Posted on 30 April 2008 with categories: Monthly Summaries

So, most series have had four episodes aired now. So far, the season is looking quite promising, with many good series that have debuted. I’ve been noticing an on-going trend though, about how much more 13 episode-series appear. It’s a shame, because a lot of these series could have easily been lengthened to 24 or 26 episodes.

#39 (new) – To Love-Ru – (4,6/10) – If it was only the fanservice, then this show could have been good, but everything about this series is crap: story, characters, nothing stands out whatsoever. Dropped.
#38 (new) – Kamen no Maid Guy – (5,5/10) – Ugh… This turned out disastrous. Any potential in this series has left due to the incredible overuse of unfunny fanservice-jokes. Dropped.
#37 (new) – Kanokon – (5,7/10) – Well, I guess nothing much can be said about this series that hasn’t been said yet. If you like young boys getting it on with horny fox-spirits, then this is a must watch. If you don’t, then stay far away from this thing. Dropped.
#36 (new) – Kyou Kara Maou – Third Season – (6,5/10) – The episode I watched was decent, but in no way did it make me eager to check out the rest of the series. Dropped.
#35 (new) – Monochrome Factor – (6,5/10) – Okay, so here’s a potential trainwreck. Stay away from this one. Dropped.
#34 (new) – Neo Angelique Abyss – (6,6/10) – Mary-sue, anyone? Dropped.
#33 (new) – Naisho no Tsubomi – (6,6/10) – I am so NOT the target audience for this. Dropped.
#32 (new) – Penguin Musume Heart – (6,9/10) – A very strange series, but I doubt that I’ll continue it with so many good series this season.
#31 (new) – Zettai Karen Children – (7/10) – The fun in this series quickly dies. Dropped.
#30 (new) – Net Ghost Pipopa – (7/10) – Good show for kids; not for me, though. Dropped.
#29 (new) – Kyouran Kazoku Nikki – (7,3/10) – This might become funny, but I don’t feel like finding out. Dropped.
#28 (new) – Nabari no Ou – (7,4/10) – I wish I could watch every series that came out this season, but unfortunately I can’t. Nabari no Ou wasn’t bad, but neither did it impress me. Dropped.
#27 (new) – Special A – (7,5/10) – I decided to drop this series after finding out that it’s only going to feature 13 episodes. Four lacklustre starting episodes may be excused for long series, but one-season long series really need to have delivered at least something at this point, and Special A never really seems to want to go anywhere.
#26 (new) – Golgo 13 – (7,6/10) – Duke Togo is an interesting protagonist, but 50 episodes may be a bit too much for a concept such as this. I’ve dropped it for now.
#25 (new) – Code Geass – Lelouch of the Rebellion R2 – (7,8/10) – Well, it’s getting pretty hard to take the different plot-twists in this series seriously, ever since the infamous episode 22 destroyed my suspense of disbelief, but I admit that Code Geass has been solid enough so far. However, I KNOW THIS SERIES. I wouldn’t be surprised if Suzaku ends up slaughtering the entire world population near the end of this second season, seeing as how this series is so eager to copy parts of the first season.
#24 (new) – Junjo Romantica – (7,9/10) – Yaoi aside, I admit that the romance in this series has been pretty good, and it actually does have a sense of humour. That said, I still don’t know why I continued to watch this series…
#23 (new) – Chi’s Sweet Home – (7,9/10) – It’s amazing to think how deep the creators dived into Chi’s mind. The adventures of Chi are an innocent way to spend 2 minutes
#22 (new) – Druaga no Tou – The Aegis of Uruk – (7,9/10) – Okay, I admit that this series turned out better than I expected it to do after watching the second episode. The band of idiots does make sense so far, but I really wonder what the creators plan to use to get them to the top of the tower when they already struggle at the first level.
#21 (new) – Toshokan Sensou – (7,9/10) – A good show, but for Noitamina, this seems to be missing something. Kaiba would have fitted this timeslot much better, I think. It’s just not a good sign that in an 11-episode series, the characters already start feeling a bit annoying after the third episode.
#20 (25) – Bus Gamer – (8/10) – A nice enough short series. The characters were dynamic enough to keep me interested.
#19 (7) – Zoku Sayonara Zetsubou-Sensei – (8/10) – Well, it’s taken a bit longer than usual, but Sayonara Zetsubou-Sensei is finally feeling the repercussions of the fact that it refused to develop its characters beyond their stereotypes. This series is still fun, but nowhere near as brilliant as it used to be.
#18 (new) – Vampire Knight – (8,1/10) – Solid so far. I personally like a healthy dose of angst, and Vampire Knight so far has done well in staying away from emo. However, the bishies and squealing fangirls are just as annoying as the hot babes and drooling guys in the shounen counterparts.
#17 (new) – Soul Eater – (8,1/10) – So far, Soul Eater has been a really stylish show. Now let’s hope that it’ll know how to remain fresh for 52 episodes.
#16 (new) – Allison to Lillia – (8,1/10) – This series has an engaging atmosphere so far. This series feels genuine, and it really succeeds in bringing across its sense of adventure, even though it sometimes struggles with believability.
#15 (new) – Wagaya no Oinarisama – (8,2/10) – A surprisingly fun and down-to-earth series for me. Great music, and finally the male main character looks at least a bit different from his counterparts in other series.
#14 (21) – Gintama – (8,2/10) – While Gintama has definitely been better, the transvestite-joke was priceless.
#13 (new) – Macross Frontier – (8,3/10) – At times, it’s a bit too silly for its own good, but the likable characters and godly production-values have really made up for this so far.
#12 (17) – Persona – Trinity Soul – (8,3/10) – Persona has developed into a pretty solid mystery-series so far, but I do hope that the creators have been saving the best for last, because this series still feels like it’s missing something.
#11 (new) – Blassreiter – (8,4/10) – Surprisingly, this turned into my favourite GONZO-series this season. It’s got the best action-sequences so far, and the characters are pretty likable so far. Now let’s hope it doesn’t go trainwreck somewhere in the middle!

