Posted on 30 June 2008 with categories: Monthly Summaries

Well, the end of the month couldn’t have come at a better time, because it offered me a good opportunity to experiment a bit with my new rating system. What caught my attention is that the average score seems to be lower than usual, but that can also be because this spring-season overall has turned out to be slightly disappointing, compared to other spring-seasons.

#26 (new) – Ikkitousen Great Guardians – (5,5/10) – If I had a dollar for every time I wanted to punch any of the Ikkitousen-characters in the face for being so annoying, then I’d be a rich man.
#25 (23) – Allison to Lillia – (6,75/10) – Admittedly, the train arc is better than the Fiona-arc. But it still baffles me that Allison and Will just went along with the Major and shot a seemingly friendly craft without knowing what was going on.
#24 (16) – Vampire Knight – (7/10) – Well, my interest in Vampire Knight is dying more and more now that it’s decided to deal out cheesy plot twists as twins who are out to kill each other. I’ve got more problems with this series, but I need a full review in order to be able to list them all.
#23 (18) – Toshokan Sensou – (7,25/10) – Toshokan Sensou took a nosedive in its final episodes. The climax didn’t work for me at all, the angst was too forced, and the end result was half-baked.
#22 (new) – Chocolate Underground – (7,5/10) – This series is strange, but interestingly enough it’s not yet a total trainwreck. I’m really curious to see what this series can get out of only five-minute episodes.
#21 (21) – Code Geass – Lelouch of the Rebellion – (7,5/10) – Aaaaaand the trainwreck has begun. It seems to have started rather early this season: R2 up till now wasn’t anything special, but at least it was solid enough. That all ended with the utter cheese that was episode 11 and 12.
#20 (10) – Itazura na Kiss – (7,75/10) – Itazura na Kiss has reached the point where the humour starts getting dull and the characters need to develop in order to make this series interesting again. Let’s hope that the creators can pull it off.
#19 (14) – Soul Eater – (8/10) – My biggest problem with Soul Eater is that I’m finding it incredibly hard to find something to recommend it for. Nothing really stands out: the fight scenes are okay, the characters also do their job, the story has potential, but it’s been twelve episodes and I still haven’t been impressed, other than by this series’ style.
#18 (9) – Kurenai – (8/10) – The ending was solid, but there was a surprising amount of writing errors, turning this into the least enjoyable month for Kurenai for me.
#17 (new) – Telepathy Shoujo Ran – (8,25/10) – There’s too much angst, but apart from that there’s a lot to like in this series: great music, nice slice-of-life, charming characters. Good stuff.
#16 (17) – Macross Frontier – (8,25/10) – Okay, so as it turns out, you do need to have watched the original Macross in order to understand this series, because otherwise some of the plot twists won’t make any sense at all. In any case, this series is showing some good signs in the direction of character development.
#15 (6) – Gintama – (8,25/10) – Gintama’s back to comedy again. Especially episode 62 was hilarious, and it’s pretty amazing that this series has managed to stay funny for 62 episodes.
#14 (19) – Wagaya no Oinarisama – (8,25/10) – It’s nothing special, but this series continues to surprise me when it turns much more enjoyable than I would have imagined.
#13 (13) – Junjo Romantica – (8,25/10) – The characters are way too quick to jump into bed with each other, but apart from that, this series delivers, whether it wants to be funny or serious.
#12 (20) – Blassreiter – (8,25/10) – Well, now that thingy and whatsit are dead, this series seems to go back on track, especially episode 12 was surprisingly good compared to the emo-fest of the earlier episodes, but I first want to know what the creators have been planning for the second season before getting excited about this series.
#11 (15) – Chi’s Sweet Home – (8,25/10) – This series was about to get dull, and then it came with the beyond awesome episode 41, which entirely changed my opinion of this series. I now understand Karura‘s fascination with large cats.

#10 (11) – Nijuu Mensou no Musume – (8,25/10)

Okay, so this was clearly a month of building up for Nijuu Mensou no Musume. Ken’s changes are rather questionable, but I’m really curious to see where this series is going to evolve to.

#9 (12) – Druaga no Tou – (8,5/10)

This month, Druaga showed its serious colours, and it worked. I didn’t expect this series to pull off a successful climax. Well, halfway-climax. Looking forward to the second season.

#8 (8) – RD Sennou Chousashitsu – (8,75/10)

RD continues to be as charming as it’s ever been. On top of that, this month has also started to give the major characters some more background

#7 (22) – Persona – Trinity Soul – (8,75/10)

Whoa?! How did this one suddenly turn good? I remember noting that this series wouldn’t be able to pull off a good climax… And as it turns out I was wrong.

#6 (2) – Porfy no Nagai Tabi – (8,75/10)

In June, Porfy stopped travelling for a little while in order to stay at Maximilian and his family. This resulted in the quietest month of Porfy ever since the earthquake. It was nice to watch, but nowhere near the highlights of this series.

#5 (7) – Crystal Blaze – (8,75/10)

That was a really strong and solid finish! Crystal Blaze has been wonderfully told from start to finish, without any signs of weakness. Okay, perhaps there’s Manami.

#4 (5) – xxxHolic – (9/10)

xxxHolic hit its all-time height and all-time low in the same month, interestingly enough. Kohane’s arc was dull, but Himawari’s arc was goooooood.

#3 (4) – Amatsuki – (9/10)

Amatsuki came together in a very strong finale. Now where’s that second season?

#2 (3) – Himitsu ~The Revelation~ – (9,25/10)

I love how Himitsu is playing around with its mysteries and morality. I’m really curious as to what this series has in store for its second half.

#1 (1) – Kaiba – (9,25/10)

Urgh… The only bad thing about Kaiba is the fact that it keeps taking these bloody hiatuses. This is no way to treat the best series of the spring season.

