Posted on 29 February 2008 with categories: Hakaba Kitarou


Now this is what I call a good horror-story! Twisted, full of plot twists, and most of all: creative. This definitely was one of the best episodes of this series along with episode one. You just have to think of Kitarou’s hand getting cut off and taking on a mind of its own. :P

Basically, two men set out to check out the rumours on a haunted building where an acquaintance of them is about to live. Obviously, any ghosts or people pretending to be ghosts have to be removed from this house, but unfortunately this “ghost” turned out to be Kitarou. What follows is a really interesting battle, where both parties try to get each other out of the house. You’ve got to love how Kitarou likes to play with his victims.

One thing I also liked about this episode is how the first half perfectly builds up the mood for the second half, by already hinting at how strange the house is that the two guys have settled in. Especially with the creature with four legs, no head and five arms who suddenly appeared from out of nowhere. Actually, Kitarou works best as a character when he doesn’t play the role of the main character, and only appears once in a while in his usual, mysterious form. But I can understand the need for episode four and six, as they’ve really served their purpose in fleshing out his character, and giving it a bit of development.

Posted on with categories: Ghost Hound


Another terrific episode. I’m still surprised at how each episode starts pretty quietly, with usually a bunch of flashbacks, only for a few intense-plot-twists to happen in the second half. There’s nothing wrong with series that alternate between building-up and climax-episodes, but after Kaze no Shoujo Emily, Shion no Ou and Ghost Hound, I have found that I like series that can combine both building-up and climaxes in the same episode, making every single episode worthwhile much more than that, as it really takes skills to make everything come together. You also have every week something to look forward to, as you just know that a series will deliver in this way.

In any case, the major vent in this episode was how Tarou finally got the courage to tell Miyako how he believes that she’s the reincarnation of his sister. Miyako, who had met with her mother, whom she obviously didn’t like, having abandoned her and her father after all, was already in a rather bad mood, so Tarou’s rather blunt statement must have upset her even more. And really, Tarou looked so realistic when he tried to speak his mind to Miyako. I could really feel ho much trouble he had to get his words all together, and how speaking into complete sentences must have been the most difficult task in the world back then.

Surprisingly, there’s hardly anything about Hirata, apart from the fact that his dreams and Tarou’s dreams are starting to merge with each other… Because of this, Tarou now has nightmares where his sister talks her final worlds to the councillor, instead of him, and suddenly she turns into Miyako. I’m finally beginning to see one of the major themes of this series: the influence that your psychological state has on others. Tarou, Masayuki and Makoto are of course extreme examples, but the way they can interact with their environment within their own minds has some great symbolic values.

Oh, and I had to laugh when Ootori caught Masayuki in the act. She’s smarter than she looks, and can form an interesting villain (which I assume she’s going to be, after the previous episode and all).

Posted on with categories: Monthly Summaries

I must say that this has been the best winter-season we’ve had in years. usually, they just features one or two great series, but this season juast has a whole bunch of worthwhile watches, albeit you do have to look a bit harder than usual.

#28 (28) – Dragonaut The Resonance – (6,6/10) – This is quite rare: the plot has turned out to be quite interesting, but any attempts to further develop it are greatly hammered by the characters. They’re either stereotypes, or are the product of soap-opera plot-twists and melodrama.
#27 (26) – Hatenkou Yuugi – (6,9/10) – The best thing about this series is the card-game of episode six. Apart from that, it just feels like a lazy manga-adaptation. The manga may have had excellent dialogue, but it feels like the anime-staff hardly even cares about it.
#26 (new) – Mnemosne no Musume-Tachi – (7/10) – I’m not yet sold on the gore + fanservice-concept of Mnemosyne. There is potential, but the first episode felt mostly unimpressive to me.
#25 (new) – Mai Otome S.ifr – (7,2/10) – Well, here we go again. At least this one looks to be a bit more solid than its predecessor, but do the characters have to be so annoying?
#24 (24) – Bamboo Blade – (7,2/10) – What the heck has happened to Bamboo Blade? This should be a time of character-development, and the creators should try their best to keep the characters interesting. Who found it a good idea to come up with the pointless foreign girl-arc and braver-arc? Seriously, these have been some of the dullest episodes of this series yet.
#23 (19) – Persona – Trinity Soul – (8/10) – I’m not sure what the creators had in mind with these rather silly side-stories. As a 12-episode series, it really needs to use its time to develop its story and I’m not sure about the point behind wasting half an episode on a haunted-house side-quest.
#22 (???) – Armored Trooper Votoms – Pailsen Files – (8,2/10) – Like expected from Ryousuke Takahashi: a solid science-fiction series that focuses more on believability than action. It’s nothing amazing yet, but it did go into the right direction.
#21 (10) – Gigantic Formula – (8,2/10) – Finally another episode got released, and I must say that I’m impressed how the creators took such a faulty concept and turned it into something worthwhile. I do admit that I like how the corrupt government-subplot has turned out, though these guys seriously lack in development.
#20 (11) – Saiunkoku Monogatari – (8,3/10) – I’m not happy with Madhouse, as it’s continuing its trend of screwing up the endings of its adaptations. The story of Saiunkoku Monogatari has finally become amazing now, and this is definitely NOT THE TIME for budget-problems!
#19 (5) – Sayonara Zetsubou-Sensei – (8,3/10) – Well, the subs are as fast as ever and only one episode got released this month. It wasn’t as continuously hilarious as the previous ones, but thankfully it did feature a bunch of brilliant and clever jokes.
#18 (10) – Gintama – (8,3/10) – I have seen better months for Gintama, but episode 48 and 49 both had a couple of brilliant jokes and parodies.
#17 (21) – Gambling Apocalypse Kaiji – (8,4/10) – For the past month, I’ve loved Kaiji in terms of the small picture, but looking at the big picture I feel that it could have been handled better.
#16 (20) – Spice and Wolf – (8,4/10) – Spice and Wolf too has been unspectacular, yet incredibly solid. Its main characters are well-defined, and I admit that the attention to politics and the in-depth look at the job of a medieval merchant turned really interesting. One point of criticism would be that the side-characters could have gotten more attention, as they hardly receive any sort of background or development.
#15 (15) – Clannad – (8,4/10) – Okay, let’s hope now that Clannad has finally shaken away its harem-roots (about the only thing I really didn’t like about this series), so that it can focus on what’s really important. Apart from that, this series has been as solid as usual.
#14 (18) – Gundam 00 – (8,4/10) – Thankfully, every single character has now become more likable apart from Saji. This series still isn’t anything special, but it’s getting more enjoyable with every month.
#13 (12) – Kimikiss Pure Rouge – (8,5/10) – It’s sad to see that Mao has become exactly what I feared her to be: love-triangle bait without any possibility of success. Fortunately, she has been well-developed, which makes up for this a lot. In addition, Kazuki’s story did turn out in an excellent way.
#12 (17) – Suteki Tantei Labyrinth – (8,6/10) – Well, it looks like this series has finally stopped fooling around, and got to its serious part. So far the drama has been surprisingly interesting and the characters are actually well-enough developed and likable.
#11 (13) – True Tears – (8,7/10) – For a 13-episode love-story, True Tears is top-notch. It really makes use of the limited time it’s been given, and the characters are already getting developed.

