Posted by psgels on 1 December 2007 with categories: Anime Reviews, Dennou Coil


Fans of the fifteenth episode of Rahxephon can rejoice: its director, Mitsuo Iso has embarked on a new project called Dennou Coil. Having done the animation for major Ghibli-movies such as Porco Rosso, Ocean Waves and Only Yesterday as well, this guy had the potential to create a masterpiece. Thankfully, he actually pulled it off, and many consider this series as one of the best of the entire year.

The thing that’ll probably immediately catch your attention when you start to watch this series is the immense amount of creativity that’s put into the series. It takes place in about twenty years, where a cyber-world exists that people can only see if they’re wearing special glasses already is something you don’t think of quite easily, but Mitsuo Iso created a world that consists out of much, much more than just that. The first half of the series carefully builds this up, and makes sure that the viewer has been accustomed to the many sides of the setting, only for this series to really get fired off with the second half, and the final quarter of the series has some incredibly emotionally charged climaxes.

To make this even better, Dennou Coil has amazing production-values, second to only Seirei no Moribito. What you usually see with series is how their first few episodes have amazing animation, only to switch to a lazier animation-style after a few episodes, but Dennou Coil is different. The animation is of a consistent high quality, and there are no signs of outsourcing at all. The character-designs may look simple, but the animation and integration with CG make them look beautiful.

The characters may not be among the best points of this series, but they do work effectively when they have to, due to the careful building-up of the storyline. One point of critique would be that most of the side-characters could have gotten more development. Daiichi, Denpa, Fumie and Kyoko are wonderful characters, but if feels like they weren’t used to their full potential, and their roles became smaller and smaller as the series went on.

One thing that irked me, but will probably have little effect to those who plan to marathon the series is the overabundance of recap-episodes. In total, there’ve been three of them for a 28-episode series. The final episode could also have been a bit less rushed. Finally, there are three episodes in the middle of the series (11, 12 and 13), which I guess were meant to flesh out the world of Dennou Coil a bit, and they’re excellent standalone episodes, but they really feel out of place with the rest of the series, and only throw in more potential that unfortunately had to be ignored in the end.

Apart from this, though, we’ve got ourselves a masterpiece here. It’s one of the highlights of the year, and apart from Kaze no Shoujo Emily, it’s the most consistently good series of 2007 for me. It’s anime like these that show that even stories focused at children can be awesome nonetheless.

27 Responses

  1. hssc says:

    someone should start a live version of this in IMAX production values – imagine what the codes will look like under WETA workshop!

  2. w says:

    Actually the recap episodes have absolutely no bearing if you’re just watching it as a series, only if you were watching it as it aired the first time. (They’re re-airing it on NHK like next week or the week after IIRC)

    I doubt they’d even appear on the DVDs, apart from episode 14… That would really make it one half-recap out of the entire series. I don’t see what’s so wrong with that especially since it’s, um, supposed to be a children’s anime so sometimes they could do with a summing up of what has happened…

  3. totoum says:

    yeah psgels,the 2 recaps apart from 14 weren’t even made by the anime creators,so it wasn’t their decision,it is a 26 episode series not 28,so i don’t think it’d be fair to take those into consideration when rating the series (if you did).
    I’ll give you 12 and 13 but there were some revelations in episode 11 concerning megabaa and tamako,it sets up bigger revelations that come in episode 20.
    Thanks a lot for blogging this anime,first thing i do after watching an episode is come here to read your thoughts.
    What are the odds of it getting licenced so I can get it on DVD?Maybe the fact it’s getting a rerun is a good sign?

  4. psgels psgels says:

    True, the recap-episodes will not matter for those who plan to marathon this series. My mistake.

    Oh, and don’t worry. With a series that’s so well received as this one, it’s nearly impossible for it not to get lisenced.

