Posted by psgels on 5 January 2008 with categories: Saiunkoku Monogatari


With episodes like this one, I’m glad that people like Impz can churn out reliable summaries. A lot of stuff happened in this episode, but it was also incredibly hard to understand with my limited level of Japanese.

Basically, from what I understood, this episode shows the death of one of the guys who’s after Juusanhime’s life. He’s killed by Shun, in front of Seiga and a whole number of guards. What Seiga was doing there, or what is exact role was in this whole matter, I have no idea of, though. We also get introduced to two new characters: Shun’s assistant (who is quite a good fighter), and a rather young head of the guard. He’ll probably have some kind of small role in the next couple of episode. We never know his name, but there has to be a reason for him to get a unique character-design.

Ensei also returns, when Shuurei runs into him in prison. It seems that he ended up there after he saved Juusanhime from her attackers back then. What’s also interesting is how Juusanhime’s assailants have the same mark on their forehead as Shun. Are they all members of some kind of clan or family, which rivals with the Ran-family, perhaps?

2 Responses

  1. Elenmire says:

    Thanks to your summaries I’ve started to watch Saiunkoku Monogatari and now I ask myself why I’ve waited so much (some months..)!
    I can’t wait for the 2nd series to be subbed, maybe I’ll follow your steps in switching to raws and summaries from THAT :)

  2. shun says:

    i believe the one that you were talking about who’s being killed was the vice chairman of the palace’s army department, Mr. Mong. (not related to the Emperor’s 2 private armies that Shuei’s under.) even though that dude’s dead, but his death is what stirs the story forward and you’ll see his name pop up more often later on.

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  • Bam
    (Saturday, Nov 22. 2014 06:02 AM)
    Although given that the the Japanese film industry is steadily improving, this still would’ve worked much better as a big Hollywood flick, mainly because it’s just an over-the-top story with big action sequences, but also because pretty much all the cast (with the exception of Mikasa) have western features.
  • Bam
    (Saturday, Nov 22. 2014 05:55 AM)
    Well it looks like the Japanese have taken it upon themselves to make a live-action Attack on Titan movie, which sounds like a pretty bad idea:
    http://www.otakuusamagazine.com/LatestNews/News1/Liveaction-Attack-on-Titan-Visuals-Revealed-6057.aspx
  • Emma
    (Saturday, Nov 22. 2014 02:51 AM)
    I mean I’ve watched some awful stuff like hidan no Aria to take the piss out of it and infinite stratos might as well get to continuing Ass-ange/crass-ange.
  • Bam
    (Saturday, Nov 22. 2014 02:34 AM)
    *Ange
  • Bam
    (Saturday, Nov 22. 2014 02:34 AM)
    @Emma: and that’s why you should watch Cross Ante.
  • Bam
    (Saturday, Nov 22. 2014 02:33 AM)
    @Emma: you know what? I’ve been trying to find a good version of X for a few years now, but nobody seems to be seeding the torrent anymore =/
  • Emma
    (Saturday, Nov 22. 2014 02:33 AM)
    Sometimes I’m pretty glad I have the ability to get guilty pleasure/so bad its good/funny enjoyment out of genuinely awful things and sometimes end up enjoying them more than actually good series.
  • Emma
    (Saturday, Nov 22. 2014 02:18 AM)
    One other good example of an old ova I loved was the X/1999 movie, I didn’t overly care for the manga or second anime adaptation nearly as much by comparison. Yes the voice acting is terrible, the character development was cut out but the fact is I never really cared all that much for Xs characters/drama to begin with and the voice acting makes the final scene laugh out loud hilarious. Beyond that I just enjoyed sitting back and watching the gore play out.
  • Bam
    (Saturday, Nov 22. 2014 01:12 AM)
    I also miss the days where incest was reserved for the villains in anime.
  • Emma
    (Saturday, Nov 22. 2014 01:09 AM)
    @Bam: I remember giving John dies at the end three out of five and deciding that it was never a poor film but never an excellent one.

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