#10 (7) – Shigofumi – Stories of the Last Letter – (8,8/10)

I like how Shigofumi, amidst the series of Jigoku Shoujo, Shinigami no Ballad and others, managed to find its own style and niche, and continued with this. The stories are well-developed and the extreme plot-twists are enough to keep me more than interested. Okay, you won’t find any subtlety in this series, but that’s part of its charms.

#9 (22) – Kekkaishi – (8,9/10)

Kekkaishi has rocked now that its ending has gotten nearer. I like the wit of the writers to not let everything climax at a worst-case scenario. Now let’s hope they won’t screw up the ending.

#8 (14) – Hakaba Kitarou – (8,9/10)

This series does an excellent job at surprising its viewer. I must say that I never saw some of the plot-twists coming and on top of that the way this series combines horror with humour deserves points as well.

#7 (2) – Wellber no Monogatari – Sisters of Wellber – (8,9/10)

Wellber hasn’t been as good as last month, but that’s probably because of the time it spent building up for the grand finale, and it’s promising to become an awesome one.

#6 (6) – Perrine Monogatari – (9/10)

This is the power of the early episodes of the World Masterpiece Series: you know things are about to happen, you’ll just never know when they will. In the meantime, I keep rooting for Perrine’s mother to get better, even though I know that this’ll be useless.

#5 (4) – Mokke – (9/10)

I’m not sure what it is that this series has, but every time I watch an episode, I end up really satisfied. The two lead characters are just so adorable characters, even though they’re a bit cheesy at times.

#4 (9) – Gunslinger Girl – Il Teatrino – (9/10)

At this point, I hardly care about the new character-designs and lack of budget anymore. Gunslinger Girl – Il Teatrino has a terrific plot, period.

#3 (8) – Porfy no Nagai Tabi – (9,1/10)

Like expected, Porfy no Nagai Tabi has been amazing, even though hardly anything happened yet. Porfy and Mina just feel SO real. Even the Ghibli-movies I’ve seen didn’t feature little children that felt so nostalgic as the two of them.

#2 (3) – Ghost Hound – (9,2/10)

In February, Ghost Hound kept its same style of tense and refreshing storytelling, and started introducing increasingly more interesting psychological concepts. Here’s one series that knows how to build up.

#1 (1) – Shion no Ou – (9,5/10)

Shion no Ou has been absolutely sensational. Not one character is wasted, every episode delivers, and especially Satoru has received a tremendous amount of development this month. It’s already one of my favourite series 2008.

Posted on 27 February 2008 with categories: Wellber no Monogatari ~ Sisters of Wellber


This episode was mostly unspectacular, and just built up for the finale of this series. Basically, Rita and Tina arrive back at the castle of Wellber and are greeted back by Rita’s family. Galahad formally requests a wedding with Rita, and later he settles an old score with the knight, back from episode one. All in all, the chess-pieces were set right for the final four episodes of this series.

But it does promise to be an awesome finale! In the next episode, we finally get to see the confrontation between Tina and Rita’s brother (because yes: it’s now officially confirmed that he was the one who killed her parents). At this point, I have no idea what she’ll do. Just keep quiet about it in front of Rita? Brainlessly attack the guy? Give subtle hints? Talk things out? It’s all possible.

My guess is then that the final three episodes will deal with the upcoming war between Wellber, Sangatras and Greedam, or to be more precise: preventing it. Here too I wonder what kind of direction the creators will go with. There are still quite a lot of interesting possibilities for the war to turn out in three episodes, but for now they must make sure to build it up well, just like they did with the characters.

Posted on with categories: Suteki Tantei Labyrinth


Ah, finally Byakko gets her background! I must say that this has turned into quite an interesting family-drama between Seiran, Chien and Seijuu. Their background doesn’t feel complete yet, but then again, there are still five episodes left and these can be used to fill in the blanks that we’re still missing like their parents and why Seijuu has decided to go after the Hyuugake Gentoushuu in Mayuki.

