Posted on 31 May 2008 with categories: Amatsuki


This post is going to be short, as I have a slight headache right now. I swear to god, Amatsuki isn’t the right series to watch with a headache. This episode in particular introduced a character who could give Holon from Real Drive a run for her money in terms of elaborate monologues.

This episode continues to build up the Fox-demon arc. Toki and Kuchiha get more information about the state of things from the above-mentioned guy (it seems that Bonten is after the princess’s life). The thing that stood out obviously was Amatsuki’s trademark style of storytelling: first it’s all bright and light-hearted, until the fox demon suddenly brutally kills Heihachi while Tsuyukusa just watches her do it and doesn’t even try to help the guy.

Posted on with categories: Monthly Summaries

I noticed that this season, there are a lot of really good 13-episode series. Much more than usual. This trend seems to become more and more popular. In some cases, it’s unfortunate, because some series would be able to show their potential even more with 26 episodes.

#23 (16) – Allison to Lillia – (6,9/10) – Ugh, what a disappointment. In this month, the continuous amount of hard-to-take-seriously plot twists has destroyed my suspense of disbelief. A few errors in storytelling are okay, but in my opinion, Allison to Lillia is way too lazy in this.
#22 (12) – Persona – Trinity Soul – (7,6/10) – Persona is overplaying the traumatic parents way too much. Heck, did any of these teenagers grow up in a normal way? It’s a shame, but this series still feels like it’s missing something, and I doubt that the finale will be good enough to make up for this…
#21 (25) – Code Geass – Lelouch of the Rebelion – (7,7/10) – I’m finding it hard to force myself to not take this show seriously (why did nobody in the Britannian army for example get the idea of intercepting Lelouch’s phone-calls? How the heck did Lelouch collect 2 million zero-suits?), but Gode Geass is still good enough mindless entertainment.
#20 (11) – Blassreiter – (7,8/10) – Blassreiter: stay away from emo! The action scenes are still amazing, but the amount of emo-scenes has been getting out of hand now. Emo-distorted faces do NOT make a good anime.
#19 (15) – Wagaya no Oinarisama – (7,9/10) – The dialogue is surprisingly hard to understand, so I switched to the subs for this series. The episode about the main character’s love interest was really pointless, but apart from that Wagaya no Oinarisama has been enjoyable.
#18 (21) – Toshokan Sensou – (8,1/10) – I can’t help but thinking that Toshokan Sensou could have been better if it focused more on its plot, though it still can make up for this if the first half was just a simple build-up and it finishes with a strong finale.
#17 (13) – Macross Frontier – (8,1/10) – Macross has mostly been strange fluff this month, though the one action-episode that was included was pretty entertaining.
#16 (18) – Vampire Knight – (8,2/10) – Now I know what this series reminds me off: this is basically just the shoujo-version of Mushiuta. They also share the same strengths and weaknesses: both are solid and have a continuous melancholic atmosphere, and both hardly have any moment where characters are not angsting: so far, Vampire Knight has been all about angst angst angst angst, and nothing else. Angst can be great, but it shouldn’t take up the central focus in an anime!
#15 (23) – Chi’s Sweet Home – (8,2/10) – It’s getting a bit predictable here and there, but overall this turned into such a charming series. Much better than I originally expected.
#14 (17) – Soul Eater – (8,3/10) – It’s not deep, it’s not anything special, but it is fun, charming and it manages to keep my interest. Let’s hope things stay that way.
#13 (24) – Junjo Romantica – (8,4/10) – Well what do you know? Junjo Romantica is actually pretty good: it’s got a great sense of humour and it knows how to develop a romantic relationship. Seriously, I’m a bit baffled to say this, but a lot of straight romance shows can learn something from this series. :S
#12 (22) – Druaga no Tou – (8,4/10) – This turned out to be a surprise: it knows exactly how much it should take itself seriously. It’s not pure silliness, which would leave no room for a storyline, and it’s also not pure seriousness, as that would be rather hard to take seriously, considering the male lead and all. Thumbs up for Gonzo.
#11 (10) – Nijuu Mensou no Musume – (8,6/10) – Well, I think that episode six says it all. The beginning of this series was a bit buggy, though Nijuu Mensou no Musume has been getting better and better

#10 (9) – Itazura na Kiss – (8,8/10)

Excellent shoujo romance. I especially loved the end of episode 7.