#10 (new) – Nijuu Mensou no Musume – (8,4/10)

Great character-development so far, although it’s sometimes a bit hard to believe.

#9 (new) – Itazura na Kiss – (8,6/10)

Without a doubt the best romantic comedy this season. Heck, this series has the potential to be the best romantic comedy since years if it keeps up with this pacing.

#8 (new) – Kurenai – (8,6/10)

Without a doubt the best voice-acting this season. More anime should record the voices before the animation-process.

#7 (new) – Crystal Blaze – (8,7/10)

The animation and graphics may look just average, but to make up for it, Crystal Blaze has delivered us a very solid cast of believable characters that have already started to develop within four episodes. A recommendation for any mystery-fan.

#6 (new) – RD Sennou Chousashitsu – (8,8/10)

This series intrigues me like no other. It’s got a fascinating concept and a pretty good execution so far. It’s away from any stereotype so far, which also makes me very happy.

#5 (new) – Amatsuki – (9/10)

A surprise hit for me. I already somehow suspected that this series would be more than just pretty pictures, but I never expected that it would turn this dark, deep and emotional in such a short time.

#4 (new) – xxxHolic – (9,1/10)

What a wonderful way to start the second season. xxxHolic Kei has been just as good as the best parts of the first season so far, if not better!

#3 (new) – Himitsu ~The Revelation~ – (9,2/10)

I’m an absolute sucker for these kinds of series, and Himitsu has shown that it’s by far the cleverest series of the new season. Great themes, great characters, a terrific concept. This really is one of my favourites of the season so far.

#2 (new) – Kaiba – (9,3/10)

Without a doubt the best new series to air. Everything about this series has delivered so far! It’s a series that makes you think, and at the same time it’s got a wonderful story and cast of characters.

#1 (2) – Porfy no Nagai Tabi – (9,5/10)

April has been a sensational month for Porfy! Every episode delivered, there was no weak moment, and everything about this series was just so gut-wrenchingly sad. With this, this series earned it’s title of “World Masterpiece Theatre”.

Posted on with categories: Himitsu ~The Revelation~


Really, this is clearly the cleverest series to have come out this season. Kaiba may be good at other points, but Himitsu is a master in dropping hints that might solve the mystery. This series really draws you in like no other, also with the help of the terrific soundtrack. You really need to watch an episode at least twice in order to fully understand it.

The way the creators also revealed that Nanako fancies Aoki was also quite creative. Most series just show a very obvious and unsubtle blush, though Nanako instead just misses her chair, and you can also constant see her around Aoki, without him noticing it.