At this point, I’ve also started doubting whether Byakko will change sides or not. At the beginning of the episode, we see her about to kill her master, until he reminds her how he gave her the name Byakko. It turns out that she grew up with Youko (that was her name, right?). Then Chien took Youko away and she was all alone until Seijuu picked her up.

Seriously, Byakko’s mood took huge swings throughout the entire episode, especially after Mayuki (in Hyugake Gentoushu-mode) pointed out towards her cocky mode that she was in fact really unsure of herself. She was really fun to watch, though. One moment she was crazily uttering her name over and over, the next she dresses up in a fancy costume to lure Mayuki’s friends to a deserted location.

And I must say, that this has been one of the most solid episodes of this series yet. There’s no botched storytelling, nor any far-fetched mystery and for once everything felt believable, even Byakko’s insanity (the series built up very well for that, in my opinion). It was also refreshing that for once Seiran was out of the picture, so that none other than Chien had to protect Mayuki.

Posted on 26 February 2008 with categories: Gunslinger Girl - Il Teatrino


This is one episode that should have belonged in the first season, as it’s entirely devoted to Claes without any signs of the plot whatsoever. I’m not sure why it took her so long to get her own episode. Was this the actual sequence in the manga, or did Madhouse just omit her back-story when they made the first season? In any case, it’s definitely a good thing to finally see some attention to one of least-developed members of the cast, because first of all she really needed it and second of all: Claes is such a great character.

I assume that her partner is on some kind of mission, and left her behind? I couldn’t pick up that part precisely, but we never see him outside of a flashback, and it does explain why she never participates in any mission. What also surprised me in this episode was that there were more Gunslinger Girls than just Henrietta, Claes, Angelica, Triela and Rico.

I also must say that I really like the new OP animation and the new ED-tune. They fit the new feeling of second season perfectly, in my opinion.

Il Teatrino is just like Higurashi no Naku Koro ni Kai. That too went into a completely new direction when compared to the first season, offering a totally new dimension to the story. You’ll either love this, or hate how the second season didn’t continue with the style you liked about the first one.

Posted on 25 February 2008 with categories: Mobile Suit Gundam 00


Ah, finally. In this episode, the thing that I’ve been wishing for finally happened: The Union, HRF and AEU get themselves some access to Gundam-technology. Now, the Celestial Beings aren’t special anymore, and this anime can get started for real. We also get the next major villain confirmed and overall, this was a pretty good episode.

There’s just one thing: Saji. I really don’t like where this guy is going now that this episode killed off his sister. We’ve currently reached episode twenty, and every single character has become more likable, even the Trinities, apart from this kid. Really, what are the creators planning with him? He spends the current episode still being sad about what happened to Louise, and just imagine how he’ll go crazy when he finds out that his sister’s dead. He must have some kind of major role to be featured in every single episode, so I really hope that he won’t screw up this series with his pointless angst.

Also, I wonder who the traitor was that sold the Gundam-engines to the outside-world. At first, I thought that it was Alejandro again, but he was too busy in this episode with finding Veda’s location, so he couldn’t have done it. Speaking of the guy, I’m interested to know how he met that Livonze Almark, and how that guy has the same glowing eyes as Tieria and Nena.

Posted on with categories: Gambling Apocalypse Kaiji


Oh my god… I’m speechless. I know I have been whining against this series, but that doesn’t matter for this episode. All I know that these were 20 of the most disturbing minutes of anime I’ve seen. Let me warn you: do not watch this episode if you can’t stand gore. I still can’t call this series great, but damn… this episode was so worth it.

I’m going to keep this entry short, because even though it was an awesome episode, it’s also one that I’d like to forget as soon as possible. In this sense, the gore is even worse than in Shigurui because there, you can see it coming. I didn’t expect for Kaiji to be this screwed in the mind to just cut off his ENTIRE EAR.

Posted on with categories: Random Posts

This is sort-of a compilation-post of all the movies I’ve watched up till now. They’re basically my opinions on the best movies that I’ve checked out. The format is the same as my end-of-the-year summary. I’ve tried to include screenshots, but for a few entries this didn’t work out (tip: never go with an image-host you don’t know). Also, feel free to share your own top-10 of movies and OVAs. ;)

Biggest Disappointment:

Aachi wa Ssipak

One failed comedy, in my opinion. I went in, expecting to see some brilliant jokes, but it went way too far in being absurd, and in the end the most worthwhile aspect of this movie were a couple of very impressive action-scenes.

Most Pleasant Surprise

Blue Submarine No.6

Metropolis too was a gem that I didn’t see coming, but what surprised me even more was that Gonzo’s first real production actually turned out pretty decent. Sure, it may have had its flaws, but I saw no traces at all of the questionable reputation that the studio would build up in the years afterwards.

Funniest Movie

Eternal Family

One thing that surprised me was that there were very few good comedy-movies. Okay, I may not have looked carefully enough, but still. In any case, the biggest sources of laughs for me were Satoshi Kon and Studio 4C, and one particular part of Robot Carnival. Still, I don’t think anything can beat a sadistic baby with a pair of scissors, so Eternal Family wins for this award.

Best Graphics

Ghost in the Shell II: Innocence

Well, I don’t think there’s hardly any contest here. Everything about this movie looks absolutely stunning. An honourable mention goes to Metropolis, though. Yet another visual feast.

Best Action

Adolescence of Utena

Of course, it’s a given that you need to have seen the original series to fully enjoy the movie, but if it’s action you want, then you should give this one a shot. Good action in my eyes isn’t flashy, but creative, and that perfectly describes the scenes you’ll see here.

