Posted on 27 July 2008 with categories: Anime Reviews, Genius Party


Call me crazy, but Baby Blue has been the best of the short movies from Genius Party for me so far, but then again, with such a stellar storyteller behind the direction (Shinichiro Watanabe, who directed Samurai Champloo and Cowboy Bebop; the guy really should release another series), this was to be expected. Watanabe also directed Detective Story and Kid’s Story in the Animatrix, so he knows what it takes to make a good short story, which he shows in these fifteen minutes.

Baby Blue is very much away from all of his other works, and it’s basically like Doorbell a tale about high-schoolers. This one went right where Doorbell failed, though, by providing adequate background for the two central characters, and at the same time there’s this continuous down-to-earth atmosphere. All movies of Genius Party have a message, and the message of this one works out really well when it gets revealed.

The characters really shine, despite the very quiet mood, backed up by some lovely guitar-solos. There is a small hint of romance, I guess, but it smartly stays away from being a Makoto Shinkai rip-off/wannabe with its daring storytelling, but the thing that really shines in this series is its characters.

Storytelling: 8/10
Characters: 9/10
Production-Values: 8/10
Setting: 8/10
Posted on 26 July 2008 with categories: Telepathy Shoujo Ran



Short Synopsis: The current arc: a “supposedly” haunted hot spring resort.
Highlights: Look and watch Midori make an idiot out of herself.
Overall Enjoyment Value: 8/10
Telepathy Shoujo Ran is obviously not perfect with its lack of subtlety and mysteries that sometimes are a bit far-fetched, and indeed my biggest fear is for this series to turn into the next Allison to Lillia, with the series going south as the inspiration of the creators runs out. For now, I’ll remain positive, though, because yet again this episode was really enjoyable. It shined through the banter between the different characters, and for now I’ll call this among the best of the middle-school detectives-genre.

I’m still not sure why the chief of the resort suddenly knew about Ran, but the rest of the mystery was pretty well done. The creators first pretend that this is some sort of Scooby Doo-esque mystery series, where the ghost appearances were caused by a human (where mostly Midori broke down the ghosts actions so that human actions would easily explain them), only put down a bunch of actual ghosts in front of the characters. I suppose it makes sense: since the powers of Ran are so omnipotent, why wouldn’t she be able to see ghosts?

I must say that I’m liking Midori more and more with every episode. She’s the smartest character of the cast, she’s sarcastic and likes to make sarcastic jokes and yet she continues to make an idiot out of herself whenever she’s in front of Ran’s brother. She’s really enjoyable to watch, no matter how questionable the mystery may end up to be.

Posted on with categories: Anime Reviews


Hiroshi Watanabe intrigues me. No matter what kind of utter crap he produces, he intrigues me like no other. The guy is a brilliant writer, he has a bizarre sense of humour, and at the same time he can come up with the most terrible and cheesy storylines ever. The guy has also been around for a decade now, and made a wide variety of series, so there has to be someone who sees something in the guy. Call it a guilty pleasure, but there has to be something wrong when I have no problems remembering his name, and yet I can’t recall the name of the director of Noein and Escaflowne at all. As much as I hate to admit it, the big “twists” in Suteki Tantei Labyrinth and Shining Tears x Wind have made a lasting impression on me.

In any case, King of Bandits Jing is typical Hiroshi Watanabe: incredibly cheesy and incredibly creative. You can see it as a canvas for creative ideas, in the sense of “I have an idea and I don’t care how stupid it sounds”. Seriously, you’ll have trouble to find a series with more creativity and originality than this one. Swords that turn out to be keys? Musical train tracks? Grapes of time? Delicious! On top of that, this series can also boast one of the best character-designers out there: Mariko Oka, who also did the character-designs on Jigoku Shoujo and Ghost Hound. The result is a bunch of absolutely beautiful female character-designs.

But yeah, Hiroshi Watanabe’s series have always been a very strange combination of awesomeness and utter crap, and King of Bandits Jing is no exception. The amount of Deus ex Machina that bombard the screen is only surpassed by the second half of Star Ocean Ex (which, you guessed it, was also directed by Hiroshi Watanabe). The series is incredibly formulaic: King of Bandits Jing and his partner Kir (a horny crow) enter a city in order to steal something, meet a cute girl whose name is a reference to heavy liquor, Gir flirts with her, and at the end of the story Jing has saved the day and defeated the villain in the form of an ugly man. In the final arc, Jing and Kir still enter a city in order to steal something, meet a cute girl whose name is a reference to liquor, flirt with her and end up saving the day by defeating the villain in the form of an ugly man (okay, one of these villains is an ugly woman, but she doesn’t count as she looks way too much like a man!!). Gir gets one episode of development, but this development is never used, and Jing never develops at all. No background whatsoever!

