Posted on 31 July 2008 with categories: Anime Reviews


Time for another classic. If you’re one of those people who has only seen “modern” anime of the past decade, and are interested to see what the medium was like before the arrival of Evangelion, in the seventies and eighties (and perhaps the early nineties), then my top recommendation isn’t Gundam (at least, not until I’ve seen Zeta Gundam), but instead the very charming series of Mobile Police Patlabor.

The biggest reason for this is that while Mobile Suit Gundam caters for a specific audience, Mobile Police Patlabor seems to have something for nearly everyone: only if you need your series to have harems or slice of life (or gory horror, I guess), then you won’t find what you’re looking for. This series has mecha, it’s got drama, comedy, action, and a bit of romance and horror here and there, all packaged together quite neatly into 47 episodes.

It’s one of those very few series that tries to find a realistic use of mechas: in this series, they’re mostly used for construction and the police only use the mecha in order to solve conflicts for when these mechas go out of control. I’m surprised why I haven’t seen any newer mecha-series taking over the same idea, because it makes perfect sense. The main characters also aren’t anyone special: they’re no heroes whatsoever; they’re just a bunch of policemen who are in charge of these mechas. The epic “saving the country”-themes of the movies don’t return at all in the series, and everything is purposefully kept nice and down-to-earth.

But what really sells this series is its lovable cast of characters. Especially Captain Goto is an incredibly likable and unique character, but the rest of the crew also gets enough opportunities to shine throughout the series. The hot-headed Ota may be a strange character, but you’ll get used to him in no time. Noa, the most central character in this series, is quite likely the most stereotypical of the bunch, with her love for mechas (or labors, as they’re called in this series), great driving skills and naive nature, but she does end up being the most fleshed out and developed character of the entire cast, so she makes up for that.

Patlabor is an episodic series: every episode the crew handles a case (or does something other labor-related), where the focus is more on the characters than on the actual action, though the action itself is also very impressive. You won’t see any overpowered god-mode beams in this series, and fights are almost always based on strategies, rather than senseless bashing (although some characters in the series seem to forget this at times ^^;). The interesting thing is that this series joins Ooedo Rocket on the very short list of series whose dramatic climax isn’t at the end of the series. Instead, there’s just one arc in the series that takes up more than two episodes, with interesting villains and a tense atmosphere, and once that arc is done, the series just continues with episodic stories, and the final episodes instead go for some subtle character-development, instead of trying to end the series with a bang (but then again, with three movies and two OVAs, why should it?)

There aren’t much flaws in this series, but I’d love to have seen a bit more about division one (the division that works right next to the division of the main characters). We see hardly anything about them, with the result that the last episode hastily introduces a vital member of the division from out of nowhere, and acts like he’s been there all along. That was rather confusing.

Nevertheless, if you have the time to watch nearly fifty episodes, and have yet to see the Patlabor Movies and the television series, then I recommend going for the television-series first. The movies had their own excellent points, but it’s the series that brought the cast to life, and the movies clearly assumed that the viewer had already seen the television-series. The highlight of this series is definitely its cast of characters: it works great during the more serious moments of the series, but at the same time some the comedy-episodes are absolutely priceless. The comedy isn’t of the in-your-face type, like most slapsticks, but instead it requires proper build-up to work best. Patlabor may be nearly 20 year old, but it’s smart and it still packs a punch.

Storytelling: 9/10
Characters: 9/10
Production-Values: 8/10
Setting: 9/10
Posted on with categories: Monthly Summaries

The summer-season has always been the season of short and varied series, and in 2008, it’s no different. There’s a wide variety of genres in this relatively small season, only horror seems to be missing at first glance. So far, there are a number of potential classics lurking among them.

#30 (new) – Nogizaka Haruka no Himitsu – (4/10) – Sorry, but I have no intention to continue watching this stereotype-filled rubbish.
#29 (new) – Koihime Musou – (6/10) – Nice, but this series is way too silly for me, considering its setting. Dropped.
#28 (new) – World Destruction – (6/10) – I gave this series a chance and watched four episodes. My reward was a bunch of lame uninteresting stories about a bunch of lame uninteresting characters. Heck, I doubt that the world is going to get destroyed at the end of the series anyway. Production IG, you disappoint me. Dropped.
#27 (new) – Yakushiji Ryouko no Kaiki Jikenbo – (6/10) – I’ve mentioned this before: the “I have no life so I’ll just reveal my evil plans to every random person who happens to drop by”-villains were a major letdown for me. This series is too much Yakushiji Ryouko and too little Kaiki Jikenbo. Dropped.
#26 (25) – Allison to Lillia – (6,5/10) – The only reason why I kept going with this series is to check whether the Lillia-part of the story would be worthwhile, but now that that time finally arrived, it’s still filled with predictable storylines, way too obvious foreshadowing and I’ve got no inclination to care about the cast. Wake me up if the final episodes do turn out good, but for now I don’t want to waste my time with this thing anymore. Dropped.
#25 (new) – Sekirei – (7,25/10) – Sekirei is overplaying coincidences too much: the main character accidentally gets knocked over by a Sekirei, they then go and fly and crash into a house with more Sekirei, he goes to work, only to find more Sekirei. What, is the entire city populated by Sekirei or something? In any case, I have to admit, though: it’s nothing special, but the characters are enjoyable to watch for now. Let’s hope that they’re actually going to develop.
#24 (new) – Slayers Revolution – (7,5/10) – After watching four episodes, it’s not like I’m eager to watch the rest of the Slayers-franchise. In fact, Gintama is currently doing everything this series has done so far, and 10 times better.
#23 (21) – Code Geass – Lelouch of the Rebellion – (7,5/10) – Code Geass’s strange overblown combination between brainless action and soap-opera antics continues. It’s enjoyable enough, although I do have to say that I’m really glad that Karen has been captured. It’s been really refreshing to watch all this airtime without her.
#22 (20) – Itazura na Kiss – (7,5/10) – The wedding came in way too fast, but episode sixteen was surprisingly enjoyable when compared to its previous episodes. Please keep this up for the rest of the series!
#21 (19) – Soul Eater – (7,5/10) – Ugh, it’s getting harder and harder for me to gather enthusiasm for this series. Come on, this is Bones! Make something interesting happen!
#20 (new) – Antique Bakery – (7,75/10) – Good to see that there’s finally a series about gay people that isn’t yaoi or yuri, and instead chooses to deal with the topic of how gays feel awkward in today’s society. Shirogumi (who also did Moyashimon) and Nippon Animation form an excellent combination for the Noitamina timeslot, and the cheese is hilarious as well.
#19 (new) – Birdy the Mighty Decode – (7,75/10) – I may have expected a bit too much from this series, considering the director and all. It’s interesting, but nothing amazing yet. I’ll withhold my judgment for now, though.
#18 (new) – Strike Witches – (7,75/10) – I’m not sure what’s going on here: the premise is obviously strange with the pants-less females, and yet it’s a strangely charming series that attempts to unify the European and Japanese cultures.
#17 (new) – Mahou Tsukai ni Taisetsu na Koto ~ Natsu no Sora – (8/10) – I’ve no idea where that fourth episode went, but nevertheless it’s a calming slice-of-life series with a number of very strange plot-twists. (Crashing truck, anyone?)
#16 (11) – Chi’s Sweet Home – (8,25/10) – I’m not sure why I switched to the subs for this series (probably because it was easier to keep up with the huge amounts of episodes), but now that these have stalled, it’s getting a bit lonely without Chi, which is a shame because the subs stopped right at the point where this show became hilarious again.
#15 (6) – Porfy no Nagai Tabi – (8,25/10) – The past month of Porfy no Nagai Tabi has been kind-of weak. The Sicily-arc just didn’t live up to the rest of the series.
#14 (14) – Wagaya no Oinarisama – (8,25/10) – Wagaya no Oinarisama continues its tradition of “it’s not supposed to be good, and yet it is”. There’s nothing much else to say, really.
#13 (new) – Mission-E – (8,25/10) – Doesn’t try to be the best, but nevertheless it’s a very enjoyable and fun series that doesn’t deserve the negligence it’s getting right now.
#12 (new) – Ultraviolet: Code 044 – (8,25/10) – The movie may have sucked beyond belief, but the anime manages to fix its mistake by putting a good emphasis on characterizations. The atmosphere is dark, and the fact that there haven’t been any fillers yet whatsoever is also a large plus.
#11 (12) – Blassreiter – (8,5/10) – Well, it seems that the creators had no intention to be less dramatic for the second half, but make no mistake: the action is getting quite good right now, with the characters developing and all. All the prejudices of this show being typical Gonzo-crap are unfounded, and Blassreiter has unfolded into an engaging series now that the teenaged emo is gone.