Best Mystery

Twillight Q

Unfortunately, there aren’t that many mystery-movies and OVAs, though the three movies/OVAs with the best mystery in my eyes are Twillight Q, the xxxHolic-movie and They Were 11. All movies have a great mystery-oriented plot and a definite recommendation for any mystery-fan.

Best Science-Fiction

Jin Roh – The Wolf Brigade

Science Fiction doesn’t need to take place in the future, it can also play in an alternate universe. In addition to Jin Roh, Metropolis, Alien Nine and Hyper Future Vision Gunm also feature some very interesting ideas and settings.

Best Short Movie

Comedy

For those who want to waste ten minutes, Comedy by Studio 4C is my top-recommendation. She and Her Cat was great too.

Best Romance

Millennium Actress

Millennium Actress took romance to a whole new level, with terrific results. Other gems include Jin Roh, Porco Rosso and Mahou Tsukai Tai.

Most Thought-provoking Movie

Patlabor II

Unsurprisingly, a production by Mamoru Oshii. The plot is so complex and the storytelling is so captivating that it’ll definitely keep your mind busy as it goes on. Other and OVAs with interesting themes are Hitsuji no Uta, the second Kino no Tabi-movie, Eternal Family and Tokyo Godfathers.

Best Story

Arete Hime

Arete Hime was very slow, but it also had a memorable story. This was quite hard award to decide, as the stories of Tokyo Godfathers, Millennium Actress and They Were 11 all sparkle with creativity as well.

Best Character-Development

The Dog of Flanders

The characters for the Dog of Flanders were just amazing, and it’s an award well-deserved. I do want to hand out a honorable mention for Oseam and Hitsuji no Uta, though. I’m still impressed at the huge depth of its characters.

Top 10 Movies and OVAs

#10: Hitsuji no Uta

I know that I’ve given it a relatively low rating, when compared to the others on this list. But looking back, I can see what an amazing character-study it has been.

#9: Jin Roh

Mamoru Oshii’s best work. Everything seems to fit in this movie, nothing feels rushed at all.

#8: Arete Hime

It’s a bit strange for a movie about boredom to appear on a top-10 list, but I really enjoyed this little Studio 4C-production. This is everything a fantasy-movie should be.

#7: Rurouni Kenshin – Tsuiokuhen

Of course, this one can’t be omitted in a list like this one. The original series may be to large of a commitment with its 90 episodes, but its four-episode OVA is a must-watch.

#6: Millennium Actress

The movie about movies. Satoshi Kon shows the viewer here an imaginative story with an absolutely lovable cast.

#5: Eternal Family

Eternal Family has a bunch of terrific themes, it’s hilarious and it also has a great cast. With thirty minutes, it also has the perfect length so that its jokes won’t be milked out, and it’s among the best movies that Studio 4C has created.

#4: Metropolis

Osamu Tezuka’s own productions may have been flawed, but when it’s another director who was tasked to bring his old creations back to live, then the results become amazing. Metropolis has really been a terrific movie, despite its standard storyline and concept.

#3: Tokyo Godfathers

In my opinion, Satoshi Kon’s best work. It has managed to mix a great sense of humour with a terrific storyline and quite an original setting.

#2: Tales of Phantasia

What can I say? Tales of Phantasia was one of the reasons why I started blogging in the first place, and although I feel I’m a bit biased, it’s been my most favourite OVA ever since.

#1: The Dog of Flanders

I’m so glad that I gave the Dog of Flanders a chance, as it’s without a doubt the best movie I’ve seen. The story is just so gut-wrenchingly sad, and another example of why Nippon Animation is one of my favourite animation-studios, along with Studio 4C and Production IG.

Posted on with categories: Anime Reviews


Back in August, I made a rather large list of all kinds of worthwhile movies and OVAs, as a way to systematically catch up them, just like I did before with 13-episode series. I became an anime-fan relatively late, so I missed out on a lot of good stuff and this was the prefect chance to get my hands on a number of true anime classics. And with Millennium Actress, I finally finished this list. I’ll try to come up with some kind of compilation-post with my highlights tomorrow or the day after that.

In any case, Millennium Actress by Satoshi Kon was the perfect movie to save for last. Not only is it an excellent movie, but it also pays homage to all kinds of historical movie-genres. While I can’t say that it’s been the definite best movie ever, it does have the most imaginative storyline that I’ve ever seen in one. It even leaves the various Ghibli-productions miles behind it!

You can also recognize elements of other productions of Satoshi Kon. Suddenly, the RPG-episode of Paranoia Agent makes perfect sense and I can understand a bit where Paprika went wrong with its constant repeats of the same shots: Satoshi there tried to relive one particular scene of this movie, but he went much too far in that. Also, like all of his movies, the main characters stand miles apart from the sort of cast you usually see in anime, and their average age is probably the highest of any anime I’ve seen.

And this yet again shows that older characters can be just as fun to watch as the teenage ones. All members of the main cast are absolutely lovable, both the males and the females. I just couldn’t help but root for them throughout the entire movie. What also absolutely shines is the story. This is much more than just a simple love story, and Satoshi Kon goes way beyond the usual clichés and formulas. Unfortunately, the movie is not perfect. One thing I really missed in the second half was the hilarious sense of humour of the first half. It’s of course inevitable to become more serious as the movie progresses, but Tokyo Godfathers demonstrated that the jokes in the second half can really work in the movie’s advantage if they’re delivered well.

Looking back, it’s a shame that Satoshi’s record got spoiled with Paprika. That movie just feels outright mediocre when compared to all his stellar works, and it’s much, much worse than all of his other directing-jobs. Seriously, Perfect Blue, Tokyo Godfathers, Millennium Actress and Paranoia Agent all are excellent recommendations. All four are unique, all four have an excellent and realistic modern art-style, and all of them have an absolutely stellar soundtrack, with the background music from Millennium Actress probably being the best of them all.