The different stories have a huge difference in overall quality. Some are utter crap, others are average, others are entertaining and one or two episodes are utterly amazing. The one thing I love about Hiroshi Watanabe’s works is that you’ll never know when he shows his best side, and King of Bandits Jing is no different. I want to give especially credit to the artist-episode. It stands miles above the other shorts in terms of storytelling, and it was without a doubt the highlight of this series. The ending of the series shows why Hiroshi Watanabe is the absolute king of cheesy plot-twists, but I don’t care, I love this guy’s works, despite the very obvious flaws.

Storytelling: 7/10
Characters: 6/10
Production-Values: 9/10
Setting: 9/10
Posted on with categories: Anime Reviews


Next up in the category of “very obscure OVAs from the 80s and 90s” is Karura Mau (or as its full title reads: “Hengeitaimayakou Karuramau! Sendaikokeshienka”, which I’d rather keep abbreviated for rather obvious reasons). It aired back in 1990 as a six-part OVA (there was a movie too, I believe), but my guess is that it never really caught on. Which is a shame, because it’s really good. If you’re looking for horror and know a bit of Japanese (yes, I watched this in raw, so don’t bother asking me where to find subs) then you should check this out.

Before I start this review, I’d like to note one thing about the OVA’s rather questionable promo-art that you can find on sites as AniDB and MyAnimelist, because for the love of god… it’s got absolutely nothing to do with what actually happens here. Where the heck did that overly BL-picture come from anyway, because this is a story about two sisters who work for a shrine. These two guys who appear in the promo-art never appear in this story at all.

Anyway, Karura Mau is a pure, unadulterated horror thriller. At first sight, it may seem that it’ll be a collection of 6 random horror stories, in which our lovely leads exorcise one ghost every episode, but instead this turns out to be a continuous storyline. It’s easy to just stab someone in the hand, or draw some random corpse or goon, but horror really tries to make these scenes have impact, and Karura Mau succeeds really well in this department. It knows exactly that good horrors comes with good characters, and so it makes sure that throughout only 6 episodes, the antagonists are fleshed out and developed really well into sympathetic characters. The result is that this anime gets better and better with every single episode.

Another major plus for Karura Mau is its terrific soundtrack, full of influences from the eighties that manages to create a perfect scary mood. The graphics also look really good for something that’s nearly twenty years old, but I want to give especially credit to the gory scenes and blood. Because this OVA comes from the time of hand-painted cells, the bloody limbs and corpses are drawn in such a way that can’t possibly be mimicked by today’s computerized animation techniques. The budget for this series isn’t stellar, but nevertheless it shows the beauty of hand-painted cells.

Unfortunately, this is yet another one of these anime with the “the manga is so much larger”-syndrome. In Karura Mau, this doesn’t show through the story (it’s pretty standalone and wraps itself up nicely), but through the main characters. It’s obvious that they were developed in another arc than the one of the OVA, and so they pale in comparison to the well-fleshed out antagonists. Especially the two main characters are guilty of this, and the OVA partly assumes the viewer to be familiar with the manga (which, considering the popularity of this OVA, must be even more obscure)

It’s really a pure coincidence that I managed to discover Karura Mau, but as a fan of horror, I’m really glad that I did. It’s another one of those ancient gems that nobody knows about, and it deserves to be subbed or licensed. Its protagonists may feel a bit weird at times, but the antagonists really make up for it.

Storytelling: 9/10
Characters: 8/10
Production-Values: 9/10
Setting: 8/10
Posted on with categories: Genius Party


Since the third episode of Genius Party isn’t out yet, I went on to number four: Doorbell. This one may seem like the odd one amongst the different movies, as it’s been directed by a manga-artist: Yoji Fukuyama. The only thing the guy is famous for is for doing the art of a part of the very first “nouvelle manga“. This guy could be the total opposite of Shoji Kawamori, in a way.

In any case, Doorbell is a very quiet movie, combining slice of life with a “what’s going on”-mystery type of story. There’s not a lot that happens, and the fifteen minutes in this movie will be over before you know it, but its message is an interesting one when it gets revealed in the end. The art style is very plain, which fits the movie perfectly.

The problem with this movie is that the Yoji Fukuyama tried a bit too much to make this guy look like your average Joe. Through the movie, I found no reason to care about the guy: we hardly lear anything about him or his life. Heck, it takes ages before we even get to hear his name. It’s rather hard to identify with someone like that.

There’s also a strange minute wasted on a random old lady who doesn’t add anything to the storyline. I guess that if this short would have had just a couple of more minutes to establish its characters properly, it would have been much better. There’s a huge contrast between Doorbell and the first two shots of Genius Party that I’ve seen so far, which is always a good thing. The quality has been surprisingly consistent so far: the three shorts I’ve seen so far have all been nothing special, with a few things missing here and there, but interesting in their own way. I’m interested to see how the rest of the shorts will turn out, because there still are lots of talented directors left.