  5. w says:

    Well apparently most kids’ shows on NHK get reruns so it’s not really a huge deal that Dennou Coil is getting one, but whether it follows the next pattern of getting a sequel of some sorts remains to be seen. I don’t know that much about NHK’s programming but it seems like most kid’s anime on NHK-E gets a second season after a rerun. (Major, airing just before Dennou Coil, is having a 4th season produced; Coil’s predecessor Tsubasa Chronicles got 2 seasons. Older stuff like Corrector Yui and YAT Anshin! Uchuu Ryokou got 2 seasons, CCS got 3. Although UPS had no sequels it was 52 eps long… though Kaze no Shoujo Emily was 26)

    I somehow doubt Coil will get a sequel and if they’d make anything I’d rather it be a one-off OVA or a short movie than a series. With Haraken in his uniform, please.

    It’d be a crying shame if this doesn’t get licensed though – I would in fact really wish it got shown on TV outside Japan as well…

  6. totoum says:

    ok,thanks for the info w
    licencing in france seems to take a bit longer than in the US,i don’t know how it works in the netherlands but ounce it’s licensed,anime becomes easely accessible,lots of TV stations show anime and there’s a few anime DVD shops in paris.

  7. psgels psgels says:

    Oh, I wish we could be so lucky in the Netherlands. Basically, the only stuff that really makes it on TV consists of the garbage-series aimed at really young ages. Think Bedaman.

  8. Kim says:

    Oh, and don’t worry. With a series that’s so well received as this one, it’s nearly impossible for it not to get lisenced.

    I wish you were right but I can think of well received series that did not get licensed. What about Monster? Not only was that well received it was extremely popular.

    In today’s anime market I would say Dennou Coil’s chances of getting licensed are not the best. It’s an amazing series but it is not the type of series that will sell well. Of course I’d buy it for sure but will your average anime fans buy the series? I think it is doubtful. Although in this case I would be really happy to be wrong.

  9. totoum says:

    uh,wait,you’re telling me monster never got licenced in the US?wow,not only has it been licenced in france,it’s been aired on TV.
    I didn’t realise how lucky I am lol.
    I think dennou coil has a little something for everyone ,comedy ,drama, action,mystery,i guess the “kiddyish” athmosphere can be a drawback to some.
    The only people I know who wouldn’t watch dennou coil would be people who need fanservice in an anime to watch it,sadly,that’s quite a few people.

  10. omo says:

    Monster TV did not get licensed, but odds are that’s because of financial reasons, and it may reflect how well the manga has been doing in the US. Either way people can just buy the Odex release for an English version of the thing.

    Personally I think Denno Coil isn’t really great primarily because, well, there just wasn’t really that much drama. Also, unlike more popular franchises the characters for kids, Denno Coil’s main characters never really interests me or even made me want to care about them. With exception to Densuke, maybe.

    But it is definitely very creative and well-produced piece of work. I think it is an easy anime to recommend to people who aren’t watching anime because they want to see something different than the mainstream stuff.

  11. omo says:

    “Also, unlike more popular franchises for kids, Denno Coil’s main characters never really interests me or even made me want to care about them.”

  12. totoum says:

    “there just wasn’t really that much drama. Also, unlike more popular franchises the characters for kids, Denno Coil’s main characters never really interests me or even made me want to care about them. ”

    i guess to each his own,i’m at episode 22,not only do i think i’m in the middle of a bunch of drama,i even shed a tear in episode 20.Isako is a great character for me,i’ve gone from hating her guts to wanting to give her a hug.
    Dennou coil has also great rewatch value to me,because lots of little clues are droped in the first fiew episodes,it’s fun to hunt those clues down.
    And i think that not only is dennou coil different from a lot of mainstream stuff,it’s different from a lot of anime too,so i don’t see why it’d be only something good for people who aren’t into anime.
    Oh well,i’ll have to get used to the fact no everyone has to like a show as much as i do.

  13. Dk86 says:

    Nice Review.
    Still, I don’t like this anime at all.^^

  14. KaminaLives says:

    A really great series, all in all, with just the right mix of humor, slice-of-life, emotion, and bad-assery (Isako, well, before she got all emo on us, heh).