#10 (15) – Gintama – (8,5/10)

Gintama has been particularly funny this month, and especially episode 67 cracked me up, with its rather wrong parody of the “romantic interest walking in on an embarrassing situation”-trope that you usually find in harem series.

#9 (16) – Macross Frontier – (8,5/10)

Okay, it’s been a long wait, but the plot is finally catching up speed for the finale of Macross Frontier. Characters are starting to get developed, good, good.

#8 (new) – Bonen no Xamdou – (8,5/10)

Shows the beginnings of a classic. It’s done everything right so far: detailed animation, and storytelling, an addictive pacing, an interesting world. I’m very curious to see where the creators plan to go with this series.

#7 (new) – Blade of the Immortal – (8,5/10)

Yes, I’m biased, but I don’t care! This series rocks! The soundtrack is excellent in my opinion, and the first two episodes showed the typical style of Beetrain-storytelling.

#6 (17) – Telepathy Shoujo Ran – (8,5/10)

You know, the more I watch this series, the more I like its adorable cast of characters. Sure, it may have its flaws, but Midori makes up for all of them.

#5 (new) – Natsume Yuujin-Chou – (8,75/10)

A really peaceful summer-like atmosphere and engaging stories to keep the viewer busy. My favourite of the summer season so far.

#4 (2) – Himitsu ~ The Revelation – (8,75/10)

The past few episodes of Himitsu have been either excellent or missed the mark. The series may have its lesser stories, but the good ones really make up for it.

#3 (10) – Nijuu Mensou no Musume – (9,25/10)

July has been a sensational month for Nijuu Mensou no Musume, with just about everything in this series hitting new heights. Whether this series can keep up the same quality for the rest of the episodes remains to wonder, but I’d love to find out.

#2 (8) – RD Sennou Chousashitsu – (9,25/10)

I’m trying to find a good way to describe the past few episodes of RD, but I can’t. Instead, I’ll just vaguely summarize it with one word: unique.

#1 (1) – Kaiba – (9,5/10)

My three favourite 12 or 13-episode series are without a doubt Haibane Renmei, Hi no Tori and Kaiba. I’m not quite sure in what order they go, but one thing is clear: Kaiba has been an amazing ride, from start to finish.

Posted on 30 July 2008 with categories: Bonen no Xamdou



Short Synopsis: Obligatory “I’m not going to cooperate with you”-episode.
Highlights: This was an obvious building-up episode, so nothing much stood out.
Overall Enjoyment Value: 7,5/10
Well, it had to happen sometimes. You can see this type of episode in many different series, where the main character, as stubborn as he is, yells at everyone in his new environment and wants to go home. It’s not the most exciting episode, but it is essential for proper build-up and character-building, which is why it’s used so often.

This episode did make use of its 20 minutes by giving a proper introduction to the crew of the postal service ship. It still remains a mystery why Nakiami is on board, or why they involve themselves with these huge battles, but at least the most important crewmembers were fleshed out. Meanwhile, at the camp of the antagonists, the major villain (or at least someone who looks like one) turns out to be some kind of war hero, who survived a huge war, 17 years ago. Their role in this story still seems a mystery, though.

What intrigues me is the high amount of attention to Akiyuki’s friends, who he left behind. If Akiyuki really is going to work for a postal ship, then that means that he’s not going to see them again, and yet they’re really well-fleshed out characters. What could the creators have in mind for them? Don’t tell me that that girl is going to follow the airship when she receives the letter that’s about to be sent to Akiyuki’s parents?

Posted on with categories: RD Sennou Chousashitsu



Short Synopsis: Okay, so last week’s preview was lying: this episode wasn’t about Souta and Holon at all. Instead, it’s about Minamo’s family.
Highlights: What could not be awesome about Minamo’s divided family coming back together?
Overall Enjoyment Value: 8,5/10
What a charming episode! Minamo and Souta’s parents and grandparents have always been vaguely mentioned here and there, but they never really took the central focus in this series, apart from perhaps that one episode that was dedicated to Souta’s father. In this episode, Minamo’s grandmother AND mother come to visit their offspring for one night, and enjoy a rare family reunion where all five members of the family are together.

