Posted on 30 June 2008 with categories: Monthly Summaries

Well, the end of the month couldn’t have come at a better time, because it offered me a good opportunity to experiment a bit with my new rating system. What caught my attention is that the average score seems to be lower than usual, but that can also be because this spring-season overall has turned out to be slightly disappointing, compared to other spring-seasons.

#26 (new) – Ikkitousen Great Guardians – (5,5/10) – If I had a dollar for every time I wanted to punch any of the Ikkitousen-characters in the face for being so annoying, then I’d be a rich man.
#25 (23) – Allison to Lillia – (6,75/10) – Admittedly, the train arc is better than the Fiona-arc. But it still baffles me that Allison and Will just went along with the Major and shot a seemingly friendly craft without knowing what was going on.
#24 (16) – Vampire Knight – (7/10) – Well, my interest in Vampire Knight is dying more and more now that it’s decided to deal out cheesy plot twists as twins who are out to kill each other. I’ve got more problems with this series, but I need a full review in order to be able to list them all.
#23 (18) – Toshokan Sensou – (7,25/10) – Toshokan Sensou took a nosedive in its final episodes. The climax didn’t work for me at all, the angst was too forced, and the end result was half-baked.
#22 (new) – Chocolate Underground – (7,5/10) – This series is strange, but interestingly enough it’s not yet a total trainwreck. I’m really curious to see what this series can get out of only five-minute episodes.
#21 (21) – Code Geass – Lelouch of the Rebellion – (7,5/10) – Aaaaaand the trainwreck has begun. It seems to have started rather early this season: R2 up till now wasn’t anything special, but at least it was solid enough. That all ended with the utter cheese that was episode 11 and 12.
#20 (10) – Itazura na Kiss – (7,75/10) – Itazura na Kiss has reached the point where the humour starts getting dull and the characters need to develop in order to make this series interesting again. Let’s hope that the creators can pull it off.
#19 (14) – Soul Eater – (8/10) – My biggest problem with Soul Eater is that I’m finding it incredibly hard to find something to recommend it for. Nothing really stands out: the fight scenes are okay, the characters also do their job, the story has potential, but it’s been twelve episodes and I still haven’t been impressed, other than by this series’ style.
#18 (9) – Kurenai – (8/10) – The ending was solid, but there was a surprising amount of writing errors, turning this into the least enjoyable month for Kurenai for me.
#17 (new) – Telepathy Shoujo Ran – (8,25/10) – There’s too much angst, but apart from that there’s a lot to like in this series: great music, nice slice-of-life, charming characters. Good stuff.
#16 (17) – Macross Frontier – (8,25/10) – Okay, so as it turns out, you do need to have watched the original Macross in order to understand this series, because otherwise some of the plot twists won’t make any sense at all. In any case, this series is showing some good signs in the direction of character development.
#15 (6) – Gintama – (8,25/10) – Gintama’s back to comedy again. Especially episode 62 was hilarious, and it’s pretty amazing that this series has managed to stay funny for 62 episodes.
#14 (19) – Wagaya no Oinarisama – (8,25/10) – It’s nothing special, but this series continues to surprise me when it turns much more enjoyable than I would have imagined.
#13 (13) – Junjo Romantica – (8,25/10) – The characters are way too quick to jump into bed with each other, but apart from that, this series delivers, whether it wants to be funny or serious.
#12 (20) – Blassreiter – (8,25/10) – Well, now that thingy and whatsit are dead, this series seems to go back on track, especially episode 12 was surprisingly good compared to the emo-fest of the earlier episodes, but I first want to know what the creators have been planning for the second season before getting excited about this series.
#11 (15) – Chi’s Sweet Home – (8,25/10) – This series was about to get dull, and then it came with the beyond awesome episode 41, which entirely changed my opinion of this series. I now understand Karura‘s fascination with large cats.

#10 (11) – Nijuu Mensou no Musume – (8,25/10)

Okay, so this was clearly a month of building up for Nijuu Mensou no Musume. Ken’s changes are rather questionable, but I’m really curious to see where this series is going to evolve to.

#9 (12) – Druaga no Tou – (8,5/10)

This month, Druaga showed its serious colours, and it worked. I didn’t expect this series to pull off a successful climax. Well, halfway-climax. Looking forward to the second season.

#8 (8) – RD Sennou Chousashitsu – (8,75/10)

RD continues to be as charming as it’s ever been. On top of that, this month has also started to give the major characters some more background

#7 (22) – Persona – Trinity Soul – (8,75/10)

Whoa?! How did this one suddenly turn good? I remember noting that this series wouldn’t be able to pull off a good climax… And as it turns out I was wrong.

#6 (2) – Porfy no Nagai Tabi – (8,75/10)

In June, Porfy stopped travelling for a little while in order to stay at Maximilian and his family. This resulted in the quietest month of Porfy ever since the earthquake. It was nice to watch, but nowhere near the highlights of this series.

#5 (7) – Crystal Blaze – (8,75/10)

That was a really strong and solid finish! Crystal Blaze has been wonderfully told from start to finish, without any signs of weakness. Okay, perhaps there’s Manami.

#4 (5) – xxxHolic – (9/10)

xxxHolic hit its all-time height and all-time low in the same month, interestingly enough. Kohane’s arc was dull, but Himawari’s arc was goooooood.

