Posted on 31 March 2008 with categories: Anime Reviews


Ah, Bamboo Blade. You had the potential to become interesting when you started, though something went wrong. The flaws for this series are a bit more subtle than usual, and I’m still not 100% sure what it was that really caused the downfall for this series. If I had to guess, then it’s a combination of things. Bamboo Blade in the end had its moments, but remains overall boring.

Let’s take a look at the characters first. At the beginning of this series, they really caught my intention, and I admit having laughed quite a bit at their antics. They get a small share of development during the second half, so what went wrong? Well the characters may have been impressive at first sight, but looking back, the creators just took a bunch of stereotypes and gave them one or two original personality-traits. This leads to a quiet and small but uberpowerful girl who is obsessed with cheesy mecha-shows, a beauty who actually is quite sadistic but has a geek as boyfriend, that geek who has managed to score such a beautiful girl as girlfriend.

This is nice and all, but the characters didn’t feel dynamic at all. The creators were so busy, trying to step away from the stereotypes that they forgot that the silent girl still remained silent, the geek remained a geek, and the sadistic beauty remains a sadistic beauty. In the end, nearly every character couldn’t shake away his or her stereotype. The side-characters are off even worse: there’s the obsessive stalker-girl, the old hag, the rival and several of the opposing kendo-teams who are cookie-cutters at best. Because of this, the characters are funny and enjoyable when first introduced, but they just can’t remain interesting for a full course of 26 episodes.

Then there’s the story. It may be me, but it really felt like the creators were struggling to keep it moving forward. Basically, the show’s about a Kendo-club who fights in a number of tournaments. Every single group of opponents gets progressively duller for some strange reason. Especially the two final opponents feel artificial at best. Seriously, this show takes a real nose-dive as it nears its ending.

I really feel that this is one series that would have been best suited for 13 episodes. At least that way, the characters wouldn’t have had any time to get boring. I’ve praised the past Autumn and Winter-Season for featuring a lot of good shows, centring around high-schools, but this is unfortunately not one of them.

Posted on with categories: Anime Reviews, Gunslinger Girl - Il Teatrino


Before I start with the usual review, I’d like to point out that this is the 250th review I’ve written for my blog. Yay!

In any case, if you’ve watched the original Gunslinger Girl and plan to watch Il Teatrino, there’s one thing that you need to take into account: a lot of changes have been made. The soundtrack has changed, but most importantly the character-designs have been redrawn completely in a totally different style and the animation-budget has suffered a great loss. The bad news: the fight scenes will look fake, and there will be speed-lines. The good news: this is about the only thing that’s wrong with this series.

The change in art style is something you’ll either love or hate with passion. Not considering this though, they do look gorgeous, and even though the animations in the fights looks fake, the animators have tried to make up for it with some awesome fight-choreography. With this, fights are much more than just brainless gunfights, and are much more based on tactics.

In addition, the storyline has developed into something amazing. The most notable thing is that there is NO main character whatsoever. Even though the girls are the centre of this series, do not make the mistake into thinking that they’re the one with the most screen-time. The creators have made sure not to give any character special attention, and because of this, this is one of the very few series where the “good guys” are just as developed and fleshed out as the “bad guys”. And yes, I put the quotations there on purpose, because sometimes it really feels that the girls are the bad guys. Especially Rico can be really scary at times.

Gunslinger Girl is also one of these series that delivers with every single episode. Introductions, climaxes and aftermaths follow each other in a rapid succession, and there’s so much going on in each episode. The cast of characters may be amazing, but it’s the storyline that pushes them forwards. This is one series that knows how to wrap up all of its storylines at the end, and provides a very satisfying climax.

It may be that I just don’t care about the changes that were made, but Gunslinger Girl has turned into one of the best series to air during the past winter-season, along with Porfy’s Long Journey and Hakaba Kitarou. At first sight, the characters may look “moe-ified”, but this series cleverly shows that the girls are much more than just a bunch of cute angels. Really, the adults end up stealing the show in this series much more than they do.

Posted on with categories: Gunslinger Girl - Il Teatrino


Haha! I couldn’t have expected a better finale than this one! Seriously, it’s so great to see that this has been a series where everything went right, apart from the smaller budget, perhaps. This is really why it was such a good thing that the original mangaka had been assigned to do the Screenplay and Series Composition. Sure, some changes may be forced, but in this way you can be sure that the vision of the original writer will be translated perfectly. Seriously, more series should do this.

And here I thought that this episode would primarily be about the fight between Pinocchio and Triela. Sure, it takes up a large part, but yet again Franca came and stole the show’s best moments. She and Franco originally came to rescue Pinocchio, and yet they only managed to rescue Christiano, while leaving Pinocchio behind. Very impressively, they manage to pass two of the girls, though Franca has been hurt too much, and drives off a cliff, taking Christiano and Franco with her.

Looking back, I must say that this series made best out of its limited budget. On one hand you can say that it does look cheap at times (this episode again featured some speed-lines), but if there’s no budged there’s not much you can do. From that viewpoint, I’d much rather see a series that at least tries to showcase some great fights with some great coordination, than a series that just chooses the easy way around with lots of still frames and no animation at all. Shion no Ou really has been the series to show this: the show clearly received a small budget, and yet the animation-department went all out.

That line of Pinocchio was also right on the spot: “who’s the monster now?” Especially since afterwards, we saw Rico mercilessly banging the head of a guy against the window of a car. She and Jan were most definitely the closest things resembling monsters in this series, and that’s the beauty of it, because at the same time Rico is also the most cheerful member of the cast.

Thankfully, there are still two DVD-only episodes left. I wonder what they’ll be about, though I’d guess that they’ll develop the girls some more. I’ll be blogging them when they show up, though for now I consider this series finished. Let’s hope for a third season to get announced soon, because this is one manga that deserves to be fully animated!

Posted on with categories: Monthly Summaries

And with this, the season is nearly over. There are still a few series left to finish, but they should close off in a few days from now. Overall, I must say that it’s been an interesting half year, and nothing like the spring-season that preceded it. It feels like there were less ground-breaking series than usual, but at the same time it feels like there were much less mediocre series. Either that, or my taste has just gotten broader over the past year. The winter-season has also been the best since years, although there weren’t many popular series that emerged.