    I also think a major theme of Dennou Coil was that of friendship and loyalty. Where Yasako failed to stick up for her former friend Mayumi in the face of being bullied with Michiko rumors, she more than makes up for it and redeems herself by going all out and even risking her own life to save Isako.

    So there is some bit of redemption for Yasako there, and Isako finally learns to open up and accept kindness and, daresay, friendship, instead of shutting herself off from people.

    And I wholeheartedly believe that saying good-bye to lost loved ones is a powerful theme too. So Michiko was born out of Isako’s grief over the loss of her brother and jealousy over what she perceived to be Yasako “stealing” her brother from her, and partly out of Yasako’s “first love” (she does steal her first kiss off of “Imago” Nobuhiko, though I’m not totally convinced of the importance of this personally but the Japanese tend to make a big deal over one’s first kiss, at least in anime), and shows the self-destruction of obsessing over what you’ve lost. Learning to let go of your grief and living your life is the lesson, to be sure.

    Anyhoo, some really deep themes (handled much better than some other series of similar themes, such as Noein, though still a good one I liked) and an excellent end to what most would consider a kid’s show, heh.

  15. Kasumi says:

    The series is great, excellent even, but I thought the last few episodes were honestly pretty weak. Most of the characters were totally out of the picture, and it spent too much time on last minute exposition. Plus, the emotional scenes just seemed a bit contrived. I think that the world and overall “feel” of the show were what really shone for me, rather than the characters as individuals. Still, I would give it a 9/10.

  16. Sorudam says:

    I make a comment here for the first time, but enjoyed reading this blog every week.
    Thank you for psgals.

    I too think that the major themes of this series is “saying goodbye to the deceased”, and think there is another theme “the pain of life and growing up”.
    In Epi.26,Yasako and Isako said “The direction which I feel the pain shows me the exit”.
    Nobody seems to yet say about but I make much of. How about an opinion of you guys?

  17. tg says:

    Thank you for blogging this great show! ^_^ I lost tracked and need to catch up with all the episodes during winter break. I’m glad to hear that it is getting a rerun!!

  18. totoum says:

    “The direction which I feel the pain shows me the exit”

    i interpret that with something someone told me when i was trying to get over the death of my mom.
    Trying to hide from the pain and forget about it won’t get you anywhere,you need to accept it and confront it,it’s hard but you will never get over the pain if you try to run away from it.

  19. Sorudam says:

    Thank you for your opinion totoum.
    I guess it expresses one of the themes of this story well.

  20. nahrub says:

    nothing much to say. great show, great show. ignore the comments that said otherwise.

  21. Solaris says:

    Great show indeed, but i don’t agree it’s a kid show. It seems to be a show about kids. Apart from the difficult concepts featured in the anime, that are all computer-based, there are some deep themes in here. Say the friendship or loyalty ie. These are the most recognizable, but there iss much more. There’s the theme of the death, the reality vs irreality or virtual. Nobody seemed to point out this:
    What is real in a world where real and virtual are joined? Densuke is dead, but this dog was ever alive? It was a computer game, but Yasako and Kyoko felt real attachment to it. So it was definitevley something real, thus not having a body.
    And what about those who died or shifted to the other side?
    Say the dead were imprisoned in the Coil Space lik Kanna was. So living thing coming out from a virtual space in the form of Illegals and dead people ending there. Again the virtual reality and the reality are being mixed!
    Now tell me this is something a kid can understand!

  22. psgels psgels says:

    Solaris: the interesting thing is that Dennou Coil was aired at the NHK-channel, at the time-block that’s actually aimed at children. This was also noticable during the recaps. Everything was carefully explained so that the children would remain to follow the story a bit. The deeper parts of this series will indeed be lost on them, but I think that they too will get plenty of enjoyment out of this series.

