Posted by psgels on 17 February 2008 with categories: Shion no Ou


This episode was meant to build up for the next one. But with Shion no Ou, this isn’t a bad thing at all. This episode was yet again awesome, and now that this series is nearing its finish it’s getting more amazing by the minute! Seriously, this series has some of the best character-studies in a long while, and at the moment, I’m certain that it’ll end up being one of my favourite series of 2008, even though we’re only half past February.

And really, the animators were on fire for this episode, after the really weird shots of the previous one. It’s really interesting to see that the creators too have realized that the animation needs to be better, and they’re actually improving themselves. I’ve only seen this phenomena in one other series: Mahou Shoujotai. I don’t think I need to say anything more. It’s not like the animation this episode was really crisp or smooth. It’s even messier than usual, but it’s detailed and imaginative. Those were some really interesting poses, where you can see that the animators put some thoughts into them. Some were exaggerated, but others looked SO natural, like how Satoru tilted his head when Shion approached him.

And boy, the story. I’m getting more and more the feeling that Satoru is some kind of huge red herring, standing in front of the real killer. The amount of depth that he and Shion got in this episode is almost unbelievable. This episode starts with Hani-meijin winning over Hisatani, and the second half of the episode is dedicated to the match between Shion and Satoru.

It actually turns out that Shion met Kazuki, when her parents were alive. She hears this from Satoru, during the match. In exchange, she starts crying for her, wondering who it was that handed her her first shougi-pieces at such a young age. I don’t think that Satoru could have expected that other people cared about Kazuki apart from him.

That’s not the only thing that Satoru tells her. He also tells him that she actually once convinced him to stop playing Shougi, and that because of her, he organized the tournament in the first place. It also seems that she died, the day after Shion’s real parents died. Also, for some reason, Satoru also tries to make her remember the incident, and because of this he also shows her his memorial, the same as Shion’s.

Shion then recalls another part of her memory, where she’s playing shougi with her father as a child, where he actually inspires her to keep playing shougi. Shion then realizes that that was the reason why she became a pro in the first place. After the match progresses a while, Satoru leaves the room to eat a bit of lunch. Before he leaves the room, he asks Shion about the night of the murder. Apparently, it took a while before the police arrived, but Shion never screamed for help. She just cried for her parents, if I understood things correctly.

This makes Shion recall that night a bit more clearly, and the night with her father as well. Guess what? It turns out that these two nights were the exact same night. The reason why Shion kept playing shougi was BECAUSE OF WHAT THE KILLER SAID to her! In her mind, she changed this image to be her foster-father. One interesting detail is that Shion held the other king in her hand that time, and she didn’t want to give it up.

Seriously, the potential for the finale for this series is overwhelming. Hands down, Shion no Ou has become my favourite series of the Autumn-season, and Ghost Hound is going to have to be amazing if it wants to have any chance to change this.

4 Responses

  1. hazy says:

    It’s also one of my best picks from 2007/2008. I’m clueless about shougi, but I don’t think a deep knowledge of it is really necessary to appreciate this series. Even though the animation and character design aren’t epic, the story, pace and character progress is quite remarkable. I think that’s what makes Shion stand out from the rest, at least for me. Thanks for the summaries! :)

  2. T.K. says:

    The more I watch everything, the more I think Hani-Meijin is the murderer. Anyone else getting that vibe? It just seems to me that all of the evidence looks to be pointing at Satoru, but Hani could just as easily done it all [plus, he might have more motive to do so]. I personally think it’d be real interesting character wise if Ayumi’s dad did it, but the chances are kinda slim… :(

  3. BD says:

    What a devious series. Makes you think that Satoru is the murderer early on, but I’ll bet anything that the Meijin is the actual perp.

  4. BlueYoshi says:

    Another great episode. The ending took me by surprise. And you said this was a build-up episode. I thought there would be less revelations. xD

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  • jerkocaust
    (Friday, Sep 4. 2015 06:21 AM)
    and its not sure if it wants to be a mecha shonen with the shouty action, tsubdere, kuudere, while it pulls stupid wannabe seinen shit. So you have a story that acts like a 12 year old trying to buy alcohol with an obviously fake ID
  • jerkocaust
    (Friday, Sep 4. 2015 06:13 AM)
    What, when was eva relevant again? Both versions had bad static characters and a story that sounded like a 7th grader wrote it. Predictable at every turn and it thinks its sophisticated enough to half ass some religious symbolisms like it’s some deep story lr something lol what a joke
  • Bam
    (Friday, Sep 4. 2015 05:32 AM)
    [WARNING] incoming Eva rant inbound.
  • Bam
    (Friday, Sep 4. 2015 05:31 AM)
    @Kaiser: welcome to the light.
  • Kaiser Eoghan
    (Friday, Sep 4. 2015 01:58 AM)
    Yes you heard it here, Kaiser admitted to this. Fully watching the films I thought they were alright. And I even liked the direction the third film went and consider it the best thing to happen to the franchise. The plot felt more accessible and easier to follow. It feels more tight and compressed and benefits from animation upgrade. I still think Mari is pretty worthless though and as much as I still hate Asuka and Shinji, their more tolerable here.
  • Kaiser Eoghan
    (Friday, Sep 4. 2015 01:54 AM)
    *Ahem*Ahem* I have a confession to make and now everyone can laugh at me for taking so long to come round to this. But I got past my stubborness regarding Eva and my old bitterness toward it that made me give up when I was trying to re-watch it/the movies. I sat down and watched the Eva film trilogy so far…and I admit…I admit I don’t harbour the same bitterness I had toward the franchise and Anno anymore.
  • Bam
    (Friday, Sep 4. 2015 01:35 AM)
    *null 2nd[enough]
  • Bam
    (Friday, Sep 4. 2015 01:34 AM)
    And how come nobody tell me that it goes Lovecraftian with Necronomicom and a straight up Dagon summoning? I would’ve watched this a lot sooner if I knew it was daring enough for a mainstream anime enough to in any way address child sacrifices.
  • Bam
    (Friday, Sep 4. 2015 01:31 AM)
    Also finished first cour of Fate/Zero. So far this is a lot better than UBW in my opinion. The removal of the highschool drama along with pubescent protagonists makes this a much more adult and sophisticated story. The level of creative freedom that the team had by not being a direct adaptation made this a much more wellcrafted piece.
  • Bam
    (Friday, Sep 4. 2015 01:28 AM)
    @Aidan: I just YouTubed that game and it looks fun and cooky. Kinda reminds me of Futurama I gotta say, and that’s a plus. It’s not really a bullet hell as those are by nature a scrolling 2D shooter with very face ‘safe spots’ on screen.

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