#30 (28) – Dragonaut the Resonance – (5,9/10) – Wait… Kazuki just turned good that easily? For Christ’s sake. The final episodes lost any spark of potential that was still left in this series, unfortunately.
#29 (???) – Kimi ga Nozomu Eien ~ Next Season – (7,2/10) – Well, this episode basically recapped the television-series, so it wasn’t that exciting, but at least I now know why Mitsuki left.
#28 (24) – Bamboo Blade – (7,3/10) – The one climax was great and all, but afterwards everything dulled out again. It’s a shame, Bamboo Blade had the potential to become an entertaining series, but it ended up being just mediocre.
#27 (26) – Mnemosyne – Musume-tachi – (7,4/10) – This series needs to start to deliver soon, or I’ll lose interest. This episode was nice and all, but it wasn’t anything special
#26 (27) – Hatenkou Yuugi – (7,4/10) – Episode nine was actually pretty good! Really, that one showed that the manga behind this series had really potential, which makes it such a shame that the anime creators screwed up this series so much. Seriously, I expected much better from the director of Sasami Mahou Shoujo Club.
#25 (new) – Bus Gamer – (7,6/10) – This could have been more interesting, though due to its short length it’s a nice series to watch if you need to burn an hour.
#24 (9) – Kekkaishi – (7,8/10) – Okay, so the final episodes aren’t exactly without their problems. There also were some strange animation-problems in the final one, where the creators suddenly changed style. It’s exactly for this reason that Shounen-series shouldn’t play with superpowers. Sure, it looks flashy, but it also eliminates any sense of tactics.
#23 (10) – Darker than Black – (7,9/10) – The DVD-only episode finally got released. Like expected, it did nothing to wrap up any of the plot-holes it left behind, but at least it was funny. I laughed quite a bit at the silliness.
#22 (36) – Hellsing OVA – (7,9/10) – Well, at least it was a bit better than the previous episode, but am I the only one who considers the TV-series to be better than the OVA?
#21 (18) – Gintama – (8,1/10) – Another standard month for Gintama. I laughed, but there were other comedies that were better.
#20 (13) – Kimikiss Pure Rouge – (8,2/10) – The school festival was nice and all, but I don’t feel that his month has been the best month for Kimikiss. It was just a bit of delaying the inevitable, and nothing that we didn’t knew already appeared.
#19 (17) – Gambling Apocalypse Kaiji – (8,3/10) – Episode 21 and 22 were incredibly intense, while 23 and 24 were nothing but building up. I really want to praise this series, but if so little happens during one episode, it’s getting really hard!
#18 (14) – Ahiru no Quack – (8,4/10) – The quality of the soundtrack still surprises me. Herman van Veen is one of the very few Dutch singers who can get away with it. Seriously, if you thought that some of the J-Pop was crap, just wait till you hear some of the artists we have. -_-
#17 (23) – Persona – Trinity Soul – (8,4/10) – Whoa, I never expected this series to be so focused at mystery. I like it, though the creators do need to think about their continuity. More than once, I found myself thinking “where the heck did that come from”?
#16 (7) – Wellber no Monogatari ~ Sisters of Wellber – (8,5/10) – Ugh, I’m not happy. This is why a satisfying ending is so important for a series, because that’ll be one of the major things you’ll remember when thinking back. Wellber no Monogatari may have had an amazing finale, but the aftermath was just one bad idea after the other.
#15 (12) – Suteki Tantei Labyrinth – (8,5/10) – If only for the epic revelation of episode 22, this series deserves points. Sure, it’s for the wrong reasons, but you can’t deny that the cheesiness hasn’t been entertaining.
#14 (10) – Shigofumi – (8,6/10) – Fumika’s story came together quite nicely. I can’t say for sure that this has been the best of Shigofumi, but this remains a great series nonetheless.
#13 (11) – True Tears – (8,7/10) – The final month wasn’t necessarily the best of this series, but nevertheless it closed off this anime pretty nicely.
#12 (20) – Saiunkoku Monogatari – (8,7/10) – And it’s finally over. Thankfully, the final episode left the series on a good note, though god knows when the third season will finally be animated.
#11 (15) – Clannad – (8,7/10) – That final episode turned out better than I could have imagined. Heck, I actually cried for Nagisa.

#10 (8) – Hakaba Kitarou – (8,7/10)

What I liked about this month is the consistency. This series has been consistently entertaining. I think that the scriptwriters are to thank for that. They really knew how to keep this series interesting.

#9 (14) – Gundam 00 – (8,7/10)

That final battle featured some really interesting twists for the second season to work with. I especially liked that final episode.

#8 (16) – Spice and Wolf – (8,8/10)

Boy, those final three episodes rocked! It’s great to see that this series has come together.

#7 (19) – Sayonara Zetsubou-Sensei – (9/10)

The big flaw of Sayonara Zetsubou-Sensei is that it refuses to develop its characters. Sure, the show develops, but the characters never change. Thankfully, the rest of the series more than makes up for this flaw, and especially episode 7 was wonderful.

#6 (2) – Ghost Hound – (9/10)

The highlight of this month was of course Makoto’s story coming together. This series has been as solid as ever.

#5 (16) – Power Puff Girls Z – (9,1/10)

Episode 51 was sensational! It really deserves to be up there along with the manga-artist as the best episode of this series. This month has been an awesome month for this series.

#4 (5) – Mokke – (9,1/10)

The final episodes rocked! Especially episode 24 was without a doubt the best of the entire series, and it was a real tear-jerker. Mokke, you’ve been one of my top picks for the Autumn-season for a good reason.

#3 (4) – Gunslinger Girl – Il Teatrino – (9,1/10)

Another very consistent series. Every episode delivers, and is really well written. Please someone announce the third season!

#2 (3) – Porfy no Nagai Tabi – (9,3/10)

Well, I think episode 13 says it all. Everything that this series has built up for has come together. It’s so heart-wrenchingly sad, though Porfy is without a doubt the best series of the winter-season, and I say that considering the amazing line-up of some of the other series that aired.

#1 (1) – Shion no Ou – (9,5/10)

Talk about a sensational month for Shion no Ou! The final four episodes closed off the series perfectly, and the animation-department was on fire as well. It’s so sad to see this brilliant series gone now.

Posted on 30 March 2008 with categories: Porfy no Nagai Tabi


Oh my god. I knew what was going to happen! I freaking knew that Christopher and Aneke were about to die! And yet this episode was so gut-wrenchingly sad. Seriously, this episode was absolutely incredible, and Porfy no Nagai Tabi has without a doubt become the best series of the season, even though we’ve only finished the first quarter of this anime.

Anyway, onto the summary. The earthquake happens really quickly, and it’s over after just thirty seconds. Porfy was standing right next to the church when it happened, but thankfully it had been built well and didn’t collapse. The same can’t be said about the rest of the village, though. Porfy rushes to the village, while passing Corrina’s house, which has been completely destroyed. Any sign of life is Corrina’s doll.

Porfy then reaches the local inn, where the three guys that he saw in the last episode hae survived the ordeal, due to the fact that they were sitting outside, so they weren’t below an entire house that fell down. One of them says that it’s the first time since he witnessed an earthquake this big. Porfy says that when he was at the church, he could see smoke coming from the village, after which the three guys get even more worried about the possibility that fires occurred. The three say that they must hurry as fast as possible, and one of them tells Porfy that he’s better get to his own house as fast as possible.

Porfy runs away, and as he passes Zaimis’s house, he sees that that one too has been completely demolished. He then runs into one of the goats, and it seems to be doing fine. As he arrives at Patagos Grand Station, it’s been turned into a wreck, and even the gas pump is destroyed. One of the other goats was also unfortunate enough to be caught under the rubble, and perished.

The real tragedy, however, begins when Porfy arrives at his own house, as there’s nothing left standing. His wooden carved angel somehow made it outside, but there’s no sign of Christopher, Aneke or Mina. He tries his best to remove the rubble, and he does find Aneke’s scarf, though he remains a young boy. His energy soon disappears and he passes out. We just see Barnes arrive at the scene. The Americans have felt the earthquake as well, and he probably rushed over to Porfy’s as quickly as he could.

We then switch to a small camp that has been set up because of the earthquake, where the survivors and victims have been brought to. Porfy wakes up, and tries to think of what happened, and where he is, as he sees the people around him, all hurt in some way. Medics are carrying someone around who looks like Christopher, though it turns out to be somebody else. Porfy runs around a bit, trying to find someone among the bodies who he knows, as a nearby nun notices him.

