When I first started out writing reviews, I reckoned it would be best for shows with a sequel to wait until I got the chance to watch everything of the sequel, before writing the review of the entire series. Then, Red Garden came along. Along with its sequel Dead Girls, which seems to have gone up into smoke. At this point, I honestly doubt whether I can still write an accurate review of that series that ended nine freaking months ago. Hence my decision to just write a review after the end of every series, regardless of whether or not they’ve got a sequel coming somewhere.
Anyway, onto the review. I’m not sure about others, but my favourite type of comedy is the witty one. The kind you see in Blackadder, Monty Python and Stephen Fry for example. That’s also the reason why I’m a large fan of the British humour. In any case, it’s a shame that there aren’t many anime like this, though Sayonara Zetsubou-Sensei turned out to be one of them. It’s Akiyuki Shinbo’s new show, and really, it’s probably his best series yet.
Sayonara Zetsubou-Sensei has really been one of the smartest comedy-anime I’ve ever seen. It doesn’t take anything for granted, and takes its comedy further than most other anime. It’s one of the few series that actually builds up its jokes. It’s quite formulaic, it starts with one concept, introduces it, and then makes it increasingly more ridiculous. And yet, it works, and the final episode showed no signs that the creators were running out of inspiration.
I’ve also never seen a comedy-anime that addresses so many taboos as this one. There are indeed a lot of stereotypes in this series, but each and every one of them is made to look ridiculous. To make things even better, it also takes the Mick out of the anime-series that try to divert from stereotypes by adding the most obvious personality-trait to said stereotype. The series is also not afraid to keep carrying its jokes further and further. This might lead to repetition in most other shows, but Sayonara Zetsubou-Sensei uses this excellently to flesh out its jokes further.
The main character also fits this series perfectly. He’s basically a teacher with an incredibly pessimistic outlook on life, and he’s seen committing numerous suicide-attempts throughout the series. The graphics for this series are also absolutely gorgeous, both the character-designs and the background-art. Like expected from Shinbo, his unique sense of direction also adds an extra spark to this series.
If you’re into comedies, then I see no reason not to recommend this series. The only bad thing I have to say is that it tends to delve into useless fanservice at times. Especially episode five was bad in this, and all it does is distract from the jokes. Apart from that, though, we’ve got ourselves a gem here. The characters are smart and complement each other perfectly. There’s always at least one character that has critique on a certain scene. Now let’s hope that the second season, which should air in less than two weeks, will remain with the same freshness.