CHANGE USERNAME
Anonymous1828434
Akumestu soo satisfying to read
Anonymous1828321
Thank you
Lenlo
A shame. Kokkoku had the first truly dull episode this week. Suppose one had to come eventually, but this one was mostly an info dump.
AidanAK47
Like lightning, I strike. Junji Ito is basically interesting ideas with deeply flawed execution. It's not scary, doesn't really capture Ito's style and the animation is bare bones. While the stories themselves can have there interesting points, they are often not fleshed out enough. Honestly I am getting rather bored with it.
Lenlo
Holy bejesus Aidan. Nice triple post. :P

So overall how is Junji Ito? From what ive read so far, it seems pretty hit or miss on the horror/gore front. Failing to live up to the manga. I havnt read it though, so im curious what ya think
AidanAK47
Akumetsu?
Anonymous1828142
Wearing a mask
Anonymous1828142
What was the name of the manga where the main character is some superhuman high school student who goes around fighting Japanese politicians
Lenlo
On a side note, I should really start Violet Evergarden at some point...
Lenlo
"Anime is dying" is just a meme that gets thrown around because of Miyazaki.
Lenlo
Maybe. I dont think average score per year is a good metric though, as the cash ins are increasing, but I doubt the passion projects are decreasing. For instance we had /alot/ of duds this year, but people only really remember/care about the good ones of which there was a fair number. It wasnt a bad year for decent/good anime.
AidanAK47
Well yeah, but they didn't have as many Animation studios back then as we do right now. So it's not so much that we lost artistic merit but rather the number of studios cashing in on popular trends for a quick buck have increased. Even then, I am willing to put money on there being just as much harem anime in yesteryear as we have cute girls shows in present.
Lenlo
Perhaps, but I would argue those were on smaller scales, and even then, thats not so different from Western animation or movies. Just look at Warner Bros and their DC push after the success of Marvel. Every industry has those who chase successful trends, yet they arnt failing
AidanAK47
@lenlo, the thing is though that before Moe crap there was eva copy crap and before eva copy crap you had space opera crap and before space opera crap you had hyperviolet OVA crap. The industry has always tried to cash in on a popular trend.
Kaiser-Eoghan
I feel people went apeshit over, say highschool of the dead because they never saw a bunch of old B/exploitation films, thus that show was never special to me and even failed at an imitation of such.
Kaiser-Eoghan
I think people getting to excited for it being unique to a single medium or for, its setting themselve up for disappointment.
Kaiser-Eoghan
I just think its incredibly limited thinking to base it all on just ONE medium, you CAN hold up anime to film when anaylzing anime.
Kaiser-Eoghan
Why should 91 days get a free pass just because its an anime about gangsters? Go watch a film about it instead which theres probably many of, joker game fail you as the mature spy thriller it ended up not being, who cares, Tinker tailor soldier spy exists.
Kaiser-Eoghan
I dislike this "Its unique for an anime/manga to do this, so instantly lets latch on to it, despite fact that same something is already extremely prevalent in other mediums "
Kaiser-Eoghan
Case in point 91 days and Joker game "It has adults, lets pre-rejoice before the show even came out"
Kaiser-Eoghan
I feel though because of the level of dissatisfaction with said moe shows that people are going to leap far too quickly on anything just slightly different, getting their hopes up too high and end up feeling let down.
Lenlo
That, or it all comes crashing down around our ears. With stuff like Houseki no Kuni and Made in Abyss from last year however, I think its going to be ok. We are just getting inundated with crap right now.
Lenlo
I do think that some of the artistic part of it has been lost, its gotten diluted in the never ending river of Moe crap. But that doesnt mean its gone. Just harder to find. Eventually all the random moe shows no one cares about will fail and stop getting made. But the anime audience will still be around, to enjoy the better stuff thats left.
Lenlo
Same thing happened in the mid/late 90's and early 00's to American cartoons.
Lenlo
Eh, I dont think anime is dying. Changing no doubt. Its going through a rough growth stage right now. It has a bigger audience than ever and people are trying to cash in on that with lots of shows that are basically the same
Kaiser-Eoghan
@Mario: Tank you and damn you for posting screencap of loli-tachibana, I now have cuteness overload a diabeetus =<
Kaiser-Eoghan
I realize thats a very minor detail to focus on though.
Kaiser-Eoghan
Thats why I can really really get into a history manga if the art is top quality, the costume designs.
Kaiser-Eoghan
On the historical thing, I have a massive I repeat massive thing for full body medieval armoured characters hacking the shit into things or just the armour in general , especially templar armour designs. I also have an little obsession with male aristocratic army uniforms from the Prussian era and world war 2.
Kaiser-Eoghan
That recent Urasawa manga Travlos mentioned is ending also
@Mario: We might get a complete adaptation of after the rain, the manga is ending.
Kaiser-Eoghan
More historical manga I found, haven't read the second one however, I didn't hear those two mentioned on here either before.
Kaiser-Eoghan
[link src="http://kissmanga.com/Manga/Hawkwood
http://kissmanga.com/Manga/Ad-Astra-Scipio-to-Hannibal"]
AidanAK47
@Anon, yes clearly you know better than everyone else on the planet despite having no evidence whatsoever to back up you claims. Thank you nameless Stranger, we owe you a debt for telling us the same thing we hear every year. Let me congratulate you by kicking you out the door.
Kaiser-Eoghan
I can generally come up with an opinion for what I follow/watch/read , but I don't really have one on kokkuu.
KTravlos
Well we watched the first episode of Kokkuku. Interesting. The ED theme is quite the fanservice.
SuperMario