Posted on with categories: Nijuu Mensou no Musume


To hijack this post for a bit, after a few days of using my new star-rating system, and quite a few problems have arisen (with many thanks to the commenters left their opinions):
– It’s too fuzzy
– It’s hard to relate the meaning of the scores, it’s unclear what the maximum number of stars is
– Some PCs can’t support unicode and instead only see a bunch of question-marks.

To conclude, it was a nice experiment, but the star-system sucks, and I’m going back to numbers out of 100 again. I’m going to keep rating, based on Storytelling, Characters, Production-Values and Setting. My biggest beef with my original rating system was indeed how it was inaccurate as hell. In the original system, I had basically ten categories for which I’d give out a rating, where the eventual rating would be their average. These categories always ended up overlapping each other.

With only four categories, this’ll mean that not every number will be utilized (the ratings will quite probably be 8o, 82,5, 85, 87,5, 90, etc. out of 100) but I hope it will make my reviews a bit clearer.

To continue hijacking this post, another thing that caught my attention about the reader survey was the relatively large amount of people who’d like to see the little summaries that I had a year ago back. Are there more who’re interested to see this return? Like, for example:

Short Synopsis: We learn a bit more about Haruka, and last week’s enemy continues to target Chiko
Good: Excellent change from light-hearted to dark throughout the episode
Bad: I’ve never been that big of a fan of brainwashing, and this is no exception. Auntie’s murder attempts keep getting more ridiculous.
Overall Enjoyment Value: 8/10

Very interesting, the way this episode started promised to be a strange beach-episode, but this series managed to add so much more that I’m surprised that it all fit into just 20 minutes. First of all, it is revealed that Haruka had a twin sister. She reveals this as her dead image keeps haunting her since the beach in this episode is the place where she died, and apparently Haruka blames herself for her death.

In the second half of the episode, our long-haired enemy returns again, and his/her weapon this time is brainwashing all those important to Chiko. Like mentioned above: I’m not too big of a fan of brainwashing, mostly those kinds that can be resisted easily. I mean, if you were a villain, using this technique, wouldn’t you make sure that the people you brainwash never get near the conditions to break out of this mind control? Here too: I’m still not sure why exactly Tome was the only one who broke free…

Still, apart from that, I was surprised at the sudden dark tone. When it wants to, this series takes no prisoners, and it immediately throws every one of Chiko’s friends against her. What were those pills supposed to do? I failed to pick that up. Were they just poison, or did they have another effect? Speaking of poison, I’m really not sure what Chiko’s aunt is thinking… before, she came with intricate plans to kill Chiko through poison, and now she has turned to throwing flower-pots at her head. Can’t she just hire a professional killer or something?

Posted on 28 June 2008 with categories: Anime Reviews


It’s strange… the more I experiment with my new series rating-system, the more annoying the old system becomes…so that’s why I’ve decided to stop using this old system. In any case, the reason why the next old anime-review this time is partly because I had other things to do, and also because Hunter x Hunter has 62 episodes. And to think that after the series, I still need to watch three OVAs that came out after it, but those are for another time.

Hunter x Hunter starts out as a classic shounen-series. It takes a group of people with special powers (Bleach has shinigamis, Naruto has ninjas, Hunter x Hunter has… hunters), gives them a number of different powers and specializations, creates a number of large organizations and picks a generic young male to be the main character. Of course, with such a huge amount of episodes, I was redundant to check out this series, but ten episodes in, and I was hooked. This is everything a shounen-series should be.

Hunter x Hunter is basically divided into two halves, with an incredible difference between them. The first half feels like a huge game, where Gon (the main character) and his friends need to overcome a number of challenges in order to become hunters. It’s a standard shounen-plot, but its charms come from the cast of characters. It’s so much fun to watch not only the main characters, but also the side-ones as they try to become one of the hunters, and on top of that, the main villain stands miles above his counterparts in series as Naruto, Dragonball Z and Bleach.

This series only really sets itself apart from the rest of the genre with its second half, though. It starts out pretty bad, admittedly. The Zoaldyeck-arc is pretty much the worst arc of the entire series, only to be followed by yet another dull training-arc, but afterwards the series slowly unfolds into a story about the mafia, that for once isn’t about destroying/ruling the world. It’s here were Hunter x Hunter introduces real jobs, such as being a body-guard, and interesting ways for hunters to make money.

The problem with lengthy shounen (at least the ones I’ve seen), is that they get duller and duller as they go on, usually thanks to some kind of training-arc where the creators abuse their powers a bit too much in order to god-mode their main character beyond the point of believability. Gon indeed gets powered up a bit too much, but what I like about this series is that he still is nowhere near the power of the strong guys. Heck, even the main villains aren’t the strongest characters in this series. The creators also make use of the fact that Gon is just a child: it unconsciously lets his enemies spare his life, instead of killing him.

One major annoyance with this series (apart from the training arcs, that is), is that during the times of building-up, it’s got the “everyone who isn’t strong is an idiot”-mentality. Whenever Gon is facing weaker enemies than himself, they’re always portrayed as cocky idiots without any brains or tactical knowledge, and things like a one-in-ten-million talent are pulled out of the creators’ sleeve in an attempt to explain his superiority. Thankfully, there are enough characters with depth to them. Especially Kurapica is someone to watch out for, because the character-development he goes through is truly memorable.

Also, this series has avoided one more subtle pitfall of shounen-series: wounded characters remain hurt, and don’t get magically healed in the next episode. When characters get punched in the face, it remains swollen until it gets a logical reason to heal. The overall animation isn’t anything special, but I really appreciate details like that one. The soundtrack is also really effective for a shounen-series.

Overall, in terms of seriousness, Hunter x Hunter is definitely my favourite shounen-fighting-series. Overall, it still doesn’t match up to the humour and fights of the Law of Ueki, but it easily takes second place. The thing that worked against it the most was its main character: Gon. He does have a number of really memorable moments, but the creators waste way too much time in trying to make his power catch up to the strong people, and he often takes away the screen-time of the much more interesting characters. It’s a thing that unfortunately every series of its kind has. The rest of the cast is rock-solid, though, and especially the second and final quarter of the series deliver. I’m curious whether the three OVAs that came out afterwards will keep this same quality, or fall horribly like nearly every other show of its kind.