#9 (8) – Kurenai – (8,8/10)

This was probably the quietest month for Kurenai, but it’s turned out to be a lot of fun. The characters are deep, and episode 6 was downright hilarious.

#8 (6) – RD Sennou Chousashitsu – (8,9/10)

Okay, so what if RD has turned out to be the opposite of what I expected. It’s fun, intriguing, varied, and clearly building up to something and I’m dying to know what that is.

#7 (7) – Crystal Blaze – (9/10)

Solid plot, both the main characters and villains are fleshed out well enough, great storytelling that doesn’t waste a single scene, great use of music, sympathetic characters. What more could you wish for? Great example of a great low-budget series.

#6 (14) – Gintama – (9/10)

And we’ve entered another serious arc of Gintama, and as usual with arcs like these: the quality increases drastically, and one moment will have you crying with laughter while the other will have you on the edge of your seat. Oh, and Kagura is the best hostage ever.

#5 (4) – xxxHolic – (9/10)

The different random stories on xxxHolic have been excellent so far. This is exactly why I’ve fallen in love with the first season.

#4 (5) – Amatsuki – (9/10)

I’m still not sure what it is with this show, but the dialogue has been incredibly well written so far, even though I only understand 60% of it.

#3 (3) – Himitsu ~The Revelation~ – (9,2/10)

This series is masterful in terms of storytelling I’m still not sure exactly how, but every episode feels complete once it forces you to see the big picture at the end. This becomes all to apparent when the more disturbing roots of the series come to surface (episode eight!)

#2 (1) – Porfy no Nagai Tabi – (9,2/10)

And so Porfy has started travelling. This series continues to be innovative, and it makes every single person Porfy runs into count. Such amazing attention to detail.

#1 (2) – Kaiba – (9,5/10)

Kaiba was simply incredible. A master in storytelling was clearly at work here.

Posted on 30 May 2008 with categories: FREEDOM


Tamaya!

*erhem* sorry, but I couldn’t resist. This episode had so many Ooedo Rocket-vibes. Heck, you could nearly say that this is Ooedo Rocket, condensed into just one episode, with the samurais removed, it’s almost scary to see how many similarities there are. And still it doesn’t feel like one of the two ripped off the other.

Seeing as I loved Ooedo Rocket, there’s no surprise that this was probably my favourite FREEDOM episode up till now. This episode had everything: fun characters, a great storyline of trying to create the rocket, a bit of background on why Ao was the one on the picture that Takeru found (her father once tried to go to the moon as well, but he failed. Ao was forced to forget everything that happened, and so she started to get really involved in the local space program). Blue Earth was of course the Akai of Ooedo Rocket. In this case, he was supposed to go to the moon along with Ao’s father, but chickened out at the last moment.

One point of criticism: it hardly feels like two and a half year have passed by. Characters still look the same, which is especially suspicious since we’re dealing with a bunch of teenagers here. I really wonder whether Freedom can pull off a good finale. Heck, what kind of finale is it going for anyway? At any case, I do hope that the creators won’t go for something too epic, especially since Freedom has been so delightfully down-to-earth up till now.

This episode also reminded me of why I love Yoshihiro Ike’s soundtracks so much. To be honest, he’s my favourite musician, along with Yuki Kajiura. Yoko Kanno’s work is excellent, but in my opinion she’s not the best.

Posted on with categories: Himitsu ~The Revelation~


OMG! WTF! When I started watching this episode, I had totally forgotten that this series comes from the same production-company as Shigurui. This episode was utterly incredible, but let me put up a warning: if you can’t stand gore or are female, then stay far, far away from it. God, that was disturbing. Here I was, believing that this series wouldn’t go beyond the incest and homosexuality of episode three.

I don’t even want to fully understand this episode. Even without knowledge about what was being said, the themes and messages are rock-solid, and they hit you incredibly hard. I refuse to spoil things, but let’s just say that Madhouse is an animation-company that doesn’t care about censors. Really, even Shigurui didn’t freak me out this much!

God, I love this series.

