Posted on 31 July 2008 with categories: Anime Reviews


Time for another classic. If you’re one of those people who has only seen “modern” anime of the past decade, and are interested to see what the medium was like before the arrival of Evangelion, in the seventies and eighties (and perhaps the early nineties), then my top recommendation isn’t Gundam (at least, not until I’ve seen Zeta Gundam), but instead the very charming series of Mobile Police Patlabor.

The biggest reason for this is that while Mobile Suit Gundam caters for a specific audience, Mobile Police Patlabor seems to have something for nearly everyone: only if you need your series to have harems or slice of life (or gory horror, I guess), then you won’t find what you’re looking for. This series has mecha, it’s got drama, comedy, action, and a bit of romance and horror here and there, all packaged together quite neatly into 47 episodes.

It’s one of those very few series that tries to find a realistic use of mechas: in this series, they’re mostly used for construction and the police only use the mecha in order to solve conflicts for when these mechas go out of control. I’m surprised why I haven’t seen any newer mecha-series taking over the same idea, because it makes perfect sense. The main characters also aren’t anyone special: they’re no heroes whatsoever; they’re just a bunch of policemen who are in charge of these mechas. The epic “saving the country”-themes of the movies don’t return at all in the series, and everything is purposefully kept nice and down-to-earth.

But what really sells this series is its lovable cast of characters. Especially Captain Goto is an incredibly likable and unique character, but the rest of the crew also gets enough opportunities to shine throughout the series. The hot-headed Ota may be a strange character, but you’ll get used to him in no time. Noa, the most central character in this series, is quite likely the most stereotypical of the bunch, with her love for mechas (or labors, as they’re called in this series), great driving skills and naive nature, but she does end up being the most fleshed out and developed character of the entire cast, so she makes up for that.

Patlabor is an episodic series: every episode the crew handles a case (or does something other labor-related), where the focus is more on the characters than on the actual action, though the action itself is also very impressive. You won’t see any overpowered god-mode beams in this series, and fights are almost always based on strategies, rather than senseless bashing (although some characters in the series seem to forget this at times ^^;). The interesting thing is that this series joins Ooedo Rocket on the very short list of series whose dramatic climax isn’t at the end of the series. Instead, there’s just one arc in the series that takes up more than two episodes, with interesting villains and a tense atmosphere, and once that arc is done, the series just continues with episodic stories, and the final episodes instead go for some subtle character-development, instead of trying to end the series with a bang (but then again, with three movies and two OVAs, why should it?)

There aren’t much flaws in this series, but I’d love to have seen a bit more about division one (the division that works right next to the division of the main characters). We see hardly anything about them, with the result that the last episode hastily introduces a vital member of the division from out of nowhere, and acts like he’s been there all along. That was rather confusing.

Nevertheless, if you have the time to watch nearly fifty episodes, and have yet to see the Patlabor Movies and the television series, then I recommend going for the television-series first. The movies had their own excellent points, but it’s the series that brought the cast to life, and the movies clearly assumed that the viewer had already seen the television-series. The highlight of this series is definitely its cast of characters: it works great during the more serious moments of the series, but at the same time some the comedy-episodes are absolutely priceless. The comedy isn’t of the in-your-face type, like most slapsticks, but instead it requires proper build-up to work best. Patlabor may be nearly 20 year old, but it’s smart and it still packs a punch.

Storytelling: 9/10
Characters: 9/10
Production-Values: 8/10
Setting: 9/10
Posted on with categories: Monthly Summaries

The summer-season has always been the season of short and varied series, and in 2008, it’s no different. There’s a wide variety of genres in this relatively small season, only horror seems to be missing at first glance. So far, there are a number of potential classics lurking among them.

#30 (new) – Nogizaka Haruka no Himitsu – (4/10) – Sorry, but I have no intention to continue watching this stereotype-filled rubbish.
#29 (new) – Koihime Musou – (6/10) – Nice, but this series is way too silly for me, considering its setting. Dropped.
#28 (new) – World Destruction – (6/10) – I gave this series a chance and watched four episodes. My reward was a bunch of lame uninteresting stories about a bunch of lame uninteresting characters. Heck, I doubt that the world is going to get destroyed at the end of the series anyway. Production IG, you disappoint me. Dropped.
#27 (new) – Yakushiji Ryouko no Kaiki Jikenbo – (6/10) – I’ve mentioned this before: the “I have no life so I’ll just reveal my evil plans to every random person who happens to drop by”-villains were a major letdown for me. This series is too much Yakushiji Ryouko and too little Kaiki Jikenbo. Dropped.
#26 (25) – Allison to Lillia – (6,5/10) – The only reason why I kept going with this series is to check whether the Lillia-part of the story would be worthwhile, but now that that time finally arrived, it’s still filled with predictable storylines, way too obvious foreshadowing and I’ve got no inclination to care about the cast. Wake me up if the final episodes do turn out good, but for now I don’t want to waste my time with this thing anymore. Dropped.
#25 (new) – Sekirei – (7,25/10) – Sekirei is overplaying coincidences too much: the main character accidentally gets knocked over by a Sekirei, they then go and fly and crash into a house with more Sekirei, he goes to work, only to find more Sekirei. What, is the entire city populated by Sekirei or something? In any case, I have to admit, though: it’s nothing special, but the characters are enjoyable to watch for now. Let’s hope that they’re actually going to develop.
#24 (new) – Slayers Revolution – (7,5/10) – After watching four episodes, it’s not like I’m eager to watch the rest of the Slayers-franchise. In fact, Gintama is currently doing everything this series has done so far, and 10 times better.
#23 (21) – Code Geass – Lelouch of the Rebellion – (7,5/10) – Code Geass’s strange overblown combination between brainless action and soap-opera antics continues. It’s enjoyable enough, although I do have to say that I’m really glad that Karen has been captured. It’s been really refreshing to watch all this airtime without her.
#22 (20) – Itazura na Kiss – (7,5/10) – The wedding came in way too fast, but episode sixteen was surprisingly enjoyable when compared to its previous episodes. Please keep this up for the rest of the series!
#21 (19) – Soul Eater – (7,5/10) – Ugh, it’s getting harder and harder for me to gather enthusiasm for this series. Come on, this is Bones! Make something interesting happen!
#20 (new) – Antique Bakery – (7,75/10) – Good to see that there’s finally a series about gay people that isn’t yaoi or yuri, and instead chooses to deal with the topic of how gays feel awkward in today’s society. Shirogumi (who also did Moyashimon) and Nippon Animation form an excellent combination for the Noitamina timeslot, and the cheese is hilarious as well.
#19 (new) – Birdy the Mighty Decode – (7,75/10) – I may have expected a bit too much from this series, considering the director and all. It’s interesting, but nothing amazing yet. I’ll withhold my judgment for now, though.
#18 (new) – Strike Witches – (7,75/10) – I’m not sure what’s going on here: the premise is obviously strange with the pants-less females, and yet it’s a strangely charming series that attempts to unify the European and Japanese cultures.
#17 (new) – Mahou Tsukai ni Taisetsu na Koto ~ Natsu no Sora – (8/10) – I’ve no idea where that fourth episode went, but nevertheless it’s a calming slice-of-life series with a number of very strange plot-twists. (Crashing truck, anyone?)
#16 (11) – Chi’s Sweet Home – (8,25/10) – I’m not sure why I switched to the subs for this series (probably because it was easier to keep up with the huge amounts of episodes), but now that these have stalled, it’s getting a bit lonely without Chi, which is a shame because the subs stopped right at the point where this show became hilarious again.
#15 (6) – Porfy no Nagai Tabi – (8,25/10) – The past month of Porfy no Nagai Tabi has been kind-of weak. The Sicily-arc just didn’t live up to the rest of the series.
#14 (14) – Wagaya no Oinarisama – (8,25/10) – Wagaya no Oinarisama continues its tradition of “it’s not supposed to be good, and yet it is”. There’s nothing much else to say, really.
#13 (new) – Mission-E – (8,25/10) – Doesn’t try to be the best, but nevertheless it’s a very enjoyable and fun series that doesn’t deserve the negligence it’s getting right now.
#12 (new) – Ultraviolet: Code 044 – (8,25/10) – The movie may have sucked beyond belief, but the anime manages to fix its mistake by putting a good emphasis on characterizations. The atmosphere is dark, and the fact that there haven’t been any fillers yet whatsoever is also a large plus.
#11 (12) – Blassreiter – (8,5/10) – Well, it seems that the creators had no intention to be less dramatic for the second half, but make no mistake: the action is getting quite good right now, with the characters developing and all. All the prejudices of this show being typical Gonzo-crap are unfounded, and Blassreiter has unfolded into an engaging series now that the teenaged emo is gone.