I guess that this too is a commentary to today’s Japanese society, which through its workaholic attitude has many families that are separated from each other, and I can imagine that sixty years into the future, where transport has evolved even more, this wouldn’t be any different, and like Minamo’s parents, couples often live apart from each other because of their jobs.

And at the same time, this episode fleshed out Miamo and Souta even more, by showing what their parents look like. And damn, Minamo’s grandmother looks so different from what I expected. I can’t remember whether we actually saw a shot of her in the second episode, but I was really expecting some thin old lady with grey hair and all, and instead she turns out to be a much more similar to Minamo, and much younger-looking than I imagined her to be. At the same time, the creators also manage to sneak in a reference about Kushima having a sister. Am I the only one curious about her, and what she’d look like?

And damn, the preview for the next episode intrigues me. There’s some kind of deserted ruins in some jungle that suddenly started operating again. Could this go further on the Eliza-subplot of a few episodes back?

Posted on 29 July 2008 with categories: Mission-E



Short Synopsis: It’s character-building time when Chinami and Maori pay a visit to the research facility where Kotarou works.
Highlights: A Cow?
Overall Enjoyment Value: 8/10
Fun episode. It’s nice to see Kotarou back in detail, and at the same time this episode also showed the difference between Chinami and Maori in the ways that they grew up. It’s very much like Telepathy Shoujo Ran: Chinami had an understanding family, who supported her through her problems, while Maori probably had much less luck, and had to endure strange looks from her classmates by herself. Chinami always tried to stay in the background (probably also transferred schools here and there), while Maori’s powers became infamous through the entire school.

It’s interesting how Chinami is pretty much an airhead, both in Code-E and Mission-E, while Maori has a much more down-to-business personality, even though they were just as shy when they first appeared. Kotarou seems pretty much the same as he ever was, perhaps a bit maturer than what we saw of him in Code-E. He really does form a cute couple with Chinami, even though they’re apart very often. In any case, I’m glad that the creators made no attempts at creating another love-triangle with Maori. There was enough love-tension in Code-E, and I’m glad to see that Mission-E’s focus is about something entirely different, and knows it.

The new bad guy Kiriku in this episode was… interesting. His biggest purpose was most likely to flesh out the yellow-haired bad guy whose name I forgot at the moment. The latter has a sense of business, and doesn’t like to act when there’s nothing to gain for him, while the former likes to eliminate any potential threats for the future by force. In a way, this series likes to play with different characters who are put in the same situations: there’s Chinami and Yuma, Chinami and Maori, Kiriku and the other guy and the Brinberg-siblings in a way too.

Speaking of which, Adol (at least, I think that was her name) appeared this episode in a coma. I remember how in the first season, they were a great source of comic relief while trying to overcome all the cultural differences, and I’m really interested to find out what she’ll be like when she wakes up from this coma, especially since she lost her brother just like that in the first season.

Posted on with categories: Natsume Yuujin-Chou



Short Synopsis: A haunted building-episode.
Highlights: Natsume’s relation to his classmates continues to develop.
Overall Enjoyment Value: 8,5/10
Seriously, this series gets better and better with every episode, and I already considered it as one of the highlights of the summer-season. I’m really not sure how the creators did it, but their sense of characterization is amazing. But then again, this was to be expected, considering the director: both Baccano and Jigoku Shoujo had a huge cast of characters, with nearly every one of them having its own identity and likable from the start. So, what happens when you assign a director who is excellent at characterizations on a story that lives because of its characters?

This episode shows the most hostile Ayakashi so far, who kidnaps every one of Natsume’s classmates when they go and explore a strange abandoned building. He doesn’t even care about getting his name back, and is acting all out of some sort of grudge (if I understood correctly, it’s some kind of hate for people). But what caught my attention the most is another one of Natsume’s classmates. We don’t see the black-haired guy in this episode, but there’s a girl who has discovered that he can see spirits, because she noticed how he keeps talking to people from out of nowhere

On a side-note: this series is without a doubt the hardest to understand from the new season, simply because those Ayakashi keep speaking in some strange ancient dialect that doesn’t show up in the dictionary that I’m using. Japanese already is hard enough to understand without some random dialect thrown into it.

Posted on 28 July 2008 with categories: Blade of the Immortal



Short Synopsis: A girl whose parents were murdered asks Manji to help her with her revenge.
Highlights: If you weren’t already convinced that this was a Bee-Train series, then this episode will.
Overall Enjoyment Value: 8/10
Okay, so I think that it was pretty obvious that I’d end up blogging this series. After years, I’m still not sure what’s so appealing about their distinctive style, and yet I absolutely love it. I haven’t read one page of the manga so far, though I might read it once this series is finished. I believe that there were some changes made here and there that made the manga-readers overall disappointed, but for now, I won’t care about that.

In any case, it turns out that the frantic pacing of the first episode was just used by means of an introduction. I should have known: Bee-Train really likes to kick off its series as mysteriously as possible, only to go for a slow pacing with episode two. We’ve seen it in El Cazador, .Hack//Sign, Tsubasa Chronicle, and probably some more that I forgot about now. Still, a slow pacing is really what fits Bee-Train the best. It really allows the story to take its time and the characters to develop properly.
I also keep getting impressed by the music, and it’s surprisingly varied. One track bears a clear reference to Tenpou Ibun Ayakashi Ayashi, while the next is a spunky modern jazzy piece of music, the next is a quiet harp song, the next gives off horror-vibes. Kou Outani really was given a lot of freedom for this series. I must say that I really like the vocals that were used. Call it wailing, but I think that whoever is singing it has a great voice.

Also, what’s up with the episode count for this series? MyAnimeList is the only site which has this series listed at 13 episodes, and yet neither AniDB nor Animenewsnetwork, which strike me as the more reliable, have anything about the total amount of episodes. And yet, there’s also talk going on about a second season. In any case, next week there’s another hiatus, but after that, the releases seem to continue weekly instead of semi-weekly.

Posted on 27 July 2008 with categories: Anime Reviews, Kaiba


Welcome and say hello to one of the best anime of 2008, and along with Haibane Renmei and Hi no Tori, my favourite anime of only 12 or 13 episodes long. Kaiba is the product of director Masaaki Yuasa, who was the one behind Kemonozume, Cat Soup and Mind Game and it shows the result of when an already excellent director learns from his mistakes.

Kaiba is very much an experimental anime, which tries to be different from the stuff you usually see. The character-designs may look childish and simple, but make no mistake: this storyline isn’t afraid to show adult themes at all, and the perfect example of why you shouldn’t judge a book by its cover. It’s about a futuristic world with the fascinating concept in which people’s memories can be stored in chips and placed from one body to the other. The series smartly spends its first half fleshing out and playing with this concept, so that the viewer feels at home inside the setting, only for the second half to kick in with the real meat of the series, where the storyline keeps spiralling to the point of going out of control. The final episode is indeed one of chaos.

