Posted by psgels on 14 June 2008 with categories: Kaiba

It’s been a long wait, but finally my beloved Kaiba is back. And what an episode does it return with! For once, Kaiba doesn’t appear in it at all, and instead it’s all about Popo, and how the bastards killed off his own mother to keep up his appearances. As it turns out, she once changed his body, which is against the rules of the organization Popo works for. That does make me wonder why Neiro was just allowed to change into Ger and all…

In any case, we indeed learn that there is another Warp besides Kaiba. This guy probably was the one who shot Neiro. If I understood things correctly, then Neiro’s body was shot, and she ended up in Hyohyo. It seems that her memory got split in two: one part works for Popo, and the other one went along with Kaiba.

That still leaves the question to: which Warp is the real one? What we know is that the body that Kaiba was in in episode one was the genuine indestructible body of Warp. I believe that the Warp we see in this episode is the real Warp who killed off those hundreds of people. Then at one point, he ran into this “Kaiba”, which stole his body. Kaiba then met Neiro and the two fell in love. Warp then tracked down Kaiba and destroyed Neiro’s body, though what I suspect is Popo’s meddling, Kaiba escaped him, somehow causing Kaiba to lose his body and get that hole through his body, after which episode 1 started.

What interests me the most is the real link between the plant Kaiba and the human Kaiba. We know that that plant has a lot of an appetite and that it eats memory, but what I want to know is how such a plant ended up being turned into actual memory. What I also want to know: who are on Kaiba’s side in this story, and most importantly: why? Why would the ostrich be working for such a plant? What’s the connection to the memory-guy to all of this?

I must say, that this series knows EXACTLY what makes a good mystery-series. I totally forgot about this, since 2007 was a bad year for mystery-series, but a good mystery-series doesn’t just ask questions, but it forces its viewer to form his own theories about what happened. This is what sets the genre apart from series that have to rely on some obscure side-story that you can only understand if it’s spelled out in front of you.

And indeed, even though I originally thought that Crystal Blaze would be a mystery-series, its mystery turned out to be just a simple back-story and the story focused on storytelling and characters instead. Instead, Shion no Ou’s mystery-plot was simple, yet it knew how to make its viewer guessing about the identity of the murderer, and most viewers already knew exactly what happened when facts were finally revealed. Nijuu Mensou no Musume is about to do the same: the simple question is: what happened to Nijuu Mensou, and there are several theories possible, and enough clues to keep you guessing.

Another great approach to mystery is the one used in Himitsu: it offers you the pieces of the puzzle for each episode, and they only really fall into place when you connect these pieces. Ergo Proxy and Boogiepop Phantom are yet another story: they just provide a few clues here and there and apart from that they make no attempt to help the viewer figure out what happened.

I now see that the series that just feature a huge setting, but withold some of this information at the start aren’t necessarily good mystery-series, and rather use the appeal of the unknown to create tension. I personally loved Dennou Coil, but it was excellent because of its plot, characters and the amount of imagination that was put into the setting. Not because of its mystery, and I’m surprised it took me so long to realize this.

At the moment, I’m wondering whether Real Drive will be able to pull off good mystery. Right now, it relies a lot on the appeal of the unknown, and it’s definitely got my attention about its concept, but interestingly enough, it hasn’t started asking focused questions yet. When this’ll happen, I wonder whether it’ll allow the viewer to speculate about the setting, or whether it’ll just carry the viewer along with its revelations.

4 Responses

  1. Denizen says:

    Thanks God this is finally back. I can’t wait to see how this show ends.

  2. senerikfred says:

    Who cares how it ends? It’s pretty much been established that it will be nearly impossible to end this series badly. I want to see what happens next, what kind of weirdness we’ll get, and more awesome music.

  3. Ez says:

    So far it’s been quite confusing, but I managed to get the gist of it after watching this episode.

  4. BlueYoshi says:

    This episode was awesome (as usual), but I’m still a bit confused (as usual).

    Maybe it’s because of the subs of the show, which present things that are completely different to your theory. Your theory sounds good at the moment, but I think Kaiba escaped Warp’s body and went into the perfect copy body that left the factory at the end of this ep. AH!! So confused…

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  • Kaiser Eoghan
    (Wednesday, Nov 25. 2015 03:45 AM)
    But I’m no fan of gung-ho soldier games/most fps games so I am glad clannad, a visual novel outsold call of duty.
  • Kaiser Eoghan
    (Wednesday, Nov 25. 2015 03:44 AM)
    I said it once I’ll say it again. I preferred the clannad movie over the tv series, had more style, a more mature feel to it and cut out all the superfluous arcs/comedy for the better. It also concludes better than the series. The emotional involvement in the kyoani version doesn’t work for me anymore, doesn’t hold up. However the film remains emotionally engaging after revisiting it.
  • AidanAK47
    (Wednesday, Nov 25. 2015 03:19 AM)
    Holy hell Clannad is selling like hotcakes on Steam. Even beat Call of Duty in sales at one point.
    Kinda happy to see a VN get recognised and it would help open up the market for more titles to come over. But..well..Clannad really isn’t all that great.
  • Kaiser Eoghan
    (Wednesday, Nov 25. 2015 02:29 AM)
    I can remember when I first got into anime when I was a whole lot younger I always said I would watch lodoss war, El Hazard and slayers, yet I never ended up doing so…
  • Kaiser Eoghan
    (Tuesday, Nov 24. 2015 05:34 AM)
    Ha, the child in me would love to see a film like that I’d imagine, when I was young I was pretty crazy about Egyptian supernatural stuff.
  • Bam
    (Tuesday, Nov 24. 2015 05:23 AM)
  • Bam
    (Tuesday, Nov 24. 2015 05:22 AM)
    @Kaiser: yeah, even tho it was his highest grossing movie it managed to brought his career to a stand-still. His next film Gods of Egypt looks like it could be fun, albeit it’s just as much as a CGIfest as I, Robot. Egyptian stuff is admittedly rather intriguing, I remember a 2004 French film Immortel ad vitam that blended that with modern themes that became popular for a while.
  • Kaiser Eoghan
    (Tuesday, Nov 24. 2015 04:50 AM)
    *remove second and
  • Kaiser Eoghan
    (Tuesday, Nov 24. 2015 04:50 AM)
    @Bam: Regarding dark city, such a shame the director of that followed up dark city and the crow and with Irobot.
  • Bam
    (Tuesday, Nov 24. 2015 04:41 AM)
    @Kaiser: oh The Celebration- I actually seen that as well, great movie. Didn’t know it was the same director, but thinking back now I can see the similar touches despite the difference in tone.

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