#10 (15) – Gintama – (8,5/10)

Gintama has been particularly funny this month, and especially episode 67 cracked me up, with its rather wrong parody of the “romantic interest walking in on an embarrassing situation”-trope that you usually find in harem series.

#9 (16) – Macross Frontier – (8,5/10)

Okay, it’s been a long wait, but the plot is finally catching up speed for the finale of Macross Frontier. Characters are starting to get developed, good, good.

#8 (new) – Bonen no Xamdou – (8,5/10)

Shows the beginnings of a classic. It’s done everything right so far: detailed animation, and storytelling, an addictive pacing, an interesting world. I’m very curious to see where the creators plan to go with this series.

#7 (new) – Blade of the Immortal – (8,5/10)

Yes, I’m biased, but I don’t care! This series rocks! The soundtrack is excellent in my opinion, and the first two episodes showed the typical style of Beetrain-storytelling.

#6 (17) – Telepathy Shoujo Ran – (8,5/10)

You know, the more I watch this series, the more I like its adorable cast of characters. Sure, it may have its flaws, but Midori makes up for all of them.

#5 (new) – Natsume Yuujin-Chou – (8,75/10)

A really peaceful summer-like atmosphere and engaging stories to keep the viewer busy. My favourite of the summer season so far.

#4 (2) – Himitsu ~ The Revelation – (8,75/10)

The past few episodes of Himitsu have been either excellent or missed the mark. The series may have its lesser stories, but the good ones really make up for it.

#3 (10) – Nijuu Mensou no Musume – (9,25/10)

July has been a sensational month for Nijuu Mensou no Musume, with just about everything in this series hitting new heights. Whether this series can keep up the same quality for the rest of the episodes remains to wonder, but I’d love to find out.

#2 (8) – RD Sennou Chousashitsu – (9,25/10)

I’m trying to find a good way to describe the past few episodes of RD, but I can’t. Instead, I’ll just vaguely summarize it with one word: unique.

#1 (1) – Kaiba – (9,5/10)

My three favourite 12 or 13-episode series are without a doubt Haibane Renmei, Hi no Tori and Kaiba. I’m not quite sure in what order they go, but one thing is clear: Kaiba has been an amazing ride, from start to finish.

Posted on 30 July 2008 with categories: Bonen no Xamdou



Short Synopsis: Obligatory “I’m not going to cooperate with you”-episode.
Highlights: This was an obvious building-up episode, so nothing much stood out.
Overall Enjoyment Value: 7,5/10
Well, it had to happen sometimes. You can see this type of episode in many different series, where the main character, as stubborn as he is, yells at everyone in his new environment and wants to go home. It’s not the most exciting episode, but it is essential for proper build-up and character-building, which is why it’s used so often.

This episode did make use of its 20 minutes by giving a proper introduction to the crew of the postal service ship. It still remains a mystery why Nakiami is on board, or why they involve themselves with these huge battles, but at least the most important crewmembers were fleshed out. Meanwhile, at the camp of the antagonists, the major villain (or at least someone who looks like one) turns out to be some kind of war hero, who survived a huge war, 17 years ago. Their role in this story still seems a mystery, though.

What intrigues me is the high amount of attention to Akiyuki’s friends, who he left behind. If Akiyuki really is going to work for a postal ship, then that means that he’s not going to see them again, and yet they’re really well-fleshed out characters. What could the creators have in mind for them? Don’t tell me that that girl is going to follow the airship when she receives the letter that’s about to be sent to Akiyuki’s parents?

Posted on with categories: RD Sennou Chousashitsu



Short Synopsis: Okay, so last week’s preview was lying: this episode wasn’t about Souta and Holon at all. Instead, it’s about Minamo’s family.
Highlights: What could not be awesome about Minamo’s divided family coming back together?
Overall Enjoyment Value: 8,5/10
What a charming episode! Minamo and Souta’s parents and grandparents have always been vaguely mentioned here and there, but they never really took the central focus in this series, apart from perhaps that one episode that was dedicated to Souta’s father. In this episode, Minamo’s grandmother AND mother come to visit their offspring for one night, and enjoy a rare family reunion where all five members of the family are together.

I guess that this too is a commentary to today’s Japanese society, which through its workaholic attitude has many families that are separated from each other, and I can imagine that sixty years into the future, where transport has evolved even more, this wouldn’t be any different, and like Minamo’s parents, couples often live apart from each other because of their jobs.