  23. gekophetweb says:

    It’s not that dead people ended in the coil domain, but rather the feelings of people created the image of them in the coil domain(the illigals/nulls). Just like michiko was created by Yasako and Isako. Or at least that was said at the end by Yasako and Haraken.

    about “the direction of the pain will show me the exit”, I think it is not like “the pain of life and growing up” it is more like life comes with pain, but because we caan feel pain we can also feel happiness and sadness, we just have to endure it. We can’t hang on to the deceased because it will be to painfull and the pain will eventually become excrutiating(or however you may spell it) just like Isako and the loss of her brother consumed her (at least that is what i think).

  24. marktheknife says:

    I just finished this series. It was an amazing ride. Even if it was a kid’s show, it rarely pandered to kids (like a good Pixar flick).

    Even more interestingly, the overall theme was really dark. It makes me think of a mildly toned-down version of the Buddhist maxim “Life is suffering.” Pain is a central element of this anime – to live correctly is to confront pain and move towards more of it. That is where the “answers” are said to lie. Dying young seems to be the result of young characters trying to avoid the pain necessary to “grow up”/move forward in life. This is most notably represented in characters failing to “let go” with regards to dead family/friends – I’d say the anime’s language is intended to be taken more broadly, though.

    The anime explores this from other angles too – the entire point of the virtual reality aspect of the anime (besides awesome entertainment) seems to be to pose the question “What is real?” And the anime rejects the easy answer – what you can sense in every way, including touch – to instead say that only PAIN is real. It is the basis of comparison for knowing everything else in life. It’s the idea you can only know what is good by knowing what is bad, but with an attempt to combine it with the idea of sensory inputs.

    The series also confronts how to correctly deal with pain – sharing it with others is repeatedly shown to be the way to go. In fact, it’s the only basis for friendship the show seems to definitively support besides romantic love and familial love – the other relationships break way too easily. As Isako says, the connections between people are narrow and distant – sharing pain is often the reinforcement to these connections. And her dialog with Yasako that closes out the series is to say: We’re only together as long as we’re suffering together – we’re not suffering together now, so we’re separated. I hope we get to do so again though!
    ————–
    It’s an interesting notion – I remember a rabbi coming to my (Catholic) school and talking to us about the term “passion.” It was part of our sex ed classes (oddly enough). He noted “passion” came from a Latin/Greek term for pain, and noted that, in his experience, it was the couples that shared their suffering that had a true, unbreakable bond. Relationships based on good times, sex, etc., broke easily.

    To me, it’s a particularly good example of how pain defines everything that is good and “real”/important in our lives. To avoid pain is to similarly avoid engaging yourself in really living.
    ———–
    The show presents some reasons one might wrongly choose to flee from pain. The losing-someone-you-love-to-someone-else idea is central to the anime, and is unfortunately not explored in great depth.

    At any rate, I love this anime, and my only complaints are: that there wasn’t another episode to smooth out the ending, and that there weren’t enough musical tracks/good musical tracks.

    • vostok says:

      Really enjoyed this comment… somehow Dennoucoil encourages this level of reflection, right? It’s one of my absolute favorite TV anime. But one can easily miss the best stuff about it when watching passively; this show becomes increasingly rewarding on rewatches and closer inspection. Pixar was a good analogy; you can watch Dennoucoil at “kid level” as a weird and fun adventure story, but you can also watch it at “adult level” and appreciate the ways in which it’s Iso Mitsuo’s labor of love.

  25. marktheknife says:

    I should also reinforce that this series had killer art direction and some awesome animation.