Storytelling: 8/10
Characters: 9/10
Production-Values: 7/10
Setting: 9/10
Posted on with categories: Telepathy Shoujo Ran


Ah, it’s good to see another good series about middle-schoolers. I’m not sure why, but in average, I tend to like these series much more than the series that focus on high-schools. Perhaps it’s the impulsive way that they try to solve their conflicts, or their innocence. Or how your average middle-schooler is much less annoying than your average high-schooler. In any case, this is going to be the first show I’ll be blogging this season.

Overall, Telepathy Shoujo ran is a great way to start the season, though it’s not perfect yet. It’s a tad heavy on the angst already, and it’s a shame that that masked guy didn’t reveal himself nor his intentions at the end of the episode, because now I have no way of knowing whether its mysteries will be stupid or not. At the moment, there still is a chance of this series ending up in the pits of cheese like Suteki Tantei Labyrinth or with a stupid plot like Allison and Lillia. One series with a dead body spiked on top of a radio-tower is enough.

Still, the potential’s there: the slice-of-life moments are nicely done and detailed enough to keep my interest. Ran also started out like an interesting main character, and even the romance is pretty cute. It’s talked about death already, so it’s not afraid to be a bit dark, despite the young age of its characters, which is a plus as well. After rewatching, I also realized that it’s also using a lot of foreshadowing. Always good for building up.

Another annoying thing is the overuse of CG for the psychic scenes. I liked the method Night Head Genesis used much better, but I guess that it does the job, and it’ll be easy to get used to. It’s in any case a huge contrast between the normal world and characters, which I think is what the creators had in mind with it.

Apart from that, the art looks excellent, despite its simplicity. Yoshihiro Ike also managed to deliver a great soundtrack and the OP and ED are both really good as well, so this series is solid on the production-values as well.

Posted on with categories: Amatsuki, Anime Reviews


I really like Studio Deen. Sure, they may screw up their series very often, but when they hit a classic, they really deliver an amazing series. Their newest series to add to that list is Amatsuki, with the interesting thing being that even after watching it I’m still not 100% sure why I liked it so much.

For starters, Amatsuki combines history, science fiction and fantasy with each other when the main character (Tokidoki) gets sucked into a virtual world, which ends up being the ayakashi-infested feudal Japan. At first sight, it’s not the most original premise, but it’s the execution that makes this series unique.

The dialogue in this anime is absolutely amazing. They’re really deep and detailed, and you can see that a lot of time has been put into them. It’s no wonder that this series shares a director with Le Chevalier d’Eon. These characters could start talking about watching paint dry and still make it come across as interesting.

On top of that, this series also has an excellent sense of storytelling. It carefully builds up everything that you need to know for this series (again with that excellent dialogue), and there have been so many subtle details added that makes this series come alive.

Then there’s also a very complex storyline. This series really likes to make the boundaries between good and evil as fuzzy and complex as possible: every character has some kind of secret agenda or own goal. Today’s friend may be tomorrow’s enemy, and vice versa. Because of this, this series is especially in its element when many characters are together at the sane place: there’s so much going on at the same time.

Obviously, this series’ main selling point is talking, so don’t even dare to come near this series if you’re expecting Naruto and Bleach-esque fights. Sure, there is some action in this series, but it often gets overshadowed by said dialogue. That’s not to say that the fights are bad, though. It’s quite the contrary: fights are brutal, they come out of nowhere in a light-hearted mood and progress to mercilessly beat down the characters, with large amount of blood.

This also isn’t a series that you can watch to relax. You need to constantly pay attention in order to catch all the subtle details and nuances to get the most out of this series, even though the overall pacing in this series is similar to that of .Hack//Sign (in other words: sloooow).

Whether or not you’ll like the graphics is a very personal thing. Studio Deen has always been a fan of brightly coloured and frilly character-designs. The same goes in Amatsuki: everything looks very stylish, but it’s just a matter of personal preferences. The soundtrack is an excellent one, though, although a few tracks may have been played a bit too much.

Overall, I recommend Amatsuki to those with patience. It’s a wonderfully written first half of a series that’ll be continued… some day. It’s very stylish, with a unique sense of storytelling and a complex storyline. Another outstanding series by Studio Deen.

Storytelling: 10/10
Characters: 9/10
Production-Values: 9/10
Setting: 8/10
Posted on with categories: Amatsuki


Haha! Now I know for sure that the second season is only a matter of time. There is NO way that the creators planned this to be the final episodes. There were TONS of hints for a continuation.

The fox-story could have just been resolved and everyone could have just happily returned home. Instead, the fox-thing was resolved within five minutes, and in the rest of the episode we saw Princess Summoning Teiten, challenging it and getting killed by it, causing Amatsuki to go haywire. The ending credits showed a bunch of characters who haven’t even been introduced yet. If I had to guess, then the second season will arrive around spring 2009, just like the continuation of Druaga no Tou, I suppose.

On top of that, this episode also was as good as ever: it was both hilarious at one time and tense at the next. It really seems like Bonten isn’t the main villain here, and I still like how, despite his tough-look, he was trying to get his subordinate back all this time. I love how he just laughed at Tsuyukusa’s actions as if they were some kind of usual antics of the guy. There were lots of different nuances in this episode that are hard to describe, but make this series stand above most other anime.

This episode also showed how easily enemies can turn into friends and especially the other way around: Tokidoki is still affiliated with the princess, and the princess has a lot of enemies, as shown in this episode. A lot of allies may have been formed when trying to stop the fox, but now that she’s gone, I really wonder what will happen?

