Posted on 31 July 2008 with categories: Anime Reviews


Time for another classic. If you’re one of those people who has only seen “modern” anime of the past decade, and are interested to see what the medium was like before the arrival of Evangelion, in the seventies and eighties (and perhaps the early nineties), then my top recommendation isn’t Gundam (at least, not until I’ve seen Zeta Gundam), but instead the very charming series of Mobile Police Patlabor.

The biggest reason for this is that while Mobile Suit Gundam caters for a specific audience, Mobile Police Patlabor seems to have something for nearly everyone: only if you need your series to have harems or slice of life (or gory horror, I guess), then you won’t find what you’re looking for. This series has mecha, it’s got drama, comedy, action, and a bit of romance and horror here and there, all packaged together quite neatly into 47 episodes.

It’s one of those very few series that tries to find a realistic use of mechas: in this series, they’re mostly used for construction and the police only use the mecha in order to solve conflicts for when these mechas go out of control. I’m surprised why I haven’t seen any newer mecha-series taking over the same idea, because it makes perfect sense. The main characters also aren’t anyone special: they’re no heroes whatsoever; they’re just a bunch of policemen who are in charge of these mechas. The epic “saving the country”-themes of the movies don’t return at all in the series, and everything is purposefully kept nice and down-to-earth.

But what really sells this series is its lovable cast of characters. Especially Captain Goto is an incredibly likable and unique character, but the rest of the crew also gets enough opportunities to shine throughout the series. The hot-headed Ota may be a strange character, but you’ll get used to him in no time. Noa, the most central character in this series, is quite likely the most stereotypical of the bunch, with her love for mechas (or labors, as they’re called in this series), great driving skills and naive nature, but she does end up being the most fleshed out and developed character of the entire cast, so she makes up for that.

Patlabor is an episodic series: every episode the crew handles a case (or does something other labor-related), where the focus is more on the characters than on the actual action, though the action itself is also very impressive. You won’t see any overpowered god-mode beams in this series, and fights are almost always based on strategies, rather than senseless bashing (although some characters in the series seem to forget this at times ^^;). The interesting thing is that this series joins Ooedo Rocket on the very short list of series whose dramatic climax isn’t at the end of the series. Instead, there’s just one arc in the series that takes up more than two episodes, with interesting villains and a tense atmosphere, and once that arc is done, the series just continues with episodic stories, and the final episodes instead go for some subtle character-development, instead of trying to end the series with a bang (but then again, with three movies and two OVAs, why should it?)

There aren’t much flaws in this series, but I’d love to have seen a bit more about division one (the division that works right next to the division of the main characters). We see hardly anything about them, with the result that the last episode hastily introduces a vital member of the division from out of nowhere, and acts like he’s been there all along. That was rather confusing.

Nevertheless, if you have the time to watch nearly fifty episodes, and have yet to see the Patlabor Movies and the television series, then I recommend going for the television-series first. The movies had their own excellent points, but it’s the series that brought the cast to life, and the movies clearly assumed that the viewer had already seen the television-series. The highlight of this series is definitely its cast of characters: it works great during the more serious moments of the series, but at the same time some the comedy-episodes are absolutely priceless. The comedy isn’t of the in-your-face type, like most slapsticks, but instead it requires proper build-up to work best. Patlabor may be nearly 20 year old, but it’s smart and it still packs a punch.

Storytelling: 9/10
Characters: 9/10
Production-Values: 8/10
Setting: 9/10
Posted on with categories: Monthly Summaries

The summer-season has always been the season of short and varied series, and in 2008, it’s no different. There’s a wide variety of genres in this relatively small season, only horror seems to be missing at first glance. So far, there are a number of potential classics lurking among them.