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Who was it again bemoaning that we don't get enough original(Not adaption) anime anymore? Cause there are 20 original shows next season. Great for anime but hard for me cause what am I gonna write in the preview?
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I hope AidanAK47 would not suffer an Anime Burnout. I love this site and it pains to think that one day, no one will be writing the seasonal previews and yearly summary.
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@AidanAK47 did you change my site status? K-off did that on purpose to help out lol
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@Anon36049, pretty much what he said. Though it seems to be a combination of anime burnout and writers block.
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He suffered from anime burnout and is getting on with real life.
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Hi guys I havent been around for a long time. Does anyone know what happened to psgels? I see that the new posts are not his.
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Haven't been watching it myself, but apparently in Taboo Tattoo, that large-chested high school girl died while running *onto a live battlefield* to check on her boyfriend with a shirt that said "flag". 10/10
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@Bam: Have you been looking into that Mr Robot series? I heard its meant to be some kind of cyber thriller, it could be our thing. Also have you read Neuromancer?
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And I suppose that brings me to that stranger things show then, I love horror so I guess that caught my eye, but apparently its a family/kids thing =< don't know whether to bother.
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Well Coraline wasn't written by Laika. It was written by Neil Gaiman. Laika just adapted it. Still I would like to check out Kubo to see what all the hype is about.
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@anony29442: I will watch Kubo this coming week so I will comment on the movie then. But I'm not that surprise if Kubo has a weak writing. Laika never really great at story development: I mean Coraline is exellent, ParaNorman is just okay and Boxstrolls writing is just so underdeveloped and full of plotholes
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@friend: wow. It looks awesome. But why only one witch? ^^
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I just saw Kubo and the 2 strings and im really shocked at all the praise its receiving. People calling it an instant masterpiece on looks alone but not enough are talking about how underdeveloped the characters and story were. It felt as if they made the whole thing up as they went along to the point where I couldnt suspend my disbelief any longer and got irritated.
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qualidea code's characters havent become better in terms of how they are written; only that they have been fleshed out in the most generic and trivial of ways as to sympathize with them; and sure, they have become some what likeable in the same way you'd like a person who you heard nothing but kind things about but that does not save the characters from being boring. QC is still a bad show
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*remaining
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@Bam: The story and ideas however were better in gandahar I felt. Time masters while good was a bit stop and start in its pace and animation.
I’m definitely interested in Laloux’s other, short animations and Mobius’ comic book work.
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@Bam: I watched Rene Laloux's remain animated films, Gandahar and time masters, I enjoyed both but not as much as Fantastic planet. I remember we talked about fantastic planet two years ago. Did you see the other two I mentioned. I liked the big moments and the ending to time masters, especially those angel things.
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I tried my best not to half-ass either of them tho. Any oddity you guys see just write it off as mental exhaustion.
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Okay, I'm officially beat. These two reviews should be considered companion pieces, as some material from one flew into the other. Thank god that episode 08 was not a heavy one, or I'd be completely depleted.
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*cinematography
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@K-off: I second that, as although the Poirot series has very well-done choreography, casting and music, there is still a little more of that unquantifiable magic sprinkled on the Granada series. But keep watching and I'll guarantee that Suchet will become the quintessential Poirot in your mind as well.
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I said that while I liked the performance and the direction, I didn't think that it did for Poirot what Granada did for Holmes.
