Posted by psgels on 25 February 2008 with categories: Anime Reviews


Back in August, I made a rather large list of all kinds of worthwhile movies and OVAs, as a way to systematically catch up them, just like I did before with 13-episode series. I became an anime-fan relatively late, so I missed out on a lot of good stuff and this was the prefect chance to get my hands on a number of true anime classics. And with Millennium Actress, I finally finished this list. I’ll try to come up with some kind of compilation-post with my highlights tomorrow or the day after that.

In any case, Millennium Actress by Satoshi Kon was the perfect movie to save for last. Not only is it an excellent movie, but it also pays homage to all kinds of historical movie-genres. While I can’t say that it’s been the definite best movie ever, it does have the most imaginative storyline that I’ve ever seen in one. It even leaves the various Ghibli-productions miles behind it!

You can also recognize elements of other productions of Satoshi Kon. Suddenly, the RPG-episode of Paranoia Agent makes perfect sense and I can understand a bit where Paprika went wrong with its constant repeats of the same shots: Satoshi there tried to relive one particular scene of this movie, but he went much too far in that. Also, like all of his movies, the main characters stand miles apart from the sort of cast you usually see in anime, and their average age is probably the highest of any anime I’ve seen.

And this yet again shows that older characters can be just as fun to watch as the teenage ones. All members of the main cast are absolutely lovable, both the males and the females. I just couldn’t help but root for them throughout the entire movie. What also absolutely shines is the story. This is much more than just a simple love story, and Satoshi Kon goes way beyond the usual clichés and formulas. Unfortunately, the movie is not perfect. One thing I really missed in the second half was the hilarious sense of humour of the first half. It’s of course inevitable to become more serious as the movie progresses, but Tokyo Godfathers demonstrated that the jokes in the second half can really work in the movie’s advantage if they’re delivered well.

Looking back, it’s a shame that Satoshi’s record got spoiled with Paprika. That movie just feels outright mediocre when compared to all his stellar works, and it’s much, much worse than all of his other directing-jobs. Seriously, Perfect Blue, Tokyo Godfathers, Millennium Actress and Paranoia Agent all are excellent recommendations. All four are unique, all four have an excellent and realistic modern art-style, and all of them have an absolutely stellar soundtrack, with the background music from Millennium Actress probably being the best of them all.

11 Responses

  1. wackedfoo says:

    hm…what would this list include? i have one of my own but it’s more like a “To Download” list.

    anyway, my first satoshi kon film was paprika. while i thought it was definitely creative, it wasn’t as good as i thought it’d be. millennium actress blew away any low expectations i had for kon’s other movies though.

  2. AG says:

    All in all this film definitely had its touching moments but for me was a disappointment overall.

    The time-travelling with the cameramen as spectators / actors / participants did not feel clever, more like a standard artistic trick.

    The film feels like Paprika but has a better story, ie I don’t think its radically better.

    Just my tuppence worth ;)

  3. Martin says:

    I recall seeing this at a convention in ’05 and was utterly spellbound. I’d already seen Perfect Blue at that point but after watching everything Kon has directed since (and holding every one of them in very high regard) I think this one is still my favourite.

    It’s a romance movie, an historical movie, and I guess a movie about movies! It’s also really beautiful – right down to the muffled crunch of footfalls in snow – and the soundtrack is brilliant too.

    You really have left the best till last – the greatest work so far from one of my favourite directors. This review just reminds me how badly I want to rewatch it actually…

  4. Wyrdwad says:

    You know, I actually gained a new appreciation for Paprika after buying it on DVD and watching all the interviews and commentary. I think anything Paprika was lacking, it was actually kind of INTENTIONALLY lacking… evidently, the original Paprika novel was Kon’s favorite book of all time, for YEARS, and served as his impetus to become a movie-maker… and the author actually approached HIM to make a movie out of Paprika… so Kon basically reverted to “fanboy mode,” and decided that since the movie was all about dreams anyway, he might as well just make the entire movie based on his own impulses, no matter how brash or amateurish they may be, with no second thoughts and no revisions.

    I’m not sure if that EXCUSES the movie’s flaws, but it certainly goes a long way toward explaining them, and it shows me that Kon HASN’T lost his touch… he just tried something different, and it didn’t quite work as well as he’d hoped. I have every faith that his next movie will be up to par with his other amazing works, though.