And the theme of this episode… it was really pushing taboos, as it reflected an issue of modern society that even Sayonara Zetsubou-Sensei didn’t want to enter: the bother that elder people are to their younger generations. The culprit is a guy who ritualistically kills off older people who aren’t wanted by their families due to poverty. That one scene where the kid asks when he can get his own room: “you’ll get your room as soon as grandfather dies”. “Oh, I hope he dies soon then”.

On a side-note: there’s something I’ve been wondering. It rather annoys me a bit how many people are dismissing this series because it looks “gay” (what’s wrong with homosexuals anyway?). But at the same time, you don’t hear anyone saying this about Death Note (a series that shows quite a few similarities with Himitsu, by the way), even though that too featured a number of *ahem*”bishies”, that even ended up washing each other’s feet at one point.

Posted on with categories: Crystal Blaze


Heh, this episode finally featured an actually funny fanservice joke. When the horny doctor first appeared, I feared the worst, but his nurse’s BSDM have turned out to be quite hilarious. Especially the dog’s outfit was brilliant. Really, if series as Kanokon realized this, they would have been quite fun, though instead they just can’t think beyond the tried-and-true formula of groping, blood-noses and panty-shots.

Fanservice aside, I’m still surprised at how much I’m enjoying this show, seeing as it’s turned into one of the dark horses of this season in the rest of the anime-community. The budget is indeed quite low. Studio Fantasia is no Satelight or Madhouse, so the drawings and animation are quite simple. And yet this has never had a weak episode so far, in my opinion at least. This episode again was a great one, and it finally pushes the plot forward again.

We learn that the one who changed all the women to glass was indeed that little girl. This time, she kills Yuumi, who indeed went on her solo-debut, dropping Seiji without him even knowing it. The glass women like her and Sara were meant as humanoid weapons. Hence why the bad guys are so interested in retrieving her. They’re currently in the process of testing out their work, which has finally shown its fruits.

One thing I also like is how this series has managed to make characters likable who would have been really cliché otherwise. Especially Shu and Manami would have been incredibly annoying if they didn’t receive any development. Manami, however, turned into a really sympathetic character, who’s just finding out how naive she’s been in the past episodes. She’s a girl with real fears, instead of contractor-like behaviour (a la Darker than Black) of knowing what to do in any dangerous situation. Shu meanwhile turned into quite a refreshing main character, who neither is a stereotypical ambitious guy nor a carefree “cool dude”. This guy doesn’t care about being the best; he just cares about the people around him. For some strange reason, both of them have really turned into my favourite characters in this series.

Posted on 29 April 2008 with categories: RD Sennou Chousashitsu


This series continues to intrigue me, for some reason. This episode was clearly meant to flesh out the concept of “Metal”, now that the introduction is finally over. Knowing the director, and the fact that this is an anime-original story, just like Chevalier, I think we can expect lots of building up in the first half, that’ll cleverly be used in the second half of this series.

Still, even though it’s building up, this series still manages to remain interesting due to its concepts, and the fact that it didn’t play all of its trumps in the first episodes. In this episode, while the person in question who has been trapped inside the Metal isn’t that relevant to the story, this episode does offer a lot of new things about the metal, and finally things become a bit clear, as to why Metal turned so important. It’s not only used for things like power plants, but civilians can also use it. In this case, a salaryman uses it to escape from reality and be surrounded by loads of beautiful woman.

The problem is that this episode a lot of complicated monologues, so it was pretty hard to understand what the assistant of this salaryman was trying to say. Apparently, he was quite an important person, yet at the same time he remained a regular guy due to his sexual desires. If I understood correctly, then he was inside the metal when the power went down on the island (I guess that the cyber-divers used a emergency back-up power-system to enter the power plant, back in episode 2), and his brains went down. Later, the corrupted data seems to have turned him into one of the women, and this same data tries to affect Haru, as he tries to get the guy back. Minamo then proves to be the mystery-element in this series, when she somehow manages to connect to Haru from outside, and apparently they can reach each other no matter what’s happening.

There also seems to have been a bit of influence from outside. They probably made alterations to Zouhen(the salaryman)’s data, to change him into a woman and prevent him from re-entering. I’m not sure about their motives, though. Heck, I couldn’t catch anything that looked like it explained this.

