Posted by psgels on 5 March 2008 with categories: Gunslinger Girl - Il Teatrino


I’m not sure what it is – the animation-quality wasn’t really better than usual – but this was the most visually pleasing episode of Il Teatrino yet. Not only that, but it’s also quite possibly the best episode of the entire series so far. It really captured the essence of Gunslinger Girl, more than Madhouse could ever have done with the first season, just because they kept focusing on just the girls, whereas Artland so far has focused just as much on the adults around the girls.

This episode truly showed the difference between the girls’ innocence, and their ruthless brutality. One moment, they’re walking around happily in their new dresses and the other they’re blasting a rain of bullets on a car that’s driven by a bunch of terrorists. What really hit me was that one of these terrorists was an old acquaintance of Jose. In fact, they still kept contact, not knowing about each other’s professions.

I’m also really surprised at how balanced this episode was. So many characters got a bit of development. We have Jose and Jean, who turn out to have a sister. This sister was especially close to Jose, and ended up as a professional harp-player. The reason why she was so close with Jose was because Jean is far more impersonal than I could have imagined. I think that that’s why Jose chose to treat Henrietta so differently, because he had to be nice to his sister who didn’t get any attention from Jean. Jean really scared me when he didn’t even flinch when Rico brutally beat some terrorists.

Speaking of Rico: I can really understand now why her character was forced to change back to her cheery self, when compared to her stoic personality in the Madhouse version. Seeing the usual cheery Rico just mercilessly beat down one of these terrorists makes much more impact from when she was more serious. I’m also glad that Artland chose for a bigger role for Beatrice. According to totoum, she only got one line in the manga, and I’m glad to see that her role for the anime-version has become so much bigger. It shows that the creators aren’t just willing to adapt the anime, but also to improve it. And if the creators can do that, without making it seem like random filler, then that’s the sign of a good adaptation.

Apart from that, there were also a few scenes about Triela, Claes, Marco and Angelica. It also turns out that Marco used to know someone who liked opera (Patricia?).

Seriously, I’m so glad that I gave this series a chance, and looked beyond the bad fight-animation. The plot is just terrific, and this is definitely (apart from Porfy no Nagai Tabi, of course, but there is no series that can beat that behemoth in terms or realism) the best-written series of the shows that premiered in the winter-season.

6 Responses

  1. totoum says:

    And i’ll repeat myself again (not that i’m mad or anything) but I have a huge problem with this sentence:

    “It really captured the essence of Gunslinger Girl, more than Madhouse could ever have done with the first season, just because they kept focusing on just the girls, whereas Artland so far has focused just as much on the adults around the girls.”

    Poor madhouse didn’t really have a choice,since all they had to work with was vol1 and 2 (that’s all that had come out) which focus only on the girls,they did add some filler that i think made the story better.
    Artland is working with vol3-5:they develop the adults a lot more which is why this part of the series is arguably the most popular (vol 6-8 are very controvertial)
    I’m sure that if madhouse were doing il teatrino,they’d also develop the adults,it’s not hard to do:just follow the manga.
    But like you say,artland doesn’t just follow the manga,they’re also doing good filler with beatrice,it’s probably easier to do filler when you’ve got yu aida (the creator of the manga) writing the script for you :) since no one knows the characters better than him.He’s probably using the anime to develop beatrice,a character he never got around to developing in the manga.

    I guess all i’m trying to say is give madhouse vol3-5 of the manga and yu aida to write the filler and they would probably be able to do the same thing as artland.

  2. Windspirit says:

    Same thing with friggin better animation. I love yoy, totoum.

    Dude… Need subs for this show, anyhow, it’s just awesome…

  3. totoum says:

    lol windspirit , i didn’t say “with friggin better animation.” but i thought it strongly ;)
    And i do wonder,we were originally told the show would air in spring 2008 and out of nowhere the announcment was made that it would start airing in january,i wonder what artland could have done if given 3 extra months to animate it.
    Though I do agree with psgel about this episode being the most visually pleasing episode of Il Teatrino yet,seems like there was more details,not to mention that the lack of great animated action sequences was made up by some interesting storyboarding,and again the soundtrack did its job.

  4. Solaris says:

    Uhm… the Triad is late… I hope they aren’t dropping it :(

  5. helena says:

    I think the character design is what is pulling this series down (the hair, especially) – as well as the low fps. The scenery scenes were quite splendidly rendered, I thought.

  6. Roger says:

    Yeah, this was a great episode. They had one too many characters talking about that opera then I cared for but it seemed to underline how Rico and Jean are different from everyone else.

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  • Friend
    (Saturday, Oct 25. 2014 08:15 AM)
    :-)
  • Friend
    (Saturday, Oct 25. 2014 08:11 AM)
    @Bam I’ve sent you the rough sketch via Deviantart. Don’t expect too much, It’s only done to show the perspective and lighting.
  • Bam
    (Saturday, Oct 25. 2014 06:43 AM)
    @Friend: I’m excited to see it, but unfortunately hadn’t had long access to desktop to draft mine yet :/
    You might wanna leave an indication on yours as to where the shaman goes if you can, that would be great.
  • Friend
    (Saturday, Oct 25. 2014 06:34 AM)
    Woah, that was a long discussion about the Inca O.o
    @Bam I’m nearly done with the rough draft, maybe a few more hours.
  • Bam
    (Saturday, Oct 25. 2014 06:20 AM)
    @Vincent: That was pretty much the entirety of it. We were destined to cross Mississippi and inhabit the west, so why not take an active part in manifesting our supposed fate?
  • k-off
    (Saturday, Oct 25. 2014 03:34 AM)
    @Vincent No shit.
  • Vincent
    (Saturday, Oct 25. 2014 03:14 AM)
    @Bam Slightly. Did americans use manifest destiny as an excuse to steal land from the natives?
  • Bam
    (Saturday, Oct 25. 2014 03:05 AM)
    @Vincent: I guess we were slightly more honest about it. It is funny how we use the fact after the matter as evidence of our divine providence. It’s like holding a gun to somebody and saying “fate wants you to die”, proceed to shoot them, and then say “see! I was right” lol
  • Vincent
    (Saturday, Oct 25. 2014 02:56 AM)
    @Bam But unlike the american concept of manifest destiny, the Japanese used it as an excuse to wage what they were really doing: a war to hoard resources.
  • Bam
    (Saturday, Oct 25. 2014 02:52 AM)
    @Vincent: I see. A similar doctrine to Manifest Destiny.

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