#30 (new) – Nogizaka Haruka no Himitsu – (4/10) – Sorry, but I have no intention to continue watching this stereotype-filled rubbish.
#29 (new) – Koihime Musou – (6/10) – Nice, but this series is way too silly for me, considering its setting. Dropped.
#28 (new) – World Destruction – (6/10) – I gave this series a chance and watched four episodes. My reward was a bunch of lame uninteresting stories about a bunch of lame uninteresting characters. Heck, I doubt that the world is going to get destroyed at the end of the series anyway. Production IG, you disappoint me. Dropped.
#27 (new) – Yakushiji Ryouko no Kaiki Jikenbo – (6/10) – I’ve mentioned this before: the “I have no life so I’ll just reveal my evil plans to every random person who happens to drop by”-villains were a major letdown for me. This series is too much Yakushiji Ryouko and too little Kaiki Jikenbo. Dropped.
#26 (25) – Allison to Lillia – (6,5/10) – The only reason why I kept going with this series is to check whether the Lillia-part of the story would be worthwhile, but now that that time finally arrived, it’s still filled with predictable storylines, way too obvious foreshadowing and I’ve got no inclination to care about the cast. Wake me up if the final episodes do turn out good, but for now I don’t want to waste my time with this thing anymore. Dropped.
#25 (new) – Sekirei – (7,25/10) – Sekirei is overplaying coincidences too much: the main character accidentally gets knocked over by a Sekirei, they then go and fly and crash into a house with more Sekirei, he goes to work, only to find more Sekirei. What, is the entire city populated by Sekirei or something? In any case, I have to admit, though: it’s nothing special, but the characters are enjoyable to watch for now. Let’s hope that they’re actually going to develop.
#24 (new) – Slayers Revolution – (7,5/10) – After watching four episodes, it’s not like I’m eager to watch the rest of the Slayers-franchise. In fact, Gintama is currently doing everything this series has done so far, and 10 times better.
#23 (21) – Code Geass – Lelouch of the Rebellion – (7,5/10) – Code Geass’s strange overblown combination between brainless action and soap-opera antics continues. It’s enjoyable enough, although I do have to say that I’m really glad that Karen has been captured. It’s been really refreshing to watch all this airtime without her.
#22 (20) – Itazura na Kiss – (7,5/10) – The wedding came in way too fast, but episode sixteen was surprisingly enjoyable when compared to its previous episodes. Please keep this up for the rest of the series!
#21 (19) – Soul Eater – (7,5/10) – Ugh, it’s getting harder and harder for me to gather enthusiasm for this series. Come on, this is Bones! Make something interesting happen!
#20 (new) – Antique Bakery – (7,75/10) – Good to see that there’s finally a series about gay people that isn’t yaoi or yuri, and instead chooses to deal with the topic of how gays feel awkward in today’s society. Shirogumi (who also did Moyashimon) and Nippon Animation form an excellent combination for the Noitamina timeslot, and the cheese is hilarious as well.
#19 (new) – Birdy the Mighty Decode – (7,75/10) – I may have expected a bit too much from this series, considering the director and all. It’s interesting, but nothing amazing yet. I’ll withhold my judgment for now, though.
#18 (new) – Strike Witches – (7,75/10) – I’m not sure what’s going on here: the premise is obviously strange with the pants-less females, and yet it’s a strangely charming series that attempts to unify the European and Japanese cultures.
#17 (new) – Mahou Tsukai ni Taisetsu na Koto ~ Natsu no Sora – (8/10) – I’ve no idea where that fourth episode went, but nevertheless it’s a calming slice-of-life series with a number of very strange plot-twists. (Crashing truck, anyone?)
#16 (11) – Chi’s Sweet Home – (8,25/10) – I’m not sure why I switched to the subs for this series (probably because it was easier to keep up with the huge amounts of episodes), but now that these have stalled, it’s getting a bit lonely without Chi, which is a shame because the subs stopped right at the point where this show became hilarious again.
#15 (6) – Porfy no Nagai Tabi – (8,25/10) – The past month of Porfy no Nagai Tabi has been kind-of weak. The Sicily-arc just didn’t live up to the rest of the series.
#14 (14) – Wagaya no Oinarisama – (8,25/10) – Wagaya no Oinarisama continues its tradition of “it’s not supposed to be good, and yet it is”. There’s nothing much else to say, really.
#13 (new) – Mission-E – (8,25/10) – Doesn’t try to be the best, but nevertheless it’s a very enjoyable and fun series that doesn’t deserve the negligence it’s getting right now.
#12 (new) – Ultraviolet: Code 044 – (8,25/10) – The movie may have sucked beyond belief, but the anime manages to fix its mistake by putting a good emphasis on characterizations. The atmosphere is dark, and the fact that there haven’t been any fillers yet whatsoever is also a large plus.
#11 (12) – Blassreiter – (8,5/10) – Well, it seems that the creators had no intention to be less dramatic for the second half, but make no mistake: the action is getting quite good right now, with the characters developing and all. All the prejudices of this show being typical Gonzo-crap are unfounded, and Blassreiter has unfolded into an engaging series now that the teenaged emo is gone.