Posted on with categories: Kurenai


And so the climax of Kurenai has started. The OP and ED feel even more out of place now, but it also becomes apparent how much the building-up of the previous episode is paying off. The second half of this episode was really good, and I’m eager to find out what the creators have in store for us for the final three episodes.

As it turns out: Murasaki indeed is a legitimate child of the Kuhoin, but she was just never registered. She was just there as a tool for inside breeding, to keep the Kuhoin-family as pure-blooded as possible. In other words, brother and sister make children together. I recall having read somewhere how a child of a brother and sister has a larger chance at a personality-disorder, and looking at Ryuuji, I can indeed see why this Kuhoin-tradition has continued on for ages.

What surprised me was that despite Shinkurou’s godly power, he was easily beaten by Ryuuji’s body-guards. I guess that that female bodyguard never really gave Shinkurou the chance to show that strange elbow of his, suggesting that she’s been really well-trained for her job.

This episode somehow reminded me a bit about Sword of the Stranger, and there are actually a lot of similarities between the two: a powerhouse takes care of a small and innocent child that’s somehow vital to the plot of the bad guys, and as the story progresses, they get to know each other more and more. Now that I think about it, there are many more series who use this formula (Seirei no Moribito, for example), and it works surprisingly well. :)

Posted on with categories: Macross Frontier


Thankfully Macross Frontier is back on track with this episode. Okay, the question remains whether it’ll stay this way for long, but at least I’m glad that this episode turned out pretty nicely. For once, the focus is on the side-characters, and it’s about time that they too got a bit of development. It’s about time that especially Kuran got some attention, because I’ve hardly seen anything of her in the past few episodes.

If I understood things correctly, then Mikhael lost his parents when he was young, and then continued to live on with his sister. is sister then got killed in a friendly fire-accident when she was a pilot of some sort. At the time, Kuran lived with them as well (suggesting a possible love-relationship between the two for the future-episodes of Macross Frontier).

It’s good to see an episode focused on giving background to the characters. This’ll definitely be useful for future episodes. The fight scenes were also pretty entertaining, and it’s here where you can really hear the greatness of Yoko Kanno’s soundtrack. At the same time, Ranka continues to do very random jobs, and showing that it indeed does take a lot of work to become a popular idol.

Also, who was it, spying on the meeting of the Macross Frontier leaders?

Posted on with categories: xxxHolic


Hmm, for the first time in the second season, an xxxHolic episode disappointed me a bit. It surprises me a bit, since this episode goes back to Kohane’s arc, but somehow this episode felt off and among the least interesting episodes of xxxHolic, along with the one about superstition.

I think my biggest problem was with how it just felt that Clamp tried to shove down it’s message through the viewer’s throat. The usual subtlety in this series was gone entirely, and instead we get an obvious story with an obvious message: “Here is Kohane! She’s hated and disliked by both her viewers, colleagues and mother! She receives death threats and gets beaten up! But she has special powers, and she’s always right! Now feel sorry for her!” Sorry, but I’m not buying it.

One series that I can think off that successfully dealt with the topic of psychics and the media was Ghost Hunt. Okay, Ghost Hunt had its own problems, but none of those lied in its themes and messages. The arc about the spoon-benders was really good at showing the relationships between kids who claim to bend spoons and the media, and the people who watch it.

I really hope that the next episode will offer a clever twists to the whole story, because I really know that the creators can do better than what they’ve shown here.

Posted on 28 May 2008 with categories: RD Sennou Chousashitsu


One rather annoying side-effect of the recent arrests of the Share-uploaders is that the amount of fake files uploaded on Share has drastically increased. What adds to the annoyance is that the raw uploaders on Tokyo Toshokan don’t seem to check the files they get from Share, so there were times in which I downloaded the same fake file twice. That was not fun.

Oh and yeah. In this episode, the creators found it a good idea to stuff the Real Drive girls in swimsuits. That’s what I call pure guts. Anime nowadays are rather obsessed at making their girls (and boys often as well, though it’s less apparent) as perfectly-looking as possible. Overweight is already a large problem right now, so just imagine how the problem would look like in sixty years from now. It’s great to see some variety in them.