@Ktravlos: If your like to check out some other shows this season then I'd definitely recommend After the Rain.
SuperMario
@KTravlos: at least Kino is thought-provoking. I can't say the same for Violet Evergarden. In fact I remain skeptical with VE
KTravlos
I am quite enjoying both Violet Evergarden and Mahoutsukai. Violet gives me similar vibes to the first Kio series, though obviously Kino was a better series.
SuperWooper
EPIC post, anon!
Anonymous1825128
Of course, as ardent fans of anime, the writers of this site would not deign to agree or even entertain the idea that their passion is no longer the same artisanal endeavor it once was.
AidanAK47
@Anon, Oh. Actually surprised I forgot about that. Yeah, when it comes to something being described as edgy I think Goblin Slayer fits that definition perfectly.
AidanAK47
@Lenlo, You can still throw down your take if you want.
Anonymous1824209
AidanAK47 - Or the women shields.
Lenlo
You know, sometimes I dont regret forgetting about this chatbox. Missing the "anime is dying" conversation? One of those times
AidanAK47
Oh, Goblin Slayer is getting an anime adaption. I was rather lukewarm on it but I wonder how the anime is going to handle the rather unsavoury aspects. Like the rape. Lots and lots of rape.
AidanAK47
I remember the last guy said he would make a chart and I thought it was a brillent idea as at least something useful could come out of this old dead horse. Then his chart turned out to be a useless jpeg with series thrown to the left or right.
AidanAK47
It does stir up conversation but it's really just the same conversation repeated. I remember stating the exact same points Nayrael and Bokusen are saying around a year ago when this last came up.
AidanAK47
@Anon, Indeed Ratings are subjective but it would at least be a general mainstream consensus of the quality of anime over the years. Not final but at least it's better evidence than one persons general assumption. And other factors are impossible to quaitify.
Nayrael
A good parody of the "Anime back then and now - what happened? meme (if the links are not blocked here): https://i.imgur.com/JZqxz6f.jpg
Nayrael
Not to mention that back in the olden days you didn't see every Anime that aired. Official translators and fansubbers selected the best stuff, which resulted in you seeing the best shows and never even knowing about the shit-tier shows.
Bokusen
I think that people who say "anime is dying" are just getting too nostalgic. It's easy to remember the hit series from earlier seasons. It's less easy to remember all the forgettable generic series that you dropped after 1 episode, and so anime tends to "seem better" back then because of people's tendency towards selective memory.
Anonymous1820731
Why are there more bad anime? Because there are more anime being made. That means the good ones are buried under the lots of bad ones. But saying "anime is dying" from that is like saying "music is dead because I don't like Britney Spears." Why does this conversation always come up, its obvious conversation bait.
Anonymous1820589
@Aidan: You are the first to obsess over the fact that reviews are subjective. And since they're subjective, looking at anime 'ratings' over time does nothing to gauge the measure of effort and artistic talent that goes into making anime.
Kaiser-Eoghan
Which I got my answer by the way.
SuperWooper
>average review scores
What do those have to do with whether anime is "dying" or not? You'd need to look at the money.
Kaiser-Eoghan
Want to add that I agree with both you and Aidan, only brought up those two topics back there because I wanted to know what shows now will be popular in the future.
SuperMario
I'm on the side of Aidan regarding to this. For me it's not neccessary means the anime industry has become "better" or "worse", it's just that it takes new shape and trends and based on the number of anime produced, the industry isn't going down soon
AidanAK47
Am I really going to draft up a chart gathering average review scores of the past 25 years just t shut up this talk of anime dying?
But even if I did that won't toss aside this nonsense.
Kaiser-Eoghan
I know this is complete guesswork.
AidanAK47
Plus the industry is dying? Bloody hell, we got major companies FUNDING anime. Streaming services and more anime coming out that ever before. You can argue that this new anime is weaker but honestly it's just misguided. It takes time but great shows are still coming out. Just like back then.
Kaiser-Eoghan
Well thats kind of what I meant, what, when passage of time comes into it are going to end up being classic based on that, speculatively speaking.
Kaiser-Eoghan
Thats probably a much better way of phrasing it, inheriting mantles. I'm going to say that promised neverland is presently along with Titan a BIG modern shounen.
AidanAK47
Anyway my point is that the shows of the past, the so called classics, are just as flawed as the shows of today. It is only through the passage of time that they become classics. When Stein;Gate finished airing, I seen no one call it a classic. Same goes for Madoka and Fate/Zero. Now, you have people putting up the pedestals.
AidanAK47
Though if anything has inherited the Shounen mantle, it's likely Boku no hero.
AidanAK47
There is no big three Shounen and that's honestly for the best. Because in generally the declining aspect of Naruto and Bleach was mainly due to the pressure on the mangaka to put out chapters on a weekly basis. In fact it's pretty much the primary factor in Bleachs decline.
AidanAK47
Bebop is great but even it is hit and miss by nature. Doubt many remember much about the casino episode and the Alien spoof episode is likely not anyone's favorite. Eva is massively flawed but no one wants to admit it due to the massive amount of praise it receives and influence it has on the industry.
Kaiser-Eoghan
But what is the new big three shounen?
AidanAK47
If we go further back to DBZ, that has tons of issues with filler, dragging out episodes, animation shortcuts, and even complaints of it doing the same thing over and over again with it's story. No to mention the underutilised cast and the everlasting act up putting Goku on a greater pedestal.
AidanAK47