#10 (15) – Gintama – (8,5/10)

Gintama has been particularly funny this month, and especially episode 67 cracked me up, with its rather wrong parody of the “romantic interest walking in on an embarrassing situation”-trope that you usually find in harem series.

#9 (16) – Macross Frontier – (8,5/10)

Okay, it’s been a long wait, but the plot is finally catching up speed for the finale of Macross Frontier. Characters are starting to get developed, good, good.

#8 (new) – Bonen no Xamdou – (8,5/10)

Shows the beginnings of a classic. It’s done everything right so far: detailed animation, and storytelling, an addictive pacing, an interesting world. I’m very curious to see where the creators plan to go with this series.

#7 (new) – Blade of the Immortal – (8,5/10)

Yes, I’m biased, but I don’t care! This series rocks! The soundtrack is excellent in my opinion, and the first two episodes showed the typical style of Beetrain-storytelling.

#6 (17) – Telepathy Shoujo Ran – (8,5/10)

You know, the more I watch this series, the more I like its adorable cast of characters. Sure, it may have its flaws, but Midori makes up for all of them.

#5 (new) – Natsume Yuujin-Chou – (8,75/10)

A really peaceful summer-like atmosphere and engaging stories to keep the viewer busy. My favourite of the summer season so far.

#4 (2) – Himitsu ~ The Revelation – (8,75/10)

The past few episodes of Himitsu have been either excellent or missed the mark. The series may have its lesser stories, but the good ones really make up for it.

#3 (10) – Nijuu Mensou no Musume – (9,25/10)

July has been a sensational month for Nijuu Mensou no Musume, with just about everything in this series hitting new heights. Whether this series can keep up the same quality for the rest of the episodes remains to wonder, but I’d love to find out.

#2 (8) – RD Sennou Chousashitsu – (9,25/10)

I’m trying to find a good way to describe the past few episodes of RD, but I can’t. Instead, I’ll just vaguely summarize it with one word: unique.

#1 (1) – Kaiba – (9,5/10)

My three favourite 12 or 13-episode series are without a doubt Haibane Renmei, Hi no Tori and Kaiba. I’m not quite sure in what order they go, but one thing is clear: Kaiba has been an amazing ride, from start to finish.

Posted on 30 July 2008 with categories: Bonen no Xamdou



Short Synopsis: Obligatory “I’m not going to cooperate with you”-episode.
Highlights: This was an obvious building-up episode, so nothing much stood out.
Overall Enjoyment Value: 7,5/10
Well, it had to happen sometimes. You can see this type of episode in many different series, where the main character, as stubborn as he is, yells at everyone in his new environment and wants to go home. It’s not the most exciting episode, but it is essential for proper build-up and character-building, which is why it’s used so often.

This episode did make use of its 20 minutes by giving a proper introduction to the crew of the postal service ship. It still remains a mystery why Nakiami is on board, or why they involve themselves with these huge battles, but at least the most important crewmembers were fleshed out. Meanwhile, at the camp of the antagonists, the major villain (or at least someone who looks like one) turns out to be some kind of war hero, who survived a huge war, 17 years ago. Their role in this story still seems a mystery, though.

What intrigues me is the high amount of attention to Akiyuki’s friends, who he left behind. If Akiyuki really is going to work for a postal ship, then that means that he’s not going to see them again, and yet they’re really well-fleshed out characters. What could the creators have in mind for them? Don’t tell me that that girl is going to follow the airship when she receives the letter that’s about to be sent to Akiyuki’s parents?

Posted on with categories: RD Sennou Chousashitsu



Short Synopsis: Okay, so last week’s preview was lying: this episode wasn’t about Souta and Holon at all. Instead, it’s about Minamo’s family.
Highlights: What could not be awesome about Minamo’s divided family coming back together?
Overall Enjoyment Value: 8,5/10
What a charming episode! Minamo and Souta’s parents and grandparents have always been vaguely mentioned here and there, but they never really took the central focus in this series, apart from perhaps that one episode that was dedicated to Souta’s father. In this episode, Minamo’s grandmother AND mother come to visit their offspring for one night, and enjoy a rare family reunion where all five members of the family are together.

I guess that this too is a commentary to today’s Japanese society, which through its workaholic attitude has many families that are separated from each other, and I can imagine that sixty years into the future, where transport has evolved even more, this wouldn’t be any different, and like Minamo’s parents, couples often live apart from each other because of their jobs.