And at the same time, this episode fleshed out Miamo and Souta even more, by showing what their parents look like. And damn, Minamo’s grandmother looks so different from what I expected. I can’t remember whether we actually saw a shot of her in the second episode, but I was really expecting some thin old lady with grey hair and all, and instead she turns out to be a much more similar to Minamo, and much younger-looking than I imagined her to be. At the same time, the creators also manage to sneak in a reference about Kushima having a sister. Am I the only one curious about her, and what she’d look like?

And damn, the preview for the next episode intrigues me. There’s some kind of deserted ruins in some jungle that suddenly started operating again. Could this go further on the Eliza-subplot of a few episodes back?

Posted on 29 July 2008 with categories: Mission-E



Short Synopsis: It’s character-building time when Chinami and Maori pay a visit to the research facility where Kotarou works.
Highlights: A Cow?
Overall Enjoyment Value: 8/10
Fun episode. It’s nice to see Kotarou back in detail, and at the same time this episode also showed the difference between Chinami and Maori in the ways that they grew up. It’s very much like Telepathy Shoujo Ran: Chinami had an understanding family, who supported her through her problems, while Maori probably had much less luck, and had to endure strange looks from her classmates by herself. Chinami always tried to stay in the background (probably also transferred schools here and there), while Maori’s powers became infamous through the entire school.

It’s interesting how Chinami is pretty much an airhead, both in Code-E and Mission-E, while Maori has a much more down-to-business personality, even though they were just as shy when they first appeared. Kotarou seems pretty much the same as he ever was, perhaps a bit maturer than what we saw of him in Code-E. He really does form a cute couple with Chinami, even though they’re apart very often. In any case, I’m glad that the creators made no attempts at creating another love-triangle with Maori. There was enough love-tension in Code-E, and I’m glad to see that Mission-E’s focus is about something entirely different, and knows it.

The new bad guy Kiriku in this episode was… interesting. His biggest purpose was most likely to flesh out the yellow-haired bad guy whose name I forgot at the moment. The latter has a sense of business, and doesn’t like to act when there’s nothing to gain for him, while the former likes to eliminate any potential threats for the future by force. In a way, this series likes to play with different characters who are put in the same situations: there’s Chinami and Yuma, Chinami and Maori, Kiriku and the other guy and the Brinberg-siblings in a way too.

Speaking of which, Adol (at least, I think that was her name) appeared this episode in a coma. I remember how in the first season, they were a great source of comic relief while trying to overcome all the cultural differences, and I’m really interested to find out what she’ll be like when she wakes up from this coma, especially since she lost her brother just like that in the first season.

Posted on with categories: Natsume Yuujin-Chou



Short Synopsis: A haunted building-episode.
Highlights: Natsume’s relation to his classmates continues to develop.
Overall Enjoyment Value: 8,5/10
Seriously, this series gets better and better with every episode, and I already considered it as one of the highlights of the summer-season. I’m really not sure how the creators did it, but their sense of characterization is amazing. But then again, this was to be expected, considering the director: both Baccano and Jigoku Shoujo had a huge cast of characters, with nearly every one of them having its own identity and likable from the start. So, what happens when you assign a director who is excellent at characterizations on a story that lives because of its characters?

This episode shows the most hostile Ayakashi so far, who kidnaps every one of Natsume’s classmates when they go and explore a strange abandoned building. He doesn’t even care about getting his name back, and is acting all out of some sort of grudge (if I understood correctly, it’s some kind of hate for people). But what caught my attention the most is another one of Natsume’s classmates. We don’t see the black-haired guy in this episode, but there’s a girl who has discovered that he can see spirits, because she noticed how he keeps talking to people from out of nowhere

On a side-note: this series is without a doubt the hardest to understand from the new season, simply because those Ayakashi keep speaking in some strange ancient dialect that doesn’t show up in the dictionary that I’m using. Japanese already is hard enough to understand without some random dialect thrown into it.

Posted on 28 July 2008 with categories: Blade of the Immortal



Short Synopsis: A girl whose parents were murdered asks Manji to help her with her revenge.
Highlights: If you weren’t already convinced that this was a Bee-Train series, then this episode will.
Overall Enjoyment Value: 8/10
Okay, so I think that it was pretty obvious that I’d end up blogging this series. After years, I’m still not sure what’s so appealing about their distinctive style, and yet I absolutely love it. I haven’t read one page of the manga so far, though I might read it once this series is finished. I believe that there were some changes made here and there that made the manga-readers overall disappointed, but for now, I won’t care about that.

In any case, it turns out that the frantic pacing of the first episode was just used by means of an introduction. I should have known: Bee-Train really likes to kick off its series as mysteriously as possible, only to go for a slow pacing with episode two. We’ve seen it in El Cazador, .Hack//Sign, Tsubasa Chronicle, and probably some more that I forgot about now. Still, a slow pacing is really what fits Bee-Train the best. It really allows the story to take its time and the characters to develop properly.
I also keep getting impressed by the music, and it’s surprisingly varied. One track bears a clear reference to Tenpou Ibun Ayakashi Ayashi, while the next is a spunky modern jazzy piece of music, the next is a quiet harp song, the next gives off horror-vibes. Kou Outani really was given a lot of freedom for this series. I must say that I really like the vocals that were used. Call it wailing, but I think that whoever is singing it has a great voice.

Also, what’s up with the episode count for this series? MyAnimeList is the only site which has this series listed at 13 episodes, and yet neither AniDB nor Animenewsnetwork, which strike me as the more reliable, have anything about the total amount of episodes. And yet, there’s also talk going on about a second season. In any case, next week there’s another hiatus, but after that, the releases seem to continue weekly instead of semi-weekly.

Posted on 27 July 2008 with categories: Anime Reviews, Kaiba


Welcome and say hello to one of the best anime of 2008, and along with Haibane Renmei and Hi no Tori, my favourite anime of only 12 or 13 episodes long. Kaiba is the product of director Masaaki Yuasa, who was the one behind Kemonozume, Cat Soup and Mind Game and it shows the result of when an already excellent director learns from his mistakes.

Kaiba is very much an experimental anime, which tries to be different from the stuff you usually see. The character-designs may look childish and simple, but make no mistake: this storyline isn’t afraid to show adult themes at all, and the perfect example of why you shouldn’t judge a book by its cover. It’s about a futuristic world with the fascinating concept in which people’s memories can be stored in chips and placed from one body to the other. The series smartly spends its first half fleshing out and playing with this concept, so that the viewer feels at home inside the setting, only for the second half to kick in with the real meat of the series, where the storyline keeps spiralling to the point of going out of control. The final episode is indeed one of chaos.