This episode also introduces the two characters in the OP who make strange faces, along with Minamo and Haru. I was surprised to find out that they’re both guys, (that big guy really looked like some GAR woman in the OP). On top of that, they seem to be brothers. The little guy seems to be a cyber-diver as well, and he failed to get back Zouhen earlier.

I also must say that this series has the most solid OP and ED this season. They really fit the strange nature of this series. With the heavy J-rock, combined with the strange images. I also like how the episode previews don’t spoil anything about the next episode, but instead provide an introduction to the concept of the next one. One reason why I often avoid next-episode previews on series is because you’ll never know when they’ll spoil you too much for the next episode. Especially Naruto was a heavy offender of this, though RD seems to use them very nicely.

Posted on 28 April 2008 with categories: Soul Eater


I’m wondering… why does Tsubaki get naked when she’s in weapon-mode, and yet Soul gets to keep his clothes? I mean, I can understand how a bit of fanservice here and there is nice and all and how this would scare off the guys who are afraid to see other men without any clothes on, but at least keep things a bit consistent.

In any case, this episode started a bit disappointing, where Maka beat up Soul a few too many times. Jokes like these stopped being funny ever since Love Hina overused them. Thankfully, as this episode went along, it introduced a few new things, including a resonance-mode that goes wrong. And a Black Star who is actually calculating when he doesn’t need to ambush anyone.

Having said that though, this episode was the least funny of this series so far, since more than half of the jokes were just reused from the previous ones. The bad guy of this week, a teacher turned zombie that uses his own gravestone as a weapon, didn’t feel that inspired. This can mean two things:
1) This series already used up its best jokes and has run out of inspiration. Things would be pretty bad if this was the case.
2) Seeing as it’s 52 episodes we’re talking about, the creators cleverly decided to use their best jokes for later, when the characters are actually developed. Sortof like the Law of Ueki, which also was rather dull at this point. The next episode should be better, as it’ll introduce another major character: a certain Dr Frankenstein who used to partner up with Death Scythe before he met Maka’s mother (speaking of which, what happened to her? Heck, where has Shinigami’s wife run off to?)

Posted on 27 April 2008 with categories: Popolocrois Story 1998


Ah, what an adorable ending. It was a bit cheesy here and there, but overall it reminded me why I originally fell in love with this series. To think that I took two years and four months to fully blog this series. That’s been longer than any other show I’ve blogged, even Saiunkoku Monogatari, Jigoku Shoujo or Higurashi. It’s been a wonderful ride, that’s for sure, and Bee-Train’s debut surely showed a lot of promise in the studio that they were to become.

I decided to not write a review about this series, simply because it’s been too long since I watched the real meat of this series, and my memory is too fuzzy about it. (Plus, I’m rather tired right now, which probably also plays some kind of factor) If I did review it, I bet it would rate high, though, and I wouldn’t be surprised if it ended up above 90/100. I do remember how this has been the best RPG-adaptation made, simply because of its wonderfully charming cast of characters, and definitely recommended to any fantasy-fan.

With that said, I’d like to thank Wyrdwad and the other ones who contributed to the fansubbing-process: you ROCK! I also must say that I really enjoyed reading the different episode-notes for each release. They provided interesting insights in the Japanese language and culture. Most times when fansubbers try to insert something personal in their work, it doesn’t really work, and most of the comments end up being in the sense of “yea hot!”, but Wyrdwad’s writing style is really fun to read. When watching a raw series, I now keep chuckling at characters who use “ore-sama” or “Otoko no ROMAAAAN!!!” :P

Now with that said, I’m really curious to the final episodes of the 2003-series. :)

Posted on with categories: Random Posts

So, the nominations are over, and it’s time for the real voting. I’d like to thank everyone who nominated me in te preliminaries, I never thought that this many people consider this blog among the best of the episodic ones.

Apparently, the reader’s choice and blogger’s choice don’t start at the same time. I guess that the polls for the reader’s choice will be set up in a few days or so.

Posted on with categories: Porfy no Nagai Tabi


This series continues to be absolutely stunning! Seriously, there hasn’t been a weak moment, ever since the earthquake. This episode finally finishes the introduction of this series, and shows Porfy starting his “Long Journey”. It really does seem like it’s going to take a long while until we see Mina again…

The episode starts with Porfy, not sure what to do. In the end, the one who’s able to remember Mina and tell him where she went was the old blind lady. She tells how the two of Porfy and Mina had the same scent, and how Mina boarded a ship that goes to Italy. Now that he finally knows what happened to his sister, Porfy runs to a quiet alley to cry his lungs out.