#3 (4) – Amatsuki – (9/10)

Amatsuki came together in a very strong finale. Now where’s that second season?

#2 (3) – Himitsu ~The Revelation~ – (9,25/10)

I love how Himitsu is playing around with its mysteries and morality. I’m really curious as to what this series has in store for its second half.

#1 (1) – Kaiba – (9,25/10)

Urgh… The only bad thing about Kaiba is the fact that it keeps taking these bloody hiatuses. This is no way to treat the best series of the spring season.

Posted on with categories: Nijuu Mensou no Musume


To hijack this post for a bit, after a few days of using my new star-rating system, and quite a few problems have arisen (with many thanks to the commenters left their opinions):
– It’s too fuzzy
– It’s hard to relate the meaning of the scores, it’s unclear what the maximum number of stars is
– Some PCs can’t support unicode and instead only see a bunch of question-marks.

To conclude, it was a nice experiment, but the star-system sucks, and I’m going back to numbers out of 100 again. I’m going to keep rating, based on Storytelling, Characters, Production-Values and Setting. My biggest beef with my original rating system was indeed how it was inaccurate as hell. In the original system, I had basically ten categories for which I’d give out a rating, where the eventual rating would be their average. These categories always ended up overlapping each other.

With only four categories, this’ll mean that not every number will be utilized (the ratings will quite probably be 8o, 82,5, 85, 87,5, 90, etc. out of 100) but I hope it will make my reviews a bit clearer.

To continue hijacking this post, another thing that caught my attention about the reader survey was the relatively large amount of people who’d like to see the little summaries that I had a year ago back. Are there more who’re interested to see this return? Like, for example:

Short Synopsis: We learn a bit more about Haruka, and last week’s enemy continues to target Chiko
Good: Excellent change from light-hearted to dark throughout the episode
Bad: I’ve never been that big of a fan of brainwashing, and this is no exception. Auntie’s murder attempts keep getting more ridiculous.
Overall Enjoyment Value: 8/10

Very interesting, the way this episode started promised to be a strange beach-episode, but this series managed to add so much more that I’m surprised that it all fit into just 20 minutes. First of all, it is revealed that Haruka had a twin sister. She reveals this as her dead image keeps haunting her since the beach in this episode is the place where she died, and apparently Haruka blames herself for her death.

In the second half of the episode, our long-haired enemy returns again, and his/her weapon this time is brainwashing all those important to Chiko. Like mentioned above: I’m not too big of a fan of brainwashing, mostly those kinds that can be resisted easily. I mean, if you were a villain, using this technique, wouldn’t you make sure that the people you brainwash never get near the conditions to break out of this mind control? Here too: I’m still not sure why exactly Tome was the only one who broke free…

Still, apart from that, I was surprised at the sudden dark tone. When it wants to, this series takes no prisoners, and it immediately throws every one of Chiko’s friends against her. What were those pills supposed to do? I failed to pick that up. Were they just poison, or did they have another effect? Speaking of poison, I’m really not sure what Chiko’s aunt is thinking… before, she came with intricate plans to kill Chiko through poison, and now she has turned to throwing flower-pots at her head. Can’t she just hire a professional killer or something?

Posted on 28 June 2008 with categories: Anime Reviews


It’s strange… the more I experiment with my new series rating-system, the more annoying the old system becomes…so that’s why I’ve decided to stop using this old system. In any case, the reason why the next old anime-review this time is partly because I had other things to do, and also because Hunter x Hunter has 62 episodes. And to think that after the series, I still need to watch three OVAs that came out after it, but those are for another time.

Hunter x Hunter starts out as a classic shounen-series. It takes a group of people with special powers (Bleach has shinigamis, Naruto has ninjas, Hunter x Hunter has… hunters), gives them a number of different powers and specializations, creates a number of large organizations and picks a generic young male to be the main character. Of course, with such a huge amount of episodes, I was redundant to check out this series, but ten episodes in, and I was hooked. This is everything a shounen-series should be.

Hunter x Hunter is basically divided into two halves, with an incredible difference between them. The first half feels like a huge game, where Gon (the main character) and his friends need to overcome a number of challenges in order to become hunters. It’s a standard shounen-plot, but its charms come from the cast of characters. It’s so much fun to watch not only the main characters, but also the side-ones as they try to become one of the hunters, and on top of that, the main villain stands miles above his counterparts in series as Naruto, Dragonball Z and Bleach.

This series only really sets itself apart from the rest of the genre with its second half, though. It starts out pretty bad, admittedly. The Zoaldyeck-arc is pretty much the worst arc of the entire series, only to be followed by yet another dull training-arc, but afterwards the series slowly unfolds into a story about the mafia, that for once isn’t about destroying/ruling the world. It’s here were Hunter x Hunter introduces real jobs, such as being a body-guard, and interesting ways for hunters to make money.

The problem with lengthy shounen (at least the ones I’ve seen), is that they get duller and duller as they go on, usually thanks to some kind of training-arc where the creators abuse their powers a bit too much in order to god-mode their main character beyond the point of believability. Gon indeed gets powered up a bit too much, but what I like about this series is that he still is nowhere near the power of the strong guys. Heck, even the main villains aren’t the strongest characters in this series. The creators also make use of the fact that Gon is just a child: it unconsciously lets his enemies spare his life, instead of killing him.