In this episode, I also noticed something strange, as that the episode was finished before I knew it. When the ending-credits rolled, I was like “wait, it’s finished already?” For some strange reason, this episode felt like only ten minutes, instead of twenty. Surprisingly little happened in it for a Real Drive-episode: it’s just the case of a virtual-reality girl who ends up at Minamo’s school and becomes known as a ghost. This ghost fools Minamo’s friends a bit, and then Souta arrives and explains what happened.

Posted on with categories: Crystal Blaze


The past week, I’ve gotten a few interesting comments, along the lines of “this post says nothing about the actual episode, what an informative anime blog” (with the last part being obvious sarcasm), and they got me thinking. It’s not the first part that got me (heck, I’m all for constructive criticism), but rather the assumption that every anime blog should have a summary for each single post. I’ve personally never seen Star Crossed as an episode summary blog. It’s more that I write about whatever catches my interest after watching an episode. Depending on my mood, I randomly summarize a bit and add a few thoughts on the episode in question. But are there more people who feel that I should put more focus on summaries?

Having said that though, I do realize how my past posts on Crystal Blaze have been mostly thoughts and hardly any sentence on what happened. I’ve been carried away by the many surprising good points of this series. So, for variety’s sake, here is a summary of the episode. And boy, was it a great one. :)

The episode starts where the previous episode left off: the swat team, who was assigned to put a stop on Kitou’s research, is inside the closed space where Kitou and Kirie unleash a glass woman upon them. This woman quickly slaughters the entire squadron, as bullets seem to not work on her. Kitou explains that with the help of a special ring, the glass woman knows who she should attack and who she should leave alone.

When everyone in the chamber has died, the woman goes after the rest of the swat team, who she defeats easily. Very soon, more glass women come and help her. Meanwhile in the same underground facility, JJ and Sophia witness this bloodbath, as Sophia tapes it, and they’re astounded at the capabilities of the glass women. Because the security is busy with the swat-team, they can move around quite freely and they end up in what looks like the main database. There they find out that Kitou has been using live women for his research, and he’s turned them into experimental subjects.

JJ tries to call the chief of police, though there’s no connection. While he’s rambling on ethical issues, Sophia tries to copy the data she’s found for evidence. Meanwhile back at the glass women: they suddenly freeze and shatter. Kitou’s research has improved, though the HW-series is still imperfect. Kirie then suggests using the BW-series from now on (I’m wondering: what does the “B” stand for? Bio-weapon, or something?). Kitou, however, is still interested in the experiment, mainly because of what a success HW9 turned out to be, which is why he wants to retrieve her: in order to figure out why she’s special. (does he know that she’s about to die anyway?)

Kirie and the rest of security then go on and clean up the rest of the swat-team that wasn’t killed by the glass maidens, while JJ and Sophia are discovered by a random guard that passed by. They manage to make it towards the stairs that lead to the exit, and at that point I guess that JJ wants to hold off the guards so that Sophia escapes. Sophia runs up the stairs and a number of gunshots sound, but we have no freaking idea what happened back then.

Meanwhile, outisde the base, the three members of the swat-team that left behind fail to make any contact to their comrades. Akira meanwhile is still spying on them, and listening to their communications. It’s then that the few survivors manage to make it back outside and report. Akira then tells this to Shu, as the chief of police enters his room. Shu then tells him about what his little nephew and Sofia have been doing, and is surprised how the chief of police didn’t know that.

As Sophia reaches the door to the exit, she realizes that it’s shut and that she can’t get out. She then calls Shu for help. She tells him where she is, but before they can finish the call, one of the guards discovers her and destroys her phone. The chief of police then wants to come along with Shu because of JJ, but Shu tells him, as well as Manami and Ayaka to remain where they are. Meanwhile, Kitou and Kirie inject Sophia with the strange liquid that turns you into glass.

Ayaka meanwhile finds it strange that all sites about the glass women have gone down. Sara meanwhile continues to be troubled by her left arm changing to glass. When Shu arrives at the hidden base Akira waits for him and both of them rush to the entrance, where they find a naked Sophia with one glass arm, and they take her to Doc as quickly as possible. It’s a bit strange that Kitou would just “let” Sophia escape, and indeed: she also received a bracelet when she was injected, and in this bracelet there’s a transmitter.