But let us dissect this viewpoint of yours. You claim the Shouen-jump canon as a great, guessing that refers to the shounen big three. But aside from One piece, the other two are emmensily flawed. Naruto is 50% filler and Bleach drops seriously in quality after soul society.
AidanAK47
Also Fate series is trash? That definitely seems aimed at me. What first series are you referring to? Fate/Zero, Fate/Stay Night 2006? Fate/UTW? The same thing over and over again? Sure each series has a holy grail war, but none of them every turned out the same. I am more than willing to admit that the spinoff series outside of the main canon are lesser. Calling them trash however is hyperbole.
AidanAK47
@Anon, Not this crap again. The old "Anime isn't as good as it used to be", how many times have I heard that over the years, and each and every time it proves more untrue.
Kaiser-Eoghan
One point I'm trying to get at is, I don't get throwing the word bad taste around when I know I was probably in the same position as that other fan years ago.
Kaiser-Eoghan
Another thing, for shows we talk up and obviously I've been just as guilty of this, how many of these am I going to be able to recite off by heart years down the line?
Kaiser-Eoghan
I don't like Madoka but thats a good example of a modern classic that'll keep in peoples minds, people still care.
Kaiser-Eoghan
*its a
Kaiser-Eoghan
@Anon: The reason I want to see a new show become a modern classic is because I'm tired of this "fleeting masterpiece" way of thinking, where I a show is super popular during the season and gets talked up as if it'll stick in the mind years on, then weeks later it disappears from memory.
Anonymous1819907
And anime watchers tend to be attracted to series that are just plain boring. The Fate franchise is case and point. The same thing over and over again. It really is a disgrace, to be honest--in my opinion. The first series was great, and I look forward to the movie. But everything in between is trash. But they still get the views, since people are sheep.
Anonymous1819907
The shonen-jump canon, shows like bebop and eva were huge in their time. The industry is just not the same--it's really dying. There isn't the same desire to blow shows up like there used to be. Shonen jump is still at it, but those shows are rarely worth watching, even if they're popular
Anonymous1819907
its a good anime, but it doesn't have the same staying power since it was not an entire industry
Kaiser-Eoghan
Sorry for the long post, I want to get people talking again here.
Kaiser-Eoghan
I would love for this to happen with, say, made in Abyss, that becoming a show that we remember decades from now and still talk about.
Kaiser-Eoghan
Something else I want to bring up, what shows do you all REALLY believe will still be talked about in the future . Bebop and Eva still come up regularly to this day, what new shows do you think will become big classics.
Kaiser-Eoghan
To base taste on things you watched ages ago doesn't really work.
Kaiser-Eoghan
I bring that up because I remember a comment somewhere I read that said, the people who trashed guilty crown, forget geass was 10 years ago and if guilty crown had came out back then instead of geass they would have embraced it instead at the time.
Kaiser-Eoghan
On the bad taste thing, I could easily say Mahouka or sword art are terrible, but back when I watched and loved code geass people where probably bashing it as overhyped shit in the same way people like to do with sword art/mahouka now.
Kaiser-Eoghan
I sure years ago I would have been all over violet evergarden.
Kaiser-Eoghan
For example most anime/manga melodrama has lost its effect on me, I hate Clannad and Kanon now and I won't watch the new code geass season because I want to crop it and death note both up to a teenage error and mistake.
Kaiser-Eoghan
And in some cases it only takes five or so years.
Kaiser-Eoghan
If not that, it’s the show no one gave a shit about that you loved or it’s a recent gem.
Kaiser-Eoghan
And it hit me, the stuff you often end up loving, becoming a measure of your true taste, in my case at least are the re-discoveries, the show you HATED or didn’t get the first time round, maybe you watched it again soon after or years later, but then it does something for you that tops anything you watched in your early days.
Kaiser-Eoghan
Then I remember theres a huge amount of big shounens I never cared for and popular writers that I never liked or if I did found somewhat overated.
Kaiser-Eoghan
Given that I’m in my thirties and have been watching anime, reading manga since I was 11, that’s led to a very very large re-watch list, something things I will NEVER get the time to go back to re-assess , for all I know they could actually be terrible series. Then there’s when I DO go back on shows and let’s face it most DON’T hold up (of course its good when they do hold up).
Kaiser-Eoghan
This has been on my back/mind for a bit now, to where I’m actually somewhat confused by this “tastes” thing in relation to myself.
AidanAK47
@Anon, Out of nowhere comment don't you think? Besides it ain't that I have perfect taste. It's just that my taste is the only one that matters.
Anonymous1819624
@Aidan you don't need to keep pretending you have perfect taste in anime. we are all aware your taste is often questionable, as all of ours are at times.
Kaiser-Eoghan
Its kind of a pity because there were moments where I saw potential in it and thought maybe this would be some kind of exception.
Kaiser-Eoghan
But to more calmly review this, I do think its possible to present topics like this, though in a more accessible way, I think even someone more versed in this would be bothered by this presentation, in addition to this manga never flowing properly, the dialogue just feels it was ripped directly from an article or book.
Kaiser-Eoghan
I suppose in all fairness, its right to say I never studied any of these subjects in much detail that it brings up and never did anything sciencey for more than two years at school so I was probably doomed from the start.
Kaiser-Eoghan
I know the expected response to what I said there is "why do you read/continue to read things you know you won't like" but if I don't come out of my comfort zone theres no chance of me being surprised.
AidanAK47