The setting may be already an incredibly imaginative one, what really won me over for this series is its sense of storytelling. It’s hard to explain, but if there ever was some kind of x-factor for anime, then Kaiba would have it. This is one series that knows exactly how to progress a mystery-storyline: lots of random flashbacks, in order to flesh out both the storyline and characters, a back-story that goes way beyond the “person x killed person y in the past” and lots of different hints to keep you guessing.

This also really helps fleshing out the characters, and the interesting twist that they keep changing bodies (made possible because of the setting) puts them in interesting different spotlights. The romance can be incredibly sweet when it’s in its element and even the villains get their own piece of development.

Overall, Kaiba is definitely recommended if you’re into experimental, mystery or science fiction anime. The only bad thing about it is that the plot isn’t the most solid one, so don’t expect everything about the setting to be fully explained by the end. Nevertheless, Kaiba is an masterpiece that makes excellent use of its limited time of only twelve episodes, and it has been my top pick of the past spring season ever since it started.

Storytelling: 10/10
Characters: 9/10
Production-Values: 9/10
Setting: 10/10
Posted on with categories: Kaiba



Short Synopsis: Neiro tries to tell Kaiba his secret as Kaiba and Warp go out of control.
Highlights: Not all questions answered, but this series somehow gets away with it…
Overall Enjoyment Value: 8,5/10
And so it’s unfortunately over. It was to be expected that not every question would be answered (like, what’s up with the planet that Kaiba lives on? It turns out, only the memory of Popo got killed, but how did that happen? and in this episode Kaiba also pulls out a number of random powers that would have been better if they were introduced earlier, so I think that one extra episode would have been sufficient to answer these questions, but still this was a pretty awesome episode.

Masaaki Yuasa clearly intended this episode to go out of control and become something surreal, in a way, it’s in the same style of the ending of Kemonozume, which also came from out of nowhere. It was obviously not the best episode of Kaiba, but at the same time it was very much fun to watch. The surreal parts in this episode were definitely worth watching.

So, in the end, the thing that Neiro discovered about Kaiba was that his mother’s memory was stuffed in the ostrich, as a punishment. At the same time, probably the cutest thing about this episode was this unexpected romance between Hyohyo and the memory-guy. ^^;

At this point, I’m not sure which series to call better: this one or Shion no Ou. They were both absolutely fantastic in their own ways, and without a doubt the best series of 2008. They both had fantastic storytelling, while Shion no Ou had incredible characters, while Kaiba had an incredibly imaginative setting.

Posted on with categories: Anime Reviews, Genius Party


It’s back to the surreal with Masaaki Yuasa (Kaiba, Kemonozume, Mind Game)’s addition to Genius Party. He probably wrote this before he started working on Kaiba, and it’s very apparent that he wrote this in a stage where his distinctive sense of style was maturing. Happy Machine can be very well seen as “Kaiba’s testing bed”, where Masaaki experimented a bit with different ideas and animation techniques (you can see his fascination with strange toilets here as well).

Happy Machine is the strangest addition to Genius Party so far, aside from perhaps the first movie Genius Party. It’s again a short story that knows its length and tries to play with it. What really stands out is the storytelling: it’s basically an adventure of a boy, of only two years old in a fantastic environment, and it’s very interesting to see the detailed ways that the creators come up with to keep this baby busy.

The problem with this movie is the titular character, because he doesn’t really feel like a two or three year old boy. He misses the feeling of loneliness and the hopelessness of being away from trusted people, even though throughout this short movie, he’s got more than enough reasons to feel lonely. Nevertheless, this movie has succeeded in creating an impact, which was exactly what I’m looking for with Genius Party’s short movies.