In any case, I am really looking forward to that second season. Especially since Gon is going to play a bigger role again. He’s been awfully absent here, being unconscious for three entire episodes and all…

Posted on with categories: Anime Reviews


Nearly all of the Noitamina-series have been either horror or post high-school slice-of-life dramas. So when I found out that the next instalment planned to focus on politics and action, I was thrilled to see how Production IG would tackle this series. Unfortunately, I got my hopes up too high and Toshokan Sensou ended up being my least favourite Noitamina-series since Jyu Oh Sei. Such a shame.

There was really some potential behind the concept: in the near future, books will become heavily censored by an evil organization, and this series follows a library corps who have been given the authority to use military actions in order to protect the books. It was an interesting opportunity to watch a war-series that was heavily bound by political rules for its battles. You don’t see that often in anime where most wars are just of the nature of “shoot the enemy before they shoot you”.

Unfortunately, the downfall of this series was its short length. In the end, this series feels just like a fired shotgun shell: this series wants to stuff way too much in just twelve episodes: there’s action, there’s drama, there’s comedy, there’s romance, there’s stealth, there’s a coming of age-theme, there are both large and small-scale politics, there is philosophy (the role of books in today’s society), there’s angst, there’s political intrigue, there’s sensation… there is no way to fit that in just one season.

As a result, everything ends up just half-baked, since this series tries to focus on every single one of these themes. Therefore, it has no chance to go in-depth into any of these things. The two elements that ended up best in the end were the action and the romance: whenever the focus is on one of these, this series delivers. However, when things turn to angst, sensation or politics, prepare to roll your eyes: they’re incomplete as hell, pointless and without them, this series would have been so much better.

Thankfully, this remains Production IG, so at least the production-values are pretty good. The art style is pretty interesting, where the line-art differs in thickness whenever a character is featured in a close-up. Everything is bright and colourful, and the soundtrack is pretty solid as well.

It seems that whenever I have major expectations from a Noitamina-series, it ends up disappointing somehow, so for the next instalment (Antique Bakery), I’m not going to expect anything, even though it’s going to be animated by the godly Nippon Animation. It’s going to be a dull yaoi-show aimed at fangirls, period. Toshokan Sensou would have been so much better if the plot actually went anywhere, but in the end it’s just a half-baked series. It’s without a doubt a varied series: if you’re bored during one episode, you don’t need to worry because the next episode will deal with something entirely different, but it never really tries to be anything of substance. This is one of the reasons why I usually prefer 24-episode series over 12-episode ones.

Storytelling: 6/10
Characters: 7/10
Production-Values: 8/10
Setting: 8/10
Posted on 27 June 2008 with categories: Macross Frontier


Well… yeah… at least I never saw this coming… it’s not every day where you can see an idol who cancels her first concert, crosses a galaxy and tames hordes of huge bloodthirsty soldiers just by singing. The sudden serious nature of this episode really caught me by surprise, but the most baffling was of course the way that it went from seriousness to silliness when Ranka arrived.

I’m obviously not that big of a fan of those Zentradi who all forgot about fighting and dumped their weapons, just because Ranka showed up. In fact, I’m wondering how they’ve even heard of Ranka. I can understand how she’s known in the Frontier-fleet, but I think that the entire universe is a bit too early to think about when she hasn’t even done her first live concert. Either that, or I hardly know anything about the Japanese idol-scene. I suspect it’s the latter…

One interesting detail is that Sheryl finally seems to realize that she isn’t going to get Alto that easily. In the last episode, she knew the date of Ranka’s first live concert, and one of the reasons she invited him to come along was probably so that he would miss said concert. Now that that plan failed, she became sick and Ranka found a device that crosses time and space in an instant (that may have required a bit more build-up, but whatever), I can see some nice character-development coming for the second half of this series. :)

Also, here’s a question to those who saw the original Macross: the “Macross” that Alto and Ranka ran into at the end of the episode, is that some kind of mecha that appeared in an earlier series?

Posted on with categories: Anime Reviews, xxxHolic


xxxHolic Kei is the second season of the anime-adaptation of Clamp’s manga about modern Japanese folklore. In contrast to its predecessor, there are only 13 episodes, but to make up for it, the creators have put into these episodes the rumoured best chapters in the manga. The result is a second season that surpasses its first season in quite a few areas; not only in terms of manga, but also the anime staff learned some new tricks.

Without a doubt, the highlights of the second season are the first three and the final three episodes. Both contain rock-solid chapters, where the main characters Watanuki, Doumeki and Himawari (who have already been fleshed out really well by the first 24 episodes of the first season) really come together and get some major character development. The final episode is surprisingly light-hearted, but it does provide a perfect closure for the series.

The rest of the series is filled with stories, more reminiscent of the first season. They range from Yuuko, teasing Watanuki for the umpth time to some really effective standalone horror-stories. What’s interesting is how compared to the first season, the creators make use of much, much more foreshadowing. The stories in the first season always didn’t feel like a part of a whole, and this is fixed really nicely by the second season, which constantly drops hints and characters of stories that are still to come, which brings an interesting sort of unity to a series that consists out of random stories.

The animation has also improved a lot. You can see that the creators got a bigger budget for the second season, which makes especially Watanuki’s ramblings into some great visual comedy. Unfortunately, the animation dulls a bit in the less important episodes. The creators made good use of their CG to support the supernatural aspects of this series, and also the sound department is better than ever, although some tracks may have been played a few too many times.

Unfortunately, I can’t call the second season better than the first season. There’s something that holds it back from doing this, and it’s not just the length. In the second half of the series, there’s one particular multi-episode arc that breaks the flow of this series: the Kohane-arc. The only purpose of this arc is to show a mistreated little girl, and nothing else. Nothing really new gets introduced, and the way this girl gets abused despite her awesome powers have a good chance of breaking your suspense of disbelief. Especially for a 13 episode-series, if two episodes disappoint, it will be much more noticeable than if there were 24 episodes.