The setting may be already an incredibly imaginative one, what really won me over for this series is its sense of storytelling. It’s hard to explain, but if there ever was some kind of x-factor for anime, then Kaiba would have it. This is one series that knows exactly how to progress a mystery-storyline: lots of random flashbacks, in order to flesh out both the storyline and characters, a back-story that goes way beyond the “person x killed person y in the past” and lots of different hints to keep you guessing.

This also really helps fleshing out the characters, and the interesting twist that they keep changing bodies (made possible because of the setting) puts them in interesting different spotlights. The romance can be incredibly sweet when it’s in its element and even the villains get their own piece of development.

Overall, Kaiba is definitely recommended if you’re into experimental, mystery or science fiction anime. The only bad thing about it is that the plot isn’t the most solid one, so don’t expect everything about the setting to be fully explained by the end. Nevertheless, Kaiba is an masterpiece that makes excellent use of its limited time of only twelve episodes, and it has been my top pick of the past spring season ever since it started.

Storytelling: 10/10
Characters: 9/10
Production-Values: 9/10
Setting: 10/10
Posted on with categories: Kaiba



Short Synopsis: Neiro tries to tell Kaiba his secret as Kaiba and Warp go out of control.
Highlights: Not all questions answered, but this series somehow gets away with it…
Overall Enjoyment Value: 8,5/10
And so it’s unfortunately over. It was to be expected that not every question would be answered (like, what’s up with the planet that Kaiba lives on? It turns out, only the memory of Popo got killed, but how did that happen? and in this episode Kaiba also pulls out a number of random powers that would have been better if they were introduced earlier, so I think that one extra episode would have been sufficient to answer these questions, but still this was a pretty awesome episode.

Masaaki Yuasa clearly intended this episode to go out of control and become something surreal, in a way, it’s in the same style of the ending of Kemonozume, which also came from out of nowhere. It was obviously not the best episode of Kaiba, but at the same time it was very much fun to watch. The surreal parts in this episode were definitely worth watching.

So, in the end, the thing that Neiro discovered about Kaiba was that his mother’s memory was stuffed in the ostrich, as a punishment. At the same time, probably the cutest thing about this episode was this unexpected romance between Hyohyo and the memory-guy. ^^;

At this point, I’m not sure which series to call better: this one or Shion no Ou. They were both absolutely fantastic in their own ways, and without a doubt the best series of 2008. They both had fantastic storytelling, while Shion no Ou had incredible characters, while Kaiba had an incredibly imaginative setting.

Posted on with categories: Anime Reviews, Genius Party


It’s back to the surreal with Masaaki Yuasa (Kaiba, Kemonozume, Mind Game)’s addition to Genius Party. He probably wrote this before he started working on Kaiba, and it’s very apparent that he wrote this in a stage where his distinctive sense of style was maturing. Happy Machine can be very well seen as “Kaiba’s testing bed”, where Masaaki experimented a bit with different ideas and animation techniques (you can see his fascination with strange toilets here as well).

Happy Machine is the strangest addition to Genius Party so far, aside from perhaps the first movie Genius Party. It’s again a short story that knows its length and tries to play with it. What really stands out is the storytelling: it’s basically an adventure of a boy, of only two years old in a fantastic environment, and it’s very interesting to see the detailed ways that the creators come up with to keep this baby busy.

The problem with this movie is the titular character, because he doesn’t really feel like a two or three year old boy. He misses the feeling of loneliness and the hopelessness of being away from trusted people, even though throughout this short movie, he’s got more than enough reasons to feel lonely. Nevertheless, this movie has succeeded in creating an impact, which was exactly what I’m looking for with Genius Party’s short movies.

Storytelling: 9/10
Characters: 7/10
Production-Values: 8/10
Setting: 8/10
CHANGE USERNAME
Kaiser-Eoghan
@Mario: Just one more note on silent voice, only one of those three omitted subplots I felt worth taking issue with, they leave out a couple scenes that flesh out Shoko's mother more.
AidanAK47
@Helgast, while that fairly obviously hinted at, don't spoil future events.
HelghastKillzone
@Lenlo We are way past the stalemate of WW1 and onto this anime's interpretation of the Battle of Dunkirk. Season Two is gonna be fighting against the Brits, Americans, the French Resistance and the Soviets.
Lenlo
I did some reading up, since WW1 & 2 arnt the points in history im really into, and I get her anger now. If they get a second season, possible time skip to WW2 because of it?

