Posted on 25 July 2008 with categories: Anime Reviews, Kara no Kyoukai


The third movie of The Garden of Sinners takes place between the first and the second. It continues the tradition of the second movie by shedding light on the unanswered questions that the first movie left behind, as it shows another stage in Shiki and Mikiya’s life. The story is about yet another string of mysterious gruesome murders, but despite this, it was the best movie of Kara no Kyoukai yet in my opinion.

The antagonist for this movie is the biggest reason for this. This movie really looks into the question: “what could someone drive to commit these gruesome murders?” And it comes up with a fascinating character study with a bit of supernatural elements here and there. Shiki and Mikiya also benefit from the second movie, which fleshed out their characters a bit, so they too make this a highly enjoyable movie.

There are a couple of bugs in the storyline, though. I’m not sure whether it was a good idea to have the major antagonist turn out to be a friend of Mikiya, of all people. It makes no sense, could have easily be omitted without affecting the rest of the movie and the movie can’t seem to decide what kind of relationship the two exactly have. It feels like some sort of cheap plot-device, especially for such a short 50-minute movie. The ending is also a bit of a downer-ending, with its Deus ex Machina-ish plot twist.

The plot feels a bit weird, but nevertheless the characters keep improving with every movie. It’ll be interesting to see this trend continue for the rest of the seven movies of the Garden of Sinners. Remaining Sense of Pain isn’t the most visually stunning instalment of Kara no Kyoukai, and the mystery isn’t as impressive as in chapter 1, but it makes up for this with great and solid characters.

Storytelling: 7/10
Characters: 9/10
Production-Values: 9/10
Setting: 8/10

4 Responses

  1. L.A says:

    I can’t really understand this whole thing about Kara no Kyoukai…
    The only thing in my mind is that Shiki must go to jail or die, so as Fujino, and maybe Mikiya too

  2. FlameStrike says:

    Wtf why does Shiki have to go to jail? SPOILER!: If you’ve read the novel you’d know that she has never killed anyone, and that Mikiya was right all along.

    About the Fujino liking Mikiya thing, I think in the novel it was just some random sempai. Fujino contacted Azaka to get Mikiya to help her find him or something x.x;

  3. mulligan says:

    I cannot honestly say I enjoyed the three movies so far. I am sure there’s a great deal of backstory to the plot presented in the movies, but as I’ve never read the novel itself, they are difficult to follow. There’s a great deal of emphasis on unexplained phenomena clairoyance-watnot, atmosphere, and the idea of pain in all three. But there’s too many holes left for the audience to *guess* their own conclusion.

    Big fan of unconventional storylines, solid groundwork and beautiful, interesting animation (i.e. Kaiba). But this one’s not my cuppa I have to admit :)

  4. Leander says:

    I may only find peace of mind if “Keita Minato” dies…
    But I just don’t want it to end “that way…”

    (I’ll make him suffer…)hearing him beg for his miserable life makes me wanna puke my disgust!

    I’ll take pleasure while hearing the scream of agony…
    then finally…he perished.

    I’m still longing for it till now…
    (I’m so wanna crush them faces…)

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  • Juno
    (Thursday, Apr 24. 2014 12:23 PM)
    The only time they ever get along seems to be during non-canon alternate universes made for fanservice, official or not.
  • Juno
    (Thursday, Apr 24. 2014 12:21 PM)
    Erm, no. They didn’t “get along” so much as Sayaka at least sympathized nicely with her. At least, until the end, when she basically swore never to sympathize with her again. XDDD
  • Juno
    (Thursday, Apr 24. 2014 12:20 PM)
    Another interesting point is that the character relations are pretty fluid, too. Characters can act differently toward each other in different timelines/potential futures. Rebellion actually solidifies Homura’s consistent feelings toward Mami and also that Sayaka just cannot seem to be on good terms with Homura… but even then, for a while, they got along pretty well until the end. XD
  • Juno
    (Thursday, Apr 24. 2014 12:17 PM)
    Madoka’s characterization seems pretty non-linear and only show up when necessary, so it’s definitely easy to see that they’re “dependent on the plot,” but there’s a ton of stuff there to piece the characters together into something coherent and solid.
  • AidanAK47
    (Thursday, Apr 24. 2014 11:55 AM)
    Madoka’s characters act pretty confusingly? I never got that. I always felt there actions were pretty logical in the first viewing.
    Though a second viewing of anything can help. Mostly because you know the main story so you can focus on the little details.
  • Juno
    (Thursday, Apr 24. 2014 11:27 AM)
    If anyone wants me to ask any specific questions, let me know. Funny enough, people are saying the same thing I’ve been saying for a long time–that multiple viewings help us understand the characters better. Because a lot of characters DO act pretty confusing at first, but upon a second viewing, after we know more about them, those actions make complete sense. Meaning that Madoka’s characterization is not linear.
  • Juno
    (Thursday, Apr 24. 2014 11:20 AM)
    Thankfully, derailment usually doesn’t happen with serious topics like this, so it’ll probably just die down over time when there are plenty of great answers and not a lot more to say, or go on for a very long time if there are a disparity in perspectives from different people.
  • Juno
    (Thursday, Apr 24. 2014 11:17 AM)
    On a very, very interesting note, I just asked one of the small communities of respectable Madoka fans to sit down and think with me about the potential flaws of characterization and development in Madoka, or why they may be perceived as flaws. I’m getting a lot of well-thought-out answers, so when the thread starts to die down (or derail, which hasn’t happened yet), maybe I’ll share the link here.
  • Juno
    (Thursday, Apr 24. 2014 11:15 AM)
    @Kenjeran: I keep hearing that Up has a really emotionally engaging short intro or insert or something. I STILL haven’t seen it yet, but that might be a potential example.
  • Emma
    (Thursday, Apr 24. 2014 08:36 AM)
    I must say Daimidalar, the breast grabbing/groping really bothered me actually in that one that I wouldn’t watch it.

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