Still, xxxHolic Kei definitely carries the highlights of xxxHolic. It’s less consistent than the first season, due to the disappointing Kohane-arc, but to make up for that, it features the Spider Queen and Himawari-arc, along with a number of successful standalone episodes. The art has become better, and the characters also make use of the time that was spent on fleshing them out, so this series has been just as enjoyable as the first season for me.

Storytelling: 9/10
Characters: 9/10
Production-Values: 9/10
Setting: 9/10
Posted on with categories: xxxHolic


Aww, such a sweet episode to close off this series. The decision to make the final parts of xxxHolic focus on the heart-warming, rather than the tension was a great one, as it’s provided a wonderful closure to the series. It’s clear that this is the end of the xxxHolic anime, and I’m glad to see that it left on such a positive note.

In this episode, it feels like every character who’s made an appearance in multiple stories returns, and along with that, we sometimes see characters from the stories in the first season return as random by-passers. On top of that, the animation was really good, and the best tracks of the soundtrack were played throughout the episode. Overall, the anime staff did an excellent job for the second season.

Overall, I must say that xxxHolic Kei has done a pretty good job in living up to my expectations. Obviously, my expectations for the second season have been a bit too high, which made the lesser points of this series stand out much more than usual. Despite this, though, the spider queen arc and Himawari-arc were especially worth it.

CHANGE USERNAME
Anonymous1829447
Well, one last thing. I understand that anime like games or movies are a refuge for people who want to escape from politics for a second. But when mangakas bring those topics up themselves with stupid yaoi, gender bender, or yuri fan service, they're the ones politicizing anime and manga, not people like me. If they'd treat it with respect, then there would be no need for outcry.
Kaiser-Eoghan
@Lenlo: Eh sorry about that, I almost launched into a rant about tumblr.
Lenlo
Yeah, id prefer not to get to political in this chat, but I agree with Aidan. Theres a limit, and I strike that limit at the + of LGBTQ+. There comes a point where your just making things up to be special
Kaiser-Eoghan
Looking back I probably read hourou musuko initially to get a better understanding of the topic it covered.
Kaiser-Eoghan
Not looking for cares/attention/fellating/self promoting, just felt a moment to pseudo-intellectualize because it was related to the identity topic.
Kaiser-Eoghan
From a psychological standpoint, apparently this is linked in with autism to some level.
Kaiser-Eoghan
The idea of cosplay as a thing is fascinating honestly as an escapist thing.
Kaiser-Eoghan
And I imagine it would probably be easier to interact in a relationship as someone else, of course with them being aware of that.
Kaiser-Eoghan
More in a religious/spiritual sense however and having a greater sense of identity/feeling through temporarily taking on the role of someone else.
Kaiser-Eoghan
but the person themselves.
Kaiser-Eoghan
I did have ideas after hourou musuko and also finding out someone was trans that that might have applied to me and I still use female names in some sites but I really just came to realize it wasn't about trying the female clothes thing numerous times, wasn't trans(vestite or sexual), really pretty much found out I temporarily can take on roles of what/who I dress as, not due to gender
Kaiser-Eoghan
Oh, tumblr sjws are a parody of leftism /activism .
AidanAK47
People have the right to be whatever they want to be. That said there is a line when it comes to respecting peoples choices. For example, I don't think we need Tumblrs 40 different Genders.
Kaiser-Eoghan
@Anon: I haven't read the lesbian experience one.
Kaiser-Eoghan
Love my life was another good one, a serious shoujo-ai manga.
Anonymous1829213
That's unfortunate. TvT
Anonymous1829200
no thanks
Anonymous1829213
In the future though, I'd like to see something exploring sexuality as a whole even further. Even LGBT in and of itself implies a gender/sexuality binary. Let's get into the gender neutral/fluid, pansexuality, and so on as well. :.D
Anonymous1829200
and i like the
Anonymous1829200
i have one
Anonymous1829213
And I definitely agree - those manga exist and are excellent. ^_^
Anonymous1829213
*Shimanami
Anonymous1829213
And in regards to the celebrities themselves acting flamboyant or playing into stereotypes, why do you think those are the ones who are famous? They are allowed to be, because they paint a comical picture that is more easily accepted by the public. This is why Hourou Musuko and manga like Shiranami Tasogare/My Lesbian Experience with Loneliness are so amazing by painting people as actual humans
Kaiser-Eoghan
There ARE good shoujo-ai manga of course, girlfriends, aoi hana and yaoi like haru wo deiteita.
Kaiser-Eoghan
@CoolerAnon: I notice that bisexuality isn't much addressed in these things , the coming out thing doesn't often come into it.
Anonymous1829213
@Other Anon: You might add that a lot of those shows also perpetuate some pretty extreme stereotypes and male light of other of serious issues (i.e. the perception others have of LGBT people and that LGBT people have towards themselves, the experience of coming out, etc. etc.)