Storytelling: 8/10
Characters: 7/10
Production-Values: 8/10
Setting: 7/10
Posted on with categories: Birdy the Mighty Decode



Short Synopsis: More characters than ever get introduced as Birdy goes back to her home-planet.
Highlights: Completely different from the first three episodes, in a good way, though Senkawa is getting a bit annoying.
Overall Enjoyment Value: 7/10
Okay, I’m not sure what happened here… This episode introduced the real meat of this series, but it’s not something to expect, with the stellar staff behind this series. I liked all the different characters that got introduced, but there were parts in this episode that made me question whether the creators really knew what they were doing…

The biggest culprit obviously being Senkawa’s overly moralistic speech towards that judge. I can understand his whimsical banter with Birdy (which was actually quite fun to watch), and his surprise at all the new things that he’s saw in this episode, but that tribunal-scene made no sense whatsoever. I liked how it gave Birdy a bit of background, but that’s about the only thing that was good about that scene.

Then there’s also that random bombing at the end of the episode that Birdy just “happened to be at”. It’s not the most solid plot-twist, and I’m not sure what its purpose really is going to be. I think that this series needs to be a bit more focus, and I hope that the next episode can establish a clear goal for this series to work to. At the same time, I also hope that the creators will remember to flesh out all of the different important characters that were left on earth.

In a way, this episode was necessary to give Birdy her background and wrap up the Giga-arc, but it could have been done a bit better. One real disappointment about this episode was the huge downgrade in the animation. It’s nowhere near the huge quality of the first episode. To be honest, I’m disappointed with this series so far, but I’m partly to blame myself for getting my expectations up too high. I’m not going to expect anything grand from this series anymore, then perhaps it’ll surprise me in the next few episodes.

Posted on 25 July 2008 with categories: Anime Reviews


I’ve got to stop dropping these boring-looking series without giving them a chance… looking back at what I wrote on my first impression on this series, I realize what an idiot I’ve been, dropping this series in favour of… Binbou Shimai Monogatari. In any case, if you’re looking for good romance, then look no further, because Bokura ga Ita has lots of it, and then some more.

And what romance it is. The beauty of this series is that it just feels like it’s about a real couple, and throughout the series, they explore all of the common aspects of being a couple: rivalry, understanding and compromising for each other, truthfulness, breaking up and saying goodbye, but the common theme for this series is the fact that love can turn sane people into a bunch of inconsistent idiots; the contrast between common sense and your own feelings, and the 24 episodes do an excellent job of exploring said themes in-depth.

Obviously, the characters in this series are deep. About 50% of this series’ dialogue happens inside the characters’ heads, so at the end of the series, you’ll know exactly what went on in those multi-layered minds of them. They way they evolve throughout the series is also pretty amazing, and you can see the subtle changes that occur in just about everything in this series. The pacing is slow, but every single episode hardly ever loses focus on what’s really important in this series.

Let me place a warning, though, and a very important one. The pacing is incredibly slow, so you obviously don’t want to watch it if you generally like fast-paced series, but there’s one more thing to be aware of: the female lead Nanami Takahashi. She’s by no means a bad character, but the creators made no attempts to make her into something like “the perfect girlfriend”, or something similar. She’s weak, incredibly wishy-washy and hardly ever gets to the point she wants to make. I realize that this is exactly the creators’ intentions, but you do NOT want to watch this series when you’re frustrated, because she’ll just make these frustrations worse.

In terms of the production-values, this is a typical Artland series. The character-designs are very stylish, and the animation is consistent, yet you’ll hardly ever notice it. There are so many EDs that they make any Shaft-productions pale in comparison. I now also understand why Gunslinger Girl – Il Teatrino’s action-sequences felt so low-budget, because it’s just not something they’re good at, and instead they excel in style and subtlety (something that was plenty available in Il Teatrino as well).

This pretty much is exactly what a pure shoujo romance should be. My only real complaint is the ending, as it’s a bit too open-ended for such a series, but mostly because the manga at that point featured a very interesting plot-twist that was omitted in the anime, and which would have had so much potential if the creators included it in a second season somehow. But then again, then it would look a bit too much like a Makoto Shinkai rip-off, and this way Bokura ga Ita really has its own identity as a series.

Storytelling: 9/10
Characters: 9/10
Production-Values: 9/10
Setting: 8/10
Posted on with categories: Anime Reviews, Genius Party



Ah, of course. Robot Carnival had Robots, the Animatrix had the Matrix and Genius Party has imagination. Every short movie is about imagination in one way or the other. Shanghai Dragon is the work of Shoji Kawamori, the guy behind Macross, who is currently directing Macross Frontier. There are indeed plenty of grand mecha-battles in this one, but I don’t think that you can predict what this one will be about, just by looking at Kawamori’s other series.