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@Bam Yeah it is, and generally when I camp I like to stay for 1-2 weeks, places like Niagara or Yellowstone I can pretty much see everything I want to see in a few days so I don't find much value going to those places. The Adirons on the other hand is diverse as hell.
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@K-off: I'm not sure if you mentioned it while I was gone: but did you get to watch any of the Poirot series with David Suchet? And if so, what are your thoughts?
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I generally go to either the Muir Woods north of SF, or the forests around Big Sur. It doesn't take much to please me really.
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@K-ff: is that by Lake Champlain? Cuz I've been there once and loved it.
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@K-off: I thought of a combined post, but my OCD wouldn't allow a skip in the episodic order of the reviews.
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Usually when you go camping in Yellowstone or Yosemite the tourist industry kills those places, like I'd be on a rowboat and see cars, cabins, and people from a long ways offshore. The Adirondacks are nice because their building codes mandate construction to be hidden behind trees.
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@Bam My favorite camping spot is the Adirondacks in upstate NY, I went there probably 4-7 times and never get tired of the place. No, I don't have any posts for now, but for future reference consider combining episodic reviews when you get behind. I.E. Episode 6-8 Review
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Also there's a reader in the comment section of Berserk 07 who wants to know if we have a notification system. I vaguely remember a widget that links the site to a FaceBook page. If anybody knows how that works, or if it's still functional, please shed some light on the matter for him/her. Thx.
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@Aidan @K-off @Mario either one of y'all has any post near completion? I'm almost done with Berserk 08 and as previously mentioned, really prefer not to put two reviews up back to back. I think the length of them is already a hassle for some to get thru, let alone two right after eachother. I think it hurts the viewership, but if nothing's on hand then I'll guess I'll just finish up and post mine.
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@Kaiser: I was actually camping near a mountain, but aren't all mountains somewhat holy? That could be my bias tho, since I was raised on the Alborz mountain range, and for me there is something therapeutic about the mountain air.
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Yes! Looks like the shoutbox is fixed and not deleting posts after 24 hours anymore!
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lol Or you could live in the shitty suburb where I do and spend your time just waiting for when your internet connection randomly cuts out twice a month or as it has the past few days two-three times a day.
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Basically bam went up the Holy mountain .
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@Mario: ....guy I know who loves war films and I've ended up inadvertedly/un-intentionally gotten him to buy some fucked up Polish horror film that just happens to be set in WW2. lol he's going to be pretty freaked out when he watches it.
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Everything been cool here? Hehe ... looks like I conveniently missed all the hard parts.
Bam
@Mario: thx m8. I wish I could just make it down to Rio on a whim, but then again, I took a much-needed vacation, so I ain't complaining.
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Welcome back Bam, I was already convinced that you went to Rio for screwing around. Lol
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Also I apologize for the absence. I was gone somewhere without reliable internet access, and looking back I should've gave a notification.
Either way, I'm back now, and will be jumping on getting those Berserk reviews out as soon as possible.
Bam
Man looky here with the renovations; I like it.
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@Vyse: wow. So how was the sites then back from 2005?
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@Kaiser: and what is that sh!te you're talking about?
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<— fixed
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<— me
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Ive been a reader since 2005
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Haha, this'll be fun lol
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.....that feeling when you keep going on about a show or film but fail to give all the details...and someone goes out and buys it not knowing the full extent of the mad shit their in for...s--t lol