Kaiser-Eoghan
By lol coincidence he seems to have also voiced a pokemon character too.
Kaiser-Eoghan
*re-incarnation of, not evolved
Kaiser-Eoghan
Totally based, hilarious guy to, once claimed jokingly in an interview he was the evolved form of pikachu.
Kaiser-Eoghan
@Anon: There is a view of the transvestite as a "silly joke character" even in live action media there thats connected to homosexuallity but I'd say in most cases the person themselves is into it, Akihiro Miwa, famous Japanese gay actor played up that flamboyant drag act since the 60s.
Kaiser-Eoghan
@Anon: That is well known to me. Also its seen as anti-conform and I heard that the teachers don't know what to do when people are bullied over it, some of them think its down to mental illness.
Anonymous1829154
How japanese media portray lgbtq issues is a problem to this day. Sure shoujo, gender bender, and yaoi genres are mainstream, but at the end of the day people are expected to eventually "grow out of it" and find heterosexual partners in the end. Pretty patronizing
SuperMario
Oh shit, I didn't realize I put Wandering Children instead of Wandering Son in the title. Thanks for pointing that out Kaiser
Kaiser-Eoghan
@Mario: Shuu, mai precious lil' Babbu *hugs*
Kaiser-Eoghan
lol Okadas best anime work cause she didn't really write it lol
SuperMario
I will read on the manga to see how these kids growing up. Boy do i love this cast
Kaiser-Eoghan
@Mario: I suppose thats fair enough.
SuperMario
@Aidan: yeah, I know I stretched that image a bit but for some reasons I was goddamn hard to find an image for Wandering Son that I liked. Will make a slideshow later today to see if it looks better
SuperMario
@Kaiser: yeah I call them by their physical gender because at that stage, they haven't come out yet, right? If I remember correctly, Shuu still regards himself as "boku" rather than "watashi"
Kaiser-Eoghan
I guess this amuses me mostly because theres a jokey line later on in the manga where the girl with shu says "Ha, guess this makes me a lesbian"
Kaiser-Eoghan
There has been some theory/suggestion that Doi is attracted to shuu seeing shuu's femininty, seeing shuu as a woman .
Kaiser-Eoghan
Later in the manga Takatsuki stops having these feelings toward masculinity, which is addressing adolescent confusion.
Kaiser-Eoghan
Sorry about this really hope I don't come off as trying to start anything/an arguement/coming off as an asshole here.
Kaiser-Eoghan
Whats really interesting about hourou musuko is that in addition to Takako Shimura being a Lesbian , by choosing a mtf character as the protaganist and with shuu's relationship with a biological woman later in the manga, she is dealing with an even more interesting issue of whats called by Lesbians as Trans-lesbianism.
Kaiser-Eoghan
Transexual, mtf or ftm are probably the more accurate words to use as transgender also includes transvestite which is a different thing.
Kaiser-Eoghan
Its a very good review though, you don't have to change anything I'm probably being overly anal about it.
Kaiser-Eoghan
Was wandering Children chosen instead of wandering son to avoid suggesting pronouns in the title? But then the text of the review uses shuus physical rather than psychological gender. I'm not preaching or asking for changes or complaining, I just found this somewhat contradictory.
AidanAK47
Oh Tomogui Kyoushitsu? That is a weird death game manga.
Kaiser-Eoghan
*Checks manga cover* Goes in expecting bondage manga *its a cannibalism horror manga instead*
Kaiser-Eoghan
Probably just me, but I feel the top two pictures should have a gap between them.
AidanAK47
I would recommend replacing the top image of wandering son. Cause you killed the quality of it by stretching it. Never stretch an image.
Lenlo
Id recommend some kind of slideshow or something Mario. For me, its a big sudden blob of images. But thats just me.
Kaiser-Eoghan
I wouldn't deny a single criticism of the Junji Ito adaptation, and yet despite it all it works for me , I forgive it because the imagination goes such a long way with me, I don't even mind that some of them aren't fully developed either, don't need things to be too tidy or explain everything.
Kaiser-Eoghan
@Mario: Eh, Maverick was a fairly rubbish, thrown in villain but I liked Lunatics backstory how it linked in with the twist his father was that big hero guy mentioned at the start who ended up becoming a washed up mess.
SuperMario
And I won't take "No, you don't need these pics at all" for an answer
SuperMario
Guys, should I put the 2 arts back-to-back at the begin of the post like this, or should I use slideshow?
Anonymous1828545
Travlos here: 91 Days was not too bad.
Anonymous1828545
Travlos here: Thanks for those two historical manga's head-up.
Anonymous1828434
Akumestu soo satisfying to read
Anonymous1828321
Thank you
Lenlo
A shame. Kokkoku had the first truly dull episode this week. Suppose one had to come eventually, but this one was mostly an info dump.
AidanAK47
Like lightning, I strike. Junji Ito is basically interesting ideas with deeply flawed execution. It's not scary, doesn't really capture Ito's style and the animation is bare bones. While the stories themselves can have there interesting points, they are often not fleshed out enough. Honestly I am getting rather bored with it.
Lenlo
Holy bejesus Aidan. Nice triple post. :P