First of all, Shanghai Dragon is about a pair of Chinese kids (who also speak Chinese), but it’s also a satire, parodying the trope of the useless kid who suddenly finds the ultimate weapon. It’s just this time, the ultimate weapon is more ultimate than ever, and the kid also couldn’t be more useless. And yet, these have been some fun 20 minutes of airtime, mostly thanks to an adorable cast of characters, which manages to be dynamic, despite the short length of only 20 minutes.

It’s strange, though: the space-soldiers in this short speak Japanese, while the kids are Chinese, and they seem to have no problem understanding each other. The biggest flaw of this short, however, is the rather intrusive CG that sometimes doesn’t flow well with the other animation at all. Shoji Kawamori obviously couldn’t get the same budget for this episode as for an average Macross Frontier episode, and this shows. And it’s a shame, because the other graphics look pretty interesting.

Overall, Shanghai Dragon nothing special, but without a doubt a fun way to spend 20 minutes. Like Genius Party (the first short of Genius Party), it’s also full of symbolism. It may not be the most subtle storyline, but it’s both a parody and homage to an overused cliché in anime. It may start out like a joke in the beginning, but it ends strangely heart-warming.

Storytelling: 8/10
Characters: 8/10
Production-Values: 8/10
Setting: 8/10
Posted on with categories: Anime Reviews, Kara no Kyoukai


The third movie of The Garden of Sinners takes place between the first and the second. It continues the tradition of the second movie by shedding light on the unanswered questions that the first movie left behind, as it shows another stage in Shiki and Mikiya’s life. The story is about yet another string of mysterious gruesome murders, but despite this, it was the best movie of Kara no Kyoukai yet in my opinion.

The antagonist for this movie is the biggest reason for this. This movie really looks into the question: “what could someone drive to commit these gruesome murders?” And it comes up with a fascinating character study with a bit of supernatural elements here and there. Shiki and Mikiya also benefit from the second movie, which fleshed out their characters a bit, so they too make this a highly enjoyable movie.

There are a couple of bugs in the storyline, though. I’m not sure whether it was a good idea to have the major antagonist turn out to be a friend of Mikiya, of all people. It makes no sense, could have easily be omitted without affecting the rest of the movie and the movie can’t seem to decide what kind of relationship the two exactly have. It feels like some sort of cheap plot-device, especially for such a short 50-minute movie. The ending is also a bit of a downer-ending, with its Deus ex Machina-ish plot twist.

The plot feels a bit weird, but nevertheless the characters keep improving with every movie. It’ll be interesting to see this trend continue for the rest of the seven movies of the Garden of Sinners. Remaining Sense of Pain isn’t the most visually stunning instalment of Kara no Kyoukai, and the mystery isn’t as impressive as in chapter 1, but it makes up for this with great and solid characters.

Storytelling: 7/10
Characters: 9/10
Production-Values: 9/10
Setting: 8/10
Posted on with categories: Bonen no Xamdou



Short Synopsis: Akiyuki tries to make sense of his new body as the assault causes many casualties.
Highlights: Shows all the basics of good storytelling.
Overall Enjoyment Value: 8/10
I can imagine that if there ever was something like a “Basic Guide-Book to Telling A Good Story”, it would use Bonen no Xamdou as a major source of inspiration, or in any case the first two episodes. Everything so far has been done exactly by the books, and although this makes these two episodes predictable, it also makes them very solid. The setting for Bonen no Xamdou is huge, and so far we’ve seen the characters introduced and properly defined (and some of them already have evolved a bit), all the major parties have had their introductions, and yet the pacing has been frantic in order to keep the viewer interested.

I also really like the use of budget in this series. Bonen no Xamdou has a huge budget, but interestingly this isn’t used to create stunning backgrounds, like Porfy no Nagai Tabi or Macross Frontier, and instead it makes sure for a lot of detailed motions on the foreground. Very nice to see that for a change, especially in a series that’s as busy as this one.

And with this episode, I know for sure: it’s a pet peeves of the director to pay homage to some of the classics of anime. We saw this first in Eureka7, where Eureka’s three children were based off of the original Mobile Suit Gundam, and here you can spot it too: Nakiami’s outfit is very obviously inspired by the costumes in Nausicaa of the Valley of the Wind and Princess Mononoke. On an interesting side-note: the children seem to return for Bonen no Xamdou as well, though this time there’re just two of them. Let’s see how these brats ended up on such an international war-ship.