One major annoyance with this series (apart from the training arcs, that is), is that during the times of building-up, it’s got the “everyone who isn’t strong is an idiot”-mentality. Whenever Gon is facing weaker enemies than himself, they’re always portrayed as cocky idiots without any brains or tactical knowledge, and things like a one-in-ten-million talent are pulled out of the creators’ sleeve in an attempt to explain his superiority. Thankfully, there are enough characters with depth to them. Especially Kurapica is someone to watch out for, because the character-development he goes through is truly memorable.

Also, this series has avoided one more subtle pitfall of shounen-series: wounded characters remain hurt, and don’t get magically healed in the next episode. When characters get punched in the face, it remains swollen until it gets a logical reason to heal. The overall animation isn’t anything special, but I really appreciate details like that one. The soundtrack is also really effective for a shounen-series.

Overall, in terms of seriousness, Hunter x Hunter is definitely my favourite shounen-fighting-series. Overall, it still doesn’t match up to the humour and fights of the Law of Ueki, but it easily takes second place. The thing that worked against it the most was its main character: Gon. He does have a number of really memorable moments, but the creators waste way too much time in trying to make his power catch up to the strong people, and he often takes away the screen-time of the much more interesting characters. It’s a thing that unfortunately every series of its kind has. The rest of the cast is rock-solid, though, and especially the second and final quarter of the series deliver. I’m curious whether the three OVAs that came out afterwards will keep this same quality, or fall horribly like nearly every other show of its kind.

Storytelling: 8/10
Characters: 9/10
Production-Values: 7/10
Setting: 9/10
Posted on with categories: Telepathy Shoujo Ran


Ah, it’s good to see another good series about middle-schoolers. I’m not sure why, but in average, I tend to like these series much more than the series that focus on high-schools. Perhaps it’s the impulsive way that they try to solve their conflicts, or their innocence. Or how your average middle-schooler is much less annoying than your average high-schooler. In any case, this is going to be the first show I’ll be blogging this season.

Overall, Telepathy Shoujo ran is a great way to start the season, though it’s not perfect yet. It’s a tad heavy on the angst already, and it’s a shame that that masked guy didn’t reveal himself nor his intentions at the end of the episode, because now I have no way of knowing whether its mysteries will be stupid or not. At the moment, there still is a chance of this series ending up in the pits of cheese like Suteki Tantei Labyrinth or with a stupid plot like Allison and Lillia. One series with a dead body spiked on top of a radio-tower is enough.

Still, the potential’s there: the slice-of-life moments are nicely done and detailed enough to keep my interest. Ran also started out like an interesting main character, and even the romance is pretty cute. It’s talked about death already, so it’s not afraid to be a bit dark, despite the young age of its characters, which is a plus as well. After rewatching, I also realized that it’s also using a lot of foreshadowing. Always good for building up.

Another annoying thing is the overuse of CG for the psychic scenes. I liked the method Night Head Genesis used much better, but I guess that it does the job, and it’ll be easy to get used to. It’s in any case a huge contrast between the normal world and characters, which I think is what the creators had in mind with it.

Apart from that, the art looks excellent, despite its simplicity. Yoshihiro Ike also managed to deliver a great soundtrack and the OP and ED are both really good as well, so this series is solid on the production-values as well.

Posted on with categories: Amatsuki, Anime Reviews


I really like Studio Deen. Sure, they may screw up their series very often, but when they hit a classic, they really deliver an amazing series. Their newest series to add to that list is Amatsuki, with the interesting thing being that even after watching it I’m still not 100% sure why I liked it so much.

For starters, Amatsuki combines history, science fiction and fantasy with each other when the main character (Tokidoki) gets sucked into a virtual world, which ends up being the ayakashi-infested feudal Japan. At first sight, it’s not the most original premise, but it’s the execution that makes this series unique.

The dialogue in this anime is absolutely amazing. They’re really deep and detailed, and you can see that a lot of time has been put into them. It’s no wonder that this series shares a director with Le Chevalier d’Eon. These characters could start talking about watching paint dry and still make it come across as interesting.

On top of that, this series also has an excellent sense of storytelling. It carefully builds up everything that you need to know for this series (again with that excellent dialogue), and there have been so many subtle details added that makes this series come alive.

Then there’s also a very complex storyline. This series really likes to make the boundaries between good and evil as fuzzy and complex as possible: every character has some kind of secret agenda or own goal. Today’s friend may be tomorrow’s enemy, and vice versa. Because of this, this series is especially in its element when many characters are together at the sane place: there’s so much going on at the same time.

Obviously, this series’ main selling point is talking, so don’t even dare to come near this series if you’re expecting Naruto and Bleach-esque fights. Sure, there is some action in this series, but it often gets overshadowed by said dialogue. That’s not to say that the fights are bad, though. It’s quite the contrary: fights are brutal, they come out of nowhere in a light-hearted mood and progress to mercilessly beat down the characters, with large amount of blood.

This also isn’t a series that you can watch to relax. You need to constantly pay attention in order to catch all the subtle details and nuances to get the most out of this series, even though the overall pacing in this series is similar to that of .Hack//Sign (in other words: sloooow).