Storytelling: 9/10
Characters: 7/10
Production-Values: 8/10
Setting: 8/10
CHANGE USERNAME
SuperMario
@Animosh: don't mention it. I'm glad you enjoy it. I don't take credits in this case since I myself haven't watched it yet. I love it how this community is willing to try other medium and not exclusively anime
Animosh
Really surprised this isn't more well known. Not that there's been much competition, but it's easily the best (western) cartoon I've seen this year.
Animosh
@SuperMario: thanks again for recommending Lastman! I just finished it, and it was a lot of fun. It doesn't have much depth, but it was incredibly entertaining: it just keeps throwing these bizarrely over the top action set-pieces at you without pausing, it oozes style, and its soundtrack is killer (it reminded me a bit of Hotline Miami). And it can be pretty damn funny too. It even ends strongly.
SuperMario
"I swear if I see some nonsense like her not being able to stay “Professional” due to having a boyfriend then I will have to strangle something" --> is that why you had screenshot of kitties up there?
SuperMario
@Kaiser: little sister has a strong chance to be a protag in the last arc. I'm genuinely surprised that Futaba is the main girl in this arc thou
Kaiser-Eoghan
I want to see the little sister looking scared in bunnygirl agrain.
Kaiser-Eoghan
Yay! Sing and eiji are doing something and Ash's freakout while melodramtic and ridiculous was still bleak, learn a bit more about Blanca which is good. Didn't like the goofy bit with yut-lung.
Kaiser-Eoghan
@Mario: Not intellectually non-intellectual enough for me.
Kaiser-Eoghan
Bunny-girl has redeemed itself. Also my favourite part of this weeks episode was 7 or 8 minutes before the end .
SuperMario
I mean, just reading that title alone I might check out what this movie is about. lol
SuperMario
Well, I come across an unusual film title today. A Japanese film called "When I Get Home, My Wife Always Pretends to be Dead"
Kaiser-Eoghan
The Lafalle arc (as thematically I probably engaged the most here)and the final arc both elevated this series for me, even though I did enjoy the bit with Vann early on.
I’ve heard people don’t like the ending it hit with me.
Really solid.
Kaiser-Eoghan
Dramatically this even kind of clicked for me and the antagonist surprised me as did twintails girl and bestghosts eventual roles, comedy isn’t exactly funny but I did laugh at points.
Kaiser-Eoghan
Apparently I got third time lucky with Mizukami, because I found this a very fresh take on the re-incarnation genre while actually DOING something worthwhile with it, his pacing/story telling style definitely feels a better fit to me in a short manga like this.
Kaiser-Eoghan
After a degree of indifference to planet with and only liking Biscuit hammers last arc, I ended up approaching Spirit circle expecting to not really have any opinion on it.
Kaiser-Eoghan
@Mario: Just my kind of weird.
Anonymous3093267
sword eyes
SuperMario
Here's another experimental animated short for you, Kaiser, Tango (1981) https://www.youtube.com/watch?v=lo8O8lYDzIU
SuperMario
@Animosh: yeah the second part was released in VOD earlier this year and I watched it. Prefer the 1st one much better
Vonter
I don't know why, but I thought you were talking about Tomorrowland. That Disney movie that bombed and everyone seemed very lukewarm about. I suppose because I don't know exactly what was the problem with it, didn't see much discussion about it.
Animosh
@SuperMario: I think I've seen World of Tomorrow, but not 100% sure. There's apparently a second part out though, and I definitely haven't seen that!
Animosh
And Umfeld (https://vimeo.com/umfeld) is also worth mentioning. It kind of consists of shorts, it's technically animated (at least in part: it mixes real footage and CGI I think?), and it's definitely weird. It's a very polarizing work though. I love it, but it wouldn't surprise me if most people here hate it.
Animosh
Some other things that came to mind: Tim Burton's "Vincent" (it's stop-motion, but whatever), Loom (https://vimeo.com/24069938) and E-Baby (https://vimeo.com/25435555). And the stop-motion shorts by Lee Hardcastle are pretty fun, if you're in the mood for some needlessly disgusting horror.
Kaiser-Eoghan
@Mario: I enjoyed embrace of the serpent which has the same director as Birds of passage so I'll keep an eye out for it.
SuperMario
@Kaiser: I'm going to see Roma and Birds of Passage this weekend. Really excited for both
Kaiser-Eoghan
As for the she-ra thing well, as I've gotten older I probably have avoided kids stuff more.
Kaiser-Eoghan
I don't want to see tokenism being seen as acceptance when it isn't, it feels that people are putting forth the idea that something is only being/can be accepted because its being portrayed in a tokenistic way.
Kaiser-Eoghan
Its fine, obviously to have strong female characters, Ripley in Alien, Sarah Conner in Terminator, awesome....Rey in star wars....no.
Kaiser-Eoghan
I think too often shows and films, American ones today, are tokenistic or clicheed with inserting issues, merely just throwing them in or tacking them on for the sake of ticking boxes rather than any earnesty or doing anything.
Anonymous3086853
@SuperMario - I do. Yet at the same time it was a bit outside of my comfort zone, watching something like this considering that (let's be honest) msot shows are men oriented. Even the ones with great female characters. This one despite having tomboyish girls is mainly about these girls with male characters having supporting roles. I suppose that's were the uneasiness lies in my case.
Kaiser-Eoghan
@Mario: Just got done watching both earlier, his dark humour jives well with me and I liked the concept.
SuperMario
@Kaiser @Animosh: if you haven't seen World of Tomorrow plsssss check it out. I can't recommend it highly enough
SuperMario
@Vonter: Maybe it's a good things that shows for general audiences like this have queer context. Don't you think?
Anonymous3086853
Also because I'm a bit immature, this show is kinda gay. There's a lot of ship baiting moments, one same sex couple in the last episode and rainbows, pastel colors, emasculated male characters and some female crossdressing.
Anonymous3086853
The weakest aspect is that several secondary characters get lost in the shuffle. Kinda like Big Hero 6 in which the team had personalities but just didn't had the time to develop in any meaningful way. Still both the main cast and villains were good and like I say the protagonist and antagonist had strong arcs for a first season.
Anonymous3086853
So I now finished watching She Ra, and it got even better as it was building towards the season's end. Thes strongest aspect is the rivalry between Adora and Catra, the chemistry is very strong, kinda like Optimus and Megatron or Xavier and Magneto. In which both parts seem equally capable and to have mind games with the other.
Kaiser-Eoghan
Oh hey cool, rain town is done by the Penguin hhighway anime movie guy.
Kaiser-Eoghan
It looks like I haven't seen Don Hertzfedlts World of tomorrow films.
Kaiser-Eoghan
Also Prince Achmed and How Wang-Fo Was Saved.
Kaiser-Eoghan
Ah. yes, thanks animosh, I had a look at Rain town there, I like the style it was done in, it achieves the emotions its trying to convey well without needing dialogue, piano score actually helps rather than hinders.
Kaiser-Eoghan
Glassy ocean, that was another short I watched lately.
Kaiser-Eoghan
Oh inka isha is country doctor.
Kaiser-Eoghan
I know Mario has seen this style on animation, but anyone else see any oil on glass animation?
Kaiser-Eoghan
I actually prefer robot carnival to genius party but liked both.
Kaiser-Eoghan
Zepo, The Pride of Strathmoor were recent animated shorts I watched.
Kaiser-Eoghan
Recently I watched two shorts, death and the mother and pleasures of war.
Kaiser-Eoghan
I'd say any eastern european short films would be worth anyones time.
Kaiser-Eoghan
I'm not familiar with rain town or Inaka Isha .