The episode was great btw, she just seemed to come out relatively unscathed for what she went through
AidanAK47
@Lenlo, It annoyed me that she got injured but then magically healed within the next scene but otherwise I loved the episode. It may be difficult to grasp in the show but if you know your history then you would realise just why Tanya was so bent out of shape. In truth this was Tanya's first major loss. One that renders her previous victories utterly worthless.
AidanAK47
@Anon, Your gonna have to elaborate on that "Most." When it comes to the three shows I was covering this season I thought I was praising them quite a bit. Only thing really bothering me is Rakugo stretching out it's ending. Otherwise this is one of the best seasons of anime I have seen in quite a while.
SuperMario
Hell yeahh, OwariMonogatari will air next Summer season. I'm hyped. Thank you Shaft
SuperMario
But it's good to hear your opinions on that. Like you said, honest opinion is good so I hope to hear more from reader's comments
SuperMario
@Anon958618: We writers are here to give you readers our personal impressions, and of course if we don't like a show we'd give the reasons why we don't like it, we can't really say otherwise if we found an episode to be sub-par. Personally, I have nothing but praise on my posts to the point I think I have to be stricter :)
Anonymous958618
I used to like reading this blog, but I find that most of the posts now are overly negative. Although I think honest opinion is good, it's a bit of a turn off in my opinion for readers...
Lenlo
Its nice to see everyone grown up in Rakugo. Old Yotaro and Konatsu. Also, how in the heck is Matsuda stil alive. That man was old when Yakumo was young. Finally, people need to stop telling that story if its gonna haunt everyone, I mean jeez.
SuperMario
It's Tanya for me next ^^
SuperMario
It ends happily. But go and see the twist. They make it like the most natural thing of all
Lenlo
Watchin Rakugo next. It end well?
Lenlo
Tanya disappointed me alittle. There was a change to actually hurt Tanya, but nope, she still comes out of it unharmed. She hurt herself more when she blew herself up than when someone else blew her up. Least shes seemingly drunk on war.
SuperMario
so sad to see Rakugo end... And that little twist. How can they make that twist so poetic?
SuperMario
@Lenlo: me & Kaiser? We were talking about the movie Koe to Katachi/ A Silent Voice
Lenlo
I must have missed something, because I have no idea idea what is being talked about.
SuperMario
@Kaiser: I purposely put off the manga so I could watch the movie with fresh perspective. 2 weeks until we have a screening here
SuperMario
@kaiser: woah, thanks Kaiser. I know packaging a 6-volume manga into a feature film means they have to cut quite a lot of subplots, I just hope the main plot is going to be rewarding
Kaiser-Eoghan
Actually, there aren't that many manga that portray disabled characters, not even hentai.
Kaiser-Eoghan
@Mario: One of the people I got talking to after the film talked about Clannad and we both laughed about "what if Lars van Trier worked at Key"
Kaiser-Eoghan
Rakugo you are now on hold again until you end.
Kaiser-Eoghan
@Mario: I look forward to your review of it.
Kaiser-Eoghan
@Mario: There were, because I talked to the audience afterwards and looked around, people who weren’t familiar with anime there, so it does have a wider appeal.
While cheesy/melodramatic obviously its nonetheless heartfelt and well executed.
Kaiser-Eoghan
The voice actress for Shoko is required to well, I can only call it deaf-voice-talk and she pulls it off quite well, it’s never cringy or forced.
Comparatively to other anime dealing at any point with bullying this does fare better and because it’s animated by kyoani, visually it’ll catch interest. The protaganists regret and redemption story still remains a very watchable one/theme.
Kaiser-Eoghan
@Mario: Putting a voice on Kawai and Ueno will make you rage at them more.
While I didn’t think it was too bad/overly used, you’re going to have to do with the maudlin piano score Kyoani gives it.
Kaiser-Eoghan
@Mario: At 130 minutes it’s a little lengthy, especially for an anime film, there is the feeling of attempting to stuff in the manga, three subplots at least have been removed/shortened yet at the same time despite the skipping in parts it does still feel long/aimless. Based on that I did feel it flows better in manga format.
Kaiser-Eoghan
@Mario: @Mario: I just came home from seeing koe to katachi/silent voice. Can't really say enough to fill a review, but it gets the general 3 1/2 out of 5 from me.
Kaiser-Eoghan
Warning the next few posts contain words words words:
Kaiser-Eoghan
But I can take or leave Kaiju stuff.
Kaiser-Eoghan
Wheras Mothra was the most fun.
Kaiser-Eoghan
Aside from that, I've seen a few Godzilla films, Mothra vs Godzilla, shin Godzilla, Garth Edwards Godzilla, 90s American Godzilla and original 50s, the 90s one has aged horribly, the recent American one felt more faithful, the 50s one and the new Japanese one feel most socially relevent.
Kaiser-Eoghan
Wait...whah, why'd I get logged out I registered =<
AidanAK47
I previously had no interest in a Godzilla Anime film. But after reading the concept here I am now very very interested: http://www.animenewsnetwork.com/news/2017-03-24/godzilla-anime-film-reveals-full-title-story-new-visual-november-premiere/.113863
SuperMario
@Kaiser: they are still around. And believe it or not the actual band members are Damon Albarn (former lead singer of Blur) taking care of all the music and Jamie Hewlett who taking of the animation. I love alternative music, I can enjoy hip-hop music and I'm a fan of animation => this band basically has everything I personally love
Anonymous956164
@Mario: Kaiser here, posting from public computer. I had no idea the gorillaz were still around, many years ago I would have listened to their Clint Eastwood song, aswell as dirty harry and feel good inc, I also remember the artstyle of their videos catching my attention.
SuperMario
Anyone here listen to Gorillaz? They're one of my favorite band and their new song Saturnz Barz is great. Excited for their coming album now
Kaiser-Eoghan
I guess I'm considering blood blockade also because I'm burnt out o demanding and old films to some extent.
SuperMario
@Kaiser: I really enjoyed the first season of Blockade. It's one of those cases where I think the delayed of the last episode killed all the exciment regarding the show. I actually fall behind and then catched up again as soon as the last episode was out so I enjoyed everything so much more
SuperMario
@Aidan: makes me really wonder why some of the studios are very uptight about their show's details. Like, they have to know if it is a short series or not, right.
Kaiser-Eoghan
Yet its not exactly a show that fits into being my thing.
Kaiser-Eoghan
Blood blockade battlefront is one of those shows that is always in the back of my head, despite negative biasI managed to at least enjoy some of gungrave, I grew up, sort of with trigun, so with blockade having Yuji Nightow involved theres always that part of me that says to watch blood blockade battlefront.
AidanAK47
This is one of the annoying things about previews. You got o the trouble of looking it up and writing on it only for it to get delayed or turn out to be a short series.
SuperMario
ohh, Blood Blockade Battlefront moves back to October airing. I might have a chance to cover it after all. Though look at how it gets delay and the change of director, it yells more concerns than optimism
AidanAK47
Yep, Manga is completed at 6 Volumes. But it's kinda weird that the series managed to cover 6 volumes when it's so slow paced. I normally thought that 5 to 6 episodes was needed to cover a manga volume on average.
SuperMario
@anon954341: ACCA will finish in 1 cour, as the manga is already completed and from what I heard episode 11 & 12 cover the last 5 chapters of the manga.
Anonymous954341
is Acca 13's story going to finish in 1 cour, or is it still ongoing?
Kaiser-Eoghan
Honestly do wonder how much longer anime blogging will be a thing and how much they have to compete with popular youtuber's channels.
Kaiser-Eoghan
I once had some idea of doing a forum with a friend, it never went anywhere.
Kaiser-Eoghan
Aidan gave good advice anon, I still found old posts from when I was teenager archived somewhere online and it made me facepalm.
Kaiser-Eoghan
Eh, I wanted to throw myself into Mario and your conversation about personalities by talking about myself, force of habit.
AidanAK47
@Kaiser, Not sure what this rambling is about but good for you...I guess?
AidanAK47
@Anon, Blogs take a lot of work for very little in return. I wouldn't try starting one unless you are ready to make a huge commitment. Besides at your age(Based on that comment) it would be best to not put too much on the internet. The internet never forgets and it can come back to haunt you later in life.
Kaiser-Eoghan
The reason I bring some of this up is because I think that even if someone isn't the most emotional person out there, they shouldn't ignore/bash on certain shows/genres because of that, even if you don't get feelings out of it, the story/drama/characters could still be worthwhile.
Kaiser-Eoghan
I do think getting pissed off though is much easier irl than doing it online where it doesn't bother me as much.
Kaiser-Eoghan
And it surprises me alot that I followed so many romance manga years ago, enjoyed them, but I've never been a romantic person irl at all.
Kaiser-Eoghan
I also hate incompetence/failure and am generally not especially patient.
Kaiser-Eoghan
I care about others and appearances mainly to extent it either is of benefit, if I have to or it avoids hassle.
Kaiser-Eoghan
People tend to think I'm cold, articulate, blunt irl too.
Kaiser-Eoghan
I'm not a sentimental or passionette/emotional person irl, I don't like wasting time with other peoples shit and don't bother with it, avoid looking at people or touching them physically, talk in long dry speeches and in general come off as a quiet, reserved but snarky/cynical person.
Kaiser-Eoghan
I probably unknowingly come off as different on this site than I would irl.
Kaiser-Eoghan
Honestly I'd veer towards depressing or surreal/strange/messed up work more out of just wanting to see weird and depressing stuff happen and little else, just interests me, I can't remember the last time I cried.
Anonymous953782
um i wanted to make my own blog but it wants a email but i dont want my parents finding out
AidanAK47
It is weird how we never clash on what we want to cover on each season. Anyway I need someone to contrast my egotisical self so it's all good.
SuperMario
haha, Aidan: heartless grumpy monster & Mario: sentimental sappy bloke. Readers, you got yourself quite an odd combination of writers here.
Anonymous951955
We'll see; trailers can give false impressions
Anonymous951955
Not that all changes from source adaptations are terrible, but in this case, at least the trailer makes it look pretty bad.
Anonymous951955
It looks not great; I understand the need to change it a bit to suit the format/audience, but at what point does it turn from adaption to "loosely based on"?
HelghastKillzone
I'm glad we're past the phase of moe club shows.
AidanAK47
@Helghast, now that's something I never thought I would hear.
HelghastKillzone
Hell ya. We are in a golden age of anime that is filled with options and quality.
Anonymous951809
What a great week! Iron Blooded Orphans, Onihei, Little Witch Academia and ACCA 13 all had great episodes! I am spoiled!
Anonymous950847
@Anon and @Aikan