And at the same time, this episode fleshed out Miamo and Souta even more, by showing what their parents look like. And damn, Minamo’s grandmother looks so different from what I expected. I can’t remember whether we actually saw a shot of her in the second episode, but I was really expecting some thin old lady with grey hair and all, and instead she turns out to be a much more similar to Minamo, and much younger-looking than I imagined her to be. At the same time, the creators also manage to sneak in a reference about Kushima having a sister. Am I the only one curious about her, and what she’d look like?

And damn, the preview for the next episode intrigues me. There’s some kind of deserted ruins in some jungle that suddenly started operating again. Could this go further on the Eliza-subplot of a few episodes back?

Posted on 29 July 2008 with categories: Mission-E



Short Synopsis: It’s character-building time when Chinami and Maori pay a visit to the research facility where Kotarou works.
Highlights: A Cow?
Overall Enjoyment Value: 8/10
Fun episode. It’s nice to see Kotarou back in detail, and at the same time this episode also showed the difference between Chinami and Maori in the ways that they grew up. It’s very much like Telepathy Shoujo Ran: Chinami had an understanding family, who supported her through her problems, while Maori probably had much less luck, and had to endure strange looks from her classmates by herself. Chinami always tried to stay in the background (probably also transferred schools here and there), while Maori’s powers became infamous through the entire school.

It’s interesting how Chinami is pretty much an airhead, both in Code-E and Mission-E, while Maori has a much more down-to-business personality, even though they were just as shy when they first appeared. Kotarou seems pretty much the same as he ever was, perhaps a bit maturer than what we saw of him in Code-E. He really does form a cute couple with Chinami, even though they’re apart very often. In any case, I’m glad that the creators made no attempts at creating another love-triangle with Maori. There was enough love-tension in Code-E, and I’m glad to see that Mission-E’s focus is about something entirely different, and knows it.

The new bad guy Kiriku in this episode was… interesting. His biggest purpose was most likely to flesh out the yellow-haired bad guy whose name I forgot at the moment. The latter has a sense of business, and doesn’t like to act when there’s nothing to gain for him, while the former likes to eliminate any potential threats for the future by force. In a way, this series likes to play with different characters who are put in the same situations: there’s Chinami and Yuma, Chinami and Maori, Kiriku and the other guy and the Brinberg-siblings in a way too.

Speaking of which, Adol (at least, I think that was her name) appeared this episode in a coma. I remember how in the first season, they were a great source of comic relief while trying to overcome all the cultural differences, and I’m really interested to find out what she’ll be like when she wakes up from this coma, especially since she lost her brother just like that in the first season.

Posted on with categories: Natsume Yuujin-Chou



Short Synopsis: A haunted building-episode.
Highlights: Natsume’s relation to his classmates continues to develop.
Overall Enjoyment Value: 8,5/10
Seriously, this series gets better and better with every episode, and I already considered it as one of the highlights of the summer-season. I’m really not sure how the creators did it, but their sense of characterization is amazing. But then again, this was to be expected, considering the director: both Baccano and Jigoku Shoujo had a huge cast of characters, with nearly every one of them having its own identity and likable from the start. So, what happens when you assign a director who is excellent at characterizations on a story that lives because of its characters?

This episode shows the most hostile Ayakashi so far, who kidnaps every one of Natsume’s classmates when they go and explore a strange abandoned building. He doesn’t even care about getting his name back, and is acting all out of some sort of grudge (if I understood correctly, it’s some kind of hate for people). But what caught my attention the most is another one of Natsume’s classmates. We don’t see the black-haired guy in this episode, but there’s a girl who has discovered that he can see spirits, because she noticed how he keeps talking to people from out of nowhere

On a side-note: this series is without a doubt the hardest to understand from the new season, simply because those Ayakashi keep speaking in some strange ancient dialect that doesn’t show up in the dictionary that I’m using. Japanese already is hard enough to understand without some random dialect thrown into it.

Posted on 28 July 2008 with categories: Blade of the Immortal



Short Synopsis: A girl whose parents were murdered asks Manji to help her with her revenge.
Highlights: If you weren’t already convinced that this was a Bee-Train series, then this episode will.
Overall Enjoyment Value: 8/10
Okay, so I think that it was pretty obvious that I’d end up blogging this series. After years, I’m still not sure what’s so appealing about their distinctive style, and yet I absolutely love it. I haven’t read one page of the manga so far, though I might read it once this series is finished. I believe that there were some changes made here and there that made the manga-readers overall disappointed, but for now, I won’t care about that.

