Posted by psgels on 16 June 2008 with categories: Anime Reviews


I first learned about Overman King Gainer through its OP that you’ll either absolutely love or absolutely hate. In my case, it was the former, so I just had to watch the series, hoping that it would be more than just a cheesy mecha-show. As it turns out, twenty-five years after creating Gundam, Tomino still knows how to make a good anime.

As it turns out, he left the realism as seen in Mobile Suit Gundam for what it is (after all, after creating 200 episodes and various movies of Gundam, how much more can you play with realism?) and instead he decided to focus on creativity. The result is a series that might be nothing special when concentrating on the big picture, but is filled with lots and lots of details that sparkle with creativity. The setting in the middle of Siberia, the Exodus where entire cities travel for hundreds of miles, looking to “break free”, the mobile suits designs, you can see that a lot of time has been spent to make the setting as original as possible, and it really works.

Tomino also didn’t forget how to pull off good action. In this series, there are no episodes dedicated to intermezzos or aftermaths. Every single episode has something fun in store for its viewer, leaving hardly any chance to get bored. So much is happening on-screen. This is really an anime that’s meant as entertainment, and I call this mission accomplished.

Interestingly, Overman King Gainer has the same weakness as Mobile Suit Gundam: both have a main character that becomes the pilot of the main mecha through very questionable reasons. This one needs a bit of minutes to get the hang of it, after which he can pilot the thing as a master, only because he happens to be good at video games. This will indeed give you improved reflexes, but there’s also the matter of getting accustomed to the new controls, and learning to endure the physical strain on your body while fighting.

The plot overall isn’t the most solid ones around by far. During some fights, the writers pull random powers out of thin air, just to keep the story flowing smoothly, and there are quite a few sloppy explanations that rely too much on the viewer’s imagination. The ending also goes on for too long. I really feel that this would have been perfect for 22 or 23 episodes, simply because the climax takes bloody ages, becoming a bit too serious for its own good. Thankfully, this series manages to finish with the bang that it was supposed to deliver, but the road to this descends to a generic “stop the world from getting destroyed”-plot that moves too far away from what made the rest of the series so enjoyable.

It’s interesting to see the evolution of such a prominent director. Overman King Gainer isn’t better than Gundam, but instead it’s fresh and fun. If you liked series as Gurren Lagann or Code Geass, you’ll probably like this one as well, and personally I enjoyed this one the most: it’s got the fun and down-to-earth factor that Code Geass seems to be lacking, and the engaging storyline that I was missing in Gurren Lagann. It’s far from perfect, but very enjoyable nonetheless. I wonder what Tomino’s up to right now. He hasn’t released anything since the Wings of Rean, has he?

9 Responses

  1. Camario says:

    I’ve been hearing good things about this for a while, but personally I still have mixed feelings about Tomino as a director.

    Still, I guess this bumps it up in my watch list, just need to get through Baccano first.

    Btw, in an entirely unrelated subject, I finally watched the Phoenix TV series you reviewed here a couple of years ago. Excellent series and, yes, Tezuka really went much further than I thought he would, in a certain arc. Won’t say more, to reduce spoilers.

  2. Realism is overrated. I’ll definitely check this out. ^^

  3. The thing with King Gainer is that it’s mostly just fun to watch. That and the whole city travelling across the tundra in rows thing is a really cool idea and neat to look at.

  4. Phelps says:

    I think that the biggest problem with King Gainer are the dialogues.

    It has pretty good story, setting, characters and mecha, however the lines the characters speak don’t “feel” natural. I also think several plot points became confusing due to these deficiencies in the script.

    But it’s still a very enjoyable series, and my favorite anime OP.

  5. senerikfred says:

    That’s. . .some OP. . .

  6. Hunter-Wolf says:

    Kinda reminds me of Eureka .. or maybe Eureka was inspired by this … it seems to mix creativity with a tiny bit of realism and an epic cast of varied characters ( mostly ship crews )

    Psgels .. if you liked this one then you might as well like Eureka 7 ( which was fantastic )

    I actually saw the main mecha in a PS2 game trialer that mixed many mecha fighting each other ( it had the one from Eureka 7 too ) .. and i actually thought the design was very creative and looked cool rendered in 3D … might give it a watch to see if it is better than E7 or not ^_^

  7. miden says:

    guess ill take a look at this oneXD~

  8. Teru says:

    Hunter-Wolf, the similarity with Eureka 7 can be easily explained, both shows have the same character designer, Kenichi Yoshida.

  9. Hunter-Wolf says:

    Teru, thanks .. that explains a lot … but what i saw from King Gainer ( intro and an AMV ) it seems the similarity extends more than that … the main mecha seems to be more organic on the inside and most of the characters seem to be crew members on battleships … also there is the saving the world theme … if someone saw both i think he/she can confirm that … i’m not saying they are identical .. but they rather share many themes .. and of course the character designs too.

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  • Bam
    (Saturday, Jul 2. 2016 05:29 AM)
    Although it looks like Liden Films is working with a decent budget, the 3d models weren’t really that impressive. They’re actually pretty lucky to have Studio Millepensee on board as well; since their still frames and 2D in-betweens were actually really good.
  • Bam
    (Saturday, Jul 2. 2016 05:13 AM)
    The song from Gut’s nightmare sequence in the wagon was good tho. That might be the Harasawa insert track.
  • Bam
    (Saturday, Jul 2. 2016 05:11 AM)
    @Aidan: I already favorited their page. That’s incredibly. It’s like Kotaku hired a bunch of bronies to write reviews.
  • AidanAK47
    (Saturday, Jul 2. 2016 05:05 AM)
    @Bam, don’t think it’s a parody. After all it’s the same site that posted this comedy gem of an article.
    http://kotaku.com/sword-art-online-is-the-smartest-anime-i-ve-seen-in-yea-5947171
  • Bam
    (Saturday, Jul 2. 2016 04:59 AM)
    I really do hope that I’m wrong about all of this.
  • Bam
    (Saturday, Jul 2. 2016 04:57 AM)
    I’m starting to question Miura, and wondering how much of the genius of it was the 97 series director Naohito Takahashi, I mean I did watch the series before reading the manga. His choices are starting to make sense: leaving Puck out, ending the show right at the eclipse. He knew Miura will never finish it, and that is the high point of the whole story.
  • Bam
    (Saturday, Jul 2. 2016 04:52 AM)
    @Aidan: this article has to be a parody. I refuse to believe otherwise.
    The original’s pilot was disjointed and messy, but it kept the dark atmosphere and the somber tone. It still captured your attention and got you to watch the second episode, which was the real hook. This upbeatness … it’s just wrong.
  • Kaiser Eoghan
    (Saturday, Jul 2. 2016 04:51 AM)
    @Bam: Ah, I’m am slightly high at the moment and it makes me giddy/shit post.
  • Bam
    (Saturday, Jul 2. 2016 04:48 AM)
    @Kaiser: might be a “bab” but I am far from innocent.
  • Kaiser Eoghan
    (Saturday, Jul 2. 2016 04:46 AM)
    And hearing the characters voiced in Japanese, it reminds me just how the dub for Berserk sat much better for me.

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