Amagi
Kaiser: Have you seen Inaka Isha from Kafka?
Animosh
In the meanwhile, though, I'd also be very interested in recommendations! The shorts I mentioned are among my favorite animated works, so if you know anything similar, please let me know. :)
Animosh
For western animation I really like the Don Hertzfeldt shorts. And there was this short called "Rain Town" that was really impressively animated. I'm sure there were others, but my long-term memory is pretty lousy. If something else comes to mind I'll let you know.
Animosh
I'm pretty sure you're already going to be familiar with all of my favorites, but here you go: Morimoto's shorts are all fantastic (Dimension Bomb, Beyond, Noiseman Sound Insect, etc), and two others that come to mind are Cat Soup and Kigeki (or Comedy) by Nakazawa. There are also some great collections out there (like the Genius Party ones), but again, you've probably seen those already.
Kaiser-Eoghan
If anyone has any suggestions for weird short animations, I'm looking for excuses to watch some more and I'm in the mood for them.
Kaiser-Eoghan
@Masky: Mario's youtube link had cgi models of rem and ram in the video.
Masky
I'm confused when was Rem even mentioned
Kaiser-Eoghan
I only ever watched he-man and stuff related to it in passing when I was younger, Conan was more my thing back then.
Kaiser-Eoghan
For so long I'd always referred to she-ra as she-man.
AidanAK47
@Mario, What is this heresy!
....
....Rems always cute.
Anonymous3084910
Hilda is fine, though is very laidback kinda like a young reader's novel. It has its moments but its fantasy with slice-of-life coming of age.
Anonymous3084910
@SuperMario Yeah I know, She Ra is the twin sister of He Man. But strangely it seems Dreamworks may not have the right to those characters. It was a marketing idea trying to bring more girls to that universe but like most girls show from the time it had a very flat depiction of what little girls want to see.
SuperMario
Sorry Aidan, I know it's blasphemy but I have to post here. Enjoy the OP song with the twins https://www.youtube.com/watch?v=v9MUjISNm0U&index=4&list=PLU56jBSlcHw8-ol9Hi4lJ0GR0tU6EOf2a
SuperMario
I'll probably check out Hilda. Heard a lot of hypes about that show
SuperMario
@Vonter: I've heard of She-Ra, she's the female counterpart (well, sister) of He-Man (the most powerful man in the universe and the secret identity of Prince Adam). Sounds silly but I'm not even kidding
Vonter
All in all, despite not being a big thing, I think is an enjoyable recommendation. My only nitpick is that it maybe too light hearted for some kinda like above My Little Pony but below something Voltron. Also despite being less childish than the original is still kinda of girly with lots of pastel colors although it balances it a bit having girls being more tomboyish in different degrees.
Vonter
Like with Voltron it amuses me seeing anime tropes being played through western lens. Since I'm a bit hesitant to say that could this count as a harem series despite not being male gaze moments? Also having the most sensible hotspring episode I've seen.
Vonter
In this one this She Ra has pathos. A bit like Korra there's doubt in her role and also a complicated relationship with her rival. I do like the role reversal in the knight's tale this clearly is, in that most roles that would be played by men are played by women in this story. Matriarchy, displacement of both femminine beauty but also empowerment.
Vonter
So I've watched some of the new She Ra from Netflix. So far I'm in, it's not deep but it's quite charismatic. I do like there's more pathos in regards to these characters which pretty much were confined to their archetype to an extreme like the original Power Rangers.
Kaiser-Eoghan
It manages to make watching something like running engaging, when I'd otherwise probably not watch the sport. Also, last week the show ended up popping into my head when I was sitting around doing pretty much nothing and made me think "Ok fuck it, not sitting around doing nothing, going to go out for a run around the block"
Lenlo
I also agree, characters losing in sports is important. They can't start at the top, it makes the series lose meaning
Lenlo
I quite enjoyed Kaze Fui this week. I think your correct that the one who got the reality check was Kurahara, who thought he was the only one able to actually make it. I also thing that he has a competitive streak a mile wide, and might be a little afraid of failure. Doesnt think the team can make it, so why bother
Kaiser-Eoghan
Think I wasn't i the mood for honda-san this week even though I laughed.
Kaiser-Eoghan
Y'know I like it when sports series actually show the characters you know...actually lose.
Anonymous3083989
Huh, interesting in this episode of Kaze ga that it's Kakeru who got a reality check during the track meet since he was beaten by two other runners. I think we're due for an episode soon where he has to confront his past demons instead of fleeing from them.
Anonymous3083626
@Kaiser-Eoghan - Aging in fiction, I think has more to do with the story than the characters. I mean the jokes about Ash Ketchum, Detective Conan, Archie. The Flinstones tried to make different stories by aging Pebbles and Bam Bam. Or Batman having two Robins graduating into their own heroes. But in the end dynamics change, hence why most cartoons don't age the characters.
Kaiser-Eoghan
Which is why when aging does occur in anime/manga, such as in vinland saga or nanoha for example, its appreciated.
Kaiser-Eoghan
And of course, animated characters often don't age much.
Kaiser-Eoghan
I can remember enjoying the simpsons movie back when I watched it, but thinking about it it really was just an extended episode. Really the show peaked with the who shot Mr Burns episode. Catching bits of recent episodes and seeing them use modern stuff while they never age seems weird too.
Amagi
I do think series are allowed to move forward though, I am kinda interested in the Pkmn movie for example. But certain shows should just end, Simpsons for example was a parody of the 90s, it just can't work in a more modern setting IMO.
Amagi
I stopped with the Simpsons when Maude was killed/died, it was just a step in the wrong direction they should have never done and it killed the series for me. I disliked it before already though, I think I noticed the series getting worse since season..9? Or 10, not sure anymore.
Amagi
Anime for Dorohedoro announced.
Kaiser-Eoghan
Therefore ruining the fanservice fun for everybody.
Kaiser-Eoghan
My favourite beach episodes are ones where it rains and they end up not being able to go.
Kaiser-Eoghan
After that it was just the film for me.
Kaiser-Eoghan
Actually, regarding the simpsons, the episode I stopped on was sometime in the early 2000s, Homer was stuck on some island resort or something.
Kaiser-Eoghan
I suppose it was just as much a case of falling out of watching/playing too and then there being so many episodes/games catchup was impossible. I probably should read the manga someday.
Anonymous3081957
@Kaiser-Eoghan -Kinda like Sponge Bob, Power Rangers or The Simpsons, I can't blame those who move forward, It's imposible for a show to go that long without losing steam. I did check the Sun and Moon first season and while I think the personality and energy is better it doesn't exactly push the concept forward. Still somehow Pokemon is still a phenomenon.
Kaiser-Eoghan
@Vonter: Very strange hearing a Pikachu talk with Ryan Reynolds voice. But my days of pokemon are behind me.
KyokoHyuga
?????
KyokoHyuga
who likes pokemon here
SuperMario
@Amagi: I think the person who made the sub for Maquia did a pretty neat job. Not perfect but the translation flows well
Vonter
We've seen realistic Pokémon fanart, but how does a movie looks when it attempts it. https://www.youtube.com/watch?v=Q8CKgQFo5U8
Amagi
How are the subs for Maquia? I only heard anons complain about it.
Kaiser-Eoghan
*dealing with