Whether or not you’ll like the graphics is a very personal thing. Studio Deen has always been a fan of brightly coloured and frilly character-designs. The same goes in Amatsuki: everything looks very stylish, but it’s just a matter of personal preferences. The soundtrack is an excellent one, though, although a few tracks may have been played a bit too much.

Overall, I recommend Amatsuki to those with patience. It’s a wonderfully written first half of a series that’ll be continued… some day. It’s very stylish, with a unique sense of storytelling and a complex storyline. Another outstanding series by Studio Deen.

Storytelling: 10/10
Characters: 9/10
Production-Values: 9/10
Setting: 8/10
Posted on with categories: Amatsuki


Haha! Now I know for sure that the second season is only a matter of time. There is NO way that the creators planned this to be the final episodes. There were TONS of hints for a continuation.

The fox-story could have just been resolved and everyone could have just happily returned home. Instead, the fox-thing was resolved within five minutes, and in the rest of the episode we saw Princess Summoning Teiten, challenging it and getting killed by it, causing Amatsuki to go haywire. The ending credits showed a bunch of characters who haven’t even been introduced yet. If I had to guess, then the second season will arrive around spring 2009, just like the continuation of Druaga no Tou, I suppose.

On top of that, this episode also was as good as ever: it was both hilarious at one time and tense at the next. It really seems like Bonten isn’t the main villain here, and I still like how, despite his tough-look, he was trying to get his subordinate back all this time. I love how he just laughed at Tsuyukusa’s actions as if they were some kind of usual antics of the guy. There were lots of different nuances in this episode that are hard to describe, but make this series stand above most other anime.

This episode also showed how easily enemies can turn into friends and especially the other way around: Tokidoki is still affiliated with the princess, and the princess has a lot of enemies, as shown in this episode. A lot of allies may have been formed when trying to stop the fox, but now that she’s gone, I really wonder what will happen?

In any case, I am really looking forward to that second season. Especially since Gon is going to play a bigger role again. He’s been awfully absent here, being unconscious for three entire episodes and all…

Posted on with categories: Anime Reviews


Nearly all of the Noitamina-series have been either horror or post high-school slice-of-life dramas. So when I found out that the next instalment planned to focus on politics and action, I was thrilled to see how Production IG would tackle this series. Unfortunately, I got my hopes up too high and Toshokan Sensou ended up being my least favourite Noitamina-series since Jyu Oh Sei. Such a shame.

There was really some potential behind the concept: in the near future, books will become heavily censored by an evil organization, and this series follows a library corps who have been given the authority to use military actions in order to protect the books. It was an interesting opportunity to watch a war-series that was heavily bound by political rules for its battles. You don’t see that often in anime where most wars are just of the nature of “shoot the enemy before they shoot you”.

Unfortunately, the downfall of this series was its short length. In the end, this series feels just like a fired shotgun shell: this series wants to stuff way too much in just twelve episodes: there’s action, there’s drama, there’s comedy, there’s romance, there’s stealth, there’s a coming of age-theme, there are both large and small-scale politics, there is philosophy (the role of books in today’s society), there’s angst, there’s political intrigue, there’s sensation… there is no way to fit that in just one season.

As a result, everything ends up just half-baked, since this series tries to focus on every single one of these themes. Therefore, it has no chance to go in-depth into any of these things. The two elements that ended up best in the end were the action and the romance: whenever the focus is on one of these, this series delivers. However, when things turn to angst, sensation or politics, prepare to roll your eyes: they’re incomplete as hell, pointless and without them, this series would have been so much better.

Thankfully, this remains Production IG, so at least the production-values are pretty good. The art style is pretty interesting, where the line-art differs in thickness whenever a character is featured in a close-up. Everything is bright and colourful, and the soundtrack is pretty solid as well.

It seems that whenever I have major expectations from a Noitamina-series, it ends up disappointing somehow, so for the next instalment (Antique Bakery), I’m not going to expect anything, even though it’s going to be animated by the godly Nippon Animation. It’s going to be a dull yaoi-show aimed at fangirls, period. Toshokan Sensou would have been so much better if the plot actually went anywhere, but in the end it’s just a half-baked series. It’s without a doubt a varied series: if you’re bored during one episode, you don’t need to worry because the next episode will deal with something entirely different, but it never really tries to be anything of substance. This is one of the reasons why I usually prefer 24-episode series over 12-episode ones.

Storytelling: 6/10
Characters: 7/10
Production-Values: 8/10
Setting: 8/10
Posted on 27 June 2008 with categories: Macross Frontier


Well… yeah… at least I never saw this coming… it’s not every day where you can see an idol who cancels her first concert, crosses a galaxy and tames hordes of huge bloodthirsty soldiers just by singing. The sudden serious nature of this episode really caught me by surprise, but the most baffling was of course the way that it went from seriousness to silliness when Ranka arrived.

I’m obviously not that big of a fan of those Zentradi who all forgot about fighting and dumped their weapons, just because Ranka showed up. In fact, I’m wondering how they’ve even heard of Ranka. I can understand how she’s known in the Frontier-fleet, but I think that the entire universe is a bit too early to think about when she hasn’t even done her first live concert. Either that, or I hardly know anything about the Japanese idol-scene. I suspect it’s the latter…

One interesting detail is that Sheryl finally seems to realize that she isn’t going to get Alto that easily. In the last episode, she knew the date of Ranka’s first live concert, and one of the reasons she invited him to come along was probably so that he would miss said concert. Now that that plan failed, she became sick and Ranka found a device that crosses time and space in an instant (that may have required a bit more build-up, but whatever), I can see some nice character-development coming for the second half of this series. :)

Also, here’s a question to those who saw the original Macross: the “Macross” that Alto and Ranka ran into at the end of the episode, is that some kind of mecha that appeared in an earlier series?