The LoGH manga remake has been out. It did not work for me.

I hope he anime goes its own way. I do trust Production IG, so I hope. I think it might not be this year. No lgoic, just a hunch.
AidanAK47
@Anon, Only info I can find is that it's coming out this year and it will be by Production IG. But I think you are right in that if it;s coming this year it will definitely be winter.
Feeling rather cautious about the remake myself. LoGH is dated visually but in a way it is a product of it's time and things you could forgive in the old version wouldn't be so forgivable in the new.
Anonymous949997
Does anybody know when that LoGH readaptation is coming? It's supposed to be this year right? Probably winter right?
SuperMario
But I will give it a full review anyways because all the amount of time I spent in that series should be paid off somehow, right?
Kaiser-Eoghan
But serious Gohands is a studio that had potential its just a shame its wasted on rubbish writers. Although I did like mardock scramble, because cyberpunk =)
Kaiser-Eoghan
If I met handshakers in public I'd refuse to shake its hand =D
SuperMario
Oh, it's actually just an extra Hand Shakers episode that serves as a prequel story. Not that bad then
SuperMario
Not to disregard Hand Shakers, but the best way to describe how I feel about that series is mind-numbing
Kaiser-Eoghan
They tried with that Military guy and his daughter but not by much.
Kaiser-Eoghan
But I do agree that there needs to be more to the characters, right now its JUST Tanya.
Kaiser-Eoghan
As for Tanya, having caught up with it, its a nice trashy guilty pleasure, especially due to the protagonist and I enjoy the setting because I'm a war film fan and like some of the action/politicking. I still do wish it was aesthetically a bit better. The dub isn't that bad and I'd welcome a second season.
Kaiser-Eoghan
In an ideal world Kino's journey would have been a good model for what light novel adaptations can be and SHOULD be.
Kaiser-Eoghan
If we must have more light novel adaptations, I would prefer them to be like Tanya, Muvluv, okay hardly breathtaking, but still better than that thing Aidan linked.
Lenlo
*Sigh* It looks exactly how I imagined it would and its terrible.
Lenlo
Please dont tell me thats an actual title.
AidanAK47
In another world with my smart phone light novel to get an anime.