In any case, it turns out that the frantic pacing of the first episode was just used by means of an introduction. I should have known: Bee-Train really likes to kick off its series as mysteriously as possible, only to go for a slow pacing with episode two. We’ve seen it in El Cazador, .Hack//Sign, Tsubasa Chronicle, and probably some more that I forgot about now. Still, a slow pacing is really what fits Bee-Train the best. It really allows the story to take its time and the characters to develop properly.
I also keep getting impressed by the music, and it’s surprisingly varied. One track bears a clear reference to Tenpou Ibun Ayakashi Ayashi, while the next is a spunky modern jazzy piece of music, the next is a quiet harp song, the next gives off horror-vibes. Kou Outani really was given a lot of freedom for this series. I must say that I really like the vocals that were used. Call it wailing, but I think that whoever is singing it has a great voice.

Also, what’s up with the episode count for this series? MyAnimeList is the only site which has this series listed at 13 episodes, and yet neither AniDB nor Animenewsnetwork, which strike me as the more reliable, have anything about the total amount of episodes. And yet, there’s also talk going on about a second season. In any case, next week there’s another hiatus, but after that, the releases seem to continue weekly instead of semi-weekly.

Posted on 27 July 2008 with categories: Anime Reviews, Kaiba


Welcome and say hello to one of the best anime of 2008, and along with Haibane Renmei and Hi no Tori, my favourite anime of only 12 or 13 episodes long. Kaiba is the product of director Masaaki Yuasa, who was the one behind Kemonozume, Cat Soup and Mind Game and it shows the result of when an already excellent director learns from his mistakes.

Kaiba is very much an experimental anime, which tries to be different from the stuff you usually see. The character-designs may look childish and simple, but make no mistake: this storyline isn’t afraid to show adult themes at all, and the perfect example of why you shouldn’t judge a book by its cover. It’s about a futuristic world with the fascinating concept in which people’s memories can be stored in chips and placed from one body to the other. The series smartly spends its first half fleshing out and playing with this concept, so that the viewer feels at home inside the setting, only for the second half to kick in with the real meat of the series, where the storyline keeps spiralling to the point of going out of control. The final episode is indeed one of chaos.

The setting may be already an incredibly imaginative one, what really won me over for this series is its sense of storytelling. It’s hard to explain, but if there ever was some kind of x-factor for anime, then Kaiba would have it. This is one series that knows exactly how to progress a mystery-storyline: lots of random flashbacks, in order to flesh out both the storyline and characters, a back-story that goes way beyond the “person x killed person y in the past” and lots of different hints to keep you guessing.

This also really helps fleshing out the characters, and the interesting twist that they keep changing bodies (made possible because of the setting) puts them in interesting different spotlights. The romance can be incredibly sweet when it’s in its element and even the villains get their own piece of development.

Overall, Kaiba is definitely recommended if you’re into experimental, mystery or science fiction anime. The only bad thing about it is that the plot isn’t the most solid one, so don’t expect everything about the setting to be fully explained by the end. Nevertheless, Kaiba is an masterpiece that makes excellent use of its limited time of only twelve episodes, and it has been my top pick of the past spring season ever since it started.

Storytelling: 10/10
Characters: 9/10
Production-Values: 9/10
Setting: 10/10
Posted on with categories: Kaiba



Short Synopsis: Neiro tries to tell Kaiba his secret as Kaiba and Warp go out of control.
Highlights: Not all questions answered, but this series somehow gets away with it…
Overall Enjoyment Value: 8,5/10
And so it’s unfortunately over. It was to be expected that not every question would be answered (like, what’s up with the planet that Kaiba lives on? It turns out, only the memory of Popo got killed, but how did that happen? and in this episode Kaiba also pulls out a number of random powers that would have been better if they were introduced earlier, so I think that one extra episode would have been sufficient to answer these questions, but still this was a pretty awesome episode.

Masaaki Yuasa clearly intended this episode to go out of control and become something surreal, in a way, it’s in the same style of the ending of Kemonozume, which also came from out of nowhere. It was obviously not the best episode of Kaiba, but at the same time it was very much fun to watch. The surreal parts in this episode were definitely worth watching.