She tries to comfort him, and asks whether he’s hurt or not. Porfy says that he isn’t hurt, and asks where they are. The nun answers that they’re at a wrecked church (probably a different one than before), where the wounded have been brought. The nun asks for Porfy’s name, and he answers how he’s Porfy, and how his father runs a car repair station in Simitra. He asks where his parents and Mina are, though the nun doesn’t know. She says that she will look into it for him.

The nun then gets called for something else, and then finally someone recognizes him. It’s one of the women from the village: Louisa. Porfy asks her what happened in the village, and she says that there’s been an earthquake, and lots of people died. Louise’s mother was one of the people who died, and she’s now all alone left with her son. She then brings the news that the village chief’s family has died as well, INCLUDING Corrina! Louisa asks whether Porfy has heard anything of his own family, though there’s still no news, and she hopes that they’re all safe. Her son then says how he’s hungry, so she leaves.

The nun then arrives, looking in a hurry. She then takes Porfy to another tent with injured, and there Mina lies. She’s been beaten up, her forehead is wrapped in bandages, though she’s fine. Porfy freaks out by the fact that she’s asleep, though the nun says that she’ll be fine. He then asks where his mother and father are, but before the nun can answer, Barnes appears. Porfy runs to him. Barnes asks whether Porfy and Mina are fine, and Porfy answers that both of them will be all right. Mina just needs to wake up. Though he still hasn’t heard anything about his parents.

Barnes then takes Porfy outside, where the dead bodies have been placed. He then asks him to come to the sea. Barnes says that even though all the terrible things have happened here, the ocean still remains the same. Porfy then says he’d rather return and stay by Mina’s side, and search for his parents. Barnes tells him to wait, and that he was the one who brought Christopher and Aneke to the camp. He tells Porfy to listen carefully: Christopher and Aneke couldn’t be saved. Porfy first can’t believe it. Barnes says that it’s tough, but the truth. When he arrived in Simitra, he rushed over to Porfy’s house, and found him unconscious. Mina was also found quite quickly, though the same can’t be said for Chirstopher and Aneke.

Porfy still has trouble to believe it, and says how Christopher said that he’d protect his family, and he’s probably still searching for him. Barnes, however, says that it’s true, even though it’s painful. He then hands Porfy Aneke’s watch, and says it’s okay to cry. From now on, Porfy and Mina are going to have to live together, and Porfy will be the only one who can protect Mina, that’s why it’s okay to cry now. Instead, Porfy goes back to Mina, in case she wakes up when he’s gone.

When Porfy gets back to Mina, the nun is also with her. She then wakes up, and asks what happened, and where she is. Porfy immediately embraces her, thankful that at least she’s alright. Mina still hurts, though, so he quickly lets go. The nun introduces herself as Helena, and she and Porfy explain where she is. Mina then remembers the earthquake that happened, and how the house was collapsing. Christopher said to run, though Mina couldn’t move her legs. She then asks where Christopher and Aneke are, so Porfy quickly changes the subject by asking whether she’s hungry. She isn’t, she just wants to see her father and mother again.

Porfy, however, is just too scared to bring her the bad news, so Mina goes out to search on her own. Helena tries to stop her and tells her to rest, though Mina says she’s fine. As she tries to look around the bondaged people that are sleeping, calling out for her parents, Porfy stops her, saying how she shouldn’t wake up everyone. She then retorts that she’s doing this because Porfy doesn’t want to say anything. Porfy then finally says that Aneke and Chistopher aren’t there, so Mina asks where they went. Porfy then shows her Aneke’s broken watch, and tells her to hold onto it. Mina then gets even more upset, saying that it’s a precious possession of her mother. It’s too early for her to get it. Porfy can’t think of a good excuse, so he just tells her to hold on to it.

Mina then gets scared of her brother’s strange behaviour, and calls out to her mother again. Porfy then finally yells that their father and mother have died. Helena then comes between them, and brings Mina back to her bed, after which she falls asleep. A bit later, Helena tells him that the dinner has been prepared, though Porfy doesn’t want any. She then asks whether he has any relatives, though Porfy hasn’t. His family just consisted out of his parents and Mina. Helena then says that God will protect him, which may not have been the right word to say to him at that moment, since that “God” just killed off his parents.

That evening, Porfy still can’t sleep, so he heads outside. He then sees Damon again, who only seems to have hurt his hand. Damon is also glad that Porfy is okay, and says that God must have been watching over him. Pofty yells that he doesn’t need God. If there was a god, then why did Christopher and Aneke have to die? They didn’t do anything wrong. He then returns the picture of christ, saying he doesn’t need it anymore.

Porfy and Damon then say a few things I couldn’t understand, though Damon closes with the message that as long as he remains alive, something good will happen to Porfy, and he hands back the picture of Christ. We then switch to the next day, when Porfy wakes up, to find Mina gone. She’s outside, looking at Zaimis. His mother isn’t doing well, though because of different reasons than the earthquake: she’s about to give birth to her baby! Helena tells Porfy not to worry.

However, Zaimis did lose his father. He’s also grieved to hear that Christopher and Aneke are gone too, and prays to god for his mother and her baby, which really make Porfy think about the things he said that evening. A while later, Zaimis is all worried, though then the cries of a baby appear. Helena then arrives, with the message that the girl is healthy. And so the episode ends with at least one joyful moment after the tragedy.

On a side-note: from now on, I’m going to shorten my summaries. They’ll still be detailed, but I feel that I won’t be able to keep up with such an extensive one as I’m doing right now. There was another time where I also wrote very detailed summaries for the shows I watched (just check back on some of the older Higurashi, Simoun or Ergo Proxy-entries), but I just couldn’t keep it up to write so much.

But really, this episode was awesome, and the exact reason why I’ve come to love the World Masterpiece Theatre. They may be slow at times, but they never waste their slow moments, and use them to flesh out their characters. Because of this, when the drama appears, you can be sure that the characters are all dynamic.

Posted on with categories: Anime Reviews, Mobile Suit Gundam 00


Gundam 00 has been one of the most ambitious series of the past Autumn-season. It basically tried to show us a view on the world politics 400 years from now, combined with Gundam’s trademark mecha-action. Usually, this comes along with a great risk of screwing up and delving into an emo-fest, though fortunately the director of Ooedo Rocket and Full Metal Alchemist managed to avoid this pitfall, and delivered quite an interesting series. It may be rather rough around the edges, but there’s a lot to like about this series.

A group of four guys with ultra powerful mecha who use them to solve all armed conflicts in the world. This obviously sounds like an incredibly gullible idea to achieve world peace, but the thing is that the characters are well aware that the thing they’re doing is naive. This series never claims one side to be morally right or wrong. It just presents us several different views on the world.

The strength of this series is that it knows how to carefully build up. It’s got a huge plot and a huge setting that it needs to work with, and even though there are a few errors here and there, you can see that the creators have tried to explain as much as possible. The thing is also that the cast starts out as incredibly unlikable, and yet every single character develops, and at the end of the series has turned into something better and enjoyable. With a cast so large and diverse, you’re bound to have a few favourites.

The part in which Gundam 00 screws up the most is the dialogue, though. You can see that it’s one of the few parts that didn’t receive careful attention, and it just serves to develop the characters and the plot, though it does feel rather forced at times.