When Porfy comes back to the harbour to check up on the fees for the boat, they turn out to be too high for the small amount of money he carries with him. He heads into the city, to check whether people are looking for a job. The first person he asks comes with the sad news that nearly nobody in the city has a car, and they work mostly with horses and donkeys. The guy then nicely offers Porfy a part of his lunch, saying how children shouldn’t suffer. Porfy says how he’s looking for money to board a ship, and then the guy comes with the idea to bring Porfy to an old man whose house needs painting. At this point, Porfy is indeed willing to do anything.

When he arrives at the old man’s home, the old man thanks him. He’s apparently been living alone for a long time now. When he asks where Porfy came from, Porfy says he’s from Simitra. The old man remembers how that place was hit by a huge earthquake, and Porfy tells him about what happened to his parents; he starts crying when he talks about it. The old man then comforts him, and says how Porfy’d better start working. When Porfy’s halfway done, the old man asks him to buy some food for dinner.

When they’re having dinner, the old man offers a surprisingly large amount of his food to Porfy. When Porfy says how he shouldn’t bother, the man retorts that it’s nothing, and how it’s a delight to be young. Porfy works for two days, and on the second evening the old man asks Porfy whether he knows what Mina’s thinking. I turns out that Porfy didn’t even think of that yet. The old man then says how Mina should be feeling the same thing he is, being separated from her parents and all.

Porfy finishes on the third day. The old man then gives him a really big amount of money for the job, even more than that’s needed for the boat fee. Added to that, he also offers a backpack for Porfy to use. The old man says how once you get older, there are enough things that you won’t need anymore, and he feels that Porfy would make better use of it. Porfy then leaves and the episode ends, as the old man wishes him good luck.

Apologies for the rather rubbish summary this time. The dialogue in this episode was particularly difficult for a Porfy-episode, and it featured more monologues than usual, so I wasn’t able to understand everything perfectly, like I usually do with this series. That aside, this episode was yet again amazing. When I started watching this series, I originally thought that it would go down about the same path as Perrine Monogatari (which is currently being subbed by C1), but it turns out I was wrong. Perrine puts much more emphasis on the bad sides of money, while Porfy no Nagai Tabi just solves Porfy’s money issues in one half of an episode.

Old people also have a really interesting role in this series. They really serve as mental guides for the children. First Damon, and now we have the old blind woman and the old man who offer Porfy support, and they encourage him to go into the right direction, hardly knowing anything about him. It’s different from usual anime, who mostly have the mindset of “the old ones need to step aside for the young ones”. In this case, they really try to help Porfy get over the horrible things that happened to him, without ever trying to look important for the storyline.

Posted on with categories: Nijuu Mensou no Musume


I must say that this series is getting more interesting with every episode. The first episode was a huge disappointment for me because it didn’t really show the thought-pattern behind Nijuu Mensou’s plans, though thankfully the past two episodes have put a much bigger emphasis on planning and back-ups, in case something goes wrong. With this episode, I finally see that Nijuu Mensou isn’t inhumanly strong or smart. He’s just paranoid and a perfectionist.

I can indeed see why Chico will end up as Nijuu Mensou’s successor. Due to the way she’s raised, she’s ended up rather paranoid as well and doesn’t take anything for granted, and yet she’s willing to work hard for the person who saved her. This episode mainly meant to bring her a bit closer to Nijuu Mensou’s crew, and flesh out the different characters a bit.

What I’m waiting for right now is to see the always-composed Nijuu Mensou screw up. Obviously, this has to happen sometime, and I’m rather eager to see Chico, as she takes over his position. It’ll be interesting to see Chico evolve, and meet the other two girls we see in the ED. Like I said before, I like series that don’t play all of their trumps in the first episode.

Posted on 26 April 2008 with categories: Anime Reviews


The individual ingredients of Asagiri no Miko (or Shrine of the Morning Mist) are not that impressive: a sentai-team of priestesses takes on the role of main characters, and they’re the only ones who can stop an evil demon from breaking its seal and destroying the world. At first sight, it seems like a yawnfest, and yet somehow, it works.