So, in the end, the thing that Neiro discovered about Kaiba was that his mother’s memory was stuffed in the ostrich, as a punishment. At the same time, probably the cutest thing about this episode was this unexpected romance between Hyohyo and the memory-guy. ^^;

At this point, I’m not sure which series to call better: this one or Shion no Ou. They were both absolutely fantastic in their own ways, and without a doubt the best series of 2008. They both had fantastic storytelling, while Shion no Ou had incredible characters, while Kaiba had an incredibly imaginative setting.

Posted on with categories: Anime Reviews, Genius Party


It’s back to the surreal with Masaaki Yuasa (Kaiba, Kemonozume, Mind Game)’s addition to Genius Party. He probably wrote this before he started working on Kaiba, and it’s very apparent that he wrote this in a stage where his distinctive sense of style was maturing. Happy Machine can be very well seen as “Kaiba’s testing bed”, where Masaaki experimented a bit with different ideas and animation techniques (you can see his fascination with strange toilets here as well).

Happy Machine is the strangest addition to Genius Party so far, aside from perhaps the first movie Genius Party. It’s again a short story that knows its length and tries to play with it. What really stands out is the storytelling: it’s basically an adventure of a boy, of only two years old in a fantastic environment, and it’s very interesting to see the detailed ways that the creators come up with to keep this baby busy.

The problem with this movie is the titular character, because he doesn’t really feel like a two or three year old boy. He misses the feeling of loneliness and the hopelessness of being away from trusted people, even though throughout this short movie, he’s got more than enough reasons to feel lonely. Nevertheless, this movie has succeeded in creating an impact, which was exactly what I’m looking for with Genius Party’s short movies.

Storytelling: 9/10
Characters: 7/10
Production-Values: 8/10
Setting: 8/10

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  • Vonter
    (Thursday, Jul 28. 2016 04:33 AM)
    Also in regards to the bat scene. I just thought of Evangelion. I suppose that’s what the director was going on. Since you’re reviewing that, I’ll leave at that.
  • Vonter
    (Thursday, Jul 28. 2016 04:22 AM)
    I agree to a certain level the padding at the beginning. I suppose I didn’t mind since it at least was like a standard Batman episode (of the latter seasons). I think what bugs me is that the portrayal of Batman wasn’t very good, I think he’s emotionless for the most part. And like I’ve said, on the technical side it isn’t as striking as the novel. It’s like when Gyo was adapted (to be fair that’s also because like Berserk it had a lot of CGI).
  • Kaiser Eoghan
    (Thursday, Jul 28. 2016 04:20 AM)
    Basically just seeing the story put on screen I was grateful for.
  • Kaiser Eoghan
    (Thursday, Jul 28. 2016 04:18 AM)
    I noticed something off about the animation and the dialogue was pretty piss poor at times but the latters kind of a given in these things and the prior was never distracting enough to take me out of the movie. I’m indifferent really to the Batgirl drama, don’t mind that its there, don’t care if it wasn’t.
  • AidanAK47
    (Thursday, Jul 28. 2016 03:39 AM)
    This story required a level of care that frankly the creators didn’t want to give.
  • AidanAK47
    (Thursday, Jul 28. 2016 03:38 AM)
    I think instead of trying to combat the whole women in refrigerator aspect of the story they instead should have focused on what inspired the characters to do this. What made batman rethink his relationship with the joker and attempt to find a common ground? What made the Joker suddenly want to prove a point? And sure you could add something to give batgirl a moment but not some crap villain no one cares about. Instead have her go up against a real batman villain.
  • AidanAK47
    (Thursday, Jul 28. 2016 03:33 AM)
    @Vonter, Animation was one part of it. The other was the first thirty minutes being a tacked on Batgirl story and it really shows. I didn’t really have that much of a problem with it up until that scene which everyone likely knows. That annoyed me. I get what they were trying to do but it just made things worse.
    As for the actual killing Joke itself, I thought it was ok. Hamell brought his A game. Really for that it was just small details that made it lesser.
  • KaZuHiRo
    (Thursday, Jul 28. 2016 01:46 AM)
    HAPPY BIRTHDAY PSGELS!! If you’re still lurking around that is…
  • Vonter
    (Thursday, Jul 28. 2016 12:48 AM)
    I’m kinda bummed that the Killing Joke adaptation is likely gonna be another feminist driven criticism. As for my opinion its just not as good as it could be because it seems 2D animation in general is having less commitment adapting complex artstyles. Not as distracting as Berserk, but the Bruce Timm artstyle doesn’t strike the tone of this particular Batman story.
  • AidanAK47
    (Wednesday, Jul 27. 2016 01:48 PM)
    @topgavin, I am not gonna deny that’s a large part of what I like about it as well. And practically everything really does become a side plot when the other guy is introduced.