The strange thing is that Shu is just fine touching Sophia, and doesn’t get burned. The others arrive and are shocked at the glass arm, especially Sara, and the episode ends.

Kitou’s getting pretty decent for a pure villain. Often, the villains that get fleshed out are somehow misunderstood. While this is nice to watch, it’s also good to see someone who really doesn’t have any ethical values and is more than just a stereotype that’s used to keep the story going. He himself is a mad scientist, obsessed by his creations. The guy is much better than most other villains, who only sit in a chair and do nothing but look evil.

Posted on 27 May 2008 with categories: Soul Eater


A pretty decent conclusion of the previous episode. It’s nothing deep or special yet, but it does the job of keeping my interest. Soul and Maka were bound to get saved somehow, and so Stein and Maka’s father pop up at the exact right moment (was it explained how they knew that Chrona would be at the same place as Soul and Maka? I couldn’t quite catch that in the raw). The Witch Medusa also is also one of those villains with the “Sailor Moon”-syndrome (just put on a different outfit, and nobody recognizes you. I can understand Maka and her father not noticing this, but Stein seems like a sharp guy; he could have easily recognized her).

My favourite part of this episode was without a doubt the scene where Black Star suddenly barged into the hospital room. Maka was about to get a bit too angsty for her own good, and his entrance was perfect to lighten up the mood, and downright hilarious as well. This show really is at its best when it focuses at the banter between the various main characters.

CHANGE USERNAME
Amagi
I would have prefered it if the magical beings were weird looking instead of all of them being beautiful sameface humans. Also the special role of Chise and how everyone gets alured by her give me strong otome vibes and I am really not a fan of this gerne
Amagi
@Lenlo/KT same here. It's just that AMB can't come even close to Inu, Shuumatsu or Houseki. I am no a fan of the pacing and the rest is basically just fantasy.
Kaiser-Eoghan
Was worried there for a moment thinking sangatsu no lion was ending next week, turns out season 2 is 22 episodes afterall.
Lenlo
Yeah KT, watching the two together has not come out favorably for AMB for me.
Kaiser-Eoghan
I believe it works better in hellsing and drifters moreso to both being goofball action shows.
KTravlos
A point on the chibi in AMB. I was thinking about shows were the chibi did not bother me, and Hellsing Ultimate and Drifters (newest episodes coming out), both had deformed/chibi segments. For some reason they did not bother me. I think ABM directors have bad timing with them.
KTravlos
I have to say Ichirou Inuyashiki is very cool. Like he is really a cool character. Also I am saddened to say it but watching AMB together with Inuyashuki does not work well for AMB
Kaiser-Eoghan
@Silver: There are sad moments certainly but plenty of humour.
Anonymous1639132
Man, I sure hope Ichirou Inuyashiki and Hiro Shishigami make out, everything is just building up to that
silver
I actually have only watched one or two episodes of this season of 3-gatsu, but its rising scores and rave reviews are making me really excited! I've only put it off because it's somewhat emotionally tiring for me
SuperMario
@Kaiser: Well, after the first season of 3-gatsu ended, I did skim ahead to this bullying arc so I already know this is going to be powerful, yet the anime still wow me over and over
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Total users: 26

Star Crossed Anime Blog

5 User(s) Online Join Server

Featured Posts

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

To the surprise of no one, Rat wins the race by breaking in the right place at the right time with the right weapon. This is by no mean a coincidence, because later on we learn about Rat’s real power: “Hundred Paths of Nezumi-chan”, in which he can see 100 various outcomes and thus picking […]

Mahoutsukai no Yome – 10 [We Live and Learn]

Welcome to week 10 of Mahoutsukai! Finally, oh so finally, we have are given some backstory on Elias! Our mysterious male(?) lead gets some explanation. We also get the start of a Chise only arc and finally some more information on Lindel. Lets jump in! As the main focus of this weeks episode, naturally I […]

Dies Irae – 09[A Mother’s Sins]

DIes Irae isn’t making this easy for the anime only watcher, as we get confused montages of Lisa’s backstory and oddly of a character whose relevance doesn’t come till a much later date. I would say it’s rather spoiler-ish if the info wasn’t presented in such a haphazard way that no one could really decode […]

