Posted by psgels on 25 June 2008 with categories: Crystal Blaze


Oh god, the creators actually did it! They actually pulled off a great ending as well. This episode was really good, and amongst the best of the entire series. One thing I’ve noticed with endings that they often feel rather lukewarm. I think that my opinion of this seems to change with every season, but right now, I believe that a good ending comes from an episode that uses the building-up of the rest of the series. Too often I’ve seen endings that never use anything that’s been built up for apart from that bad guy that’s dead now, or something similar.

[SPOILERS sort-of follow for the endings of Ghost Hound, Kurenai, Bokura no and Seirei no Moribito] As much as I hate to admit it, thinking back, Ghost Hound’s ending wasn’t that good. It looked like a series that kept building up, but it never really built up for the stuff that actually happened in the climax. In the same way, Kurenai’s ending where Murasaki proposed to stay also came from nowhere, which is probably why that ending felt rather weird. An example of a good ending is Seirei no Moribito: it was very straightforward, but it kept the same pacing and mood as in the rest of the series. The ending for Bokura no is such an example as well: it remained within the flow of the original series, while also providing a lot of new things that fitted within the series.

Crystal Blaze in the same way stays within the same mood in its final episode, and doesn’t become anything completely different. There’s still its great sense of storytelling present, and it still had a lot going on. There were a few clichés here and there (the self-destruct-button that needed to be stopped, the finish with a big explosion), but the execution was done well enough to make these twists acceptable.

I have to especially give this series credit for the way this episode started. I mean, how many times have we already seen an important character, about to be shot, followed by a fade-out and a cliff-hanger? I nearly forgot that people can actually get shot in these kinds of things. Seeing Sara getting shot in the back was a real way to catch my attention, as ironically, I never saw that one coming, even though she’s got the powers to regenerate and all.

This was also really an episode where the characters really come together. Everyone apart from perhaps Manami (who only played a really small part anyway) was really awesome to watch. The humour was better than ever, and you’ve got to love the return of JJ. As it turns out, the poor guy was never caught, and instead he had been hiding inside the building’s air shafts for all this time.

Now that everything is over, I’m still of the opinion that Crystal Blaze is among the best series this season, and it really knew how to use its limited time of 12 episodes. Especially since the production-values are nothing to write home about, this really surprised me. For those who quit this series due to Manami: don’t worry. Once this series hits its second half, she becomes a regular side-character and the focus shifts to the other ones.

To close off, this series has one of the funniest aftermaths. Even when compared to pure comedies (who never seem to be that good with their aftermaths anyway, for some strange reason). Doc, dressed up as Kitoh was awesome. Although I didn’t wish to have seen that “particular” shot of Porilyn…

4 Responses

  1. Amuro says:

    Best series of the season?!? I thought this series is mediocre at best.

  2. Windy says:

    I don’t agree with your comment Amuro. I think it’s one of the best series of the season and I totally agree with psgels on that one, that it ” is among the best series this season” and that the humour here is awesome! I really enjoyed watching it! The characters are well- developped as well. So, we can’t deny the fact that series is a particularly good one.

  3. konnsky says:

    brilliant ending! it has been a really good show. thank you for blogging this.

  4. oisidfjdsavndbe8iotewqfmndam,fsngkjohasuotklafjsakjf says:

    Oh yeah, I think Monica was doing the red haired chick >=D

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  • Bam
    (Sunday, Jun 26. 2016 10:32 AM)
    If a series wants to be sophisticated about complex concepts like war and conflict, then it has to presuppose the fact that it is part of human nature. Resources are limited, and even aside from that, greed exists. There is no way to take out a few head figures to stop a war- there will be a vacuum that will almost immediately be filled by a similar, if not worse, individual. A world “where no one cries” or suffers, or dies, etc, cannot exist as long as we have free will.
  • Bam
    (Sunday, Jun 26. 2016 10:26 AM)
    F/SN delved into this deeply with the Shirou/Archer dichotomy, but then it pussied out at the decisive moment. Archer was right, his arguments made perfect sense, yet the arrogant naive Shirou had to pull thru by sheer will alone, and a vague hope and promise that he’ll find a way somehow. I swear, I’m not sure if Nasu gave in to pressure to make a so-called “good prevails” ending, or that he honestly believes in it. Looking at his material, I’ll bet on the former.
  • Bam
    (Sunday, Jun 26. 2016 10:22 AM)
    hehe … that’s why you don’t get me started on Eva or Berserk.
  • Bam
    (Sunday, Jun 26. 2016 10:20 AM)
    It also delved into the depth of what a desperate goodie-two-shoes people-pleaser protagonist would actually be like, and the reception he would get from his peers, specially the women. That alone right there was a deconstruction of the majority of shonen main characters.
  • Bam
    (Sunday, Jun 26. 2016 10:00 AM)
    There was no hype machine back then. The internet was still in its infancy. So when a show became this popular there was certainly some merit to it. The organic/machine hybrid mecha was relatively new, and the scene construction and cinematography was for the most part immaculate. There’s a reason why the mecha genre is divided to “pre-Eva” and “post-Eva”.
  • Bam
    (Sunday, Jun 26. 2016 09:53 AM)
    It also didn’t hurt that the character, costume and mecha designs were slick and attractive, done by the under-appreciated Yoshiyuki Sadamoto.
  • Bam
    (Sunday, Jun 26. 2016 09:31 AM)
    It came up with clever scenarios to common mecha tropes, and answered the questions that would arise from them:
    -Why do we use mechas with melee weapons against alien invaders instead of conventional weapons? AT fields on Angels.
    -Why use kids to pilot them? The Gehrin Project.
    -What happens when you put kids in sever combat situations? Extreme PTSD.
  • Bam
    (Sunday, Jun 26. 2016 09:27 AM)
    These types of deconstruction shows that are run-of-the-mill now didn’t really exist back then. Eva did afterall became the tropemaker for Gainax endings. To see the creator’s psyche twist in front of our eyes was incredible. The show went from a regular monster of the week mecha series to a deranged psycho-thriller by the end of it.
  • Bam
    (Sunday, Jun 26. 2016 09:23 AM)
    Eva was fresh and quite unique for its time. Not that everything they did was original, but they certainly put their own twist on it. I also enjoyed the “fuck-you” ending of the tv series. Anno always defended it as intentional, but we all know it was really a budgetary constrain. well, at least we got the amazing End of Evangelion movie to supplement it.
  • Bam
    (Sunday, Jun 26. 2016 09:21 AM)
    @K-of: yup Eva geek here, guilty as charged. In my defense, I watched it week-to-week when it aired back in 96, and the landscape of anime was a lot different back then.

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