Thankfully, despite the boring premise, this series knows how to build up, and it pretty nicely alters between comedy-episodes and serious ones, rather than save the serious parts only for the final episodes. Both the comedy and drama gets better as the series progresses and the episode length of 12 minutes helps keeping things fresh and avoid dragging on. I was pleasantly surprised when I found out that this series actually knows how to tell a story.

Unfortunately, Asagiri no Miko does have its bad points. The main lead is horribly ignored in terms of fleshing out when compared to the other ones. That’s fine by me, and it actually helped to prevent this series from getting dragged into pointless romance. The major problem with this guy is however, that in the final two episodes he suddenly becomes the most important character; a role he just couldn’t live up to, considering his huge lack of development. The result is that the final two episodes descend into a boring cheese-fest that end the series with a fizz, rather than a bang.

Still, despite this the first 24 episodes are a nice example of an enjoyable series that never really hits any highs nor lows. Asagiri no Miko is just one of these series that’s great for just a light watch, and in the meantime you also get to enjoy a healthy share of Japanese culture. Obviously, you’ll never see this series on any top-10 list whatsoever, but the average rating that the users of AniDB gave it (a 5.90; amongst the worst ratings on that site) is just way too low in my opinion.

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  • Juno
    (Friday, Apr 18. 2014 04:52 AM)
    BTW, Kagerou Project was a big thing I was looking forward to. Was psgels planning on checking it out at all? I need to watch the first episode, still.
  • Nyangoro
    (Thursday, Apr 17. 2014 10:31 PM)
    Ping Pong’s second episode was so fucking good. I just love these characters.
  • Emma
    (Thursday, Apr 17. 2014 09:57 PM)
    You know…as much as I like mushishi’s manga…I never felt compelled to read every single chapter..
  • ninjarealist
    (Thursday, Apr 17. 2014 09:38 PM)
    lol, as if on cue XD
  • Brad Kremer
    (Thursday, Apr 17. 2014 07:57 PM)
    Hello, I recently made a film telling the story of Dogo Onsen. As you may know, Dogo Onsen was the inspiration for the look of the bath house in Miyazaki’s Spirited Away. The Legend of Dogo Onsen
    https://vimeo.com/91544453 Subtitled
    https://vimeo.com/91547432 I hope you enjoy! Brad
  • ninjarealist
    (Thursday, Apr 17. 2014 06:49 PM)
    @psgels Yeah I feel you about the spam bots. I mentioned a specific terrible anime website that gets link spammed all over the place. If only they would put that much effort into their content.
  • Friend
    (Thursday, Apr 17. 2014 02:52 PM)
    @Aidan dat straightforwardness XD
    Sidonia is a little strange, Ill have to see how well it sticks for a few more episodes.
  • AidanAK47
    (Thursday, Apr 17. 2014 10:28 AM)
    @Roger, It’s funny just how little it took for you to say “Screw you guys. I’m going home.”
    Rather flaky if you ask me. Not that you would be missed of course.
  • Emma
    (Thursday, Apr 17. 2014 09:04 AM)
    *typoed an M instead of a , =<
  • Emma
    (Thursday, Apr 17. 2014 09:03 AM)
    *isn’t felt as much.
    I actually that while he drew the monsters and robots pretty well and was as always dependable drawing the scenery his modern art actually loses alot of his older style actually benifitted from.

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Jojo’s Bizarre Adventure – 23 & 24

And here are the penultimate episodes of Jojo. And seriously, I loved the fights here. The creators really went to the extreme, while keeping true to their philosophy of putting huge over the top powers on one hand, and really delicate things on the other. One one hand you have Stroheim yelling like crazy, while […]

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Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

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Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

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Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

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Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

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Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]

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Silver Spoon Review – 86/100

When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up […]

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Yondemasuyo, Azazel-San Z Review – 82,5/100

Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. […]

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Gargantia on the Verdurous Planet Review – 81/100

Gargantia on the Verdurous Planet tells the storyline of a planet that is completely submerged, with only giant ships residing on the surface, while one of those ships gets visited by this guy and his AI-mecha from this very technologically advanced civilization. Yes, this show is about world building. What this show managed to do […]

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Yahari Ore no Seishun no Love Come wa Machigatteiru Review – 82,5/100

I like surprises, like when a series comes that just turns out to be good against my expectations. Yahari Blahblah from the outside had all the signs to turn into yet another one of those high school comedies: snarky male lead, pointlessly long title that fails at being witty, various other cliched side-characters. And they […]