Gundam 00 is a series that continuously develops both its plot and characters, and things do come together in the end quite good. I won’t to spoil anything, but let me just say that the second season will be completely different from the first. It’s not the best series, but it turned out better than expected.

Posted on with categories: Mobile Suit Gundam 00


What the? Did these people hear my prayers or what?? Major spoilers coming up in the next paragraph, and I really mean MAJOR spoilers. This is really an episode where Gundam has really set itself apart from the major other Mecha-epics. This line is here to prevent spoilers to appear on the blog-aggregators like animeblogger antenna.

Great god! I remember making a number of predictions about how this episode would turn out, and none of them came true. Has there really been another series that had the guts to kill off its main cast halfway through? I don’t remember any. And that’s the great thing about this episode, because there were a lot of great characters who remained alive. The technician and Sumeragi are fine and will play a major role in the second season as well, Soma Pieres and Papa Bear also have survived against all odds. Allelujah may be dead, but Hallelujah still shows signs of surviving.

One big surprise was also Graham Acre dying and then getting revived again four years later, bearing the mask that seems to be some kind of trademark for Gundam-series, and the annoying Alehandro Corner kicked the bucket as well. While there was a lack of politics, this remains without a doubt my favourite episode of this series, simply because it shattered so many stereotypes I had about this series. And not to mention, the fights were actually really well done. In the end, it indeed turns out that Livonze will be the major bad guy for the second season.

And then there was the aftermath, and the introduction to the second season. At the moment, I really have no idea what direction it’ll go. The earth is united, there’s no need left for the Gundams, and yet new models have been constructed, along with the help of Nena, the only surviving throne. I remember that the professor once noted that the unison of the world wasn’t Aeolia Schenberg’s original goal, so what would it have been? It looks like Nena will play a whole different role in the second season than I could have imagined.

Saji has also started working on the solar generator, though thankfully four years have passed now, so he isn’t an angsty teenager anymore. Thank god for that. I also loved how Setsuna sent his final messages not to his comrades, but to Marina Ismael. The impact she had on him turned out to be much larger than I expected. I do wonder whether she managed to solve all the problems in her home-country, though.

Some small things: I was surprised to see that Patrick’s still alive. We only see a glimpse of him, but it really looked like Tieria killed him back then. Also note how we never get to see Ali al Sarshes’ eyes. Did something happen to them? And who was this Tieria-lookalike near Louise, and what was Louise doing with him in the first place? The second season will probably shed light into who Nena, Tieria and Livonze are. Livonze also turned out to have some clones with him, so why wouldn’t this be the case for Tieria as well? Although I’d shiver at the thought of an army of Nena’s.

To finish this entry, I just can’t resist another Code Geass reference. It’s just such a good series to show how things should not be done. And the thing I’m talking about here is the cliff-hanger of the first season. I mean, it’s just too predictable: you just know that both Lelouch and Suzaku will both magically survive, and it’s not a god thing to have to wait nine months to confirm that this indeed is the case. Thankfully, in the meantime Dragonaut has showed up and brought us an even cheesier rivalry between childhood friends, and it looks like even Code Geass will be better than that one. I think that the thing that Code Geass needs to do for its second season is to stop putting so much attention to Lelouch, and instead focus more on the side-characters.

Posted on 29 March 2008 with categories: Anime Reviews, True Tears


Love triangles and myself don’t have the best relationship. They’re often predictable, usually get nowhere and really like to distract from the main point of a series. True Tears shows that things can be done differently, though. This series has really been built around a love-triangle, and somehow, it’s managed to avoid the pitfalls that has caused the demise of so many series.

The key is good scriptwriting. The series is originally based upon a visual novel, though the creators made the smart decision to just ignore the storyline and come up with their own. True Tears is a slow series, but because it’s slow, it’s able to really dive into the minds of its characters. The result delivers, because the characters in this series are deep.

This is one of these series where the characters and their intentions can’t be easily described in one sentence. A major theme of this series is sorting out your own feelings, and feelings like that aren’t that simple to describe. Shinichiro, our main male lead also keeps hopping from one girl to the other, making the viewer wonder about who he’ll end up choosing until the final episode. The side-characters also for once aren’t stereotypes. The best friend has an actual personality and his own problems, the main character’s father and mother play a big role in the series as well. There’s just one character whose role remains ambiguous throughout the series: Aiko. I’m still not sure what her purpose actually was.

The visuals are another reason to check out this series, because they look absolutely gorgeous. A lot of attention has been put in the animation, and you can see that this series has received a big budget to work with. Even though there are definitely better series, True Tears remains a worthy series of your time.

Posted on with categories: True Tears


And so it has ended. We finally know who Shinichiro ends up with, though I’ll refrain from mentioning her in the first paragraph in order to avoid spoilers showing up in the blog-aggregators. I can’t say that this was the best episode of the series, but that’s only natural. In the end, this series’ best moments were in the middle, while the final episodes were more like one huge aftermath, and much less tense.

So in the end, Hiromi has won. To be honest, I only saw it coming when Shinichiro openly said to Noe that he loved Hiromi. In the end, Noe helped him to take off, and he’s very grateful to her for that, though it’s someone else he loves. A hit on the head was also exactly what Noe needed, and it made her reflect the stupid things she did. It might have hurt a bit, but she’s now managed to put herself over Shinichiro. In the aftermath, we also see that she’s finally found herself a couple of good friends.

I must say that it’s definitely been an interesting experience, to blog a show I usually wouldn’t blog. In the end, the biggest reason for me to do it was that it was directed by the director of Simoun, and he’s really proven himself again with this series. Instead of mind-blowing, True Tears is subtle, and shines through its deep characters. It by no means has the right to call itself equal to Simoun, but nonetheless it does remain one of the best love-triangles I’ve seen. His next works will strangely enough be directing the third season of Kyo Kara Maoh, which gives me a strange sort of curiosity toward that series, but I guess that I’ll just wait till the second season of Code-E to see the guy’s work again. (really, something’s telling me that the upcoming summer-season will be awesome).

Posted on with categories: Arusu The Adventure, Mahou Shoujotai


Ah, finally I had the chance to watch another episode. This episode can basically be called “Eva the Adventure”, as Alice basically didn’t make any appearance in it at all. Instead, it tells about the origin of the dragon-house, and why Sheila started living with Eva in the first place.

It was quite a surprise to find out that the dragon house originally belonged to Eva, and not Sheila. It started as a pet dragon she took care off, and during one incident it got hit by some kind of laser-beam and grew many times its size. Like the other episodes of this OVA, it was a bit rough around the edges, but I’ve long since understood that for Arusu the Adventure, it’s the big picture that matters, and not the small one, because this episode does give quite some interesting background to Eva.

And as it turns out, Sheila actually started living with Sheila for not that deep of a reason. She just wanted to be near Eva due to the fact that she got a flying dragon house from out of nowhere, and she saw the potential in Eva to grow. That also explains why she was so cold to Eva, even though they lived together. They weren’t good friends at all, and I can understand how Eva would grow on Sheila’s nerves because of her uncertainty.

Studio 4C seriously needs to start working on another tv-series. These guys are really talented at storytelling, though they spend most of their times on just short stories and movies. Mahou Shoujotai showed that they are very well able to deliver a full-length anime. Now that they’ve finished working on Tekkon Kinkreet, Arusu the Adventure and Genius Party, they should be already working on their next unannounced projects. Please let it be a tv-series!