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any reader from 2005 here....
Kaiser Eoghan
@Mario: This guy seems interesting: https://letterboxd.com/director/tsai-ming-liang/
Kaiser Eoghan
@Mario: Hmm, not familiar with him.
I really really loved in the mood for love, alot, it emotionally effected me. I even watched it three times.
Kaiser Eoghan
@Mario: I couldn't seem to enjoy any of Zimou yangs films apart from Hero, which had some pretty creative fight scenes. I've seen the story of Ricky and some of John-woos films but they were more just silly entertaining exploitation films.
SuperMario
Don't know if you know the Vietnamese-French Tran Anh Hung. His works are stunning too. If you want to check out East-Asian cinema don't forget to check him out.
SuperMario
@Kaiser: Yeah, but Park Chan Wood changed the ending, so the author insisted that the Handmaiden is more "inspired" than "based". The third chapter is the weakest part for me
Kaiser Eoghan
@Mario: Of interest, The handmaiden was based on some British book/tv show.
Kaiser Eoghan
I need to completely re-evaluate/get into more Chinese cinema.
Kaiser Eoghan
Doesn't look like I've seen anything by Hong-sang-so.
My favourite Korean actor is song-kang-ho.
Kaiser Eoghan
Theres an anime convention over here in Dublin in three months. Although I haven't been to one in years.
SuperMario
I'm heading to anime convention today. Normally I don't really care about those conventions but I figure I'd come this year to see the taste of it. The only hassle is it's 3-hour drive, which gonna be a pain when I drive back after a long day being there.
SuperMario
Bong Joon-ho, on the other hand,is incredible at writing. His scripts are often layered, sharp and best of all fuses many tones/ genres into one coherent whole. The best thing about this Korean New Wave directors is they all have very distinctive voices. But my favorite director isn't the ones that you list. That would be Hong Sang Soo. I just love his simplicity style so much.
SuperMario
@Kaiser: Park Chan Wood is a master of visual. Whenever I come to his movies I expected to be blown-away by his visual. He can write compelling characters (he loves his characters) as well but his screenplays in general are weak. You can watch his lesser effort "I'm a Cyborg, but That's Okay" and see many things that made him good/bad. That's the movie I feel he made without the care of the critic
afgm
.
afgm
@koff: Yeah I can help. But midterms/finals are coming up so I can't dedicate to much time.
Kaiser Eoghan
I always felt Bong-jong and Chang-dong , kim-di-duk and Kim-jee-woon were better than Park-chan-wook. Oldboy did have that one hell of an ending, so did lady vengeance but I feel that those are the bits people tend to remember and the rest was good but not great.
Topgavin
For anyone that doesn't regularly browse /r/anime, Godzilla is apparently getting an anime adaption by Polygon Pictures with Urobuchi involved. Should be good.
K-Off
Well, I climbed to rank 52 in Overwatch with Tracer alone. Looking forward to season 2 already, but I do wish Blizzard had somehow implemented a single-player storyline since the lore in Blizzard titles is always so vast. Kind of surprised they didn't make one with Overwatch.
K-Off
@Kaiser Watch Train to Busan if you can. Me neither, I can't dig too deep into Korean films due to the language barrier. Sure would be convenient to have Vincent recommending films again.
K-Off
@afgm Hey, are you still interested in helping out with the site? At this point I'm looking over the site's code & doing some rewriting - if you think you can help, let me know.
K-Off
@Mario I hadn't watched Old Boy for 6 years when I got to I Saw the Devil and it was out of mind for me, so you may be right.
SuperMario
@K-Off: maybe it was just me but I was underwhelmed by I Saw the Devil. The point it trying to match was similar to OldBoy, and Oldboy's execution was way better (OldBoy's one of my favorite movie). Yes, the soundtracks of OldBoy, Lady Vengeance are exceptional. I still listen to The Last Waltz after all those years...
K-Off
The soundtrack in a lot of these Korean films are top notch as well, Lady Vengeance and I Saw the Devil in particular.
K-Off
@Mario Speaking of which, Korean psychological thrillers are hands down some of the best in the last 10-20 years. I Saw the Devil, Lady Vengeance, Old Boy, list goes on.
SuperMario
@Aidan: It just comes to me that we're already half way of this season... Time sure flies
SuperMario
@Kaiser: so please finish up Inside Mari. The last chapter had been out. I need someone to talk about that goddamn manga anw
SuperMario
@Kaiser: I always consider the Korean New Wave started back in 2000, and really peaked in 2003 (OldBoy, Memories of Murders, Spring Summer..., A Tale of 2 Sisters). Before 2000? The only director I can think of was Im Kwon-Taek
AidanAK47
About nearly finished Fata Morgana but I might have to finish doom first because that thing is eating a huge chunk of my SSD drive.
AidanAK47