Kaiser-Eoghan
Though you should really torrent it.
Kaiser-Eoghan
There is 1080p stream on kiss anime, if you hate deal with the ads on that site the 4up stream on anilinkz has the best quality of the available links
Lenlo
Where did you see Maquia online? I still need to watch it. PM it to me on discord maybe? Pretty please? <3
SuperMario
One fact that not many people know is that Penguin Highway is penned by Tomihiko Morimi. It indeed has many Morimi's signature inputs
SuperMario
This year, I'm doing well with catching up anime films (kudos for Australian's Madman who always license these titles very quickly). So far, I've watched Mirai, Maquia, Penguin Highway, Let Me Eat Your Pancreas and My Hero Academia the Movie
SuperMario
So I watched two anime movies this last week, Penguin Highway in theatre and Maquia online. Both of them are pretty solid in general, especially Penguin that has magical realism elements and some great chemistry. Whereas Mari Okada's writting still rubs me in the wrong way sometimes
Lenlo
D: He did, back in August actually apparently
Kaiser-Eoghan
@Lenlo: I heard Dino's voice actor died.
Kaiser-Eoghan
If we all took Goblin slayers attitude to trolls, then we would more easily ignore the trolls =P
Kaiser-Eoghan
Big twist in the golden kamuy manga.
Animosh
@SuperMario: remember that in the voice drama Rikka mentioned talking to Yuuta in their classroom during the ball game. Pretty sure it's about that.
SuperMario
@Animosh: i just watched the episode and noticed the lyrics as well. "The Promise" seems vague at the moment. Could be between Yuuta and whoever fits but I agree the "save someone from boredom" is about Akane
Animosh
You learn something every day. ;) Honestly though, I actually skipped the opening, so I hadn't even noticed that it had been translated until others pointed it out. And most of the time the lyrics are just cheesy one-liners, so I usually don't pay much attention to them either. But once in a while there's some nice hints hidden in there...
Kaiser-Eoghan
Y'know I never really ever paid attention to the lyrics in anime openings, I'd never thought to.
Animosh
The Gridman OP has been translated for the first time, and there's some pretty interesting reveals in there: it mentions a "promise" made in a classroom (so now we know how Yuuta and Rikka bonded in the past - glad it wasn't a simple confession), and talks of "rescuing" someone (presumably Akane) from boredom. So I guess she'll join the good guys eventually?
Lenlo
1200 words. I need to stop writing so much.
Kaiser-Eoghan
I haven't seen last weeks episode of Irozuku or this weeks =< I'm waiting now for a bit to see if the series paysoff.
Animosh
Goddamn those magic segments in Irozuku were stunning! It's a shame its humdrum drama can't live up to its visual beauty, but I'll take it.
Kaiser-Eoghan
I think Ash's design is based a bit on River phoneix.
Kaiser-Eoghan
Sorry Eiji but your Ash is in another castle.
Kaiser-Eoghan
@CoolerAnon: I was about to say that. Kidnapping gets used alot in shojo.
Anonymous3072040
Yeah Ash is basically Princess Peach
Kaiser-Eoghan
@Anon: I share your concerns, I don't know what studio is doing it. Some people want it to be mappa, some don't want it to be polygon pictures to adapt it. Its and long and violent manga, with some very funny at times dark humour, it could end up rushed and/or censored.
Anonymous3072021
As much as I love Dorohedoro I'm unsure if I should be happy or worried at it getting an adaptation, it isn't exactly the kind of story I imagine being easy to adapt well.
Lenlo
Yeah, I am touching on that in my writeup as we speak. The compressed story is causing Ash to be captured every other week.
Animosh
I agree Banana Fish was great this week though! My only gripe is that I'm getting sick and tired of seeing Ash get kidnapped again and again. He just escaped a couple of episodes ago! And he's just a lot more fun to watch when he's out there doing stuff.
Animosh
In a way the fights actually feel more realistic to me than those in Banana Fish. Sure, they're fantastical, bizarre even, but its battle system has a clear internal logic, and generally no power is infallible (each has its limitations). In Banana Fish the fights are rather poorly thought out by comparison. Their purpose is more to make Ash look cool than to give him realistic hurdles to overcome.
Animosh
@Kaiser: what sets Jojo apart from other battle shounen for me is how ridiculously creative its fights can get. Part 2 already shows some signs of this, but the introduction of the Stand system in Part 3 pushes it to another level, and in Part 4 the fights are consistently awesome. There are no simple beam struggles here: every fight is a battle of wits, between people with wildly different powers
Niel
Vinland Saga anime, and Now Dorohedoro just got announced. i'm really liking this trend.
Lenlo
Lots to writeup on Banana Fish this week.
Lenlo
Just finished it, I really like Blanca.
Lenlo
Because Jackie Chan and his stunt crew are some of the best in the world. There is a reason he has to insure his guys from his own pocket. No agency will take them
Kaiser-Eoghan
I have no idea how the hell Jackie Chan is still alive.
Kaiser-Eoghan
Action works best for me when I really feel that theres danger involved. Thats why when some actors do their own stunts, you can fear for the actors life, and also the character.
Kaiser-Eoghan
And thats why I'm a big fan of all that Chinese martial arts stuff from the 60s and 70s, that really expertly crafted chereography.
Lenlo
As for action, I like good choreography more than any super powers. Its why Cowboy Bebop, Seirei no Moribito, Sword of the Stranger and some Naruto fights are fantastic.
Lenlo
Im about to watch this weeks episode, so this chat makes me hopeful. I agree Ash and Eiji are the backbone of the series, and yeah me and Kaiser both agreed that the Gang war aspect was pretty weak, though I thought the finish with Arthur wasnt half bad
Kaiser-Eoghan
And I think Banana fish has a great grit to it for this reason.
Kaiser-Eoghan
I'm even more thankful to Banana fish too for that it keeps the action within the bounds of out of fantasy.
Kaiser-Eoghan
I've always been kind of a guns and swords and kungfu gut.
Kaiser-Eoghan
Black lagoons great example of anime action I can get behind.
Kaiser-Eoghan
I always found weapon combat and fist/kicking combat more raw and real,tangible than beamspam.
Anonymous3070972
But yeah if you're not a fan supernatural power fantasy action shounens, then maybe not your cup of tea, and that's totally cool
Anonymous3070972
Oh also if I'm recommending a fight from part 4, I'd say check out Highway Star
Anonymous3070972
Kira is a pretty cool villain though; he's always underpowered compared to the main heroes, but manages to somehow get out of the situation with luck or smarts; if nothing else, I'd recommend watching some Youtube clips
Anonymous3070972
*Turn off. lol.
Kaiser-Eoghan
Its more than, even when I was younger supernatural power fantasy action shounen never appealed to me.
Anonymous3070972
Admittedly JoJo always has bad with exposition though, and always will be just due to the style, so that can definitely be a turn on for some people
Anonymous3070972
If you like slice of life with hijinks and a murder mystery combined with cool battles, you'll like part 4
Anonymous3070972
Yeah I can see why you might not like part 1 & 2, they were made in the 80s; I'd recommend part 4 and part 5 (ongoing rn) tbh, I feel like those are better for a modern viewing experience
Anonymous3070972
I used to think that BF's greatest strength was the plot; know I realize it's really about Ash & Eiji's connection first and foremost: as good as the plot can be, Ash & Eiji's relationship is absolutely the backbone.
Kaiser-Eoghan
@Anon: Also that scene where Ash is thinking to himself, looking over Eiji.
Kaiser-Eoghan
Nah, I pretty much gave up on jojo midway through part 2.
Total users: 25