Oh my god...This literally sounds like a joke title you would see within an anime. Tried giving it an honest chance by reading it and it's just shit. Just pure terrible.
AidanAK47
If people in Japan are actually buying blurays thinking its a good show then something is seriously wrong with the world.
AidanAK47
@Topgavin, maybe too many people watched it because it was so terrible. I haven't watched past episode 1 but it doesn't sound like it improved.
Topgavin
Just incase you guys were avidly waiting for the announcement, Hand Shakers is getting a prequel season because it's apparently selling well......
SuperMario
Should be happy for it, though I'm a bit disappointed that I can't be able to cover it
SuperMario
Inside Mari gets live-action series adaptation. Why not anime?? Duh
Spike
Little Witch Academia finally tips it's hand on the overall plot! I'm pretty pleased and think some direction might help bump it up from just being 'good' overall.
HelghastKillzone
@KTravlos Still watching it week by week and I'll write up a review on the second season of Iron-Blooded when it ends.
Kaiser-Eoghan
@Mario: It is however the kind of anime film that would have the wide audience appeal though, as in anime for people who don't watch anime.
SuperMario
@Kaiser: just prove that people has paid attention to anime. That's an encouraging sign actually
Kaiser-Eoghan
Feck, silent voice was booked out when I got there just now....should have booked in advance, showing at 7:00 on Friday booking it now.
SuperMario
@KTravlos: I haven't, but that more because I'm not a big fan of Mecha genre. I believe one of our writer HelghastKillzone still follow the series
KTravlos
No idea, if you are all still watching MS Gundam: Iron Blooded Orphans. I am, and while the 2nd Season toned down some of the elements that made the 1st Season good, it is still pretty good with the last episode doing a great job. If it keeps it, it definitely is head to head with Turn A Gundam for my favorite long-form Gundam Series (I am doing Gundam Origins for the original story)
Lenlo
Mhmm. It was one of those shows it weave adult themes into a kids show, so it had something for both. Now I can also appreciate the artstyle that doesnt use hard black outlines for everything.
AidanAK47
If anything I get so much more out of Samurai Jack now than when I watched it as a kid.
Lenlo
Love that dude Aidan. And yes Kaiser, I think anyone get enjoy it now. I love that its back, but even without that its easily standing on its own
Kaiser-Eoghan
How much of this love of samurai jack is a nostalgia driven thing? I'm not knocking that nostalgia but would it be possible to get something out of the show now if I never watched it when I was younger?
Lenlo
Yeah, that conversation was great. Really shows you how messed up hes become. Its also amazing when you realize that was the last set of spoken dialogue in the episode. There was not a single word uttered in the second half.
Kaiser-Eoghan
The audience who enjoyed samurai Jack has grown up, them bringing up seppuku and blood is possibly a part of that.
AidanAK47
Scene with the coffins was awesome as was the fight in the dark. My personal favorite part of the episode though was Jack arguing with his old design self. And young jack suggesting committing seppuku made my eyebrows raise. I mean..damn.
Lenlo
I agree Aidan. That quick shot of Jack vs the Daughter, with the sudden blood, suprised me as much as it did Jack. I really loved the scene with the coffins. The music nad sound was just great there.
AidanAK47
@Lenlo, It was a really great episode. I love the meta of Jack being worn down by the wait and the wait the viewers had to endure for the new season. I is rather odd seeing blood in Samurai Jack though but it does make that particular moment have so much more impact.
Topgavin
April 16th for NZ. It is a lesser known movie than Kimi no na wa though, so I do wonder how available it's going to be in cinemas
Lenlo
This second episode of Jack was really just amazing. Its making full use of the new budget/tech for the art and of the new rating, along with the impact the timeskip would have on Jack. The cinematography was superb as well.
SuperMario
@Kaiser: Koe ko machi will creen in Aussie in the beginning of April as well. I'll go to watch it; but I would love to jear your thoughts on the movie.
Kaiser-Eoghan
There is a preview screening of koe to kachi on Monday night, depending I may go, I may review it or at least talk about it on here.
Kaiser-Eoghan
I'm dying waiting for the Blame! anime film adaptation to come out in May. I've wanted an adaptation for years.
Kaiser-Eoghan
And I'm too much of a cheap-ass to actually buy anything, don't even use legal streaming for films or anime/manga/comics, pirate almost everything.
Kaiser-Eoghan
Or shelves for that matter.
Kaiser-Eoghan
I've fallen out of the collectors thing pretty much entirely. I don't like to advertise any of my interests on my bedroom wall either.
Kaiser-Eoghan
Some years ago I ended up selling almost all of my anime dvds/vhs and manga, comic books aswell, took down my posters and moved what figures I had left into attic boxes , just no space for it and it was a good way to get some quick extra cash.
Lenlo
I love Rakugo as well, im not meaning to bad talk it at all. I simply also agree with Aiden that slow rolling us with Yakumo's death was poorly done and that its feeling stretched.
Topgavin
Nevermind, the $30 price tag made that decision for me
Topgavin
Weird how I see $8 movies on youtube as a ripoff yet a $90 series as a bargain. All these $300 box sets made me think it'd be in the hundreds. Wonder if I should get rebellion too
SuperMario
I'm still pretty much a fan of Rakugo this season. It goes much darker than the first season, something I didn't dare to think before consider this isYotaro's story. Would love to see more about rakugo's industry but this season does flesh out a lot of our core characters
Kaiser-Eoghan
I said it before but I'll bring it up again, the slow pace allows for, when big things happen to have a larger impact when they do.
Kaiser-Eoghan
*In
**and(not on) waiting for the series to finish
Anonymous935946
Season 1 showed a lot more, different periods and times, the development of Rakugo, the tragedy of Sukeroku & Miyokichi (or at least one version). In contrast, season 2 was basically about Sukeroku's legacy in the form of Yotaro and Konatsu and their kids, and Yakumo's relationship with death, changing from fatalistic to happiness over the course of the series.
Kaiser-Eoghan
I think it might be 13 episodes, the first season had 13.
Anonymous935946
To be honest, I understand your point: It's hard to actually describe what happened in season 2. I guess I became invested into Yakumo in season 1, and then warmed up to Yota and Konatsu in this season.
Anonymous935946
Yeah, I think they certainly could have compressed the front half of the season. There wasn't too much plot going on, but I enjoyed the characters and their interactions, so I didn't mind the deliberate pacing.
Lenlo
I still really like Rakugo, its really good, it just probably didnt need 12 episodes. That said, really lookin forward to the timeskip
Kaiser-Eoghan
@Mario: I've never actually seen any of Olivier Asayas' films come to think of it.
Kaiser-Eoghan
But going back to that dragging on, that did factor in almost making me hold off on waiting for the series to finish before going back. The anon's comment was what got me to watch this weeks episode right now rather than waiting till later.
Kaiser-Eoghan
Rakugo remains at this point still going in too long, but in fairness to the anon, yes the episodes conclusion was effective on emotional level and I bought into the dreamy atmosphere, largely due to the good cinematography the series uses.
Lenlo
Really? Im torn. Im glad they didnt bait and switch us again, but I always liked how grounded Rakugo was so im not sure how ok I am with the supernatural part and some of it felt like fanservice in regards to bringing characters back. The VA though is fantastic as always and I am definitely looking forward to this last timeskip. Cant wait to see the kids grown up.
Anonymous935526
Rakugo was otherworldly today. Not going to lie, was fighting tears back, but failed at the end.
SuperMario
@Topgavin: the bluray goes by region as well so you can only buy it in Australia/NZ region (region 4). For Madoka I still find it easiest to just go to JB Hi Fi and buy it. Sometimes I find it cheaper from JB Hi Fi than even their original distribution company.
AidanAK47
@Topgavin, I ordered my Madoka bluray's from Amazon.co.uk.
Topgavin
Where do you guys buy your merch? Was looking into buying the Madoka blurays but can't find a reliable place to ship to NZ.
SuperMario
@Kaiser: nah, Personal Shopper isn't even a horror. It's just a failed arthouse that have little to say except grief.
SuperMario
...even now. For Raw, I would never expect the positive reactions from mainstream. I think the film really push the tolerance of the voewers, but it was a refrrshing watch.
SuperMario
@Kaiser: now you mentioned 2 films thay I really fond of. I come from Vietnam, so I could easily tell you that the settings are staged. The dialogue is pretty unnatural as well, but the movie grows a lot on me. I still love the striking visual and a long, slow mood the film evoke, and It speaks to one of the theme (women's identity in Vietnam society) that speaks well to me and still relevant...
Kaiser-Eoghan
@Mario: Is personal shopper really that mediocre a horror film?
Kaiser-Eoghan
@Mario: I also got back from seeing Raw a couple of hours ago, though the violence was enjoyable I was expecting it to be more so, it was also surprisingly funny at times.
Kaiser-Eoghan
@Mario: I did eventually see Scent of Green Papaya, while I did like that a plot actually did appear later on I was mostly content to find it a really pretty looking and generally relaxing film.
Kaiser-Eoghan
@Aidan: =< Sorry that anon post was me, was using the work computer and didn't log in.
AidanAK47
@Anon, don't do that. Don't hint at future events and just let people see for themselves.
Total users: 24