Back up to date...at least for now. I have to go to a wedding so It's likely I will fall behind again. Got to admit that I haven't had much of an opinion on the latest episodes. Might be just mentally drained personally.
SuperMario
@K-off: I totally agree with you. 28 Days Later is a gem. Though I'm not really into zombie genre as a whole, I'm more into psychological stuffs more.
Kaiser Eoghan
@Mario: Reminding me I need to catch up on boku mari no naka.
Kaiser Eoghan
Although the trailer for train to busan does catch my interest.
Kaiser Eoghan
I've gotten more than enough out of Korean films, I can enjoy them but I probably don't sing the same high praises for them as most bar some exceptions.
Seeing Lee-chang-dongs stuff I'm actually kind of interested in finding some more low key korean films.
Kaiser Eoghan
Very likely a view shared by my indie loving friend and I, but Battery and Wyrmwood were jokey takes on the zombie genre I thought were enjoyable.
Kaiser Eoghan
@Mario: Likely my preference for British comedy that makes me laugh more at Shaun of the dead more. Although Hot fuzz is the better Simon Pegg film in my opinion.
In terms of Korean films, I've been wondering, what are the pre-90s ones like. Lee-chang-dong started the Korean new wave in 1997.
K-Off
I'm still waiting for a good horror-zombie film, nothing has met my expectations after 28 Days Later (and techinically REC), which admittedly is a high bar.
K-Off
@Mario I am watching Seoul Station next week, that was just me recapping TtB after I watched it a few days ago. It's definitely more of a thriller, it has good "wtf" moments but nothing I'd call horror.
SuperMario
@K-Off: I thought you were going to watch Seoul Station? So I gather that Train of Busan is more thriller than horror? Just thinking of Zombieland already puts a smile on my face. That one and Shaun of the Dead are so goddamn hilarious.
SuperMario
@Aidan: I will review them in the future. atm I'm in watching/ reading mode so I'll push back all the world movie/ full show reviews for a while
K-Off
@Mario My impression of Train to Busan was that although it wasn't anything ground breaking, it had a great cast of characters and an entertaining gimmick that managed to stay exhilarating. I haven't seen a zombie film this well structured since Zombieland, even though they're completely opposite in tone.
AidanAK47
They are all yours if you want to do them.
SuperMario
Reading Inside Mary makes me want to watch Flowers of Evil again. If I remember correctly psgels never actually had a full review on this one, and Ping Pong.
AidanAK47
@Vyse, Width wise it's exactly the same as the old chat box. Though it's possible the old one had smaller font.
VyseLegendaire
This chat box is too narrow I think, only see a couple messages.
AidanAK47
@Anon18138, Yeah but I don't see that writer making something that truly represents the games. There may be a possibility of it being a good movie but that movie won't be Pokemon.
Anonymous18138
@AidanAK47 It'll have the writer of Gravity Falls. Though I don't have a high standard in regards to the 3D mascot and live-action style of movies.
SuperMario
They originally planned to male a live-action remake of Seoul Station, as the producer saw a footage of the animation and really loved it; but Yeon Sang-Ho (the director) insisted that if he was about to make a live-action film, he's go for a sequel instead. Hence Train of Busan.
SuperMario
@K-off: I missed my chance to watch Train to Busan but I heard nothing but rave from it. People who watched it really loved it. Damn, you make me jealous man, since I want to watch Seoul Station and review it here. Come watch it and tell me what you think; my bet is you'll enjoy it.
K-Off
@Mario Have you watched Train to Busan? I'm planning to watch its animated prequel Seoul Station next week. Animation looks shabby as hell but I can always expect a good story from the koreans.
AidanAK47
So the live action Pokemon movie will feature detective pikachu. Clearly a necessary inclusion.
SuperMario
I'm reading Inside Mary now and it's quite a gem despite its ridiculous premise. There's a lot of raw emotions. I love raw emotions. As expected from the same guy who wrote Flowers of Evil.
AidanAK47
Yep, when she sends the images let me know. It may have been a while ago but I am a qualified graphic designer so even I can lend a hand to the banner design.
AidanAK47
Ugh...a new version of wordpress is ready to be updated to. I have a bad feeling updating to the latest version could potentially break things.
K-Off
Alright, I've got Friend onbaord with a commission for our new banner. She says she'll send us sketches so we can decide if it's something we want.
AidanAK47
Considering how much trouble this plugin has given us, i am not up for adding another one. Only thing the subscriber account thing needs is me to tick and box and get rid of that password promt.
K-Off
@Aidan You can set that up if you'd like, though another idea would be to set up buddypress and link it to there. But it's yet again another plugin.
Total users: 34

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