CHANGE USERNAME
SuperMario
Hand Shakers, how I love to watch it jumping off the cliff. This show contains lines like "I don't understand... even if I did understand... but I don't understand." It isn't a dialogue that we encounter too often I'm sure.
AidanAK47
@Mario, Sounds good to me. With me covering Little Witch Academia, Saga of Tanya the evil and Rakugo this season is well covered.
SuperMario
so I've decided to blog 3-gatsu, Scum's Wish and ACCA this season. A bit worry about the latter as I still don't have much to talk about that. Let's try it and see what happens; I say
SuperMario
Okay, I'm not hot on Onihei this week, as if the main theme about these two episodes were "people can be corrupted" then I'm not buying it. ACCA, on the other hand, was still very solid of building up the world and its big events to come.
AidanAK47
I have played all the big roguelikes and found they have the same problem. I argee on procedural generation. Even if the map is different every time you are essentailly going through the same rooms and doing the same things.
Masky
Though to be honest, I don't like procedural(or designed room and then game connects them randomly) games much. I much enjoy hand designed dungeons since I rarely play games through more than once anyway so roguelike's appeal of "Every time you play it through its different!" doesn't appeal to me much and hand designed dungeons are much more memorable
Masky
Can't really comment further on that since I don't know which roguelikes you have played, and neither I have played gungeon so I don't know if its badly designed to the point you can't do anything if rng says so. Though I guess there is nothing wrong about liking luck based games, if roguelike in question is truly unbeatable if rng says so, well, its really badly designed one if you ask me.
AidanAK47
Take my last run. Made it up to the fourth floor. Got plenty of guns but none were really useful. Even then ran out of ammo for all of them and the game was cheap about giving out ammo. Plenty of money but shops with nothing worth buying. Over 5 heart containers but no goddamn health. Died on the boss because I rolled out of a bullet into another bullet. Pretty much unavoidable.
AidanAK47
@Masky, that's the theory but in pretty much every roguelike I played its not the case. If the RNG decides you are going to have a bad time then you are going to have a bad time. Skill can only bring you so far. I have played this game for 7 hours and I know I could have finished it in 2. Only thing stopping me is a dice roll.
Masky
Like, the thing with roguelikes is that they can get easier/harder depending on luck, but well done one should be completable even without any upgrades at all if you are skilled enough.
Masky
Thats not the really case with roguelikes though, unless game design is bad and includes insta kill traps and such that are unavoidable if you are unlucky
AidanAK47
I hate roguelikes. Been playing enter the Gungeon and I just lost all patience with it. Getting real tired of my victory being decided by a RNG. It never feels satisfying to finish a roguelike because I know my victory was determined by pure luck.
AidanAK47
So we got to rely on fansubs for it when it's airing.
AidanAK47
@Mario, Nope. I think because netflix only puts up full seasons they are only planning to put it up when it's finished airing. Or when it's dubbed.
SuperMario
But how does the Netflix thing work? So of I have a Netflix account I can watch the show weekly?
SuperMario
@Aidan: that's a dumb way to do things really because unless you watch the show weekly, everyone gonna forget that it even exist. Just look at Re-Life last year
Lenlo
thought*. Words are hard.