Posted on with categories: Anime Reviews, xxxHolic


xxxHolic Kei is the second season of the anime-adaptation of Clamp’s manga about modern Japanese folklore. In contrast to its predecessor, there are only 13 episodes, but to make up for it, the creators have put into these episodes the rumoured best chapters in the manga. The result is a second season that surpasses its first season in quite a few areas; not only in terms of manga, but also the anime staff learned some new tricks.

Without a doubt, the highlights of the second season are the first three and the final three episodes. Both contain rock-solid chapters, where the main characters Watanuki, Doumeki and Himawari (who have already been fleshed out really well by the first 24 episodes of the first season) really come together and get some major character development. The final episode is surprisingly light-hearted, but it does provide a perfect closure for the series.

The rest of the series is filled with stories, more reminiscent of the first season. They range from Yuuko, teasing Watanuki for the umpth time to some really effective standalone horror-stories. What’s interesting is how compared to the first season, the creators make use of much, much more foreshadowing. The stories in the first season always didn’t feel like a part of a whole, and this is fixed really nicely by the second season, which constantly drops hints and characters of stories that are still to come, which brings an interesting sort of unity to a series that consists out of random stories.

The animation has also improved a lot. You can see that the creators got a bigger budget for the second season, which makes especially Watanuki’s ramblings into some great visual comedy. Unfortunately, the animation dulls a bit in the less important episodes. The creators made good use of their CG to support the supernatural aspects of this series, and also the sound department is better than ever, although some tracks may have been played a few too many times.

Unfortunately, I can’t call the second season better than the first season. There’s something that holds it back from doing this, and it’s not just the length. In the second half of the series, there’s one particular multi-episode arc that breaks the flow of this series: the Kohane-arc. The only purpose of this arc is to show a mistreated little girl, and nothing else. Nothing really new gets introduced, and the way this girl gets abused despite her awesome powers have a good chance of breaking your suspense of disbelief. Especially for a 13 episode-series, if two episodes disappoint, it will be much more noticeable than if there were 24 episodes.

Still, xxxHolic Kei definitely carries the highlights of xxxHolic. It’s less consistent than the first season, due to the disappointing Kohane-arc, but to make up for that, it features the Spider Queen and Himawari-arc, along with a number of successful standalone episodes. The art has become better, and the characters also make use of the time that was spent on fleshing them out, so this series has been just as enjoyable as the first season for me.

Storytelling: 9/10
Characters: 9/10
Production-Values: 9/10
Setting: 9/10
Posted on with categories: xxxHolic


Aww, such a sweet episode to close off this series. The decision to make the final parts of xxxHolic focus on the heart-warming, rather than the tension was a great one, as it’s provided a wonderful closure to the series. It’s clear that this is the end of the xxxHolic anime, and I’m glad to see that it left on such a positive note.

In this episode, it feels like every character who’s made an appearance in multiple stories returns, and along with that, we sometimes see characters from the stories in the first season return as random by-passers. On top of that, the animation was really good, and the best tracks of the soundtrack were played throughout the episode. Overall, the anime staff did an excellent job for the second season.

Overall, I must say that xxxHolic Kei has done a pretty good job in living up to my expectations. Obviously, my expectations for the second season have been a bit too high, which made the lesser points of this series stand out much more than usual. Despite this, though, the spider queen arc and Himawari-arc were especially worth it.

