problem as Kino’s Journey in that the weaker stories in his work would be chosen for adaption. Lucky this does not appear to be the case but there is another problem which is not quite […]

Mahoutsukai no Yome – 13/14 [East, West, Homes Best]/[Looks breed love]

Hello and welcome to the new year! New Year, a new Cour for Mahoutsukai no Yome, this time with slightly more plot. These past two weeks have been a bumpy ride of Mahoutsukai, with plenty to talk about. So let’s jump in! To start off, the new OP is terrible. The music isn’t as good […]

A Place Further than the Universe – 02 [Kabukicho Fremantle]

I’m glad that this second episode addresses straight out all my worries from the first episode: the actual implementation to make that trip a reality, because boy, it’s no simple matter. Universe apparently does its research, telling us exactly places they need to go, the initial trip ahead and the amount of money they need […]

3-gatsu no Lion – 33/34 [Where the Sun Shines…Light]

It’s been three weeks since my last 3-gatsu post, a gap owed in part to the break the show took around New Years’. Perhaps it’s because of all that time away from the series, or maybe it’s due to the massive difference between these two episodes, but I had a tough time connecting with the […]

Dies Irae – 10/11[Einherjar/Self-Destruction Factor]

Quite late in covering this one though out of the three shows I covered for the fall season my level of interest in this series has more or less evaporated. Truth be told, while this is a episode review of ten and eleven, i honestly cannot even remember what happened in episode ten. I think […]

Mahoutsukai no Yome – 12 [Better to ask the way than go astray]

Welcome to the end of Mahoutsukai’s first cour! Apologies for the lateness of this review. I had expected another to come out over Christmas and to simply do a double feature, but Mahoutsukai pulled on over on me! This week we finish up Chise’s wand, get to see Grandfather Nevin again and have an almost […]

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