Eventually found the actual first ep though and enjoyed it.
Lenlo
Was funny. I tried to find the first Ep for Little Witch, found original short made afew years ago, watched it and though "This is very similar to the original... Whats new".
AidanAK47
Little witch is one of the best shows this season and yet I can't get subtitles because Netflix doesn't release shows weekly. Motherf*cker.
Lenlo
Ore Monogatari I enjoyed. It was a nice romance that actually explored what happens after the confession. Also the 2 leads are just precious.
Lenlo
Alright but unmemorable seems like a good summation.
SuperMario
@Lenlo: one good thing about Seiren is if you don't like this romance, the whole thing gonna reset after episode 4 so there's a chance that you might end up like it. Agreed that the comedy wasn't very good. Alright but unmemorable
SuperMario
@Topgavin: I watched like first 3 episodes and stopped because I didn't have much time there, but I enjoyed what I saw. A well-written and endearing show in my book
Topgavin
Has anyone here watched Ore Monogatari before? Because in the 4 years I've watched anime, I've never heard of it (I guess it did come out 2 years ago) and yet it's turning out to be one of my favorite shows. Always great going into a show expecting nothing and getting pleasantly surprised.
AidanAK47
Only one more impression to go. Should have it up tomorrow.
Lenlo
Im really not feeling Seiren. Its "comedy" isnt for me and I just dont find it very enjoyable to watch so far. Im curious if it gets any better but 2 episodes in it just isnt that good.
HelghastKillzone
That ending scene is an entire side-story compressed into that. Don't expect anymore of it from here on out as the it sticks to ruthless military/fantasy pretty well.
LookingForKeys
@Topgavin I think it was good, making it the second episode. That way the first set up the world the story will be in, and showed how much of a monster the "little girl" really is right at the end, and then made ep.2 the explanation. Nothing against Tanya trying to rip "God" a new one.
That after-credits scene, though...
SuperMario
Hmm, as much as I like Seiren's omnibus format, it doesn't turn out really hot this second episode. Demi-chan, on the other hand, still maintains its endearing tone. Might blogging Demi-chan instead
Topgavin
Yeah, that second episode was much better than the first. Dunno why they didn't start with that to be honest, waste of an opportunity for a good hook episode. The voice for the main girl still sounds weird to me though; I get it's supposed to sound weird because it symbolizes 'her' being out of place and her personality and body being a mismatch, but it'll certainly take some getting used to.
AidanAK47
Youjo Senki, now we are talking. Like Helghast said, Did the god scene way better than the LN and manga. Made it less comedic and more intimidating.
Lenlo
Oh man that Rakugo intro. Not sure what to think, but first time seeing it I liked it
Kaiser Eoghan
I sort of like good will hunting because I kind of saw a bit of myself in Damon's character when I watched it ages ago.
Kaiser Eoghan
@Mario: Remaking psycho and ruining the shower scene, for shame van sant, for shame.
Kaiser Eoghan
Its easy to ripoff some obscure thing though and get away with it. The dogtooth director essentially stole an old Mexican film to make that.
SuperMario
@Kaiser: yeah, that following some guys from behind like they were on a RPG games, which I think actually fit with the tones of Elephant. I have such mixed feeling with Gus van Sant too. Don't really think he's a great director.
Kaiser Eoghan
@Mario: Although Istvan Szabo is probably a little more well known for that Mephisto film that updates the Faust story. Zoltan Fabri's the fifth seal is a very thought provoking war movie.
Kaiser Eoghan
@Mario: I remember seeing a film documentary that featured Gus van sant in one section, they showed clips of tarrs films, Sant ripped of the cinematography and stole the style from some British short film to make Elephant.
SuperMario
@Kaiser: agree on the other Hungarian filmmakers, I don't know much about them either.
Kaiser Eoghan
@Mario: Scorsese's Silence was a big comeback. I really really emotionally connect with spiritual crisis stories.
SuperMario
@kaiser: yep, definitely check wreckmeister down. Althought I admit that watching his 2-hour plus films will feel like 5-hour anyways
Kaiser Eoghan
@Mario: I'm more tolerant of darker teenage/coming of age films/stories. Les Demons was a big surprise.
Kaiser Eoghan
@Mario: Though its kind of frustrating, I do think Tarr probably takes attention away from other hungarian filmakers because no-body knows who the hell the others are.
Kaiser Eoghan
@Mario: Man, wreckmeister was so visually arresting I started getting dreams from it.
Kaiser Eoghan
@Mario: I would consider Tarr to be kind of a poor mans Janco, Angelopolus and Tarkvosky rolled into one. I don't entirely "get" wreckmeister and man from London but they are great atmospheric mood piece experiences.
SuperMario
@Kaiser: I had been wanting to watch Belar Tarr's Turin Horse and Werckmeister Harmonies for so long now. Well, Fat Girl is shocking haha, but I'm normally drawn into those kind of films anyway.
SuperMario
@Kaiser: Margaret took like 5,6 years to release because he couldn't cut it down in the way he wanted. The final cut if I remembered correctly was edited by Martin Scorsese
Kaiser Eoghan
@Mario: Only a HDcam for moonlight now.
Kaiser Eoghan
I looks like my lineup is witch academia, rakugo and youjo senki, well the most latter one until I get bored.
Kaiser Eoghan
@Mario: I sense a directors cut for manchester, it feels like it need another 30 minutes.
SuperMario
@Kaiser: right up my valley. Watch Kenneth Lonergan's previous works Magaret and You Can Count on Me. Magaret is very messy but have a raw dialogue and interactions as well
SuperMario
Now the first episodes are over, I will keep on covering 3-gatsu, as for the other twos atm I have 3 options: 1) full romance/anti-romance high school Seiren/Scum's Wish. 2) slice-of-life moe monster girls Demi-chan/Maid Dragon and 3) Mature,dark Onihen/Acca (which although I like them I don't have much to talk about).If you guys have any preference on which shows you like covered then let me know
Kaiser Eoghan
@Helghast: At this point I'm watching youjo senki as an entertaining guilty pleasure.
Kaiser Eoghan
@Mario: Too many reboots upcoming, will wait for the dvds instead. I want to explore more of manchester by the sea's director's work. I also want to finally get more into Bela Tarr's stuff.
Kaiser Eoghan
@Mario: I was rather shocked by A Ma souer/fat girls final act. Scenes with the Italian in the bedroom were initially creepy.
SuperMario
@Kaiser: it's a nice review Kaiser, a bit jealous with you that you've seen those 3 films which are touted as the best films of 2016. Also Fat Girl, haha, I love that movie.
Kaiser Eoghan
Poor yotaro =< you have so much stuff going down on you =<
HelghastKillzone
Youjo Senki episode was so good today. That revamped scene with God just fitted so right.
AidanAK47
A official release of that game in the west is apparently coming but it's been a few years and not much news about it.
Kaiser Eoghan
@Aidan: Ah yes that was the one.
AidanAK47
@Kaiser, Had to think for a moment on that one but I think I was talking about this. https://vndb.org/v3144
Kaiser Eoghan
Now I'd hardly consider myself a studio trigger fan, but I watched the first witch academia episode there, it was actually kind of fun, got the same reaction from me as flipflappers did, that magical, special feeling.
Kaiser Eoghan
@Mario: I also, of interest reviewed Kenneth Lonegrans new film: http://letterboxd.com/shao_liu_ringon/film/manchester-by-the-sea/
Kaiser Eoghan
@Mario: Moonlight got some feels out of me though it could of been more, it ends abruptly and with 20 extra minutes they could have spent a bit more time on each section of his life.
Kaiser Eoghan
@Mario: I checked out lala land, ending was very well executed, one of three scenes in the film that were impressive visually. The whole thing looked pretty and Gosling and Stone had some decent chemistry. Although it didn't resonate emotionally as strongly as the musicals of Jacques Demi did.
Kaiser Eoghan
MOM I want aiyoku no eustia and I want it now.
Kaiser Eoghan
I've never heard of himawari or tokyo babel. The hellsing comparison at least interests me in dies irae. What was the name of that visual novel again that was coming out soon, Aidan you described it as "And Kaiser would love it because its supposed to be really fucked up".
Kaiser Eoghan
I vaguely remember the anime for 11 eyes, it was very forgettable, even the voice acting was poor, hated the childhood friends and the pacing was poor, those black knight things were kind of interesting though.
Kaiser Eoghan
@Aidan: You'll have to add me onto the list of those unsatisfied with the ever 17 writer, I read one of those games and felt it was a bunch of interesting bait that never paid off.
AidanAK47
Anyway I plan on doing a review of 11eyes here when I finish it.
AidanAK47
Can't say I was a fan of Ever17. That was a really good twist but when it came to explaining it their was a lot of contrived development. Generally not a fan of the writer. Looseboy, Ryukishi, Gen and Nasu are more my kinda thing
AidanAK47
@Anon, it is nice that so many VNs are on steam but I wish they wouldn't be stupid with the whole no adult content thing. Not so much for myself but to prevent idiots from writing negitives reviews because the game doesn't have sex. VNs can grip you in a way anime simply can't and while they require pathence and time those can be some pretty powerful stories.
Anonymous678956
@Aidan, I am so happy steam's so VN-friendly now. I think it's a very good type of media. Like anime, it has nice visuals, music and some movement but also the inner monologue and text amount of books. It's the perfect combination. Plus, the routes, which are often puzzle pieces and PoVs you have to go through to understand the whole story. True routes like the one of Ever17 blew my mind.
AidanAK47
Hopefully the two VNs I bought of steam turn out better. Tokyo Babel is supposed to be alright and I heard really good things about Himawari.
AidanAK47
I am about a third of the way through the game and really not much of worth has happened. The concept is interesting but the execution is sorely lacking.
AidanAK47
I went in expecting it to be a mixed bag and it's pretty below my expectations. It's just not really well written and the protagonist is a moron. THere isn't really routes and instead you are pretty much stuck with his childhood friend as the main love interest. Problem with that is her character begins and ends with loving the main.
Anonymous675376
@Aidan, damn. 11Eyes is on my reading list as well. Although I almost expected it to not be as good as I thought it'd be (back then). Guess I would have enjoyed it if I was able to read it while the (shitty) adaption aired, maybe I have seen/read too many series by now. Guess I'll still give it a try some day though.
AidanAK47
@Anon, I haven't heard the OST or watched the intro video. I only know it be reputation and have decided to walk into it as blind as I can. Still slightly worried as I was somewhat looking forward to reading 11Eyes for a couple of years and now that I am reading it it's well...not good.
Anonymous675376
@Aidan, same here. I was waiting years for this, since I saw the intro video for the first time. Also, that OST!
HelghastKillzone
Youjo Senki is already leagues better than Izetta. It's going to be top anime of forever and ever. (maybe not)
AidanAK47
And finally Dies Irae is funded. May actually be able to play and finish the game before the anime airs. If the hype is real behind this baby it could be a new personal favorite Visual Novel of mine. Already looking promising with it being like a cross between Hellsing and Fate/Stay Night. Two things I most certainly like.
Lenlo
@Masky, in regards to style over substance thats where im at with Gurrne Lagann.
Topgavin
Yeah, I'll probably watch the next episode to see whether it can redeem itself. Hopefully it can but considering 1st episodes usually get a lot of budget, there's some severe doubt in there.
AidanAK47
I actually argee with character designs and voices are bad in regards to female characters. Still the next episode might change your mind if we get more into the main characters head.
Anonymous671470
It's boring
Topgavin