CHANGE USERNAME
AidanAK47
Heard of it, don't know anything of it.
Anonymous2043546
anyone know OpenGL
Kaiser-Eoghan
Rather nice inclusion that they had the voice actors actually speaking Ainu in Kamuy's third episode.
Anonymous2040262
its almost like he could be an antagonist
SuperMario
For me I don't mind if I have to pay to watch the series/ films, but damn it don't restrict me to access it. Entertainment medium is meant to be an exposure (for the lack of better terms), it's supposed to be available to the mass and nobody care for a series that isn't available for streaming. We have way too many other options out there
SuperMario
"Piracy is almost always a service problem and not a pricing problem". Someone said that and I couldn't say it better
SuperMario
@Amagi: which part of Firework that you stopped? It's the movie that make less and less sense as the story goes on so I feel you on that
Amagi
I really wonder what's up with this guy. Considering the hype and VN screens he gets he seems to be more than just random side-protagonist. Looking forward to the rest of this series.
Anonymous2039704
One of my favorite OPs this season
Amagi
Now I textwalled again and feel bad.
Amagi
In short: be it indie-products or official series or papers, just upload everything on a virtual plattform and you'll get a bigger audience, many of them even willing to pay as long as they get what they want in high quality.
Amagi
Something might only become popular 4 weeks later but it doesn't matter because it's still there and people can watch it whenever they want and the other series don't matter since it isn't a classical rivalry as we know it from tv.
Amagi
"Less people watched the first episode than the 1000th iteration of [insert some "classic" movie old people watch for the sake if it]. With streaming plattforms like Netflix and others series just get dumped and are always accesible.
Amagi
Another reason for why I prefer streams and stuff: TV and quotes are a horror. They often cancelled series after one or two episodes because the quotes didn't live up to what they wanted. Instead of giving a new series some time. It needs time to get a fanbase and people often need weeks to even know about a new series, but nope.
Amagi
In the end such things are usually screened in ~3 places around the country for a day or two. So if you aren't living nearby or have work to do on that day: good luck.
Amagi
Sometimes it isn't their fault though, like when there is an anime or some indie guy from my country is making a movie - and nobody wants to show them.
Amagi
Same here. I really want to give small companies or indie/artists a chance, but it's not always easy.
Kaiser-Eoghan
What baffled me was the British film institute blocking Irish users using their legal streams.
Kaiser-Eoghan
Believe it or not I actually WANT to support.
Kaiser-Eoghan
While I do pirate alot, in cases where an obscure film actually gets a cinema release I make sure to pay to see it at the cinema, I support all the rare anime screenings too.
Amagi
There is so much stuff I had to pirate or I would have had to relinquish it completely. Even with non-fiction books for my university studies.
Amagi
lmao. But I 100% agree. Maybe you're lucky if you live in the US but otherwise you are often enough f*ed. Bad marketing.
Kaiser-Eoghan
Point I was trying to make is that, region blocking is only encouraging piracy more.
Amagi
narf~ couldn't manage to finish that Firework movie, do I miss much? It seems like something that might have a bunch of good ideas for the later part but the first half just bored me and I couldn't get into it for some reason.
Kaiser-Eoghan
Release your damn indie project on a reputable site or at least offer a paypal option and if its something off-colour in content, send the bloody thing digitally and not as a dvd.
Kaiser-Eoghan
Oh look, funimation releases eng dub trailer...think I'll...wat....oh wait this video is not available in your region"
Kaiser-Eoghan
"This video cannot be streamed outside of"
"Sorry we do not deliver to Ireland"
"Sorry this film from less than a decade is out of print"
Yeah, fuck legal streaming, just for that I'm pirating you.
Kaiser-Eoghan
@Mario: Truly you have become the most super of Marios.
SuperMario
Finally pulling those reviews out. Guys, if you're expecting for Hinamatsuri and Masotan posts, the former will be done tomorrow and if I have more time I will do the second one too. Enjoy for now
Anonymous2037529
LWA academia is probably the only trigger project i've truly cared about. I haven't watched KlK to completion or luluco for that matter(i got to get around to that) but ive seen everything else and i just don't give a damn about any of em
Amagi
But to say something positive - I liked the second episode of Kamuy way better than the first one. Budget seems to be really bad but the rest makes up for it it seems.
Amagi
I think Luluco was the only one I enjoyed after KlK which already had a bunch of problems - but overall it was far too entertaining for me to seriously care about those.
Amagi
Guess the last 1/3 might be more interesting when they start with the actual world building for once, although they could probably slam the love stuff even more in our faces but who knows. Not fond of any of the latest Trigger anime to be honest.
Amagi
Also they're really overdoing it with all that obvious message stuff and the "love superpower" trope I always hated anyway. Still watching I mean at least it has a plot and tries.
Amagi
I still can't care about anyone or anything in this series I think it's really not made for me. I might have liked Goro but he's too unimportant and the sauros revelation was kind of a letdown since it's the most common twist for these kinds of things.
AidanAK47
Alright Franxx, you are forgiven for episode 14.
Kaiser-Eoghan
@Mario: Do you ever go to those surprise horror/thriller preview screenings? Where they don't tell you what film it is until it starts?
Kaiser-Eoghan
*worrying about
Kaiser-Eoghan
@Mario: Its saying something, when I haven't seen eternal sunshine since it came out, but even by re-watching the trailer, the feelings, the whole film comes back. At that point I'd grown out of Jim Carey's comedy, so seeing him play against type was refreshing.
Kaiser-Eoghan
@Mario: Ah, I'm more forgiving then, I'm likely to give higher points for sheer imagination that I'm not as bothered by worry about the story.