Star Crossed Anime Blog

4 User(s) Online Join Server

Featured Posts

Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai – 07[Adolescence Paradox]

So we are on to the next arc and the next girl with adolence syndrome and while I give this series credit for breaking LN cliches, I feel like we could have the cast not be predominantly female. Well at least they are not all in love with the main character so I can give […]

Planetes – 9 & 10 [Regrets/A Sky of Stardust] – Throwback Thursday

Ah Planetes, one of the few things I look forward to every week since starting this. This time we have a number of background characters coming back in, Space continues to kill and Yuri gets some character. Lets jump in! Planetes actually managed to surprise me this week, if I am being honest. I was […]

Thunderbolt Fantasy 2 – 06-07 [A Poisoner’s Pride/ Bewitching Whispers]

My apologies that I missed a post last week, it’s not due to the lack of interest of Thunderbolt given the show is as exciting as ever, but more about my hectic life. These past two episodes have many game-changing events, and many Gui Niao’s wittiest lines and expressions to boost. The moment the Vapewiz […]

Kaze ga Tsuyoku Fuiteiru – 7 [Bear Your Fangs at the Summit]

Welcome one and all! This week in Kaze Fui we meet the final boss, Kurahara gets a reality check and our team runs their first track meet! Lets jump in! To start off, I have to say I loved the feel of Kaze Fui this week. Vague, I know, but hear me out. Kaze Fui […]

Gaikotsu Shotenin Honda-San – 6 [The Man with a Secret Power/Our Fair-Day War]

Welcome fellow book lovers, to another dip into Honda-San! This week was a bit dull as we learn about the difficulties of stocking, but the second half manages to pick it back up. Lets jump in! So overall this week of Honda-San was pretty disappointing for me. Like usual it had some good gags in […]

SSSS.GRIDMAN – 06 [Contact]

“They shouldn’t making episodes without kaiju in them “ It’s very cheeky of GRIDMAN to meta-comment on this episode, as indeed there isn’t any big fight between Gridman and kaiju monsters this week. We still get an introduction of new kaiju, however, and the fight in human forms. That’s the thing about GRIDMAN, it’s a […]

Irozuku Sekai no Ashita kara – 06 [Golden Fish]

Irozuku takes us to episode 6 for something significant happen, but even then it’s decidedly under-dramatic. This week, we have a whole lot more of magical moments that certainly are the feast to the eyes, and develop many underlying themes of its narrative. The central of the conflict this week is Hitomi and Aoi, as […]

Zombieland Saga – 04-06[Warming Dead SAGA/The Nice Bird SAGA in Your Heart/Because It’s Sentimental SAGA]

Forgive me for my lack of coverage on this series but you may have guessed that my enthusiasm for it has died down considerably. I always felt that Zombieland Saga was in danger of losing what made it great in its first two episodes and sadly that has come to pass. This show has ultimately […]

Banana Fish – 18 [Islands in the Stream]

Ah Banana Fish, back in form this week. Ash and Eiji act like a married couple, Blanca show’s everyone whose boss and Yut continues to have no idea what’s going on. Lets jump in! On a general note Banana Fish is really picking back up. The Gang War/Hospital were easily the weakest part of the […]

Latest Reviews

Castlevania Season 2 Review – 72/100

According to much of the Western Anime community, this series wouldn’t be relevant for a site like this. Being made in the West by Americans, and English being its first language, many would disqualify it from the start. However I name them all fools for Castlevania, Directed by Sam Deats and Ryoichi Uchikoshi is clearly […]

Asobi Asobase (Summer 2018) Review – 83/100

In a year where comedy shows gain an unexpected strong showing, somehow a show about 3 cute girls and their pass-timer club emerges as one of the best comedy around. Yep, forget Hinamatsuri, forget Grand Blue, forget Chio-chan, Asobi Asobase delivers some hilarious absurdist laugh-out-loud moments for the ages. It helps that we were in […]

Planet With Anime Review – 90/100

Planet With is an anime that likely leaves many unimpressed when they look at the cover and makes for a solid proof that you cannot judge a book by it’s cover or even by it’s first episode. Many have overlooked this show in it’s season but for those that did give it chance it went […]

My Hero Academia: Two Heroes (Dubbed) Review – 84/100

Ah, the movie tie in. A right of passage for all aspiring Shounen series. Some, like One Piece have weathered it and come out Golden, while others are better forgotten (Looking at you Bleach). My Hero Academia: Two Heroes, in my opinion, is closer to former. Animated by BONES , Directed by Kenji Nagasaki and […]

A quick and dirty review of Angolmois: Record of the Mongol Invasion

What it claims to be about: Angolmois (a reference to a Nostradamus prophesy which is rather irrelevant for the show, as he lived several centuries after the events) focuses on the first Mongol Invasion of Japan in 1274. Specifically it focuses on the early phase of the invasion when the Mongols attack Tsushima, which essentially […]

Steins;Gate 0 Anime Review – 60/100

Before I begin this review in earnest, I have to ask, who doesn’t know about Steins;Gate? The amazing, beloved original series that Steins;Gate 0 is an offshoot of. Well if you don’t, if you haven’t seen the original, then stop now. Steins;Gate 0 is not worth it. It is not for you. Without having seen […]

Mirai (2018) Movie Review – 81/100

Watching Mirai, there are two observations that spring right up to my mind: Mirai is Hosoda’s most grounded, personal film and it plays out completely different from what I expected based from the promotional materials. My feeling is confirmed when I later learned that Hosoda based the concept from watching his own children’s react, and […]

Fate/Extra Last Encore Anime Review – 40/100

To many the Fate series is daunting with its numerous incarnations and spinoffs and here in the year of many a Fate adaption we get another one by Studio Shaft which was first thought to adapt the story of the PSP game Fate/Extra. Fate/Extra could basically be considered Fate with a sci-fi twist as this […]

Darling in the Franxx Anime Review – 57/100

In following anime seasons it can be quite an experience to follow a show as it airs as the hype and rollercoaster of reactions can be entertainment in its own right. In that regard Darling in the Franxx was a hell of a ride as week by week peoples feelings for it ran hot and […]