Also, it seems I disagree with a lot of people in thinking Youjo Senki will be a massive trainwreck. The character designs are awful, the voice acting is mismatched but most of all the premise just seems so very dumb. If I wanted to watch a badass kill people I'd go watch Hellsing or Drifters, because at least those don't have some op, disproportionate loli as the mc.
AidanAK47
Gets even more complicated when you account for Satire and Parody. You could equally argue all examples listed as being as such.
AidanAK47
Little Witch Academia is a decontruction of Harry Potter....I don't believe that but honestly if I tried I could put some reasoning behind that statement.
Topgavin
In the end, it always comes down to opinion (as with every discussion about anime, for some reason). You could spin any and every series as a "deconstruction", which is why people shy away from using the word. You could argue NGE, Madoka and Re:Zero are all deconstructions yet also argue Gundam, Precure and SAO are depending on what points you weigh more importantly.
Masky
Like, if deconstruction is supposed to be just "break the elements and then play story how it would realistically go down" well I haven't watched NGE, but as far as I know it does have stuff that isn't typical to mecha genre besides the "It would fuck up kids" thing plus "realistically how it would play out" is pretty subjective thing. I mean, its mainly about how cynical bastard the writer is :P
Masky
Like I said, I don't fully agree with it because I find video's speaker's attitude annoying, but I found it semi convincing. Main thing I don't find convincing about it is that I don't think its hard to turn video's own arguments agaisnt it and say that by its own logic NGE isn't deconstruction either, like Aidan just said earlier
Masky
And I don't really have energy for checking out the "correct" one. If there even is one. Anyway, the hipster video I was talking about was titled "What Actually Is A Deconstruction?" if you want to check it out.
Masky
Hmm, well, it does depend on definition you use. Like if you use "realistic" thing, well, Magical Girl shows don't usually have "You turn into monsters" thing going on and reason why NGE's pilots go crazy is from dangerous situations rather than evas making them do so. But honestly, I don't really have strong opinion on matter since word seems to be one of those with several different meaning
SuperMario
for me Madoka IS a deconstruction of Magical girl, and yeah like what Aidan said
SuperMario
I think part of Utena is a deconstruction of "prince riding horse and save the girl" because that notion is just a foundation for Utena to become a prince herself and save other girl. That's breaking it apart and resemble it again in its own way. Don't have to be dark/ don't have to be real either
AidanAK47
@Masky, That's just debating semantics. Besides that difinition would pretty much mean that Neon Genesis Evangelion isn't a decontruction either. Madoka isn't a decontruction because it's dark. It's more in its aspects of criticising why a girl should throw her ordinary life away for something as dangerous as being a magical girl. It does take plenty of the typical tropes and turn them on its head
SuperMario
@Masky: Genre deconstruction is such a tricky word that I normally try to avoid using because there's really no set characteristic about the term and different people have different opinions about what constitute "deconstruction". For me, I disagree that deconstruction have to be dark and real, hmm can't say it well but I will give you an example:
Masky
But yeah, I guess I could try to find the video if you guys are interested, though like I said, I got hipsterish feel from the video and felt rather annoyed through it even though I did get what the point was and found it sort of convincing besides my annoyance
Masky
(not that liking NGE is hipsterish, its just that I find NGE to be more style than substance sort of series <_< Anyway, guy didn't dislike madoka or anything, he just seemed to dislike people using word deconstruction wrong in his opinion)
Masky
(especially with how much they seemed to praise Neon Genesis Evangelion)
Masky
I mean, I think the guy was being somewhat hipsterish, but its true the being darker take on genre isn't same as deconstructing the genre
Masky
@AidanAK47: Some other guy on youtube did video that had actually pretty good point about how Madoka isn't really deconstruction, if you go by definition of "Break it down to parts and then play them straight to show how horrifying it would be in real life"
Anonymous670441
Gente - Ristorante no Hitobito
Kaiser Eoghan
If anything its the hate I have for certain characters that makes it more effective.
Kaiser Eoghan
The obsessional level of attachment is just uncomfortable to me, I don't want to get THAT attached to a non-real character.
Kaiser Eoghan
Its literally just a case of "Okay lets look at this picture of this character, she looks interesting, no feelings or expression from me, apply this fetish, fap, get release, go home. "
Kaiser Eoghan
Or drooling/dribbling/heavy breathing/grinning over the characters. I abhor alot of the anime girls I find attractive or am indifferent, even when looking at ecchi/hentai drawings I'm straight and clinical with it.
Kaiser Eoghan
I mean to each their own. But I really hate the level of emotion/devotion to moe/finding the characters attractive. Such as celebrating their birthdays, going on about how cute/hot they are, how important it is that they're virgins. Or not being being self-aware of how irritating the characters are.
Lenlo
Anime hipster is pretty accurate. His general treatment of the current state of anime is annoying, as is his obsession with moe. Maybe its cause I cant stand moe most of the time, but it bugs me.
Kaiser Eoghan
@Lenlo: Essentially my brothers view on digibro.
Kaiser Eoghan
@Aidan: I don't usually feel the need to correct errors in your reviews as the errors are generally un-important, but I think you meant to say apprentices rather than appearences in the Rakugo review, just bringing that up as it felt like kind of a throw off.
AidanAK47
Which is kinda like saying Madoka wasn't a magical girl deconstruction because Sailor Moon and Nanoha had dark elements too.
AidanAK47
Went and read the reddit comments on it and seems I was right on the money.
AidanAK47
@Lenlo, He's basically a anime hipster. For example, I saw a thumbnail of his which had Saitama on it and below it "Is There Meaning In "Subverting" Shounen Tropes?" and I thought "Okay, he's going to go on about how OPM isn't subversive and then list a bunch of arbitrary examples in an attempt to redefine what is actually subversive"
Lenlo
I have lots of issues with Digibro. Dude has some good points, but other very horrible ones. Some issues he feels strongly about and gets kinda biased on imo.
Anonymous669202
acca looks visually interesting, and I personally really dig this kind of show, but it seems that it's definitely not for everyone
AidanAK47
Time to live up to my word. Four posts incoming.
AidanAK47
Man, Little witch Academia was so good. I disagree with the whole Digibro thing about being able to recognise a great show in it's first episode but watching this makes me think that this really is going to be something special.
AidanAK47
Alright, gonna put in effort today and have 3 or 4 first impressions posts done. That should knock out near half the season.
Kaiser Eoghan
Had a flip through handshakers. Garish is the word I'd use to describe it visually, it takes you out of the show.
Topgavin
ASuperMario From the first minute I can already tell it's by the same people that made K. Those colour filters and the extremely jarring/obvious city CGI is unmistakable.
SuperMario
Hand Shakers, literally makes my hands shaking. It's an abosolute mess. Highly recommended to check it out because it's so terrible it's great to watch
Vonter212
Yeah, and it's also a literal woman in refrigerator plot device, since that the thing that pushes the story forward.
Masky
I'd say that having to hide your sister's body in fridge would count as daaaaaaark and edgy, but when the body is wearing only underwear, and for some reason main character put metal things in fridge to keep body standing(I guess to not knock fridge open from inside?) I think it goes to "exploitation" you are talking about
Vonter212
@Masky - Did someone said doing dark things for drama? That's the bread and butter to get despair. Unless it's for the sake of perversion. Then it's just exploitation.
Kaiser Eoghan
@Masky: His other works dead tube and scumbag go further in the unhinged regard.
Masky
*relies on easy "let's do [x dark thing] for drama!" thing
Masky
Geez, Mayonaka no X Giten is fricking disturbing/disgusting ._. I'm pretty sure that writing relies on e, but I can't help but think mangaka is trying to make corpses sexy.
SuperMario
I found Onihei to be quite good, actually one of the most solid new episode I watched this new season. Guys, check them out
Vonter
I just hope it doesn't fall into the same misstep Kabaneri or Inuyasha or Bleach fall by making a villain so over the top that it crossed the line of not having a satisfying downfall.
Anonymous657941
@Vonter I think they just moved on. I lost interest rather quickly and I guess even the fans did that at some point, like with some other long-running series. There is much more new and more direct "fujo" stuff out there, many of them probably switched. Don't know what happens in the manga but maybe the story got worse or contained things some people didn't like.
Vonter
January will be loli dictator month (for me) :p. World Conquest Zvezda Plot, Youjo Senki: Saga of Tanya the Evil (new), Seraph of the End. For some reason I stumble into three curious series with little power hungry girls. If I can ask, why did Owari Seraph's hype died, I remember back it was mentioned more often. It still has the fujoshi fanart but still, I don't see people bringing it up.
SuperMario
@CATski: well, if you didn't like its first 3 episodes I dont think the rest gonna change your mind. Have you finished Erased then? How did you like it?
SuperMario
But I understand it's difficult to speak in front of camera, get some time to get used to it
SuperMario
@kaiser: I won't commend on poem as I'm terrible at it myself but younneed to work more on presentation Kaiser. Small little things like looking directly at the camera or say "thanks for listening" in the end can connect you to the audience better
Anonymous657071
Ok. I'll give the thing another chance. *clicks torrent* XD. CATski.
Kaiser Eoghan
@Topgavin: You might like centaur no nanami if you like demi-chan.
Kaiser Eoghan
Damn...repeated myself =<
Kaiser Eoghan
There are these things called slam sessions done in bars where people get up and read out stuff in front of a crowd and read stuff out. Actually watching rakugo made me think about practicing for that kind of thing.
Kaiser Eoghan
@Mario: the video I did was of me reading out a short piece of writing I did, a poem. lol I uploaded it to the wrong youtube account too I just realized =P
[link src="https://www.youtube.com/watch?v=ypBZ2hBDBYs&t=11s
I"] was recording this from my mothers laptops inbuilt cam while reading off my desktop.
SuperMario
@Kaiser: I think it's a good idea for you to try out reviewing movies/stuffs in youtube channel. I'll be very interesting to listen to them
SuperMario
@Topgavin: Agree. Demi-chan was so charming. Definately one of my favorite so far this new season
Topgavin
Demi-chan's first episode was good. Like, really really good. That blonde-haired girl was hilarious, the teacher-student relationship between the MC and the girls is really interesting and the social/practical problems the demi's face make it look like my favorite show so far.
CATski
Ah... ok. Is it really that good or it's just one of those "artsy" animes that tend to get overrated by their ardent fans? I didnt find the rakugo bit interesting.... probably the weakest aspect of the show for me.
Kaiser Eoghan
@Aidan: Why did I read that chapter. Why did I do that to myself.
Kaiser Eoghan
Admittedly yes the premise is not for everyone, but if you stick with it, the flashback arc had some good character work in there.
CATski
Rakugo has a season 2? I watched ep 1 - 3 of season 1 then promptly deleted it. The loud "yankee" dude was annoying. And the anime was boring.
Kaiser Eoghan
Oh man, I've been thinking lately of trying to start some kind of youtube channel. I did a few trial run videos. Its much much harder than it looks, didn't realize how nervy being in front of a video camera was.
Kaiser Eoghan
*a declining art and rakygo halls are closing down
Total users: 33