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91 Days – 03

Seeing as things didn’t quite go to plan for Avilio last episode, it’s now time for him to prove his innocence to Nero. Avilio is playing his cards right and things would have gone to plan if it wasn’t for the man who lead them to Fango before. He states out of curiosity that he […]

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Re:Zero -Starting Life in Another World – 17

While I did enjoy this episode and think that some interesting things have been brought up, I must admit that even my patience is starting to run out. I blame this mostly on the fact that I am watching this weekly instead of binge watching it all as the progression in these episodes has slowed […]

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Neon Genesis Evangelion – 01

Truth be told, I’ve never seen any of the EVA franchise, and it’s not normal since EVA is a must for any anime viewer. I don’t really know the reason why I keep myself from watching it, maybe both because mecha is not my favorite genre, and the hype of EVA is just overwhelming that […]

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Berserk(2016) – 03

Forgive me for the delay on this particular post but I must admit that in light of Berserks quality my interest in covering it has somewhat declined. I know that for every episode to come I will have to dance around the elephant in the room but this series isn’t making that easy for me. […]

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Orange – 03

So this week we finally encounter a love rival. Of course with a romance drama show like Orange there had to be someone who would stand on their way right? Except there’s not much of a rival really since Naho never stands a chance against the new girl Ueda. As she learns hard and clear […]

Latest Reviews

The Murder Case of Hana & Alice a

The Murder Case of Hana & Alice (2015) Movie Review – 85/100

Welcome to the third installment of World Animation section, but this time we head back to Japan for my favorite anime movie out of last year. If anything, I have always wanted those reviews to be a recommendation if you want to look for something different. So if there is anyone who would check out […]

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Legend of Legacy Review – 80/100

Oh Square Enix, this is the kind of avant-garde work you need to do. Developed by Furyu with the people behind SaGa, and written by Masato Kato of Chrono Trigger, I knew I was in for a unique game right from the start. But its gameplay is certainly divisive and for good reason, as this […]

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My Life as a Courgette (2016) Movie Review – 82/100

It’s never easy to make a good family’s animation. For movies aim at adults, the filmmakers can easily get themselves loose, go crazy and the audience can still get it. But for kids, these movies might be one of the first movies they’ve ever seen and that’s a huge responsibility. They have to aware of […]

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The Red Turtle Review – 93.5/100

Welcome to my first movie review on World Animation section, the column where I wholly dedicated to indie/ art-house animated features around the world that hardly got coverage anywhere really (but rest assure our since sometimes I will review anime movies as well). And what’s a better way to start this section by reviewing one of […]

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Flying witch Review – 86/100

As I mentioned in one of my weekly posts, most of the reason why a slice-of-life anime show don’t work well is not because there’s nothing happen, but more because the cast isn’t interesting enough or the show tends to repeat the things that we already know. I’m happy to say that this is not […]

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Bungou Stray Dogs Review – 62/100

Well, we don’t usually give a review on the first cour of anime show, given the fact that the second part will air next autumn season. But since I’m not certain I would cover its second half, plus I don’t think this series will improve itself, I might as well give Bungou Stray Dogs a […]

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Kiznaiver Review – 60/100

Kiznaiver is a very different faire from Studio Triggers other works in that it takes a more serious tone and has a writer who tends to go more for the melodramatic. This is a tale about a group of very different people gathered together and have their pain linked to one another. In an effort […]

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Joker Game Review – 50/100

When experiencing the wave of new anime each season it can get rather tiresome to notice all the teenagers fighting supernatural forces while gathering a harem through seer luck or similarly tired concepts. So when something like Joker game comes along and takes a road less traveled with it’s story, naturally I am well on […]

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Mayoiga Review – 78/100

Mayoiga has to be one of the most misunderstood shows in recent years. On a surface, the premise alone has a lot of potential. The idea behind putting 30 people, each of them has very different set of personalities, together in a bus to a mysterious lost village, in order to start over new life […]