Posted by psgels on 22 February 2008 with categories: Ghost Hound


God, that was intense. I really love how this series has progressed so far, and this is another major episode. Makoto and Tarou finally meet Makoto’s mother, after her new husband introduces them to her. Makoto really was planning to stab her, though it seems that he didn’t realize what kind of mental efforts it would cost to pull off such a stunt, so he runs away. After that, Tarou spends the night at Makoto’s mother’s house, while Makoto himself still didn’t return.

I like how this episode turned Makoto’s mother and her new husband into real characters, and we finally get to know them a bit. Makoto’s mother seems really nice at first sight, and she seems to feel genuinely sorry for abandoning her son right after her original husband committed suicide, but later that night, Tarou sees a whole different side of her, and she seems to be suffering from huge mental problems. Something tells me that they too need to pay the councillor a visit.

Meanwhile, things get just as interesting with Michio and Masayuki. It seems that their attempts to find out the password of Masayuki’s father’s computer failed, and while Michio attempts a few more things, Masayuki falls asleep, and finds out that he too has left the monkey-stage in his out-of-body experiences. He’s also ended up at the research laboratory where his father and the female scientist work.

The next part was a tad hard to understand, but it seems like the female scientist has manipulated Makoto’s father so that he’ll do whatever she wants. He seemed like a little lap dog at times. For some reason, there also seem to be ghosts floating around certain areas of the research centre, ad they start to attack Masayuki at one point, showing him strange signs I didn’t understand. In the end, none other than Michio saves him. I still don’t quite understand what triggered Michio to have out-of-body experiences as well, though if I had to guess then hanging out with Masayuki was probably the reason.

5 Responses

  1. senerikfred says:

    Spoilers.
    So glasses-dude really is her new husband? Okay, I couldn’t figure out what he was to her.
    However, did you catch that glasses-dude is Snark? That was one of the most interesting parts of the episode to me. And what about what he and Taro were discussing? They talked about Kumada, and I think why Snark went there, Kakuriyo, and after Snark mentioned his alias again, he said something about a ‘hologram.’
    And when those gross things were mindraping Masayuki, he saw green code flashing in them, just like the text in ep.14. I think teal-hair dude somehow programmed those spirits as security guards or whatever. Michio doesn’t seem to have actually done any ‘saving’ yet, though. Looked to me like he had ghostly motion sickness or something.

  2. psgels psgels says:

    Ah, thanks for clarifying. I did pick up the guy mentioning a Snark, but I wasn’t sure whether he was talking about himself or something else. It’s indeed the last place you’d expect for the Snark-references to return.

  3. senerikfred says:

    ? I picked it up and thought it was obvious, b/c Snark-guy and Taro kept randomly almost recognizing each other, then Taro looked at him and said ‘Snark.’ Or ‘Sunaku,’ or however they pronounce it. Then when they were talking, the voice was exactly the same, and he even said ‘Ja, sore sore sore’ and made similar gestures. (What does ‘sore’ mean, anyway? And what the heck is a URI?)

  4. psgels psgels says:

    Oh, I entirely forgot about the same gestures. I think “sore, sore” can be best translated as “there, there”. Oh, and an URI is basically the same as a web-address, so if you’ve got a homepage, you can insert the link to that homepage there.

  5. Snark says:

    The Snark guy seems to think that the Snark in what he calls “the world of abstraction” is the real him and the human form is just a hologram. His background is in theoretical physics, so he talked about things from that perspective. This show is quite a science lesson :)

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  • Bam
    (Saturday, Jan 31. 2015 11:01 PM)
    @Emma: Birdman and Synecdoche have a lot of thematic elements in common, and given that Synecdoche was released in 08 makes me realize that Alejandro González borrowed quite a bit from it; although in the end they are different enough to justify Birdman’s existence. Where Synecdiche was a better written movie, I feel that Birdman was the better directed one.
  • Emma
    (Saturday, Jan 31. 2015 04:15 PM)
    And I’d go as far to say this beats out birdman for me by miles.
  • Emma
    (Saturday, Jan 31. 2015 04:14 PM)
    The film is a solid mood piece thanks to the in tone cinematography, a great performance from Hoffman that along with his characters drama makes for an emotionally investing film. And before it gets TOO sad theres all those bits of dark humour fitted in there that work out pretty well. This is probably my favourite work by Kaufman currently.
  • Emma
    (Saturday, Jan 31. 2015 04:14 PM)
    Well Bam, I had a go of synecdoche there. A bit of a slow burner, near the end slightly drawn out, however that last stretch was forgiven by that bonkers ending.
  • Emma
    (Saturday, Jan 31. 2015 01:23 PM)
    The voice of the main character got kind of annoying though, the dub wasn’t all that good either.
  • Emma
    (Saturday, Jan 31. 2015 01:22 PM)
    This was based on/was a homage to a series by the Gigantor creator and having grown up with gigantors 90s reboot this felt like a nice throwback, plot is fairly simple but used effectively. It’s a shame that it feels like there was more to tell but at seven episodes I suppose it avoids outstaying its welcome.
  • Emma
    (Saturday, Jan 31. 2015 01:20 PM)
    Decided to marathon Giant Robo, I think this was mentioned by someone on here before. I guess it was fairly entertaining, great action direction, looked good for its time, you don’t notice the hour long episodes go by, adequate characters, nice retro artstyle also, not sure if I got excited over this as big O and Mazinger however but still fun enough nonetheless.
  • Emma
    (Saturday, Jan 31. 2015 07:10 AM)
    Seeing Hoffman in before the devil knows your dead and his character being dependent on drugs, that was another thing that hit me a bit knowing the circumstances of his death. Watching most wanted man I could also see that he was wearing out physically.
  • Bam
    (Saturday, Jan 31. 2015 07:00 AM)
    This is not Anno bitching about otakus jacking off to his characters and turning around and selling Rei panties, this isn’t the idiots at Shaft throwing around meaningless camera angles and the oh-so-symbolic teeth brushing scenes, this is a human being looking you in the eye with fear and telling you that he’s dying; morbid, honest, moving and remarkable.
  • Bam
    (Saturday, Jan 31. 2015 06:55 AM)
    Given my rants regarding Birdman it should be clear that I’m a sucker for these rare instances where the line between movie and reality get blurred- when an actor looks at a camera and just bares their heart out. This is the realism that reality tv tried but could never capture. this is art in one of its most sincere forms.

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