Featured Posts

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Little Witch Academia – 02[Pappiliodya]

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3-gatsu no Lion – 13 [Black River (part 2) – Beyond the Door]

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Saga of Tanya the Evil – 02[Prologue]

As I initially thought, this series becomes a whole lot better when you can see the disparity between the main protagonists thoughts and how those around her view them. The first episode jumped ahead in the story to where Tanya had established herself somewhat and I believe the intent was to mislead the audience with […]

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Some Quick First Impressions: Onihei, Gabriel DropOut and ACCA – 13-ku Kansatsu-ka

Onihei Short Synopsis: A captured thief joins the police to hunt down his old leader. For a studio’s first work this is quite a solid offering. The beginning reminded me of samurai champloo though this seems more a traditional samurai story. Animation isn’t anything too impressive but it does the job and there is some […]

Some Quick First Impressions: Hand Shakers, Kemono Friends and Kobayashi-san Chi no Maid Dragon

Hand Shakers Short Synopsis: A boy holds the hand of a girl he finds in a hospital room and ends up in a supernatural battle to the death. GoHands, you know what would be great? If you know, instead of slapping on lens flares and colour filters all over the place, you just don’t do […]

Some Quick First Impressions: Little Witch Academia, Idol Jihen and elDLIVE

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Some Quick First Impressions: Spiritpact, Demi-chan wa Kataritai and Chain Chronicle – Haecceitas no Hikari

Spiritpact Short Synopsis: A boy is killed by a truck and finds himself teamed up with an exorcist as a ghost. Sorry China, by all means keep trying but this isn’t going to top Japanese animation any time soon. So what’s wrong? Well the animation is fairly basic, the characters are annoying and the comedy […]

Latest Reviews

Flip Flappers (Fall 2016) Review – 93/100

What makes Flip Flappers stand out from the rest of the anime field? I found a lot of people asking that question along the way. Well, first off, Flip Flappers isn’t your ordinary anime offering, that’s for sure. Its visual styles are too much and too incoherent for one thing, the narrative never really reveal […]

Sound! Euphonium 2 (Fall 2016) Review – 86/100

I must admit that out of all the series I was blogging last year, Sound Eupho 2 was the one I’m saddest to see it ends; not because it was my absolute favorite anime last year, but because the sheer amount of their attention to details and their ridiculously quest for perfection are something that […]

Fune wo Amu (Fall 2016) Review – 81/100

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Your name. (2016) Movie Review – 82/100

As of this writing, Kimi no Na wa, or Your name. has enjoyed a phenomenal commercial and critical success. It becomes the highest grossing film of the year in Japan, and broke many records elsewhere in Thailand, China, America… you name it. Even in the local theatre where I went to, we got a full […]

Occultic;Nine Review – 0/100

I am certain this may seem like an extreme rating for some but the number scale always has been something I only carried over as part of psgels format. But this rating exemplifies my feelings about this show in its entirety. This show is awful, terrible, rage inducing, illogical, nonsensical garbage. Watching this show was […]

Magical Girl Raising Project Review – 65/100

In the success of Madoka there have been plenty who have tried to capitalize on turning the Magical girl genre dark. Few have actually succeeded and while Magical Girl Raising Project doesn’t quite succeed, it is still a much more competent attempt than many others. The story is about a phone app which promises to […]

Yuri!!! on Ice (Fall 2016) Review – 83/100

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Strange Frame – Love & Sax (2012) Movie Review – 76/100

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Thunderbolt Fantasy Review – 84/100

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