Posted by psgels on 19 February 2008 with categories: Gunslinger Girl - Il Teatrino


I’m getting more and more convinced that there is no such thing as a main character, or a main group of characters for this series. The girls are definitely not the ones who receive the most airtime. Heck, in this episode they yet again didn’t appear at all, and the focus shifted to Franca, as we get to see her background, why she met Franco in the first place, and how she got her code-name Franca in the first place.

It seems that she spent her college-years with none other than Patricia, Marco’s ex lover. Franca was actually the one who introduced Patricia to Marco. Oh, and her name was Catherina back then. It turns out that at one point, her father died and she wanted revenge. For that, she sought the help of a guy named Franco, son of a famous bomb expert and who helped his late father many times in the past. When she met him it seems that he had lost any motivation for the passion that his father once had.

I’m not sure what happened in between, but the two stuck together. When at one point, a bunch of old friends of Franco ask him what Franca’s name is, and instead of answering “Catherine”, he replies with “Franca”. This was all eight years ago, and both of them have matured greatly since then. It really feels like two lost souls have found each other, and grew, depending on each other. Even though Franco doesn’t show it, it does seem like his encounter with Franca gave him a reason to live again.

Sure, the story of the girls is nice and all, but the adults are really stealing the show for this series over and over again. I just love how this can quite possibly be one of the very few series that has important characters of all possible ages, except perhaps of high-school-age (the most annoying age anyway), depending on how old Pinocchio is. I really like how this series has tried to make every single character count, and it succeeded pretty well at this. I’m not sure why, but I always tend to like series with lots of important characters.

Pinocchio also developed a bit this episode. This probably was the first time he showed any emotion towards anyone other than his uncle. In the week he spent with Franco and Franca he barely said anything, and just kept to himself most of the time, but after saving Franca, he did show a few signs of friendliness. During said incident, Franca also got pretty beaten up, so Pinocchio’s uncle decided to give her a visit. When Pinocchio sees him again, it becomes clear that he really wants to mean something to his uncle, and he wants to be complimented.

Oh, and on a side-note: the animation for the OP changed to the traditional method. Again, it’s pretty well done, and it seems to consist out of a combination of recycled cells and original animation. Ah well, at least you can see that the creators are trying, despite the limited budget. Franco’s typing at the beginning of the episode was just bad…

4 Responses

  1. totoum says:

    it’s great you’re able to look past the animation and see everything that gunslinger girl is about.

  2. chami says:

    At least they’re sticking closely to the manga’s already strong story. That’s about the only thing I really like about this season.

  3. DEXTER says:

    Yes I know I like how it’s sticking with the manga. But the episodes are going to run out. At least you see Beatrice in the opening, maybe in the next episode she gets some air time maybe. I wish they did Season 1 animation combined with season 2’s vibrant colors.

  4. Roger says:

    I’m sorry but I have to say it was a horrible facepalm worthy moment when they revealed that Franka was not only Nino’s old friend but also Marco and Patricia’s. We already had Patricia befriending a bad guy and getting pitted against Marco as a result, then just last episode it was revealed that the client was an old friend of Jose and Nino just happened to work at the shop that Jose took the scope too.

    Is this how it’s gonna be from now on, one coincidental connection for sake of drama after the other while completely forsaking developing the titular characters? After I got over the new artstyle, the cheap animation and the new character interpretation, I didn’t think I’d find yet another reason to hate Teatrino, but this really pisses me off.

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  • Keisuke
    (Friday, Nov 21. 2014 03:52 AM)
    What animes have the secene of at the end of the movie everyone forgets everything for the better and right before that happens the girl kisses the boy
  • Bam
    (Friday, Nov 21. 2014 01:28 AM)
    @Emma: that sound right up my alley, will definitely check it out and let u know.
  • Bam
    (Friday, Nov 21. 2014 01:27 AM)
    @Emma: yeah, definitely go and see it in IMAX if you have the chance to do so. And McConaughey has certainly grown as an actor, but it’ll be stupid of him to stop expanding his horizons and keep doing the same Rust character from now on.
  • Emma
    (Friday, Nov 21. 2014 01:26 AM)
    @Bam: Also had a look at that French graphic novel Nocturnal conspiracies I mentioned recently, less about dreams, more nightmares, in any case it should be fun to analyze, the author clearly has a big imagination, reading it I saw a commonalities of soldiers/killers/war/running away.
  • Emma
    (Friday, Nov 21. 2014 01:06 AM)
    @Bam: Its a film that may very well work better on a second watch.
  • Emma
    (Friday, Nov 21. 2014 01:05 AM)
    @Bam: I already gave my feedback on the film but left out the bit about the sound direction which yes was too loud but also ham-fisted and overbearing. One thing I also forgot to mention was for all the complaints one can make about Mconaughey he has come a long way as an actor.
  • Bam
    (Friday, Nov 21. 2014 12:16 AM)
    Some of the effects were simply amazing and the pseudo theoretical physics was well-implemented into the film. The long running time was necessary but it could’ve definitely been better edited to cut out some of the fluff or the extra-long scenes. All-in-all a great endeavor. It really borrows liberally from the 2001: A Space Odyssey handbook, but given that Nolan admits his admiration of that film I’ll let it slide.
  • Bam
    (Friday, Nov 21. 2014 12:10 AM)
    Also the controversy over the sound mixing is not all unfounded. You just can’t have the music swell up to the point of not hearing the fucking dialogue.
  • Bam
    (Friday, Nov 21. 2014 12:08 AM)
    I can’t imagine any actor other than McConaughey playing the role of Cooper and giving him as much depth as he did. He was well casted for the role, but he still has to tone down some of that McConaughey shit before he becomes a parody of himself. We all know he is prone to doing the same exact role for a while so it’ll be sad if he type-casts himself as Rustin Cohle in every single goddamn film from now on.
  • Bam
    (Friday, Nov 21. 2014 12:02 AM)
    Ok I saw Interstellar on the IMAX screen with the d-box and it was quite a treat. I stand by my statement that it’s really just a big-budget Hollywood blockbuster, but that doesn’t mean it didn’t have some heart. The ‘love transcends all’ nuance was a bit ham-fisted tho. And seriously you gonna name the character that symbolises the folly of man as Mann? C’mon Nolan.

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