CHANGE USERNAME
Amagi
@Lenlo & Kaiser: I expected this to happen. I was only unsure because I didn't know how deeply integrated Yuri's gear was. It's the only good way to conclude his character arc and the series as a whole. Kinda hope that all those "die"-death-hints are actually just a metaphor for the death of gears and the commercialised power-augmentation in sports.
Amagi
@Aidan: yeah and they're overinterpreting stuff. When you really love a series and watch it 10+ times you'll notice things nobody else will ever see and things that are most likely not even there or at least not planned. Then they see a sequel or somethign for the first time and of course they won't see the same 100 hints and deepnesses they believe to see in the original
Lenlo
Alright. Personally, I am pumped for Megalo Box's finale. I am so glad I was right in what Yuri did. It was great at building it up. Heres hoping it doesnt throw it away next week
AidanAK47
Like that's what really annoys me about Evangelion fans. The way they talk about the show, they assume that Anno was completely aware of the impact the series would have from the start and planned every intricate detail to perfection regardless of importance. But that's not just untrue by opinion, but is objectively proven untrue.
AidanAK47
@Amagi, There are some legitimate complaints like the audio Muxing not being great. But I hear stuff like the original character in the first season being SO much deeper and think "What?". If it's one thing that really annoys me, it's when people start talking about a show like it's a planned masterpiece.
Kaiser-Eoghan
Risky move there by Yuri in megalobox ep12.
Kaiser-Eoghan
Sometimes the voice acting isn't good in both versions, Elfen lied and the original flcl didn't have great voice acting either in English or Japanese.
Kaiser-Eoghan
I got into the habit some years ago of watching most anime with dual audio because I used to do short reviews once upon a time and switching back and forth between subs and dub while marathoning a show gave me best of both and I could talk about both the English and Japanese versions when reviewing.
Amagi
I usually don't even watch dubs but considering that there is no other option here (yet) I did it and think it's pretty good, especially Haruko.
Amagi
@Aidan: Was thinking the exact same thing about FLCL. I fail to see how the original is much different than the sequel. For me it's pretty much the same thing - they tried to keep the style but change the frame to avoid copying it 100%. I enjoy the new series and love the characters.
AidanAK47
Dubs pretty good. Watched it dubbed myself.
Kaiser-Eoghan
Probably a good thing then that I haven't seen the original in a long time then, which I thought was alright but got better as it went along. How is the dub? Only the dub is out as far as I looked on Nyaatorrents.
AidanAK47
Alright, finished the 3 episodes out. I enjoyed it. It was a fun watch. But I gotta say that the reaction online is rather annoying. I see the original series getting placed on a higher and higher pedestal. Part of the reason I may be enjoying this series is because I didn't examine the previous series under a mircoscope and pretty much acknowledge that it was just a animators showcase.
Kaiser-Eoghan
@Aidan: Probably not as GREAT as Onizuka though.
AidanAK47
So I started watching the new FLCL and let me say that this new teacher is the greatest teacher I have ever seen.
AidanAK47
Don't think it's on Netflix. Though I think that Stardust crusaders is airing dubbed.
Amagi
Is this series on Netflix? It was always one of the few anime that were very popular in the West while still airing weekly and with subs (and despite the fact that we didn't even have the manga in the West)
Amagi
Man that's awesome. Also I have to admit that part 6 is probably my favorite so it's great to know that they'll most likely animate everything.
Amagi
What the hell
AidanAK47
JoJo's part 5 anime announced and it's about goddamn time.
Lenlo
Id agree to that. Im mostly interested in where it goes after what looked like a pretty final ending. Im guessing timeskip of some kind, or World Line switch
Kaiser-Eoghan
I didn't think any of the drama in this episode rung false.
Kaiser-Eoghan
Pretty satisfied with steins;gate this week, kept things moving and the stilted style of the show didn't get in as much the way of the setpiece that was in this episode.
Kaiser-Eoghan
I'm quite surprised by how I've gotten over a 100 chapters in and Asirpa hasn't been fanserviced explicitly.
Kaiser-Eoghan
HH Holmes had a death hotel actually.
Kaiser-Eoghan
Actually I think one of the criminals was based on a real person.
Kaiser-Eoghan
The author really likes referencing real people to, Bonnie and Clyde , Ed Gein, some American agriculturist and the inventor of some refile .
Kaiser-Eoghan
Its very true that golden kamuy does get goofier and thats true for the manga also, though theres a prisoner weirder than the one in episode 11 he does advance the plot further. One of the soldiers gets some backstory too. Sometimes the goofiness works but at others doesn't.
SuperMario
I'm watching the new FLCL and planning to review it once it's done. Maybe.
Kaiser-Eoghan
In my quest and love of historical manga I wound up running into this, these guys are translating it over at their site: https://blog.manga.club/blog/mangaclub-blog-vol-10-jose-rizal-serialization/
Lenlo
Not yet, no. Plannin on it this weekend
Kaiser-Eoghan
There are three episodes of the new flcl out. I haven't seen it yet and its been ages since I saw the original, has anyone watched any of the new series?
Lenlo
I can understand that. Anything less than a 3 I often dont finish/deem worthy even being talked about. In anime or movies.
Kaiser-Eoghan
Its too hard to give 1/5s or 2/5s.
Kaiser-Eoghan
Despite my complaints I gave it a 3/5.
Kaiser-Eoghan
....feck sorry about that. I didn't think anyone else on here would have been interested =< Thanks for removing it.
AidanAK47