So overall how is Junji Ito? From what ive read so far, it seems pretty hit or miss on the horror/gore front. Failing to live up to the manga. I havnt read it though, so im curious what ya think
AidanAK47
Akumetsu?
Anonymous1828142
Wearing a mask
Anonymous1828142
What was the name of the manga where the main character is some superhuman high school student who goes around fighting Japanese politicians
Lenlo
On a side note, I should really start Violet Evergarden at some point...
Lenlo
"Anime is dying" is just a meme that gets thrown around because of Miyazaki.
Lenlo
Maybe. I dont think average score per year is a good metric though, as the cash ins are increasing, but I doubt the passion projects are decreasing. For instance we had /alot/ of duds this year, but people only really remember/care about the good ones of which there was a fair number. It wasnt a bad year for decent/good anime.
AidanAK47
Well yeah, but they didn't have as many Animation studios back then as we do right now. So it's not so much that we lost artistic merit but rather the number of studios cashing in on popular trends for a quick buck have increased. Even then, I am willing to put money on there being just as much harem anime in yesteryear as we have cute girls shows in present.
Lenlo
Perhaps, but I would argue those were on smaller scales, and even then, thats not so different from Western animation or movies. Just look at Warner Bros and their DC push after the success of Marvel. Every industry has those who chase successful trends, yet they arnt failing
AidanAK47
@lenlo, the thing is though that before Moe crap there was eva copy crap and before eva copy crap you had space opera crap and before space opera crap you had hyperviolet OVA crap. The industry has always tried to cash in on a popular trend.
Kaiser-Eoghan
I feel people went apeshit over, say highschool of the dead because they never saw a bunch of old B/exploitation films, thus that show was never special to me and even failed at an imitation of such.
Kaiser-Eoghan
I think people getting to excited for it being unique to a single medium or for, its setting themselve up for disappointment.
Kaiser-Eoghan
I just think its incredibly limited thinking to base it all on just ONE medium, you CAN hold up anime to film when anaylzing anime.
Kaiser-Eoghan
Why should 91 days get a free pass just because its an anime about gangsters? Go watch a film about it instead which theres probably many of, joker game fail you as the mature spy thriller it ended up not being, who cares, Tinker tailor soldier spy exists.
Kaiser-Eoghan
I dislike this "Its unique for an anime/manga to do this, so instantly lets latch on to it, despite fact that same something is already extremely prevalent in other mediums "
Kaiser-Eoghan
Case in point 91 days and Joker game "It has adults, lets pre-rejoice before the show even came out"
Kaiser-Eoghan
I feel though because of the level of dissatisfaction with said moe shows that people are going to leap far too quickly on anything just slightly different, getting their hopes up too high and end up feeling let down.
Lenlo
That, or it all comes crashing down around our ears. With stuff like Houseki no Kuni and Made in Abyss from last year however, I think its going to be ok. We are just getting inundated with crap right now.
Lenlo
I do think that some of the artistic part of it has been lost, its gotten diluted in the never ending river of Moe crap. But that doesnt mean its gone. Just harder to find. Eventually all the random moe shows no one cares about will fail and stop getting made. But the anime audience will still be around, to enjoy the better stuff thats left.
Lenlo
Same thing happened in the mid/late 90's and early 00's to American cartoons.
Lenlo
Eh, I dont think anime is dying. Changing no doubt. Its going through a rough growth stage right now. It has a bigger audience than ever and people are trying to cash in on that with lots of shows that are basically the same
Kaiser-Eoghan
@Mario: Tank you and damn you for posting screencap of loli-tachibana, I now have cuteness overload a diabeetus =<
Kaiser-Eoghan
I realize thats a very minor detail to focus on though.
Kaiser-Eoghan
Thats why I can really really get into a history manga if the art is top quality, the costume designs.
Kaiser-Eoghan
On the historical thing, I have a massive I repeat massive thing for full body medieval armoured characters hacking the shit into things or just the armour in general , especially templar armour designs. I also have an little obsession with male aristocratic army uniforms from the Prussian era and world war 2.
Kaiser-Eoghan
That recent Urasawa manga Travlos mentioned is ending also
@Mario: We might get a complete adaptation of after the rain, the manga is ending.
Kaiser-Eoghan
More historical manga I found, haven't read the second one however, I didn't hear those two mentioned on here either before.
Kaiser-Eoghan
[link src="http://kissmanga.com/Manga/Hawkwood
http://kissmanga.com/Manga/Ad-Astra-Scipio-to-Hannibal"]
AidanAK47
@Anon, yes clearly you know better than everyone else on the planet despite having no evidence whatsoever to back up you claims. Thank you nameless Stranger, we owe you a debt for telling us the same thing we hear every year. Let me congratulate you by kicking you out the door.
Kaiser-Eoghan
I can generally come up with an opinion for what I follow/watch/read , but I don't really have one on kokkuu.
KTravlos
Well we watched the first episode of Kokkuku. Interesting. The ED theme is quite the fanservice.
SuperMario
@Ktravlos: If your like to check out some other shows this season then I'd definitely recommend After the Rain.
SuperMario
@KTravlos: at least Kino is thought-provoking. I can't say the same for Violet Evergarden. In fact I remain skeptical with VE
KTravlos
I am quite enjoying both Violet Evergarden and Mahoutsukai. Violet gives me similar vibes to the first Kio series, though obviously Kino was a better series.
SuperWooper
EPIC post, anon!
Anonymous1825128
Of course, as ardent fans of anime, the writers of this site would not deign to agree or even entertain the idea that their passion is no longer the same artisanal endeavor it once was.
AidanAK47
@Anon, Oh. Actually surprised I forgot about that. Yeah, when it comes to something being described as edgy I think Goblin Slayer fits that definition perfectly.
AidanAK47
@Lenlo, You can still throw down your take if you want.
Anonymous1824209
AidanAK47 - Or the women shields.
Lenlo
You know, sometimes I dont regret forgetting about this chatbox. Missing the "anime is dying" conversation? One of those times
AidanAK47
Oh, Goblin Slayer is getting an anime adaption. I was rather lukewarm on it but I wonder how the anime is going to handle the rather unsavoury aspects. Like the rape. Lots and lots of rape.
AidanAK47
I remember the last guy said he would make a chart and I thought it was a brillent idea as at least something useful could come out of this old dead horse. Then his chart turned out to be a useless jpeg with series thrown to the left or right.
AidanAK47
It does stir up conversation but it's really just the same conversation repeated. I remember stating the exact same points Nayrael and Bokusen are saying around a year ago when this last came up.
AidanAK47
@Anon, Indeed Ratings are subjective but it would at least be a general mainstream consensus of the quality of anime over the years. Not final but at least it's better evidence than one persons general assumption. And other factors are impossible to quaitify.
Nayrael
A good parody of the "Anime back then and now - what happened? meme (if the links are not blocked here): https://i.imgur.com/JZqxz6f.jpg