    And speaking of his next movie, straight from Kon’s mouth (I got to see him live at the east coast Paprika premiere!), it will be taking place in the future… but not the future as we think of it: a time SO UNIMAGINABLY FAR in the future that life is just completely different from anything we know. Sounds promising, and I can’t wait to see it. (:

    Anyway, glad you finally got around to seeing Millennium Actress, my favorite movie of all time (animated or otherwise!). I was hoping it would wow you a bit more than a 91’s worth, but still, for you, giving a movie a 91 is pretty damn good, so I’m satisfied. (:

    -Tom

  5. Northern says:

    For me, Paprika was better the second time I saw it. That’s because I had a better sense of who the characters were and understood why things happened the way they did.

  6. lostty says:

    I actually didn’t like this movie that much, I just felt bored watching it. I think it had good potential, but it never reached my expectations. Though, I would probably watch it for a second time just to see if my opinion would change…

  7. Wyrdwad says:

    Heh, and my reaction to it is quite the opposite: I must’ve seen Millennium Actress a dozen times already, and listened to its soundtrack over a hundred times… and I never get tired of either. (:

    -Tom

  8. omo says:

    I think Paprika is much more meaningful if you watch it in order. That is, if you’ve seen each Kon work as they are released, Paprika makes a lot more sense. In a way it is the accumulation of all the stuff he wanted to pull off in his directorial career so far.

    Personally Millennium Actress is my favorite film coming from him. It’s not flawless, and I think it’s a less impressive work than Paprika, but there’s more charm in this film than just about anything Studio Ghibli have ever released. Only if it was less arthousey.

  9. Got nothing to say about your Millennium Actress Review, You really got an awesome informative blog, would you mind if i ask you for a link exchange? Regards…

  10. replicas oakley sunglasses says:

    I think Paprika is much more meaningful if you watch it in order. That is, if you’ve seen each Kon work as they are released, Paprika makes a lot more sense. In a way it is the accumulation of al

  11. replicas oakley sunglasses says:

    and I think it’s a less impressive work than Paprika, but there’s more charm in this film than just about anything Studio Ghibli have ever released. Only if it was less arthousey

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  • Kaiser Eoghan
    (Tuesday, Jul 26. 2016 04:07 AM)
    @Mario: Where did you re-watch Wook’s Handmaiden?
  • Kaiser Eoghan
    (Tuesday, Jul 26. 2016 03:57 AM)
    @Aidan: It made me go off the idea of checking out the rest of the authors work.
  • Kaiser Eoghan
    (Tuesday, Jul 26. 2016 03:57 AM)
    @Aidan: I didn’t like remember 17 all that much in the end. I was intrigued by it at first, sporadically and early on it was suspenseful but I found myself eventually jerked around too long, it got repetitive and I felt I wasn’t get a satisfying result from it all.
  • AidanAK47
    (Tuesday, Jul 26. 2016 03:56 AM)
    This 95% ad hominem. 5% genuine criticism.
  • AidanAK47
    (Tuesday, Jul 26. 2016 03:55 AM)
    So this is the comment he ignored? I can see why. You had a point with psgels not remember that Aunt Mito wasn’t Gon’s mother. But the rest is literally you insulting him for having a different opinion than you.
  • AidanAK47
    (Tuesday, Jul 26. 2016 03:53 AM)
    “You clearly are not watching this series with an open mind and are only looking to fault it at any given chance. I know I am not alone in saying this, you need to review this series objectively or dont review it at all and for gods sake at least back shit up when you say it. Its like you dont know the first thing about anime or its production.!”
  • AidanAK47
    (Tuesday, Jul 26. 2016 03:52 AM)
    You need to get your head out of your own ass and stop thinking that unless this series does what the 99 series did it is bad. Also for the love of god if you dont know much about this series do some god damn research this is the 4th time you have called Aunt Mito Gon’s Mother, he does not call her Kasaan and it had been said multiple god dam times she is his Aunt. Surely you could do a little bit of research before you do these reviews.
  • AidanAK47
    (Tuesday, Jul 26. 2016 03:51 AM)
    “Psgels shut the fuck up about the music there is nothing wrong with it and the placement had never been off. The placement is unique and the direction is brilliant.”
  • AidanAK47
    (Tuesday, Jul 26. 2016 03:50 AM)
    Lets see.
  • AidanAK47
    (Tuesday, Jul 26. 2016 03:47 AM)
    Honesty and realism huh?

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