Featured Posts

Scum’s Wish – 11 [A Kind God]

It’s strange, for a show that almost certainly make viewers furious one way or another, be it totally love it or hate it; I remain indifferent for last couple of episode. The thing is, I can’t ship this Akane – Narumi relationship, because I’ve witnessed this kind of relationship in real life before and it […]

Little Witch Academia – 11[Blue Moon]

I don’t mind the lighthearted shenanigans of Little Witch Academia but in my opinion it’s episodes like this that will truly make the show memorable. After ten episodes of mere hints as to the state of magic and it’s history we get a truckload of answers. Why is magic being considered antiquated? Because magic is […]

Shouwa Genroku Rakugo Shinjuu – 24

When I started this season of Rakugo I was under the impression that this would be Konatsu’s and Yotaro’s story seeing as Yakumo’s had reached it’s end. However to my dismay it appeared that halfway through the season Yakumo has hijacked the series. I previously stated that the story of Rakugo has already ended with […]

Saga of Tanya the Evil – 10[Path to Victory]

What am I to say when the majority of the episode is detailing a military operation? I admit that content has become spare in this series as of late and the Tanya vs God battle has more or less been pushed to the sideline. Tanya had one moment here where it looked like her mission […]

ACCA: 13-Territory Inspection Dept. – 11 [Furawau’s Flowers Smell of Malice]

Really ACCA? Only one episode left and you’re still in set-up stage, with the coup is lingering in the air, but never comes in real form. In fact, ACCA is a series about setting up. Its deliberate pacing can really test the viewer’s’ patience, and I totally understand if most of you have fallen out […]

3-gatsu no Lion – 22 [New School Term – Fighter]

We get to an end of 3-gatsu run but it feels more like a new beginning. Like what I feared last week the last episode doesn’t really have a conclusive ending, instead offers us the new semester of Rei and his childhood and his shogi, which in all fairness are the weaker parts of 3-gatsu. […]

Scum’s Wish – 10 [Fragile and Empty]

This week the main spotlight is heading back to our beloved Akane and two of her relationships preys, Mugi and Narumi. Although I really like the way the show addresses each of those tainted relationships until finally we’d get to the bare bone of Mugi and Hanabi’s core relationship, this episode for me is just […]

Little Witch Academia – 10[Bee Commotion]

I remember seeing a remark someone made that Little Witch Academia would lose half it’s fanbase when the realize that they don’t like Saturday morning cartoons all that much. While most likely said in jest, I find there is a certain degree of truth in that statement. I did enjoy this episode of Little Witch […]

Shouwa Genroku Rakugo Shinjuu – 23

The extended epilogue continues as Yakumo returns home after the theatre burns down. Some are signifying the burning down of the theatre as the death of Rakugo while others are speaking of it as a new beginning. After all Rakugo can be performed anywhere as long as someone is willing to listen. The members of […]

Latest Reviews

Flip Flappers (Fall 2016) Review – 93/100

What makes Flip Flappers stand out from the rest of the anime field? I found a lot of people asking that question along the way. Well, first off, Flip Flappers isn’t your ordinary anime offering, that’s for sure. Its visual styles are too much and too incoherent for one thing, the narrative never really reveal […]

Sound! Euphonium 2 (Fall 2016) Review – 86/100

I must admit that out of all the series I was blogging last year, Sound Eupho 2 was the one I’m saddest to see it ends; not because it was my absolute favorite anime last year, but because the sheer amount of their attention to details and their ridiculously quest for perfection are something that […]

Fune wo Amu (Fall 2016) Review – 81/100

This series is, in retrospect, a really appropriate title that speaks to the very spirit of noitaminA block: an adult drama slice of life about the making of dictionary that surely don’t try to target the young audiences. Sound as dry as it is, Fune wo Amu’s actually one of the strongest noitaminA show come […]

Your name. (2016) Movie Review – 82/100

As of this writing, Kimi no Na wa, or Your name. has enjoyed a phenomenal commercial and critical success. It becomes the highest grossing film of the year in Japan, and broke many records elsewhere in Thailand, China, America… you name it. Even in the local theatre where I went to, we got a full […]

Occultic;Nine Review – 0/100

I am certain this may seem like an extreme rating for some but the number scale always has been something I only carried over as part of psgels format. But this rating exemplifies my feelings about this show in its entirety. This show is awful, terrible, rage inducing, illogical, nonsensical garbage. Watching this show was […]

Magical Girl Raising Project Review – 65/100

In the success of Madoka there have been plenty who have tried to capitalize on turning the Magical girl genre dark. Few have actually succeeded and while Magical Girl Raising Project doesn’t quite succeed, it is still a much more competent attempt than many others. The story is about a phone app which promises to […]

Yuri!!! on Ice (Fall 2016) Review – 83/100

“Can you hear my heartbeat? Tired of feeling never enough. I close my eyes and tell myself that my dreams will come true” That’s exactly what Yuri on Ice offers, a heart-pumping ride to the sport of figure skating. Yuri on Ice’s current success and mainstream breakout is something that no one could have guessed before it aired; but here […]

Strange Frame – Love & Sax (2012) Movie Review – 76/100

Hooray, I’m finally back to this section after a while. I originally plan to review a more in-focus groups of animated films, like Korean movies, anthology movies, female-directed films, etc but now I have a different plan. The days that I cover all these will come, I promise. Instead, this time I want to highlight […]

Thunderbolt Fantasy Review – 84/100

Sometimes you dread for the current state of anime: high school settings, cute girls, fan-service jokes, idol madness… that you wish for once to see something different, and out of nowhere an oddball like this just pop up: a wuxia puppetry show influenced by Taiwanese glove puppetry written by Gen Urobuchi. The sheer fact that […]