Come on Kaiser, even if I didn't get anything out of it doesn't mean that other people won't. Best not to put a big spoiler on the front page of the site.
AidanAK47
Just deleting a spoiler there.
Kaiser-Eoghan
That production company tend to do quite poor trailers that misrepresent their films.
Kaiser-Eoghan
I would probably punch someone for laughing/talking during a horror film though.
Kaiser-Eoghan
Babadook did the grief horror better. Though honestly my favourite horrors this year weren't American ones.
Kaiser-Eoghan
Upgrade might end up being more fun, which is an action horror comedy.
Kaiser-Eoghan
@Aidan: While terribly schmalzy and lacking a proper ending, quiet place had a better idea and atmosphere.
Kaiser-Eoghan
@Aidan: In the end it just felt like comparisons to Rosemary's baby and the Exorcist hurt the film. I just thought it was an awkward mix of commercial and indie horror. Like a lesser version of the conjuring.
Kaiser-Eoghan
@Aidan: I didn't laugh but I also couldn't really feel it/connect with it.
Kaiser-Eoghan
@Aidan: I also disliked how it answered its questions and story rather than leaving stuff unexplained and the actual exposition in the last act was quite awkward.
Kaiser-Eoghan
@Aidan: I saw it on Thursday, it doesn't live up to the witch or even it comes at night. On one hand I appreciate limiting the jumpscares and gore, going more for atmosphere and character drama. Toni Collette and Gabriel Byrne kind of hold it together for me. But the two kids, like in most horror films were awful.
AidanAK47
Just seen Hereditary. The so called scariest film since The Exorcist.
So scary that people in the cinema were laughing.
Vonter
I've been playing Hollow Knight on Switch. It's perhaps the longest metroidvania game I've ever played. The game has a nonlinear progression with a lot of optional areas, which add wonder to the somber and mysterious tone of the game.
Kaiser-Eoghan
I also like how much Nagai overstylizes, overdesigns his characters.
Kaiser-Eoghan
Not that its abandoned its comedic elements.
Kaiser-Eoghan
@Sash: The twin tailed girl got impaled and its gone in a somewhat darker direction yes.
Sash
apparently cutie honey is getting devilman vibes.. haven't watched it though so take this with a grain of salt
Kaiser-Eoghan
@Lenlo: Somewhere in my head is an image of Baraka from mortal combat in the same picture as Himiko Toga.
Lenlo
Hero Aca, still my favorite Shounen.
AidanAK47
Just got the Re:zero Blu-ray a whole ten days before it's officially released. Gotta be the first to see the dub.
Lenlo
Yeah. Her whole scene was terrible. As much as I loved Maho in a pando costume, it should have stopped there. We didnt need the groping.
Kaiser-Eoghan
FERRIS NYAN-NYAN OmO kill it, kill it with muh-fire, kill it with muh-fire.
Lenlo
Also, Megalobox, hot damn. I love it. I love it all. Mmmm I cant wait.
Lenlo
Partly, yeah. Im mid writeup for it. Suffice to say the fan-service was... alittle awkward to me
Kaiser-Eoghan
Filler episode of Steins; gate this week.
Lenlo
I cant wait to see it, ive heard good things
Amagi
Damn I love Megalobox so much it's my favorite series this season.
AidanAK47
I can't wear a suit to work everyday
Kaiser-Eoghan
*wotaku's
Kaiser-Eoghan
You are now aware that you un-intentionally stealth cosplay as watoki's protagonist each time you go to work.
AidanAK47
Pretty sure Psgels is paying to keep the site up but it's not a sum that one would consider significant. Site is dirt cheap.
Kaiser-Eoghan
I've thought about using MPC as an extra player, while mainly using vlc, but vlc can be buggy for me sometimes in that it lags and pixelates the video often , I've used MPC on videos that vlc bugs-out on and they work better.
Kaiser-Eoghan
Out of curiosity, what videoplayer (example media player, realplayer, winamp, vlc, mediaplayer classic)do all of you use for watching anime?
Lenlo
You silly old people
Kaiser-Eoghan
lol how do you think I feel, I've been at this for 20 years =P
SuperMario
All these "confessions" just underline how old we all are; and still keep on that stupid hobby after all those years :))
SuperMario
I first visited the site around 2009, 2010 but was pretty much a lurker until I started writing for the site.
SuperMario
As far as I know, psgels gave the admin privilege for K-Off and Aidan, and it's K-Off who pays for the site now (other admins pls confirm)
Kaiser-Eoghan
Of course I have no idea how much it costs to keep the blog up, he could always end up stopping paying for it if he needed to cut costs.
Kaiser-Eoghan
I'm actually curious in estimating how much longer the blog has left. Obviously psgels must be still paying to keep the site up, but he is, of course only mortal.
Kaiser-Eoghan
The blog began in 2005, but I started reading it in 2009, began posting on the chatbox in 2010.
Amagi
I wonder which weekly review was the first one I've read on psgels. I remember .hack//roots but not sure if it was the first one. Could very well be the case, though.
Amagi
Nevermind, despite being an old as shit reader I never actually read the whole text of the about-part.
Amagi
How old is this blog anyway? I am a regular reader since 2006 or something although it was only recently that I started talking here.
Lenlo
Oh I know all about that Kaiser. It was amazing to read about
Raggers
Wow, this is still going? Good on you guys
Kaiser-Eoghan
*wiki article
Kaiser-Eoghan
@Lenlo: Read the cultural impact of the original ashita no Joe on the youtube article, Japanese actually mass mourned him
Kaiser-Eoghan
Some writers just know how to get an un-explainably effective rhythm going.
Kaiser-Eoghan
I always struggle with commenting/reviewing mood pieces and slice of life mood pieces especially, even when I finish something in the genre sometimes I'll go "I don't understand why this worked so well for me, why wasn't it boring?"
Anonymous2194677
Microsot E3 Press Conference was nuts, they showed too many games.
Anonymous2189608
Hey guys, I made/edited my very first video about a show I greatly love, hope you'll give it a watch too:

https://youtu.be/PdjwePOIbQA
Anonymous2187735
Yeah, and an NES prequel to Bloodstained Ritual of the Night launched a couple of weeks ago. And while easier than NES castlevanias it's quite fun. Also very cheap only $10.
Kaiser-Eoghan
Alas, I've not kept up much with the videogame scene in a number of years. I know there's a spiritual successor to castlevania being made though.
Anonymous2187735
Sorry Nightmare Creatures its what it's called.
Kaiser-Eoghan
Actually come to think of it, the 64 games probably had more vampires than the others I played.
Anonymous2187735
Have you played the game that inspired this Castlevania? Deadly Creatures?
Kaiser-Eoghan
Never did get round to playing as Henry though.
Kaiser-Eoghan
I remember the garden stage being especially frustrating as Schneider because of how slow he moved.
Anonymous2187735
Also that game demands you to play on normal or higher to play beyond that nitro stage.
Kaiser-Eoghan
I remember having to finish the game in a day because I was saddled with constantly rubbish memory cards for my N64.
Kaiser-Eoghan
Sorry, I post fast and long so some of what I say probably might get missed/skimmed over.
Kaiser-Eoghan
Actually I did mention it, called it the nitro stage.
Anonymous2187735
Still I think despite the flaws it's has become fun for me because I surprisingly get better each time I play it. and last time I make the game chug because of how fast I was progressing.
Anonymous2187735
Yeah. But I'm surprised you don't mention the worst part. The Nitro and Mandragora level. In which you have to go across several rooms without jumping.
Kaiser-Eoghan
@Anon: I remember the game punishes you for using the item seller guy too much aswell.
Kaiser-Eoghan
I remember the mansion level being creepy back then.
Kaiser-Eoghan
But the werewolf thing was pretty rad.
Kaiser-Eoghan
And then there was that crumbling labyrinth stage. I remember on hard mode you have to fight the chainsaw gardener too.
Kaiser-Eoghan
The art tower stage is also annoying if you run out of day/night cards.
Kaiser-Eoghan
Also it wouldn't let you finish it properly if you took too long.
Kaiser-Eoghan
@Anon: The N64 castlevanias have so many flaws, weird controls , bad camera , the day and night feature is kind of cool but it also puts a timer on things and certain parts become a pain because of it. They had frustrating bits too like the ice castle part with the weird jump sections and the nitro carrying stage.
Anonymous2187417
Lords of Shadow was another IP the developer had to accomodate into a known IP kinda like Star Fox Adventures.
Anonymous2187417
The other Castlevanias I haven't played are Lament of Innocence and Curse of Darkness. LoS was ok but very long. and it's interquel Mirror of Fate put me off playing LoS2.
Anonymous2187417
I haven't played that one. Seems like a mixed bag. Like Zelda 2 or Metroid 2.
Kaiser-Eoghan
I've seen playthroughs of simon's quest, but we all know why thats a notorious mess.
Anonymous2187417
Castlevania 64 and Legacy of Darkness are also my guilty pleasures. I think if Konami still made Castlevanias it would have tried aping the Souls type of gameplay.
Kaiser-Eoghan
I remember some very very silly voice acting and dialogue in symphony of the night.
Kaiser-Eoghan
I preferred when they were just platform games. Later ones incoperated level up elements if I recall.
Anonymous2187417
After SOTN I think the game coming closer to that greatness is Order of Ecclesia if anything it keeps the difficulty of the classic Castlevanias and puts it in the Metroidvania formula. It has a platforming challenge level that's very satisfying to play.
Anonymous2187417
I've played most of them. Castlevania 3 is a very tough game, but that also makes the journey feel long and rewarding. Rondo of Blood feels like the cornerstone of the series since it's the Castlevania that got most of it's sprite reused in later games.
Kaiser-Eoghan
Reminds me, the game, clocktower is vaguely inspired by an old Italian horror film.
Kaiser-Eoghan
And symphony of the night.
Kaiser-Eoghan
I actually feel I should have played more castlevania back in the day, I've played bloodlines, castlevania 4, Dracula X, legacy of darkness, admittedly the last one isn't a good game and is more of a guilty pleasure.