Nayrael
Not to mention that back in the olden days you didn't see every Anime that aired. Official translators and fansubbers selected the best stuff, which resulted in you seeing the best shows and never even knowing about the shit-tier shows.
Bokusen
I think that people who say "anime is dying" are just getting too nostalgic. It's easy to remember the hit series from earlier seasons. It's less easy to remember all the forgettable generic series that you dropped after 1 episode, and so anime tends to "seem better" back then because of people's tendency towards selective memory.
Anonymous1820731
Why are there more bad anime? Because there are more anime being made. That means the good ones are buried under the lots of bad ones. But saying "anime is dying" from that is like saying "music is dead because I don't like Britney Spears." Why does this conversation always come up, its obvious conversation bait.
Anonymous1820589
@Aidan: You are the first to obsess over the fact that reviews are subjective. And since they're subjective, looking at anime 'ratings' over time does nothing to gauge the measure of effort and artistic talent that goes into making anime.
Kaiser-Eoghan
Which I got my answer by the way.
SuperWooper
>average review scores
What do those have to do with whether anime is "dying" or not? You'd need to look at the money.
Kaiser-Eoghan
Want to add that I agree with both you and Aidan, only brought up those two topics back there because I wanted to know what shows now will be popular in the future.
SuperMario
I'm on the side of Aidan regarding to this. For me it's not neccessary means the anime industry has become "better" or "worse", it's just that it takes new shape and trends and based on the number of anime produced, the industry isn't going down soon
AidanAK47
Am I really going to draft up a chart gathering average review scores of the past 25 years just t shut up this talk of anime dying?
But even if I did that won't toss aside this nonsense.
Kaiser-Eoghan
I know this is complete guesswork.
AidanAK47
Plus the industry is dying? Bloody hell, we got major companies FUNDING anime. Streaming services and more anime coming out that ever before. You can argue that this new anime is weaker but honestly it's just misguided. It takes time but great shows are still coming out. Just like back then.
Kaiser-Eoghan
Well thats kind of what I meant, what, when passage of time comes into it are going to end up being classic based on that, speculatively speaking.
Kaiser-Eoghan
Thats probably a much better way of phrasing it, inheriting mantles. I'm going to say that promised neverland is presently along with Titan a BIG modern shounen.
AidanAK47
Anyway my point is that the shows of the past, the so called classics, are just as flawed as the shows of today. It is only through the passage of time that they become classics. When Stein;Gate finished airing, I seen no one call it a classic. Same goes for Madoka and Fate/Zero. Now, you have people putting up the pedestals.
AidanAK47
Though if anything has inherited the Shounen mantle, it's likely Boku no hero.
AidanAK47
There is no big three Shounen and that's honestly for the best. Because in generally the declining aspect of Naruto and Bleach was mainly due to the pressure on the mangaka to put out chapters on a weekly basis. In fact it's pretty much the primary factor in Bleachs decline.
AidanAK47
Bebop is great but even it is hit and miss by nature. Doubt many remember much about the casino episode and the Alien spoof episode is likely not anyone's favorite. Eva is massively flawed but no one wants to admit it due to the massive amount of praise it receives and influence it has on the industry.
Kaiser-Eoghan
But what is the new big three shounen?
AidanAK47
If we go further back to DBZ, that has tons of issues with filler, dragging out episodes, animation shortcuts, and even complaints of it doing the same thing over and over again with it's story. No to mention the underutilised cast and the everlasting act up putting Goku on a greater pedestal.
AidanAK47
But let us dissect this viewpoint of yours. You claim the Shouen-jump canon as a great, guessing that refers to the shounen big three. But aside from One piece, the other two are emmensily flawed. Naruto is 50% filler and Bleach drops seriously in quality after soul society.
AidanAK47
Also Fate series is trash? That definitely seems aimed at me. What first series are you referring to? Fate/Zero, Fate/Stay Night 2006? Fate/UTW? The same thing over and over again? Sure each series has a holy grail war, but none of them every turned out the same. I am more than willing to admit that the spinoff series outside of the main canon are lesser. Calling them trash however is hyperbole.
AidanAK47
@Anon, Not this crap again. The old "Anime isn't as good as it used to be", how many times have I heard that over the years, and each and every time it proves more untrue.
Kaiser-Eoghan
One point I'm trying to get at is, I don't get throwing the word bad taste around when I know I was probably in the same position as that other fan years ago.
Kaiser-Eoghan
Another thing, for shows we talk up and obviously I've been just as guilty of this, how many of these am I going to be able to recite off by heart years down the line?
Kaiser-Eoghan
I don't like Madoka but thats a good example of a modern classic that'll keep in peoples minds, people still care.
Kaiser-Eoghan
*its a
Kaiser-Eoghan
@Anon: The reason I want to see a new show become a modern classic is because I'm tired of this "fleeting masterpiece" way of thinking, where I a show is super popular during the season and gets talked up as if it'll stick in the mind years on, then weeks later it disappears from memory.
Anonymous1819907
And anime watchers tend to be attracted to series that are just plain boring. The Fate franchise is case and point. The same thing over and over again. It really is a disgrace, to be honest--in my opinion. The first series was great, and I look forward to the movie. But everything in between is trash. But they still get the views, since people are sheep.
Anonymous1819907
The shonen-jump canon, shows like bebop and eva were huge in their time. The industry is just not the same--it's really dying. There isn't the same desire to blow shows up like there used to be. Shonen jump is still at it, but those shows are rarely worth watching, even if they're popular
Anonymous1819907
its a good anime, but it doesn't have the same staying power since it was not an entire industry
Kaiser-Eoghan
Sorry for the long post, I want to get people talking again here.
Kaiser-Eoghan
I would love for this to happen with, say, made in Abyss, that becoming a show that we remember decades from now and still talk about.
Kaiser-Eoghan
Something else I want to bring up, what shows do you all REALLY believe will still be talked about in the future . Bebop and Eva still come up regularly to this day, what new shows do you think will become big classics.
Kaiser-Eoghan
To base taste on things you watched ages ago doesn't really work.
Kaiser-Eoghan
I bring that up because I remember a comment somewhere I read that said, the people who trashed guilty crown, forget geass was 10 years ago and if guilty crown had came out back then instead of geass they would have embraced it instead at the time.
Kaiser-Eoghan
On the bad taste thing, I could easily say Mahouka or sword art are terrible, but back when I watched and loved code geass people where probably bashing it as overhyped shit in the same way people like to do with sword art/mahouka now.
Kaiser-Eoghan
I sure years ago I would have been all over violet evergarden.
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