Posted by psgels on 5 March 2008 with categories: Gunslinger Girl - Il Teatrino

I’m not sure what it is – the animation-quality wasn’t really better than usual – but this was the most visually pleasing episode of Il Teatrino yet. Not only that, but it’s also quite possibly the best episode of the entire series so far. It really captured the essence of Gunslinger Girl, more than Madhouse could ever have done with the first season, just because they kept focusing on just the girls, whereas Artland so far has focused just as much on the adults around the girls.

This episode truly showed the difference between the girls’ innocence, and their ruthless brutality. One moment, they’re walking around happily in their new dresses and the other they’re blasting a rain of bullets on a car that’s driven by a bunch of terrorists. What really hit me was that one of these terrorists was an old acquaintance of Jose. In fact, they still kept contact, not knowing about each other’s professions.

I’m also really surprised at how balanced this episode was. So many characters got a bit of development. We have Jose and Jean, who turn out to have a sister. This sister was especially close to Jose, and ended up as a professional harp-player. The reason why she was so close with Jose was because Jean is far more impersonal than I could have imagined. I think that that’s why Jose chose to treat Henrietta so differently, because he had to be nice to his sister who didn’t get any attention from Jean. Jean really scared me when he didn’t even flinch when Rico brutally beat some terrorists.

Speaking of Rico: I can really understand now why her character was forced to change back to her cheery self, when compared to her stoic personality in the Madhouse version. Seeing the usual cheery Rico just mercilessly beat down one of these terrorists makes much more impact from when she was more serious. I’m also glad that Artland chose for a bigger role for Beatrice. According to totoum, she only got one line in the manga, and I’m glad to see that her role for the anime-version has become so much bigger. It shows that the creators aren’t just willing to adapt the anime, but also to improve it. And if the creators can do that, without making it seem like random filler, then that’s the sign of a good adaptation.

Apart from that, there were also a few scenes about Triela, Claes, Marco and Angelica. It also turns out that Marco used to know someone who liked opera (Patricia?).

Seriously, I’m so glad that I gave this series a chance, and looked beyond the bad fight-animation. The plot is just terrific, and this is definitely (apart from Porfy no Nagai Tabi, of course, but there is no series that can beat that behemoth in terms or realism) the best-written series of the shows that premiered in the winter-season.

6 Responses

  1. totoum says:

    And i’ll repeat myself again (not that i’m mad or anything) but I have a huge problem with this sentence:

    “It really captured the essence of Gunslinger Girl, more than Madhouse could ever have done with the first season, just because they kept focusing on just the girls, whereas Artland so far has focused just as much on the adults around the girls.”

    Poor madhouse didn’t really have a choice,since all they had to work with was vol1 and 2 (that’s all that had come out) which focus only on the girls,they did add some filler that i think made the story better.
    Artland is working with vol3-5:they develop the adults a lot more which is why this part of the series is arguably the most popular (vol 6-8 are very controvertial)
    I’m sure that if madhouse were doing il teatrino,they’d also develop the adults,it’s not hard to do:just follow the manga.
    But like you say,artland doesn’t just follow the manga,they’re also doing good filler with beatrice,it’s probably easier to do filler when you’ve got yu aida (the creator of the manga) writing the script for you :) since no one knows the characters better than him.He’s probably using the anime to develop beatrice,a character he never got around to developing in the manga.

    I guess all i’m trying to say is give madhouse vol3-5 of the manga and yu aida to write the filler and they would probably be able to do the same thing as artland.

  2. Windspirit says:

    Same thing with friggin better animation. I love yoy, totoum.

    Dude… Need subs for this show, anyhow, it’s just awesome…

  3. totoum says:

    lol windspirit , i didn’t say “with friggin better animation.” but i thought it strongly ;)
    And i do wonder,we were originally told the show would air in spring 2008 and out of nowhere the announcment was made that it would start airing in january,i wonder what artland could have done if given 3 extra months to animate it.
    Though I do agree with psgel about this episode being the most visually pleasing episode of Il Teatrino yet,seems like there was more details,not to mention that the lack of great animated action sequences was made up by some interesting storyboarding,and again the soundtrack did its job.

  4. Solaris says:

    Uhm… the Triad is late… I hope they aren’t dropping it :(

  5. helena says:

    I think the character design is what is pulling this series down (the hair, especially) – as well as the low fps. The scenery scenes were quite splendidly rendered, I thought.

  6. Roger says:

    Yeah, this was a great episode. They had one too many characters talking about that opera then I cared for but it seemed to underline how Rico and Jean are different from everyone else.

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  • Kaiser Eoghan
    (Wednesday, Nov 25. 2015 08:59 AM)
    I say this because people often like to hype up the genre or those elements. I bring this up/think about it now because I played a game called undertale lately on my brothers recommendation and he was all like it emotionally destroyed him but I never ended up crying, I mean don’t get me wrong its a good game, there were laughs to be had and there was sentiment but it wasn’t THAT sad/funny.
  • Kaiser Eoghan
    (Wednesday, Nov 25. 2015 08:44 AM)
    Given how many people cry at some drama, clannad included.
    That reminds me…
    I can’t actually remember the last time in my life where I cried, I draw a blank.
  • Kaiser Eoghan
    (Wednesday, Nov 25. 2015 07:58 AM)
    @Aidan: Something always feels off to me when you criticize clannad, I mean I’m critical enough of key these days too but it seems odd that you rank it as an 8 on MAL when you’ve always made it sound its more of a high 6 or a 7.
  • Kaiser Eoghan
    (Wednesday, Nov 25. 2015 03:45 AM)
    But I’m no fan of gung-ho soldier games/most fps games so I am glad clannad, a visual novel outsold call of duty.
  • Kaiser Eoghan
    (Wednesday, Nov 25. 2015 03:44 AM)
    I said it once I’ll say it again. I preferred the clannad movie over the tv series, had more style, a more mature feel to it and cut out all the superfluous arcs/comedy for the better. It also concludes better than the series. The emotional involvement in the kyoani version doesn’t work for me anymore, doesn’t hold up. However the film remains emotionally engaging after revisiting it.
  • AidanAK47
    (Wednesday, Nov 25. 2015 03:19 AM)
    Holy hell Clannad is selling like hotcakes on Steam. Even beat Call of Duty in sales at one point.
    Kinda happy to see a VN get recognised and it would help open up the market for more titles to come over. But..well..Clannad really isn’t all that great.
  • Kaiser Eoghan
    (Wednesday, Nov 25. 2015 02:29 AM)
    I can remember when I first got into anime when I was a whole lot younger I always said I would watch lodoss war, El Hazard and slayers, yet I never ended up doing so…
  • Kaiser Eoghan
    (Tuesday, Nov 24. 2015 05:34 AM)
    Ha, the child in me would love to see a film like that I’d imagine, when I was young I was pretty crazy about Egyptian supernatural stuff.
  • Bam
    (Tuesday, Nov 24. 2015 05:23 AM)
  • Bam
    (Tuesday, Nov 24. 2015 05:22 AM)
    @Kaiser: yeah, even tho it was his highest grossing movie it managed to brought his career to a stand-still. His next film Gods of Egypt looks like it could be fun, albeit it’s just as much as a CGIfest as I, Robot. Egyptian stuff is admittedly rather intriguing, I remember a 2004 French film Immortel ad vitam that blended that with modern themes that became popular for a while.

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