Hehe..well Kaiser, I don't remember saying it was good. I just said it was an insane ride. I found its concept interesting but the presentation was just terrible.
Kaiser-Eoghan
Sorry for ranting but this makes my blood absolutely seethe and boil.
Kaiser-Eoghan
I got to the last two chapters and just stopped caring, the info dumping, the multiple lives thing, especially the my own father/mother thing and magical girl part....fuck...
Kaiser-Eoghan
And yes I'm talking about Qualia....this...was....abject...punishing headwrecking agony to read.
Kaiser-Eoghan
Okay fuck it, just fuck it, I refuse, absolutely refuse to touch anything involving many worlds interpretation, time travel, shared memory,multiple runthroughs/loops ever again under any any circumstances, this is the worst form of storytelling I can possibly sit through from my perspective , I cannot finish this its impossible.
Kaiser-Eoghan
I've given away/sold/thrown out anime/manga before, including figures and posters while keeping others , can't remember off hand, but it was to free space.
Kaiser-Eoghan
@Mario: Together we make....tiger and dragon....Toradora =O
Kaiser-Eoghan
@Mario: To be clearer, any interesting series/films they threw out?
Kaiser-Eoghan
@Mario: Anything else interesting they threw out?
Kaiser-Eoghan
@Mario: I'm year of the tiger, Aidan is year of the dragon.
SuperMario
And today is the Lunar New Year, happy new year guys! It's a year of the Dog so for those who is born in the year of the Dog... my condolenses since it is supposed to be your bad luck year
SuperMario
I think they move away so they just throw all their dvds there. There were other live action movies and series in there
Kaiser-Eoghan
@Mario: Strange that if he truly didn't want it that he never decided to just sell it.
SuperMario
@Aidan: I tested it and all of the DVDs are playable. The package includes the whole show and the movie. Not a scratch either
Kaiser-Eoghan
pppftt, not leaving it in the trash and instead going out and getting the blurays instead =P
Lenlo
Ha, shouldnt be surprised you read it to
AidanAK47
Everytime I read a newly translated Re:Zero chapter I just hunger for a new anime season. The latest chapter would be fantastic animated
AidanAK47
@Mario, Maybe the discs got scratched and the don't work anymore? Otherwise this is blasphemy if the highest degree.
SuperMario
Don't know how should I feel about that :))
SuperMario
Can you believe it? Someone in my apartment just threw away the Cowboy Bebop boxset. Normally I don't pick up someone's trash but it's a crime NOT TO in this case. %$^&&
Kaiser-Eoghan
I will hearby read Murasakiro Qualia!
Kaiser-Eoghan
@Mario: Very good voice casting decision with hourou musuko, the voice actor for the protaganist was an actual 14 year old and sounds kind of androgynous anyway.
SuperMario
@Kaiser: it comes as no surprise for me if the mangaka of Housou Musuko is a lesbian, since the show has a honest feeling if someone who actually experience those issues
Kaiser-Eoghan
So that probably came after or something.
Kaiser-Eoghan
None of those episodes 30 involved this ant-arc Aidan mentioned as I recall.
Bokusen
0_o What the heck...It must take a long while to get good then.
Kaiser-Eoghan
All I was told by a hunter x hunter fan on here was after I said I'd watched 30 episodes was "I wonder if the next arc will change your mind"
Bokusen
Does Hunter x Hunter really take 40 eps to get good? I've been thinking of watching it since I really liked YYH & it's the same mangaka. I got hooked on YYH by episode 7, but if HxH takes 40 eps to hook me I might get tired of it before then.
Kaiser-Eoghan
And in some cases it can represent an temporary escape from the self.
Kaiser-Eoghan
As an odd, maybe interesting relevant point, in some cases, well I think most a non-mtf , both a physical and psychological male, if they wear female clothing, the body reacts as if its like contact with a woman.
Kaiser-Eoghan
@Anon: Or for a very old manga on that theme: http://mangakakalot.com/chapter/claudine/chapter_0
Kaiser-Eoghan
The anime worked suprisingly well despite the decision to start in the middle.
Kaiser-Eoghan
As much as I absoslutely love hourou musuko I do need to raise some flaws with the manga, the ending is rushed and underveloped and it is true the characters are too precocious.
Anonymous1811397
Is very slow, and I did reach a point of feeling nothing was happening. I did like the anime pacing things faster. Also like with the anime Aoi Hana it did have a poignant line. In Aoi Hana was the response to the tomboy that wanted to reengage with the MC, and in Hourou Musuko was coming out with his girlfriend.
Anonymous1811397
@SuperMario - Yep, it's maybe the most innocent yet mature take on transgender themes I've seen on a manga. I like it also tackles both genders, since we see women can wear more masculine clothing and be fine with it, but a man doing it is still weird, and unfitting. Also I think it's also the first time I've seen someone going to a catholic church to pray in a japanese setting. However, the manga
Kaiser-Eoghan
Although I was reading Qualia as it was being translated then fell behind, something that needs to be read in one go probably.
Kaiser-Eoghan
*musuko
Kaiser-Eoghan
@Mario: I believe the author of hourou mysuko is a lesbian.
Kaiser-Eoghan
@Aidan: I believe that was discussed on here some years back between myself, you and wicked and how the manga could alienate readers with the sciencey dialogue.
AidanAK47
So I read a manga called Murasakiiro no Qualia. And boy, that was one insane ride.
SuperMario
it addresses such a touchy theme with so much grace
SuperMario
boy, just one episode into Housou Musuko and I already fall head over heels for it. Only one issue is the character designs are kinda similar, which took me quite a bit to follow the cast
SuperWooper
Hey, anon. ;)
Kaiser-Eoghan
I feel there's too much pressure on people to watch the "YOU HAVE TO WATCH" because its popular anime.
Kaiser-Eoghan
Just comparing level Es art to hunter x hunter shows how he isn't playing at his A-game with Hunters artwork.
SuperMario
I hated John Wick 2. The plot is just an excuse for too much dull action
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