Kaiser-Eoghan
@Mario: Any negative argument against mood indigo by him can be countered by the fact it has Audrey Tatou in it.
Anonymous2035464
jhonrhean
SuperMario
and I just watched A Quiet Place. A solid indie horror one. It builds on atmosphere and it does the family chemistry right
SuperMario
I don't like The Science of Sleep to be honest. Tons of interesting ideas and visually creativeness but the story itself is a mess
Kaiser-Eoghan
@Mario: Gondry needs to avoid making any more commercial comedies, he also needs to start working with Kaufman again, they brought out the best in each other, although on his own, he can be playful and inventive with his films, such as mood indigo and science of sleep.
SuperMario
But check out his other movie Eternal sunshine of Spotless Mind. It has an inventive mind control/ mind altering concept in there
SuperMario
Jim Carrey is kind of mind controller himself. I couldn't take my eyes off him
SuperMario
@anon2028818: it was indeed season 5. SORRY FOR MY IGNORANCE :)
Vonter
The Jim Carrey movies.
Vonter
Dorei-ku seems like a Kakegurui. You see one episode you've seen all. It'll be better if it was crazier like Mirai Nikki. Mind control IMO could be a very creepy setup if it's watched through the perspective of the victim rather than the perpetrator. Losing notion or reality and control. Could liar liar and Yes man be considered mind controlled stories?
Vonter
Ore Mahou Shoujo, baffles me, since I had to skip another long musical off key number, which makes me wonder where the budget cut starts and where the trolling begins. Also makes me sad, there aren't a lot of female to male transformations since it'll be interesting watching that perspective. Maybe a love triangle from both genders could apply since females are more accepted to be bi, in media.
Vonter
Megalobox could be something really special, but I hope like with Ashita no Joe, the anime isn't solely boxing. Joe, had social commentary, had a personal struggle do to the protagonist origin, attitude and view of life, since he started very immature and rebellious.
Amagi
Megalo Box, Tiramisu (I find this genuinely funny), S;0, GGO which is so much better than SAO, Wotaku, Hinamatsuri, Cutie Honey, LotGH, Hisone to Masotan and so on
Amagi
I really love this season as well.
Lenlo
Also personally I am enjoying this current season a alot. But I also know/like a good bit of the reboots/sequels
Lenlo
Oh man... 2015 winter was good. Forgot thats when those came out
Anonymous2028818
@SuperMario: Wasn't that Natsume season 5?, pretty sure season 4 was several years earlier.
SuperMario
Another strong anime season for me was 2015 Winter, where we had YuriKuma Arashi, Maria the Virgin Witch, Death Parade, Durarara whatever season, second cour of Shirobako, Parasyte and Your Lie in April
SuperMario
Even so, with this season I'm still willing to give some shows another chance, like Caligula or Cutie Honey Universe(!)
SuperMario
For me, the best season in recent years was Fall 2016 when we had Flip Flappers, Sound Eupho 2, Yuri on Ice, Natsume 4, Fune wo Amu, Drifters and 3-gatsu no Lion. But I know that Aidan would disagree with me on this
SuperMario
@anon2028201: it's me who said this season is a mixed bag. It's like you said, this season is too heavily on sequels/ reboots and only some new anime stand out, the rest of the pack is just meh.
Anonymous2028201
To me this seems like a pretty good seasons, but judging some of the impressions, it's a bit more of a mixed bag for most. Just curious, what were the best seasons for recent anime? This one seems good to me, but to early to tell right now
Anonymous2028201
Lovin this season so far: a lot of reboots/reimaginings and sequels, but I'm enjoying them all. MHA S3, LOGH DNT, S;G 0, Megalobox, Golden Kamuy are what I'm watching right now. I hear Full Metal Panic is good as well, but I haven't gotten around to watching the original series.
Anonymous2028258
so i just recently rewatched fullmetal panic fumoffu and i gotta say that this is easily one of Kyo ani's best works. It's such a surprise that this was their first anime; it's a damn good romance comedy
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
Kaiser-Eoghan
In general I think 50 episodes would be the most I'd watch for an anime, 39 seems ideal.
Amagi
Or worse and the romance drama is the main plot and it's Kiznaiver all over again, while the rest is just flavor to make the romances more forced since they're the MCs are only teens and such. Dunno but I can never bring myself to care about this kind of stuff.
Kaiser-Eoghan
Though better 110 episodes of galactic heroes than a long shounen that just repeats itself.
Amagi
Speaking of recent episodes, I unironically thing that FranXX's world (building) is pretty interesting (although I hope those klaxxosaurusses will be more than just random cannon fodder) but I doubt the series will ever get to the main plot again the next time.
Amagi
Same here. It was really the only time I did this. I am usually exhausted by just thinking about marathoning long series. It's the reason why I won't get into FMP for the new series either. LotGH was an exception since I found it easily to watch for some reason.
SuperMario
Man, just image burning through 110 episodes of it and my spirit fades away
Amagi
Watched that whole series ages ago.
Amagi
Just watched the first three Neue These episodes and I surprinsingly liked it. Thought I would hate it due to being an OVA fan, and I still prefer the old designs by far but overall it's pretty good. I think I might even prefer this version of the first battle, but I have to rewatch the old one I guess.
Kaiser-Eoghan
Also while I can't remember which episode, Yang picks up a book with the author of the series' name on it.
Kaiser-Eoghan
Arslan feels so lightweight by contrast/comparison.
Kaiser-Eoghan
And I think, given your knowledge KTtravlos, that a series review of the new galactic heroes season would probably benefit from you writing it.
Kaiser-Eoghan
I bring up the music in my earlier comment, because I can understand your reservations regarding the music choice in the remake.
Kaiser-Eoghan
And certainly one of those shows, that going back to the first episode after finishing, gives a strong perspective just on how evolving the series was.
Kaiser-Eoghan
*despite me not
Total users: 36