Anonymous2186526
They could still meet Grant in the Clocktower.
Anonymous2186526
I wonder if the second season will be the journey to the castle like in the game. And the third season is entirely in the castle.
Kaiser-Eoghan
Already a season 3 announced.
Lenlo
Oh god yes. I cant wait
Kaiser-Eoghan
New netflix castlevania episodes out next month.
Kaiser-Eoghan
Was going to mention that. Wish more shows would do o.
Lenlo
Yeah, a lot of plot threads are converging and I like it. My favorite part though was Iglesias and their commitment to non-japanese languages. They were good!
Kaiser-Eoghan
*his bit
Kaiser-Eoghan
@Lenlo: Glad that sachio gets hit bit of backstory and that its well connected to the rest of the overall plot.
Lenlo
Alright Megalo Box was pretty good this week. So much to say
KTravlos
Indeed the Alliance system is atypical of mass democracy. There seem to be no organised parties and lists. Instead administrations seem to be formed on a personalist basis(me and my chums). And the Assembly seems to have very weak powers of oversight. A very flawed institutionally system. But I digress . It is still anime and even from Tanaka I do not expect deep discussion of democratic politics
KTravlos
I mean if two of 9 ministers in an administration resigned in any current representative/competitive election system it would be a big news and embarrassment to the goverment. My guess is that they were blackmailed to stay on, or were too afraid of the war party.
KTravlos
busy weeks (finals and deadlines). Watched the latest LOGH:NT episode. It was ok. A bit dry, but so are many of the episodes of NT or the Original on their own. One think it led me to think is that neither the books , nor the OVA, nor NT explain why Rebelo/Lebello and Huang Rui (the two politicians opposed to the Invasion of the Empire) did not resign in opposition. (Turnhit also opposed but..)
Lenlo
I think its cause of Daru's voice. Hes so overt about it and his voice makes it so clear hes not really being serious about any of that, cause it completely changes when hes talking serious subjects
Amagi
@Kaiser: Yeah I am watching CCS but funny enough I fell behind too, so it might be someone else you're thinking of
Kaiser-Eoghan
Always felt that Daru strikes a hit when it comes to pervy/otaku characters. Most of them tend to be incredibly annoying.
Lenlo
This episode was nice and chill while still moving stuff forward. I enjoyed it. It does seem like we are hitting the main conflict though, with Amadeus and Maho
Kaiser-Eoghan
@Lenlo: I feel with this episode the plot is really moving along now.
Lenlo
@Kaiser, Thats the question aint it? How to savem both? We know he does, cause of the original, but alot happens along the way. Its a great ride
Kaiser-Eoghan
Bad light novels would make for good fire and burning material =)
Kaiser-Eoghan
@Amagi: I think it was you who was keeping up with the new cardcaptor sakura? or may that was bokusenou? I fell behind in it.
Kaiser-Eoghan
Given Japan is often thought to be a racist society.
Kaiser-Eoghan
I suppose though its saying something though, about them dropping that LN author for racism , its probably, considering its Japan, progressive that they called him out for his racisim.
Kaiser-Eoghan
Angel cop's Japanese version I think had some rant about Judaisim in its last episode too I think.
Kaiser-Eoghan
Honestly I try not to seek out stories about how awful certain creators are if I can.
Kaiser-Eoghan
Viz decided not to run Kenshin's followup/side story manga. But oddly they decided to keep going with toriko even though toriko's author also got in trouble for pedophilic charges.
AidanAK47
Looking at that Isekai anime I say we we saved from something truly terrible. Though I find it odd that it was dropped because the author was a racist not because of it well...being goddamn terrible.
Kaiser-Eoghan
@Amagi: I watched a random episode, laughed more than I should have.
Amagi
btw Is anyone besides me watching Tiramisu? Am I the only one that finds this shit funny?
Kaiser-Eoghan
@Amagi: I'd only read the ANN article title and decided I wouldn't entertain the comments by reading on.
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