Girls’ Last Tour – 10 [Train – Wavelength – Capture]

Girls’ Last Tour examines the concept of time and space this week, as the girls riding on a lonely moving train. The train design fits right in with this world: a long metal box that functions all by itself and contains many now-dysfunctional robots – corpses of the machines. Since last week we learnt that […]

Kino’s Journey -The Beautiful World- – 10[Kind Country]

Another remake of a story from the old series and while this one is adapted quite well, maybe even arguably better than the old version, it unfortunately lacks the same impact. The main problem comes back to the thing which ultimately holds back this season as a whole, story choice. For you see in the […]

Houseki no Kuni – 10 [Shiro]

This week proves to be the most action-packed episode Houseki has been offering so far and unconventionally, it’s Dia who takes the central stage at facing the most ridiculously overpowered Lunarian Titan to date. Well, I said “unconventionally”, but when the narration and the execution (the camera work, in particular) come together in such neat […]

Fate/Apocrypha – 22[Reunion and Farewell]

Breaking my usual routine today just to give an opinion on this episode but this episode made me feel compelled to get out my opinion. We have another action packed episode with three contestants out of the war and boy did they go out with a bang. Many will notice that the animation for this […]

Inuyashiki – 9 [Shihjuku People]

Welcome to another week of Inuyashiki! This week we have incredible sequences of terror, fearless Directors and death flags! Lets jump in. Obviously, the first thing we need to talk about this week is Hiro. A lot has happened in the few hours since Hiro attacked the Station. Interestingly, yet weirdly, Hiro has garnered a […]

Fate/Apocrypha – 21[Antares Snipe]

When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for […]

Latest Reviews

The Reflection Review – 45/100

The superhero genre has been undergoing a surge in popularity in recent years. From the Marvel movies in the West to anime series like My Hero Academia in the East, super heroes are everywhere.  As such, for good or ill, it was inevitable that we would get a merging of the two. The Reflection is […]

Made in Abyss Review – 91/100

There are few series which can capture the mystery and wonder of a fantasy world as well as Made in Abyss. Their world is dangerous, brutal and unforgiving but beautiful, wondrous and exciting in it’s presentation. The story is of a ordinary girl called Riko and a mysterious cyborg boy called Regu traveling down the […]

Classroom of the Elite (Summer 2017) Review – 54/100

Here’s a perfect example of a Light Novel adaptation schlock that has some interesting concept but terrible presentation. Youkoso usually starts the episode with a thought-provoking philosophical quote, and then (in one episode in particular) they followed up with a boob shot. It sums up exactly how I feel about this show. In service for […]

18if (Summer 2017) Review – 68/100

Allow me to skip over the last episode coverage for this full review of 18if, since I was too underwhelmed by the finale to have anything concrete except pointing out how messy the ending was. The first thing you need to know about 18if is that it’s a multimedia project (along with a mobile game […]

Princess Principal (Summer 2017) Review – 82/100

Princess Principal has emerged as a true sleeper hit for this admittedly sloppy Summer Season. A joint project from indie studios that bring us my favorite anime of last year Flip Flappers (3Hz) and “better than it has any right to be” Girls und Panzer (Actas), Princess Principal records the missions of five cute spy […]

Shingeki no Bahamut: Virgin Soul Review 80/100

“Dance!” I have been a  reader of this blog for a long time. Indeed it would not be wrong to say that psgels and the current crop of writers have helped maintain my interest in anime for the last decade. So now here is my chance to give something back to this excellent blog. Shingeki […]

Katsugeki Touken Ranbu Review – 63/100

Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

Kakegurui Review – 61/100

This show is one that makes conventional reviewing difficult as your enjoyment of your series will likely determine on highly subjective factors. For if I was to put this under scrutiny on matters of f-plot, setting and characters then it will end up lacking in all categories. The plot is just watching Yumeko face members […]

Re:Creators – 22 [Re:CREATORS] – 75/100

There was never going to be a epic fight with every creation squaring off against the overpowered and invincible Altair. That possibility died when the creators threw the copycat of Blank at her only to have that plan backfire horribly. Besides, it wouldn’t have been a satisfying conclusion to Altair’s story to have her be […]