Star Crossed Anime Blog

7 User(s) Online Join Server

Featured Posts

Megalo Box – 3 [Gear Is Dead]

Another week, another good episode of Megalo Box. Its like dose of old school action. This week we get a subversion of the “upgrade” and some evidence of how bad life in the slums really is. Lets jump in! So my first thought after finishing this episode was, wow there are some awesome camera shots […]

Hinamatsuri – 03 [Hobo Life 101]

Hinamatsuri week 3 plays like an extension to Anzu and Hitomi’s stories last week. It’s like two sides of a same coin where you can see these girls grow in a direction you don’t expect (NO innuendo here), albeit at the cost of the central chemistry between Nitta and Hina. Here’s the trick to why […]

Wotaku ni Koi wa Muzukashii – 02[Are We Now Dating?]

After a strong first episode I come back to this show and find a rather middling second episode. There is some good content here, namely the Evangelion references, one of which was butchered by the crunchyroll translators.(Narumi and Hanako were arguing over who was best girl in Evangelion with notes over their head about whose […]

Steins;Gate 0 – 2 [Epigraph of the Closed Curve -Closed Epigraph-]

7 years. It has been almost 7 years since the original season of Steins;Gate. Since Okabe overcame received a mysterious video message, which prompted him to finally save the day. Back then it was a rather clever, if thin, plot device to get a happy ending. Steins;Gate 0 is the story of this video message. […]

Legend of the Galactic Heroes Die Neue These – 2/3[The Battle of Astarte/An Indomitable Prodigy]

If I was to judge this adaption based solely on the first three episodes I would declare it a resounding success. For while I do really like the old series, it does have a rather slow start. I say i only truly got invested in it around episode 3 or 4 when the more political […]

Golden Kamuy – 02 [Nopperabo]

Leave it to Japanese cartoon that done the Western genre better than the Westerners, at least from what we have seen so far (note: despite my pun, Western the genre doesn’t refer to the Western culture, but to the American Old West). Granted, Japanese cinema and literature has a strong tradition of samurai genre, which […]

Hinamatsuri – 02 [This Is How You Have a ESP Battle!]

Welcome to THE comedy gold of the season. Before I get into anything specific, let’s me discuss about what make this little show about a psychic girl and a yakuza hilarious in the first place. The main source of humor in Hinamatsuri largely comes from situation-based weirdness. Putting these characters out of their comfort zones […]

Darling in the Franxx – 14[Punishment and Confession]

Last time Darling and the Franxx had it’s best episode yet which raised my opinion of the series and gave me hopes for greater things moving forward. So it’s sad that they follow this up with the worst episode of the series to date. This episode was pure frustration to watch because you knew exactly […]

Megalo Box – 2 [The Man Only Dies Once]

Welcome to the Spring 2018 anime season! I am proud to present to you the Ashita no Joe 50th Anniversary project, Megalo Box. Easily the most stylish anime of the season. Lets jump in! With just 2 episodes, Megalo Box has become my favorite for the season. Everything about it feels like it comes from […]

Latest Reviews

Violet Evergarden (2018 Winter) Review – 76/100

Violet Evergarden’s existence has surely been a public one. Acclaimed before everyone lick a taste of it (it was awarded for grand prize in the fifth Kyoto Animation Award’s novel category in 2014 – read, KyoAni awards), it goes without saying that Violet Evergarden is one of the most anticipated show of the sparse Winter […]

A Place Further than the Universe (Winter 2018) Review – 77/100

Cute girls doing cute things is a genre that been done to death at this point. Even within this Winter 2018 we had been overloaded with big eyes fluffy face girls doing a lot of different things of interest. It takes a standout concept or a deeper narrative to make one stand out from this […]

After the Rain (2018 Winter) Review – 89/100

I suppose that most of us, even the perministic ones, enter After the Rain (Ameagari) with some reservations. After all, the premise about a crush from an 18-year-old girl to the store manager who is nearly 30 years senior raises a lot of red flags here. Yet the show handles this tricky premise with deep […]

Kokkoku – 42.5/100

There are lots of bad anime out there, for one reason or another. Whether it be stilted animation, terrible writing or bad direction, a good portion of each season is simply not worth it. Kokkoku is not a bad anime. It is something much worse. Kokkoku is a mediocre anime. Bad ones get talked about, […]

Junji Ito Collection Anime Review – 40/100

In the realm of manga there is a man whose name is inescapable when the genre of horror is brought up. That man is Junji Ito and his work is considered legendary for its artistic detail, mastery of manga paneling and it’s outlandish imaginative concepts. Up till now his work has yet to have an […]

Yuru Camp (Winter 2018) Review – 74/100

I admit that I underestimated Yuru Camp back in its first few episodes. I took it as a standard, run-on-the-mill slice of life show and I fully expected to give it 3 episodes at max before throwing it into the deep sea of forgotten anime. But as time pass, I can certainly see many good […]

Neo Yokio – 96/100

This may be half a year overdue but I simply can’t accept that none of the writing staff of Star Crossed Anime have cover the the biggest development in anime where Netflix took a hand in producing anime in the form of Neo Yokio. Taking place in the metropolis of Neo Yokio, a mashup between […]

Devilman Crybaby – 83/100

It’s an exciting time to be an anime fan where new business models and players are making big waves within the animation industry. After debuting with the original and excellently-produced Neo Yokio, the juggernaut streaming service of Netflix has decided to revive the classic series of Devilman and gives it the full adaption treatment. By […]

Mahoutsukai no Yome – 69/100

Fantasy is a rather prolific genre in anime, with a vast majority of Isekai and Shounen fitting snugly into it. Most take place in their own unique setting, either Amestris of Full Metal Alchemist or the made of world of the latest Isekai trash. Few however try to set themselves in our world. To peel […]